#sorry i have a lot to say on this

[brucie-baby]

the fact that alfred was the one to put up jason's memorial is so important to me

[a-scary-lack-of-common-sense]

Fiddauthor divorce arc speedrun <3

After 30 years of searching for his lost brother through demonic rituals and summonings, Ford has become a bit of a notorious demon collector over the years. He's made a LOT of deals with MANY different demons over the years; from minor and harmless little entities to big and powerful overlords. Most of the time, these deals aren't really a one-way situation, so a lot of demons have a strong grip on him just as much as he does on them. It often ends up being a mutual sort of destruction, as in: "I know I'm but a mere mortal trifling with things I couldn't begin to fathom, and I know you will destroy me eventually; but I don't care as long as I get to destroy you too." He just needs to live long enough to find his brother.

The red hands are essentially pieces of himself (his soul, you could say??) that he wields as his method of restraint to the demons he has "tamed" so far. They act as a leash to contain each demons' powers, and he can loosen or tighten his hold on them as much as he wants. The number of hands required to contain a demon really depends on their individual strengths, but 3-4 hands are already very energy consuming.

YES, I gave all of his demons stupid names. SUE ME.

[pickled-flowers]

Sex positivity is also about not calling Ace people prude and using virgin as an insult 👍 hope that helps

[inkskinned]

i love when words fit right. seize was always supposed to be that word, and so was jester. tuesday isn't quite right but thursday should be thursday, that's a good word for it. daisy has the perfect shape to it, almost like you're laughing when you say it; and tulip is correct most of the time. while keynote is fun to say, it's super wrong - i think they have to change the label for that one. but fox is spot-on.

most words are just, like, good enough, even if what they are describing is lovely. the night sky is a fine term for it but it isn't perfect the way november is the correct term for that month.

it's not just in english because in spanish the phrase eso si que es is correct, it should be that. sometimes other languages are also better than the english words, like how blue is sloped too far downwards but azul is perfect and hangs in the air like glitter. while butterfly is sweet, i think probably papillion is more correct, although for some butterflies féileacán is much better. year is fine but bliain is better. sometimes multiple languages got it right though, like how jueves and Πέμπτη are also the right names for thursday. maybe we as a species are just really good at naming thursdays.

and if we were really bored and had a moment and a picnic to split we could all sit down for a moment and sort out all the words that exist and find all the perfect words in every language. i would show you that while i like the word tree (it makes you smile to say it), i think arbor is correct. you could teach me from your language what words fit the right way, and that would be very exciting (exciting is not correct, it's just fine).

i think probably this is what was happening at the tower of babel, before the languages all got shifted across the world and smudged by the hand of god. by the way, hand isn't quite right, but i do like that the word god is only 3 letters, and that it is shaped like it is reflecting into itself, and that it kind of makes your mouth move into an echoing chapel when you cluck it. but the word god could also fit really well with a coathanger, and i can't explain that. i think donut has (weirdly) the same shape as a toothbrush, but we really got bagel right and i am really grateful for that.

grateful is close, but not like thunder. hopefully one day i am going to figure out how to shape the way i love my friends into a little ceramic (ceramic is very good, almost perfect) pot and when they hold it they can feel the weight of my care for them. they can put a plant in there. maybe a daisy.

[teaboot]

I feel like if you're using a lot of disposable plastic bags in your day to day life, you've gotta do something sustainable to make up for it. Like using bamboo toilet paper or eco friendly cat litter or something, yknow

Honestly I exaggerate for comedic effect, while I DO routinely use ziplock bags to hold spaghetti I cook maybe once a month and the bag itself is usually for freezer storage. I actually throw out maybe one bag a week? I DO hate washing plates and tupperware and junk but that usually just means I eat sandwiches without a plate.

I agree though that needless waste should be avoided, and I do avoid it- biodegradable bags and recyclables, empty butter tubs used to store leftovers, etc.

This said, though, not applicable necessarily for myself but for a lot of others- I feel that it's importat to remember that there are many people who legitimately NEED things like plastic straws, or catheters, or pre-packaged foods

And the idea that that's a moral failing that individuals need to personally make up for when a single billionaire blows out more CO2 in a long weekend than I will in my whole life on a superjet meet-cute in the Bolivian rainforest between humvee drag races funded by the river-polluting textiles plants they planted in a third world country to avoid EPA laws and give an entire village stillbirths and stomach cancer is an idea that those very same bigwigs have spent a LOT of time and money investing in planting in the public psyche.

Like- Glass bottles are infinitely recyclable, so why are so many drinks in plastic now? Loads of drinks manufacturers used to buy them back and clean them for re-use, so why did they stop? If they chose to make something out of a limited and environmentally irresponsible material, why is it my failing to track down a correct process of disposal for them? What if there are none in my area? Do I lobby for more recycling plants in my area? Do I set aside some of my limited time outside the pain factory of my job- which I have more than one of, thanks to rising costs of things just like that drink I just emptied- to properly dispose of this company's waste FOR them?

Say coca-cola just rolled up to your town and started dumping millions of empty plastic bottles in the street, going, "wow, you should really think about building and staffing a recycling depot, it would be really shameful of you to just put these in the trash." When companies purposefully use materials with limited lifespans- because yes, even plastic can only be reused so many times- and tell you it's your own fault if it harms the environment- that's essentially what they're doing, just with more steps.

Yes, its important to be as environmentally concious as we can in our day to day life, but responsible sustainability is not catholicism. We don't get good boy points from our lord and savior Captain Planet every time the average low-income household gathers together to hold hands and repent for a single-use plastic that allows them to access something they need.

Entire families could eat trees and shit dead lithium batteries for years and still not do as much damage to the planet as an average dye plant or braindead celebrity does in a week just for fun, and I'm mad about it

...this went on longer than intended.

TL/DR: DO recycle and minimize waste, but don't beat yourself up over the little waste you can't avoid, and follow the money.

EDIT: Part 2

[lazylittledragon]

taking all my american followers by the shoulders. listen to me. just because you have a more promising candidate now doesn't mean you just assume it's going to be fine and don't bother voting. assuming trump wasn't going to win is how you got here in the first place so you go out and fucking vote for harris and give everyone a fighting chance.

also if you're still in the 'they're both as bad as eachother' delirium, please take your head out from between your cheeks and consider that your options are an imperfect president and the literal worst person alive who is going to get masses of people killed. i've said it like this before, but it's like deciding between maybe getting food poisoning or definitely having a brain aneurysm. take your pick i guess but don't be surprised when you drop dead.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[mokeonn]

I am trying to decide what I want to draw today so I think I'm gonna make the Mane 6 in the sims and see where it goes from there

[spottedgardeneelstan]

romance route unlocked!

based on this post, which seemed like an interaction shen jiu would have

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[slyandthefamilybook]

A NON-EXHAUSTIVE BUT NEVERTHELESS EXHAUSTING LIST OF NEO-NAZI AND WHITE SUPREMACIST DOGWHISTLES

since some of y'all apparently need a refresher course. as always, use your judement when deciding if it's a dogwhistle or just innocent usage of a number or symbol

NUMBERS

100% - 100 percent white

109 or 110 - A reference to the 109 countries that have expelled, in whole or in part, their Jewish populations. 110 refers to the hope that more countries will do so, usually specifically the United States. Often posted on its own as a reply, or phrased as a question (e.g. "If you were kicked out of 109 bars it's probably our fault")

1290 - A reference to the Edict of Expulsion of 1290, which expelled the Jewish population of England

13/50 or 13/52 or 13/90 - The supposed statistic that Black Americans make up 13% of the population yet commit 50% or 52% of violent crime, or 90% of interracial violence. Often posted on its own as a reply

14 - The Fourteen Words, a Neo-Nazi slogan

14/23 - A number representing the Southern Brotherhood, an Alabama prison gang

1488 - A combination of the Fourteen Words and Heil Hitler

C18 - Combat 18, a British neo-Nazi group

18 - The letters A (1) and H (8), standing for Adolf Hitler

21-2-12 - The Letters U (21), B (2), and 12 (L), standing for Union, Brotherhood, and Loyalty, the slogan of the Unforgiven, a Florida prison gang

23 - Often thrown up as a hand sign, with two fingers raised on one hand and three fingers raised on the other. Represents the letter W (23), standing for white

271,000 - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

88 - H (8) H (8), standing for Heil Hitler

9% - A number representing the percentage of the world's population that is white

SYMBOLS

((( ))) - Triple parentheses, or echo. Used by neo-Nazis to call out someone as Jewish

Iron Cross - A German military decoration

Sonnenrad (Sun Wheel)

Reichsadler (Imperial Eagle) - A blocky, art-deco eagle facing to the side. Variants exist, some facing right, some facing left. The Parteiadler (Party Eagle) has a slightly different design. The Reichsadler is usually clutching a wreath with a swastika, although this is sometimes left out to maintain plausible deniability

Totenkopf (Death's Head) - A symbol used by the SS

Wolfsangel (Wolf's Hook) - Used as the insignia of various Wermacht (Nazi Military) divisions

Wolfsangel (horizontal)

Odal Rune - From the Proto-Germanic "Othala" meaning heritage

Algiz Rune - A symbol used by German nationalists

Celtic Cross

"Broken Sun" Cross

Arrow Cross - A Hungarian nationalist party that was active from 1935-1945. The symbol has been re-appropriated by modern neo-Nazis

Valknot

EMOJI

🤑 Greedy Face Emoji - Used to refer to "greedy Jews"

💰 Money Bag Emoji - Used to refer to "greedy Jews"

🥸 Disguised Emoji - Used to refer to Jews because of the enlarged nose

🤥 Lying Emoji - Used to refer to Jews because of the enlarged nose

👃 Nose Emoji - Used to refer to Jews

🙋‍♂️ Raising Hand Emoji - Used for its resemblance to the Sieg Heil salute

✋ Raised Hand Emoji - Used for its resemblance to the Sieg Heil salute

o/ or 0/ - Used for its resemblance to the Sieg Heil salute

🐸 Frog Emoji - A reference to Pepe the Frog, a webcomic charcter co-opted by the alt-right

👌 Okay Symbol Emoji - A hand symbol co-opted by the alt-right. Sometimes said to resemble the letters WP, or White Power

🚪 Door Emoji - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

🚿 Showerhead Emoji - Refers to the showerheads used to dispense Zyklon B gas in the gas chambers

⛽ Gas Pump Emoji - Refers to gas chambers

⚡⚡ Double Lightning Emojis - Used for their resemblance to the Siegrune (victory rune) badge worn by members of the SS (Schutzstaffel)

💀 Skull Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

☠️ Skull and Crossbones Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

WORDS/PHRASES

6MWE - Six Million Wasn't Enough. A call for further genocide against Jews

AKIA - A Klansman I Am

Annudah Shoah - A mockery of both the Shoah (Holocaust) and the fear of further genocide

Auschwitz had a swimming pool/rec center/maternity ward/etc. - An attempt to diminish the horror of concentration camps by making them seem more like labor camps with amenities

Blood and Honor - A neo-Nazi slogan

Blood and Soil - A neo-Nazi slogan

Blood Libel - Not a phrase used by the far right, but something they often believe in or claim. Blood libel is an antisemitic conspiracy theory stretching back hundreds of years. The original claim was that Jews used the blood of Christian babies to bake matzah (a ritual food eaten on Passover). It has since evolved into images of Jews drinking blood, kidnapping and killing non-Jewish babies, and conspiracy theories about harvesting adrenochrome

Bowlcut - A reference to white supremacist mass-murderer Dylan Roof

Cohencidence - A portmanteau of Cohen (a common Jewish last name) and coincidence. Used to refer to Jewish control (e.g. "All these companies are owned by Jews! What a Cohencidence!")

COORS - "Comerades of Our Racial Struggle"

Cultural Marxism - A conspiracy theory that Jews are intentionally weakening "Western values" in order to make countries like the United States more susceptible to communism. This was called Cultural Bolshevism in Nazi Germany

Da Shoah or Muh Shoah or Muh Holocaust - A mockery of the Holocaust

Day of the Rope - A day referenced in neo-Nazi book The Turner Diaries when all race traitors will be hanged

Degenerate - An insult based on the false theory that bad morals will cause human beings to regress along the path of evolution (to de-evolve). Used to describe groups, individuals, or ideologies

Early Life - A reference to the "Early Life" section of Wikipedia biographies, which will reveal that a person is Jewish or has Jewish ancestry

Every Single Time - Every time something bad happens, the perpetrator is Jewish

Featherwood - A term derived from racist prison subculture. A featherwood is a woman associated with a racist gang

FGRN - For God, Race, and Nation. A Ku Klux Klan slogan

The Fourteen Words - A neo-Nazi slogan. "We must secure the existance of our people and a future for white children"

The Frankfurt School - A school of sociology founded at Goethe University Frankfurt in 1923. Usually blamed as the originator of "Cultural Marxism"

Fren - Internet slang. A diminutive of "friend", used to diminish Naziism and make it seems more harmless. Often used in usernames to describe one's self (e.g. sad_fren_88)

Globalist - A person who desires connection between countries in terms of politics, trade, and travel. Used to scaremonger about Jews destroying countries by removing their borders

Gorillion - A mockery of the number 6 million, being the amount of Jews who were murdered in the Holocaust

Goy - Hebrew for "nation", used by Jews to refer to non-Jews/gentiles. Used disparagingly by neo-Nazis to suggest Jews view non-Jews as beneath them

Goyslop - Unhealthy food that Jews force non-Jews to eat to keep them weak

Groid - A shortening of "Negroid", an archaic terms used to describe Black people

Groyper - A follower of avowed neo-Nazi Nick Fuentes. A reference to the "Groyper" meme, a variant of Pepe the Frog

GSHW - Germany Should Have Won (i.e. won World War II)

GTKRWN - Gas the Kikes; Race War Now

HDKH - Hitler Didn't Kill Himself. A neo-Nazi theory that Hitler escaped Germany and fled to Argentina

John 8:44 - "You are of your father the devil, and your will is to do your father's desires. He was a murderer from the beginning, and does not stand in the truth, because there is no truth in him. When he lies, he speaks out of his own character, for he is a liar and the father of lies." Part of Jesus' rebuke of his Jewish followers

Joo or Jooz - An intentional misspelling of "Jews" in an attempt to bypass censors or automatic content filters

Kate Hikes - A spoonerism of "hate kikes"

Kek - 4chan variation of "lol"

Kekistan - A fictional country imagined by white nationalists with a flag that resembles the Nazi battle flag

Khazar - A reference to the conversion of a group of Khazars (a Turkic people) to Judaism. Antisemites speculate that the entirity of Ashkenazi Jews are descended from these Khazar converts, and therefore have no historical, cultural, or genetic tie to the Levant. This has been proven false on multiple occasions

Kike - A racial slur against Jews

Lizard People or Reptilians - A conspiracy theory by far-right figure David Icke, claiming that world leaders are really reptilian aliens. Most people who believe this theory believe that the lizard people in question are the Jews

Magic Soil - A protest against the idea that people of one nationality can become people of another nationality simply by living in a country (i.e. "France doesn't have magic soil that turns Africans into Frenchmen")

Nicker - An intentional misspelling of the N word in an attempt to bypass censors or automatic content filters

Ns - Black people (as in the plural of the letter N)

NSDAP - Nationalsozialistiche Deutsche Arbeiterpartei. The Nazi party, but using an acronym that is unfamiliar to most people

NS - National Socialist

Noticer - Someone who "notices" that Jews control the world

The Noticing - A mass movement of people "noticing" that Jews control the world

New World Order - A far-right conspiracy theory about Jews taking control over the world and implementing a single world government. Also used in conjunction with phrases like "world banks"

OFOF - One Front, One Family. Slogan of the neo-Nazi group Volksfront

ORION - Our Race Is Our Nation

Oy Vey - A Yiddish exclamation meaning "oh woe". Used by neo-Nazis to mock Jews

Pattern Recognizer - Someone who has recognized the "pattern" of Jews always being in control

Peckerwood - A term derived from racist prison subculture. A peckerwood is a man associated with a racist gang

Power Level - A memeification of far-right beliefs. The more fascist your beliefs, the higher your "power level"

The Protocols of the Learned Elders of Zion - A 20th century Russian hoax claiming to be the minutes of meetings between Jewish leaders discussing how they will take control of the world

Pure Blood - Someone who is a pure member of the white race

Rabbi Smolett - A claim that Jews fabricate antisemitic hate crimes (a reference to actor Jussie Smolett who was accused of doing the same)

ROA - Race Over All

The Goyim Know - A phrase used by white supremacists acting like Jews who have discovered white supremacist activity, and are afraid that they've been found out. Often "The Goyim Know, Shut It Down", which adds the idea that Jews will prohibit any conversation that gets too close to the truth

The Red Cross - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

Tiny Hats or Tiny Hatted People - A reference to the Kippah or Yarmulke often worn by Jewish men

Reject Modernity, Embrace Tradition - A fascist slogan warning against social progress and calling for a return to a prelapsarian (usually ethnocentric) paradise

Rubbing Hands - A reference to an antisemitic charicature called "The Happy Merchant"

"To learn who rules over you, simply find out who you're not allowed to criticize" - A quote often misattributed to Voltaire, which neo-Nazis use to decry claims of antisemitism as efforts to silence them. In fact, it's a quote from a neo-Nazi pedophile

Shabbos Goy - A non-Jewish neighbor of a Jew who can be asked to perform acts Jews are forbidden from doing on the Sabbath (e.g. turning of a light or turning on the heat). Used by neo-Nazis to claim someone is a slave to Jews

Sheeeiiit - An over-the-top representation of how "shit" is said with a Blaccent. Often used in memes declaring Black people to be less intelligent

Shekels - Jewish currency (from the Hebrew word for weight, similar to how British currency is called the pound. In reality, the plural of shekel is shkalim). The name has been adopted by the State of Israel for the NIS (New Israeli Shekel). "Shekels" is used by neo-Nazis to mock Jews as being greedy

Synagogue of Satan - An antisemitic term for Jews, stemming from the Chrsitian Bible

They or Them - When used to describe a nebulous group of undefined adversaries, these words almost always refer to Jews

They Cry Out in Pain As They Strike You - An antisemitic proverb claiming that Jews will make false cries of antisemitism while at the same time perpetrating atrocities

Troon - A slur against trans people, particularly trans women

Volk - German for "folk", or "kind". Used by neo-Nazis to refer to white people

We Wuz Kangz - A racist phrase ment to mock Black nationalists

White Genocide - The myth that a group of people (usually Jews) are conspiring to eliminate the white race through various means including immigration, intermarriage, and homosexuality

WP - White Power

WN - White Nationalist or White Nationalism

Wooden Doors - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

Zio - An abbreviation of "Zionist". Used derogatorialy by neo-Nazis

WPRWS - 'Weimar Problems Require Weimar Solutions" (sometimes shortened to just "Weimar Problems" or "Weimar Solutions"). Prior to the rise of the Nazi Party, the democratic Weimar Republic was in financial crisis (the eponymous "Weimar Problem"). This was often blamed on the Jews. The "Weimar Solution" is Naziism

ZOG - Zionist Occupied Government, reflecting the belief that the United States government is controlled by Jews

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[erabu-san]

Why does it feel like i betray my bros

[shaaaaaaar]

the evolution of fnaf and, by extension, it’s evolution on the internet, is such a wild case study on how a piece of media can affect culture.

fnaf on release, and for a few years after that, was primarily an indie horror game. it a game that exploded first due to its gameplay (largely due to lets players) and then because of its storytelling. fnaf nowadays is reminiscent of a comedy, a piece of media that has become more of a parody than a game.

i’m not saying that’s a bad thing (even though I'm personally not a fan of where the series went), besides that’s what the internet does a large percentage of the time. but it’s so interesting to look at this shift retrospectively, to compare fnaf today to how it was a few years ago and to watch how the series' changes led to what we have today.

let’s look at fnaf 1, my personal favorite. the most important note about this game, and why it made every choice it made, was that it was intended to be a one-off game. it didn't care about story, about being something massive, only on being a horror game. this led to fnaf 1 being the rawest form of fnaf's horror, and these distinctions led to fnaf 1 feeling very different from the rest of the series. its design is insanely fine-tuned in order to capture feelings of anxiety and unease, scruffy’s video on audio in fnaf illustrates this really well.

there’s a lot to say on the horror in fnaf 1 because it doesn’t hold itself back. from the near universal experiences like phone guy’s death and seeing your body stuffed into a suit to the rare events people may never encounter like the death screens and rare events in the game itself (whether small like posters changing or big like the illusions or golden freddy), the only rest the player will have from fear is the release of the 6 am alarm. the design choice that resonates with me the most is how as you progress into the week, the camera shots you’ll see will sometimes be different, as if the animatronics want you to know how disturbed they are.

everything changed when various lets players noticed this small indie game. markiplier, jacksepticeye, pewdiepie, and a ton of others introduced this small one-off game to a massive audience. they praised the game, got scared by the horror, grinded for 4/20 mode, infused it with their own culture (such as markiplier being the king of fnaf), and it all led to people paying attention to scott cawthon and fnaf.

fnaf 1 didn’t have plans to be anything greater than an indie horror game. fnaf 1 was a game with a lore that doesn’t go deeper than 5 dead kids who were stuffed into suits they’d go on to haunt. fnaf 1 was meant to be a fuck you to those who critiqued scott’s character designs before he'd disappeared from the game design sphere. fnaf 1 wasn't focused on much else because it wasn't meant to be much else. fnaf 1 was, to the surprise of scott, a massive success, opening the option for a potential series. fnaf 1 was an opportunity for scott to continue this life he planned on abandoning.

because of its predecessor's success, fnaf 2 had a much different development than 1 did. while 1 was meant to be a one-off and a final shot at making it big as a game creator, fnaf 2 was trying to capitalize off of fnaf 1's success and to make this series stay around. this manifested into creating the story which 1 lacked. its where the beginning of fnaf’s infamous storytelling method of making itself into a puzzle began.

three pillars for fnaf's success begin to be observable. the gameplay and, by extension, horror, the lets players, and the developing lore. fnaf 2’s goal was to establish a balance.

the difference in goals can be seen with how juxtaposed the gameplay of 2 was compared to 1. you’re no longer in a small, claustrophobic office but a large, exposed, vulnerable room. the lore was explicitly intertwined with the gameplay through the minigames and phone guy while 1’s lore was barely present beyond some posters and, as it was in 2, phone guy. the balance aspect of the game’s design even got into the gameplay thanks to the puppet. it worked incredibly well as a follow-up to 1. and though the horror was less present compared to the first game, it wasn’t like fnaf 2 wasn’t scary. 2 still felt like a horror game, just a DIFFERENT horror game.

fnaf 3 marked when the story began to take center focus. again, it’s not like the other categories were forgotten about or nullified, in fact i think springtrap and fazbear frights as a setting do their horror better than all of 2 did, but the story took more of a center stage due to how prominent it was.

if fnaf 1 was designed as a final shot and fnaf 2 was designed to capitalize off of the sudden success of 1, fnaf 3 was to hook people into the blossoming story of the series. springtrap being the sole animatronic demonstrates the meaningfulness of the game's story excellently. the setting being in an attraction based on fnaf also is emblematic of this focus. and, most obviously to me, the existence of a good and bad ending which gave conclusion to the story (even if it'd be retconned) showed that more than the prior installments, this game wanted to be a story. scott was trying to strengthen that lore pillar, to draw in matpat and theorists to stand alongside markiplier and the lets players as faces of fnaf

and then, fnaf 4. if fnaf 1 was the prologue to the lore takeover, fnaf 4 was the entire first half of the story.

while fnaf 3 asked more questions than the prior installments, 1-3 were still clear in what they were saying. 4 is where this stopped. fnaf 4 had the problem of being too unclear to the extent that matpat stated 4 was the game with the most questions unanswered several installments after its release. but even if messy the story was massive for this game's identity, something scott egged on. a couple of theorists, matpat included, did a several hour livestream where scott interacted with them to help them solve the mystery that fnaf’s gameplay is now most remembered for.

it’s telling of how much of a focus it took with how the lets play and gameplay pillars suffered. pewdiepie dropped fnaf because it was all the same to him. what’s equally telling is how big a deal this was in the gaming sphere. the horror felt a little lost outside of animatronic designs (which fell flat for me) and jumpscares (which shouldn’t need to carry the horror of a horror game). the horror now was in the story that the players were asked to solve.

this change in identity really shines in sister location, where the strength of the gameplay and horror were completely lost. there are several moments in sister location where the horror genuinely stuck with me, which hadn’t happened since fnaf 1. but sl is only remembered for the lore. what people remember are the moments that build on the lore, that bring more questions and give more answers. in fact, the game’s story couldn’t be fully appreciated without prior knowledge, which includes the BOOK SERIES, which a lot of fans won’t read or know details about unless they care about the lore. while the same need for context goes for the preceding games (except fnaf 1), needing to read a non-game source to appreciate the story in the games is a big ask for a lot of people.

this is also where the non-seriousness that fnaf is remembered for today was born, thanks to the daily elevator trips which, among other quips, brought about the exotic butters joke. though it didn't distract from the game's theme due to its brevity and non-intrusiveness, so it wasn't much of a problem at the time.

fnaf 6 takes what fnaf sl did with story, de-emphasizes the horror, and makes the lore pillar the most important. the ending of fnaf 6 is impossible to truly understand without knowing each character’s story, including the book and fnaf world exclusive henry emily. the pizzaria simulator gameplay loop is the exotic butters tone shift if it took up half of the game. ignoring the last cutscene, the horror is lacking (scraptrap is the definition of pathetic), the night half barely stands out, for god’s sake the method to get one of the endings was unclear for several years. in exchange, the lore was sweet and satisfying; the final speech henry gave is incredibly resonant and powerful. fnaf 6 made a choice with its direction and captures the change the entire series had gone through up to it better than any other game before it.

the gameplay and horror pillars became like the hips of a whale. they still exist, they’re just hidden within the rest of the skeleton.

ultimate custom night and help wanted are big exceptions, being focused on their gameplay and with the storytelling being a secondary focus in between moments (as ucn didn't have much story to tell and help wanted was only trying to start a new story). but in my opinion, the horror is still lost in ucn. there’s too much going on, a lot of it being super goofy, for the game to feel scary to me. especially notable is everyone's favorite animatronic, mr. hippo, who manages to be the fnaf 4 to exotic butter’s fnaf 3 for the games' lack of seriousness. help wanted meanwhile, largely due to being in vr, still holds onto the fear and seriousness that fnaf can create.

while help wanted was more scary than ucn is to me, following its release was the new book series. they were a collection of short stories which lore enthusiasts had to suffer through for even more details about the game story. they were when the comedy invaded into the lore as well, with faz-goo and time traveling ball pits not only bloating the lore but making it into a complete joke to many.

the horror barely felt like a focus to the franchise anymore, the gameplay had its great moments but became unmemorable, the lore got infamously messy, unclear, and hard to navigate, and with the game's newfound whimsical nature (as well as funko’s merchandise), the series began accumulating a large child audience and lost the themes and tone it maintained in its earlier releases.

fnaf lost its identity as a horror game and only somewhat held onto its identity as a story.

security breach’s rushed state put the final nail in the coffin. it barely felt like a horror game thanks to the pizzaplex's brightness and the very silly designs. people only cared about the gameplay for the glitches, lets players got attention because people wanted to see the game break, people's care for the lore fell apart when afton returned again, and the game's popularity was the equivalent of the attention a car crash on the side of the road gets from passerbys.

whatever serious identity fnaf still had to the general public had been lost. the past was absorbed by this new perspective. fnaf had transcended past an indie horror game to become a cultural phenomenon, a title that meant a specific flavor of jokes and parody. its origins are a footnote to this holy bible of comedy. every leg it once stood on had merged and mutated into a structure of memes.

if it wasn’t obvious, i miss the horror that was a deep part of the series in its earlier days. but fnaf’s position has changed now, and while there is a lot to critique with what led to this, what first made fnaf special isn’t lost. the journey of how we got here is largely encapsulated in the jokes we make, making history into a satirized time capsule.

and god, that time capsule is a fucking trip to reflect on.

[vibinginthebg]

Still some doodles of them :DD