#sorry my response is basically an essay

[grossillygirl]

They want you to post in twitter cause they can bookmark and even download it.. sneaky motherfuckers

Honestly i dont care that much about that. One thing I've understood since i first was on the internet was that it will be there forever if u post something. In some way, it'll exist and not be that hard for someone to find, if they go looking.

That's why I'm careful about not mixing my personal life on here that much. I know ppl may download my posts and stuff. I don't want anyone to connect me to this stuff irl. Also cant u kinda bookmark something on here if u tag it as like "fav" or something? I do that. But its not exactly the same i get that.

Thank you for looking out for me though anon, i guess even tho i dont mind (id prefer if they didnt download, but i cant stop anyone) it is still weird that they have the intention of downloading my posts. After all, it'll be on my blog for them to see. Or they can reblog it so they'll have it if i got termed (which is why tumblr makes more sense than twitter).

But as long as im careful to not post anything personal and stuff i should be fine hopefully. And the worst that can happen is i am recognised and my stuff is posted on some bait page on snap or something and ppl kinda bully me and i fall into a deep depression and kms🧍🏽‍♀️ all is good

[cherubchoirs]

Whats ur interpretation of heaven and its people in ULTRAKILL?

oooooo interesting question!! this is definitely gonna be long-winded even by my standards bc i'm about to speculate on a LOT so let's talk about it!!!

ok so there's a couple things that we seem to have laid out in the lore to start with, and that's largely the division that exists between true angels and their previously human counterparts. true angels look down on those derived from humans, seeming disinterested in god's experimentation and almost wanting to segregate themselves from them, while the human-based angels seem to revere true angels and follow the orders they give to them. the only rankings known to exist in ultrakill at this time (act ii) are archangels and virtues - theologically speaking, archangels exist as the second to lowest choir while virtues rank right in the middle BUT that's clearly not the case here as virtues come from human souls and gabriel clearly has the power to direct them. this could be for a couple reasons: ultrakill may follow the precedent set by paradise lost, which places archangels at the top of the angelic hierarchy, or "archangel" is a title conferred to gabriel, but not his actual "species". this comes from the idea of some texts that the four archangels are not true archangels but are in fact of a much higher rank, such as cherubim, that are denoted with the title to reference their leadership role amongst the angels. this is the idea i tend to favor in this case, as i don't believe gabriel is at the top of the hierarchy given his loyalty to the council, but i also believe he must be quite high up due to his power and respect.

i will say i don't think my interpretation is anything too different from anyone else's or many other pieces of media that examine heaven as less than perfect, but i believe these hierarchies are IMMENSELY important. the reason gabriel carries out his orders so diligently despite obviously being much more powerful and beloved than the councilors is simply because at least some of them rank over him - he is a being made to serve and if they are those that speak in god's place, he will do as they say just the same. the council, for their part, i think both used his strength and good will to bolster their decisions while frankly just. kind of hating him for the massive respect he garnered from the citizens in heaven. i tend to think this popularity stems from the fact that he interacted often with humans - he is always the messenger angel sent to earth and in some way, he's built a rapport with humanity. it goes both ways too, in that gabriel doesn't believe in segregation the way other true angels do and often interacts with human souls in heaven (i, like everyone else, believes he is particularly kind with children and he enjoys spending time with them when he has a chance to rest...i like them all looking like little lambs ;o;) this extends even further into his borderline heretical treatment of the sinners in hell - he's not nearly so harsh in his heart of hearts on their wrongs when they are remorseful or when their crimes truly weren't so terrible. but this is the inherent part of gabriel's tragedy - his sympathy and softness towards them is always overridden by his orders, and so this is why i believe even though he was always capable of overthrowing the council, he never did. orders are absolute to him, and his personal feelings never factor into the violence he carries out.

all of this culminates in how he is treated by the council - his power and popularity do a lot to further their ends, how efficiently he builds their empire on his back and how much the citizenry happily support anything gabriel does, but it's likely that they were looking for a way to get rid of him by the time the game happens. he is too powerful, he is too sympathetic to humanity, and i believe it was widely rumored in those higher circles that gabriel had unnatural tendencies toward the damned, though the proof may not have existed. they really honestly all believe that his role of messenger led him to be too close, too involved with the humans they so look down on.

i know i'm not the first person to suggest the idea (and here's where things get REALLY speculative hhh), but i too think the council was ready to dispose of gabriel now that their rule in heaven was absolute. i think it began with making him the judge of hell at a time when hell was becoming entirely unmanageable - not only does the council likely care little for hell and only wish to maintain its upkeep for its own sake or perhaps to uphold the idea that they still follow god's will, but it's also a mammoth task to regain control over it now that it's so far gone. and they send gabriel. perhaps they believed he was the only one who was capable of cleaning up that mess, but the move seems political, like a way to invent a failure for him. because failure is a death knell for angels, one that incurs heavy punishment as you are meant to be perfect in all you do. so gabriel was given a hell now run by its sinners, and so many there are, with planned insurrections and an entire layer flooded, he was sent with some lower angels to attempt an impossible effort. and he managed it. i'm positive he ran himself ragged doing it, committed a multitude of his own sins in the process, but he reinstated god's will to the extent that any of them can. so he didn't fail, but he's getting tired. and then the machines come, v1 comes, and gabriel is sent to deal with that because the whole of hell is seemingly only his business now. all he needs to do is fail and the council will be justified in their decision to rip the light from his body. because honestly, if it's not political, that would be a BONKERS move on their part given how gabriel seemed to single-handedly deal with the hell problem before all of this. they have an agenda and gabriel accepts it too, coming to them meek and ashamed after losing his fight, doing nothing to stop them as they tear the light from him and his anger is directed entirely toward v1, not the council. he's too obedient to think otherwise.

sorry for carrying on a lot more specifically about gabriel and the council, BUT that's mostly what i can say while sticking somewhat within the confines of canon. overall though, i think it's a strict and segregated place - the human souls are in paradise, but they very rarely see true angels other than gabriel since god disappeared. for their part, they are maintaining after the fall of man, believing in god's almighty power and mostly confident that gabriel and the council are completely in control of the situation. honestly...i'm not sure if this is disputed by anything, but i do kind of like the idea that maybe they're not even fully aware that god is gone. the true angels are adrift, purposeless, doing route management of heaven and little else, save for the council. its infrastructure is starting to buckle, it's turning into whatever the council wishes to make of it, and gabriel is exhausting himself trying to maintain the illusion that this place is still fully functional as it once was. BASICALLY heaven has a veneer of being fine and is holding up for now, crumbling just beneath the surface, but the human souls don't know and the true angels refuse to acknowledge it.

[skrunksthatwunk]

I THINK I DID OK ON MY FRENCH EXAM???????? HOURRA!!!!

[yourqueenb]

THE TITLE 💀😭 (not a lie in the slightest, I was just caught off guard lmao)

No but in all seriousness, I think I have a bit of a complicated view of Kiara. Imo the issues with her have less to do with her interactions with the other characters as an individual and more to do with how she was treated by said characters, the writers, and fans vs. how the white women of the court were treated — which is why I understand why you often compare her to them and agree that that is pretty much essential to comprehending just how bad the writing for her is.

In an instance where someone is playing chapters with a week in between each one, hiatuses of several months, and give or take a year between each book PLUS all of the retconning throughout, Kiara disappearing for significant periods of time or having minor cameos, and an MC who is not romancing Drake, I think her poor treatment is very easy to miss and it’s equally as easy to take misinterpretations as fact. *I would even say that there is some basis for people to have a less than positive opinion of her if the conversation from book 2 chapter 1 about her and MC’s alliance is one of the factors.

*From what I understand about the fandom at the time of the series’ release, people definitely took the ‘Kiara is a snob’/‘Kiara is so fake’ thing too far. But I think it would be a bit disingenuous to say that she does not come off as rude and snobby in that scene, especially given everything else we know about her. Kiara is intelligent, observant, and calculated. As a diplomat and noblewoman, she values etiquette and propriety. And as a polyglot/linguaphile, she not only has a deep understanding of language but also tends to choose her words and when she participates in conversation overall very carefully. So with all of that in mind, her saying things like “even if MC were someone we deigned to associate with”, ordering Penelope not to “start up on those dogs again”, and pointing out her and Penelope’s high position of honor in response to a disgraced MC asking if they’ll be joining her in the back (which could’ve been meant matter of factly but looks bad within context)…. definitely cuts deep and feels unnecessarily snooty (and patronizing in Penelope’s case). Not to mention the whole “she’s beneath us” comment in response to MC being a bit sarcastic after everything just mentioned.

However, the absolute vitriol many fans had for her along with how eager they were to paint and view her only in a negative light no matter what makes no sense considering all of Penelope, Madeleine, and Olivia’s wrongdoings. Like Kiara doesn’t even come close to being as hateful and malicious as the last two and isn’t fake at all like Penelope. So why do the other three get excessive amounts of grace that they aren’t even deserving of while Kiara gets none and is either actively hated or largely forgotten instead?

If the writers valued and cared for their Black characters as much as they do their white ones and focused on consistency instead of favoritism, then some of the writing for and dynamics between the TRR cast wouldn’t have been as bad. But even then, that would still require entire scenes and chapters to be completely different. And that still doesn’t cover the fans’ eagerness to purposely misinterpret things and project their biases onto Black characters or the writers’ willingness to pander to those fans regardless.

Thankfully, PB didn’t reflect the fans’ view of Kiara as a Jezebel in the writing (which is honestly a bit surprising considering how much they catered to Drake stans and the fact that they have used the stereotype before in other stories as you pointed out). But given this essay and what I remember of this series myself, I just want to briefly point out and comment on some of the other stereotypes and real world experiences I noticed PB perpetuating and reflecting within TRR.

The first is the scene where Drake and MC can prank Kiara by dumping out her hair products. I haven’t read the scene or romanced Drake myself, but I think the inclusion of that at all is… let’s say interesting… considering the fact that attacking Black women’s physical appearance and beauty is often one of the first things non-Black people do when they feel threatened in any way. And of course, the prank seems fairly harmless in the grand scheme of things and is nowhere near equivalent to real life policing of Black hair. However that particular option appearing after the overall rage/jealousy of Drake stans toward Kiara isn’t really something that can be ignored.

The next is all of the questioning, mocking, and challenging of Kiara’s skills and capability. This one especially rubs me the wrong way because it’s such a common microaggression, but I feel like most people didn’t even notice it in the story and definitely don’t irl. Like Olivia is lauded as some sort of badass super spy who Cordonia couldn’t survive without even though she does nothing with any of the intel she manages to get…. But sure, Kiara is the one with delusions of grandeur who needs to prove that she’s as capable as she says she is 🤨

And coming off of that, I think it’s very telling how a lot of the fans take issue with Kiara’s perceived “snobbishness”, but ignore it or find it amusing when Olivia, Madeleine, or anyone else at court acts the same way if not worse. If it were an issue with classism and arrogance in general, then surely Olivia, Madeleine, etc. wouldn’t be exempt from criticism/backlash, right? But they usually are and are even seen as people who deserve to be cocky… so then what could possibly be the issue now??

And once again, I feel compelled to point out how a lot of the time Black people can’t escape the ugly realities of the world that we live in even in fiction. We can’t be too beautiful, too smart, too aware of our accomplishments, or too comfortable in prestigious spaces lest we threaten the inherent superiority of everyone else. Society holds us to a higher standard yet expects so little of us at the same time. And unfortunately, Kiara and many of PB’s other Black characters are indicative of all of this

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[juleswritesstuff]

Relax

Poly!JegulusxFem!Reader

warning: smut

Hi ! This is the first smut fic that I'm more than satisfied with, so I really hope you will enjoy it 💗

English isn't my first language, so I apologize for any mistakes.

You were stressed. 

You were so fucking stressed, that you either weren't even able to function properly due to sleep deprivation, or you were a nightmare to be around, snapping about every little thing.

James and Regulus noticed, obviously.

They always noticed when there was something wrong with you.

Regulus was too observant for his own good, and James had such empathy that he could sense the slightest changes in your mood from a mile away.

And, maybe, the fact that you had literally screamed at an owl for interrupting your studying when the poor bird was just trying to deliver some mail to its owner in the middle of the Great Hall could've been an indicator as well, you weren't sure, really.

So when they basically cornered you in your dorm room, locking the door with a charm and sporting twin expressions of concern, you knew it was probably worse than you had noticed.

“I know, I know. I just need to finish this essay and then I'll be all yours, ok ?” you say as you retrieve the book you need for your paper. You try to walk past them to reach the door but, predictably, they stop you.

“Where do you think you're going ?” James questions, raising an eyebrow.

“To the library James, where else would I be fucking going ?” you snarl.

Regulus gives you a pointed look, and your shoulders sag in response.

You knew you were being a bit difficult to deal with, and hurting the two boys you loved the most in the world was the last thing you wanted. But all the pressure you had been under the past few weeks was catching up to you and you were a ticking bomb ready to explode.

“Sorry. I'm sorry Jamie, but I really need to finish this essay” you say with a pleading look, begging him with your eyes to let you go.

“You've been in the library all day everyday for the past week, Y/n. Don't you think it's time for a break ?” Regulus asks. His voice is so gentle and so delicate that you really just want to curl into a ball and cry.

“I can't” you say sighing “the essay is due Thursday. I only have two days to work on it, I can't afford to waste time” you say as your hands run through your hair in frustration.

“So spending time with us would be time wasted ?” the Gryffindor asks, lifting his eyebrows as a flash of disbelief passes through his eyes.

“Yes !” You scream in anger, and only then you realize the gravity of your words. It takes one look at James’ hurt expression, and Regulus’ cold stare.

“I mean, no ! That's not-” You let out a shaky breath as you sit on the bed, your throat tight.  “That is not what I meant, I swear. You know it, you know I didn't mean that” 

Your head is hung low and you can't even look at them in the face.

You were feeling like shit, but that didn't mean that you had to make them feel awful too.

You felt guilt crawling up to every fiber of your body.

“I'm sorry, I'm being a bitch” you say, and you feel your eyes start to water, gaze still glued to the floor of your room.

Your eyes fix on Regulus as he kneels down in front of you, searching your gaze until it locks in his, and you're not able to pull away from the stormy gray of his eyes.

“You're not being a bitch, my love. You're just stressed. You need to relax” he says as he tucks your hair behind your ear, letting the pads of his fingers dance on the skin of your cheek.

“I'm not stressed, I promise I can manage until-”

“Baby, you told a second year to fuck off because he tripped in front of you, and made you late for class” James says with an humorless chuckle as he sits down on the bed next to you.

Your eyes snap to his, incredulous.

“I- No that's-” you look at him, horrified “Did I ?” 

He doesn't answer, but the look of pity and worry on his face tells you everything.

You didn't even remember. And a second year ? They were basically a child. You cussed out a bloody child. 

You needed to get a grip, and apologize. Oh, you needed to apologize so much.

“I'm so sorry, I-” 

“It's ok, Y/n. Really. You're under a lot of pressure and no one blames you for being a bit snappy, but you need a break” Regulus says, coming up to sit on the bed too, together with you and James.

“But-”

“Let me rectify. You need a break now” he says, and all the protests that were ready to come out of your mouth die in your throat.

“You're right” you say beyond exhausted “and, trust me, I know you are but the essay-”

“Remus will handle it” James says nonchalantly, not even batting an eye.

“What ?” you ask confused, blinking rapidly.

“You two have Divination together, don't you ? He will be more than happy to help you with your paper” he states, grinning slightly.

“But James-” you try to protest. You don't want Remus to do extra work just because you couldn't handle a bit of stress.

“No ‘buts’, darling. He's already on it” he says. His arm lifts up to move your hair from your shoulder, exposing your neck.

“What do you mean he's already on it ?” You ask confused as you try not to shudder at the contact of his fingers with the sensitive skin of your throat. And then your eyes go wide as it clicks on your brain.

Oh, these two.

“You planned this, didn't you ?” you ask, bewildered, as you turn to Regulus. 

You would expect something like this from James, sure, he was the king of interventions when something was wrong.

But Regulus ? 

Damn, you must've been a real nightmare to be around.

“I told you” he says, inching closer and closer, until your lips are a breath away “you need to relax” he breathes, and then he is kissing you so deeply that the air gets knocked out of your lungs.

His lips are soft, so soft, and needy, and hungry and everything you needed in that moment.

You part your lips and his tongue slips in, caressing yours as he deepens the kiss even more and a soft moan leaves your mouth, because, fucking hell, you missed this, and you missed him and his relentless mouth as it works against yours, and the way his teeth graze your bottom lip, softly, sucking right after in a soothing manner.

And you missed James and his mouth on your neck, where he knew exactly where to kiss, to lick, to gently suck and taste your skin, as more delightful sounds leave your lips, making your head spin, as his wonderful hands travel all over your body and make you squirm and shiver in the best way.

“So this is your idea of relaxation ?” you ask breathlessly as you part from Regulus’ lips only to feel them trace a path from the corner of your mouth, to your cheek, then your jaw,  and ending on your neck, on the exact place opposite to James, and he starts licking too. You could swear you were in heaven as breathless whimpers escaped from your kiss bruised lips.

“I'd say it's a pretty good idea, don't you think baby ?” James asks, lifting his head from your neck to inch closer to your mouth.

“Absolutely” you and Regulus answer in a chorus. And you would've laughed in any other situation, really, but then James' lips collided with yours and every thought in your brain just ceased to exist.

It was just him, and his fantastic, amazing, wonderful lips as they chased yours hungrily.

“Shit, I- missed this” you say in between kisses, as soft needy sounds echo through the room.

“Tell us about it” Regulus says with a chuckle, lifting his head from your neck.

His eyes are hazy, as are yours and James’, and his lips are swollen, and red, and plump and-

“Don't be mean Reggie” James says, leaving your lips alone to focus on your jaw. His tone doesn't have any bark, he's just teasing.

“Oh, but you like it when I'm mean, don't you Jamie ?” The Slytherin teases further, and in a heartbeat they're kissing, devouring each other’s mouths like they were starved.

It's a lot of tongue, and a lot of teeth, and a lot of lust and fire, and you were left speechless in front of such a sight.

Salazar only knows how much you had missed this, missed them.

How could you give so much of your time to essays and papers, and neglect the amazing boys you hand in front of you ?

You must’ve been crazy, really.

“Enjoying the show, love ?” James asks with a smirk as he trails kisses down Regulus' neck.

“You know I always do” you say, backing up a bit farther on the bed and taking off your uniform, because there were definitely too many fucking clothes in the way of your 'relaxation'.

“James, baby, your mouth is a gift sent from heaven, trust me” Regulus says, voice shaking from pleasure as he  pushes James away gently “but you do remember who this is about, right ?” 

“As if I could ever forget” James says with a grin and they both turn to you and notice that you're halfway undressed, the first buttons of your shirt undone and your legs pressed together so embarrassingly tight.

Your cheeks are flushed and your lips are plump and bruised and you're on cloud nine, because after a horrible week full of no Regulus and no James they're now both in front of you, taking each other’s clothes off.

Oh, to be graced by this sight every minute of every day for the rest of your life.

And Merlin, you really need to thank whoever invented Quidditch, because-

“Bloody hell, you both look like you were sculpted by the Gods” you say as your mouth waters. Their bodies are a work of art, two of the seven wonders of the earth. All those lean muscles, slender waists and their backs.

Oh God, their backs.

You wanted to swallow them whole.

Both of them, preferably at the same time.

They grin at your comment, and then they're both on the bed by your side, James on your right and Regulus on your left.

“Speaking of being sculpted by Gods…” James says as his hands go to your shirt to unbutton the remaining buttons, and then Regulus helps you take it off completely,  leaving a few open mouthed kisses on your neck as he does.

“Lay back baby, would you ?” the Slytherin asks gently, but his voice is so low and so full of lust and desire that a shiver ripples through your whole body.

You don't even notice James unclasping your bra before your back makes contact with the bed beneath you.

“Oh, look at you. So perfect, so fucking perfect” the Gryffindor whispers on your lips before kissing you and taking you to a whole other world.

You can feel Regulus’ mouth tracing your neck, leaving marks you were sure would be every shade of red and purple by the following day.

He gives attention to every inch of your skin as James makes sure to leave you breathless, and senseless, just by swiping his tongue against yours.

Then you feel Regulus lips on your breast and your head starts spinning, the breath is knocked out of your lungs and moans of pure bliss fill the room.

“Fuck- Reggie-” you whimper on James’ mouth.

Your hand goes to Regulus’ hair, cradling your fingers through it as he delicately sucks on the sensitive skin of your nipple, leaving tiny kitten licks, soft kisses, light grazes of his teeth, and then the gentle suction begins again and you could literally melt.

“Merlin, baby, the sounds you make” James whispers on your lips and then proceeds to make his way down, hovering over your other breast and then diving in, with Regulus’ same gentleness.

The warmth of their mouths on your sensitive skin, the feeling of their back muscles under your hands as you let them roam on their bodies, feeling every curve, every chiseled corner, it was a feeling you missed for a week.

And now it's here, they're here, in front of you, and you could literally die on the spot and be happy.

But they seem to disagree as they both lift their heads up, sharing a languid kiss that makes you even wetter than you already are.

Because, fucking hell, you were drenched since the first time they put their lips on you today.

You went on for so long without feeling their touch that as soon as their skin came in contact with yours your body started burning, finally alive again.

They break apart, slowly, and without saying a word they start going down, and down, and down, leaving open mouthed kisses on your  stomach, on your hips, on your thighs. 

“You don't have to” you tell them, because really they don't. Up until that moment everything had been about you. You wanted them to feel good too. You wanted to make them feel good. 

“But we want to” Regulus says as he leaves kisses on your inner thigh. Soft, gentle, delicate kisses. James does the same on your other thigh.

“Do you want to ?” the Gryffindor asks, slightly lifting his head from your thighs to see your answer.

“I really fucking do” you admit, your hands in their hair, fingers cradling softly through their locks.

“Perfect” says Regulus, inching closer and closer to where you need him, need them, the most “now be a good girl, and keep your legs spread for us, ok ? Don't think about anything. Let loose baby, you deserve it”

And then he dives in, licking a long strip along your folds as your world shakes with the power of ten thousand earthquakes.

The moan you let out could probably be heard from a mile away, but you couldn't give less than a shit, because Regulus is eating you out like it's his last meal. He's ravenous, and eager, and gentle at the same time, and so so good, and-

“Fuck- fuck, fuck, fuck” your curses mix with whimpers and moans and you never want it to stop, ever. You wish you could remain in this bliss for eternity.

And then Regulus opens his mouth.

“James, James, Jamie, come here love” he says breathlessly. Mouth covered in your essence and eyes hazy and a fucked out expression on his face. 

You swear you could come on the spot.

James, who had been busy worshiping your thighs, doesn't let Regulus tell him twice.

At the feeling of James’ tongue right on your little bundle of nerves they're so familiar with, you see stars, you see whole new universes.

“Fuck- you taste so good, baby” he moans.

“So sweet”

“So fucking sweet”

You arch your back as moans keep tumbling out of your lips.

You're breathless, a mass of choked out sounds and incoherent words. You're burning alive, the fire in your veins so strong and powerful that you feel like you could melt.

And then you make the mistake of looking down at them, right between your thighs, as they feast on your pussy like they were born for it.

“Oh, fuck- I'm-” you don't even have the time to finish your sentence because both their tongues are on that sweet sweet spot that makes you see stars, sucking gently, and in a heartbeat the coil in your tummy snaps and you not only see stars, you see an entire galaxy.

Finally, after a week of pure torture, you find yourself in heaven with the two most beautiful angels right between your thighs.

Your breath is ragged, you're breathing heavily, and you're the most relaxed and content you had ever been in the past few days.

Your body feels like jelly, your legs shaking slightly.

You must've zoned out a bit after the most earth-shattering orgasm you've had in a while, because James and Regulus were now laying next to you, gently caressing your hair in a soothing manner.

“Welcome back” James says with the most beautiful smile ever.

“Was I out for long ?” you ask, blinking slowly.

The three of you are under the covers now, still very naked, and still very happy.

“Ten seconds max” Regulus tells you, his eyes soft, a fond expression on his face.

Merlin, he's so beautiful.

They're both so beautiful.

“You can sleep, love, it's okay” the Gryffindor says, as he softly strokes your cheek with the pads of his fingers.

“But-” 

“Everything is clean, we took care of it, as always” Regulus interrupts you sweetly.

You really had the best boyfriends in the world.

“God, I love you so much” you say sincerely.

“Oh, really ? Wouldn't have guessed that. What do you say, Reg ? Did you notice ?” James says teasingly as a grin grows on his lips.

“Would've never been able to guess, honestly” says the Slytherin, equally as teasing James.

“You twats, I was being serious” you say and then you realize your mistake.

“Don't you even try to make that joke right now” you warn them, especially James, who makes the gesture of zipping his mouth shut and throwing away the key, but he has the stupidest most adorable smile on his face.

“We love you too, darling” says Regulus “but I think you should sleep now. It's getting late”

“Will you stay here ?” you ask, hopeful.

“Of course, love” James assures you. 

And that's how you fall asleep that night.

In a tangle of limbs and bodies, between your two very personal angels.

Divination essay long forgotten.

[spiders-around]

YOU MUST MAKE A WEBSITE

Oh wow, look at that! YET ANOTHER post urging you to make a webbed site! What a completely new thing that people haven't made a thousand masterposts for already!!

• Making a website might look scary. It is Not.

At first, I too thought making a website was too much work. It really isn't! It turns out that all you need is

an HTML file,

a web hosting service and

w3schools tutorials,

and that's about it!

This post will point you towards these resources, and others I found useful while figuring out how to make a website.

• VERY QUICK EXPLANATIONS:

What's HTML and CSS?

HTML is the content of your webpage, the skeleton of it. What shows up in a webpage is what's written in the HTML file!

CSS is the way the HTML is styled; the colour of the background and the letters, the size of elements, the font, all that!

Do I absolutely NEED JavaScript for a website?

Not at all! You don't need to worry about learning it before getting started.

• What do I make a website for? What do I put in there?

ANYTHING AND ALMOST EVERYTHING. Here's some ideas for pages from a post of mine were I was very normal about websites:

You can make a page that's only pictures of your pets.

You can make an interactive adventure.

You can make your own academic blog full of your own essays or articles.

You can just post a ton of art or make a full music page.

You can make a blog and infodump eternally, give book reccs and reviews. You can host a thousand virtual pets and nothing else.

Upload entire books in a single html file. Make a wikipedia for your ocs. Make a fake site for a random fictional place (restaurant, hotel, whatever). You can make a thousand fanpages/shrines about your favorite media. You can upload your own webcomic and make it all like a fancy website and shit.

I could keep going but, for the sake of "brevity", I won't.

• WEBSITE EXAMPLES!

If I started listing the websites I know, this post would be bottomless. Here's only seven:

https://publictransit.neocities.org/ - A webbed site, for sure

https://ribo.zone/ - A personal site

https://leusyth.neocities.org/ - An art archive

https://solaria.neocities.org/ - Personal website with A Lot of stuff (it'll come up in a bit, because it offers web making resources)

https://hog.neocities.org/ - The Hogsite

https://thegardenofmadeline.neocities.org/ - Another personal site! It also has a web resources page and has made another masterpost like this one (but better)

https://spiders.neocities.org/ - My own website, which must be weird to see in mobile . sorry

• You've convinced me. I want a webbed site. Where do I start?

https://neocities.org/

FIRST OF ALL: Neocities. It is a free web hosting service, and it's the one I and the sites I linked use!

When I first started, my website was a black page with red letters and a drawing, and nothing else! It was like that for a month, till i started picking up on how to do things.

Here's what helped me get an idea of how to make things work:

https://sadgrl.online/learn/articles/beginners-guide-neocities

An absolute beginners guide to neocities -- while when you make an account there you get a tutorial page from the site, this one's extra support for that.

https://www.w3schools.com/

Learn HTML, CSS, JavaScript and MANY other coding things for free. All the tutorial/reference pages have live testing windows for you to mess with!! helped me a LOT while figuring this stuff out!

https://htmlcheatsheet.com/

https://htmlcheatsheet.com/css/

Cheatsheets for HTML and CSS, respectively. It includes a JavaScript one too!

https://sadgrl.online/webmastery/

Sadgrl's webmastery resources! Also includes the next resource listed here:

https://sadgrl.online/projects/layout-builder/

Sadgrl's layout builder; not a lot of customization at a first glance, but I've seen wildly different websites all using it as a base, plus it works using CSS Flexbox, so it generates a responsive layout!

(basically, a responsive layout is one that translates well in different sized screens)

https://www.tumblr.com/fysa/728086939730919424/wikitable-code?source=share

Tumblr user fysa made this layout imitating a wiki page!

https://brackets.io/

At some point, you might want to do things outside the Neocities code editor and get one outside the site. I recommend Brackets, because my old as fuck computer can run that and absolutely nothing else apparently, and it works wonderfully! Though I recommend either turning off the code autocomplete or using it after a good while of already using the Neocities code editor, so you get used to coding on your own.

http://www.unit-conversion.info/texttools/text-to-html/

Turn your text into HTML code! i use this kind of pages for my lengthy blog entries that I don't feel like formatting myself.

https://imagecompressor.com/

COMPRESS YOUR IMAGES.

The heavier an image is, the more your site weighs and the more time your page will spend loading. You don't want that, specially if your site is heavy on graphics. This might help!

https://solaria.neocities.org/guides

Some CSS, JavaScript and Accessibility guides! Worth checking out!

https://eloquentjavascript.net/

This is a free, interactive book for learning JavaScript! NOTE: It is very intuitive, but JavaScript is HARD!! I still haven't learned much of it, and my website does fine without so don't worry if you end up not doing much with it. It's still useful + the exercises are fun.

And now, accessories!

• Silly stuff for your page :]

https://gifypet.neocities.org/

Make a virtual pet, copy the code and paste it in your HTML file! You'll get a little guy in your webbed site :]

https://www.wikplayer.com/

Music player for your website!

http://www.mf2fm.com/rv/

JavaScript silly effects for your site :]

https://blinkies.neocities.org/geoblinkies

Blinkie search engine!

https://www.cbox.ws/

Add a chatbox to your site!!

https://momg.neocities.org/

Infinite gallery of gifs. i've spent hours in there looking at moving pictures and out of them all, the ONLY gif i actually ended up using on my site was a rotating tomato slice. it is still there. trapped.

https://wrender.neocities.org/tarotinstructions

A widget that gives you a random tarot card!

https://www.websudoku.com/widget.php

Sudoku widget!

That's about it for now! I don't know how to end this!!! Remember to have fun and google everything you don't know :]

[wielderofmysteries]

A Vorthos Defense of Lukka

Sorry this response turned into a small essay (~1400 words) that doesn't really answer your question, but my Hot Take™ is that I don't think Lukka needs to be fixed.

I believe the problem doesn't lie in Lukka himself, but in the way both the narrative and the fandom treated him extremely unfairly. I'm not asking anyone to like Lukka. Personally, I don't even think anything about him is particularly likable. But I think as a character he deserves a lot more respect than he gets, and I'm tired of seeing other people hate on him without actually engaging with his story or understanding what his character is about.

Here's the thing: Lukka is basically the homeless veteran of planeswalkers.

He started his story in Sundered Bond (Ikoria ebook by Django Wexler) already successful in his military career, engaged to be married to Jirina, and having General Kudro's favor. He was a model citizen and his life was great. One day, a flying-hyper-murder-tiger killed Lukka's entire squad and people discovered Lukka was a monster Bonder because the tiger spared him. The rumors got to General Kudro, whose decision upon hearing Lukka might be a bonder was to have Lukka immediately executed.

Lukka didn't betray Drannith. Drannith betrayed Lukka.

Lukka escaped his execution and was rescued in the wilderness by Vivien, who traveled with him to the Ozolith, where a mysterious evil voice caused Lukka to unlock the full power of his monster bonding abilities. Through it all, Lukka still tried to hang onto his old life. His allegiance hadn't changed. At first, Lukka wanted to use the monsters he controlled to fight for Drannith, not against it. Lukka was convinced that the offer of a loyal monster army would be enough for the city to take him back, but he was no longer welcome in Drannith.

Lukka became increasingly unstable and spiraled into insanity because he had his life unexpectedly, completely ruined and wanted nothing more than to return home to his old life, but that wasn't possible because he now belonged to a class of people who were extremely stigmatized in Drannith's society. He had become an undesirable. Once the city's shining star, he was now the lowest of the low. He lost his loyalty and turned against the city when he realized Drannith didn't care about people, Drannith cared about keeping people in their places.

In Sundered Bond, Lukka loses literally everything. He loses his job. He loses all his friends. He loses his fiance. He loses his home. Everything. He even loses the cat. This all happens to him within like, a week.

Lukka experiences the same hostility in his second appearance, Strixhaven. At this point, he's still a new planeswalker, and he's been planeswalking blindly trying to find civilization again. He arrives on Arcavios thirsty and starving and tired and injured. When he finally finds a town, he visits an inn and asks only for food. But they don't give him any food! They won't allow him to wash up or to rest! This is a man who has nothing and has done nothing, and the townspeople are suspicious of Lukka and want to call the Dragonsguard –Strixhaven's magical cops– on him because he committed the crime of... existing near them while visibly having basic needs that are unmet.

=========

"Looking for something, stranger?" said the innkeeper, a round man with a head of robust curls.

"A hot meal," said Lukka. The innkeeper hesitated as though about to say something, then nodded and moved toward the kitchen.

"Haven't seen clothes like that before," came a voice behind Lukka. "You're not from around here, I imagine."

He turned. A tall man in the same rough clothing as the rest of the townsfolk had stood up from his table and was walking over.

[…]

He heard the man suck his teeth. The innkeeper still hadn't returned from the kitchen. Lukka was starting to doubt he ever would.

"Okay, Oriq, I think I've heard enough. We don't take kindly to meddlers in this town, or those who seek to disturb the peace. If we were a proper city, we'd get the closest, least busy Dragonsguard to sort you out. But we're just a small farming village—so we've learned to deal with strangers ourselves."

[Episode 2: Lessons - Adana Washington]

=========

Fans like to point at Lukka and make "ACAB" ("All Cops Are Bastards") jokes about him, but they don't understand that he's explicitly an anti-cop character. Lukka was formerly a cop, but he quit and fully turned his back on the entire concept of policing when he realized that the reason cops exist is not to protect people, but to rid society of undesirables like him.

=========

"These dragons," Lukka said, his voice a growl. "Those Dragonsguard. They've held power over these people for too long. They've made them fearful of every shadow, every unfamiliar face. What happens when it's not just the Oriq they're hunting down—when it's anyone who practices magic in a way they don't like?"

[Episode 3: Extracurriculars - Adana Washington]

=========

I know what many of you will say: "How can Lukka have such a based take when he's such a terrible person?" It's true– he is not a good person. He's an asshole and he's harmed / killed innocent people and animals. But he's been both a cop and a homeless man, and he knows that cops are far more dangerous. You don't need to be a "good" person to deserve food and shelter. It's cops who promote the idea that you can deny the basic rights of the people you think are "bad".

So on Arcavios, he's again forced out of civilization and back into the wilderness. His suffering seriously never ends. The way he was treated, it's no wonder he accepted when the Oriq kidnapped him and asked him to help attack Strixhaven. Why should he give a damn about society if they don't care about him? If their society is so fearful of others that they are unwilling to practice compassion, unwilling to provide for people's most basic needs even when they haven't done anything wrong, then doing wrong doesn't matter. They will share his pain. He will watch it all burn to the ground.

Lukka is an example of what happens when someone's basic humanity is repeatedly denied to the point that they can no longer feel anything but anger.

This line from the story Survival of the Fittest, by Roy Graham, expresses it perfectly:

=========

He had been a cruel man by the end, a villain in so many ways. But perhaps in his position, there was no way to become anything else."

=========

Lukka reaches out for stability and support and never truly finds it. He's a character who keeps getting punished over and over for having bad things happen *to* him, not because he *does* bad things. Most of the bad stuff he actually does is in response to others treating him like shit for no reason.

Despite everything, Vivien still cared for Lukka and wanted to help him get back on his feet. She thought Lukka's military expertise would be useful to the strike team against New Phyrexia, and she encouraged him to join. They both saw it as an opportunity for Lukka to regain some of his dignity and protect his home once more. How does the narrative reward him for his effort? By corrupting him, humiliating him, and having him be put down like an animal by the only person who showed him any compassion through all this.

What could Lukka have become if he survived to be rehabilitated? I guess we'll never know.

Unfortunately, there is absolutely no hope for a character who mistreats animals. Most fans will never ever get past that, and there's a part of me that honestly believes Lukka just got phyrexianized and killed off because the Magic narrative team realized they couldn't salvage his reputation and didn't know what to do with him. The fandom's overwhelming negative response to Lukka had irreparably damaged him as a character.

As my bespoke friend @xantchaslegacy said, "The only meaningful difference about Lukka and Gideon's cop-to-planeswalker journey is that the narrative let Gideon live long enough for other people to make him a better person. And Lukka got shanked before it could happen."

Again, I don't need people to like Lukka. I just want people to understand. I wish people were more willing to actually engage with the story and see the value in characters they dislike. There's no reason Lukka should've been treated like a punching bag the way he was. He was trapped in a cycle of being dunked on by the story and then dunked on by the fans, again and again. And people continue to push an understanding of Lukka that is just false.

The fandom reacted to Lukka the same way the strangers on Arcavios did: He'll never get a second chance because they wouldn't even give him a first chance.

[thankskenpenders]

And now for something new

So, here's something I was never planning on doing, but I just couldn't shake the idea... Thanks Ken Penders is gaining a sister blog featuring an entirely different comic franchise!

Introducing... Thanks Steve Ditko, a blog where I read the Earth-616 Spider-Man comics, starting all the way back in the '60s! It's gonna be much more casual and less thorough than how I run things here on TKP, though, which I'll explain in a sec.

If seeing me post weird bits from old Spider-Man comics sounds fun and you need no further info, then just head right on over to Thanks Steve Ditko. But for longtime TKP readers, I know you probably have questions...

Number one: Why?

Spider-Man's always been my favorite superhero, and with the Spider-Verse movies kicking ass and my excitement building for the new Insomniac game, I've been in a Spidey mood. Inevitably, a thought occurred to me: Maybe I should actually read the comics that everything else is built off of and see the wildly varying contributions of all the original creators, rather than filtering them through big budget adaptations. If I can power through One Piece and all these other manga with hundreds of chapters, it can't be that hard... right?

And, well, after a few issues I quickly realized that my options were to either clog up my other accounts with random Spider-Man panels for years, or to just make a side blog. And so the side blog was born.

Two: Will this blog replace Thanks Ken Penders?

NO!!!!!!!!!

Okay but prove it

To allow the two to exist side-by-side, Thanks Steve Ditko will have a different format than what Thanks Ken Penders developed. Rather than an in-depth guided tour that critically analyzes every story beat of every issue, TSD will just be a place for amusing panels and brief thoughts as I casually read the comics at my own pace.

If you've seen me make a few tweets about reading Spider-Man recently, I'm basically just moving that to a dedicated Tumblr. It's a place for me to dump these things so that it doesn't fill up my media tab on Twitter for the next decade. (You know, assuming Twitter is still around in a decade.) There will be many issues where I only post two panels that I thought were funny. There will be issues where I don't have anything to say at all. Maybe I'll reach a run that I just cannot get into, and I start skipping around more. Who knows!

This may sound similar to what I thought this blog would be before it blew up. Aside from the simple fact that there's already mountains of Spider-Man commentary out there and therefore less of a void for me to fill, one of the main steps I'll be taking to avoid repeating the past is not enabling an ask box on TSD. I do not need people to ask me to go into ten times more detail on everything. I do not need to write seven essay-length responses to questions about Spider-Man minutiae every day. I do not need a place for people to chide me for not covering certain scenes, issues, or ancillary series.

It also won't have any kind of update schedule. I'm trying to keep it very casual. I'm reading these comics at my own pace, and if I feel like sharing a moment or commenting on something while doing so? It goes there. That's it.

(On the subject of format changes, I'm also listing the issue, writer, and penciller in the body of every post. This is a thing I wish I'd done on TKP so that people didn't misattribute every weird Archie Sonic panel I post to Penders.)

Three: So when will TKP come back from hiatus? You said it'd come back after you finished SLARPG!

I don't know! Sorry. I have a couple things on the backburner right now for TKP, but I'm not sure when I'll get back to proper updates where I read more comics.

I wanted to bring TKP back this year, and that's still possible. The main hurdle is that I want to reread my own archive (again) as a refresher, which is, uh. A lot of posts. I've developed a high standard for myself on here, and I feel like I wouldn't be doing my job right if I forgot half the ongoing subplots and character arcs and didn't bring them up in my analysis. Especially when I'm discussing the work of an author as obsessed with continuity as Ian Flynn. Unfortunately, the nature of this blog means that every time I go on another long hiatus for Life Reasons I have even more comic continuity to catch up on than last time.

(This is a big part of why I'm making Thanks Steve Ditko an extremely casual blog instead of promising to become a Lore Expert on 60+ years of Marvel.)

Mostly I've just been very burnt out this year after having finally finished a video game that took almost eight years to make. I haven't really had the energy for any creative projects, including TKP. But I feel a little bit of a spark here with Spider-Man, so I'm chasing that feeling to try to get back into the swing of blogging about comics - no pun intended.

So, basically, bear with me on this as I start this low-energy side project. But hopefully folks will enjoy Thanks Steve Ditko as its own thing, too.

Look forward to goofy shit like this

[rendomski]

Crosshair and Hunter are very good bros

They are, and I don't even need to die on this hill, season 3 backs me up solidly.

But back in season 1, one can only imagine Crosshair's pain when he comes back to his senses. I support the most popular opinion that Crosshair's chip was removed after his injury on Bracca. So, he wakes up and realises that he has been under brutal mind control since the order was issued. He was forced to do atrocious things for the Empire and, most painful for him, to gun for his brothers. And he also realises that his brothers, knowing that he was not in control of his actions, abandoned him and didn't try to get him back or even contact him. Betrayed him and almost killed during their encounter on Bracca. A whole separate essay can be written speculating why Crosshair chose to throw in his lot with the Empire after he got his chip out. But even after choosing the Empire, he wants to get his brothers back, convincing himself that this is the best option for them all. He's hurt and angry, but he wants to forgive them and take care of them, as he sees it. Because Crosshair is a good bro.

***

However, if we go back to his brothers and to Hunter first and foremost, for during this period the squad follows his lead unconditionally, paradoxically, Hunter is a very good bro, too.

Gif credits @werentloyaltome

First of all, many fans tend to assume that Hunter understands the impact of chips as fully as they do. And I don’t see how Hunter could have had this understanding until Bracca.

He was told several times that Crosshair's actions were influenced by the chip, true. And with hindsight, the influence was undeniable. Crosshair's aggression, his insistence on following the orders. Oh, boy, it is painful to watch how Crosshair himself grimaces every time his brothers ask him, “Since when?”; he gets so confused. But, grudgingly though, he obeyed Hunter, he fought alongside his brothers, he trusted them as always—the way he doesn't flinch when, in the midst of their argument, Hunter pulls out his blaster and shoots down the spy probe.

So, Crosshair was very lucid and making his choices the last time Hunter saw him—before Crosshair was escorted away from the cell (need I remind Hunter's reaction then?). And then Crosshair comes back, heading a squad of stormtroopers, trying to order his brothers around, shooting Wrecker, and fully intent to go after everyone else. While I feel very sorry for Crosshair, from Hunter's point of view, it must have looked like a betrayal, plain and simple.

And here Hunter presents himself as a very good and loving bro. I can't imagine myself not being furious at my brother or at any person who used to be close to me but who would act towards me and my family like Crosshair did. And Hunter, while obviously hurt and avoiding talking about Crosshair, still voices his emotions as ‘angry at myself’, first and foremost. Still listens to all the arguments and debates about the chips. True, Hunter cuts them short, but he is responsible for setting their priorities. Basic survival first, risky future plans later.

Here's, actually, the second argument why I'm more or less sure Hunter does not understand the full extent of chips’ influence until Wrecker's chip activates. Taking into account his cautious nature, he and Echo, too, would be beside themselves with alarm if Hunter did understand the danger. And Hunter acts as if he totally relies on Tech’s seemingly casual remark, like, yeah, we know about the chips, but they don't work in us, nothing to worry about.

So, to sum up: Hunter has no idea that Crosshair’s chip was modified to strip him of the remains of his free will and that Crosshair wasn't in control of his actions.

Tech and Omega, not Hunter, are the only two persons in the Batch who know more or less about the chips, their function and the potential force of influence. Hunter doesn't take Omega's words for face value yet. As for Tech, I have two versions of why he doesn’t push the subject of the chips more insistently. One possibility is that Tech thinks it is obvious. Another—and which I like better—is that he, with all his calm logic, doesn't see the point in freaking Hunter out while they can do nothing about it anyway. He just makes constructing the scanner his top priority. It fits well with the canon(?) fact that Tech is the second oldest in the Batch; he just silently (well, as silently as he manages) takes on his share of responsibilities.

Following this line of reasoning, the Hunter and the rest of the Batch run into Crosshair mere hours after all of them finally understand the full, overwhelming nature of mind control induced by the chip. But Crosshair afterwards assumes Hunter knew it all along but still didn't come back for him. Oh, the elegant confusion, worthy of a classic tragedy! The writing in season 1 was so good!

***

I see passionate Crosshair's fans blaming Hunter even for leaving Crosshair to die on Bracca. Somehow forgetting that Hunter left Bracca injured, barely conscious, and having no idea how their counteraction against Crosshair's attempt to kill them backfired (literally) on Crosshair himself.

The only occasion when I’m really mad at Hunter is their encounter on Ryloth. Hunter has not even considered retrieving Crosshair here as an option, seeing him only as a danger. Here, Hunter can't even be justified by his trademark cautiousness, since soon after he agrees to go along with helping Hera, choosing to help a stranger instead of giving a chance to his brother.

I get the counterarguments, Crosshair is not an easy target to be simply retrieved. Still, they all have received the same training and could give it some thought at least. I can think of the arguments explaining Hunter's choice, I know similar situations when you misplace your responsibilities and hurt people close to you. Still, understanding does not take the blame off Hunter's poor, tired head. And when Hunter meets Crosshair next time, it’s a little too late for Crosshair just to accept his offer to come back.

Both pay their price in the end: Crosshair going through his trials and tribulations, and Hunter losing their brother in an attempt to get their family reunited.

Again, I see fans on both sides arguing that their conflict was resolved too easily, with not enough tears, regrets, and apologies. All things considered, yes, they may have ended up estranged and bitter in the end. But I was so ecstatic to see them sort things out and reconcile without inflated emotional drama.

Because Crosshair and Hunter are simply very good bros.

[buckyalpine]

To be deleted, Just venting. I'm sick of behavioral issues in schools. I'm sick of kids throwing shit around, screaming, showing defiance towards basic expectations and then complaining about it afterwards when there are consequences. Genuinely, why the fuck are they like this. Idk if this is the result of ipad kids or the new generation of parents but I'm so fed up. I'm so fucking exhausted dealing with kids who know how to make the biggest mess imaginable crying and whining about having to clean it up after. What in the absolute flying FUCK did you think was going to happen. The attitude that follows and the refusal to follow instructions?

Let's not even start on the apathy kids have towards learning. They can recite shit from tiktok word for word, God forbid you ask them to spell something, that's too much and hurts them emotionally. "UhM, wE'rE jUsT kIdS, wE sHoUlD bE aLloWeD tO tAlK" These words were actually said to me while the kid was complaining about another teacher. Who just asked them not to talk during lessons. And this was the response. That they're just kids, obviously they don't know better so they should be allowed to talk. NOT WHEN THE TEACHER IS TEACHING YOU DUMB FUCK.

Sorry.

Last week I had another kid try to stab multiple people for fun with the Remembrance day poppies. Then that thing spat soda everywhere. Slapped a few kids. Stole their hats. Their persuasive essay topic was why school should be shorter. Because they need time to rest and play and complete their homework. This is from the child who never does it. Their parent believes their sports games are more important anyway so this kid gives 0 fucks about school.

I actually can't tell if I want to quit yet or not. Teaching has changed so much over the last few years and I don't think I can do it when this is the direction it's going in. IDK what else I can do with my degree but I'm about to start researching because I cannot take it.

[genericpuff]

You know what do you think of hanza cancelling her own comic that is the guy upstairs? Like for me,I really really hope she's okay. And I know blacklightjack(he make a video about this) and the line he says about artists need to grow a thicker skin is just. I'm sorry like,look I get what he's saying but hanza have to cancel the comic because of toxic shippers. Sure,you can just ignore them and pretend they don't exist but they will still still still annoy you and h*rass you to the point you can't take it anymore and have to cancel the comic because of the whole goddamn toxic fanbase.

(as a Malaysian myself,I need to say this,I really hope hanza is alright. And in my language saya harap dia dapat bantuan Dan menjaga kesihatan sendiri)

So...

sigh I feel like this isn't the answer or essay you expected but I hope you're open to at least hearing it out all the same.

I do not think Hanza handled the situation in a way that benefitted her as a creator or her audience of people who genuinely love her work.

I DO think she was justified to be pissed off with the people harassing her. Those people suck ass and they're the definition of "this is why we can't have nice things."

But like... the notion of "you need to grow thicker skin" is true in being a creator who puts their work out into the world for an audience. Hear me out, this does NOT mean "creators aren't allowed to have feelings". But it does mean that you have to find peace with the fact that there are gonna be weirdos and assholes who take shit too far within your community. You don't necessarily deserve that. But you can't give those people power over you by going scorched earth in the way that Hanza did, because who does it really benefit? Hanza is now out a job and she's soiled her own reputation with her audience by basically going "FINE, because of these few people who were shit, NO ONE gets to have a good time!" And that's just... not a productive or healthy way to deal with these issues because it's just doing what those trolls and shitheads likely wanted. They wanted a reaction out of her, and she delivered it to them on a silver platter.

Like, I think of the dumbasses complaining about Hanza "taking advantage of the dark romance community" (she didn't, she just made a horror thriller comic that they felt entitled to see romance in) and guess what? Now those dumbasses have power over here because she ended the comic and in their heads, I'm sure they're thinking "good riddance". By choosing to not only end her comic, but spoil it entirely for her fans who were there in good faith, Hanza gave power to the people who weren't even a part of her target audience to begin with.

I do think it's ironic if people assume I'd automatically boo the "grow thicker skin" mantra because like, y'all... many of my complaints here are literally about people like Rachel who behave badly with their audience and desperately needed to grow thicker skin. In a lot of ways she's not even reacting to direct harassers, she's reacting to people simply discussing her comic in their own spaces which aren't mean for her. If she spoiled the ending of LO for her fans and ended the comic prematurely, I would feel awful, but... it still would have been her decision at the end of the day that she'd have to stand by and take responsibility for.

I think, at best, if I were to give her any unsolicited advice, she should have just put the comic on hiatus, taken a break, focused on her mental health and given herself enough distance to ask herself if she wanted to continue TGU. Maybe it still would have ended the same way, but at least she would have given herself the time and space to heal and rationalize her choices.

Instead, by choosing the nuclear option of spoiling the series for her readers and axing the comic - just to backpedal and go back to "no no it's just an indefinite hiatus!" - she gave up her power to the people who were harassing her. She reacted in a way that gave them power over her, not herself over them.

And I say this as someone who's currently on an indefinite hiatus with their main project, which I still have not spoiled for the 5 readers I have, despite the fact that I have zero clue when I'll return or if I'll even be able to. Whether or not Cyra and co. break out of the Reaper Society is now a 2 year old question.

I say this all as someone who has been harassed and is still harassed for doing what I wanna do. My first ever webcomic website when I was like 17 used to get emails and comments from shitty classmates and other local yokels who knew of me and wanted to pick fights over a teenager's dumb lil' gag comics. I kept making those comics anyways for myself and for the people who did like reading them, until I was ready to drop the comic on my own terms and move onto my next project, which would be Reaper. Reaper also got a lot of nonsense complaints and harassment. As did my fanfiction projects, as did my digital art, as did everything that I've ever put out into the world through the Internet, because the Internet just sucks for everyone always and then you die 🤣

And now, 10+ years later, I get the occasional "you're a shitty talentless person who isn't gonna amount to anything and yaddayaddayadda" which, to be fair, is a reaction from the folks who are unhappy with my intentions to make a Lore Olympus rewrite comic!

But I'm not going to give them power over me by stopping. I have a story I want to tell and if I stopped telling that story due to the shitty things they had to say and do, then I would be punishing myself and punishing my audience for the actions of a few bad apples. I do not deserve to have those abusive actions targeted at me (though they surely do and that's on them) and I do not have to put up with it, but I genuinely would not be able to live with myself if I gave them power over me by reacting in such an explosive way that my bloody remains land on everyone around me, including the people who were supportive and loved my work along the way.

That said, I also don't know to what extent Hanza was harassed. I've seen people claim she was doxxed, but have yet to see any evidence of that. I have seen people claim she got death threats, but Hanza hasn't shown anything to back that up. I'm going to assume the best of her that the harassment must have gotten pretty fucking bad for her to want to quit, and again, that is justified, and I cannot in any way use my experiences as a way to diminish hers. Maybe she just flat out isn't interested in making TGU anymore which... I can definitely say I relate to that, too.

There's this sort of mindfulness technique in stress and emotional management where you have to recognize that other people's actions are NOT your responsibility, but your REACTION is, because your reaction is what you can control and have power over.

Rachel Smythe finished LO in spite of what wackjobs like me said (and still say) about her and she has power in that perseverance, power that wackjobs like me cannot and *should* not try to take away from her.

mongie decided Webtoons was not suited for her work and vision and decided to put the comic on hiatus until she could get her distribution rights back and continue Let's Play on another platform. She has power in that decision and integrity, power that Webtoons cannot take away from her.

Whether or not you like my work, whatever opinion you have of it that you're entitled to, I have power in knowing that I started a project that I now love dearly and can take pride in, and has brought closure to people like me who were left disappointed by LO. I have power in that stubbornness and refusal to let other people determine what I'm capable of.

Even if you remove the external influence of the audience from the picture, we all have power as creators that we need to harness and take ownership in.

By going nuclear and spoiling her comic for her audience and ending it entirely, Hanza may have gotten the short term satisfaction of turning the school bus around to go back home, but she still disrespected herself and robbed herself of her own power as a creator which will ultimately stick with her far more than it will the harassers who will inevitably move on to some other target and forget she even existed. And that's a decision that she has to live with.

The harassers got under Hanza's skin and gave her more than enough reason to feel frustrated. But they did not choose to spoil and end the comic. She did. And she is ultimately the only one who will have to live with the consequences of that.

I do hope she's okay and that she's getting the time and space she needs to heal from this. If this truly is the outcome that she feels gives her the most power and the ends justified the means for her, I hope she found strength in it, regardless of the opinions of people like myself that ultimately should not matter to her. I hope the people harassing her get what's coming for them whether it be actually getting called out or just the universe delivering karmic retribution on them. I hope Hanza can find joy and peace again either in TGU or whatever project she pursues next. But most importantly, I hope she finds the confidence and power she needs to stick to her guns and create what she wants to create, unapologetically.

"Growing thicker skin" doesn't mean we as creators have to be comfortable with abuse - it just means we need to do ourselves the honor and favor of making decisions that give ourselves power rather than giving it away to the abusers who do not have to live our lives at the end of it all.

And that is my very big bag of cents on that.

[caligvlasaqvarivm]

Just read your eridan essay. I left a lot of words in the tags (sorry about that btw. I'm @kitkat-not-karkat, those were my tags) and I just. Holy fucking shit man.

THANK YOU FOR PUTTING IT INTO WORDS. Like. Genuinely. Thank you.

That said, do you have any ideas on why Eridan might specifically flirt as a sort of default response sometimes? (I really hope I'm not misremembering that, the fandom bastardizes the poor guy to be Cronus 2.0-)

I have my own personal speculation here, but I'd love to see your take on it!

I think it's a few things all working in tandem, and I think you definitely nailed at least most of it! I do agree that a huge part of his fixation on romance is the fact that a romantic partner is "supposed" to stick around, and Eridan is simply desperate for attention and friendship.

There are a lot of people who idealize relationships and believe that they're the "fix" or "solution" to their emotional problems, and Eridan's obsession with blackrom in particular (where the caligulas part of his trolltag comes from) definitely has shades of that. A kismesistude is an outlet for violent urges, as well as a romantic interest who ideally doesn't ghost you or leave you alone (cough Vriska cough), and one of the two concupiscent quadrants that needs to be filled so you don't get culled.

An interesting thing is constantly being implied within the comic, which is that moirallegiance is actually kind of the most important quadrant for trolls, but their culture has de-emphasized it in favor of the two breeding-related quads. After all, since adult trolls don't have to raise their own young, what Karkat calls "mating fondness" is biologically much less imperative to their species compared to the quadrant that keeps volatile trolls from going berserk and killing people.

Moirallegiance is always treated with a sort of mysticism - it's called "magical" by the narration in relation to Kanaya and Vriska's moirallegiance while that's still extant, it's the only quadrant described as "soul mates," and in contrast to "mating fondness," Karkat mentions the "mystical forces governing moirallegiance." Moirails - Equius and Nepeta being confirmed, but I genuinely believe that that's what Feferi and Sollux would have resolved to in that hypothetical golden ending - are also the quad that spends the most time together, rather than the two concupiscents. The initial description of the pale quadrant even outright says that the attraction is "instinctive." There's something magical and destiny-laden in a moirallegiance that just isn't there to the same extent in the other three quads.

But in Alternian society, kindness, guilt, and the other kinds of things you'd share with a moirail are considered weakness, especially for highbloods. When Feferi is breaking up with him, Eridan flips out the hardest at the implication that she felt the need to take care of him, insisting that he was perfectly fine. I think this is the reason, in addition to the painful breakup, that Eridan never pursues pale relationships, even though a moirail is what he desperately needs. Instead, he pursues the much more societally acceptible pitch quadrant, which can serve a similar purpose of discharging some of his pent-up aggression.

Moreover, his flirting isn't nearly as relentless as people think it is, although he IS both really stubborn AND really socially inept, which makes it difficult both to get a "no" through his brain, AND to make it stick. Another part of it is that he's operating at very little self-awareness, which means he'll often be doing something without consciously realizing it. Also, he's desperate as hell, and has basically no ability to differentiate good and bad attention. This leads to a pretty messy cocktail that basically means:

He'll hit on anyone at least once (desperation), with the exception of people it would be really weird to hit on, for example, their dancestors, who are way older than them.

If a rejection is not made excruciatingly clear, he probably won't register it as a rejection (dumbassery).

Nearly any attention he gets might be misinterpreted as flirting, even after a rejection is made (desperation, also, can't differentiate between good and bad attention).

Even after a rejection is made and he logically understands it and outright says he respects it, he might still act in a flirtatious way unconsciously (zero self awareness).

Because he will hit on anyone at least once, and is constantly making things weird and leaping to "romance?" even when there's no flirtatious intent, people kind of assume he's always hitting on them, even when he isn't.

His emotions always running at a fever pitch, and the lack of self-awareness he cultivates in order to help deal with his horrible cognitive dissonance, mean that even HE'S not sure about his real feelings. He's always feeling SOMETHING very, very intensely (it's the trauma and anxiety), which he mistakes for true caliginous hatred, or fevered flushed intent. Unlike Cronus, who's basically just trying to get some action, Eridan genuinely feels something for people, and his extreme lack of emotional intelligence means he has no idea how to parse his own tempestuous emotions. He always leaps to feverish concupiscent attraction because that's just how intense his emotions run at any given moment.

#4 is happening to Feferi and Sollux, IMO, while Rose never properly rejected him, so he still thinks they have a chance, and the same happened with Vriska when she started ghosting him post-kismesistude. #5 can be seen in his last memo with Karkat, where Karkat starts to wonder if past!Eridan was redflirting with him by inviting him to LOWAA, even as Eridan himself has no idea what the fuck Karkat is talking about.

Thing is, he DOES actually accept rejections once he gets them through his thick skull, which sets him apart from Cronus, who gets rejected, knows it, and keeps going. It's just... Eridan's messy. His emotions are all over the place, and too big for his stupid body, so he's always making things weird and intense.

I blame his lusus, personally. In a previous post, I talk about how a huge factor in his inability to identify negative attention is because he's basically being emotionally neglected. This has also led to his desperation for attention in general. When combined with the trauma from all the murdering and the pressure society puts on him to fit into a certain mold, it leads to some pretty explosive emotional ourbursts, of which his intense, insistent, and downright uncomfortable flirting is a major facet, but also, only a facet.

[tanix-dragon]

To Be the Dragon: Living as Tanix lei Dramon ak Hyuukii

For many years now (about 6!), I've been in the alterhuman community, thinking about how I want to write about my dragon kintype. I’ve never written much, though, despite being fairly comfortable doing so. This isn’t out of lack of things to talk about—it’s more because I have such a basic run-of-the-mill spiritual dragon kintype (in my mind) that I wasn’t sure that writing about it would do anything for anyone. Besides, it’s all so normal to me. It’s hard to write about your life when it feels so utterly mundane that to pick each piece out of it feels ridiculous. I have a dozen concepts for essays in my Tumblr drafts, but in the end, I’ve just decided to write something big. I’m going to go through it all, all I can think of, because I don’t know if I can pull it apart enough to write about each piece separately. It’s all so intertwined that it’s just easier to write a big one.

Strap in. This is going to take awhile. I’m a wordy bastard and despite how little I actually go into it, I do know a lot about this kintype.

Awakening

This is where most people start, and I’m sorry to disappoint; this is a short one. When I was a kid, I loved dinosaurs, and when I discovered dragons, and I mean really discovered them, realized how cool they are, I felt some kind of deep resonance. As a kid, I figured that it was just because they were the coolest thing of all time. In reality, this awakened phantom limbs (I think? Or just strengthened them. I don’t really remember very well; “I” as I’m known didn’t quite exist at the time, system stuff, you understand) and set me on a path of self-discovery and overwhelming draconity. I was known as the “crazy dragon kid” at school, even for years after I stopped talking about them, and I’ve always been very recognizable, even at a distance, even for people that barely know me, because I “move differently.” A friend once told me that I move like someone put a lizard or a bird in a human’s body, that I have a dragon’s walk cycle, that I have the wrong animation set for my skeleton. That was a very nice thing to be told.

I don’t know. I spent a lot of years with constant phantom limbs and sort of figured that they were normal, more or less? I didn’t think about them. They were just a part of me. Only once I tripped over a dragonkin’s blog completely accidentally in early 2018 did I start putting pieces together, and then it hit me like lightning: oh. I’m a dragon. I’m actually a dragon. And I’m not alone. I started my Tumblr kin blog and that was that. No questioning, no kinsidering, no “am I really?”--I had known that the thing was dragon, but I hadn’t known how it applied to me, and the second I did, I knew it was right. I am a dragon, and that was that.

I’d wondered off and on for a while if someone could have a past life as a dragon, but had never mentioned it to anyone (at least as far as I remember), because I was worried about the response I’d get. Once I realized that I was otherkin, though, I embraced that wholeheartedly: I had been a dragon, and that had rolled over so powerfully that I still am a dragon. It fits, and I love it.

What’s it like?

“What’s it like being a dragon?” my non-kin friends ask me sometimes. It’s kind of almost exactly the same as being not a dragon, except my mental image of myself is a big blue dragon instead of a human. Chronic pain flaring up? Dragon curled up and complaining about it. OCD lashing out? Dragon resting head against the wall with shut eyes and half-bared teeth. Someone annoying me? Dragon with exposed teeth and fangs all puffed up to try to make them back down.

My dragon body maps onto my human body to produce feeling like an anthro dragon most of the time, even though my dragonself isn’t even bipedal. It’s the happy medium my brain can settle on between what I feel I should be and my physical reality, although, again, mentally, most of the time when I imagine myself, I’m as I should be. In headspace where my headmates can see me, I’m quadrupedal unless I’m doing something that requires me to be bipedal. (Our headspace is pretty flexible, don’t worry about it.) All of this evens out to me moving kind of oddly—toss in how stiff and sore I am all the time (it’s some kind of unknown but disabling condition, hooray), and you get someone who moves very oddly. I turn my head like there’s significantly more weight to it than there should be, I visibly squeeze through spaces that are plenty big enough for me as if trying to accommodate great wings, I walk with a slight adjustment to my hips to compensate for a heavy tail, and I lift my shoulders to flare or gesture with my wings. I have slight head movements that correspond to how I move my ear fins, expressions that call for me to bare my teeth, gestures that only make sense with wings, tail, and claws, and a dozen other little things I probably don’t even notice that I do.

I don’t get a lot of species dysphoria anymore. I’d prefer to be able to switch in and out of dragon form (ideally with that anthro dragon that my brain has invented for me as an option too! I do love it as a middle ground), but I can make do as-is. I spent untold centuries as a dragon, I can handle some decades as a human. I’m here now, and I have a different life to live, and frankly, I love humans. I love the things they do, the cultures they have, the things they make, the ways they act, and I feel really lucky that I get to be in one of those human cultures and witness others. I have a minor in anthropology—I promise I’m not about to become a misanthrope anytime soon. I believe that humans are inherently creatures like any other, and can be driven to great good or great evil. I don’t believe that’s a reason to hate them, and besides, some part of me identifies as human as well as my kintypes. Not everyone does, but I do, and it’s comfortable for me.

I do have a few draconic instincts I have to juggle, but none are terribly maladaptive or troublesome. I know exactly how to breathe fire and want to when angry or struggling to keep a fire going in winter, and I know that there’s something in my chest and something else in my throat that are missing, structures that allow firebreathing, but I have phantoms and can mimic it okay, so I can huff and puff and burn nothing down. I have a prey drive that kicks in hard watching squirrels or, worse, rabbits out of my window, but I don’t ever actually chase anything (not that my slow ass could catch anything even if I did). I want to sharpen my claws, curl up in the sun, growl and threat-display with my wings (and do flare my phantoms when I’m in the car and another vehicle does something I don’t like), and a bunch of other small things I can’t think of right now. Again, it doesn’t bother me—it’s just affirmations of my draconity, and most are subtle enough that I can do them in front of people and they don’t notice, or, if they do, they don’t think much of it. 

What’s it like? What a question. What else do I say? Sometimes my chronic back pain reaches into my rhomboid muscles, which is where my phantom wings connect, so it registers as wing pain, I guess. That doesn’t usually happen, but it can. I walk on my toes a lot because I naturally want to move digitigrade. Shocker, I know. I don’t know—what’s it like being a dragon? What’s it like being human, or anything else? What’s it like to be who and what you are?

The Dragon Driik’lor

Tanix lei Dramon ak Hyuukii. Tanix of Fire and Breath. What a name—and one I have known parts of for a long, long time. As a kid, I’d sign off messages and emails as Tanadin of Fire and Air. When choosing a name for myself when I came out as trans (Tanix), I knew that I wanted something with the nickname ‘Tan’ still, derived originally from my username “Tanadin,” because it felt right. Was my name truly Tanix? I don’t know. It feels right, or at least, right enough. I swapped out “air” for “breath” because Tanix lei Dramon ak Voron didn’t feel as right. I guess the question is—who is, or was, this Tanix, and what language is that?

(I'll occasionally be referring to my dragonself as Tanix and myself as… me, I guess. I know, I’m sorry, that’s confusing, but that’s driiv name as far as I know, and calling driik anything else feels weird.)

Tanix lei Dramon ak Hyuukii was a mature adult dragon of a sapient and extremely intelligent species with its own language. My noemata have provided me with pieces of this language—individual words and ideas on its structure, some suffixes, some sounds and pieces of what a sentence should sound like. A few letters, even, for the written version. For the past fourteen or so years, I have worked on uncovering as much of this language (that, as a kid, I called Dranonic, and I haven’t changed that) as I can, and have made up much of the rest. I will never reconstruct an entire language from noemata alone, and I know that, so I just do what doesn’t feel wrong and change things if I get an inkling that I’m off somewhere.

Tanix’s species had some extremely complex social rules and dances that driit largely didn’t do much with. Dragons could be either solitary or live in clans, and driit was pretty solitary. Driit was also fucking annoying. Sorry, but it’s true—Tanix lei Dramon ak Hyuukii was a pretentious, self-centered, prideful, overconfident bastard that had other dragons going “oh gods here comes Tanix again, just smile and wave.” Driit was a bulky, powerful, physically imposing dragon, and driit knew it. (In this human life, my family is actually fairly dense and stout despite being quite tall, so that’s free species euphoria.) As far as I can tell, given driiv five horns and larger stature, driit was female. (I talk about horn count and dragon gender more in my essay Counting Horns and Making Assumptions, or, Draconic Age and Gender, if you’re interested.) However, pronouns in Dranonic are based on age category, not gender, so the fact that Tanix and driiv mate have different pronouns is because of a difference in age, not gender.

Oh, Selkhenar. Selkhenar of the Darkened Swamp. I wish I knew more about you. Muut seems to be the only dragon that Tanix wasn’t a huge bitch to—and let me tell you something. Driit was vain as fuck. My dragon instincts know what driit did and did not find attractive in a dragon, and Selkhenar was considered, in that society, to be a kind of dumpy little green and black swamp beast with a weirdly long face, short ass legs, and kind of weird proportions.

And driit loved muut more than anything. Every time I think about Selkhenar, I get holdover fuzzies and butterflies from my time as the dragon the first go-around, and man, driit was gone for this swamp dragon. I have flashes of memory of much more impressive-looking dragons trying to woo driik and getting passed up, but accidentally tripping over Selkhenar in the swamp just beyond the edge of driiv territory was apparently what driik needed.

They had at least one clutch of eggs together. I remember guarding them ferociously, even growling at Selkhenar once before recognizing muuk. I remember them hatching into the cutest little whelplings of all time, and I remember them being a mix of blue and green and red and black. I remember teaching them to fly, throwing them over the ledge outside of the cave and off the cliff. Selkhenar was below, ready to catch if they didn’t figure it out, but still, uh, not the strategy I would recommend, necessarily. I remember hunting for them, both land animals and skimming the lake outside of our cave, down in the evergreens at the base of the mountain, for fish, even though… Selkhenar was a water dragon and therefore better suited to fishing…. I think it was a pride thing. Tanix was a ferociously prideful dragon and I suspect driit was like NO, MY LOVE, I WILL HUNT FOR YOU, YOU TINY THING… YOU GUARD THE BABIES WHILE I PROVIDE FOR YOU…. and then proceeded to accidentally driik’lor (Dranonic for him/her/themself) into the water. Repeatedly. Over and over. I have very firm noemata of hunting fish, eating fish, and fucking up while hunting fish and fouling my wings and falling into the lake. I was an okay swimmer and was mostly just glad that no one saw, but like… come on. Let the swamp dragon do it. I mean, I’m sure muut did, but I don’t have memories of that.

What’d This Dragon Look Like, Anyway?

Good question! That’s something I have the firmest grasp on. I’ve been drawing this dragon for as long as I’ve been super aware of dragons, and driit has been through a lot of iterations, but I think I’m very close.

Tanix lei Dramon ak Hyuukii was approximately fifty feet long from nose to tailtip. Driit was a deep, intense blue (take a peek at any art I’ve ever done of driik/myself) with bright red stripes along driiv midline—basically, along the spine, down the tail, and along the face. The stripes also appeared on driiv legs and maybe wings, but I’m not sure about that one. Driit had five horns that were either darker blue or slightly purple that curved slightly back and were slightly offset from one another, with each set being slightly smaller than the last and a bit further back, with the single horn being the smallest and furthest back. Driit also had a single nose spike that matched the horns. Driit had big (kind of disproportionately big) ear fins, a more recent discovery of mine and out of date on most of my art, used for communication and showing of mood, mostly. Driiv “hands” had three fingers and a thumb, driiv back feet had three toes and a dewclaw, and driiv wings had four “fingers” with membrane stretched between them and a fifth “finger” that seemed to serve little to no purpose. This wing membrane connected pretty low down on the body (near or on the tail), providing a large area for lift. I believe this membrane was a lighter color than the scales around it, and I have the distinct feeling that I could flush blood into it to make it change color—red, I think? Maybe it was just some markings that could appear. I’m not sure.

Along driiv back were spikes or spines, of a similar color to the horns, lined up perfectly with the stripes. I know that driit had some kind of dangerous weapon on the dip of driiv tail, and I know that this thing had three sharp points, but its exact shape and color, I’m less sure on. I know that the tail itself was fairly flexible, especially near the tip, but was most assuredly a powerful weapon when needed. Driiv belly was lightly plated, providing protection for the vital organs. Driit also, of course, had sharp teeth and a forked tongue, although two of driiv teeth were elongated and poked slightly out of the mouth when shut, which I tend to call driiv fangs.

The Binding

Back in August of 2023, I tripped over an image that made dragonbrain click on and triggered a fear response as well as a flood of noemata. The post I wrote at the time of that discovery is here, but I’ll write it out in a more comprehensible format, both for your convenience and so that I have a more organized version in general.

Some kind of humanoid species (not humans) on my planet found and trapped me when I was quite young, and dragged me to a structure not dissimilar to the image I found, not far from or in one of their cities. My limbs and jaws were chained so that I couldn’t fight or escape, and I so clearly remember feeling my claws and scales scrape over that rough, coarse stone, and the sound of the chains dragging across it. Some of the humanoids rode other dragons, who were clearly enslaved and, in many ways, broken. They had no choice but to obey, or face punishment. Their eyes were dull and they passed over me without registering me, because to acknowledge that such a young dragon was facing their same fate was, I imagine, too painful.

For the record, I was so young that I thought I might be able to carry one of these humanoids, maybe, and not all of my red markings had come in yet. I was very young.

For some reason or another—maybe I was misbehaving, maybe this was protocol with all new dragons, I don’t know—they dragged me to a dungeon underneath a great arena where they made some dragons that they figured they could never turn into mounts fight for their amusement. I was chained up down there, fairly tightly, barely fed and barely able to move. There were a couple of other dragons down there with me, in the dark and the damp, curled up on those horrible stone bricks just like I was. I could barely see them, it was so dark, but they could see me, their eyes more adjusted due to years or decades down here.

My primary companion was a dull red dragon, an adult male, as far as I can figure. I don’t remember muuv name, but it started with an Ez- or an El- with a z in there somewhere, and ended in -iel or something along those lines. Elaziel, Ezkhaliel, Ezkerial, Elzariel? I don’t remember. I wish I did. I remember muut being as reassuring as muut could be, trying to do muuv best for this poor scared youngling. Muut was beaten and broken but incapable of either fighting or being a mount—one or more of muuv limbs were gone or broken and healed incorrectly. Muut couldn’t fly and I think muut struggled to walk. I don’t know why the humanoids kept muut alive, but I do know that I reinvigorated muuk, and muut decided to do whatever muut could to get me out.

I don’t remember what happened, really. All I know is that, at some point, there was an escape, and multiple dragons made it out, or at least tried to. I remember the red dragon shouting “Mor anor axid, mor anor axid! Mor anor axid veran!”, which is Dranonic for “Let them fly, let them fly! Let them fly away!” with “anor” being distinctly plural—you would never call a single dragon “anor,” indicating that there were multiple dragons trying to get away. I know muut wasn’t among them—muut would never make it out, and I’m sure that the humanoids killed him after. I never looked back. I never saw.

I know that there was a light green dragon involved in all that, a female, I think. Muut was chained down there with myself and the red dragon, and maybe others. Maybe muut was the other one in “anor.” I don’t know. I don’t remember much about muut.

I do remember part of the escape—the red dragon’s shouted pleas, the hesitation of the dragon mounts, the sting of the dragonbone arrows fired from the humanoids that pierced my scales (because of course they harvested the bodies of their spent slaves, why wouldn’t they, the bastards), the screaming of my underused wing muscles as I tore out of that place and never looked back, not once.

I never returned. Not even as an adult, not even once my fifth horn came in. I flew far, far away, and never drew closer again. I never wanted to see that place, never wanted to fear it, never wanted to risk it. My two fears as a dragon were that place and the ocean, and the second, I feel, had some kind of horrible dragon-slaughtering beast in it that was a long, instinctive, genetic terror. That horrible place beat it out by miles.

A Couple Other Memories

I remember other things, too, not just that whole… sequence, or what I talked about before. I know that there were some kind of “dragon mimics” out there, some kind of insectoid things that looked like dragons at a distance but revealed what they were close up. They’d either do displays intended to anger a dragon and draw them close, or courtship displays to interest a dragon. Either way, once a dragon was close enough for the mimic to strike, it was too late. A lot of insectoid dragon designs set off my dragonbrain’s “mimic alarm,” and it’s kind of interesting to play with and see what triggers it and what doesn’t. I’m sure I had personal experience with them—I have too clear of a mental image of one trying to lure me in for anything else—but I don’t know the specifics.

One of the memories that I’ve had, crystal clear, for a long time, is my death. I was falling from a great height, wings too damaged to hold me, uselessly streaming behind me as I fell. Selkhenar flew down with me in a panic, knowing muut could never catch me (I was far bigger than muuk), trying to talk me into getting my wings sorted out and at least slowing my fall or something. I remember there being wounds all over me—I’d been losing some great, horrible battle—and peering at Selkhenar, thinking it was very sweet of muuk to be so worried about me but I was clearly lost, muut needed to get out of here—and then a sharp pain at the base of my skull, where it connects to my spine, and nothing. I feel like it was some sort of projectile, well-aimed, that took me out instantly.

I’m still afraid of heights without my wings.

Wrap-Up

There’s more, I’m sure. More specific essays that I feel like I can write now that I’ve gotten most of it down. I could write an essay on draconic courtship, or what little I know of rearing offspring, or whatever else comes to mind. For now, though—that’s most of it. That’s The Everything. I’ve been meaning to put this together for a long time, and now I have, and I hope it’s helpful to someone—either in understanding me, or in understanding yourself. I know that, when you’re questioning something, reading about someone else’s experiences helps a lot. I’ve never felt like talking about my dragon kintype was ever going to be terribly helpful in that regard—after all, there’s a dozen other similar essays out there—but I decided, well, it’s not for other people. It’s for me. And no one’s written four thousand words detailing my kintype before.

That’s the thing about writing like this. It’s for you, and if it helps someone else, that’s just a bonus. Write what will help you, what will let you figure yourself out and document it so that, if it changes, you can pinpoint when that was and track your own growth and change. I wonder what, in a few years, will be inaccurate in this essay? I wonder what I will add, what I will change, in a theoretical future version?

I guess we’ll find out together. Thanks for reading.

[coolingrosa]

Honestly about nightmare....it upset me quite a bit how he just didn't at all understand why Killer was acting out like this. It felt so obvious? Like with Dust showing up and Killer acting out in response to it....Unless this is a common occurrence? I am really wondering what nightmare thought about this, if he even tried to read Killer and his behaviour or perhaps ask Dust about the relationship between the two. Did he just not think anything about it? Just assume "oh its a kid throwing a tantrum, it'll pass"? Man i'd rly like to know it from his perspective. Maybe he is used to ppl throwing tantrums, considering I am pretty sure error flips out a lot too. I guess the problem hereby lies with the fact error is an immortal and an adult and killer,.,,is not. and nightmare just simple doesn't distinguish the two properly.

But honestly I think nightmare should have known better than to snap at Killer ToT..... I believe that him snapping did ultimately the most damage, error just kinda added a bit more salt to it to be put it simple. After all Killer favoured Nightmare obviously a lot more than Error, he was like a parent figure for him basically. So Nightmare snapping would mean a lot more than what Error says. I don't like how error told Killer that advice though, he basically just told him to "suck it up", in the pretense of "caring" for nightmare and not wanting to see him upset. It feels wrong to say that error cares though, because of how he is STILL stuck in the past. It almost feels like he is talking and giving advice to Killer more for himself than for nightmares sake.

Both error and nightmare are so inexperienced with mortals and so fucking mentally fucked up themselves, I doubt they will act any different unless someone who is a mortal corrects them...And I honestly thought Dust would do it? At one point it felt like he knew why Killer did it, but then it felt like he did not?

ultimate question however: how will nightmare react to Killers change? I wonder if alarm bells will ring or if he will just think that Killers "phase" finally passed. And I fear it'll be the latter.... So sorry for the long ass essay, I have SO many questions AND IT IS SO HARD TO TELL WHAT IS GOING TO HAPPEN AND HOW THIS MESS OF A MAKE-SHIFT FAMILY IS GOING TO DEVELOPE.....

You’re analysis is so wonderful and definitely the mixed emotions I wanted to give. Especially since good and evil doesn’t exist in Roseverse, just people and their actions. A lot of my YouTube and tiktok dragged on Dream solely for a while due to the limited knowledge, so chapter four was a big drop as it showed just how out of depth and horrible Nightmare and Error could be as well. I’m gonna try to answer each part of this the best I can without revealing too much!

1. Nightmare is used to Killer acting out, which happened a lot in the pilot, so he doesn’t put two and two together that these moments are connected- especially since Killer has never been put in a situation around him to show that he ALSO has jealousy issues as well as self esteem issues. For a while it was just them and sometimes Error in the castle, which Killer never showed an act of jealously towards- only distrust.

2. Nightmare’s perspective won’t be shown a lot in the next Bad Sanses chapter unfortunately, so I’ll try my best to explain his reasoning here. Don’t take it as a defense. I may explain characters and their actions, but at the end of the day, Nightmare is a adult and has a responsibility.

Nightmare’s main flaw (and I can now finally state this) is that he doesn’t care for people who are not under his radar. Saying he doesn’t know much about negative emotions is redundant, but his abilities to help with them have long since faded ever since the loss of Ink. Killer clearly is the product of a teenager with intense mental health issues, and Nightmare never got to see Ink as a bratty teenager. Killer is the only example around him and so he quite frankly sucks at it and sees his outbursts as…well…tantrums. He can’t fully see Killer for what he is and constantly sees him as a child due to his own age, and that belittling makes Killer’s emotions and rightful feelings come across as childish to Nightmare.

The mention of Error is also correct. Nightmare is used to emotional and violent outbursts since he was thirteen- especially from those close to him. Error and Nightmare as children weren’t healthy and Error was an abusive friend. I will always state that. However, though Error improved his ways, Nightmare never fully blamed him for such things and therefore never saw anything wrong with the people he loved lashing out and being hurtful. It’s normal for him- and also not smth to be addressed in his eyes. However, Killer is a child and as the adult, Nightmare has a responsibility to step in and correct his behavior with disciplinary action rather than passiveness. But, of course, he doesn’t until he finally snaps

3. Yeahhh I will say what Error told Killer didn’t bother him too much until he made the comment about Dust. Killer is far too use to the verbal abuse Error shoots at him that it rolled off of him and he was more annoyed Error was still in the room. Error and Killer just aren’t and will never be close enough for their fights to leave any impact. Nightmare, though? After finding out truly what Nightmare is capable of and then being told that? Oh, yeah, Killer is crushed.

4. This was one of the few times Error tried to actually help in his own way. Error doesn’t word himself well, even when being vulnerable. He hoped Killer would understand it as “there’s no need to lash out as ur already here and cared for. So just stop hating urself and others and finally feel secure. “ Was it not so great advice and easy to be misunderstood from what he actually meant? Yea. Did he just COMPLETELY miss the mark on mental health and the struggles of slowly getting over the fear of abandonment and the steps it takes to FEEL that security? YEAH LMAO. But Killer definitely misunderstood him as well. And Error also misunderstood something about Dust as well. I’ll expand more on that in my last point.

5. Dust may be smart, but he can’t put together a case without solid evidence and explanation and due to him not being there from the start, he doesn’t truly understand why Killer is acting like he is. He knows it has something to do with Nightmare, but what that actually is? He can’t know. I believe this won’t be a shock, but Dust does think Killer was being abused by Nightmare and therefore becomes like a guard dog. When Killer jumps him, that ideas gets thrown out the window and Dust is left utterly confused on the motives. He doesn’t hate him, though. He’s just confused, and hurt.

6. And unfortunately, Dust isn’t empathetic enough to be the one to truly understand things. Wonder who will be, though…

7. I cant say too much as that’s a chapter seven thing, but I will say it’s where Gus the immortal frog comes in (Killer’s pet) and given by Nightmare. I’m sure you can put two and two together as to why Nightmare, who is clueless about everything teenager related, is stooping to giving the apathetic Killer a pet 😭

8. Almost forgot this part but Killer is an unreliable narrator. He will always be, and the next bad Sanses chapter will see that, as it won’t be in his perspective solely. Everything he sees and thinks is unreliable. For example, when they reach the au and Dust is slowly blinking at him while Killer demands to know why he came too, Killer takes it as a threat. What if Dust actually doing? Blinking at him like he’s a angry cat bc Dust doesn’t understand emotions and defeats to animal behaviors to help soothe this teenager LMAO

[faebaex]

author note: woohoo assignments are finished so i can write again! also my first Riddle fic! i found his character quite endearing recently, i don't know why. i wanted to pair him with a more carefree, chaotic reader who'll help loosen him up since his overblot. so have some Riddle who still takes himself a little too seriously, who also doesn't understand his feelings (*≧ω≦*) i think its cute!

characters: Riddle Rosehearts x GN!Reader

"Off with your head!!"

The familiar sound of clanging metal resounded through the air before you felt a heavy weight settle around your neck. You ran a finger along the cool metal lock as your Housewarden glared at you, cheeks red with anger.

A small laugh bubbled from your chest before you gave Riddle a huge, glee filled grin. "Thanks, Housewarden! I've always liked how the collar goes with my uniform!" With that, you spun on your heel and walked off with a skip in your step, leaving Riddle sputtering behind you.

"Y-y/n get back here! I expect a 3000 word apology essay and--"

Your good natured laugh was the only response he received, sending his face redder and redder.

Ever since his overblot incident, Riddle had been trying his best to change his ways. He tried his best to not react so violently when rules were broken, to keep cool headed when things sprung out from his control. To his credit, he had been doing quite well. Sure, he wasn't perfect, but he was able to overlook small rule breaks, and was getting better at approaching slightly more serious rule breaking offences with more composure. But there was one exception.

You.

Riddle believed you had some uncanny ability to get under his skin. At one point he even theorised that it was your unique magic. All Riddle knew was that every time he saw your carefree smile, his cheeks would flush and his stomach would twist and turn into knots.

He chalked it up to anxiety you caused him with your antics. Yes, that must be it. That was the reason that his palms would sweat every time you approached him, why his throat would tighten every time you gave him an excuse for your behaviour, why his cheeks would suddenly heat up every time he saw your cute, little smile--

Riddle startled as that rogue thought popped in his head, feeling blood rush to his cheeks at the subconscious omission. He shook his head fiercely, as if that would chase away his illicit thought. Where did that come from? Whatever, it mattered not. He was your Housewarden, and as a student of his dorm he would bring you into order.

It had been a week since he had collared you and tasked you with an apology essay, yet he had not received it. Clearly you intended to continue your unruly behaviour, and he would nip this in the bud before your actions encouraged your impressionable freshmen friends.

It did not take Riddle long to track you down. He found you in the Heartslabyul lounge, sitting on the floor with papers fanned out around you. Riddle cringed at the sight, even if you weren't breaking one of the Queen of Hearts' rules, you were certainly breaking basic dorm rules of keeping areas clean and tidy.

"Y/N."

You looked over your shoulder, a smile blooming across your face at the sight of your Housewarden standing over you. You dropped the papers in your hand, swiveling on the tile so your back was no longer to him. "Hello Housewarden! How are you today?"

"Ahem. You owe me an apology essay, Y/N. Why haven't I received it yet? May I also remind you that such mess is not permitted in the lounge area." Despite his cold response, your smile didn't shift and you reached behind you blindly, grabbing hold of the papers you were previously holding.

"Oh! I was just sorting all of my homework into order by deadline. Because I haven't been able to use magic in class, I've been assigned extra homework so I don't fall behind..." you explained, having the decency to look a bit sheepish before your smile suddenly turned a tad cheeky, "since you didn't give me an official deadline, it hasn't been a priority. Sorry!"

Riddle's previous severe expression morphed into shock. You had actually attended classes, even with the handicap of the collar? He had half assumed you'd follow Ace's lead and skip your classes in hopes of getting your collar off quicker some other way.

"See, I didn't forget!" Your voice interrupted his thoughts as you waved a piece of A4 paper, which indeed was titled "apology essay to Riddle". Riddle's eyes slid past your face to the papers in your hands, and the further papers scattered around you.

"... I'm impressed you still endeavored to attend classes," You beamed a smile at him and his cheeks flushed, "h-however, I am not willing to wait much longer for you essay. In consideration of your circumstances..." Riddle paused, his traitorous cheeks flushing further as you looked up at him with hopeful eyes, "I-i will give you one more week. By the end of that weekend, I expect your essay in my hands."

If your smile was bright before, it was absolutely dazzling now. Riddle cleared his throat and started to step backwards, planning his retreat before his thoughts betrayed him again and he risked embarrassing himself. "Of course, I trust you will manage your time effectively to ensure all homework is completed on time."

"Thank you, Housewarden! And don't worry, that's what caffeine is for!"

Riddle's step faltered and he felt affronted, quickly whipping his head around to scold you, "Do not forget that rule 153 states that only herbal tea may be drank in the evenings!" Your carefree giggle floated through the air and you sent a wink his way, and Riddle felt his ears burn. How did you manage to make him feel this way with such simple gestures? It was maddening. He quickly stormed out of the lounge before he embarrassed himself any further.

You had been working through most of the nights since your conversation with Riddle in the lounge, trying to get through your mounds of homework. Ace mocked you and Deuce sympathised, but you didn't mind so much. Sure, you didn't have any free time and you were barely getting any sleep, but you'd rather not deal with a detention from Trein, or worse - Crewel.

You had decided to set your workspace up in the library today, knowing you'd be able to get through a fair bit of your work as Ace wouldn't follow you in here, and Deuce had club activities. But there was one thing you didn't expect...

With the library being so warm, and so quiet, you weren't expecting to get so comfortable. You were fighting against your drooping eyes, constantly having to restart the line you were reading when you realised you hadn't been paying attention at all.

... Perhaps it wouldn't be so bad if you took a nap. Just a little nap. Like, five minutes... Before you had even finished fully convincing yourself, you had already pushed your book back and rested your head on your arm. Yeah... You'll just rest your eyes for five minutes...

As you slept peacefully, way over the five minutes you had allotted yourself, you were completely oblivious to the person who stopped beside you and the sigh that fell from their lips. Your exhaustion played its part, as you didn't wake at the soft sound of shuffling, and didn't even twitch as a school blazer was gently laid over your sleeping form, simply cuddling into its warmth, much to the fluster of the one who laid it upon you...

[remusawoooo]

anon here, excited to read the essay! i asked you because i really like your takes and i see people in the more canon-adjacent parts of the marauders fanbase to complain about the extremes of the fanon one, though personally ive never really seen anything Too extreme, tho thats probably just tantamount to how well i curate my spaces i suppose (ive seen people say that fanon makes remus really “alpha” or makes sirius “bimbofied” and while ive seen hints of those extremes here and there, mostly it looks like it varies from person to person. ive just seen remus be more assertive than he probably is in canon, or sirius being more dramatic and “fem” than he probably is in canon). from what i know people like exaggerating events (the prank, etc.) or shifting some personality traits, but i dont really think thats a bad thing - i personally enjoy it. as long as they dont completely turn characters into stereotypes (though its a pitfall of every fandom, i fear), then whatever its just camp.

people are allowed to criticize stuff like that though, not taking that away from anyone, i personally just dont really care enough to be totally accurate esp since this hyperfix is kind of the bottom of the barrel for me LMAO. but i ask mostly bc im just curious to see what other peoples opinions are, and bc i think - especially in a fanbase like this - that its incredibly important to be at least a little critical with your media experience and reflect on it. saying “oh fuck canon we’re just having fun” is fine and all, i dont think anyone is stopping you, i think the personalities people have made up for characters that have zero screen time are super fun and the little ships are not everyones tea but like its fine. but even still, people should be way more aware of what characters theyre dealing with and from what franchise, and like reflect on any biases you may have. if youre making shit up for a random DE character, or retconning some sutff, okay, whatever, but be sure to not defend or like suddenly turn to really weird rhetoric. idk i think its the bare minimum in a fanbase like this

i definitely rambled way too much here, super sorry op! i hope this doesnt bother you, feel free to reply or feel free to not. i just really like hearing peoples thoughts on things, and i like your takes and your blog so i hope i didnt catch you by surprise. i really am just an outsider trying to look in LOL

hello anon, I'm sorry I lost your ask. I was writing on my laptop and saved the draft (but apparently had to press on alt, and didn't do it) so I basically lost your question and half of my initial response. Ty for sending in another ask!! Not a bother at all, i find this very lovely :D 

I was mortified to find that someone who isn't really a part of the fandom was perceiving me while I was complaining about fictional characters ahahaha. still, thank you for validating me and asking my thoughts on the mischaracterization of marauders!! I do talk about it daily, unfortunately, and without any prompt too. I'll try to gather all my thoughts here. I don't necessarily come across fanon as much as I did when I reentered the fandom and honestly, I can not be more with you about curating your space !! at the end of the day, I am just here to have fun, and really, pointing out these issues is not a good time at all! But I do post a lot about these, I can't be bothered to bottle up any thoughts lol.

I think the major issue I have with current interpretations is the underlying bigotry that comes along with it. There is a lot of unchecked problematic content that doesn't sit right with me.

Flanderizing characters in fandom interpretations is not limited to marauders fandom obviously. any popular media will face this because so many of us want to interact with one character so their traits are simplified for easier consumption and to find a common ground. this is also not limited to new marauders fandom. even in the older era, leather jacket-wearing, motorbike-driving quintessential bad boy siruis was a thing. so I won't nitpick on silly simplifications.

I just want to say that this isn't about me wanting everyone to have the same interpretations as I do about the canon. I follow so many lovely people and I don't agree with all of their posts. But, we all just simply share the love for these characters in the text and form an imaginary community. So, if we were to remove all the issues I will mention, it is still very well possible to have different personal takes.

Here are some of my issues:

Queerness, Gender roles, and misogyny:

My biggest problem is the representations of queer relationships. the fandom packages these couples in a strange and obvious heteronormative mold where the individuals fit into male and female gender roles. mlm and wlw are now an “f/m”* stereotype and characterization gets affected by the ships. Heterosexual relationships shouldn't have these limitations either, anyway. There is no one way to be a woman or a man. With queer relationships in particular, we have reclaimed the word queer now but it was used to describe the unconventional weirdness in the relationship. We didn't fit into the normal portrayal of a loving relationship. So, it really bothers me, even in fiction, that queer ships are popularly consumed in a way that represents a traditional template. (*this is not about gender itself but the gender roles! f/m can very well be queer!). 

Let's take the biggest victim in this fandom: sirius.

Sirius’ portrayal concerning his gender and sexuality has heavily changed his characterization in the fanon. We have a character who is popularly headcanonned as trans and is it a coincidence that all their traits have changed from the og material? Sirius is suddenly vain, whiny, and dumb. Canon doesn't suggest this interpretation, it has to have stemmed from somewhere. It's the implicit bias. Sirius becomes a caricature of what a woman “should be”. When we focus on sexuality, there is the suddenly short twink sirius who has the same new traits- proving the point of fulfilling gender roles. These characteristics are a stand-in for the “female” role of the traditional relationship and it becomes more clear in the example of new age wolfstar. Remus is now the big alpha stoic manly man- the obvious stand-in for the “male” role. I could go on, it is apparent in the way you can see remus becomes a caretaker and sirius is taken care of.

The point I am trying to make is not to discourage gender/sexuality hc. I love them, keep them coming. But, why is female sirius not tall suddenly? It is not inherently bad at all to have a feminine and masculine pairing! But why do we need to change the constitutions of these characters to consume their relationship?

I'll keep dropping disclaimers because I hate being misinterpreted: I don't obviously mean every single person is doing this or that doing one of the things means doing the other too. 

Race:

It is related to the point above. I was personally so excited to see the popular desi james hc. Even in fanon, I have never seen such a prevalent and encouraged brown rep, it was quite sweet to come back to that. But the problem is the change of characteristics that comes with race hc. Desi james is also a manly dude who is big and buff as opposed to the white petite and delicate regulus within jegulus ship. The melanin is directly proportional to the manliness here. 

This is a propagation of race stereotypes. Maybe jegulus was a bad example because usually there are seen as blank templates. I will raise the argument that this can't be all we can come up with for blank canvases then. Either way, my point about race still stands when you repeatedly design interracial queer relationships so they fall into heteronormative roles. Anyway, same issue with wolfstar when there is a brown remus.

Canon, JKR, and hypocrisy:

Refusing to engage with source material is funny when we are picking characters out of it. the interpretations of the characters will be from their book. otherwise, they are just original characters with the same name. you can add onto the traits and a lot of the time fandom comes to a consensus regarding a few things! This is common in every fandom but I don't think I have seen such reluctance to not only critically engage with media but also shame others who do. We are surely in special circumstances with this fandom but I really do think jkr and how we navigate the fanon should be two different things.

Most of us don't condone jkr or even remotely agree with any nonsense she spews on the daily. Most of us can see the problematic nature of even consuming this media and staying in this fandom. It is one of the reasons I even left the fandom. Most of us are simply doing our best to engage carefully while distancing ourselves from her. So, it is quite laughable when some love to take the moral high ground for rejecting canon while still engaging with the same characters. (the rejection of canon in question being sirius’ height, lol)

(Sirius' height is quite a polarising fact apparently. Unfortunately, the point about height is also discussed so disingenuously. When I talk about sirius’ height, it is not really about him being 6 or 7 feet. It will not really impact my life. It is about what it represents. He is bimbofied as he becomes short. It's an issue of "WHY" again.)

Of course, this isn't an accusation of intentional bigotry from everyone here. The problem with this fandom is that the people in it tell themselves that it is progressive and to run away from the problematic creator as much as possible. We are not progressive if all we do is co-opt queer and racially diverse identities on such a superficial level. The bias manifests in subtle forms. I just wish we check ourselves from time to time, that's all. 

There is a lot of hostility when we try to discuss issues in the fanon. Things are interpreted in the most misguided way to just win the argument. Like I said in the beginning, we all just want to have a good time. That also means creating a welcoming space for vulnerable groups (especially when the same identities are used to pat yourselves on the backs for inclusivity points). I didn't even cover everything btw, I just wrote about the issues that concern me. queer and poc also partake in biased representations, I also probably have some biases that I didn't identify yet. I just think it would be super neat if everyone tried to make an effort to unlearn and engage with media without hurting anyone. 

I have other issues but they are all just super subjective opinions and smth I can ignore when others do. ex: I really don't like giving tragic backstories to bigots in the story. Not every supremacist loser has a trauma that forced them into oppressing people! There is also "tropeyfication" of all major ships. Just an overall issue in the reading world I think, though.

Anon, I didn't mean to make it preachy in any way btw. You probably asked for a silly little rant and I went full lecture mode, so I apologize for the tone shift!! I mentioned these because every other issue can be brought down to these imo. Like you said, I also don't have any fixation on everything being canon-compliant. I only complain by asking about the thought process behind certain kinds of changes, if that makes sense! I hope this wasn't a drag really and you can see where I am coming from. If I misspoke anywhere, pls lmk. Thanks for sharing your opinions too!!

This is a long long rant, anyone who read everything, you are wonderful and patient. Thank you for taking the time. This huge post and the content can make you think, “who cares this much?” or “it's not that serious” and yaa it really isn't that serious. The characters aren't real but we all are. the identities projected are real. so, it does matter to talk about this.

Everything said this is a fun place to be once you find your own corner in the playground.