#space branding agency

[intericsspacedesign]

The Role of Space Branding in Customer Journey Mapping

A customer’s journey might look straightforward, but a customer goes through a lot of stages and experiences before they even begin connecting with your brand. Building those experiences and stages for the customers in a memorable way is Space branding. This means designing physical environments that reflect a brand's identity, values, and messaging. It involves everything from the layout and décor to the sensory elements that create an immersive experience. When executed well, space branding turns any environment, be it an office, retail store, or experience centre, into a powerful touchpoint in the customer journey.

The Role of Interics Designs as a Space Branding Agency

As a leading space branding agency, we specialize in setting up compelling environments for experimental and technology centres. By using innovative showcasing methods and ideas, we display game-changing technology, create extensive history zones, install and highlight exhibits, and project technological breakthroughs while remaining true to the brand.

The objective is to map a customer journey and help visitors 'experience’ the ideas, products, and achievements that have impacted lives around the world.

The key elements of space branding in experience centres are essential:

First Impressions: The Entrance

Entrance is the first physical touchpoint in your customer’s journey. The entrance is often the first physical touchpoint in your customer’s journey. We strategically plan your entrance and set the tone for the entire experience. This could include branded signage, welcoming lobby designs, and thoughtful décor that immediately conveys the brand's personality. As an Office space design agency, we emphasize creating entrances to make sure that your customers have a positive and long-lasting impression of your brand.

Navigation and wayfinding

The easier it is to locate, the more satisfied your customer will be. As experts in spatial design, we use different methods to make clear and intuitive navigation essential in any branded space. We ensure that we provide effective wayfinding for customers to find their way. This also enhances the overall experience of your customer by reducing stress and frustration in locating. To provide this easy wayfinding, we implement signage, digital displays, and interactive maps that can all be branded to reinforce the company's identity while guiding customers through the space.

Engagement Zones

Engagement zones are an important and integral part of experience centres. We design the finest experience centres that always tell the brand story with a unique narrative that involves interaction, brand values, and heritage. We carefully design these spaces for your customers to see, wait for, and invest their time in. This is possible for us because of our deep understanding of culture, brands, and consumer science.

In a retail environment, these might be product displays and demo areas. In an office, there could be collaborative workspaces or relaxation areas. A small office space design can incorporate engagement zones that maximize the use of limited space while still delivering a branded experience.

Consistency and Cohesion

Consistency is key in space branding. We make a strategic approach that aligns every element, from the colour scheme and furniture to the lighting and artwork. We make sure that all the spatial designs created by us should work together to create a cohesive brand experience. This consistency helps reinforce the brand message and makes the journey more memorable.

Conclusion

Space branding is a vital component of customer journey mapping. By partnering with Interics Designs as your space branding agency or office space design agency, your businesses can create environments that enhance every stage of the customer journey. From first impressions to well-designed spaces, they can leave lasting impressions, foster brand loyalty, and ultimately drive business success.

Whether you’re a large corporation or a small business, investing in space branding is an investment in your brand’s future. By thoughtfully designing your physical spaces, we can turn every customer interaction into an opportunity to strengthen your brand and build lasting relationships.

[mediaheights]

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[visionboardstudio01]

Vision Board Studio offers visual merchandising services in Mumbai, specializing in creating captivating window displays. Building trust and recognition in the market is crucial for a business to succeed. This can be achieved through developing a retail identity design that sets the brand apart in the industry and creates a lasting impression in the minds of its customers. If you want retail identity design services, please visit our website or contact us today.

[yertooweb]

Create A Perfect Image For Your Company With Brand Design

Brand design is an essential element of any business. It is the visual representation of your company and it tells a story about your brand. It is the first impression that customers have of your business and it should create an emotional connection between your business and your customers. From logos to website design to office space, everything should be carefully crafted to create a perfect image for your company. In this article, we will discuss the importance of brand design and provide tips on how to create a perfect image for your company with brand design.

Brand Design is a powerful tool for transforming a company’s image. It helps create a strong and consistent identity that allows a business to stand out from the competition and make a lasting impression on customers. A well-crafted brand design allows a company to communicate its values and purpose, creating a stronger connection with its target audience. With a smart brand design strategy, businesses build loyalty and trust among customers, making it easier to gain new customers and drive growth.

Yertoo Brand Agency India is the perfect choice for creating a perfect image for your company. With the expertise in brand design, Yertoo brand agency India can help develop a strategy that accurately reflects your company’s values and mission, while also cultivating a positive brand perception. Yertoo’steam of professionals has the experience necessary to develop an effective brand identity that will resonate with your target audience. They understand how to create an image that stands out and they are experts in creating modern and professional designs. With their help, you can ensure that your company is represented accurately and to bring real benefits.

In conclusion, creating the perfect image for your company is an essential part of any branding strategy. With the right help and expertise, it can be a rewarding process that brings results and long-term value. The team of professionals at Yertoo Brand Design Company are highly skilled and experienced in developing powerful brand identities that speak to your target audience. By investing in their services, you can guarantee success in creating an impactful and effective brand image for your company.

[smartexhibitiondesign]

TIME EFFICIENT DELIVERIES THROUGH DESIGN PROCESS

At the beginning of any new design project, the excitement is contagious. Being in the creative field, each team and each team member has countless ideas and different visions for the project. For any creative branding agency to be able to come up with an accurate solution, Design Process is a must. 

Each project, especially large-scale projects with a bigger number of deliverables must have a pre-decided methodology which is to be followed. 

What is a Design Process?

 Space Design projects require separate teams with distinct qualifications and equally important roles to come up with a concept for the space. Each role requires a process to be followed. The processes followed by each team should be collaborated for an aesthetic and timely design delivery. 

The standardization and documentation of these processes at every level which is to be followed by each team is a Design Process.

 The importance of the Design Process 

An efficient design process is a methodology that helps simplify large complex processes into easy smaller stages for a time efficient delivery. Other than providing a structure, a design process also helps maintain and augment the quality of the work produced. 

A few other benefits of following a structured design process are: 

-Enhance collaborative working

Regular and to-the-point communication with the client ensures a brief with clarity and keeps the client in loop throughout the design process. 

-Ensure Good Quality Designs

A structured design process ensures apt research and a well-grounded brief which helps avoid confusion. This helps the creative team to give their best and achieve a new benchmark for quality. 

-Fool proof delivery

Following a design process results in 

-Time efficient delivery

Through efficient collaborative efforts and avoiding mistakes and rework, a design process ensures on-time, high-calibre deliveries. 

-Precise communication

Design Process helps the design team to come up with exact designs based on the expectations of the client. This avoids both underachieving and overachieving the expected standard. 

Our Methodology 

Interics designs being one of the topmost brand design agencies for almost 3 decades has articulated a fool-proof methodology fine tuned over the years of experience. 

We start with simultaneous procedures of a detailed space analysis along with an in-depth brand research and market research. 

The team then creates a spatial theme/ story to unite all zones of the space and promote brand enriched content. 

The next step is content mapping where the space is divided within zones and further divided into individual touch points. Brand related/ Theme related content is then assigned to each individual touch point. 

Then the touch points are designed with theme related graphics. Installations, signage’s and interiors. 

Interics then refers to the huge global and local network of production experts and vendors to find accurate and cost-effective execution partners for the project. 

Coordination with separate vendors for each type of touch point, planning a timeline for the execution and finally application of the prints and installations in the space is the final step. 

Our Experience 

Interics recently worked on a large-scale space design project with an uncompromising timeline. The project included space design strategy, graphic design strategy, and signage strategy. Each of these deliverables required a separate expertise and had a team designated for these deliverables. 

The project was at a construction stage while team Interics was working on the designs. Interics created separate communication systems with the client as well as a timeline for internal communication among the teams. The timeline included weekly internal meetings as well as weekly progress reports with the client. This ruled out any scope for confusion and miscommunication.

 The first step of the design process which is the Space analysis happened simultaneously with the in-depth brand research. This was possible due to the correct division of teams according to the expertise of each member. 

The teams together then came up with a theme – Layered excellence which was then translated into a design language used across graphics, installations and signage’s in the interior, exterior and the factory premises. 

After developing brand enriched and aesthetic designs, the designs were explained and shared with our network of vendors and production sources which made the pre-production files working easy. 

The design process developed over years of experience helped Interics deliver yet another successful space design project. 

 Conclusion 

Being an International design Consultancy, Interics Designs provides both time-efficient and cost-efficient solutions for all space design needs. 

Contact INSpaces for all international exhibition stall design, spatial branding and corporate office branding needs. INSpaces is a specialized division of Interics Designs - a renowned creative design agency in India, Branding agency and Brand design agency- with enormous experience in Brand Strategy, Brand Image Building, Graphic Design, and Environment Branding. Pay a visit to INSpaces’ splendid portfolio at www.smartexhibitiondesign.com.

[shreyaexopic]

[mariapaulaabello-portafolio]

· N · É · B · U · L · A

NÉBULA:

Branding e identidad visual para una agencia de viajes espaciales.

Creación de contenido para redes sociales y mercancía.

(Posters promocionales)

Son 3 los paquetes de viajes espaciales que ofrece NÉBULA :

Space Runners: Enfocado en aventureros que quieren ir a Marte

Venus my love: Enfocado en parejas que quieren llevarte a una experiencia llena de amor en VENUS. Podrás ver los increíbles atardeceres que ofrece este planeta.

LUNA - Space Walk: Haz una caminata lunar y deja tus huellas en el espacio.

***

[thealexchen]

thoughts on LIS: Double Exposure?

This is probably gonna be my hottest take in awhile, but: I deeply dislike the idea of an official LiS1 direct sequel game existing. Excluding all my thoughts on the gameplay, story, Max's character, etc. I don't think a game like Double Exposure is necessary.

This isn't a new take either; back in 2020 I made a Reddit post saying I was glad we never got a continuation of Max and Chloe's story, because in order to have a plot, you have to have conflict. And to have conflict means your characters are forced to change or struggle in some way, and I simply wasn't interested in seeing that again. I never even read the comics. As long as Max and Chloe's future existed only in the fanbase's collective imagination and not in an officially licensed game, Pricefield could be as happy as I wanted and I wouldn't have to witness DN or D9's version of canon.

A lot of fans, including myself, are also confused and upset as to where Chloe could be in Double Exposure. Even if Chloe winds up having a surprise role, it would likely be too logistically difficult to write Chloe into one version of the story and not the other. Either way, DE is strongly pointing to Chloe no longer being the deuteragonist. If D9 was going to make a direct sequel with Max and Chloe, I could at least be intrigued by how they might write their dynamic and how they'd use Max's power in new and interesting ways. But instead there's... none of that. Chloe's nowhere to be seen and Max can't time travel anymore.

On a narrative level, Max and Chloe are the heart of the original Life is Strange. They represent the game's central relationship, and their very first interaction (Max saving Chloe's life) kicks off the entire story. Throughout the story, their dynamic advances the plot and mutually motivates their character arcs. You can't have LiS1 without either Max or Chloe; the story simply wouldn't exist without them. Now in DE, they don't even seem to be in each other's lives anymore. It's true, this series is meant to reflect universal feelings and experiences, which could include breakups, but the romantic catharsis of Pricefield as canon soulmates who defied time and space itself to stay together forever is something you can only get from the beauty of fiction. To jab DE's story with a dose of reality and go, "Eh, they grew apart. Shit happens," totally undermines everything the Bae ending stood for.

On a technical level, Max's rewind was an objectively brilliant game mechanic. LiS1 arrived onto the scene after Telltale had paved the way for the resurgence of choice-based, episodic games, but LiS1 totally reinvented the wheel by giving the player the option to go back and weigh each option before continuing, essentially save-scumming in-game. But the right choice was never that easy to determine, and Rewind brilliantly complemented Max's character arc of overcoming her indecision and learning to live with her choices. Not to mention, you could also use Rewind to solve puzzles, instead of the endless fetch quests the later games had. No other LiS game since then has given the player that kind of agency and interactivity. LiS2 had telekinesis, but the player couldn't use it, only Daniel. D9 tried with Backtalk and Empathy, but Max's Rewind was truly the narrative and gameplay jackpot that they haven't been able to recreate since.

So if you take away one half of the central relationship that made the first game so memorable, and the supernatural power/game mechanic that made it so fun to play... why even bring Max back at all? It just feels like D9 threw away their golden opportunity to build upon the major selling points of the first game and are only relying on name recognition of the Life is Strange "brand" and Max Caulfield.

What upsets me most of all about a direct sequel existing is that it proves that Life is Strange, as a series, now stands more for profits than originality. Life is Strange will always be an IP meant to make money for Square, I know that, but back when LiS1 was just a brand new episodic game, it stood out for how different it dared to be. In a landscape saturated with shooters, sexualized female characters, and casual misogyny, LiS1 instead featured a teenage girl in a contemporary setting that took her seriously and made her the hero of her story. Before it was a franchise, LiS wasn't concerned with the bottom dollar; it was a piece of art that just wanted to tell a thoughtful, unique story.

Whether you love it or hate it, Life is Strange 2 was an insanely risky follow-up to Life is Strange that refused to rely on the convenience of a direct sequel because Dontnod stuck to their artistic vision. Meanwhile, all of Deck Nine's games have leaned on the first game's following to generate interest (BtS being a direct prequel, TC bringing back Steph, and Wavelengths expanding on Steph's connection to Chloe, Rachel, and Arcadia Bay). In other words, all of the subsequent LiS games by D9 have played it very, very safe. It's worked like a damn charm because there are still elements I love about each game, but the basic principle is nostalgia-baiting fans. It's just that now, Double Exposure isn't hiding that nostalgia bait at all anymore and prioritizing profits over telling a unique story. It's sad to see that LiS has strayed so far from its risky, daring, original, and unique artistic beginnings.

Before I end, I'll say that I can't be too cynical about it all, nor do I want to be. Because I can't deny how much joy this whole series has brought me, too. LiS was what got me into narrative adventure games and pushed the boundaries of what a video game could be. If nothing else, I am truly thrilled that Hannah Telle got the chance to play Max again. D9's always been great at maintaining relationships with their actors, and the casts of their games always have consistently great chemistry. Getting recognized by Erika Mori on my own blog is still unbelievable and speaks to the amazing community that LiS has built. As you can see, I'm still posting and reblogging stuff about Double Exposure. And while I don't see myself buying or playing this game for myself, I know it'll keep all of us talking for awhile, and I still live for a good discussion.

Thank you for asking! And thank you for reading.

[williamrikers]

On the subject of consent in recent BLs

In this analysis, I will take a look at several love scenes in recent Thai BLs, how they frame consent and the sexual agency of the characters, and why those matter.

(KinnPorsche deserves its own post: I’m sure people have already written in detail about how much emphasis is placed on issues of consent/non-consent throughout the show and how fundamental consent is to the relationship arcs of both KinnPorsche and VegasPete, and I won’t belabor the point here. Also, special shout-out to The Warp Effect for what it brought to the conversation about gay sex, but TWE isn’t technically a BL so I decided not to include it in this analysis.)

I am going to take a closer look at the following shows in this essay: Not Me, The Eclipse, A Boss And A Babe, Step By Step, and La Pluie.

Not Me and The Eclipse predate the other shows by two years/one year respectively, but I feel it is valuable to include them here because both show very explicit negotiations of consent that I feel are spiritual successors to the wonderful scenes we’ve been getting in the other three shows.

Why am I even writing this? There used to be an unfortunate tendency in the genre to have a power imbalance between the “seme” and the “uke” character, which translated into the seme deciding when to have sex and what kind of sex to have—and even though recently, several shows have done good work in dismantling the seme/uke dynamic and questioning the associated stereotypes, it cannot be denied that the archetypes are still an important part of most BLs, and even in cases where the tropes are played with and questioned, understanding those subversions still requires a knowledge of and familiarity with the original tropes on the part of the audience.

However, gone are the days of Until We Meet Again and Dean’s “I’ve waited long enough, make sure you’re ready.” (I enjoyed UWMA a lot but that was. Yeah. Not Great.) Now, we see characters actually talking about and negotiating their limits, and doing what feels good to them.

Let’s start from the very beginning. Not Me was an absolute trailblazer in this regard, and not mentioning it here would be a gross oversight. The first time Sean and White have sex, it happens in their version of the beach episode. (Which, in Not Me, is the two characters briefly living in a tent inside an abandoned building. This show is the best.) Sean and White are removed from their usual environment and protected from the outside world by two barriers: the walls of the old house and the tent that’s literally enveloping them and giving them a space that is unequivocally theirs, shared, in which neither one of the characters has any sort of power over the other. And what happens in that space when they’re about to have sex is extremely interesting: the first thing Sean asks is whether White is afraid of him, which White denies. The following exchange goes like this: White: "So, what are we doing?" Sean: "What should I do to you?" White: "That’s up to you." (Watch the whole scene here.)

I find this exchange incredibly meaningful because this already turns the seme/uke dynamic that can be found in a lot of other shows on its head. OffGun as a branded pair can easily be stereotyped into the seme/uke dynamic just because of their physical appearances, and clearly spelling out that both characters have agency in this scene is incredibly important.

And then it gets better! Sean assumes that White is sexually inexperienced (which is not true but the fact that White was actually in a relationship with a woman back in Russia never comes up again after the pilot episode, so maybe the show expects us to assume this, too), and suggests they try different things and White can tell him what he likes and doesn’t like. Compared to the stuff we’re getting now, this scene isn’t very high heat at all, but it’s one of my favorite intimate scenes ever because them asking each other “Do you like this?” after every kiss, every touch, is so incredibly unique and transports a wonderful sense of figuring out sexual pleasure together, as a couple.

Sex in Not Me is not something one character does to another, it is something that is discovered and shared together, and we even get an afterglow scene in which they gently tease each other about their fast beating hearts. (And don’t get me started on the importance of White choosing to ask Sean whether Sean is okay with White not being like Black in that moment right before they have sex, because he doesn’t actually want to have sex with Sean as Black! He wants to discover and share intimacy with Sean as White, as himself, not as his brother! The layers!)

Anyway, I think that scene paved the way for a lot of the conversations around consent we’re now getting in BL, just because it is so explicitly, unashamedly putting forward a definition of sexuality that has nothing to do with one character actively giving and the other passively receiving, but frames intimacy as something that is built together. (More on giving and receiving later!)

Now, moving on to The Eclipse. I decided to include the first time Akk and Aye have sex for a different reason: while we don’t really see them actually talking about consent, we see them practicing non-verbal consent. Let me explain. Akk’s and Aye’s whole thing is teasing each other. At first, Aye is usually the one doing the teasing, but Akk gets the hang of it towards the end of the show and teases his boyfriend right back. When they’re in Akk’s childhood bedroom together, Aye clearly alludes to the fact that he thought they might use this opportunity to have sex for the first time, which Akk pretends not to understand, all while alluding to it himself. I love this guy. (Watch the whole scene here.) Anyway, Akk says he wants to sleep, lies down and once again, tells Aye jokingly he just wants to sleep, clearly expecting Aye to do what other BL protagonists do at that point and not take no for an answer (sidenote: I HATE the “saying no as foreplay” trope with a passion and as far as I’m concerned it should die already).

However, Aye is not like other BL love interests, and he backs off. He stops touching Akk, lies down with his back to Akk, showing Akk that he takes him by his word: if Akk says he wants to sleep, Aye is going to let him do just that. So now, it’s on Akk to say that, no, that’s not what he meant, can Aye please come back to cuddle. And then Akk is the one to escalate from cuddling to kissing, which is extremely important: we know that Aye has been ready to have sex with Akk since forever, it’s Akk who’s been having hangups about intimacy this whole time.

They don’t put consent into so many words on this show, but Aye shows Akk that he respects his limits and that Akk only has to tell him he doesn’t want to do something and Aye will take him at his word.

So, these are, to me, two foundational scenes of establishing consent: one that shows consent as something that is established verbally, as an ongoing conversation, and one that shows consent as something that is established physically, by showing your partner that you respect their choices and limits by way of simply acting accordingly.

Now, let’s get into the fun part: scenes we got so far in 2023. I’m writing this post on the 13th of June, and I’m sure this year still has some great things in store for us, especially because Step By Step and La Pluie are both ongoing and neither of the main couples are actually together yet at time of writing. However, they’ve both already given us AMAZING scenes on the topic of consent, so I feel it is worthwhile to write about those already.

I want to start off by talking about A Boss And A Babe.

Let me just preface this by saying that the intimate scenes in ABAAB are some of my all time favorites in BL ever, because in them, sex is something that is just so normal. When Gun and Cher have sex, we don’t see them very passionate, excited, reluctant or wide-eyed innocent (which are some of the emotions traditionally associated with sex in BL). On the contrary, in every single scene that shows them being intimate, both characters are incredibly calm. They’re certainly happy to be with each other, but in a subdued way. Someone described their second intimate scene as them seeming like they’ve been married for a few years. They’re both just… incredibly normal about having sex with each other. It’s simply something they like to do together. It’s a part of their romance but it’s not more or less important than any other aspects of their lives.

And consent is at the very heart of it.

When Gun and Cher have their first time, we see Gun explicitly asking for consent two times: first, “Can I kiss you?”, then, “Can I do more?” The second one even comes with the promise that if Cher says no, Gun will immediately go to sleep without mentioning it again. And then it is on Cher to say yes, to pull Gun close and kiss him to show him that he is comfortable with taking things further. (In the show, these two questions were shown apart from each other, I cut together a version of the whole First Time Scene in its entirety, watch it here.)

Now, things get more interesting: the second intimate scene shows Cher initiating the encounter (watch the whole scene here). Cher pretty consistently falls into the uke category, both physically and as far as characterization is concerned, but he’s certainly not shy in the bedroom. And this time, he’s the one who asks for consent from Gun: Gun asks “You’re starting it?” and Cher’s response is “Can I?” Despite him being framed physically lower than Gun, basically at Gun’s mercy, he still seeks confirmation that Gun is okay with the way things are going. Not to overstate it, but to me, this feels revolutionary. Once again, we’re being shown that sex is something two people do together, as a shared activity, and that the “seme” character isn’t expected to just be up for it. He, too, has the right to say no.

On this show, sexual agency is taken extremely seriously, and it is clear that both Gun and Cher give each other space to decide what they’re comfortable doing. This is shown in non-intimate scenes as well: there are so many moments on ABAAB in which the characters negotiate physical touch and closeness, asking each other for hugs before actually hugging each other, Cher leaning on Gun’s shoulder in the car but not allowing Gun to touch him because that’s not what he’s comfortable with in that moment, and so on. (The only exception to this otherwise pretty consistent rule is the kiss in the car scene, which I’m still extremely confused about because it seems to go completely against Gun’s character. Who knows what happened there.)

Of course, the fact that so much emphasis is placed on negotiation and consent isn’t surprising on a show that has such obvious kink undertones and whose Our Skyy 2 entry basically consisted entirely of Dom/sub roleplay at work—I’m just saying, I think someone on the writing team is way into BDSM and knows all about the importance of enthusiastic consent from all parties involved, and I would like to send them flowers.

Step By Step hasn’t really reached the point where we can analyse the dynamic between the main couple (although we can take some educated guesses based on the interactions we’ve seen so far). However, last week’s episode had an extremely important scene between Pat and Put: Pat wanting to have sex with Put, then changing his mind mid make-out (watch the whole scene here). I really like the way this scene was done. No matter how shitty Put treats Pat at times, in this instance, he immediately understood and respected Pat’s change of mind without Pat even saying or explaining anything—at the end of the episode, Put says to Pat that Pat should tell Put when he feels ready to have sex. (We already know this will never happen because of course, Pat and Put are not endgame, but I do appreciate the sentiment.)

BLs rarely include a whole storyline in which the protagonist is in an actual, serious romantic relationship with someone other than his endgame love interest (hi Moonlight Chicken!), or if they do then just to up the angst factor. In this case, however, I feel that this scene raises our expectations for Jeng even further: if the guy who is definitely not a romantic match for Pat treats Pat with this much respect in the bedroom, then Jeng has to do at least that and then some. I do feel confident that Jeng won’t disappoint in this regard, but it’s fascinating to see a show frame this kind of respect as the absolute baseline minimum, with the endgame love interest expected to do even better.

Now, the one you’ve all been waiting for. The one that made me write this whole essay in the first place: La Pluie.

Oh boy. Where to start.

A week ago, we got an incredible make-out scene on Saengtai’s floor, which ended in Patts stopping the encounter because he could tell Tai wasn’t really comfortable taking things further—@bengiyo talked about that scene in detail here. And then, three days ago, La Pluie gave us the most unique, trope-defying, timeline-changing blowjob scene of all time, and I want to talk about it.

Tai and Patts are making out on their bed, Tai is not ready to go “all the way” and stops Patts from undressing him. We see a very realistic frustrated reaction from Patts, who nevertheless immediately stops and accepts Tai’s wishes—it is clear that Patts does not expect things to go any further at this point, and that he won’t pressure Tai into anything.

And then, Tai offers to blow him.

(Unfortunately, this show is only on iQiyi so I can't link to it, but you can get a good impression of the scene here.)

I mentioned the concepts of giving and receiving earlier: other people have said this more eloquently than me, but there is a tendency not only in BL but also in wider society to view sex in terms of giving and receiving, with a lot of expectations and stereotypes attached to the roles during different sexual acts. On other shows, that blowjob might be framed as a consolidation or an apology, something that the giver does out of a sense of obligation without enjoying it much. Not so on La Pluie! Tai is shown incredibly happy and satisfied afterwards, both when they’re sleeping next to each other, as well as on the morning after (see also @ginnymoonbeam's post about that here). Tai offered to blow Patts because he simply wanted to, not motivated by guilt or anything of that sort. And he genuinely enjoyed it! In the post I linked above, @bengiyo points out that La Pluie consistently centers queer desire, or more specifically in this case, male desire for a male body; much in the same way that the camera fucking loves Force’s body on ABAAB: the sensuality of the skin, the hands, the abs, the flat chests, the broad backs and shoulders of these men is explicitly emphasized, and Tai’s desire for a dick in his mouth is made absolutely crystal-clear. Of course, since this is a TV show and not a porno, we only see Patts’s thumb in Tai’s mouth instead of his dick, but the imagery, the implications, are clear as day.

And it is such a gentle framing, too: Patts caresses Tai’s lip lovingly, Tai opens his mouth slowly, seductively, then faces Patts’s crotch with a soft look on his face. We do get a clear sense of this encounter as tender, and gentle, and most of all, desired. Tai’s queer desire is at the heart of this scene, and at the heart of the afterglow scene as well. He wanted this man’s dick in his mouth, openly suggested it, showed Patts he was sure about his decision after Patts asked him whether he was, and ended up clearly happy and satisfied with the sex they had. This post, also by @bengiyo, goes into more detail on that.

This, once again, shows us sex as a conversation rather than a series of predetermined acts, shows us sex as a shared activity, as something that can be wonderful and intimate and make people happy without following what society views as “the correct steps”. I think this is extremely important because one part of queer identity is figuring out one’s own relationship to sexuality, one’s own desires and needs, and BLs that ignore this aspect fall a little short in my opinion. Sure, those men are kissing, but do they experience queer desire? Do they experience joy in their queer desire?

For me personally, a show that does not shy away from these questions is a lot more meaningful than a show that does, and consent is at the heart of it all. By framing sex as a conversation, as something that is built and shared together, the shows I looked at here are actively positioning themselves against the idea that there should be predetermined roles for partners during sex, and instead suggest that queer joy can be found in communication and consent. Understanding sex and intimacy as something that is built together, with both partners as equals in conversation, is just as radically queer as a man waking up with a smile on his face after giving his soulmate a blowjob the previous night.

And quite honestly, a male character who clearly, passionately, unquestioningly communicates that he wants a dick inside of him—that is incredibly sexy. But maybe that’s just me.

[soundspeachytome]

7 minutes in heaven - shohei ohtani au

summary: Y/N snoops around famous football player Shohei Ohtani’s locker in search for a scandal against his clean record but ends up in one herself.

tropes: friends with benefits, friends to lovers(?)

tw: *slight* smut, mentions of sex, oral (f receiving)

word count: 30,033K words (i'm SO sorry in advance holy shit)

hi! it's been a while. when i made this account, i vowed to write at least once a week but it had been so difficult this month juggling work, my chronic migraines, and seasonal depression (lol).

please note i did not proofread this so plsssss i apologize for grammar mistakes and inconsistencies!!

posting this on the last day of 2023, hoping to give everyone a good read before we welcome the new year. so thankful for this small space to try, linger and reset all over again. hope you had a very merry holidays with your loved ones.

This is a work of fiction. Names, characters, places and incidents either are products of the author's imagination or are used fictitiously.

==================================

Locker Lockdown

At around thirty minutes past four in the afternoon, I skimmed the clubhouse for any signs of life. It was only the quiet that prevailed. Clear. 

I tiptoed my way towards the player locker room. I only had around ten minutes to locate the correct locker and take whatever I could find. Discovering the locker area to be empty and unguarded, I felt a surge of excitement. 

Six years later, I couldn’t get my big break and decided sports journalism could catapult me into somewhere big in the industry. This is my last chance to prove myself, otherwise I’d have to reconsider going back home and write Hallmark greeting card messages again. 

Shohei Ohtani’s jersey number is the number 17. Lucky bastard, after all these years and even after going through free agency, he got to keep his famous number, even at the cost of having their senior player give it up for him when he joined the football team. 

And here you might be wondering why I’m doing this aside from my sheer desperation to get an official spot in the workplace and not eat scraps of topics editors discarded for themselves. 

Some people are privileged to a fault.

And I hate seeing him on TV. Or on social media. Or his Colgate-white smile plastered all over my favorite beer and skincare brands. 

Some would say this is the TMZ tabloid level of writing. I say this is investigative journalism. Find out if the famous favorite son-in-law has any flaws of his own and wrap around a bowtie of hidden horrors of sports documentaries. 

And where else can we find this but in the athlete hotpot: their locker room.

I found Shohei’s locker right away as it was the tidiest locker among all on display, with nothing but brand-sponsored clothing hung neatly on the rack. He also donned the top shelf with some dog-eared self-help titles and vitamin bottles. While the rest of the athletes have pictures of their girlfriends, wives and their kids, Shohei has an unreleased polaroid selfie with his dog, Dekopin, just right beside his perfume bottles. Dekopin was looking away, captured in mid-yawn, with his ears raised, and Shohei, smiling into the camera with pursed lips and a snapback on.

I got so immersed into reading the ingredients of his vitamin bottles, trying to find anything remotely related to steroids, or any form of illegal bodily enhancements, that I didn’t notice footsteps from outside the hall.

“What are you doing here?” a voice loomed behind me and I dropped the diet supplement bottle in panic.

Only the sound of the bottle rattling could be heard as I locked eyes with Shohei Ohtani, tall and all muscular. His hair was sweaty and unkempt and his eyes held mild anger and confusion. After the bottle stopped rolling and settled somewhere on the floor between us, there was only silence and the cold sweat building up at my back. 

I swallowed hard. I planned everything from studying the stadium’s entrance and exit doors but I didn’t plan on bumping into him. Not like this. Not when I’m at the lowest level of the social hierarchy right now. 

I could only be ashamed. 

Brain still befuddled at the thought of getting caught, I urged my limbs and picked up the vitamin bottle and returned it back to Shohei’s locker. The plan was not to respond at all and run as fast as I could before the rest of his team arrived. That was the only way to keep whatever dignity I have left. 

“I said, what are you doing here?” He caught my arm mid-exit and pulled me back, tightening his grip. 

“Let go of me.” I struggled to keep my balance and the way my voice wavered was no help at all. 

Shohei saw the camera slung over my shoulder and looked back at me, realization hitting him.

“Y/N, are you a sports journalist now? And were you looking through my stuff?” he said, sounding almost disappointed. 

“That’s none of your business. Let go of me.” I kept my voice steady but his grip only tightened. The sides of my eyes slowly formed tears. 

“What tabloid media do you work for? I should report you. Would you like that? What a shame you’ll be banned from all the games now, right? You nasty journalists just won’t keep your noses away from my business.” he took my camera and deleted all the photos I took of the contents of his locker. I tried to leap for it but he was obviously inches taller than I was and I was no match for that.

“I don’t write tabloid news. If I was, my name would have been all over TV by now.” I grabbed the camera from him and sighed morosely at the lost media. A day’s work is all lost.

“My boss gave me a green light to do a documentary about the team. And the star player.” I wiggled my fingers in front of him, as if to emphasize the word “star” in front of him.

“I came here assuming you and the other players would be here for an interview but no one was around yet. So I hung around a bit and took interest in your nutritional supplements.” Lie after lie after lie. I gritted my teeth and faked a smile. The most convincing lie I’ve learned on almost all my failed dates and relationships was to stroke a man’s ego and have him talk about all the things he is interested in, making him divert his attention to something else. 

“You’ve got really good, um, vitamins for muscle recovery there. Maybe that’s why you got so big and strong, right?.” He looked at me dubiously, nodding responsively to be polite. If he took the bait, then he is obviously just like any other guy I’ve ever met. 

“I mean, I guess? I’ve been doing deadlifts so–”

Approaching footsteps and faint voices were heard from the hall. Shohei pushed me toward the opposite end of the hall, where the showers were located. 

“Wha–” I started but was shut up when he pushed me further into the back of the shower room, swiping the doors closed. 

“Shut up if you don’t want to be caught.” He growled and I recoiled back into the tiled corner. On top of me was the almost rusting shower head who had seen better days, and two bottle pumps for shampoo and body wash. 

Voices and conversations were starting to fill in the locker room that was empty only a few seconds ago. The voices of men echoed through the shower rooms.  You could hear the sound of water turning on from neighboring shower stalls, laughter and tired conversation in the locker area. We were surrounded.

Shohei could be heard laughing with his mates while blocking the door to the shower room I was hiding in. 

“Are you using that, Sho? I could use a hot shower right now.” one of his teammates said. 

“Uh, no, I was just about to use this room, sorry.” he said, almost hesitating. After a few seconds, he entered the shower room and started undressing. 

I widened my eyes and shot him daggers. When he unhooked his shirt from his armholes, I was rendered speechless. 

He had the body sculpted by the gods with his wide shoulders and large pecs that glinted under the light. How could someone look handsome and beautiful at the same time? 

So when Shohei reached for the waist belt of his pants down, I didn’t know why I had choked on a silent scream. I looked away, embarrassed to have reacted like an inexperienced teenager. I have seen and have been with naked men before. This should be nothing new to me and my level. Or so I thought.

I stole a glance at Shohei, who was slowly walking towards me (or to the showerhead, where I stood under, obviously)  in only his boxers on, gazing at me in wild amusement.

We were almost inches apart from each other, foreheads almost touching, breaths almost converging, if you may. If I stand on my tiptoes, I would be almost at his eye-level and I could peck him on the lips if I wanted to. 

If I wanted to.

“Sorry, but I need to shower or someone else will try to take this stall.” His voice broke my salacious thoughts. He looked at me and turned the shower on.

“Are you serious?”

“Yes, I’m supposed to. Aren’t I? I just got off practice and I stink.” He said almost sarcastically.

“So I’m supposed to just watch you bathe and hope I get out here alive?” Water slowly dripped into my shirt, soaking my chest and exposing a bit of my underwear. 

“If you didn’t sneak in here, we wouldn’t have this problem.” He concluded and pursed his lips, not looking at me. 

“Shohei? You okay? You sound like you’re talking to someone.” a familiar voice floated into the shower room.

“It was a video on my phone that I forgot to pause, Ippei-san.” Shohei’s face turned red but recovered quickly, glaring at me. 

“Oh, well then, I thought you finally had a girl in there. I was wrong.” Ippei laughed.

Shohei started lathering body wash on his body at the slowest pace possible. His hands glided through his chest, stomach, and into the dick he’s restraining inside his boxers. Simply having this view had me almost whimpering. If it had been another day, I would have obviously enjoyed this, having a sexy man bathe in front of me, because who wouldn’t? But under my circumstances, I’m only fairly annoyed at being a flustered, hot mess and I couldn’t do anything about it. 

“Oh, fuck, now you got me wet.” I blurted a little loudly as the water splashed and got into my socks. 

Shohei’s widened and panicked eyes shot at me.

In between those short seconds, Shohei was able to respond quicker than my brain could. He had faked a laugh and said loudly, “Well, that’s awkward, the video keeps on playing on its own. Let me turn my phone off instead.” gaining laughter from outside the shower area and then reaching for the small of my neck and closed whatever space was seen between us. 

Based on what I had learned in self-defense training, my initial bodily reaction should have been this: If someone is coming at you from the front, a groin kick may deliver enough force to paralyze your attacker, making your escape possible. 1. Stabilize yourself as best you can. 2. Lift your dominant leg off the ground and begin to drive your knee upward. 3. Extend your dominant leg, drive hips forward, slightly lean back, and kick forcefully, making contact between your lower shin or ball of your foot and the attacker’s groin area.

Instead, when his lips touched mine, I felt my arms throw around his neck and pulled him closer. They say we’re all beggars for something, and this indulgence I had let myself be greedy for. 

When his lips reached mine, I parted like the Red Sea almost immediately, welcoming him and everything that he could offer: the taste of his tongue on my mouth, the smell of honey orange and apricot from his body wash seeping through my nose as I peppered kisses on his chest, and his obviously hard dick grinding against my stomach. When I palmed him, he managed a low growl and caught my wrists.

“Not here.” he groaned.

I pushed my head back inquiringly, both of us breathing too hard. 

“I have no condom,” he tucked a wet strand of hair behind my ear. Under the dim bathroom light, I could see his face and chest were flushed. “Next time?”

“Well, usually when two old friends meet after a fall out in college, they just catch up and have coffee.” I said.

He laughed and said quietly, “Okay, so I owe you.”

“The coffee or the protected sex?” 

“Uh, it could go a lot of ways.” Before he could say more, I palmed him through his boxer shorts and looked up at him, trying to find his limit.

Shohei bit his own lip and tugged the roots of my hair in a bundle, pulling and tugging from the pleasure. To keep himself from making such ungodly hot sounds, he pushed his tongue down my throat and thrusted his hips back and forth against my hand.

As if to make it even, he unclasped my bra and sucked on my already soaked breasts, a satisfied groan slipped from me. We both pulled and pushed and sucked and kissed each other in the crevices the shower splatters couldn’t reach, silencing the moans before it could escape us.  

In that brief and elating moment, while we muted the noise from unsuspecting people, we smothered each other’s groans and reached our highs in the quietest, most pleasurable way possible. 

=========================================

7 minutes of heaven

It’s strange how I always find myself in the most ridiculous situations. 

The next few occasions that I’d meet Shohei would be wordless and timed interactions in enclosed spaces. We’d see each other in public and pretend we didn’t know each other but slip each other notes of the next place we’d secretly meet. It all felt strangely exhilarating to keep a secret like a fifteen year old would, with all the sneaking and running. 

We’ve explored almost every nook and cranny of the stadium, discovering hidden spots of our rendezvous. We’d meet up in a different bathroom and he’d push me on my back while he fucks me repeatedly on the bathroom sink. Pre-game preps meant I gave him blowjobs in his manager’s office hours and hours before everyone even arrived. 

Of course, when we ran out of places to hide, we’d go as far as looking for the next empty parking lot and tried to fuck each other noiselessly.

“So when can I take you out for dinner?” he had asked one day, when he dragged me out to meet with him around after midnight. I wouldn’t let him inside my apartment and I refused to do the deed in his either, so he’d bring me to places that only us knew, to fuck, to kiss, sometimes to talk, but more often, to drive each other’s pleasure and only that. 

Because god forbid we both catch feelings and lose the fun, right?

So no talking, no sharing of personal details, no anything. 

We were in an empty parking lot, away from the lampposts and streetlights. Shohei had made sure that we were well hidden in the dark. 

He had his legs spread while sitting on the driver’s seat. His hands, warm and wide, rested on my hips and thighs, lightly urging me to ride him slowly.

Soft RNB music played on the stereo, it was a quiet, still night. It was both our day off so he had wanted us to chill and take the sex slowly.

Slow meant gazing at each other’s eyes–gaze, not look–with endearment or adoration, not lust or pleasure. Slow meant thinking the unthinkable thoughts. Slow meant being vulnerable while coming undone.

And I don’t want the slow and quiet moments. I wanted the fast and rough with no time to talk, gaze or even think, just one hundred percent fun and debauchery. 

“Mmm. Maybe when you show me your photos,” I avoided the question but I also knew Shohei would never show me the photos he had taken–past and present. Even when we had been buddies for an entire semester, he had, not once, shown me his portfolio. 

“So probably never, right?” he gazed up at me with his creamy brown eyes, hands caressing my stomach lightly. 

“Probably,” I muttered and with that he had gripped my thighs tightly and moved his hips upwards to meet me. I moaned when he hit me in the right spots. Any sign of softness he had shown a few moments ago was gone, and only the roughness and unsettling disconnection remained. 

This particularly fine day, I would be standing at the mercy of his mouth. He had dragged me to an empty storage room in the east wing of the stadium, hours after practice. According to him, the area stands the exact opposite from the lockers so most people hardly come by. How he had found out about this, I had no idea. 

He was kneeling in between me, my right leg hooked on his shoulder, giving him more access and my hands tugged at the strands of his hair every time he licked my sensitive clit. 

Shohei’s tongue grazing against me had left me quivering in delight. He stands up and kisses me, giving me a taste. My fingers started unbuckling his belt when he felt his phone vibrate. 

“Oops, Ippei’s looking for me.” He pockets his phone, looking forlorn, as if telling me he didn’t really want to go yet. “See you again next time?”

“Yours or mine?” I had asked, brushing up and straightening my wrinkled dress. And when I realized what I had done, Shohei’s eyes shot up and he beamed widely. 

“I just– I- I want a proper night with sex, you know.” I explained, trying to sound nonchalant. “It’s so uncomfortable having to go commando at work after you had just literally sucked the life out of my vagina, Sho.”

“Mmm-hmm.” He smiled even more.

“What?”

“Nothing.”

“Okay.”

“Okay?” 

“What? Fuck off.” By this time, my face felt hot and had probably looked red like a tomato, which probably amused Shohei even more. 

“Your place, then. I’ll call you.” he gives me one last kiss then heads out first, leaving me a dazed and pulsating mess.

A shrill sound knocked me awake. It felt like seven thousand screaming hungry babies in my ear, bouncing off around my brain like a pinball. 

I looked at the digital clock on the bedside table and saw the time glinting behind the glass: 8:41 PM. I must've fallen asleep after taking a half day off from work, feeling nauseous and slightly feverish. It seemed that whatever body malaise that I have been carrying inside me earlier had sprung into a full-blown ailment.

 I pushed my body up and walked groggily to the source of my misery. 

Someone was buzzing the doorbell and repeatedly pounding on the door. Great.

“If you’re not dead or dying behind this door, you’re about to be.” I croaked harshly, throat burning; putting all my remaining energy in pulling the door open. I was greeted by an extremely tall man with frantic brown eyes, searching my face.

“Oh, thank fucking god. I’ve been knocking for half an hour.” he wrapped me in a tight hug, I almost collapsed. Partly because of the throbbing headache and overall discomfort that I already felt, but hugely because of the warm minty scent of Shohei Ohtani. 

“Jesus, you’re burning up!”

“What are you doing here?” I said, struggling in his grip, his face resting on the curve of my neck. “You’re not supposed to be here.”

“You don’t text someone ‘at least i’ll die happy today knowing that my last meal was shoyu ramen’ and then not fucking reply after.” We were still standing by the entrance, his face now angled towards me, a look of concern or anger mixed in his face, I couldn’t tell. My cerebral cortex functions seemed to have shut down after witnessing this unexpected tenderness. 

“Medicine knocked me down cold.” I shrugged weakly. 

Shohei pulled me into the bedroom and tucked me back in, apologizing for his intrusion, putting down plastic bags of what seemed to be groceries on the kitchen counter, and went back to lightly scolding me for proper texting etiquette to family and friends, to anyone really. That my dark humor doesn’t translate well in messages and that I could have really died and people would think I’m joking but really, he got so scared that he went here as fast as he could.

I don’t remember much but in between fever dreams and my ibuprofen haze, I faintly remember the savory taste of rice porridge exploding in my mouth, the constant dabbing of a cold towel on my face, neck and chest, sometimes, my back, too; the smell of rubbing alcohol and a large, gentle, almost loving touch. 

I don’t remember much but in between waking up in the darkness and stone-cold silence, I remember soft forehead kisses until I drifted back to sleep; of big strong arms enclosing me into a big embrace, as if to tell me, you can put your guard down now. you are safe here. 

I don’t remember much from coming in and out of slumber, but I remember thinking: wouldn’t it be nice if this wasn’t a dream?

======================================

Reset

In the end, I quit sports media on my own volition and got into a friend’s ceramics house. I have always had a thing for ceramics and sculpting as early as college, where I had met my then-professor and now friend–who happens to be the owner of mentioned ceramics house. She had always praised me and encouraged me to join her when she first opened the shop, but as someone who had musings for writing at the time, I politely declined and pursued, you guessed it, journalism. 

I’ve always been good at writing, no doubt, from the way professors always had a good word for me, but I always seem to get into the wrong places every time. Time moves fast if you’re a journo, if you’re slow, then the news is rehashed news, it would just be a late-night recap at a midnight slot that no one is ever awake to watch. 

Here, inside her shop, it was quiet, and time moved slowly. I can get into my laziest clothes and no one bats an eye. I can finally retire my stilettos and straight cut blazers. 

It was all so going well. The customers were always mid-twenties who got interested in our social media marketing of creating your own mugs and other ceramics and always came in in groups, duos, and solos. 

Slowly, I realized that not everyone gets to the places they want. Even when you work blood and sweat for it. Not all were built like, say, Shohei Ohtani, whose talent was recognized early and afforded him an automatic slot in the big leagues.

Some are born to be big icons and some, like the rest of us, are meant for smaller, softer spaces. I get that now. It finally felt like I was in the right place and pace. 

All this positivity and good timing felt all too good to be true and been proven accurate when the scandal blew up. 

Shohei Ohtani photographed exiting his LA apartment with a woman in his arms.

Shohei Ohtani’s rumored girlfriend receives backlash from fans: READ MORE

EXCLUSIVE: More photographs of Shohei Ohtani and rumored girlfriend driving away in his Porsche

Rumored girlfriend of Shohei Ohtani: Who is She?

When I say it was everywhere, I meant it exploded right in front of our faces like a million confetti, falling and twirling fast. It was unstoppable. It was inevitable.

I felt my limbs go numb when I read the morning news. There in bold and black letters was the headline, my name and a clear photo of me holding Shohei’s arm, smiling. A certain news outlet had gotten juice of us and our secret hideouts and had spread all over social media like wildfire. You know what’s funnier? The media outlet that released this was my previous employer. The same company that asked me to snuff out a controversy. While I had failed to give them the news they wanted, I had unintentionally brought them an exclusive that wrote my entire name–and face–off the map and potentially ruined Shohei Ohtani’s clean record. 

Shohei Ohtani, despite his happy-go-lucky and passive demeanor, was a very serious and straight-laced person. I already knew this in university but I got to see more of this side of him when we had started the fucking thing. Even though I had clearly told him that I didn’t want any strings attached, it was unavoidable to give and receive bits and pieces of each other when we’re not naked. 

I  did enjoy talking to Shohei under the sheets. His ingenious ideas and the way he talked about the things he adored spilled all over him, like afternoon sunlight streaming in between curtains, making way even through the small spaces to cast his light. I basked into this warmth as much time allowed me, because who knows when I can experience the glow of his presence again after all the chaos. 

He was exactly like the golden hour: a warm afternoon orange luminescence that usually only stays for ten to fifteen minutes a day. If you wait too long to look up, he disappears quickly as he goes, leaving only the faint orange, yellow and pink hues chasing after him before the black of the night takes over you. 

Well, now the fairytale has run its course and the sun has set to announce that golden hour is over. Night has finally fallen on me and I’m feeling scared and alone.

The first thing I did was to grab as much stuff as I could and put them all in my luggage and filed for an indefinite leave. 

As if like clockwork, my phone rang and saw Shohei’s name on the caller ID. I didn’t answer. I couldn’t. What could I possibly say to him? That I used him just for the clicks and the views? That after all this time we spent together, he would realize that I am still the same despicable, scathing piece of garbage who’d trample on anyone just for a few cents?

So I don’t answer. Even when he calls back again and again and leaves me twenty or more messages by the hour. I turned my phone off. The latest message from Ohtani coming up on the notifications bar read, “Where are you?” before the screen flashed to black. 

I have nothing but my pride left. I’d like to keep it that way.  In such a way, I was embarrassed, too. I thought I finally had something to brag about. A job that I actually liked and enjoyed, a peaceful mind, and the possibility of liking a guy who had shown me nothing but kindness. 

And because I couldn’t handle all of this, I handled it like I have always handled things: I ran away like a coward. 

I rode a bus without reading its destination card and let it drive me away as far as it could, to someplace where no one knew me or Shohei Ohtani, or had any idea about the news. 

The bus drove away and I never looked back. 

================================

Waiting Until My Spring Comes Again: Shohei’s POV

Just like that I lost her. She wasn’t even mine to begin with. 

When the news broke out, I was so furious that I wanted to drive to the news outlet that published the article and give them a piece of my mind. I knew my blind rage would have done more damage so I didn’t.

Instead, I looked for her and wanted to let her know that whatever happens, I won’t drop her just like that. That I’m willing to acknowledge the rumors and make it official, if she wanted to. 

I’ve always been open to the idea of taking it to the next level with her but every time I broached the subject, she would change the topic, get into a foul mood, or try to pick a fight with me. Which I found endearing. She’s so adorable when she pouts. And when she pushes her luck thinking a five foot four girl like her can withstand someone as tall as me. 

I just can’t help but laugh and feel a flutter in my stomach. She’s someone who has been adorable and held a special corner in my heart. 

Y/N’s face was so expressive and whatever emotion she was in it would always be evident on her face. When she’s happy, a dimple on her cheek shows up. When she’s feeling sad or down, she’d look downcast and would prefer that you leave her alone. When she’s thinking about something deep, she would chew on her lower lip and always had a blank almost unfocused stare. Despite her many faces, I’m sure as hell that I love all of them. I wanted to be by her side when all this shit happened, I wanted to see which face she was making. Is she pissed like I was? Is she sad? I wouldn’t know. The moment her number didn’t connect after I had tried reaching her, I already knew that she was avoiding me. 

I lost count of how many messages I had sent her, of how many missed calls and voicemails I left her. She was unreachable. She gave me her spare key so when I tried visiting her apartment, it was empty. 

She was gone. 

And only the traces of her lingered in her apartment. Her unwashed mug with leftover stale coffee was on the kitchen counter, specks of lipstick staining the mouth. Dirty clothes hanging on her bathroom door, forgotten and unwashed. The peachy scent of her purifier that always latches on to her clothes whenever we go out. Her unread books on her coffee table, some dog eared and annotated. 

Everything that I love about her is here except for her and I miss her. 

For the next couple of days, I dodged the media and focused on training, playing and practicing. Those three over and over again. I tried to not think about her and lose sleep because of her. An athlete’s wellbeing is connected to quality sleep. 

But she was everywhere I went. Pieces of her were scattered all over the places I avoided, and it was my fault really, for bringing her to places we usually hid. For hoping that someday, the secrets we hid would be our stories to tell. Now I just let her memories rot inside my heart, where she should be. 

I thought it would be easier when you just let it slip by but the more days that passed without seeing her, the more I feel a gnawing pain in my heart. She had sucked all my sunlight and took it all away with her. 

I want her back. 

=====================================

My Answer is You

Eleven days. It took me nine days to realize running away was a bad idea. 

When I first got off the bus, I thought the place looked familiar. Turns out, I rode the bus to my hometown, to the very south and the last bus stop until it turned around to go back to the city. 

When I appeared in front of my mom–the first time in a long time–she had immediately said, “Did something in the city?”

The moment she asked, I broke down in tears. She shushed and consoled me while I cried like a little kid. Like the way I had bawled to her when my first boyfriend broke up with me, or when my love birds died from illness, the other from loneliness. 

It feels like I would die of loneliness, Mom. I had said.

Did he really say that? Did he tell you that it’s over? She cooed.

I was embarrassed to admit to my mom that no, Shohei had never told me anything because I had shut him out even before I could give him the chance. But what if that call was already the end of it all? What if answering his call meant exactly what I had thought. That would shatter me more. 

So, no, Mom, you can call your daughter a coward but in her heart, it’s all over. 

The next forty-eight hours at home was a blur. After feeding me with what feels like a day’s worth of homemade dishes, she made me wash the dishes, clean my old room, and the living room as well. And when that wasn’t enough, she made me go with her to the night market and bought whatever seafood she could find to feed me. 

Is this what you did when Dad left? I wanted to ask her. Did you go around acting as normal while nursing a wounded heart? Did you go all through that facade just to show me that you were strong for the both of us?

She had her back to me, her hands pale and creased with age, showing signs of passage of time and her hardwork to put me to school. I know she was trying to make me busy to keep my mind off of Shohei. I’m not sure if she fully understands the scandal but she was trying her best to keep my head above the water. Probably just like how she always did. 

I wish I was strong like you, Mom. 

On the fourth and fifth day, she had let me work under the sun harvesting corn. Which I absolutely despised. I had to wear sun hats and these jumpers to cover myself from the heat. 

“It’s cheap labor for letting you stay and eat my food,” she said when I complained. “Tomorrow, you’ll help me sell these at the market.”

As the days grew idly by, I’ve grown more accustomed to rising early and eating less meat and more vegetables. I willingly went out of the sun more to do housework, like hanging clothes, watering Mom’s plants, however, I was still not willing to harvest her vegetables, which she made me do a lot. When I say a lot, it means everyday since then. 

On the eleventh morning, I woke up earlier than usual and found my mom already awake. She busied herself with a cup of coffee. 

“Good morning, mom.” I yawned, grabbing my own mug. 

“After breakfast, pack your things and go back to the city.” She said quietly.

“Huh?” I’m not sure I heard her right. Is she kicking me out?

She pushed today’s newspaper into my hands and pointed at an article. An article shows a picture of Shohei smiling at the camera, behind him was a framed candid photo of me turning my head just in time when the camera clicked, I was wearing a sleeveless shirt, a shawl draped over my shoulders, and the wind blowing my hair and covering my face slightly. Just by looking at the photo, it looked like a time when Shohei and I drove to the beach. He had brought his camera and took a lot of photos. 

The article said, “Portfolio on Love: Shohei Ohtani’s Photographs Displayed for A Cause.”

“....and when the powerhouse athlete gets a day off, he plays around his camera and takes photos of anything, everywhere. He reveals Insider Today that for the first time ever, he is displaying his portfolio to the public at the Grand City Museum starting today until the 31st of the month, with the theme of “hello, love, are you there?”

“...’I don’t know how else to define love but this. I hope when the public sees this, they will instantly know that my photographs are a reflection of my love,’ he said.

“When asked if this was a confirmation to the rumors flying around recently, he just smiled sadly and said, "I'm hoping that this answers everyone’s questions, especially hers.”

“If your face is plastered on all of the newspapers, it wouldn’t make sense to stay here longer.” Mom said after a while. She had finished her breakfast and took them away to the sink.

“It doesn’t end well if you’re too afraid, my darling.” she said, not looking at me. “To love and to be hurt is to be brave. If it doesn’t work out after facing him, then by all means. Come home. My doors are always open for you. And I will feed you rice cakes while you harvest my corn.”

I couldn’t help but laugh. She wasn’t a hugger but welcomed my hug and patted me on the shoulders. “Now go, before all the chismosas wake up and corners you.”

I packed my bags and left home, my heart pieced back together. It was not wrong to go home and seek shelter. What I did wrong was leaving Shohei all alone when he took most of the fall. 

Five hours, one taxi ride, and a ten minute walk later, I arrived at the city museum, nervous, anxious, feeling a little lightheaded and hesitant. I wiped my sweaty palms and got inside. 

It was not as packed as I had expected, probably because it was a little over after lunch, though there was still a relatively big crowd overall. 

When I stepped into the hall featuring Shohei’s displays, I felt a surge of emotion. It was a collection of all the photographs of his loved ones. In a black and white collection, he had photographed his parents holding hands while walking in the snow, a photo of his dog sleeping idly on his couch, a photo of the football stadium in a wide angle shot, showing Ippei and the rest of his teammates playing a warm up game before practice. 

When I turned to a corner, that’s when I saw it. There were multiple frames hanging intricately on one side, showing all of the photos he took of me. One during university days, where I was showing him a strangely large eggplant during our photo walks at the market. There was another with me looking at him angrily for reasons I couldn’t remember, and a more recent one, in the middle, where he was holding my hand while I walked forward, back facing the camera. 

On the metal plate below were words that read in cursive: “2009–present. Moments of love that I hold dear.”

At that moment, tears had started rolling down my cheek and I couldn’t help but sob. The onlookers nearby started moving away, probably weirded out by the sudden burst of emotion over some piece of art.

They weren’t just pieces of art. These were moments when Shohei and I were together and maybe realized that it was love.

By then, someone on my left offered a handkerchief and I gingerly took it, wiping my tears-strewn face. I muttered an apology for ruining the fabric.

“This is not the first time someone cried in front of my photographs. Some were absolutely heartbroken after seeing them.” a man’s voice said. And that reeled me back as I turned around and saw Shohei standing in front me.

“I knew this would lure you back,” he said, smiling.

His face was a little gaunt and tired. He had dark circles around his eyes that I’ve never seen before. I could only look at him and he looked back. I had so many things I wanted to say to him, so many things I wanted to explain but he spoke first and said:

“Did you get a tan?” he started, raising an eyebrow.

“I-I was harvesting corn!” I said, covering my face with both hands. I didn’t even have the time to put on makeup or a swab of lipstick and that’s the first thing he notices.

He took my hands and held them tightly against his chest. “No one looks this beautiful even after harvesting corn.”

“Shut up,” I said looking away.

He tipped my chin and held my face. “Let’s start again, shall we?” 

I raised an eyebrow in question.

“Hi, my name is Shohei Ohtani. I’m an athlete and an amateur photographer sometimes. I’ve been in love with the girl in the photographs since forever.”

I managed a smile and laced my hands around his neck. “Hi, I’m a ceramics maker and sometimes, a farmer, you should see the corn I harvest. You look so familiar. I think you look like my future boyfriend.”

His eyes perked up and laughed at our silly little game. He went in for a kiss and I obliged, feeling safe and brave in his arms.

Let them take the damn photographs and write the articles all they want, but they could never take my sunshine away ever again. 

[brightpixelpune]

Corporate Office Branding Services - Indoor, Outdoor Branding

A Creative Ad Agency based in the Pune, producing unique wall vinyl pasting and decals for your office space. All of our wall sticker vinyls are produced and dispatched right from our creative team. using only the highest quality materials and latest technology. We specialize in solutions like site board, sign ages, campus images in vinyl, entrance glass door motifs, or the images galore inside in the Indoor Spacing. The materials can be varied like acrylics, flex, vinyl, wood, etching, and mixed media.

[visionboardstudio01]

Vision Board Studio is a visual merchandising agency based in Mumbai. We provide window display and retail design services to create captivating customer experiences. Visual merchandising is the key to crafting immersive customer experiences. For further details, please visit our website or contact us.

[obriengf]

hiya! can yous do Mitch & 6 please ?

thanks 🩷

send me a prompt for some oblivious love blurbs ✩ Notes: weirdly obsessed with his shoulders right now

MISCOMMUNICATION

Mitch Rapp was difficult to understand; signals were crossed and mixed to the point where a blur was left behind, emotions swinging left and right as they failed to settle, and looks that were longing one second before harnessing avoidance the next. You didn't know whether he was coming or going and it pulled so much harder at your heart than you ever anticipated it would. You didn't think that falling for such a man would leave you awake at night, constant thoughts running through your mind about the things he said or did - trying to analyse their meanings, trying to find even a slither of hope that there was something worthwhile there. He made butterflies flutter, but he could also make them sink. Coldness stemming from his neutral gaze had the capacity to suddenly warm and light up the space you surrounded yourself in. He would soothe any stresses you had with his undivided attention, or leave you so utterly alone to lick at your wounds in silence. Mitch Rapp was an enigma, which both hurt and healed you. And for some reason, you loved him for it. For all of it.

You were trained to be robotic; every move was calculated to an exact second, every thought confident and assured before being acted upon. Mistakes weren't just frowned upon, they were inexcusable, and a single minuscule hair out of place was enough to brand one as atrociously disreputable in the eyes of the Central Intelligence Agency. But it wasn't until you were behind closed doors and the thrill of your mission was over, that you managed to exhale out the craziness and finally be human again. The past few days had been difficult - Portugal had worn you down, and the fresh scar draped from the edge of your ribs to the crease of your hip had only just started to heal. The skin was still raw as it sported a flushed shade of pink, but the suture that had taken years to properly perfect was holding together nicely. You had difficulty moving about, and usually, it wouldn't bother you as the mission was over, but right now you'd do anything in this moment to escape your hotel room. With squinted eyes, you cringed from the raising pitch of your partner's voice - the tone booming as it chastised you. The 'blame-game' was one that you never won, and even though you tried, you couldn't even cheat your way into the winning circle. You were underneath a spotlight and you hated it, despite only the two of you occupying the temporary living space. Mitch had started, and he hadn't planned on stopping until his point got across. "Are you out of your fucking mind!?" He yelled, the small space you sat within only amplifying the delivery even more. This Mitch was the one that you often saw clouded by cold tones and closed-off personalities. It's the one that made you walk on eggshells and question everything you had said or done priorly that day. It's the one that told you what you should have done, and not praised what you had done right. This Mitch was the one that you had first met when he had been a recruit, and all of that trauma that led him to you was still buried so deep inside his tortured heart and mind. You could never tell if he was being protective of himself, or of you. He is different to the Mitch that you saw a few days ago, however. This one was scared, frozen in place as he watched a knife aim for your stomach but instead drag down your side. His eyes had grown wide with worry as you collapsed in a small puddle of your blood, and his touch was delicate and gentle as it cupped at your cheeks and told you that everything will be okay. This Mitch scooped you into his arms and took you somewhere safe, with his own hands trembling in fear. He embodied warmth and care, and for a second you swore you saw his baby-brown eyes glaze with nervous tears. You were hastily brought back to your hotel room as you heard Mitch groan loudly, his rant continuing as he overlooked how you momentarily spaced out. Your focus flicked up to him as his hands tugged roughly at his growing locks, brows furrowed and voice raspy from the exertion, "You need to be more careful! What the hell was going through your damn head!? Everything was going according to plan and you had to go rogue? Are you fucking serious?! You could've died! " "Then why didn't you just leave me there if I'm such a damn liability then, Mitch?" You were tired. He had let you rest since the mission had been completed, successfully, but in true Mitch Rapp fashion, he still had to tell you what you had done wrong. He grunted at your comment, nostrils flaring as he seemed to briefly consider whether to continue lashing out. You watched as his left hand balled into a fist, veins protruding up the back of his hand and over his wrist, as he channelled his emotions into the tension of his curled hand. The man eventually released the hold after his knuckles grew white, only to point a stern finger in your direction, "I never leave people behind. I especially would never leave you behind, don't you ever say that."

Your head shook as your tongue clicked, perplexed over his conflicting temperaments, "I don't understand what you want from me!" Your own voice rose, surprising Mitch as much as it did you as you both jumped ever so slightly. The room fell quiet for the first time since he barged through your door. The shrill of your voices had died and was instead replaced with heavy breaths and a staring contest between two sets of sad and confused eyes.

Mitch tilted his head in bewilderment, an ask for you to elaborate before you continued with an exasperated sigh, "It's always Good -Cop Bad-Cop with you. One minute, you can be the sweetest man I've ever met who would do anything to make me laugh, or smile. And then, other times y-you're just a whole different person, like all of your walls are suddenly back up and you have a fucking grudge against the world like a goddamn moody teenager!"

"What the hell are you talking about?" He was taken aback, voice leaving breathless as he took a tentative step closer to you. Not that he could pretend - Mitch knew that the hot-cold treatment was cruel, but he couldn't help it. Emotion to Mitch Rapp usually held a capacity for pure anger and revenge, but being with you allowed him to open up to many more possibilities. It terrified him, and he had been in such a slump for so long that he didn't know what to do. But he did need you, he needed his light.

"Just tell me what's going on, Mitch! Because it's so fucking hard to read you sometimes and it makes me want to tear my hair out and scream -"

"I LOVE YOU!" His voice echoed once more, the sentiment ringing through the enclosed space. Whisky-coloured hues glazed as his heart became exposed, laying out raw for you to see. Your expression harnessed shock and the lack of response made his laugh hollow and brittle. Mitch shook his head, focusing now on the scruffed toes of his shoes, "I'm in love with you. I thought you knew - "

"No, I didn't." You managed to say with whispered words, observing how the usually confident man in front of you now sank and closed in on himself. He was shutting down, drained from your fight and from the roller-coaster of the past few days. He already thought he was going to lose you when he felt the fresh warmth of your blood run through his fingers only a mere few days ago, but now, he might've just lost you as a staple in his life for good.

Silence had returned, yet it rang the loudest of anything else within that room that night. You had always expected that you'd fall for Mitch Rapp - how could you not? He had his moments of hilarity, amusing you when things got a bit dim or when mischievousness wove itself into his boredom. He held passion proudly like a medal when his interests were at play, showing just how he can truly immerse himself into hobbies or things that he liked. He was tough, both mentally and physically, and it was admirable to see how he would always stand up after being knocked down. He was also sweet when he wanted to be - even when he was raising his voice, purely exposing his protectiveness. Plus, he definitely wasn't bad to look at either.

What you didn't expect, however, was for him to have fallen for you, too.

"I hadn't even thought of loving anybody after Katrina died." His voice broke the barrier, eyes still peering down. Mitch drew a breath, his exhale shaky as he tried to gather himself, "I mean, I always seem to lose the people I love, and she was the last straw." The man cleared his throat as his hand ran back through his already teased hair, his stress evident, and he suddenly peered up at you, "Until a pain in my ass was elected my partner, and became so incredibly annoying that I began to find it endearing. Before I knew it, I was dreaming of life after all of this agent bullshit, married with kids, the whole white-picket-fence ordeal. And we were so damn happy."

A sweet smile shone his way through quivering lips and matching teary eyes. You held out your hand, desperate to have his hold ground you as Mitch's fingers slid between yours and he squeezed with complete adoration.

He licked his lips, "I'm sorry for yelling. I was just scared that I'd lose you, like I did the others. Because if anything happened to you, sweetheart, I swear - "

"You'd burn down the world?" You interjected a small chuckle from Mitch solidifying your correct choice of words.

"You have no idea just what I'd do for you." His other hand reached out to push back the small strands crowding your forehead, calloused fingertips never feeling so soft against your skin before. "I thought it'd be easier to shut you out, if I'm being honest... If I didn't love you, then it wouldn't hurt. But let's be fucking real, that's just impossible."

Pieces fell into place with perfect precision the moment your arms secured around his neck, your nose pushed into his shoulder, and his grip securing tightly around your waist. This moment was one filled with clarity and understanding, a mutual passion that cleared the air and prompted harmonising beats of hearts against two flushed chests.

"I bet it'd be even more impossible, since I love you, too." Your voice muffled against the worn cotton of his shirt, but Mitch heard you. His shoulders sunk in comfort, arms tightening even more, and the light of his life growing brighter with each and every passing second.

[smartexhibitiondesign]

Space Design to boosts Morale UPLIFTING BUSINESSES BY FOSTERING INNOVATION

Many people have been hesitant to start working from the office after the pandemic. Although work from home has proven to be effective for individualistic work, it greatly affects teamwork and group-based projects. Virtual platforms no matter how convenient are not as effective in creating a bond among employees and the company.

Countless companies across the world are trying to find ways to encourage their employees to start working from the office to create a stronger connect with the enterprise.

One of the ways to create an environment of enthusiasm and boost morale is office space branding, creating an environment that instigates curiosity and fosters creativity and innovation and enhances brand connect.

 How to create a space that boosts Morale?

Office spaces that are built with the objective of boosting morale and enthusiasm require a huge understanding of the company’s expectations from their employees as well as the psychology of the employees. It requires a study of the work culture the enterprise is trying to promote.

Some of the important things to factor while creating such spaces are:

Theme

The entire space should have amaster theme that embraces the inspirational value, the motivation as well as the connection to the brand. It is the most important milestone in the design process to create a theme and base a narration on that theme which acts as a mother concept for all the design touchpoints in the space.

Zone Allocation

Each enterprise has many teams and each team has a separate function towards the company’s welfare. Being able to do justice to each team by dedicating a space or a zone for each of the them is crucial for the space design as well.

Content

Weaving a story accommodating both the theme and the zones is a challenging but a very important factor to keep in mind. It is very important to come up with content that is a part of the whole narration and is also fresh and generates curiosity; sparks motivation and instils entrepreneurship.

Design Elements

Certain elements in the space design create a better atmosphere for work. For example, it is easier to focus and concentrate with the background of certain colours and shapes. Study of these design elements that boost morale and create the desired psychological effect on the audience is expected.

One must use this study and combine it with aesthetic compositions, that are aligned with the brand, supplement the content and help create an engaging space for the audience to feel comfortable in.

Our Experience

Interics Inspaces recently came across an interesting project with a similar objective. It was for a fast-growing company that provides digital solutions for businesses.

The company had a unique culture that promoted self-growth which would eventually lead to the growth of the company. They commissioned Interics to maximize the productivity and enthusiasm of their team by curating a spatial experience that provided comfort, motivation and encouraged self-care and wellness.

We started the process by studying the company’s profile, history, achievements and goals in depth. This led us to sourcing elements that will create a clear path towards motivation, success and happiness. We created a distinct language using a blend of existing corporate language, attractive visual elements and playful illustrations complemented by amusing content.

From the company’s business goals and objectives to their wellness initiatives, the workplace provided the accurate amount of comfort, inspiration and motivation through the carefully curated zones. The workplace successfully captured the essence of a youthful and lively team.

Conclusion

In order to be able to create inspiration through spatial design one must understand the psychology of the employees. It not only requires a thorough understanding of the demography but also requires a certain level of sensitivity and empathy.

As one of the topmost brand marketing agency, Interics designs has a rich legacy of handling such projects and an experienced team that helps bring these spaces to life.

Get in touch with INSpaces for all international exhibition stall design, spatial branding and corporate office branding needs. INSpaces is a part of Interics Designs - a full-service creative design agency in India, Branding agency and Brand design agency - with over 3 decades of rich experience in Brand Strategy, Brand Image Building, Graphic Design, and Environment Branding.

Pay a visit to INSpaces’ splendid portfolio at www.smartexhibitiondesign.com.

[mariacallous]

At the end of January, clips from a film about the housing market in Russian-occupied Mariupol began circulating on TikTok and X (formerly Twitter). After the start of Russia’s full-scale invasion of Ukraine, the Russian army held Mariupol under siege for 85 days, all the while relentlessly pummeling the city with missile and air strikes. Mariupol was effectively reduced to rubble, and no one knows how many lives were lost — though some estimates place the number as high as 100,000. As soon as the Russian authorities had captured the city, they set about rebuilding it and erasing any trace of war crimes.

The film, titled “Shocking Prices for Apartments in Mariupol — Millions for Ruins” was released in November on the YouTube channel “Mirnyie” (the plural form of “peaceful” in Russian and the first part of “peaceful inhabitants,” a Russian term used to distinguish non-combatants from military personnel in conflict zones). The Mirnyie project is led by “war correspondent” Regina Orekhova, a journalist from the Russian state news agency RIA Novosti. In 2022, she received a special award from the Russian Union of Journalists for “courage in fulfilling journalistic duty.”

The Mirnyie project, as one might surmise from its name, explores the lives of ordinary people in the conflict zone. “These are the stories of people who found themselves caught in the crossfire — some left, while others stayed. [We share] their experiences, how they survive, and what they think about,” reads the description. Judging by the channel, Orekhova primarily works in Mariupol. Previous reports of hers cover topics such as Azovstal’s underground tunnels, the sea port, city maternity hospitals, and the drama theater, which was destroyed by a Russian airstrike while an estimated 1,000 civilians were sheltering there.

In the introduction to the half-hour film, Orekhova promises to answer the following questions: “How do you buy an apartment in Mariupol? Is it more profitable to invest in ‘ruins’ that you can resell once renovated? How do you rent commercial space for a business here and how much does it cost? What kinds of apartments are for sale and what determines the price?” Orekhova explains that in Mariupol, there are “damaged buildings” as well as “brand new and renovated ones.” “The real estate market is very unconventional. We’ve studied it in detail and we’ll tell you all about it,” she promises. 

Orekhova speaks with three local realtors who show her properties for sale in different parts of the city. As it turns out, these are mostly half-destroyed apartments, hastily abandoned by residents who left all their personal belongings behind as they fled. However, even such properties, according to the realtors, are in high demand. In some cases, actual ruins, where just parts of the walls survived the bombings, are for sale. However, Russian construction companies will restore these buildings later for free, which significantly increases prices. There’s also the rare property untouched by war, or newly renovated apartments in restored buildings. Prices for these range from four to six million rubles (about $50,000-$66,000). Apartments in historic Stalin-era buildings in the center of Mariupol with surviving inner courtyards (i.e., enclosed parking), renovated entrances, and sea views are considered premium housing.

The film doesn’t explain why or, more importantly, by whom all the housing in Mariupol was destroyed. Realtors talk evasively about “all those events” or “military actions.” Orekhova asks how many real estate agencies are currently operating in Mariupol. “Well, there aren’t many surviving citizens per square meter, you could say, but they exist, of course,” a realtor answers.

Showing a damaged three-room apartment in the center of Mariupol, real estate agent Natalia remarks that “one shouldn’t focus on the consequences of what happened to the apartment but on the apartment’s potential.” There’s no electricity, the ceiling is leaking, and personal belongings, including toys and a highchair, lie strewn about — but the windows have been replaced. Natalia points out the “magnificent view” from the balcony. “These buildings have survived more than one war and, as you can see, are still standing,” Natalia says encouragingly. According to her, it would be too painful for the previous owners to come back and see their home like this, which is why they’re looking to sell the apartment in its current condition.

The realtors say that apartments are mostly bought by newcomers “from big Russia” and bemoan that locals can’t afford newly constructed housing. According to them, Russian authorities introduced a special two percent mortgage rate for people from the self-proclaimed “Donetsk People’s Republic” and “Luhansk People’s Republic” who have Russian citizenship. But locals can’t get approved because most aren’t officially employed — there are no jobs with decent salaries in Mariupol.

Luisa, the head of a real estate management company, explains that it’s virtually impossible for Mariupol residents to get an apartment without Russia’s help. She says they “can’t afford to buy back their old homes in Mariupol or to purchase new ones.” When new construction is put up where their destroyed homes used to be, the mortgage payments are out of reach. Luisa recalls how an apartment building in the center, leveled in the bombings, was cleared away to make room for new construction. Residents were offered housing somewhere on the outskirts as compensation, but they weren’t able to buy apartments in the new building being built on their property, even though they’re legally registered at the address.

Tatiana, another realtor, thinks everything in Mariupol is “getting back on track.” She says people are returning, “even those who didn’t plan to.” “The demand [for apartments] is very high, much higher than the supply,” Tatiana explains. “If an apartment is in poor condition but at a good price, it goes quickly. The interested buyers are mainly newcomers. People from Siberia are also eyeing our seaside breeze.”

Tatiana tells Orekhova that everything is “looking up” for the city:

Mariupol has never experienced such rapid growth. The city is developing before our eyes. It’s happening in such a way that even we don’t know where things will improve tomorrow, where slums will turn into upscale neighborhoods. Because our sky is blue. When I say this, everyone smiles, actually. But before, our sky used to be gray or brown, never blue. And now life is getting better; every cloud has a silver lining. You just don’t want to remember the military operations; you go numb. But when you see what’s happening in Mariupol — everything will be fine, everything will work out.

[woundlight]

hello! i'm currently trying to get back into the habit of reading and writing, so i'm hoping to use writeblr as a way to keep at it and possibly make some friends!

— about me.

✦ i'm riven, adult, nonbinary lesbian, they/them ✦ neurodivergent ✦ i love cosmic horror, religious symbolism, art, swords, the occult, and space

— about my writing.

✦ right now i'm focusing more on poetry and short stories, but i do have a few bigger projects coming ✦ i like writing stories with elaborate worldbuilding, fantasy meeting sci-fi, queer romance, eldritch entities, complicated morality, body horror, general weirdness, and, of course, angst ✦ english is not my first language. i've been writing primarily in my native tongue until recently, but i'm eager to grow and learn!

i'd really love to meet more writers and get involved in the community, so feel free to interact or drop a message!

wips under the cut!

— my wips.

☣️ GODSLAYER

science fantasy

when angels discover humanity, the solar system unites under the inquisition, a powerful agency dedicated to the defense of mankind. as they battle against the cosmic threat, the stars seem to shift; the universe is dying, and the angels are ravenous.

🌙 ONEIRATA

dark fantasy

in a city where it’s forbidden to dream, a condemned mage is saved by the child prophesied to end the world. as the moon demands blood, he struggles to understand the choice presented to him: betray his savior and secure the sacrifice, or succumb to the cataclysm that is coming.

⛓️ A CITY ABLAZE

soft sci-fi

a story inspired by the prometheus myth, set in a post-apocalyptic, frozen world. in the last bastion of humanity, a young woman finds herself enthralled by the world outside; a desire that might have deadly consequences for both her and the city itself.

🦐 TIDEFALL

pirate fantasy

a story where you play as the branded, a person gifted with a fraction of an old god’s power. marked by an eldritch prawn goddess, you are tasked with saving the gods from extinction. however, the crew of the pirate ship that sheltered you might have other plans.

— other.

✦ i'm excited to participate in tag games and events, but i may be slow to respond. i would still appreciate them though ✦ send me an ask or a dm to be added to a taglist!