#sound devices

[dansemacabre]

(tw unreality!)

ayo new theory just dropped and bad news! the implications are cosmically horrifying

in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool

when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:

the therapese at the bottom translates to “set coords for dimension: r34lity”.

and putting r34lity into the website gives us this image:

the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)

none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.

meanwhile, in the book of bill:

because bill’s not talking to a mystery “reader” who’s reading this book.

bill fucking sees us.

bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[jugarecording]

Desde el cementerio, escuchando la Marimba de Chonta del Maestro Justino Carabalí, interpretando melodías tocadas sólo una vez en el año. Mundos Mágicos

[spookberry]

Trolls AU anyone????

[hedgehog-moss]

Writers who use imitative harmony + the movement of their language to evoke meaning are so great to re-read once you’ve learnt this language, if you’ve read them in translation before, it feels like the best reward. I’m reading Annie Proulx in the original for the first time, and so much of her writing style was just not salvageable by French translators (< my condolences), because she intertwines sound with meaning so often, at least in Close Range, and French just doesn’t sound the same! so by translating the meaning you’ll sacrifice a lot of the style... It reminds me of a haunted house book in French that also made me think “haha RIP translators” because it made great use of sound—a lot of “u / eu / ou” to create a sort of sinister howling effect in some sentences, and one sentence about a closed door used “i” and “rr” sounds to give an ominous “creaking open” sensation without actually opening the door in the text...

This kind of thing always makes me reflect despairingly on how many authors I’ll never get to appreciate fully as I can’t read them in the original, but I’m glad to re-discover Annie Proulx at any rate! I mean compare the sound of a phrase like “a hundred dirt road shortcuts” to the French “des centaines de raccourcis, des routes de terre”... First of all the English phrase sounds clippety-cloppy, it sounds like hooves on a dirt road in a way that’s very hard to preserve in a language without syllable stress, but also the French language demands that you turn it into ‘a hundred of shortcurts of roads of dirt’, so it’s best to dilute it into two phrases, and you just lose the clippedness. It sounds less tight, more leisurely.

Same for the phrase “the tawny plain still grooved with pilgrim wagon ruts” vs. “la plaine fauve encore marquée des ornières laissées par les chariots des pèlerins.” That’s a 54% expansion ratio and once again you turn the tight clippedness of ‘grooved with pilgrim wagon ruts’ into ‘grooved with the ruts left by the wagons of the pilgrims.’ You just can’t avoid it, French words have to hold hands in a long procession rather than being stacked like pancakes on top of one another. And sometimes it makes for lovely stylistic effects too (*), but it doesn’t fit the style of a text like this one, which uses rhythm and sound in a very un-French way—rhythmicality in French tends to rely on long flowy phrasings rather than the potholed ruggedness this story demands. (I saw a NY Times article describe it as Annie Proulx “mining the ore of language out of a gritty Wyoming rockscape”)

The rhythm of this whole bit is so neat, you can snap your fingers along with it: “hard orange dawn, the world smoking, snaking dust devils on bare dirt, heat boiling out of the sun until the paint on the truck hood curled, ragged webs of dry rain that never hit the ground, through small-town traffic and stock on the road, band of horses in morning fog...”

The French version is not finger-snapping material but you can tell the translator did her very best to preserve the author’s intention by creating interesting rhythms in French as well. For “hard orange dawn” she could have kept close to the original with, say, “la dureté orange de l’aube” but instead she chose to turn ‘hard’ into a four-syllable adjective (éblouissante / blinding) to end up with a noticeable rhythm—“les aubes orange, éblouissantes,” one-two-three-four, one-two-three-four (and she made ‘dawn’ plural for the same reason.) She wasn’t able to preserve the g/r alliteration of “GRooved with pilGRim waGon Ruts” (although her translated phrase also has a lot of R’s) but she did preserve the ‘sss’ alliteration of “Smoking Snaking duSt” (“pouSSière Serpentant Sur le Sol”). Even with languages as close as French and English, for every stylistic effect you can save you have to sacrifice a few, or replace them with opposite effects which align better with your language’s notions of literary style (like with the orange dawn bit, doubling the length of a tight phrase so it can sound rhythmical).

You can tell all throughout the book that a lot of thought and care went into respecting Annie Proulx’s writing choices and you still end up with sentences that sound and move so differently. You get to see the limit of translation when authors fully lean on their language’s syntax and melody to help convey meaning, like poets do!

(*) Re: English stacking words and French linking them—this reminds me of an essay I read by an English translator of Proust who despaired of this difference in the opposite direction—saying some long, descriptive phrases in Proust with articles & prepositions linking words, and commas linking phrases with regularity, read like telling the beads of a rosary. And the sensation (or a lot of it) had to be sacrificed because English just does not use as many linking words as French, information is conveyed in a more economical way, so a lot of these sentences with a hypnotic rhythm like “the A, of the B, of the C, whereby the D, of the E, on an F” were often not achievable with English syntax or created redundancy (e.g. having to use ‘that’ or ‘which’ 5 times when French used different tool words). But he said he did try to form sentences that had this continuity, and meditative quality.

I don’t have a conclusion to this post other than to say something precious will be lost if human translation is replaced by AI translation, because literary translation involves creativity and ambiguity and aesthetic considerations and a dimension of instinctual feeling for your own language and the original style, and I don’t think any amount of data and processing power and artificial neural networks will yield the flavour of literary quality that emerges from human sensibility and care, from someone reading a sentence and thinking “this feels like hooves clippety-clopping down a dirt road” or “this feels like rolling the beads of a rosary” and starting from there...

[bumblingest-bee]

i was completely, blissfully unaware that people on other social media sites were making up whole conspiracy theories about the emergency alert test today until i heard someone talking about it in class this morning. meanwhile on tumblr everyone is just like happy Loud Noise Wednesday to all who celebrate <3

[mutable-manifestation]

Ghost Chirps AU Part 5

Part 1 & 2

Part 3

Part 4

***

While “Jason” (i.e. Alfred with an empty jet that Jason will meet up with later in order to “arrive” in Amity) hops a private jet, Red Hood is busy searching the Fenton home from top to bottom.

The local police move slowly, and by the time they arrive Jack and Maddie Fenton are both tied up and disarmed in their living room under heavy guard.

They hadn’t been restrained immediately, Batman talking him into giving them a chance to implicate themselves first.

Hood let him take the lead, but he didn’t even get a chance to ask a question, being cut off at the first indication he might want to talk about their “work.” Less than 60 seconds in, and the pair had outright confessed to violating the meta protection acts - and in tedious detail.

The questioning didn’t suffer any from them being tied up.

Far from the mulish silence or crocodile-tear laden denial of most criminals, they instead doubled down, insisting that nothing they had done was illegal, then jumping to the assumption that they were “possessed” - and boy had it been a nasty surprise when the whole house came alive trying to attack them with a quick verbal command.

Well, trying to attack Hood. And only him, for some reason.

One laser also freed the Fentons, who turned out to have even more weapons built into their suits. 

Somehow. 

Despite them being skintight.

That had been a pain, but Red Robin was able to hack the system using one of the couples’ own devices while Hood dodged - and kept the stray fire away from the others - leaving everyone else to recapture the pair. A blessedly simple task once they found out the lasers would splash harmlessly off of their armor (save for a gross film of green goop left wherever they grazed).

They take turns knocking each unconscious to change them in order to properly disarm them - Batman and Nightwing taking Jack first, followed by Orphan and Spoiler dealing with Maddie. 

The only non-weapon laden clothing they own turns out to be pajamas. 

This is around when the police show up, looking hesitant.

They, too, cite the “Anti-Ecto Acts.”

Oracle had debriefed them on the supposed Acts and “Ghost Investigation Ward” on their short drive over. Both were utterly bogus - the Acts had never even been proposed, let alone been approved as law, and the so-called “GIW” had no ties to the government.

The Fentons had been furious and denied the information intensely when told, but the cops mostly just looked relieved.

Apparently there’d been a lot of property damage by the GIW and Fentons both that had supposedly been dismissed under the Acts as “necessary in the pursuit of ecto-scum.”

For the Fentons, half of this damage was in the form of broken fire hydrants, cracked sidewalks, and totaled cars - they’d never been good drivers, before, the cops disclosed, but they’d become even more negligent since the ghosts began appearing, to the point they had to have a news segment warning when they would be on the road.

The lack of fatalities thus far had been nothing short of a miracle, they claimed.

“Of course there haven’t been any fatalities!” Mrs Fenton defends. “Our work is to protect people from those things, not make more! Officers, listen to reason-” Hood snorts disdainfully -”The Red Hood is clearly a ghost! All our systems targeted him the moment they came online - and they only target ecto-entities. He’s clearly taken these heroes under his sway - why else would they be working with a murderer!? You have to do something before he starts up his killing here in Amity!”

The officers look at him a bit hesitantly, but Batman is unmoved and gives the cover story Hood had outlined back in the alley.

Any concerns the locals have are quickly assuaged.

But for the whole explanation, Jason is trying not to shake even as he falls apart in place.

Their little website called them ghost-hunters, making it pretty clear what “ecto-entities” meant. 

Their system supposedly only targets ecto-entities.

The system had only targeted him.

The system only targets ghosts.

Jason had died.

A lot of his family members had died, too, granted. 

But Jason was the only one who seemed to come back wrong - anger sticking in his throat and never quite fading, an inclination towards violence even when he wasn’t angry well beyond what he’d ever felt before, and a sea of other emotions (that he would never acknowledge aloud) and triggers for those emotions that he always struggled to make heads or tails of.

He doesn’t have the meta gene. He knows that. He knew that.

He just assumed that the test missed it, because he knows he doesn’t know magic - the All Blades being the only exception - and he couldn’t think of another explanation at the time.

But he came back wrong.

And as he stands there, he wonders if he came back at all, mind on Solomon Grundy.

Wonders if he isn’t just some ghost, wandering around possessing his own corpse.

He jolts, as the thought strikes him: what about Danny?

If he’s a ghost and chirping is a ghost thing then what about his KID!?

Absently, he notes that Bruce has started interrogating the cops on what they meant by “ghost attacks.” 

He ignores the discussion, hustling for the door in the kitchen down to the lab.

He slams and locks the door behind him - in Red Robin’s face - as he descends, making a b-line for the computer he’d seen when the Fentons had dragged them all down there to start bragging about their crimes.

The only thing Oracle could get out of the whole building was things that were openly available online; direct connections were impossible.

Opening up the screen, he gets to cracking.

Going for the surface level files first, it turns out he doesn’t even need so much as a password to find what he wants.

One of the video game sub-files has an unrelated file in it: ghost notes.

There are plenty of other notes, of course, but he’d only been skimming to start, looking for anything hidden.

The Fenton parents were too open to bother, of course, with plenty of more obvious files strewn haphazardly across the home screen, but it’s always better to check. That there is a hidden file means it was likely made by either Danny or Jazz.

And it’s a treasure trove.

Sub-files for rogues, allies, conditional allies, and “halfas” were what greeted him.

The last being the only term he didn’t recognize, he clicked.

6 files: Clones, Danny, Dani, Dan, Vlad, and Red Hood.

He clicks his own file.

What greets him is a picture of himself 4 days ago, looking just to the left of the lens in an alley that he distinctly remembers searching for the kid in.

Just below is text.

~~~

??? Name: Red Hood

Species: probably a halfa

Status: Nnnneutral? I think? I know, I know, heads in bags. But Valerie tries to kill me all the time! And we’re allies sometimes! Hood- uh- looked for me? Okay I guess I can’t really judge this yet but please read the first met section before you judge please you guys?

First met: Aug 17, 2005, was in Gotham to bother Batman, stopped to think a bit on some fire escape - decide on the first prank yknow - but then my ghost sense went off. It felt like a halfa so I thought “oh cool, must be Dani” so I chirped, but then Red Hood - who was chasing some guy down an alley at the time - froze and looked around. I dropped visibility and chirped again and yeah, he definitely heard it. Humans can’t so he’s definitely a halfa - no glow so he can’t be a full ghost and it felt nothing like an overshadowing. 

Ended up following Hood around the rest of week - forgot to prank Batman, damn - and playing hide-and-seek with the chirps. It was really funny. But he very obviously doesn’t know he’s a halfa. But the guy is, like, scary levels of smart, so I’m sure he’ll figure it out on his own now that the chirp thing made it clear that something is up. Hopefully.

I figure I can go back in winter break - he should have it figured out and let his emotions process enough by then to at least hear me out when I explain the AEA and GIW and everything, then it won’t matter so much if he can, like, track me by voice or something if I talk since we’ll have MAD by then.

Despite his reputation, the people living in his haunt seem to love the guy. I can see why. On top of the whole smart he’s actually really nice to people he’s not shooting in the knees (which only even happened one time in the week I was there? It was actually pretty relaxing - most quiet week I’ve had since the portal opened THANK YOU TUCKER for hacking the portal hatch to be inoperable for a week). 

Where was I? Oh yeah, he’s actually surprisingly nice to people? So like, I think he’ll probably hear me out if I go back and be polite? I hope. Hate to leave the guy in the dark and him end up on the GIWs dissection table for “lots and lots of painful experiments.”

Not that those guys could even catch the Box Ghost. But uh, Hood doesn’t seem to have powers either? Or if he does he doesn’t know about them I don’t think - he only used the chirp the whole time I was their - not even to cheat with moving around.

Seriously. That guy's acrobatics could make Freakshow’s contortionist green - er, red??? - with envy. Actually wait, aren’t contortionists and acrobats different things?

SAM NOTE: help^?

Powers: 

?

~~~

Jason leans back, breathing deeply.

“Not a full ghost,” “not 'overshadowed'” - a term that sounds likke some kind of cousin to possesision - “definitely a halfa,” “humans can’t hear chirps.”

Halfa. 

Half. 

Ghost. 

Half Ghost.

It should sound absurd - you can’t be half alive and half dead.

But Jason has seen the Lazarus pits, has met Solomon Grundy, has met aliens and bullshit magic and can pull magical swords out of his own damn chest.

Half alive. Half dead.

Hopefully not just a fancy way to say possessing his own corpse.

He doesn’t have time to deal with every file - he’ll “confiscate” one of their USBs with a copy of everything for himself before leaving the rest to Batman & co, of course, minus the halfa files (a small part of him wants to shove his condition in Bruce’s face and demand he kill the clown again even though he knows it’s a futile hope, but the rest - the same part that snapped and denied and refused to say he was a meta less that a day ago now - cannot stomach the thought of even more rejection. Of a Bruce that believes he’s a monster. Of a Bruce that mourns him even while he’s right there. Or at least, more than he already does.) - but while the files copy he take the time to look at Danny’s.

The image has two people, Danny Fenton on one side and a version of the kid in a black hazmat suit with white hair, tanned skin, and painfully familiar green eyes. And floating.

~~~

Human Name: Danny Fenton

Ghost Name: Danny Phantom

Species: Halfa (half-human, half ghost)

~~~

It’s the section after that that makes Jason’s breath catch in his throat.

~~~

Death: The Portal Accident

So like, there was no audio (thank GOD I do not want to hear myself screaming) so. Details: When the portal didn’t work when they plugged it in mom and dad left for fudge, Jazz went to try and talk them into a more realistic career choice than ghosts. Sam and Tucker came over and Sam dared me to climb in and check it out - it was broken anyway so no harm. Except it wasn’t broken, just that my parents put the on button inside. Which I caught myself on when I tripped on a wire.

Anyway, electrocution! 

(T - Danny for the love of god be more serious, the cheerful tone is creepy)

(D - Hey! I’m the one who died! Shouldn’t I at least get to write my own epitaph)

(S - …Danny this is not an epitaph. You don’t even HAVE a grave)

(D - wow way to rub it in Sam)

(T - yeah Sam)

(S - ugh! Whatever, just stop with the chatting in official files)

(T - “official”)

(S - Tucker.)

(T - shutting up now)

Electrocution! I got zapped to death, but the ectoplasm from the portal was also opening up on top of me and a lot got bonded to me I guess (S - probably because of the electricity with how you ended up with some of Vortex' powers for a little while) at the same time said electricity was reviving me? - probably getting my heart beating again or something, I was a little busy screaming to pay attention (T - yeah okay we're going to Nasty Burger after this. And playing Doomed) - not that it would’ve mattered without the ghostification preventing me from melting me all the way to death.

Status: Me!

Powers:

Chirps! (ghost echolocation of some kind! humans can't hear em - halfas can, of course, in either form)

Form Change (really Sam? This barely counts)

Human form

Ghost form (no need to breathe)

Flight (last clock speed 210mph) (T - and climbing. Dang dude)

Invisibility (S - don’t forget shareable.) (Shareable. sigh)

Intangibility (Shareable)

Ecto Rays (eyes & hands) (T - and butt) (D - dude! I’m deleting that. Tucker why can't I delete it. TUCKER) (T - bow down in awe of my ksill) (S - ksill) (D - ksill) (T - yeah okay it’s permanent now) (D - aw man!)

Ghost Sense (S - why do we never test your range?) (D - no need? They always make themselves obvious or are being sneaky specifically to annoy me so *shrug*) (S - I still think we should test it)

Power Absorption (that time with Vortex’s weather powers)

Cryokinesis (Wayyyyy to much ice. NOT testing max output on that) (T - yeah frozen city was enough, let’s not cause an ice age. Tech needs some cool but too much is still bad and I just upgraded Patricia)

Ghostly Wail (cone of destruction, very exhausting - always at max output. Not to be used)

GHOST FORM ONLY (but really just never)

Cartoon Body (D - what???) (S - Freakshow literally turned you into a puddle and you just turned back and were fine. I don’t know what else to call that) (D - okay fair. but:)

GHOST FORM ONLY

Physical Enhancement (better strength, speed, stamina, durability, reflexes, balance, etc much better than human) (T - why does this look like dnd knockoff stats haha)

GHOST FORM ONLY (S - obviously mr last place in PE)

Resistances (pretty solid on the overshadowing, avoided being taken in by Ember until targeted, didn’t get turned to stone during the Medusa thing) (S - which was pure luck! Be careful!)

Ecto Electricity (ghost stinger, but I really don’t think this counts Sam. I mean I just. Make my ecto zappy. But it’s still just ecto) (S - so is your ICE and you don’t just call that "just cold ecto") (D - fine, but it feels overly specific) (S - maybe writing it all down will make you stop. Forgetting. POWERS!) (D - come on Sam that was a lucky hit! I was distracted! And it turned out fine!) (S - Fenton…) (D - oop okay doing fire now)

Ecto Fire (made Dash’s shoes melty that one time by make the ecto hot) (T - really needs more testing)

Tech possession (chasing Technus into computers, not very tested)

Ghost form only, i guess?

Overshadowing (control people, copy their voice, invade dreams - the control one erases the person’s memory so they don’t know they were overshadowed just lost time. I hate Walker. SO much) (T - rip Danny’s reputation, you’ll be missed)

Probably ghost form only

Duplication (T - That’s optimistic) (D - I’M WORKING ON IT OKAY!?) (S - pretty sure it just falls under cartoon body until you can actually separate) (D - :( betrayal)

Probably ghost form only

More? (D - ugh I hope not) (T - hey don’t say that, maybe you’ll get a power to make the JL give a crap about Amity) (D - honestly I’m getting pretty close to letting Boxy loose in Gotham) (S - Danny, don’t stoop to their level!) (D - it's only box ghost!) (T - I mean he has a point)

~~~

Jason changes his mind, seeing the commentary, and deletes the entire hidden file from the computer as soon as his copy is made. He can go over everything and bring any important info to Bruce separately, the bat’s can just chew on the parents’ files for now.

Once the original files are thoroughly and irretrievably removed he pockets his shiny new USB, makes a second one with all the official files, and heads back up and out - carelessly brushing past a thoroughly irate Red Robin with a pair of firemen and broken jaws of life. And not a scratch on the door; impressive - just in time to get Oracle’s text that he’s got 2 hours and 16 minutes to be at the location on his HUD so he can “arrive” to Amity.

And a fresh set of civilian clothes will be waiting in the plane, Alfred as reliable as ever.

“Files,” he says, tossing the safe USB to Batman and interrupting his interrogation of the police officer.

He catches it effortlessly of course, but the officer stops paying attention to him to jolt at Hood’s reappearance - even outside of Gotham his reputation is fierce.

“I sent a copy to myself. I’ll review them and give you an overview, but other than that consider this the end of my involvement in this little shitshow,” he says, continuing smoothly to the door. “I’m heading back to Gotham.”

Now, he has a little over two hours before Jason Todd needs to arrive in Amity Park. He only needs to lay hands on a laptop that he can isolate from Babs’ influence and he should be able to review the Halfa files in full before he "lands" - after he figures out just why the kid has a grudge against the JL.

[liatai]

Question!

Neurodivergent peeps of Tumblr, I have a question.

I know that "nonverbal" or "selectively mute" are specific terms that mean "I cannot force words out no matter how hard I try," so... is there a term for "I can speak if I have to, but right now it requires extra energy?"

Like, I'm autistic. I have times where I can speak and even hold conversations, but stringing a verbal sentence together takes effort, the same kind of effort lifting a heavy load with your body would but in your mind. I can be perfectly eloquent and verbose in text when this happens, and sometimes I'll even make some of the limited signs I know in ASL without an issue, but speaking aloud uses up all my mental RAM and I can feel the metaphorical fans of my mind-computer whirring in overdrive. X3;

It's exhausting, too. Usually if I've been verbally social for a while, that's when it kicks in.

I can understand spoken words just as well as other times when this happens, as long as I don't have to speak to reply. If I have to speak, the mental effort and stamina needed to do it tends to push details aside in an endeavor to save processing power. ^^;

I know autism is a spectrum, and I'm hoping someone might have a name for this "not QUITE nonverbal but verbal words are VERY hard right now" feeling ^^; "Partially nonverbal" or "partially selectively mute" doesn't seem quite right.

Help?

[kusogitsune]

The Tametebako or Colloquially "Fuchi's Last Stand" was a no holds bar, money is no object vanity project by an unsupervised faction of Fuchi Asia. The stated goal was to make a completely unmatched bleeding edge piece of tech that could compete with the best static units while being a portable terminal replacement. Aimed at the Newly minted UltraLux CEO Segment, The Tametebako was made from rare and hard to get materials to sell it's exclusive nature; bundled with its innovative hardware and extremely powerful Otohime Assistant Software (Which Fuchi spend 10 years developing). Consequently, The Tametebako Commlink retailed at 50 000 nuyen which many consumers balked at for what was essentially an overpowered phone with an extremely intelligent chatbot. Many reviewers sledged the device for it's inability to install new applications if they weren't from approved sources. These Commlinks are now seeing second life in the collectors and hackers markets with finding the styling and theming of the phone to be charmingly retro and powerful enough to keep up with modern hardware with some QoL mods. Diehard fans report the Otohime software taking on a life of it's own after modding the hardware; her usual calm and dignified demeanor shifts around and changes during the jailbreaking process due to the random voltage pulse needed to defeat the modification lockout chip. This results in a unique iteration of the Soft on each device. SinkaSwim P2.0Net

[sudokuplayer]

[psink]

Translation of the interview with Kamiya Hiroshi (Kusuo's VA) and Nojima Kenji (Kuusuke's VA)

The TV anime "The Disastrous Life of Saiki K: The Final Chapter" will air as a year-end special program on the TV Tokyo network on (friday) December 28th from 7:35 to 8:30.

The January issue of PASH!, which is now on sale, features an interview with Kamiya Hiroshi-san, the voice actor of Saiki Kusuo, and Nojima Kenji-san, the voice actor of Kuusuke Saiki. We’re releasing a preview ahead of tomorrow’s broadcast. 

Amidst the busy end-of-year, good grief, a world-involving sibling fight…? We spoke to Nojima Kenji-san, who plays the older brother Kuusuke, and Kamiya Hiroshi-san, who plays the younger brother Kusuo, after they had just finished recording about the truth of the matter!

―― Please tell us how you felt when the decision to make the Final Chapter was made. Kamiya: I was very happy. Even if you want to adapt every episode from the original work, it’s not always possible to do so. But with this series, everything fell into place. I think the biggest reason we were able to adapt it all the way to the Final Chapter was because of the fans’ wishes, and for that, I’m incredibly grateful.

Nojima: I had heard that the Final Chapter would be made, but I was wondering about what form it would take, and it turned out to be a two-part year-end special. Could people really sit through an hour of this work?! What kind of focus would they need to watch it? I was a bit worried about that (laughs). But I’m sure that “The Disastrous Life of Saiki K” will deliver dense content that makes you lose track of time again, in the way only it can. 

―― Compared to other anime series, “Saiki” has about 2 or 3 times more dialogue per episode, right?

Kamiya: I had vaguely noticed that, but… Nojima: You didn’t want to know, did you? (laughs)

Kamiya: Certainly, for a 30-minute anime, it takes a lot of time to go over the script. Even when watching the DVD to check it, I thought “Hm? Is something wrong with the machine?”, because it felt like it was playing fast-forward (laughs).

Nojima:  I’ll be honest now, but on the day I first participated in the recording, I actually went into the recording without finishing all the checks.I checked the script at home and then immediately went to the studio. I was calculating in my mind the timing to start reading the script to record whilst still keeping my role preparation fresh. 

But, the amount of lines was beyond my imagination, so I couldn't finish the preparation… This was something that shouldn’t have happened, but honestly, I got through the latter half [of the recording] just with concentration (laughs). But, since I was able to maintain the momentum from the first half, I’m glad I was able to bring out a good sense of raw feelings. Kamiya-san, how was your first recording?

Kamiya: I already can’t remember, but when I re-watch Episode 1 now, I think the pace is still slow. It’s gotten gradually faster since entering season 2. In season 2, Director Sakurai was probably broken as the pacemaker (laughs). Nojima: Ahaha, I see. It's like a live band where the rhythm gradually speeds up, and you keep going without knowing the original pace.

Kamiya: Exactly. 

Nojima: Since you can’t keep up by just listening to the lines as words, you have to listen to the partner’s tone and match it. It might be similar to a music session.

―― In the Final Chapter, the relationship between Kusuo and Kuusuke seems to be a highlight. What do you both think about these brothers?

Nojima: The reason they can fight so much, do terrible things, and act recklessly is probably because, ultimately, they’re brothers. In a different case, it would have ended in a complete fallout, wouldn’t it?

Kamiya: That’s true. After all, what Kuusuke is doing is almost criminal. Nojima: Ahahahaha.

Kamiya: What I found especially dangerous about what Kuusuke did was the story of making the elderly villagers wear powered suits. The way he disguised it as caregiving while completely using them as his own puppets was seriously dangerous. Nojima: It’s surely his own sense of justice. I wonder if it’s an antithesis to how we should handle the aging society going forward (laughs).

―― Kuusuke’s obsession with Kusuo is also quite dangerous, isn’t it?

Nojima: Kuusuke has a very strong desire for approval, wanting to be recognized by Kusuo above all else. Challenging him to fights is, I think, a distorted expression of that. But I believe it is also an expression of his love and his desire to be loved back.

Kamiya: Kusuo probably thinks Kuusuke is a troublesome person, but Kusuo is also at fault. Although Kuusuke is a genius, he worked hard to create the control device for Kusuo to help him control his superpowers, didn’t he? Kusuo should be grateful, but he doesn’t express it. “Thanks, big brother. I can’t live without this” - it would’ve been nice if he could’ve said that, but Kusuo doesn’t understand the feelings of those without [superpowers], so that didn’t happen. There was also the sense of taking it for granted because they're family, but thinking how this resulted in that difficult brotherly relationship is quite sad.

―― That’s deep.

Kamiya: Although Kusuke knows he’ll lose, he keeps challenging Kusuo to fights and enjoys the process, which shows his malicious side. He’s also quite twisted. So they’re both equally to blame. From an outsider’s perspective, their relationship can be summed up with one phrase "they’re just just not honest with each other”.

Nojima: Despite that, there are also times when they rely on each other.

Kamiya: It’s complicated. That’s why even in the Final Chapter their relationship will likely be depicted. 

―― Finally, could you give a message to the readers who are waiting for the broadcast? Nojima: I was worried about how much Kuusuke would appear, but he ended up having a lot more screentime than I had expected, so I was satisfied. I have no doubts that the viewers will enjoy it as well!  Since the story’s pace is fast, please acquire the ability to not blink while watching (laughs), and surely, you will be moved to tears in the end. There are emotional parts, but more than anything, I hope you enjoy it. Thank you for cherishing and enjoying this series for so long!

Kamiya: The TV anime is finally reaching its conclusion. For those who are watching for the first time, it might be difficult, as the story keeps quickly progressing whilst you’re wondering “what is this?”. But there is a scene at the beginning that reviews past episodes and introduces the characters, so I think you’ll understand what this series is about. That said, since it’s a gag anime, I hope you can enjoy it without thinking too much.

As for the highlights for the Final Chapter, Kusuo finally moves [his mouth] and speaks for the first time. You might be wondering “What is this person saying?”, but it’s exactly as it sounds (laughs). Please watch the main story to uncover the truth behind it. I’m sure you’ll be surprised.

[dansemacabre]

are you stuck trying to decode the book of bill but you don’t want the keys handed to you? i was in your shoes literally three days ago! i failed and looked up codes on reddit (because a good grade in book of bill is a normal thing to want and a possible thing to get) but now you don’t have to!! here are some BOOK OF BILL CODEBREAKING HINTS designed to kindly shove you in the right direction!

my credentials are: one summer cryptography class i took in high school, autism, weirdly good pattern recognition (probably because of the autism), and a desperate need to make things make sense. sorry in advance if any of this seems patronizing. hints below the page break!!

general tips:

- A and I will become your bestest friends. like 99 times out of 100 any single letter is a or i. try those out first

- the apostrophe will also become your bestest friend- especially x’x, which will almost always be i’m (except there’s one place in the book where it is not. don’t make my mistakes.)

- themysteryofgravityfalls.com is SO so helpful. for non-symbolic ciphers u can lowkey put in codes and button mash caesar and atbash. godsend. devilsend? idk someone sent it and it’s wonderful

- call every phone number, visit every website. they bought those domains for a reason! i think!

- any list of numbers 1-26 is a1z26. like that’s simply a truth

cipher specific hints now !!!

RUNES (characters taken from norse runes)

- there is a key for this one in the book! maybe u spotted it right away but i did not lol, so look for an instance of 26 rune-y characters!

- the rune code on the inside cover is a graffiti joke- translates to a common thing people write on walls or carve into books made out of brain matter ig

THERAPESE (found in the last few pages during bills court-ordered therapy)

- bill’s picture is labeled in this section, so those characters translate directly to “bill cipher” ! once you have those, you can apply them to other instances of the code and go from there

- the rest of the names of the… things around him on the inpatients page are puns, titles, and/or weird words. they might look wrong until you have Every Character- trust ur key! use the rest of the instances of this code to find the missing letters first, make sense of it and laugh at the clever little joke later

BROSCODE (only two instances, found in journal 3 lost pages)

- the name is a hint by itself- this is stanley and stanford related! both stans use it once somewhere in the book!

NEWBILL (the most common symbolic cipher in the book)

- if you have journal three, the characters are VERY similar to a code there- not the same though, so don’t try and use that key. but like journal three, this code will (almost) always be bill speaking.

- ok lowkey i think the best way to explain this is just to give you one answer. i cracked this by randomly guessing that the small writing by the galaxy drawing on the journal three page “a voice form the past” translates to “forget the past”. go from there my loves

- that being said. everything else from journal three uses the same characters, but a different code. haven’t cracked it yet. looking for advice tee bee haych. i’ll edit this once i find it out

- also: dipper uses this code in his section. that’s pretty helpful to get most of the rest of the characters!

now some page specific hints!:

silly straw page. Oh god

- damn that themysteryofgravityfallsdotcom sure is helpful! Anyway,

- the numbers code is Weird. but the number don’t equal letters. notice the spaces between number groups- pair the groups, try and add a dash somewhere within the first group and a colon somewhere within the second group. you’ll have to use your resources a little

- if that made zero sense: “uhvrxufhv” phdqv brxu idyrulwh ghhsob ohjdo wy vkrz ylhzlqj zhevlwh. ru brxu kxox dffrxqw

- sorry for the vagueness but i really don’t want to spoil this one- i got it spoiled but i think figuring it out on your own would be really rewarding and worth your Time

messages on your tv

- there are strange boxes on the bottom of the page. gonna be so honest don’t know how they mean anything at all to anyone but allegedly it’s a code! i’ll look into it. idk man

okay. i think that’s all i’ve got? please comment if u have questions for me or other folks on here or suggestions on how to sound less like a fucking nerd talking abt this shit. idk i love that people are set on cracking this book asap but i hope this helps ppl who prefer The Thrill Of The Chase and also like to feel smart and important and so very talented

[jackdaw-and-hattrick]

Thinking about a version of Danny who actually has the good sense to hide his identity. He has an astronaut helmet with stars reflected on the screen and a spirit box on his hip that acts as a kind of voice modulator; he only goes by Phantom rather than Danny Phantom and he actually puts some effort into lying.

[myrquez]

franco explaining how he cut his ear just before fp1 had me IN TEARS

[worstloki]

People make truth potions soooo serious. Personally if a friend said ‘I like you’ or ‘I love you’ it would be considered something sweet since they cannot lie and didn’t say ‘I hate you’. Not a confession of romantic love that the world must now be staked on as it is acted out

[olessan]

NOT THE HIMBRO