#sorry the tags should work now

[dendroaspis-viridis]

I'm begging you, BioWare... Learn from the mistakes of Baldur's Gates past...

[itslilacokay]

⚠️FLASH WARNING? its just glitchy stuff but i feel like i should put this to be safe!

" Aww, what's the matter? "

" You look like you had something pop up on your mind. "

separate image vers

[naivegh0ul]

LOOOVE how you write about riling up riley by being stoic but me personally, i dont think i could get through a minute being all lackluster because i WILL cry the second he stuffs me up. his size plus my sensitivity, i know he'd be heady with his triumph, being cocky and bullying himself balls deeper. GRAAAAH i need this man biblically,, was wondering how would you put it when he finally sees he's broken you in (again)

Oh my god he is such a bully when it comes to your sensitivity, always mocking you and teasing you about it. He knows you're just trying to rile him up when you act all nonchalant and unaffected when really you're struggling to control yourself.

I say again, he is a bully. Don't even try to play with him longer than five minutes. You're ignoring him for longer than he likes? Well, now you're being flipped onto your front and pushed into the couch cushions, face buried in the pillows as Ghost almost tears your clothes off. He's so mean about it, mocking you and manhandling you as you try your best to ignore him and seem like you're bored.

He's not nice when he's pent up, that much is obvious. He does not care if you cry or try to squirm away. He'll finger you ruthlessly, tutting when you make no noise and crooking his fingers to hit that sensitive bundle of nerves.

Once he gets bored of fingering you (which takes a long, long time), he'll force you to pleasure him, knowing you can never keep your cool doing that. Just the sight of you on your knees before him has him smirking and his cock twitching. You're avoiding eye contact as you pick at your nails and act bored, huffing as if you're annoyed.

Ghost can see right through you, though. Knows it's all an act, that his pretty little thing could never get bored of him.

He'd make you unzip his jeans and unbuckle his belt, saying the most filthy things down to you. "Fuckin' slut. Gaggin' for it. Come on, open your mouth." You try to act bratty, seeming to come to the conclusion that seeming bored and ignoring Ghost is not the way to go, so maybe being bratty and uncooperative is better.

Ghost has been here before, you being bratty and refusing to do what he says. He's broken you in before, he'll do it again. He'd totally slap your face to get your attention, his big, calloused palm connecting with your cheek.

Yeah, he knows you love it when he slaps you. He knows you love it when he takes control and doesn't put up with your bullshit. And you know he's the type of guy who'll shove his cock down your throat. He doesn't care if your teeth drag along his sensitive shaft. He wants his cock in your throat and he wants it now.

He loves seeing you cry on his cock. He knows you're needy and desperate and the act of having his thick cock stretching your mouth, cutting off your airways is enough to make overwhelmed tears spill down your cheeks.

And if that's not bad enough, he'll pinch your nose shut and watch you panic, watch your eyes widen as you grip his thighs and try to pull away, throat contracting around his cockhead as you choke.

He wants you to be nice and pliant for him so he'll let you pull off and take a breath for a second before he's gripping your hair and stuffing his cock into your mouth, holding you there until you go limp and gently suckle on his cock, accepting the fact that fighting him won't do you any good.

[lambergeier]

read concubine walkthrough, an otome isekai webtoon by korean artist bongbong and had suuuuuuch a good time. a highschooler living in 2035 finds herself playing a VR historical romance game (set in a nebulous 1600s fantasy east asia) (she's playing as the game's villain) that she can't remember logging into and can't now log out of. will she fall in love with the emperor, who is insane, or her character's childhood friend, who is also insane? the answer was obvious from episode 1 but one loves to see it all shake out!!!

the author, in their post-epilogue note, was open about their significantly greater interest in the palace intrigue and insane sci-fi elements of their story than the actual romance part (of the romance webtoon), which like. yeah buddy you sure were. but frankly this had a very minimal effect on my enjoyment of the story. GORGEOUS art with a perfect warm pastel limited palette, good jokes, big and well-developed sidecast, and the male love interest is a total freak who undergoes truly unspeakable amounts of emotional and mental horror. complete at 128 chapters. extremely solid 8/10 recommendation, may have fucked up my wrist from scrolling all weekend

[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[whatsthelimitoncharacters]

So, in my opinion, Athena is probably dead. I think that it’s dumb and doesn’t make sense but the listening party animatic definitely implies she’s dead

Here we have some before and after pictures. When I first saw the livestream, I assumed that she was just gonna pass out and that people were overreacting. However, the glow fading really implies that she is in fact dead.

Shortly before the earlier images, we see Athena kind of holding onto life with her glow flickering. We can assume she is almost dead because Ares asks if she’s even alive(I will return to this). All this considered, despite the fact she isn’t glowing in a lot of scenes in this song(such as Odysseus showing her Telemachus), her glow fading really does show that she is probably dead.

If you need some evidence from the songs, we can also get some without looking at the animatics. First and most importantly, Ares asks if Athena is dead. While Ares isn’t the most respected god and many would label him as kind of dumb, he would probably know that gods can’t die if that’s the case. Him asking this does show that a god can, in theory, die. If you want mythological precedence, you can look at how Pan died(I know that there’s a bit of debate to that but idc). Another piece of evidence is actually Calypso saying “Last i checked, goddesses can’t die.” Many people take this as proof that Athena is incapable of death but it’s already been established by major gods that a god/goddess could die and there’s a mythological precedent, so calypso may be lying. In honesty, she isn’t being entirely untruthful in saying that she can’t die. Odysseus is just a half dead mortal king and Zeus is the single most powerful god. Odysseus can’t kill calypso while Zeus could kill Athena. This segues very well into how this line fits into the larger saga. Instead of this line acting as foreshadowing for Athena’s survival, it instead acts as tragic irony for Odysseus. Athena is Odysseus’ only chance at leaving and she dies. The irony comes because Odysseus’ problem could be solved if only a different goddess had died. The wrong goddess died and now it’s up to Zeus to decide whether Odysseus should be set free.

Now, if I’m correct, then I have a lot of feelings about this. If I’m wrong I have slightly less. If I’m right, you can see my previous post for a lot of my reasons why I think athena dying is a bad decision, but I’ll give one here. Gods don’t die. Pan is the only death I can think of (not counting stuff like Helios disappearing over time) and the phrasing of pans death could also be interpreted as the cult of Tammuz praising him for his one myth. Even characters that are treated as mortal like Medea (both her parents are minor gods so she probably should be too) don’t get myths where they die. Medea just runs off to a far away land. Kronos is sliced to bits. Typhon is sealed under Mount Etna. Kronos’ children are swallowed whole. ATHENA’S MOTHER GAVE BIRTH IN ZEUS’ HEAD. IT DOESNT MAKE SENSE THAT ATHENA COULD DIE. If she isn’t dead, why is the animatic like that? Jorge had to have commissioned it. I doubt the animator would have added that in on their own. Why would it be framed so much like she’s dead if she wasn’t.

[oobbbear]

Whenever I set a very high expectation for a project I will guarantee intimidate myself out of it

But if I set the bar in hell I can finish it very quickly and turns out great 90% of the time

[prostocupoftea]

I have made a stickrr

Aww, look at him! Ah, it seems like he has something behind him- But, i mean, you wouldn't want to disturb him, right? (:

It came out good for the first time i think, hehe

And of course my object show style integral oc bc she is already everywhere and i show no signs of stopping

Also yes this is my work laptop. Yes it glows in the dark. I have no shame certified

[dbphantom]

does a magical girl transformation sequence but at the end I just look like this:

[endrimer]

DAY 3 - DIRT

[moonlume]

tumblr said draw something bad so I did but I'm mad I still didn't feel anything

[inumbrapugnabimus-maybe]

Making decisions after 2 am is a great idea *posts all of my oc art with no context*

[motherforthefamicom]

happy 35th anniversary mother 1!!!!!! love this game 2 death <3

[swinging-stars-from-satellites]

when I want to write something self indulgent to give me all the angsty and cuddly hurt/comfort feels but I can't because I end up feeling guilty because I'm seeking after feels that I feel in an inappropriate place because my mom told me one time when I was 15 that I shouldn't search that out or it's probably sexual sin but it confuses me because ALL the feels happen that way for me even if it's entirely platonic and nonsexual and so I don't know if it's okay to want to write to that because apparently all pleasure of any sort, even over platonic stories, is sexual or comes with a possibly probably sexual feeling and I also am having a hard time figuring out what's genuine conviction from God and what's just my anxiety/OCD/perfectionism/fear of failure

[feelo-fick]

Headcanon: Chilchuck and his Bad Takes on Literature

i think chilchuck would be like my mom in the sense that he wouldnt like sad stories. dont get me wrong, cautionary tales? absolutely fine. they serve a purpose to him which is to tell people "dont be an idiot and do this or else something bad will happen"

generally sad or angsty stories though? no point to him, and in his perspective its really confusing how people just read things that make them sad. like whats the use of reading something if its just gonna make you sad. whats the lesson? its not even real so it doesnt help anyone.

whats the point in making yourself cry when you could just avoid that entirely by not reading it at all?

but the one of the biggest reasons why sad stories exist is to let you release all the built up grief in you. to send you something to let out all your emotions in a healthy way. catharsis. empathy.

even when i dont relate to the tragic experiences in some stories, several ones ive read have lead me to realize that im in a bad situation or that im following in the footsteps of the character suffering. its like a wake up call.

and making yourself cry isnt inherently a bad thing. if crying allows you to let go of building pressure and tension in you then thats good!

but chil wouldnt see that. of course he wouldnt, hes avoidant of most situations that would allow him to release emotion, and fearful of letting his mature (read: repressed) persona slip.

hes someone that runs away to quick comforts and distractions at the earliest sign of issue. hes already been in too many horrifying situations, dealing with another is a pain. and he knows denying everything and refusing to look at the situation doesnt help, but it definitely provides a quick and easy happiness in the comfort of ignorance.

because of this, reading something made to make one empathize with and confront these bad emotions is defeating the point of his cowering. if he faces his issues, even if only through the perspective of a story, he'd have to deal with acknowledging that things are bad and need fixing, and he'd feel terrible and guilty in the moment - which of course is the worst thing that could happen to a person (his thought, not mine).

which is why i find the concept of him being/becoming a tragedy himself at the same time as this headcanon soooo interesting. imagine the irony of him bashing on the protagonists of tragic stories for acting on emotion and impulse rather than logic, when he himself has fallen victim to irrational thinking while in grief.

cause... thats what people do when they grieve. they lash out, make bad decisions, ruin themselves, ruin others.

for a tragedy to be prevented, the protagonists would have to change fundamental parts of themselves, and act perfectly rational when under extreme stress. and chilchuck holds himself to these kinds of unrealistic standards because he unwittingly believes he can handle it all.

he cant, obviously. we see it for ourselves in his relationship with his wife. they were doomed from the beginning by chils already-established avoidance and lack of emotional vulnerabiltiy (and whatever else his wife had going on).

this is all just to say that if you told him about orpheus and eurydice, he'd probably be one of those idiots trying to point out the "plot hole" that he couldve "just not looked back" and "just trusted her"

i dont understand. whats the point in reading tragedies? the protagonist is stupid, anyways. why would you take bitter medicine? why subject yourself to that?

i think its just a bad story.

[myreia]

— v. raison d'être

It was never going to last. They knew it from the beginning, all of them. Their time in the First was temporary, fleeting. For some, that would have been enough to give pause, to keep distance. For them, it made these moments all the more precious—even when it was difficult, even when it was unfair. Ryne knows they are both proud of her. That will never change, even when they live in separate worlds. It is a bittersweet thing to say goodbye, to close one chapter and begin the next. But change is necessary, a fundamental aspect of life. There is no sense in clinging to the past when the future—with all its countless possibilities—lies ahead. There is no looking back. Only forwards.