Emotionally, 23.5 (episode 10) is like a cheaply made puzzle, where like, the edges are cut roughly, so like, you THINK that you have the right pieces next to each other, but when you smush them in, and they don't fit QUITE smoothly enough, you're like, oh maybe there's another piece, but like, you CAN'T find another piece that works, because like, the piece you have in your hand IS the piece that is the right one for the picture you're making, or like, you THINK it is, so like, you keep smushing the pieces together, and you THINK the puzzle makes sense, but you kinda feel like you have the wrong piece, or worse, you're MISSING A BETTER PIECE, because everything's NOT QUITE JIVING.
I hope this post made as much sense as the emotional journey we attempted to take with the script in this last episode. What the FUCK is this script doing to Ongsa? A little more context, some smoother edges, would be really helpful here!
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Haiiii fren!!!! (≧▽≦)
I don't talk to you enough recently!! So, just checking in, how are you?
And also if you want a drawing just like... Send an ask... bc... I have no ideas and time to draw...
HELLO!!!!! Pigeon my friend Pigeon! :D
I'm good! Tired from work somehow even though this was my day off (rip) and I got like no drawing done (double rip) BUT I had a nice day I think, so it's all good ^^
How are you?? How's your vacation going if you still on it? Have you seen any more cool bugs or animals?? :o
As for drawing ideas... what about the guys getting Cross his first toy since he didn't have any as a kid? Or y'know, not to be a kross enjoyer or anything but... maybe Killer introducing Cross to all his cats? Or just annoying him with how clingy he is lol
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yet another oc that only exists because i wanted to write something very specific
(middle is a little older, hence her scar healing. i like to think she gets a glass eye at some point)
anyway this is mira! (they/she) since that wip is almost 20k words and counting i won’t give away too much but long story short she’s the result of meta going “one last time, i promise” and adopting yet another kid
also galaxia kinda indirectly picked the name :)
i’ve mentioned before that i headcanon that pretty much all astrals are autistic and this is just kinda an extension of that. whereas meta tends to suppress his emotions and conform to others, mira…doesn’t. she gets uncomfortable and upset and lashes out at people easily, and working through their emotions is no small task.
the main reason i chose to write them that way was for the sake of narrative but i’ve grown attached to it because there’s a lot of ideas there i’d like to explore. stuff about navigating emotions and relationships when existing is so suffocatingly uncomfortable. it’s not something i could center around Kirby himself, but i think it makes sense with a post character development meta knight.
they are very loved (omg oldee cameo???)
kirby was definitely very excited to have younger siblings after being used to being the youngest in the room for so long!! (with the like. one and only exception being gooey.) he’s super affectionate with both of them and wants to have a close relationship one day, but for now mira is pretty unappreciative of that fact lol. they don’t like being pestered for hugs
everyone else is okay tho
(i know that’s hard to read. oops. “obvious bite marks”. siblings being siblings.)
mira also has a very love/hate relationship with the egg kid, being so close in age they kinda Have to get along but in typical sibling nature they also fight a lot. sure it’s probably rough for a while but i think in the end they’d be good buddies. maybe not as close as Kirby and Bandee but still.
anyway i have a lot of thoughts and am very busy but. i’m really enjoying writing about all this lately it’s been fun ^^
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I have seen you talking about Dick & Dami's relationship and Dick & Tim as well,but what are your takes on Dick and Jason actually?
Like how you wish their relationship should be portrayed today and where are them missing when it comes to making those two acting like siblings?
Do you think in the past their dynamic was better?
How Dick views Jason and how Jason views Dick?
This is difficult to answer because there are like 8 different stages to Dick and Jason's relationship with various dynamics. They also view each other a bit differently depending on which stage we're talking about.
The way I would like their relationship to be portrayed today isn’t necessarily possible thanks to Jason’s integration into the family and acceptance of the no killing moral code. For me, their ideal dynamic is portrayed in Outsiders #44-46. And I know people are gonna find that regressive as hell but, tbh, that dynamic is far more interesting than the kinda awkward thing they have going on now.
Although, I don't mind that they acknowledge their brotherhood in a serious manner now. Like before they'd kinda be like, "Eh... I mean... we were adopted from the same guy but... brothers? Eh..." And now they're more firmly in the, "We're brothers," camp. So that development is interesting.
Character progression wise, it wouldn't feel right for for them to be super close in the way that, say, Dick and Tim are (unless we saw a lot of trust and relationship building between them), but at the same time, there is part of me that kind of wants them to have that older sibling bond (except Jason is closer in age to Tim than he is to Dick sooo actually let's just leave older sibling things to Dick and Cass... not that Cass is much older than Jason though so LOL this is why Dick has to lone the oldest sibling thing by himself... which is funny because Dick is technically no longer the oldest sibling, he's a baby brother now... except Dick and Melinda's relationship really hasn't progressed much sooo you could say they share blood but don't consider each other family yet, in which case, Dick is still the oldest... I mean, regardless, Dick is the oldest sibling of the Waynes... god why did they have to make all of this so difficult 😫).
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Hi! Long time no yap but I've been really bothered by this thing and I know you're just the person I can go to with this (even if we don't always end up agreeing at times).
I got into a tiff with someone in a comments section of a post that was about Amy (Which character do you think deserved to become a villain? or something similar). They brought up Amy's abuse of her boyfriend. I may have tried to defend Amy (key word is tried. I am officially rubbish at debating) but then I may have said something? Because they said that I (and apparently a lot of other fans) was excusing Amy's abuse because of her trauma. It got me stumped because isn't young Amy's treatment of Rory rooted in her trauma? Did I miss the memo where we separate trauma and abuse? Am I missing something?
That statement bothered me a lot because if there's one thing I never want to do it's defend an abuser. So here I am, humbly asking and hoping to clear the muddy waters.
Your really confused and disturbed moot, Tia 💌
TIA!!!!! Thanks for the ask 💌 , and I send you all the hugs.
Discussion of abuse, trauma, ableism, infidelity, and unhealthy relationship dynamics beneath the cut.
(First off… while I really appreciate your faith in my explaining skills <3 <3 <3 my passion for traumatized characters and mentally ill+neurodivergent rights doesn't make me especially qualified to fully clear muddy waters especially not knowing the full context, but I feel you, and what follows is my informed perspective!)
Speaking generally first, harm done in media is best examined by the impact on the audience, with a different lens than harm done to real people. While relatable experiences in media can be useful and validating and incredibly important, you can’t be “defending an abuser” when the abuse is fictional. It's actually normal for traumatized/ND/mentally ill people to project onto mentally ill villains, when villains are the only significant representation for those stigmatized symptoms in a media landscape that excludes and demonizes us simply for existing. RTD can't stop people who hallucinate from reclaiming the Master's Drums and projecting onto the Master, for example — 90% of the best Doctor Who psychosis fic by psychotic authors is about the Master, whether RTD likes it or not. It's not true crime.
(This is speaking generally. Amy Pond is very much not the Master.)
Abuse is a behavior, and there can be many reasons for it, but reasons based in trauma don’t make it not abuse (some forms of generational trauma can propagate abusive parenting styles, when the parent thinks abusive parenting is normal, or lives entirely vicariously through their child). This absolutely should not be taken to mean trauma correlates with abusive behavior; rather that abusive behaviors from traumatized people are more likely to present in specific ways.
Abuse is also a targeted behavior, based in control — not consistently displayed C-PTSD symptoms as seen in Season 5 Amy Pond through many aspects of her life. Mental health symptoms don't become abuse just because they hinder one partner from meeting the other partner's needs. Any life event can do that.
Without knowing the context of the arguments, this is the aspect of their relationship I've seen you talk about before (which I also feel strongly about), and what I assume is what you were debating? So, here I will talk specifically in regard to Season 5.
We all know Amy — she's never attached to Leadworth because she never wanted to leave Scotland, no steady therapist because none of them stick up for her, can't stick with one job yet her first choice is a job that simulates intimacy because her avoidant behavior (a known trauma response) isn't sustainable to her wellbeing. Rory knows her fears of commitment stem from her repeated abandonments, it’s why he’ll always wait for her, and it's why he blames the Doctor “You make it so they don't want to let you down.”, who apart from having caused a lot of her trauma, has actively taken advantage of her being the “Scottish girl in the English village” who's “still got that accent,” because he wants to feel important, so yeah, I think interpreting Amy's issues (and how Amy and Rory transverse them) as Amy abusing Rory indicates a fundamental misunderstanding of their relationship, as well as a misunderstanding of the (raggedy) Doctor’s role in Amy’s formative self-image (which of course she works through in Season 6, but I am sticking to Season 5).
Abuse is always based in control. That just doesn’t fit here. While Amy's detachment from her real life includes things like calling Rory her “kind of boyfriend” (which she is upfront about to his face; differing commitment levels isn't abuse, though it can be a relationship red flag for both parties IRL) — her Season 5 disregard of Rory’s feelings occurs only in response to the fairytale embodiment of her trauma. It's never a response to Rory; it's a response to the Doctor, who stole her childhood and led her by the hand to her death. She cheats on Rory with the Doctor in her bedroom full of Doctor toys, drawings, models, she made from childhood to early adulthood.
(And yes, like many repeatedly-traumatized people, Amy is prone to being sensitive and reactive. Take her “Well, shut up then!” line in The Big Bang; but given Rory responds to this by hugging her, clearly he doesn’t take it as her actually dismissing him. He knows her better than that.)
And by no means do I meant to imply this is fair to young Rory, poor Rory, who's left struggling with the feeling that his role in her life is in competition with the role of her trauma (aka the Doctor). But not every unhealthy relationship dynamic is unhealthy because of abuse. Labelling Amy's treatment of Rory in Season 5 more accurately isn't the same as excusing her harmful choices — but making mistakes is part of being human, Amy's mistakes are certainly understandable, and she works through them out of love for Rory.
If there's one thing to say about Moffat women, it's that Moffat allows his female characters the same grace that the male characters *coughTENcough* have always had, to hurt and struggle and make realistic mistakes and overcome those mistakes and to heal without being demonized.
Amy isn't perfect, but she is a fully realized character, and her story gives us a resonant depiction of childhood trauma.
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