#sorry I write a lot in my tags

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[myokk]

note-taking

pairing: Sebastian Sallow x f!MC

word count: 3,6k

summary: mc loves flustering sebastian with her notes during class😇

cw: NONE this is just fluff, mutual pining, idiots in love, it takes a while for them to admit their feelings, I rated it M for some language/sexual themes

a/n: I laughed a lot as I wrote this on the train, I hope you enjoy reading about these two idiots (endearing) as much as I did writing them

A beetle slowly makes its way across Sebastian Sallow's desk.

The classroom is silent - save for the scratching of quills furiously calculating the Arithmatic probability of who will be the next Minister and the quiet murmur of his professor as she helps Hobhouse (how did he even get into the N.E.W.T. level?) - and Sebastian is going absolutely mad.

He counts how many seconds it takes for the beetle to reach his abandoned quill (fifteen). But, when it takes its seventh step after making it over the quill (an auspicious sign), Sebastian slams his hand down on top of it.

The loud noise echoes through the silent classroom and Sebastian hears her snickering coming from behind him as the whole class turns to see what has happened. His ears turn red, he wishes he could jinx her somehow, and yet he is terribly curious to see what she has sent him this time. Sebastian hopes that everyone has gone back to their equations and stops staring at him, because now that it's in his hands, his fingers are itching to open it. His hands eagerly - shamefully eager, if you ask him - unravel the note he's crumpled up in his hands - almost a shame that he destroyed the beetle, it was one of her better creations - and Sebastian soon curses his haste.

His ears would be an even deeper shade of red were his blood not currently draining to a different part of his body. Sebastian shifts uncomfortably in his seat as he continues reading the note, his eyes flying across the tiny note once, twice, three times before he crumples it up and adds it to the graveyard of the other notes she has been sending him all day. The words fuck my soaking cunt flash up at him and he adjusts his schoolbag so that if anyone were to walk past and look into it, they wouldn't suspect a thing.

You see, this has been going on all week. Sebastian knew that when his seventh year started, it was going to be the culmination of their academic rivalry, but he never expected this. That witch has made taunting him her personal vendetta, and it's working.

Sebastian can't get her out of his mind.

It started in Herbology on Monday, at exactly 7.37 in the morning. Sebastian had been sitting next to Ominis, both complaining under their breaths at how early Professor Garlick had made them wake up (something about the plants blooming - Sebastian can't remember now). He had seen a little snake slither past Ominis's hands, making its way directly to him, and he does remember that he thought it was quite strange that Ominis didn't seem to react to the snake's presence. And then - he took a closer look at it - he saw that it was made of paper. Curious, Sebastian had thought as he grabbed and unfolded it. Reading it started an unfortunate chain of events.

It started out innocently enough, he supposes. Well, if you can call the most indecent thing he's ever read innocent, then it started out innocently.

Sallow - let me just say how absolutely delicious you look in your jacket this morning. I find I want to rip it off of your broad shoulders. Did you hit a growth spurt this summer?

He had flushed, briefly glanced over his shoulder - maybe he could see a face as flushed as his was, watching his reaction, but nothing - before looking back to the note, squinting at the familiar (familiar?) handwriting when Ominis had interrupted him.

"Sebastian? I think we need to start trimming the budding flowers now..."

His voice had blended in with the buzzing in Sebastian's ears as he stared intently down at the note in his hands. He had soon figured out who sent it - how could he not recognize her handwriting? - and the rest of Herbology class had been an absolute disaster. He had spent the whole rest of his time haphazardly massacring his plants and ignoring Ominis's pleas for help as he ruminated on her and what did she mean by her note? Her maddening laughter floated over the sound of tiny, precise snips as Sebastian's classmates did as they were supposed to, boring into his mind as he tried his hardest to figure out what she was up to.

Her plan's working, whatever it is. Sebastian has been frustrated to no end. She's nobody to him, just Anne's annoying best friend. Well, that's not entirely true, and Sebastian doesn't like to lie to himself. She was his closest friend last year, and the year before...ever since she arrived at Hogwarts, really. They did everything together, but something had changed when she visited that summer.

She had spent less time laughing with him, instead choosing to whisper with Anne about Merlin knows what, sometimes looking at him with an expression he couldn't place that had started to drive him crazy.

Sebastian had decided that a certain someone made no sense, that he would ignore the strange way his stomach would flip in her presence, and that he would focus all of his energy into besting her at everything. Maybe if she was embarrassed about being inferior to him, she would stop all of this. Although he would never admit it, he had started having nightmares about her gasping beneath him and needing him, that strange look from the summer flashing in dream-her's eyes, blissful fantasies that have him waking up hard and needing to cast a silencing charm around his bed before he can start his days.

Needless to say, these dreams have become infinitely worse this week.

What started out as a joke has quickly spiraled into an obsession. She soon finds herself watching Sebastian with breathless anticipation every time she sends a note over to him, relishing in the deep flush of his cheeks as he sneaks glances over his shoulder at her.

She doesn't really know what possessed her to start in the first place. A stroke of daring, she supposes as she finishes her latest note with a flourish and charms it to fold itself into a tiny swallow. And, she muses, watching the bird fly towards its victim, it's rather fun to fluster him so.

It's what he deserves, after all, after she has spent a whole year pining after him. A whole bloody year of sighing as he leaned over her shoulder in the library to point at something in her textbook, of his chin resting on top of her head, of warm breath tickling her ears, of watching him defeat every opponent in Crossed Wands, of watching him laugh despite himself at her little quips in Transfiguration. Of making sure -

She stifles a smile as she watches Sebastian eagerly grab the swallow as it flitters towards him. At first, he had tried acting nonchalant, like a cat biding its time before it pounces. Ignoring the notes she's been sending until he can't stand it and then: squashing them, smashing them, trapping them in his large hands, long fingers eager to unfold the note and see what she has to say.

Now, he has abandoned any pretense of aloofness he might have had before.

She can see it in the rigid set of his shoulders. The tension releases somewhat every time he opens a note, but quickly returns as he crumples them up and adds them to his collection. She hopes he's getting as wound up as she is, hopes that he's beginning to know an ounce of the suffering he has been putting her through.

A small voice in the back of her head tells her that she's being unfair, that maybe he's just oblivious - but then, why would he have looked at her like that all summer? And - almost the most maddening thing of all - ever since their seventh year started, he has made it a point to try and best her in every class. She couldn't move on from her silly little crush even if she wanted to, when his deep voice cuts through hers every single class to answer first, when he's always right ahead of her in Potions to get the best ingredients, when he's the one standing across from her in the mock duels in Hecat's class and as he raises his wand and her breath catches in her throat and -... Well, it's only fair, then, that she tries to distract him during class.

She's wondering what the next note should say, is lightly rubbing the edges of the quill's feather against her lips - did she go too far with the latest note? - when the scraping of a chair next to her pulls her out of her thoughts. She jumps at the jarring noise, the quill clatters on the table as it falls, and she feels her own face flush when she sees Sebastian sprawling himself out in the seat right next to hers.

There's a look on his face that she's never seen before and she feels as if all of the air has left her body when he leans in close to her - she could start counting his freckles if her brain hadn't gone completely empty - warm breath tickling her ear as he breathes, "What do you think you're doing?"

She hasn't thought this far ahead.

Why hadn't it occurred to her that Sebastian might confront her about the notes?

"I..." she falters, trying to get her thoughts working again, so that she can find something to say to get her out of this situation. Because she didn't actually want him to notice her, did she? And, what could she possibly say in defense of the filthy things she's been sending him all week? She can't seem to break eye contact with him: she swallows nervously: she tries again: "I -"

Her words fail her once again, when Sebastian's warm hand comes to rest on top of her thigh. Her thick wool skirt might be acting as a barrier between them, but it somehow feels like he's touching her bare skin and her whole body heats up uncontrollably. Even like this, his touch is better - more electric - than what she's been imagining this whole time.

He turns away and pulls parchment out with the hand that isn't actively caressing her thigh, and reaches across her for the quill that has fallen from her fingers. She hears scratching as he starts working on his equations - she vaguely thinks that she should be working on them too, isn't she supposed to be trying to do better than him? But -... her breathing is shallow - all of her nerve endings have seemingly migrated to the spot on her inner thigh that Sebastian's thumb is now massaging in tiny circles - maybe her brain has just packed its bags and left on holiday to Bath for all the use it's giving her now.

He doesn't even spare her a glance during the rest of the class, continues to diligently work on his equations for the first time all week, but his large hand remains on her thigh, completely obliterating any thought from her mind that doesn't have something to do with the warmth that keeps pooling deep in her stomach at his touch.

When the class is blissfully (unfortunately) over, Sebastian finally pulls his hand away and she squeaks in protest against her wishes - her thigh is now cold - that must be it (just discomfort, that's all) - she doesn't feel the relief she thought she would at his absence. He smirks down at the parchment he's rolling up, packs everything into his school bag, and leaves her behind without his eyes darting to hers even once.

Seven notes.

She has sent Sebastian seven bloody notes over the course of the last three days, and as he looks over at the crumpled up papers sitting on the desk in his dorm room, notes he tried his best to smooth out, he feels his heart race increase. He doesn't understand why she's doing this, but he does understand how it's making him feel. He could barely even think during Arithmancy, knowing how much his presence was affecting her, feeling her warm thigh under his hand. And when she protested when he removed his hand, well. He had to get out of there as fast as possible.

Maybe it's a good thing she didn't have the presence of mind to look at his arithmatic equations during class, because they are, unfortunately, incomprehensible. He had to keep up the charade by pretending to scribble for the rest of class, but now he almost regrets it - almost - because his pride won't allow him to ask Amit for his notes.

Sebastian has spent the evening poring over his textbook, trying to make sense of something that should be coming easily to him - Anne doesn't tease him about his strange obsession with numbers for no reason - and yet, his eyes keep wandering over to her notes. (Why did he even take them out of his bag in the first place?) (Why hasn't he burned those blasted things yet?) He has decided to forego studying in the library, the common room, and the Undercroft (places where he might see the object of his inner turmoil), and yet he is still getting nothing done even in the peaceful silence of his dormitory. Because her letters are shouting at him.

Well, not really, as they aren't Howlers. They might as well be, though, with how much he has reread them since he took them out of his bag. A smile spreads across his face despite himself as he puts his plaid jacket - the one he wore on Monday - on his chair to wear tomorrow. That stupid smile doesn't leave his face as he brushes his teeth next to Ominis before bed (thanking Merlin that Ominis is blind and can't pester him about what he cannot see), nor does it leave as he tries to fall asleep that night.

Suffice it to say, Sebastian does not get much sleep that night.

"...caught her snogging Prewett in the boathouse."

"Oh Merlin." A giggle. "I wonder if he's any good. Don't look at me like that, I know you've wondered the same thing..."

She blushes as she tucks her head down, trying to concentrate on the reading before her but it's difficult. First, because Sacharissa is being entirely too loud as she gossips with Grace - they might be some of the first at breakfast, but that doesn't mean they're alone - and second, because she is reading the book she filched from Sacharissa's bag. It's been charmed to look like a History of Magic textbook (nobody would ever be interested enough in one of those to filch it back) and she hopes that it's enough to make sure that no one distracts her in her research.

She has never had experience of the amorous sort before, and she has run out of things to put in the letters she's been sending to Sebastian - they were all just things she had been thinking, or things that she's overheard the boys saying when they thought they were alone. But what she's been reading in Sacharissa's novel - if it can even be called that - are enough to make her so hot and bothered that she's not sure if she should retreat back to her dorm room to read it in peace. As her eyes fly over the words, she pictures Sebastian doing those things to her, with her, and it's enough to make it so she's not even sure she can look him in the eye ever again. The feeling of his hand on her thigh the day before has imprinted itself on her body and in her brain and she barely got any sleep because of it.

"What are you reading?" asks Anne as she plops herself down on the bench, trying to look over her shoulder. She flinches and slams her book shut as fast as possible, feeling her traitorous face heat up. She knows she's making it all more suspicious, but Anne cannot find out. Anne shrugs and starts buttering her toast, stifling a yawn. "I never knew that the Vampire Treatises of the 15th century were so interesting. By the way, have you seen my brother at all? I couldn't find him last night and - Oi, Sebastian!"

Anne stands halfway up and starts waving him over, and she wishes she could vanish. Maybe, instead of researching fresh ways to torture him, she should have been learning how to most effectively vanish oneself from the face of the Earth. She's sure the heat she feels burning her cheeks as she sees him walk over to them is translating to her face being a bright, red, ugly beacon calling to him.

As he walks over to their table, looking entirely too irresistible in that plaid jacket of his, Merlin, his growth spurt really -

"Ladies," he says, nodding at them as he takes a seat across the table, "how did you sleep?"

She knows he's giving her a pointed look as he asks, but she has started to choke on the pumpkin juice she started drinking as he walked over - she is, unfortunately, picturing them doing some of the filthy things she's just read together - and could she really make more of a fool of herself than she already has at this point? But then - he grabs her book. Her heart lurches but she can't do anything due to the fact she's still spluttering over her pumpkin juice, and she watches in horrified fascination as he starts flicking through the pages. His eyebrows raise steadily higher and higher as he reads, his own face turning a shade of red she's certain matches her own. She curses herself again - vampires are so interesting, of course he would want to read about them - she should have made the cover a topic she knows Sebastian hates, like a compendium of spells to boost fingernail growth or a Duncan Hobhouse biography - but it's too late now.

Sebastian clears his throat and glances at her, and she sees uncertainty, vulnerability in his eyes as they make brief contact with hers. Finally her brain starts working - quite possibly for the first time since she started this stupid game in Herbology on Monday - and she hastily stands up, snatching the book from Sebastian's hands - he puts up no resistance - and clutches it to her chest as she blurts out in one breath: "I-slept-terribly-last-night-and-it's-all-thanks-to-you."

And now, she's fleeing the Great Hall, wondering what's gotten into her.

She next sees Sebastian during their Ancient Runes class. Well, she doesn't actually see him: she's made it a point to be the first to enter the class, and keeps her head down as she stares at her parchment the second everything is set up perfectly. Inkwell - parchment - her stupid replacement quill - textbook - everything is in place. After the disastrous event otherwise known as breakfast, she's decided that she's over her silly little crush, and she will never think about Sebastian Sallow again. She will never think about things she might say that will make him laugh again, she will never think of book recommendations again, she will certainly never think of his strong hands caressing her thigh again, and she will never, ever -

A tiny paper fox climbs into her hand.

I didn't get any sleep last night either, because of you. P.S. I still have your quill.

She flushes and looks over her shoulder. Sebastian flashes her a crooked smile that makes her stomach lurch in an unfamiliar way, before he ducks his head down and continues to scribble his translations with her quill. Her quill. A new flash of hatred surges through her - that's what these intense feelings must be - and she decides she needs to get it back.

Instead of translations, she hatefully scribbles down everything that she wants to do to Sebastian Sallow - she wants punch his stupid face, wait: she wants to kiss his stupid freckled face and hold his silly beautiful hands and she wants to feel the deep rumble of his laugh after her jokes as she rests her head on his shoulder and she wants to read next to him and have things be back to how they always were, and yet she wants more than that, more than just being friends, it's what she's wanted all along, isn't it? - and she marches after him when the class has finished.

Sebastian doesn't spare her a glance even though he has to know she's behind him with how much noise her frustrated huffing makes as they weave through the throngs of students in the hallways. It's lunchtime, and yet instead of heading to the Great Hall, he's leading her somewhere else.

He finally stops when they reach the top of the Astronomy Tower, and she opens her mouth to protest. She knows she's terribly flushed, her chest heaving as she glares up at him: "You are despicable! I need my quill -"

She's cut off from speaking as before she knows it, his hands are caressing her face and he is kissing her. Oh, Merlin, it's better than she could have hoped it to be, and her own traitorous body and mind have forgotten the alliance formed against him in the face of Sebastian Sallow's persistence and she's wrapping her arms around his neck and pulling him down closer, making sure he can't get away from her again.

Maybe later she can show him all of her notes on how much she hates him and they can have a laugh. Maybe later they can revisit some passages from the book she filched.

But right now, she doesn't let go of Sebastian.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[ricketycr1cks]

And if I say Mac grew up equating love to cigarette burns and absent fathers and getting told to toughen up, that Mac doesn’t understand love that isn’t conditional, love without equal parts hate or distaste, that never in his life has Mac understood earnest love, that even though Dennis isn’t trying to, he often ends up re-confirming this idea in Macs head, that love is hatred, that-

[gaytommykinard]

from the shallows to the deepest end - a bucktommy fic

aka the fake dating au from all the snippets and the "buck and tommy's grind profiles" edit words: 10k rating: M

summary:

Evan Buckley (an ally) signs up on Grindr looking for a fake boyfriend to take as his plus-one to his parents' wedding anniversary.

Tommy Kinard (guy who should know better) agrees to be his date.

special shout out to @tommysboyfriend and @erodingsinner for beta reading and listening to me whine while writing and being overall sweeties!!! ♥

tagging people who asked to be tagged or expressed interest in reading the fic under the cut (sorry it took me literally months to finish and ily all btw)

@not-so-witchy-witch @the-aqueerium @nieve-en-invierno-blog @lbltpsmspenguin @setmeatopthepyre

@iphyslitterator @evanntommy @jewishbuckley @dandelioncasey @cliophilyra

@stardustbuck @tommykinardkink @aringofsalt @wikiangela @tiltingheartand

@badbobshipsit @thatmexisaurusrex @half-oz-eddie @weewoo911 @ody3truther

@derangedsynthpop @louorcastiel @foxtrot91 @damagedfletching @rdng1230

@nicsastros @maliathewerecutie @feistygina @dirundmir @dreamingreality91

@thegingerparty @dustofdalek @marvelousbuckley @leashybebes @neotradpsyche

@bookwormagain @retromodgirl @dinolawyer @nonuniqueindie @aurorianne

@wolvesofinnistrad @trustme-imnormal @tedious-waffle @dudawhenmaybeart @lavenderleahy

@sailbowtie @unfuckablebogtroll @bibuckleykinard @apartmentsmoke @theweewooshow

@waywaychuck @a-mel0n @kinardevans @kinkleydiaz @piratefalls

@mountedeverest @imsogayandidontevenlikeboys @shakespearerants @buckevantommy @tommykinardbuckley

@rylivers @necromox @al-the-remix @the-little-red-queen @bucksboobs @visioninacone

@xofemeraldstars @buckscurls @harmonic-intervention @spacetimeconundrum @k4nd1-c0rn-c0rn

@tommyscurls @goodnightevan @hearteyestommykinard @agenttommykinard @theotherbuckley

@swagmaster9k @beefcakekinard @wikiangela @tommykinrd @breathe-2am

please don't feel obligated to read the fic or reblog the post, i'm just tagging everyone out of courtesy more than anything else! <3

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[incorrect-green-lantern-quotes]

Hey! Just wanna say im really glad i found this account ive been getting into green lantern comics recently and your page is a godsend.Aside from that its one of the few that isnt overrun with batman/batfam content propinng him or his orphan child soliders by putting down other dc characters..so i was curious if you knew any dc fanfics that portray the lanterns as competent and or calling bruce out on his bullshit ( sorry if my text is a bit jumbled english isnt my first language)

I'm glad you like my content!

Tbh the fanfiction situation for Green Lanterns is just as bad as it is on Tumblr, if not worse. So a few of these fics are going to be bat-centric, but I've specifically selected those that I feel actually respect and understand the GLs instead of flanderizing them to be stupid assholes.

I've tagged the authors whose Tumblr usernames I could find in the fic or their AO3 profiles. If you're one of the authors I haven't tagged, just let me know and I'll edit the post to add you.

But without further ado, the GL contents of my bookmarks in no particular order:

Fics where the Bats are uninvolved or only play a minor role

In the end, we all bleed Green. by @catboyollie (series) - a collection of GL shortfics

Kink Meme #5 by Perpetual Motion (perpetfic) - Most people forget Guy Gardner was a teacher...

Friendship, Ice Cream, and Green Lanterns by MildlyRebelliousMint - GLs hanging out after a battle

Family is What You Make Of It by @exasperatedfey - in which Hal has to bail his fellow GLs out of jail

In Case of Emergency by @susanphoenix - Kilowog’s been adopted by the Earth heroes as the GL to go to if they can’t find the earth lanterns. No one told him that.

i ate up all the light by @effietrinket1619 - Six times Hal was there for a fellow GL (and one time they're there for him). TW for roofie

Good Cop/Bad Cop by @meduseld - shortfic of Hal being a scary mf

Adrift by @rose-cake - Simon and Jessica are partners. That word has multiple meanings. Minor Simon/Jessica

These Mountains by pastelplastic - Superman meets Tomar-Re, the Green Lantern who failed to save Krypton

Justice League's most wanted fugitive: Hal Jordan by Panamic - The Justice League are trying to find Green Lantern. Hal does not want to be found by the JL. Shenanigans ensue

No Rest for a Superhero by Crimson_Crystal - Kyle sacrifices sleep to finish an art commission and crashes

A Mind Of His Own by @wolfsbanesparks - The Justice League finds out Captain Marvel is actually a kid, and Hal is the only one who still treats him like a fellow hero

The Goddess of Petty Annoyances by @galahadwilder - Jessica invades Apokolips specifically to annoy Darkseid. Crack

Shooting for the Stars by @green-lanterns-c0ck - Guy in his yellow ring era bumbles into saving a galaxy far far away. Crack crossover with Star Wars

canary in a coal mine by BrandyFromTheBottle - Guy is an asshole to Dinah, but he's trying to be better about it

Hal & Kyle fics (there's enough of these that they warrant their own category)

Luminance by @lanternwisp - Hal slowly realizing he thinks of Kyle as a son

trajectory from me to you by @softpunks - deaged!Kyle thinks Hal is his dad

the moldy cup is not a metaphor by MildlyRebelliousMint - Kyle calls Hal "dad" and Hal goes to visit Barry, totally not freaking out

friendly fields and open roads by @ufonaut - Hal returned to life and feels like shit. Kyle comes seeking a mentor.

ship in a bottle by @hopeworth - Two former hosts of Parallax meet up for brunch

Fics involving Bats that respect Green Lanterns

we're in the mellow mayhem together (series) by lunaratlasky - Jason seeks out Hal whenever he wants to piss off Bruce

Emergency Line (series) by @crucifixinhell - jason looked at hal once and went "you seem like good dad material"

For Whom We'd Give Blood (series) by Boogalee99 - How Hal Jordan becomes the favorite uncle of the batfam

There's Always Another One by lapsedpacifist - Dick gets fired and decides to crash at Hal's place

To Overcome Fear (ongoing) by @dc-sideblog - Stephanie gets fired and Kyle decides that if the Bats don't want a perfectly good superhero, the Green Lanterns definitely do

Disclosure by @aj-artjunkyard - Maybe Hal isn't as at peace with a certain android's death as he thought he was... and maybe he's not alone in his grief either.

Stars in a Paint-Filled Sky by @thenaphorism - Kyle has to explain to the Justice League why he has a Red Hood/Troia tramp stamp

because you know better by @matchahater - Ion and Red Hood contemplate the ethics of resurrection

catch the asteroids that come your way by @thepackwantsthed - the only JayKyle fic that I've ever liked

Justice League International - Spoiled! by @secretlystephaniebrown - Guy Gardner, Crystal Brown's childhood neighbor and best friend, ends up taking in her daughter Stephanie after an unexpected turn of events.

the superhero game (ongoing) by Nyame - Jason Todd Peggy Sue longfic ft. a near-omnipotent White Lantern

I'm gonna pin this post and update it as I encounter more fics I like, so drop some recommendations in the comments for me and everyone else!

[rawbin-hsr]

OMGGG Your latest smut fic is so amazing!!! The smut is absolutely delicious! but....the angst is breaking my heart so...could you please write a continuation or part two where the reader confronts Aventurine's dark internal thoughts and comforts them? A fic where they actually get him to believe that they love him for real, where they tell him that he's not a monster and that he wasn't ruining them.

You've got it ! (˵ •̀ ᴗ - ˵ ) ✧

Aventurine x Reader

You treat Aventurine with more respect than he deserves. (Part 2)

Read part 1 here !

CW: dehumanisation (internal, thoughts Aventurine has of himself, referring to himself as a “monster”), lots of mentions of death, passively suicidal Aventurine, violent imagery (through metaphors, nobody is actually physically harmed), intrusive thoughts, Aventurine thinks kind of vicious things about you (refers to you as "stupid", "brainless", "naive" etc), cursing.

Lmk if there’s anything else I should warn about !!

Small note: Spoiler alert sorry, but you will not completely fix Aventurine in this fic. Making any real progress would take YEARS. The trauma he's gone through and his beliefs about his own humanity are EXTREMELY deep-seated, just one conversation would not be enough to make him truly believe he was loved. Super sorry since I'm sure that's not what you wanted (you specifically requested they "truly get him to believe that they love him for real", but this does still end on a hopeful note so I hope you won't be too disappointed (•ᴗ•,, ) )

Sometimes Aventurine gains enough clarity to remember where he stands. More importantly, he gains enough clarity to remember where you should stand. That is to say, as far away from him as possible. Unfortunately, you are never keen on doing that. 

In these moments of clarity, he distances himself. If you won’t do it, he has to. He needs to. He needs to even when he can feel the little pieces of him that you’ve managed to haphazardly glue together splinter into tiny shards again, even when it feels like every step away is a step walked on shattered glass. He can hardly be called a ‘person’ anyways, what does his suffering matter? He has already lost so many good things, why not add another loss to the tally?

He reads your texts, but he doesn’t respond. He hangs up on you the moment you call. By doing this, he makes sure you know he is alive. Both because he knows it would devastate you if you thought he died, but even more so to make sure you know he is intentionally ignoring you. He hopes at least some part of you hates him. He thinks part of him hates you.

But he can never stay away for long. Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. Thoughts of you always cloud his mind too much to do what is right. He reminds himself he will destroy you. He comes back anyways. He is too selfish not to. 

And you welcome him with open arms every time. Sure, sometimes you yell. Sometimes you berate him. Sometimes you cry. But he never does something beyond the bounds of what you’ll forgive, even though he tries to. You’re patient to a fault. Though he feels bad, he never takes it fully seriously, because you always hold him with so much sweetness, even when your words are filled with righteous anger and justified hurt. You always end it by reminding him that you love him. Something clenches in his chest; something that is not his heart, because he has none. He claims he is sorry, but you both know he will do this again. He always does. You know he will hurt you over and over, even if you don’t know the extent. You know he will test you, that he will ignore you, that he will cling to you and that he will taunt you. You don’t know he will drag his claws through you and tear you to ribbons; you don’t know he will sink his teeth into your neck and drink all your blood; you don’t know he will lure you to sea and drown you. You are never aware of the true danger you are in. 

Maybe that’s why you one day feel comfortable enough to corner the creature that has taken on the appearance of a lover. You sit down next to him in bed one evening after one of his many attempts to push you away, your expression grim. You look straight ahead, right into his dead eyes, unaware that a monster is towering over you. 

“We can’t go on like this,” you say. For one moment, the crushing relief and devastation threatens to consume him, and he’s not sure which of the feelings is stronger. For one moment he can’t breathe. 

He hacks our a laugh, his skin straining. Something is shifting beneath his flesh, something ugly and dangerous. He needs to leave and he needs to do it quickly. 

“You’re right, we can’t,” he agrees, his voice a lot more steady than he feels. He feels the urge to grab you and shake you until you pass out. He feels the urge to suck out your life force until your body is an empty husk. He feels the urge to slam your head into the bathroom sink in the next room over. He feels the urge to shoot himself in the head, because he does not want to do any of that. 

“I love you,” you say, unexpectedly. Or maybe it’s not unexpected. You always say such stupid, brainless things. (You say it with sweetness. The only sweetness he can offer in return is the sweetness of bacteria digesting rotting meat. Is the flesh his, or will it be yours?) He laughs again. 

“I thought we were breaking up,” he says. Smirking, as if it’s funny. (It isn’t.)

“No, we’re really not,” you say firmly. He snorts. 

“Maybe we should.”

You don’t answer. Instead, you come closer. 

Get away, he thinks. Run, you fucking idiot. 

You don’t have many flaws, but the ones you do have are insurmountably big. You are too forgiving, you are too kind, you are too selfless, you are too naive. You will kill yourself doing this one day. You will let him kill you.

Your arms wrap around him. He can’t help but relax. The thing lurking under his human disguise grows more restless. 

“I don’t hate you,” you say, unexpectedly. And this one really is unexpected, because what made you say that? Your arms squeeze around him tighter. “I thought I was being obvious enough about that, but you’re so bad at understanding it.”

The feeling he has is the same as the feeling he gets when he realises a deal is going awry. You are the highest risk stakes he has ever made a bet on: will he ruin you, or will you ruin him? What you could do to him is so much more serious than death. He knows that he is holding a losing hand. He doesn’t even know what he stands to win.

You kiss his neck. He shudders. 

“Why are you so scared of me?” you ask. 

Scared? He is not scared. What an outright laughable concept. Neither of you are scared, but if one of you was, it should be you, but you aren’t, for some reason.

“What gives you that idea?” he chuckles, but his voice is not as steady this time, and he can feel his smile slipping. (What is wrong with him? He doesn’t want to think about it. The answer is always ‘everything’.)

“Your hand is shaking.”

It is, but that is not because he is afraid. Fear is a human response, borne from the desire to live. It is instinctual. It means kicking and screaming, it means clawing your way out of hell for the chance to see another day, it means fighting for the life you don’t want to end. He cannot die, you see. Death cannot occur twice. Just because his body reacts, that does not necessarily mean he can truly fear any longer.

(Then again, maybe his reaction does not come from the thought of his death.)

“I’m not scared,” he says, and his voice sounds a lot weaker than he had expected. You pull him closer, cradling his head against the crook of your neck. His blood is pulsing too quickly.

“It would be okay if you were,” you murmur. “I know you don’t know how to be loved. That’s okay. I’ll teach you. You just have to let me.”

Squash. Slice. Tear.

Maybe you are the monster. He can feel your claws prying his chest open; he can feel your teeth dig into his flesh; he can feel something that is not air fill his lungs. The biggest difference between you and him is that he devours, while you give. You painfully shove something back into the cavity meant to contain his soul, you pump blood back into his system, and you fill whatever gaps are left in him with something that is first cold but quickly warms. 

(He realises, belatedly, that something is pumping inside his chest again. But it can’t be a heart, can it? He lost that so long ago.)

“I’ll kill you,” he manages through gritted teeth, claws digging into your shirt. It is not a threat. It is not a warning. It is just the truth.

“You think too much,” you admonish him. Your tone is as gentle as your words are cutting. “I wish you would trust me more. You’re so determined to ruin your own life, and I don’t like it.”

“That’s just how I am. Deal with it or leave.”

“I’ll deal with it, then.”

Like a werewolf called by the full moon; like a vampire to blood; like a siren to a sailor. He will destroy you. But you accept it. 

He has tried time and time again to push you away, but he is weak. So incorrigibly weak, and though your flaws are insurmountable, his are all-consuming. He is a monster in all the ways that matter. But you stubbornly will not leave despite that. 

(Maybe that makes him a little more willing to try to change his nature. Just a little. Just for you. If you will not leave anyways, maybe he could try to make his presence a little less torturous.)

“Just… please stop ignoring me,” you sigh, nuzzling into his hair. Tenderly, tenderly, tenderly, so tenderly it makes his skin crawl. Your claws are softly piercing into him and he is helpless, unable (unwilling) to fight back. “I can deal with everything else. I just hate it when you do that. I can’t keep going weeks without speaking to you. I know you have some kind of… weird ideas that I’d be better off without you, but that’s not true. I love you, and I love being around you. I can’t help you when you cut me off at every corner.”

Cut, slice, slash.

Something in him breaks. Something he knows cannot be salvaged. Something he knows you would not want to salvage. Something he is not sure if he wants to salvage either, now that it is broken anyways.

He breathes a shaky breath, his fingers — his fingers, not claws, not this time — digging into your back. He buries his face into the crook of your neck, and he does not feel the urge to bite down. Though his eyes feel wet, it would not be enough water to drown you. 

He knows your line of logic is wrong. He knows the fact remains unchanged: he is a monster of a man. He will ruin you. But maybe your presence sparks enough electricity to keep his heart pumping, just for a little while, and maybe he can wait until things actually start going downhill before he lets you go. Maybe he can remember how to be a human for a bit, maybe he can pretend he is. 

“I just… don’t want to do something I can’t take back,” he whispers. “Not with you. You’re the… the only good thing I have left. I don’t know what I’d do if I…”

“That’s sweet, but I’m not as weak as you think I am,” you reply. “I’ve held out this long, haven’t I? Put more faith in me.”

He smiles.

“Yeah, I guess you’re right.”

---------------------------------------------------------

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3 Also reblogs are EXTREMELY appreciated the final push I needed to finish this was from a very kind individual who reposted and analysed my writing I've been riding that high ever since they did that ily bro

[secrescaryat]

// pentiment spoilers (implied ig but still there)

more of these because i was inspired

[callisteios]

I have a new uquiz for you, go on a pilgrimage with me. discover who you are.

[myokk]

🥺

[labyrinthofpassion]

I made a 4 hour 9-1-1 deep dive because this show cured my depression (sort of.) anyone in this thread seen Step Up: All In?

[peridots-pixiwolf]

[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

[the-broken-pen]

Hi! I love love LOVE your writing so much!!!❤️❤️(it’s the only thing sometimes that can help me reorient myself when life sucks)-

Idk if you’ve already written a work like this- but could you write about a villain who fakes being in a relationship with hero to get information. Hero absolutely loves them and thinks that they can finally be happy….but then Villain breaks their heart- while saying they never loved them and that it was all a lie.

and then later on Villain regrets it and realizes they are actually obsessed with hero and go full psycho?

The hero had spent their childhood watching as their parents fought viciously with one another. Slamming doors and breaking plates, and then sullen, withdrawn and nearly silent conversations illuminated only by the dying lamp in the corner of the living room. Whatever the hero’s parents had, it wasn’t love, and never would be. The hero had no way of knowing if it ever had been. 

And then the hero had watched as time after time, their sister loved someone with her whole heart and was left shattered on the hero’s doorstep at the end of it. Fairytales that ended with no happy ending, ripped up love notes and a hundred playlists made for people their sister could no longer bear to name out loud.

The hero had watched their entire family reach for love and fall flat every time, and had resigned themself to a fate of the kind of heartbreak you cannot escape. The kind that hangs over heads like a cloud and fogs mirrors.

And then–

The villain. The hero had met the villain, and the villain had smiled, and they thought maybe, just maybe, they had beaten the curse. That they were meant for the soft kind of love they had only imagined when they were young, before the pain of it got too great.

The hero had let the villain intertwine themself into the hero’s life, and they had thought they were okay. They had thought they had made it. 

Which was why, now, they couldn’t seem to make themself think anything sensical at all.

The villain settled the file in front of the hero gently, on the table they had picked out together with as much care as one was capable of. They almost, almost, looked like they regretted it, face soft and breakable.

The villain cleared their throat in the silence. “If you just read it–”

“What, can’t say it yourself?”

The villain stopped, swallowing. This was the first time in a very long time the hero had seen them look unsure.

The hero scoffed at them. “I know about Project Pegasus.”

The villain went very, very still. They looked down towards the folder.

“So then–”

“This?” the hero picked up the folder, waving it once. They tossed it onto the floor without looking. “I’ve already read it. Two weeks ago.” They stared at the villain, and did their best not to blink. “I just hoped it was fake.”

The hero wondered if maybe, this was what had happened to their parents. If they had spent all of that time fighting and hating one another and crying in darkened rooms just so they could spend the rest of it constantly reaching back towards one another. Pretending that the file wasn’t real. That the fights were nothing more than a blip in existence and not the roots of a rot so deep it would never be fully cut out of them. 

They had wondered about a lot of things, curled on the bathroom floor around that wretched file, but mostly they had wondered if they had always been meant to end up here. If this was what being doomed felt like. 

The villain blinked.

“You hoped it was fake.”

The hero felt a little like they couldn’t breathe. They sucked a shallow breath in through their nose anyways. 

“If you–” their voice broke. “If you were me, would you want to believe it?”

The villain’s shoulders, almost imperceptibly, slumped.

“I’m sorry.”

“Oh, are you?”

“Yes,” the villain said, but in the space where they should have explained themself, where they should have said it was fake, and that they loved the hero more than anything, and that this little apartment meant everything to them–they said nothing.

“So, what,” the hero snapped, voice wet with barely held back tears. “You’re going to tell me you didn’t mean for me to fall in love with you? That this was an accident? That you’re sorry again? That you never meant to hurt me–”

“No,” the villain corrected gently. “You were always meant to fall in love with me.”

A tiny sob wormed its way out of the hero’s throat before they could stop themself, and they pressed their shaking fist to their mouth before anything else could follow, turning away.

“It was just about the information,” the villain said, and the hero shoved themself back from the table, just to get further away from the love of their life.

“You knew what you were doing,” the hero said bitterly. “You know me. You knew. You knew I would never be able to get over this, and you did it anyways–”

“It’s my job,” the villain protested, and it took the hero everything in them to remain standing. “It wasn’t personal.”

“You made yourself my world, you made yourself into my everything, you made me fall in love with you–”

“I never made you do anything.”

“Don’t say that. You don’t get to say that. This was your goal, wasn’t it? Own up to your accomplishments. Go on. Tell me how proud you are. Do it.”

“Hero.”

“I loved you,” the hero was screaming, maybe.

And there it was. Past tense.

Loved.

The villain stepped back like the hero had slapped them.

“Hero,” their voice was barely a whisper.

The hero picked up the file. Rifled through it once more.

“Hero–”

The hero held out the file. The villain didn’t take it, hands remaining limp at their side.

“Take it.” They gestured with the file. “Take it, and get out.”

The villain sucked in a breath.

“Hero,” the villain said again, uselessly. 

“Tell me you love me, then. Tell me you meant it.” They gestured to the file once more. “Tell me that this is the lie.”

“I can’t.”

“Tell me.”

The villain opened their mouth, and for a second, the hero hoped–

“I don’t love you.” 

The hero wished the villain had just killed them. 

“I never loved you. It was all a lie. A really, really pretty lie.”

The hero wanted to say something elegant to that. Something biting and vicious and jagged in the same way the inside of them felt right now. They wanted to say everything they had felt earlier, every thought that had cut them so that it could cut the villain too.

Instead, all they managed was a choked, “Get out.”

They threw the file at the villain.

The villain didn’t bother to catch it, letting it slam into their chest. It thudded against the floor, papers spilling out in a halo around the villain’s feet.

A part of them wanted the villain to argue further.

A part of them just wanted the villain dead.

“I’m sorry,” the villain said once more, and then they were gone.

The villain had known as soon as the hero had thrown that file that they wanted the villain dead. 

That they were more likely to claw their own bones apart than willingly reach for the villain’s hand again, and the logical part of their brain was viciously pleased about it.

It made this whole thing easier. No lingering attachments to further butcher. Just a field, burned so badly nothing would ever grow in it again, and god, wasn’t that convenient for their mission. 

A tiny, smothered part of their brain, however, wouldn’t stop screaming.

They drowned it.

But then the villain would catch themself glancing to their side in search of a smile. They would wait a beat too long after they said something, would wait for laughter, and then there would be none, and they would curse themself for it, and that little part of them would come gasping back to life and start screaming again.

Possibly it was that little part of them that had made them send a message to the hero, offering the apartment. It was the least they could do, right? Fuck up their life and then get the fuck out of it. 

But the texts had said delivered, but never read, and three days later when the villain used their key to open the lock, they found themself stepping into a mausoleum and not a home. 

They weren’t sure what they were expecting, but it wasn’t this. Dust hanging in the air. Blank squares left on the walls where pictures had once hung. Empty cabinets, empty floors, empty rooms; no, whatever they had been expecting, it wasn’t this.

For a reason they couldn’t name, they went from room to room, searching for something without quite understanding what. It wasn’t until they had come full circle back into the living room, fingers coated in dust and an aching chest, that the villain had realized. Ghosts. They were looking for ghosts. 

Because there was nothing better to describe the way they felt right now other than haunted. And if there was something, anything, of the hero left in here to burn, to destroy, to exorcise, they could use it as an excuse–

There was nothing left of the hero. There were no ghosts. This place was just dead.

The villain made a shuddering little sound, and slammed the front door closed behind them when they managed to stumble into the hallway. 

This was an easy mission, it was–

–two years and dates over ramen and houseplants–

–something even a new recruit could do–

–i love you’s in the dark and the scent of the hero on all of their clothes and–

–something the villain was trained for, countless hours spent–

–laughing and crying and rainy days and sunny ones–

–learning how to fake love, and somehow–

–the villain had forgotten it was fake.

The villain couldn’t breathe.

The villain had forgotten they weren’t supposed to fall in love, too.

The villain had forgotten they weren’t supposed to fall in love too, and they had just set their entire world ablaze around themself.

Fuck.

It really only made sense, then, that they found themself standing on the roof of their old apartment building as it burned. And when that didn’t work, they moved onto the next, until a third building went up in flames beneath their feet. They knew the kind of message it would send, and they knew exactly who that message would get sent to–

The hero landed on the other end of the rooftop, as far away from the villain as they could possibly get. 

“Stop,” the hero hissed, teeth clenched. “Stop lighting things on fire to get my attention, just stop–”

“I’m in love with you,” the villain said, voice wrecked, and the hero reacted like the villain had shot them. They stepped away, feet bumping against the edge like the fall was a better option than the villain.

“No,” the hero said. They shook as they said it. “Stop it. You don’t get to do this to me.”

“I love you,” the villain said again, and the hero pressed a hand over their own heart.

“Stay away from me,” the hero managed after a moment. Another deep breath, and their hand dropped back down to their side. “Go do whatever it is you need to do, go ruin anyone else’s life, and stay out of the wreckage of mine.”

“We have a life together,” the villain tried. If the hero could just see, could see that they could fix it– “I’m sorry. I was stupid, I was so, so stupid. But you can’t just leave, please, just let me fix it–”

“I told you to get out,” the hero said, and there was nothing soft in their eyes as they looked at the villain. “What about the way I said it made you think it was temporary?”

“Hero, please, let me fix–”

“Villain,” the hero said calmly, voice sharp. “Some things aren’t meant to be rebuilt.”

All of the air left the villain’s lungs in a pathetic sort of wheeze.

“You’re my everything,” the villain choked out. “My whole world, and I’m so sorry. I was–I made a mistake, but you can’t just throw us away–”

“No,” the hero spat, and the villain flinched. “You burned that world to the ground. You’re standing in the ashes of it. You don’t get to come to me begging for it back.”

The villain felt unmoored. Like the world had shifted one step to the left and they had no idea what to do with their limbs anymore, no idea how to keep existing.

“But I love you.”

“The only person who feels anything when you say that is you.”

This time, it was the villain who stepped back.

“Please,” the villain whispered, and the hero closed their eyes.

“What were you expecting to happen. That I would forgive you? Would fall back into your arms? You could tell me that you’re sorry in every language for the rest of your life and that wouldn’t make what you did hurt me any less. So why would you think you could light a building on fire, tell me you love me, and then make everything go back to the way it was?”

“I–I don’t–”

“There is no back,” the hero said firmly. “There is no undo.”

“I don’t know what to do,” the villain said. A tear dripped off the edge of their chin.

The hero appraised them.

“Learn to live with it.”

The villain sucked in a shuddering breath.

“I can’t live without you, okay, I can’t–”

“Then die.”

The villain froze. They waited for the hero to take it back, but the hero just stared at them, face stony and cold. An avenging angel on the edge of the rooftop, firelight flickering at their back and smoke rising into the air, not an ounce of sympathy left in their bones for the villain.

And before the villain could say anything, say that the hero couldn’t possibly mean that, the hero spoke again.

“I mean it. You are not my problem.”

The villain was choking. They were drowning on air and the hole they had left inside of themself when they ripped the hero out of their life and the hero was just watching them–

“Please,” they said pathetically, and even as they said it they knew it was futile.

The hero didn’t bother to give them another response.

They watched the hero leave without saying anything, smoke beginning to sting their eyes and nose as their hands shook. 

It felt terminal. It felt world-ending. It felt deserved.

They wished the hero had just killed them.

[protect-namine]

yingdu episode 5 spoilers

ohhh my god this is everything I want from cheng xiaoshi. yes. perfect. sorry, but I'm a cheng xiaoshi whump liker and link click always brings out the best of them in episode 5 of each season.

there's just something cathartic about how when cheng xiaoshi becomes an emotional mess, it's also when he's most disconnected with the people he knows (physically, as he's diving in a photo and his only link to his home timeframe is a disembodied lu guang in his head) but it's also when he's most connected with strangers (when their own personal trauma lines up with his). to me, it's a showcase of empathy and a strange manifestation of his own agency. something about how the disconnect gives him the space to blow up, and the connection heightens it and grants him permission, almost, to express his anger more freely for his own sake and for another person's behalf.

like. listen, okay, I'm gonna ramble now because cheng xiaoshi is my favorite character in this entire show, but listen. sometimes some fans will conflate adjectives to his character that are usually associated with his character archetype, but they aren't necessarily true about him as a character. and I don't mean it in a, "he's not like that because he grows out of those traits" kind of way. I mean it in a, "he was never like that" kind of way.

one of those adjectives, for me, is when people call him immature. he isn't! to me! imo! he's got big emotions, yes, but I personally don't think the presence of big emotions indicates anything about maturity. because you know what? as long as his primary trauma (feelings of abandonment) isn't touched, he is very good at handling interpersonal conflicts, and that's what's interesting to me.

qiao ling hides relevant information from him? he removes himself from the situation to give himself space and sort out his feelings. he tells her he's fine and that he'll be back.

post-earthquake arc? I'll just copy paste what I already said in a previous ask:

what initially got me was when I was first watching S1, I thought the earthquake arc would have devastating effects on [shiguang's] relationship. listen, I didn’t know what I was getting into with link click, but I thought that was expected. it’s ripe for drama! but how do they handle the fight? they put their side business on hold but they still keep being roommates. they still do their day job. they still talk. they’re still upset but they give each other space but not to the point where they can’t stand existing in each other’s spaces. that’s when I realized that oh, they really trust each other. they have a very solid foundation for their relationship that not even the earthquake arc can break. they’re pretty level-headed about this, actually, all things considered? all the doomed yaoi stuff came later, but that’s just the cherry on top. it’s the way they handled conflict and disappointment in S1 that got me.

okay, protect-namine, why go through that whole tangent? BECAUSE! circling back to yingdu episode 5, we finally, finally get to see cheng xiaoshi let out some of his anger. and it's precisely because his primary trauma point was on the table. he can forgive a friend lying, and he can forgive being told not to change the past. because at the end of the day, qiao ling and lu guang stayed. they never left him.

but he cannot handle abandonment. he cannot understand why people leave. he cannot understand why he's been clinging on to false hope this entire time. and more importantly, he cannot understand how someone can be such a hypocrite about it. "a man who'd rather be kind to strangers than face his own son" like fuck man. cheng weimin you fucked up so bad.

it's the disconnect/connect thing again too. thematically, it makes sense. when does cheng xiaoshi blow up? when he's alone, far away from the people that ground him. alone, the feeling he hates the most. he's not even in his own body. he blows up when he's inhabiting a stranger's. he doesn't even get to be angry as cheng xiaoshi.

how fucked up is that. man. I love him so much.

also I'm going crazyyyy over the family themes going on in link click. much to say about the show itself across all seasons (the twins, qiao ling and cheng xiaoshi, even the liu siblings), but for this episode... god. okay this is slight speculation territory now and I'll try to keep this very short, because this is only tangential to the post. but. imagine xia fei getting the good parent figure in cheng weimin that cheng xiaoshi never had. and he doesn't know!! he's bitter inside about his dad and he's having hotpot with xia fei and he doesn't know he was in that school!! fuck that's so good. that's so juicy.

okay, sorry, I have a lot of feelings about cheng xiaoshi. he's my link click blorbo of all time, and I love when he experiences The Horrors™ because it's also when other sides of him gets to shine.

on a brighter note:

VEIN AND CHENG XIAOSHI MEETING AGAIN!!! their greeting was so cute. also omg does xia fei know? that his boss is maybe possibly a cannibal? actually, wait, I don't think I'd be surprised if he does know.

ah and finally. finally:

I've been having many thoughts on how yingdu approaches "friendships" and their transactional nature (mostly with regards to liu xiao) but I mostly thought they're headcanon stuff. but now. I'm so so happy that episode 5 is bringing out more of the quid pro quo theme. liu xiao with the gift giving. wang qing's "friends" (bullies) demanding her to cheat on the exam for them. and now, vein and cheng xiaoshi having a friendly greeting but also exchanging favors. so good. so good. it goes along with how there's so much handshakes and handholding this season (not just with lu guang and cheng xiaoshi, but with cheng xiaoshi and the the antagonist trio too, who have all met him by "helping" him in some way). something something trust and favors. probably something that deserves its own post though, but I wanted to point this out because I am soooo here for that. it's goes hand in hand (ha!) with the whole fraud/lies vs innocence/honesty theme this season, and deals/contracts being an equalizer to the two. very good. very tasty.

edit: ooh they also point to this in the YE6 trailer too. nice, nice. if you knew someone's true colors, would you still be their friend?

man, I love episode 5. it just hits all the stuff I personally wanted to see. the only flaw is that we still haven't seen the older version of wang qing, but yeah I kinda expected that they'll hide her until episode 6. they're giving her the liu xiao treatment from season 2. sigh. really wish she'd keep showing up in S3, we need more female characters in this show 🙏

[nandermoenthusiast]

The coffin lands with a crash, Nandor already out of it gracefully as his vampiric nature grants him.

“Have you survived the fall Guillermo, are you allright?” he asks haughtily and with a barely concealed predatory grin at the yelping heap of limbs and clothes that is Guillermo right now. Of course he was never truly worried for his well being, Guillermo might be human, but he is no regular human, if his van Helsing blood has anything to say about that. Nandor just likes to tease.

“Yes master, im fine, i just wasnt prepa-“

Nandor offers him a hand out of the coffin, the way Guillermo has done so many times before for him. Nandor looks at him curiously, Guillermo looks all flustered right now, hes cute. Hes always cute of course, but damn. He hasn’t even realised the obvious parallel yet, just took his hand absent-mindedly as he was rambling about something. His hair is all mussed up too. Cute.

Probably the moment registers into Guillermo’s mind as Nandor hears his muttering protests suddenly cut short. He’s looking at their gingerly intertwined hands and kinda looks like hes about to swallow a frog, or maybe like he’s about to start crying again. This fucking guy. Always a theatrics with him. But Nandor has learned to lean into his little guy’s moods. He leaves him to his maybe horny maybe emotional thoughts and finishes helping him out of the coffin.

The air is thick between them now. He can sort of hear Guillermo’s heartbeat from this distance, the little guy probably has a concert thumping in his ears right now. Nandor enjoys playing with his food, always has, and today is no different. He takes a step closer. Guillermo takes an infinitesimal step back. There is a wall very close to his back. Right where Nandor wanted him.

“You know as i was saying about the cameras, Guillermo…” he starts feign-casual as he very not casually hovers over him, black eyes boring into him with the fire that only very rarely comes out in front of the crew. Guillermo looks like he’s a mixture between disbelieving and like he’s gonna pass out from hyperventilation at a moments notice. It’s an endearing mix.

“Y-yes, you -were saying something about your hair…” Guillermo couldn’t physically look away from Nandor if his life depended on it right now.

“And other reasons”, very seriously.

“- Yeah”, an exhale.

Just look at his eager little eyes. Should he put the guy out of his misery? Well come to think of it, should he put himself out of his own misery? He’s been in love with the guy for the better part of a decade now. Of course he’s not about to say that now. Let him play the part of suave vampire for his Guillermo, let him fullfill any fantasy he’s ever had, at the very least this very first time they do this dance. There will be time for the mushy stuff later. Come to think of it, what is Nandor doing?? Acting on years of pent up sexual and romantic tension, of course, but what is he setting himself up to? Heartbreak.

Violent, earth shattering heartbreak. Maybe not today, maybe not in 10 years, but soon. Soon to a vampire anyway. No- you don’t know that. If Guillermo loves me, he might find a way to not leave me like he always does. He always does leave. But then he also always comes back. Doesn’t he? Nandor loses himself in these thoughts for a moment, and Guillermo seems to notice his mind is suddenly somewhere else.

Oh, to be known so completely. Oh, to have a worthy partner, a partner who knows everything about you, a Lazlo to your Nadja, a Charmaine to your Sean, a Sire to your Baron. And to have to lose it in a matter of years. Just his luck. But also like Colin Robinson said, dont be sad cause its over, smile cause it happened.

Nandor’s eyes keep searching Guillermo’s as he draws closer and closer, eyes intensely registering every microexpression on his beloved’s face, the little crinkle between his brows and the small nervous smile that’s forming around his lips. His hands land seamlessly and delicately on either side of Guillermo’s face, and he feels his breath hitch. He really doesn’t give a flying fuck if he’s gonna suffer for a thousand years, Guillermo is here right now and he looks like he’s gonna break under his touch. One hand goes to cradle his head, thumb delicately swiping over Guillermo’s ear and pulse point, as Nandor brings their noses together and they breathe the same air for a moment. The other hand is held gently across his cheek, just there, a reassuring weight. “I’m going to kiss you now”.

And Nandor kisses him.