I'm seeing people point out that the Craving (at least the single version) is about SAI being perceived by a lot of people as a flop album & I think that's probably correct but I also think it probably applies to Lavish, because I truly cannot imagine why else they decided to include it on the album? Like don't get me wrong I love Lavish but narratively it reads as the most 'expendable" song on the tracklist. Yet Tyler allegedly wanted to leave off Navigating (which they gave the lore video to, lmao) and kept Lavish. Which is fair because it's a banger and a nice break from everything else, but it's also just telling to me that they very intentionally did a song about industry bullshit on this album, the most direct they've gotten since Lane Boy.
Like either their label or someone in the industry did something to piss them off that we don't know about, or it's a generalized frustration. I have to imagine it would hurt to be Grammy noms/winners two albums in a row and then be paid dust the minute you do something a little different. Or (purely speculating here) to experience label pressure to have another album cycle like blurryface, when that's virtually impossible to replicate unless you're, like, taylor swift specifically, and when it inevitably doesn't happen they start pulling back on financing/promoting you/helping you get nominations the same way they used to. They're fucking you behind your back and you can't really do much about it because they're the ones with the money and the influence, and you're supposed to trust them to take care of/care about your work. Like tøp has never been a band that values itself on award or critical recognition, it's always been for us, but creatively speaking the whiplash of going right from your most commercially successful album, to your most critically acclaimed album, then to your most criticized - and to a degree you now just assume your time as a critical/commercial darling has passed, which Tyler seems to - would have to hurt. It would have to.
Honestly tho he probably just knew he cooked with the proctologist line and needed everyone else to know too
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fuckign obsessed with sabigiyu...
sabito's tough and snarky and brash when hes around people but then see him with giyuu and hes the biggest fucking puppy... constantly touching and being affectionate whenever he can, harshly stopping/snapping at anyone who tries to badmouth giyuu or even looks at him wrong, always glancing back when hes talking looking for giyuu's attention and recognition- he so freely displays his love and its just so sickeningly sweet to anyone around as witness
giyuu's a youngest child too, you know he'd eat that shit up. he fucking loves how much sabito spoils him- the occasional time sabito tries to be stern or ignores him all he has to do is bat his eyes and raise the corners of his mouth and sabito near immediately caves to whatever he wants. anything to see giyuu's full smile, and giyuu never hesitates with him
they know exactly what the other wants at a given moment, know when to be soft and sweet or when to be rough and wild- quietly sitting together close enough for their thighs to touch and enjoying the warmth of eachother's presence to playfully pushing buttons until the other snaps and gives their full attention to grappling the other to the ground. they'd both stop at the drop of a dime for the other for whatever reason needed, lovingly teasing and calling the other an idiot the whole way out
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Small discord artfight looking for fresh blood!
Hello everyone! For almost exactly a year now, I’ve been running a year-long artfight with friends and acquaintances on discord!
The idea was for people to have a more relaxing, stress-free artfight experience rather than a month-long crunch - so how active or inactive you are is entirely up to you and your energy and comfort levels!
We also have monthly themes which come with extra points and an “Askblog/Ask the Character” minigame that gives points for a different scoreboard! Variety is the spice of life after all.
Some of the key rules in our server are:
No form of racism, ableism, sexism or other forms of bigotry and hatespeech are allowed - and this includes any of those towards non-minorities as well.
While no explicit nsfw is allowed for artfight attacks, artistic nudity and darker themes are permitted, so for everyone’s comfort, safety and for the sake of moderation, we can’t allow anyone under 18! Thank you for understanding.
As this is meant to be a safe space for all players, please always reach out to me first before inviting someone else, so I can ensure it’s nobody that makes someone else in the server unsafe or uncomfortable.
In September we’re about to start our next artfight year - with Team Heroes and Team Villains facing off this time! If we are mutuals, friends or acquaintances and you’re interested in joining, feel free to reach out to me!
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This season has been steeped in irony and parallels. The mental health arcs of Maya and Jack, addiction, the captaincy drama, Dixon's villainy // those in s3 esp. They made things more extreme and took them further.
I understand the choice to isolate Maya and the team’s lack of support or compassion for her since her demotion, and the non existence of the union were plot devices for her mental health crisis storyline. But they supported Ross wholeheartedly, no questions asked? And what was the actual point of the union again?
Ross is a flawed and complex character, just like Maya. But the framing of their actions were different. They both made questionable decisions but there was only acknowledgement of what Maya did. Not Ross. Not Beckett. Their part in Maya's mental breakdown?
For the long build up since s4’s finale of Maya's demotion and the aftermath in s5 & s6, this feels like a cop out non-resolution. And this whole storyline ending with Ross's scandal framed entirely as feminist triumph is self-contradictory for me.
I liked the slow burn of Marina’s storyline - the breakdown and reconciliation and the many //. Though I didn’t necessarily agree with the characterisation entirely, the performance of D & S were emotionally resonant for me. But I thought they dropped the ball in 617. Carina's scenes were more for the benefit of Ben and Ross. It didn’t help with the way they phrased the locker room conversation as a direct causation. It was a clever use of symbolism to encapsulate so much in ~ 1 min of screen time. But I hope they don't spoil the finale in wanting to tie up the loose ends. (Also, does that mean they won't ever change their duvets now that they are probably not moving?)
There seemed to be deliberate comparison b/w Maya and Theo - their demotion, initial captaincy, single-minded obsession and mental health issues. Also some similarities about how their partners have been affected. Although Theo's behavior was more flipped-switch than organic transition and it was mainly directed at Vic. With what happened to Beckett and the toll it would take on Vic, would she have her breakdown and Theo his wakeup call? Vic needs a hug.
Did anyone else find the kisses b/w Travis and Eli awkward? Or was it cos I think Travis had much better chemistry with Michael and Emmett?
It is interesting to see Brooke, a sort of nature/ nurture comparison to Jack. Similar DNA, dissimilar upbringing. Brooke seems more emotionally mature. Jack lacks boundaries and his way of caring is to impose his values on people and help them on his terms. While Brooke’s trying to meet him where he is - like finding Lila instead of springing their bio family on him.
Since they made such a big hoo-ha about the forbidden love affair b/w Sullivan and Ross and Dixon’s villany this season, and both storylines are not resolved, I suspect the finale would have something to do with Dixon and the two lovers. But why should we care about Sulky & Tash again? They aren't even on the same page. Sulky has been consistently w/o much growth. Ross has been consistently inconsistent. Sulky is so much like Derek and Owen. Tash keeps pulling a Meredith with her "pick me, choose me, love me" speeches...
They love to hand Sulky the redemption arc he doesn't work for and somehow frame him as the hero... Maybe he pushes Tash away from falling debris and something happens to Dick in the process. Poetic justice. Or something something…?
Somehow I feel that Andy still wouldn't be captain. Stay tuned for another season of captaincy musical chairs...?
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