#sorry for rambling it's what i do

[notherpuppet]

@/coma_0423’s cursed cat alastor will bring you happiness ♥️

Lulu scolds the cat

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[lazylittledragon]

what if i broke all the bones in your legs actually

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[balimaria]

one day, I will set this right

[dailyhatsune]

Miku comes out to her dad

memories of miku and mike at the pride parade

[kcrabb88]

It's truly wild to me how many people out there don't understand that the Star Wars prequels are a tragedy or how tragedies work.

Posts like "these are the Jedi failed movies" truly just make me shake my head. They're actually the "fascism wears a smile until it strikes you down and then it's too late" movies. They're the "the senate became corrupt and clapped in the face of genocide" movies. They're the "make people scared enough of war until they accept authoritarianism" movies. They're the "fear and possessiveness will tear you up on the inside" movies. The Jedi were the heroes of lore, people loved and looked up to them, looked to them for safety, and then too much got put on their shoulders on purpose by Palpatine, and also by a senate that didn't want to act (not you Padme and Bail and Mon, you're perfect). They were drafted and used and scapegoated, which is, you know, a tenet of the vast majority of authoritarian governments (Hitler and Stalin, for instance, might be on different ends of the political spectrum, but they sure both did scapegoat specific groups and commit mass murder, just differently).

When some people say "these movies are about the fall of the Jedi" what they mean is "the Jedi failed" but that's not what "the fall of the Jedi means." It means they were wiped the fuck OUT. Like, Jesus, in Rogue One Tarkin is talking about burning out the final MEMORY of the Jedi by blowing up the holy city in Jedha. Palpatine had to get rid of the Jedi because to get rid of the Jedi was to get rid of the final people standing in his way after he had already worn them out. His intention was not only to kill them, but to alter the galaxy's entire perception of them. To rip away hope. People are always looking for the Jedi to be Bad or nitpick their mistakes (because while other people are allowed to make mistakes, the Jedi never are). Palpatine made himself look like a benevolent grandpa who would keep everyone safe. And that, more than anything, is what gave him SO much power. He stole the narrative.

It's just like. Of course WE know what was going to happen! We know from watching the OT that the PT can only end in tragedy. But the characters don't know that! They don't have all the info! That's how a tragic story structure works. We see it coming and they can't.

Anyway. The Jedi are laser-sword wielding monks with psychic powers who just wanted to do what they could to help. The world would be better if more folks remembered that.

[liauditore]

do you guys ever think about that time she said her backstory was that she was only partially zombiefied and was fully conscious mentally while she ate and killed her family. and that she was a princess. i do alot.

[lackpenny]

a broken man's last effort, all for nothing

[chocobje]

How I like to characterize Sprout is that he’s great talking with the ones he’s close with (Cosmo, Astro, etc.) But incredibly socially awkward with others. He comes off as brash, but he’s trying his best.

What guidelines do you try to follow when writing Sprout? I’m just curious.

Thanks for giving me the opportunity to yap about one of my favourite characters hehe..

You asked for guidelines I gave you a character analysis instead.

(Don't mind the images I didn't want this post to look naked)

ALSO NOTE THAT AT THE END OF THE DAY THIS IS MERELY MY INTERPRETATION OF HIS CHARACTER. EVERYONE HAS THEIR OWN!! Don't take my post as a mandatory guide to follow.

Let's talk about what's canon:

I like checking the Wikipedia for his dialogues every now and then to make sure he's not too out-of-character.

Sprout comes off as blunt, he does not sugarcoat his words when he has something to say.

Not even an excuse or a reason as to why he doesn't want to join Teagan for tea; It was straight up a "no" until Teagan told him Cosmo will join them too. (Also I want to point out he doesn't immediately say yes when he's told Cosmo will be there, so for all we know he'd still decline even if his best friend's joining Teagan).

Dandy's dialogue when you purchase Sprout. I think about it a lot. Out of all the character dialogues, the one with Astro is what I feel like is an example of his overprotectiveness coming across as "pushy".

He'd definitely be the type to scold his friends. Especially after Gardenview's shutdown with all the Twisteds wreaking havoc and whatnot. I don't think Sprout is fond of going on runs, but only does so he can watch over everyone and keep them safe. He makes sure everyone is focused and on high alert, he doesn't want anyone to be reckless.

He prioritizes safety over answers. His dialogue with Rodger shows that. Maybe he's also curious as to what has happened, because in Vee's dialogue he tried talking to Dandy only for Dandy to walk away. I assume Sprout just wanted to check up on him rather than knowing what's going on with Gardenview and the Twisteds.

Another thing I don't really see often is how Sprout is actually pretty forgetful and impulsive.

For a Toon who's constantly keeping watch on everyone he surely does not apply the same kind of attention to himself.

He talks before thinking about his words, but once he realized that he immediately apologized to Vee. I don't think he always notices when he comes across as rude though.

I actually think he's actually quite reckless when he bakes. I obviously can't show it in this post but if you look at that animation with Cosmo and Sprout baking they're not even measuring the ingredients. I mean what. 😭

The way he bakes feels so impulsive and it just looked like they were winging it. Somehow despite that their baked goods still end up great and that's honestly impressive.

Okay now for that dialogue between Bobette and Sprout, I was getting there-- I've never made a gingerbread house but from what I've seen from other people it requires a lot more patience and carefulness.

Sprout is neither.

According to him, his gingerbread house fell apart immediately and then he stopped trying afterwards. It's honestly funny.

I feel like this also shows through his stats. Both his extraction speed and skillcheck is 2 stars. His stamina and speed is way higher. He prefers running around, probably to make sure he can watch over everyone during their runs. That or because he has long legs.

Anyway to recap; Sprout in canon is blunt, pushy, overprotective, and impulsive. But he genuinely has good intentions and means well. He cares for his friends, which is why he scolds them because he wants to make sure they're safe.

Now for some headcanons:

Okay this is the part where I make stuff up. So it's just my take;

• He has ADHD.

I'M STARTING WITH THE NEURODIVERGENT HEADCANON.

This is not a unique headcanon. I've seen so many people who headcanons this too so it's relatively popular. Personally, I only see him with ADHD. (I'm projecting).

He's forgetful, impulsive, and quite socially awkward in a way aswell. He's easily distracted. He keeps forgetting about the oven. He's impulsive when baking. I'm a very impulsive and reckless person myself, I constantly make mistakes when I draw, yet somehow they end up okay 😭. When I'm not able to draw something right, I give up immediately. (I projected this onto the gingerbread house thing earlier).

• He comes across as intimidating.

You know in Kids' birthday parties when there's a mascot a lotta kids go run and hide? I based it off of that. I remember when I was like, 6 or 7, when a mascot came in I cried and hid under a table. They were tall.. <\3

I feel like there was a concerning number of kids who were actually afraid of him, despite how friendly he appears both in person and in the show. Maybe it's the RBF when he's not smiling..

I also like to think he's taller than some of the kids who comes to Gardenview which plays a factor to the whole "intimidating" thing. The way Sprout deals with this is giving the kids cupcakes or other sweets. Once the kids actually talk to him they're immediately comfortable.

• He was one of the very first to become "Twisted".

I don't have a concrete idea on how the story of the game goes, but I always imagine the Mains being the first victims. Sprout is a healer and he keeps an eye on everyone, so he had to go first.

–

Okay, I think that's all now. If you read all of that wow thanks, this took me hours to write 😭. I love overanalysing characters.

[madbard]

I just played through Slay the Princess for the first time, and… I cannot stop thinking about the Cage.

To be profoundly and finally severed from the illusion of your autonomy. To look on, from a prison of your own making, as your body acts out a legacy of violence against the body of the only other person who can or will come near you. To see their body perform that same violent dance. To be bound to this person, and in your limited state not to understand why. In that moment, as the silhouettes in the shadows act out the story of the princess and the slayer, to share a moment of peace with the one sent to kill you.

Intertwined. Diminished. Reductive, mutually destructive. Trapped in an infinite dance.

Beautiful.

To have been so determined you never had free will, never could have found another way. To realize you may have been wrong. To be trapped in a pattern, but unaware of what that pattern truly is.

Still, for that finite and watchful moment, not to be alone.

(Mild gore under cut.)

(Also this art from the game haunts me.)

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[lazylittledragon]

got my ribs tattooed today and i cannot stress enough please do not get them if you value your life

[whatsjulietslastname]

HEY GUYS REMEMBER WHEN CHLOE WANTED MAX TO BE THE LAST THING SHE EVER SAW BEFORE DYING. BTW GUYS. REMEMBER WHEN CHLOE SAID “i’m never leaving you” AND “that’s okay we will, forever” AND “Max, i’ll always be with you”. GUYS GUYS GUYS HOLD ON REMEMBER WHEN CHLOE SPENT YEARS TALKING TO MAX IN HER DIARY BECAUSE SHE COULDN’T LET HER GO GUYS. AND WHEN SHE TOOK MAX BACK IN A HEARTBEAT BECAUSE SHE MISSED HER TOO MUCH. OH AND BTW REMEMBER HOW THEY WERE CHILDHOOD BEST FRIENDS AND GREW UP TOGETHER AND FELL IN LOVE AND ARE NOT LINKED ONLY BY A ‘trauma bond’. DO WE REMEMBER THAT. COLLECTIVELY.

[resourcds]

can't get over how every person in dead boy detectives is lonely. charles and edwin, obviously, but also crystal, niko, jenny, monty, cat king, and even esther, kingham & litty honestly. like they've all had some part of their life centered around this loneliness and for the most part look towards each other to cure it (not all, obviously, cough esther cough). something something the feeling of growing up queer and finding your people once you're able to leave the home you were brought up in and beginning to heal that lonely kid in you that always felt like an outsider growing up

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus: