#sorry this one isn't a happy feel
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teaboot · 4 days ago
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tranny freak :)
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tyttetardis · 21 days ago
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Looks like David will be back as Macbeth tonight ❤️
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lord-squiggletits · 1 month ago
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Y'know I kind of feel like when Megatron killed Tarn and said 'I want you to spend your final moments thinking of this: that everything you've done has been for nothing' he was kind of self-projecting onto Tarn? Mainly because at Megatron's statue, M and T had a conversation where Tarn explicitly asked if all the Decepticons in service to Megatron died for nothing, if HE did everything he did for nothing. (And I think M even gave an answer along the lines of 'idk I think we basically did'). And then after Megatron killed the DJD and Rodimus teleported in to rescue him, there was that silent moment where Megatron just stared at Rodimus not moving at all before he finally took his hand at the last moment.
It honestly feels to me like for a while, Megatron fully intended to murder-suicide himself. Murder the DJD, his monsters and his creation, and then take himself out alongside them, because he is also a monster. Because he also feels that everything he's ever done has been for nothing.
Goddamn it's no wonder I liked that scene so much LMAO, as someone who thinks villain Megatron > Autobot Megatron, literally one of his key traits is that Megatron basically took his pain/trauma/worldview and used it to lash out at the universe and try to subjugate it to his vision. So the fact that he took his own pain and brutally murdered the DJD while telling them the very same thing that puts him through so much agony is so very deliciously ironic. And a return, however brief, to the Megatron characterization that I know and love.
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zecoritheweirdone · 4 months ago
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okay so i have, like. a lot of msa doodles that i just haven't posted anywhere,, mostly of aus i've barely talked about, if at all,,, and like. i've mostly been waiting on posting some of them until i writes lil smth 'bout 'em,, since i have a habit of sharing art for aus and then never doing anything with them again,,, but like. haven't been in the mood to write for a while 👍. so i might as well share 'em now instead of letting them rot,, dkdjsks. so here's a peek at what goes on inside my mind!
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(the last doodle was colored by sap @/pinesented my good friend sap)
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triaelf9 · 6 months ago
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My three Tavs and their significant others XD
What, me falling deeper down the BG3 pit as everyone has already beaten it and isn't talking about it as much? It's more likely than you think! XD
But yeah, my three silly pairings and their various relationship dynamics.
Slow Burn - Ronan (they/them) x Karlach, Questionable Mess - Shade (they/them) x Astarion, and Yearning - Kyr (he him) himbo durge x Halsin
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umbralstars · 7 months ago
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Kemetic Influences on Fire Emblem Three Houses (Part 1)
I know I have made a more unstructured post regarding this before; however, I am certain in my assessments that the influence of Ancient Egyptian mythology had on 3H is vast and more varied then I, personally, have seen people discuss. Yes, we know of the etymology behind Sothis and Seiros' names, but I believe these connections go much deeper than the surface level. This will be structured with me discussing what I am most sure in to what is more interpolation on my part. This part about Sothis is so long that it needs to be it's own post entirely. Sothis is based on Hellenistic/Roman period worship of Lady Isis
As we know, Sothis' name can be traced to one of the names of Sirius, specifically the Hellenized name of Sopdet the goddess of said star. However, this is surface level. Sopdet was often syncretized with Isis during the Hellenistic period and in Lady Isis, I believe, there are more clear allusions to Sothis and how she acts as a deity within 3H's world. Lady Isis is an Egyptian deity who was worshiped across the Mediterranean during the Hellenistic and Roman period. Sothis in her mythology, actions, and how she is depicted in-game shares remarkable similarities to Isis. The images and sources I will be using as a reference come from Dr. Andrew M. Henry's (ReligionForBreakfast) video on the topic and FEDatamine for everything regarding 3H.
Sothis and Isis are both "great mother" deities who act as supreme goddesses to their followers.
Even before coming to supreme status in the Mediterranean, Isis was an incredibly important goddess within Egypt. She was the bringer of magic, a guardian of women, a compassionate goddess who wished to relieve all human suffering, and much much more. All of these traits are extremely close if not direct parallels to Sothis. We know that magic within Fodlan is directly connected to Sothis through the visual of all the magic circles (save for Agarthan dark magic) and it can be postulated that, like Isis, Sothis magic was beyond the capabilities of other humans or other deities. Faith magic in particular is directly correlated with the ability to heal and protect, which is one of the main domains of Lady Isis in antiquity and modern day. She was the healer of the sick and injured, so much so that she often traveled in human form so that she could aid those who called out to her. I don't believe it is a coincidence that healing magic was reskinned as faith in this game given that context. And the connections continue beyond that. Consider this text from a temple to Isis in Cyrene:
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During the Hellenistic period, Isis' power and prominence grew to wear she became a supreme goddess within these polytheistic societies. She was believed to be the ruler of time and fate itself, and, as stated here, one of the creators of the cosmos who first set time to course. She was often depicted holding a steering rudder or with the planet beneath her very feet as the goddess through which all fate flows.
Next, take this quote from Lucius Apuleius: The Golden Ass a text from a satirist, but nonetheless believed to hold elements of truth to Isis' worship during the Roman period.
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Once again, we see the language that would describe a supreme, cosmic deity. Compare to similar wording in The Book of Seiros Part 1: "The goddess is all things. She is heaven above and the land below. She is eternity incarnate. She is the present, the past, and the future. Her eyes see all. Her ears hear all. Her hands receive all."
Due to this language, it is believed by some religious scholars, and presented within the video, that within the mysteries of Isis there was an element of henotheism at play. A philosophy within religious practices where one god is worshiped a supreme deity whilst not denying the existence of other gods, and such a system of worship is what I believe to be happening within Fodlan's religious context. Other gods are known to exist, they are spoken of in the Book of Seiros; however, Sothis is supreme goddess of Fodlan.
Now, I ask, what is Sothis' primary characteristics within the Church of Seiros and as depicted in game? She is the supreme Goddess of Fodlan, who's depicted with having control over time and fate itself (literally divine pulse), spoken of as a savior not only in the past but also through the actions of her vessel Byleth, who created all life (or at least the Nabateans) as "The Beginning", and the arbiter of souls as an explicitly afterlife related deity.
All of these traits are direct parallels to Lady Isis, and I am not even finished listing all the similarities. First take this quote from The Book of Seiros Part 2: "In the beginning, amid the great cloudless ocean, Fódlan came to be. At the end of a long journey, the goddess glimpsed that land and there alighted. Upon that sacred ground, she breathed life into the world and created all of the creatures upon it.
By the goddess's hand, plants took root, birds took to the sky, and animals roamed the land. Last of all, she created humanity." Within multiple Egyptian creation myths one of the prevalent and constant features is the primordial ocean of Nun. It was place of nothingness and chaos all at once, a "cloudless ocean" if you will. And from that ocean came the first land, the benben, and from there any number of gods created all life. This includes Isis, who within the inscriptions at Philae, is described to have created all life and the cosmos itself (Žabkar 1988, pp. 134.): "Indeed, she is the Lady of Heaven, Earth, and the Nether World, having brought them into existence through what her heart conceived and her hands created..." Both of them are related to the afterlife and are explicitly called out as deities of fate. Once again from the story of Apuleius:
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Lady Isis' connection to the afterlife as she who guides the soul to it's fate goes back even further in Egyptian texts and she has been a funerary deity all the way back in Old Kingdom Pyramid Texts. Take that in context with Rhea's line of Sothis being the "arbiter of souls" and much of her cosmology in-universe revolving around the afterlife you have another link between them. Isis was said to be able to prolong a person's life if they were to follow her mysteries as she knew the lifespan of all people and could manipulate it with her magics. She also typically interacted with her followers via dreams. This is something Sothis is shown to do constantly with her appearing in Byleth's near death moments, within their dreams (at the beginning of the game and later during her speech regarding Fodlan's plight. And can I say, Sothis being aware of the blood being split and awakening Byleth to explicitly put it to an end is a very much like a savior goddess). Then, in Rhea's backstory, she said that she heard Sothis' voice within the Holy Tomb (or within Enbarr) and that is what lead her to take up the name of Seiros and begin to fight against Nemesis. Sothis inspiring the creation of the Adrestian Empire through Seiros, and Byleth's place to chose the fate of Fodlan, directly correlates to Lady Isis' role as a goddess of kingship. Her protection was explicitly called upon both during the defense of Egypt and during campaigns of military conquest, and that she alone was comparable of armies of soldiers. Isis and Sothis both are also transparently related to nature. They are callers of the rains (cited in the Philae Hymns for elsewhere and in-game for Sothis) and related to bounties of the harvest. In this way, Sothis may also cross into the sphere of Osiris who was more explicitly a fertility god and the ruler of the dead/judge of souls. An interesting similarity can be called to the myth of Osiris' death and dismemberment at the betrayal of his brother Set, Isis' incomplete resurrection of her husband, and Horus' becoming king of Egypt after contending with his uncle where he avenged his father; with how Sothis herself was killed and dismembered for her power, then Seiros' creation of Adrestia (where he also chose the first king) to avenge her mother, and her inability to resurrect her due to Sothis' body being scattered and incomplete (at least, until her ib/Creststone was placed within the intact khet of Byleth). But that is an aside for now. I want to finish this off with a look of the physical similarities between depictions of Isis and Sothis. Once again from Apuleius:
"Firstly her long thick hair in tapering ringlets was loosely spread over her divine neck and shoulders, and her head was crowned with a complex garland of interwoven flowers of every kind. At the centre, over her brow, a flat disc like a mirror or rather a moon-symbol shone with brilliant light. Coiled vipers reared from the right and left of her coronet which was bristling with erect ears of corn. Her multi-coloured robe was of finest linen, gleaming here pure white, here a saffron yellow, there flaming rose-red, with a woven border flowing with flowers and fruit, and what dazzled me most of all was her jet-black cloak with its full sheen, wrapped gleaming about her, slung from the left shoulder, knotted at the breast, and sweeping over her right hip. It hung in sweetly undulating complex folds down to a tasselled fringe, and along its borders and over its surface fell a scatter of glittering stars, round a full moon at the centre breathing fiery rays. And she bore a host of emblems." To me, there are some similarities between this and the depiction of Sothis plus how Rhea dressed and Byleth's Immaculate One outfit. The floral motifs of lotus flowers, the crisp white of Sothis' mural appearance and those of Rhea and Byleth, the crowns of flowers and star motfis, the way Isis bears many emblems around her, much of it bears some similarities to Sothis. But this is not the only depiction of Isis, let me show you some visual representations. Let us compare this mural of Sothis to some depictions of Isis:
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Here are two of Isis from Pompeii with one being a mural and another a famous reconstruction of a statue:
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Again, while not 1:1 there are some visual similarities in design. The white linen of her dress and the cut of it are fair similar, as are the wings that are associated with nearly every depiction of Isis. To show and example from Egypt:
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The fact that Sothis is shown with feathered wings in particular feels important given her other similarities with Lady Isis. Plus the throne hieroglyph that represents Isis and often often seen above her head looks exactly like the throne of Sothis as seen in the Holy Tomb. Lady Isis is also known as the "Lady of the Throne" just like how Sothis is called the "Girl on the Throne." The amount of connections between them does not feel like coincidence to me. If you want to take the Romance into account as well, both Sothis and Isis are associated with floods in that case, especially with floods that are said to be caused by their sorrow. Sothis is a savoir deity who protected and saved from Fodlan from the destruction of the Agarthans; she is said to have caused a flood in the one, possible, Agarthan account we have. Her name is Sothis, transcribed from Sopdet, lady of the blue star, who was syncretized with Isis who also became manifest within Sirius. I think I will make one more note: the Rite of the Goddess' Rebirth is transparently related to Wep Ronpet, the cosmological new year in Kemetic religious practice. Both take palace in late July (or into early August for some dates of Wep Ronpet), both are related to the rising of a particular star (the Blue Sea Star is based on Sirius, this fact), both are related to the rebirth of the world and the gods, and both are a day of celebration with family and friends. As one final aside: in Kemetic practice, worship of the gods has always been an intimate and close affair, both in antiquity and in modern practice. Gods are active and immediate presences within the world, and they are presently felt within physical parts of the world. Ra, Aten, and other solar deities are all the sun, Nut the sky, Shu the air and wind. Various "truths" about natural phenomenon could all be true at once and created a multi-facted view of existence. So Sothis having the Blue Sea Star as her "home" are acting as her spiritual double entirely makes sense within this framework. Sothis' laws are also fairly similar to the Laws and philosophical underpinnings of Ma'at; however, delving into that is outside the scope of this post. So I will need to leave things off here.
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carlyraejepsans · 10 months ago
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i don't think I've ever enjoyed a birthday party with friends as much as today i am genuinely getting a bit teary eyed
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mulders-too-large-shirt · 20 days ago
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s5 episode 2 thoughts
i wrote the following episode writeup two days ago, and still, there is so much to process. but let past me take over as we begin our adventure into some DELICIOUS angst with a happy ending content:
i wasn’t going to watch this episode tonight because i am feeling tired and sick, but then i scrolled down a little bit and read some of the next episode’s descriptions, and boy. i want answers. which i will not receive if i do not watch the episodes prior to them. so. here we are.
i’ve also heard that this episode is really good, so i’m excited to dive in, even if i have a headache while watching it. usually i try to preserve my watching experiences for when i don’t feel ill, but sometimes you just have to push through it.
(it WAS really really REAAAAALLLLLLLLLLLLLLLY GOOD. my sickness was not fixed but some other part of me was)
okay. the description... mulder is looking for a cure and the FBI snitch. and he receives help from an unlikely source…. is it krycek??? let us see
(it was not krycek)
we begin with the recap, and again, the combination of skinner’s gruff “call a doctor” while holding scully's limp body and mulder’s defeated face at hearing the vial just has water in it is crazy 
mulder is at the hospital at 5 am!!! he’s looking for scully :( no one is helping him!! he is getting maaaaad omg
“i’ll calm down when i have a REASON TO CALM DOWN!!”<- OHHHH he is always going to cause a scene in a hospital. someone please pair up this scene with one breath to make a nice matching gifset thank you <3
the doctor wants to know who tf he is when skinner comes out of the room!!! OH FUCK, I FORGOT SKINNER THOUGHT HE WAS DEAD LMAOOOO “you move pretty good for a dead man” <- well yes he does! 
“i’m only half dead” now what do you mean by that… is he saying that without scully he is only half alive.......
oh skinner is PISSED! he is following him into scully’s room… please save the fighting for when she is not trying to get rest, thank you very much
oh my GOD, mulder sees her in the room and he literally has to put his hands on his knees and breath, and he cannot do it… holy fuck… he asks skinner what happened, and when he doesn’t answer right away he asks “DUE TO WHAT?” again, and skinner has to say she’s dying
(i immediately hit replay to watch him collapsing in on himself and gasping for air again. pain. pain and angst. feels good. like pressing into a bruise)
SKINNER AND MULDER START FIGHTING???? throwing hands. “don’t make me put you under arrest. DON’T” <- this is escalating. very quickly. we haven’t even had the intro yet. holy fuck.
(my skinner and mulder angst heart is deeply satisfied)
oh my god… how he’s watching her through the window……………..
the intro was cut short, but i expected this 
ohhhh no, mulder is here before section chief blevins… he’s in troooOOooOouble!!!
“the fact of you being here alive, it gives the effect of shaping this investigation into something altogether different” <- well yeah. that is very much the case. let's all state the obvious together.
blevins and the squad seem to be surprisingly patient with him as they explain they need to know who the real dead guy found in his apartment was. they say, well, you know, this is going to be a murder charge. so please say something to help yourself out here. and he says idgaf bye <- LEGENDARY!!!
ohhh skinner is following him out… skinner says he has been withholding evidence. he knows mulder shot the guy, killed him, then shot him again to hide his identity!!!! woahhhh!!! this is huge!!!!
skinner tells him to admit why scully lied on his behalf, and he says that her disease was given to her by someone at the FBI. he takes a moment to process that, then asks who, and there is a whole lotta guilt in mulder’s reply: “i failed to find that out, sir” <- NOOOOOOO i’m sad :(
oh mulder, and your intrinsic, ancient guilt.......
“you don’t want to forget who your friends are, agent mulder- to remember who you can trust” <- oh my god oh my gooooood. you KNOW i am a SUCKER for the whole mulder/scully and skinner dynamic, and he knows that skinner made the deal with the devil for him but scully doesn’t know that and she doesn’t trust skinner and oh my goooosh
mulder nods, while skinner watches him leave. i hope he has taken this talk to heart.
section chief blevins is at the racetrack again with CSM?? and he’s watching senator kennedy speak about human cloning. which seems random. how is he even watching that while at the racetrack? they didn't have ipads
CSM points out he said mulder’s not to be underestimated <- haha yeah THAT’S my boy!! 
ohhhh, but blevins knows CSM let him escape…. and CSM isn’t alarmed by this! he’s all smirky, even as blevins says their FBI man has been exposed.
“mulder’s in trouble. he needs help. we can give it to him” “in exchange for?” “his new loyalty. to us” <- WOAHHHH
some dude was behind blevins the whole time and he says “you can proceed now” so is he off to go get mulder???!?!?!
scully is waking up!! OHHHH look at his smile when he sees her…. oh somebody kill me. he loves her SO much
(author's note: tearing up just thinking about this as i make these notes readable. goddddddddd)
she’s so worried that someone is going to see him, but OH MY GOD he grabs her hand, sits on the bed, tells her it’s okay, and kisses her cheek “i’m officially among the undead” <- WAAAAAAAAAH I LOVE HIM
(and while in the moment this only inspired the deepest of affection, i now find myself thinking of a vampire au, and who would be the vampire... but let's get back on track)
she asks what happened, and he says he didn’t come there to talk about that <- YEAH THAT IS WHAT I WANTED TO HEAR!!! you tell her not to worry sweet girl
but she won’t take it, says he doesn’t need to protect her!!! and that is just like her, to die arguing. so he fesses up that he will have to testify everything that he knows 
he does NOT want her to worry oh my god “it doesn’t matter” “yes it does” (gently) “hey scully, how about those yankees?”<- OHHHH MY GOD i cannot stop saying oh my god, but what even is there else to say?
i just. he loves her so much. he wants her to relax and be calm and be okay even when she would never let that happen in a million years. and the fact that she is worried about HIM while she is literally dying… bro. i’m emo.
scully is trying to warn him that skinner is the mole, and he’s touching her face, saying no, it’s not him, and oh, i’m melting. my heart is melting. 
WOAH WHAT??? she is saying to tell the committe he has to testify before that SHE KILLED THAT GUY??? to keep him safe???
he smiles and shakes his head, saying he can’t do that, but she responds with “mulder, if i can save you, let me” oh my god???
“let me give at least some meaning to what’s happened to me” <- OH MY GOD??????? no no no no no no no. 
(the implications here... trying to find meaning... nobility in sacrifice... the religious imagery it inspires....... we need to unpack this at length someday)
OH enter maggie and bill scully, watching as mulder sits on her bed holding her hand, smiling like the dutiful son-in-law he appears to be, which is especially crazy, when you consider the whole “and where has this mulder guy been” thing bill had going on when we last saw him. but mulder says he was just on his way out. 
AND he kisses her hands as he leaves… the tenderness which i feel towards this man is so sensitive and indescribable
and oh my god, mulder introduces himself to bill. he says he’s sorry about his sister… but bill has something else to say- WHAT IS IT??
“mr. mulder… i know something about you, about what dana’s been through with you, so… let’s leave the work away from here, okay? let her die with dignity” <- OH MY GOD????? WHAT THE FUCK???????
bill you literally SUCK what the HELL?? you don’t know ANYTHING about what they have been through!!! 
he looks like he was just slapped :( and bill goes in and holds her hand while mulder is there just standing opened mouthed, unable to believe what he just heard :(
what the fuck.
bill count ur days.
so now the guy from the racetrack that was with blevins seems to be on the loose with a sniper gun!!
ohhhh, mulder is leaving the hospital when he sees CSM!!!! “please tell me you’re here with severe chest pains” <- JHDJSJDJ okay yes i laughed.
OHHHH he says that the water he got in the facility is essential to scully’s survival???? and that he’s here tonight as a friend?? so they go outside to talk about it… but the sniper, isn’t he loose????
cutscene to the lone gunmen’s headquarters, where mulder is emptying the water vial into a little dish, saying CSM promised him something would be in there. and there is some… thing?? a microchip??
OH! he says that maybe it has to do with when the chip was removed from her neck!! because she got very sick shortly after it was removed!!! woah... that is wild to think about. so maybe if it had stayed in there this wouldn't have happened??? but she would have kept getting abducted because they would have known her location? but earlier someone said it was the procedure that takes their eggs that makes them sick. but how does that involve the alien? who knows. probably not chris carter.
kritschgau is here now; he’s been summoned before the committee
he confesses to giving classified information because he knows what the government is hiding from the people!!!! developing a moral compass late in life
but he denies knowing who killed the guy found dead in mulder's apartment, whose name is scott…
“i’m aware of one connected death, though” <- is he going to say scully???
NO!!! his son, who died that morning!!!!! oh no :( i feel bad now 
he says that part of his work comes from a congressional lobbying firm?? called “roush”. blevins and some other guy exchange looks but skinner asks what it means. and kritschgau says idk. well. me neither 
back in scully’s room, mulder is being yelled at by bill as he tries to explain the microchip from the tube might make her better. maggie seems to want bill to settle down, while scully is staring hard at it.
she says that everyone has their heart in the right place, but it needs to be her call… oh, so diplomatic… and she decides to try it
bill looks like he wants to kill mulder, and mulder tries to dodge his eye contact. it was very emotionally charged.... but also a little bit funny 
so now the sniper guy is back. he’s setting up the rifle, but where???? and to shoot which of our characters???
bill comes out of the hospital room and mulder is working overtime to try and avoid his gaze until he realizes it is impossible.
“see, she’s your big defender, but i think the truth is, she just doesn’t want to disappoint you” <- bro WHAT?? how fucking infantilizing can you be??? just because she’s your little sister doesn’t mean she can’t make her own informed decisions about living and dying??
bill, we are GOING to throw hands at some point 
OHHHHHHHH bill blames MULDER for all of this AND for missy’s death……… again…. not very fair…. scully made her own decisions… but if i were bill, i might feel the same if it were my family….
ohhh my god this whole exchange needs to be on my blog:
“has it been worth it? to you, i mean, have you found what you’ve been looking for?”
(mulder pauses, before answering in a whisper) “no”
“you know how that makes me feel?”
“in a way, i think i do. i lost someone very close to me- i lost a sister, i lost my father- all because of this thing i’m looking for”
“this what? little green aliens?”
(mulder looks down, before smiling) “yeah. little green aliens”
“you’re one sorry son of a bitch. not a whole lot more to say”
holy FUCK
1. i love a man who loves so unabashedly and so unapologetically. i love a man with his heart on his sleeve, and i love mulder for this reason, even if he is terribly stubborn and often infuriating. look at him. look how dedicated to the truth he is. look at how much he loves her.
and 2. for their own sake, i hope they elope when they get married, but for the sake of pissing bill off, i hope they get married in a traditional fashion, and he has to sit there and watch and regret everything he said when this inevitably saves her life and they get to grow very old and happy together because of his quest for aliens. and then they say their vows and kiss and bill writhes in the knowledge that he is a mean person. that is all. for now. because i will probably have more to say later.
fuck you bill. all my friends hate bill. 
mulder's phone rings… he answers it, saying “one sorry son of a bitch speaking” and it’s CSM??? asking how’s our patient? well. i guess he can take some credit here for the potential recovery, but “our” feels strong.
he says he’s arranged a meeting he will want to attend??? hmm. hmmmmm. hmmmmm. much to ponder here. mulder do NOT make any deals, CSM is a NASTY FUGLY SLUT!!
so mulder’s sitting in a diner, sipping coffee, when someone pulls into the parking lot??? it’s CSM himself. 
WITH THE CLONE SAMANTHA FROM BEFORE???
“you know 'em or something?” “i think that’s my sister”, he says to the waitress <- WHAT??
obviously though, he realizes it’s the fake samantha, right? like this trick won’t work on him twice... right?
she looks at CSM and says “my father” <- HUH??
nah, i do not believe it’s her at all. she says she was frightened, and she tried to forget everything from that night. she was told she was going to see her father. and CSM said basically that she was an affair baby and he's the bio dad. and he took her in and was so kind.
nah. i’m not buying it at all….
but mulder is crying……….. he’s had a rough go of it though these past few days, okay?!?!?! so don't be mean to him for believing what HAS to be an obvious lie
he tries to explain that CSM is probably lying to her about many, many things, because he has obviously known mulder’s whereabouts for a very long time, and has never told her
he says that she should come see their mom… but she says she can’t do it, she needs time, she has children of their own, and she won’t tell him where to find her. I DON’T BUY IT i’m glad she left before her mom could see her, because she doesn’t deserve that heartbreak AGAIN.
he assures her they will reunite on her time and he lets her go. even though he very much does not want to. which is a lot for his character. how he lets go of the iron grip he had on her arm...
i wonder if he doesn't believe it, deep down.
she says she’ll think about it, and she leaves, getting into the car with CSM. mulder is utterly gagged. 
hmm. HMMM. CSM is trying HARD to get him to pledge to the dark side. but will the same tricks work again???
meanwhile, scully is being injected with something. but she looks so sad as her doctor doesn’t seem hopeful. 
she asks if he’s ever seen a miracle, and he says he’s seen recovery from the brink, but he won’t dare call them that
sniper guy?????? has his rife aimed at CSM??? or mulder??? or both???? because they are standing next to each other
they’re meeting up. “you give me these things- the only things i’ve ever wanted- and i can’t think of any reason for you to do so” <- HE’S LYING ABOUT THE SAMANTHA STUFF, HE HAS TO BE. WE SAW A WHOLE CLONE ARMY OF PEOPLE WITH THAT FACE. IT CANNOT REALLY BE YOUR SAMANTHA, MULDER.
but he says he will offer him the truth, about the project. mulder says he knows the truth. CSM fires back that kritschgau was the one lying!!! 
“in exchange for what?” “quit the FBI, come work for me” <- WOAH he was shockingly forward there. i can kind of admire that. now please say no, mr. mulder. 
AND HE DOES SAY NO!!!!
“what have you given me? a claim of a cure for scully? is she cured?” (oh the way he said that was SO sassy, it felt like a read)
“you show me my sister, only to take her right back” <- again. DID he do that, though?
“you murdered my father. you killed scully’s sister, and if scully dies, i will kill you” TELL HIM BABY!!
“i don’t care whose father you are, i will put you down” OUGHHH GET HIM 
sniper guy puts his gun away when mulder leaves!!! so must be it’s mulder he’s after!!!
cut to scully cam… it’s her mom!! she called to see her and gives her a big hug.
“i fight, and i fight and i fight… but i’ve been so stupid” hey what do you mean. hey sweetheart what do you MEAN by that.
OH she is having a crisis of faith…. she feels guilty for being closed off to father mccue. ohhhh....... is the blaming herself for being too scared to turn to god??
she tells maggie she has no improvement, and they hug and they cry; “i know you’re afraid', maggie says, "i know you’re afraid to tell me, but you have to tell someone”
blevins is watching more press about human cloning. is that why they do these experiments with the women? for cloning purposes? is that what i am supposed to believe from this?
blevins calls someone, and sees skinner in the background of the hearings on cloning… now what is he doing there. blevins says their colleague was supposed to fix the FBI problem, and then he will fix it for good… is he talking about the sniper?????
back to scully’s room, where she is sleeping, and mulder is entering. he’s watching her sleep, then laying his head next to her and SOBBING. WHYYYYY???? OHHHHH....... he couldn't bear to wake her up. someone please hit me with a hammer.
then he is here at a meeting with blevins, who says something urgent has arrived. it’s the analysis that shows he fired the shot into the dead guy!!! from an undisclosed source!!! and unless he offers someone else up, all evidence points to him being the killer!!
is he bluffing??? did skinner sell him out?? no, that cannot be it...
blevins claims that scully was going to name skinner as the mole, and that they have found substantial evidence against him, which mulder refuses to believe. well… he is A mole, but not THE or THIS mole!!!
he’s basically saying name skinner and you walk free????? mulder doesn’t answer, just says he’ll see blevins at the hearing. verrrrry shady
he goes back to scully, who asks why he’s here, he has a hearing!! this has never stopped him in the past. and he confesses to having stopped by last night, but not having the heart to wake her up :( she’s asking why…
he says he was going to take the deal with CSM, but changed his mind after blevins tried to get him to implicate skinner!!!
(skinner being his grounding force to returning to his sense of morality... no no no it's fine i'm definitely super cool about that)
scully offers again to take the blame, but he refuses, saying he couldn’t do that to her family or live that lie (the truth motif)
“we all have our faith… and mine is in the truth” <- YESSSSS the comparison to religion in his dedication… everyone has been saying and observing it for the past 4 seasons, but now HE has!!! 
“then why’d you come here if you’d already made up your mind?” (laughing) “because i knew you’d talk me out of it if i was making a mistake” <- OHHHH to be known is to be loved…. <3
and father mccue walks in right then!! she says “you’ll be in my prayers” and he kisses her cheek, saying “have the father say a few hail mulders for me, okay?” <- LMAOOO AWWWWW BABY
she’s crying as father mccue walks in and mulder walks out…
and her honesty in telling him that she will pray for him, after running from her own belief for so long; it was as if she thought praying would be a declaration of weakness, and maybe it is, to submit yourself to something higher, to ask for a mercy you cannot earn... but she is going to, and not only for herself on the brink of death, but for her best friend who is going through his own turmoil..... oh scully........
now for the hearing. he's late! fashionably so!
they’re setting the stage- we know that man was killed with your weapon- and mulder says he wants to set the record straight.
skinner asks for a break??? but mulder says he’s ready to proceed….. oooo what are they each getting at…. skinner looks stressed af
he says he was assigned to work with scully, who he thinks was to spy on him…
“that agent scully did not follow these orders is a testament to her integrity as an investigator, a scientist, and a human being” <- YESSS 🔥that is my girl who is motivated by the eternal burden of doing the Morally Correct Thing :,)
he’s explaining that she lied about his death because he asked her to, because she was a victim of the grand conspiracy that is killing her (this is cut with footage of the sniper looking at CSM through the scope of his rifle, and scully praying with father mccue)
he’s saying he will name the people responsible for this tonight!!! but they just want to know if he shot scott!!!! it's getting more and more tense and loud, before we boil over to a yell:
“i can’t do that sir, because the section chief is the man i’m about to name!” (murmuring) <- OHHHHHHHHHH HE DROPPED A BOMBSHELL ON THE VILLA
(we enter slo mo) (sniper fires at CSM) (blevins is shot by some other guy, who puts the pistol in his dead hand) (CSM lays on the floor, bloody, holding the picture of baby mulder and samantha)
DID CSM JUST DIE????? i refuse to believe it. that bitch can’t be killed……. nope nope no way. unless i see his corpse (NOT his headstone or his funeral, his actual CORPSE) i shan’t buy it.
so much just happened????
the next morning, skinner is with mulder at the hospital. who, as if just hearing me, tells mulder that CSM is dead, shot holding the photo of him and samantha
NO BODY WAS FOUND??? but it was too much blood loss for anyone to have survived. so someone took the body?? OR someone brought extra blood to dump on the ground and fake a death!!! makes you think!!
mulder claims he just guessed it was blevins behind it all- do i believe it? or do you think it was his years of solving crimes that allowed him to pick up on it subconsciously? i'm going with that interpretation
and blevins had been on roush’s payroll for four years!!! a biotechnology company!!! for cloning??? for aliens?? and of course all connections are now being erased.
BUT NOT EVERYTHING…. SCULLY’S IN REMISSION!!! skinner is shocked and mulder says it’s the best news he’s ever heard 😭🥺 my BABY
when skinner asks what turned it around, he says he doesn’t know, and they’ll never know…
oh my god, i love that their beliefs combined to cure her… his obsession with the Truth and her literal coming to God, and which of them was actually responsible is entirely impossible to tell. oh i actually LOVE THAT SO FUCKING MUCH. RAHHHHHH THAT IS SO POETIC. their guiding forces in life, and we have no way of knowing which is responsible for her life being saved. but it happened.
and skinner wants to see her!!!! leaving mulder to hold the bloody photograph of his baby self… and he’s crying… it’s been a very long few days for him 
oh my god… i need some time to think on this all….
so, 2 days have passed since i watched this episode, and i still have SO many emotions. in no particular order, some things i am dwelling on: bill's cruelty to mulder; mulder smiling as he held scully's hand, trying to distract her; him unable to hold himself up as he sees her in the hospital room; skinner telling mulder to know who his friends are; skinner trying to pause the meeting before it even began so he could offer some sort of advice to mulder; scully crying into her mom's arms, surrendering to god; scully, who knows that mulder is not a believer, and has ridiculed her for being so in the past, telling him that she will pray for him; scully worrying about him when she is the one who is dying; scully reclaiming her agency when she decides that she wants to use the microchip; mulder saying that her remission is the best news he could ever have possibly heard; and skinner going in to see her while she was still surrounded by her family
WAAHHHHHHHHHH
so. a lot on my mind. a very, very, very good episode. i thought the blevins reveal kinda came out of nowhere since he has mostly been a set piece rather than a real character, but honestly, that wasn't the heart of the matter here, so we can disregard it.
i'm not sure how i feel about the potential samantha reintroduction. actually, i do know how i feel: i just didn't much care for it. frankly, i just don't buy it at all, and it felt like a lot to cram into one episode, especially since they've used the whole "is it really her?" plot point before. so it felt like a bit much on top of the already incredibly high emotional stakes.
but other than these thoughts, the episode was fantastic. finally, we get something happy! the potential end of scully's illness! mulder and skinner basking in her presence as she recovers!! her surrender to the omnipotent! his surrender to the truth, but not at the extent of his morals!!! everyone is so happy and the wedding is tomorrow!! i will see you there!!!
(what did you think?? did you like this one as much as i did?? did any moments make you tear up?? anything you noticed that i missed? please tell me!!! i'm really excited and want to chat on the subject :D)
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lulu-the-bugaboo · 4 months ago
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Having Ace as a fav is weird because the takes I see on him are either the type I've always wanted on my favs, digging into his character despite the low screentime and sharing fascinating views or the most brain dead, disappointing, shallow takes known to man
There is no in-between
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mc-critical · 1 month ago
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1.10 / 1.09
#something to be said not just about how Ibrahim aims to replace his past family with his present bond with Süleiman (and Musti and Mahi#branch off of that bond) but also how Hatice fits in all of this - the one Ibrahim leans on everytime he's likely to lose SS is *her*#she isn't just the future he wants to secure in the castle but also the past he yearns for outside of it especially in that initial period#of their relationship; and not just any past but a very particular fragment of it - the next most valuable person of his past other than#his brother: his *mother*. it's no wonder him playing *his mother's* melodies with the violin marks the beginning of their story and stays#an important motif throughout. just like Ibrahim's mother Hatice is so familiar yet so out of reach (and this unreachability accumulates in#E13 - Ibrahim leaves for Parga thus returning to his past but leaving Hatice behind but *then* finding out his mother is gone too.#*both* people he wants to be close to soo much are *gone* in that moment. there's a link between them because of this. also Hatice tieing#lbrahim's mother to “heaven” as well and her “looking at their happiness from above” Ibro responds with in E14.) Hatice will distance#more and more from that role later on until lbrahim starts to outright abandon this whole 'return to the past' idea with Hatice and#search for it through Nigar instead. but yeah anyway I feel these two scenes are the perfect encapsulation of how complicated#the past is for lbrahim; he avoids remembering it because it *hurts* to remember both because why would he remember it when he already has#an established future and because deep down he resents what he's become and established as that isn't ever permanent and he's lost all else#*himself* most of all as who is a person without his roots? he wants to forget them but can't ever do it so what's left is replacing them#*all of them*; when he finds Hatice too he wants to have *both* her and Süleiman and SS marrying Hatice off directly challanges that want#up to that point he believed in the possibility of their love more than Hatice did; now? he seems as lost as she is not knowing what to do#the only way not to lose either of them is accepting Süleiman's order convincing himself that this is how it should be no matter how much#that hurts and would bury him even deeper; he can't bear it so he searches for a solution - and when he sees Rhodes sea? it hits him#it hits him how low he's actually sunk through the losses and if he can't “fully* replace the past he'll *fully* return to the past letting#*everything else* once hidden out as well. not to mention how right before he left to Parga he was brought to fear for his literal death#and then he is given more power that also brings some uncertainty with it and that likely scared him cementing his departure for Parga#directly following Piri Pasha's advice to let power go as it won't let *you* go#(btw a big contrast between S01 and S03 Ibrahim can be drawn in his relationship with Piri Pasha and his relationship with Ebusuud)#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#ibrahim pasha#(sorry for the disorganized tags but if I kept it like it was I would've exceeded the limit before I even finished 😅)#(just Ibrahim and Hatice in general are people who latch onto each other to get over their losses and ache for peace amidst their turbulent#lives and positions and that's what keeps them close and will later too)
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kikizoshi · 6 months ago
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Hello, Kizo! you've also mentioned some of the interesting aspects of Gogol's personality I haven't thought about before. Like his pessimism. He is so constantly and desperately wants to seem excited, amused, thrilled, that he's managed to fool me. But it makes sense. "The only salvation from emotions is mine or smn else's death". He is quite pessimistic, just like Dost. And he's a perfectionist. He wants an absolute perfect freedom and nothing in between. Why is he like this, maybe trauma?
Thanks for the interesting asks!
It's neat to me that Nikolai manages to fool you. What I love especially there is that, like you said, while putting on that act he's so energetic, vivacious, and drawn very enthusiastic and animated. But when he breaks character, there's a stillness to him. His shrill tone softens into a meditative tenor; his grand gesticulations withdraw into intimate gestures; his stretched mouth and squinted eyes relax into the visage of a quiet, thoughtful, introspective young man. Harukawa expresses all of this beautifully with their drawings, and I just love it so much. The glimpses we see of the Nikolai under his mask are what made me fall in love with him in the first place--it's what makes his character for me.
One thing I really love expressed in characters like Nikolai is the 'sad clown paradox', which I think fits him pretty well. It's the playful jester character who's internally cynical. Nikolai creates a persona of a spontaneous, silly, horrifically brutal psychopath, but the scant few glimpses we get of him, we see a thoughtful and caring person, so much more and so much opposite just under the surface. I absolutely adore that duality.
I'm not gonna talk about potential backstories for Nikolai; I feel like speculation there is kinda pointless for me, since it could be literally anything. But, I can talk about Gogol's influence on him a bit.
Regarding this:
"The only salvation from emotions is mine or smn else's death". He is quite pessimistic, just like Dost. And he's a perfectionist. He wants an absolute perfect freedom and nothing in between. Why is he like this, maybe trauma?
I see a lot of Gogol's influence here. I'm not sure how much you know about Gogol as a person, so sorry if this is reiterative, but it's important context (and please take my cliffs notes version with a teaspoon of salt; I'm by no means a Gogol scholar). Gogol, at the end of his life--though probably during too--was very concerned with the purity of his soul. Why isn't something I can really comment on, but it seems to have culminated in him going to a radical priest, who advised him to undertake an extreme fast (meant for monks, I believe). Gogol then burned his manuscript for the second part of 'Dead Souls', and starved himself to death over the course of about twelve days (whether or not he meant to die isn't agreed-upon as far as I can tell, but that he died as a result of this fast is). All to reach a purity of soul he felt he didn't have, and couldn't get without drastic actions.
I genuinely have no idea if this story inspired Nikolai's, but I wouldn't be surprised if it did. There are a lot of parallels, and if you replace Gogol's 'religious purity' with Nikolai's 'freedom', you get a similar tragedy. Both seem based on the belief "my mortal/inherent failures/limitations are holding me back from what I need". And rather than go inwards and seek clarity through introspection, both externalise their problems and try to "fix" themselves via grand--and painful--proofs of their "faith/conviction".
There's also the parallel with Gogol's priest and Fyodor, though I'm not sure how much it tracks. Fyodor does seem to have some influence on Nikolai, but it sounds like Nikolai was already on his path when they met... that's all backstory stuff though, so who knows.
Then there's still the missing piece of 'why', with Nikolai. Why does he feel he needs to free himself from his emotions? Gogol's motive makes sense several ways: fear of Hell, self-hatred, a deep, spiraling depression. It's understandable, it's human, it's relatable. But Nikolai's freedom?
That Asagiri chose 'freedom from emotions' to be Nikolai's pursuit isn't something I've ever managed to understand. I just don't get it. I can't connect it to anything. You hear about people wanting to be numb, sure, but Nikolai's wants seem more about being capable of doing anything, or proving that he can... And he said (paraphrasing) "in spite of happiness I choose free will," so at the very least Nikolai thinks he's capable of happiness, and it's just not as important to him as his "freedom."
Yeah, idk. There's definitely something interesting there, though, that Nikolai's Ability gives him the freedom to do pretty much whatever (as Atsushi said in Sunday Tragedy), but he's so wrapped up in his own mind that he either can't see the freedom he has, or physical freedom is ultimately meaningless to him--which would make him seeking freedom through external actions an interesting failure to understand himself.
Then again, I don't know how honest Nikolai's being with himself, honestly. His whole "freedom" thing is an ever-moving goalpost. First it was torture people to death and kill himself. Then it was kill his best friend. Then it got so convoluted I won't even try to summarise it. And now he just seems lost. Giving Asagiri the benefit of the doubt and assuming this is intentional characterisation (and not just giving him plot-convenient reasons to take certain actions), Nikolai seems at best very confused (and trying to appear like he very much isn't). And, well, I'm confused too.
So yeah, all that's very interesting. Not sure how much of it was intended. Hard to tell with a character that gets like one scene every two years. And hard to tell where he'll go, considering how rarely BSD characters stay true to who they were past their debut.
Regarding the pessimism thing: ironically, I'd say Fyodor's pessimism is more optimistic in nature than Nikolai's. Because Fyodor believes in a world that can change. Fyodor believes he can make the world a better place, and is doing everything he can to achieve that. Nikolai, however, in his best case scenario, proves that it's technically true that complete freedom exists. But his world is still comprised of people in cages. It's cynical and oppressive, and his grandest hopes don't come close to changing anything for the better. I think that fits mostly very well with some differences I've observed between Dostoyevsky and Gogol.
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silverwhittlingknife · 2 years ago
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i have a special place in my heart for "show don't tell" storytelling, especially in comic books. comics are a visual medium!
#tim drake#jack drake#comic ref in description#this is the last panel of the comic#and something i really like about it is that i feel like... it has a certain amount of respect for the reader?#you might not notice/get the irony of the batsignal showing up behind them#and the way the batsignal foreshadows that actually this /isn't/ a resolved happy ending#because the conflict between bruce and jack - and more directly between tim's values/priorities vs. his dad's -#hasn't actually been resolved even though they're both sorry and hugging#which means the conflict will inevitably occur again and again and again#which is a very clever grace note here#but if you don't notice that's okay! the comic isn't panicking trying to spell it out for you#if you catch it it's fine and if you don't catch it that's also fine#it has something that i really like about a lot of older comics and sometimes find missing in new ones (at least the ones abt the blorbos)#which is that it assumes that the /readers/ can realize things abt the situation that the /characters/ don't#i read both tim and his dad as both perfectly sincere in this reconciliation - they're caught up in the moment#and physically neither of them can see the batsignal#but we-the-readers can see both the batsignal and the looming future conflicts it implies even though they don't#the narrative isn't telling you what to think! no character emerged to announce 'But In Fact Tim You Still Have A Problem!'#instead the artist has just left the batsignal there and let you make the obvious inferences ON YOUR OWN#similarly in nightwing 110 (another one of my favorites) there's a conversation between dick and tim where they're both lying#if you're only a nightwing reader you know dick is lying but you probably won't figure out that tim is lying (or at least not the extent)#but if you /do/ read tim's comics then you understand what's going on in a way that neither of the characters do#there's just a general understanding that the characters are not fully self-aware nor do they perfectly understand each other#plus the gradual / slow-build / layered conflict#tim's mixed loyalties between bruce and his dad are a constant background slow burn tension#dick's complicated feelings about loving tim but also feeling a little threatened by him are also a low-key thread in the nightwing comics#the writers don't need to have a surprise! sudden! fight! nor do they need all-fluff-all-the-time#instead these tensions are mostly dormant except when they get exacerbated by extreme situations#there are plenty of things that 90s comics do *not* handle well but the character voices and longform style always draw me back <3
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transmasc-rose · 2 months ago
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You ever think about how Noctis FFXV was doomed from the start.
Like thats the POINT of the game obviously but I still keep going back to it. In most games, even if the protagonist dies at the end, its a defiance of fate. It's "I'll take you with me" or "I won't let you do this"
But in FFXV
Everything that happened with Noctis and Ardyn, both of their deaths, how they suffered, was preordained by the gods.
There are AU-type endings, like the one in Episode Ignis, or the one in the book, where things go better. And the book was the written version of what they were GOING to make the true ending. But they never made that into the game.
Noctis was born to die. He dies.
Ardyn was abandoned to die. He dies.
And that's just. It. Thats the ending. Thats where we land. Ardyn was doomed by god to take the role of sacrifice and antichrist, and Noctis was doomed before he was even born to the role of sacrifice and saviour and there's nothing to be done.
You don't fix it. You don't fight it. You just walk into your fate and die.
And there's just something so much more upsetting about that than in narratives where death is the defiance of fate. Like the story stares at you in the face, and tells you giving up is the right thing to do.
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oidheadh-con-culainn · 10 months ago
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i'm sorry i'm not being fun enough on my personal blog which is the only place on the internet i get to just be a person and not have to be professional because it's the only place my colleagues and employers don't follow me but also i'm not sorry because sometimes being grumpy is part of being human and i'm so goddamn tired of having to perform perfection on the internet
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meymeyzart · 2 years ago
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Mourning
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astrxealis · 1 year ago
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if i do "?" in text i'm genuinely tilting my head like a dog if i do "!!" my eyes are sparkling and i am figuratively wagging my tail if i am IN ALL CAPS i'm screaming from the top of a mountain with all the power i can with love and the strength of RAGHHH within me
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