#song: you didn't know

[vaggieslefteye]

WHY HIDE THE FACT THAT YOU'RE AN ANGEL JUST LIKE US?

[mirmirma]

🎵 What the fuck, Sera? 🎵

[lemonycranberries]

"if hell is forever then heaven must be a lie" is such a metal line that i most definitely did not expect would come from fucking hazbin hotel

[lazylittledragon]

so how about that durge

[technically-human]

Your art is so, so, so, so cute. If you ever were so inclined, I would love to see your take on Charles finally getting to eat a plate of spaghetti

Edwin wasn't too sure he liked it, but I think he's convinced now!

ko-fi

[zivazivc]

“Floyd, could you sing to me?”

The big brother looked up from where he was tucking the blanket under Branch’s feet. “Sure thing,” he said with a light smile.  “What would you like to hear? A lullaby?”

“I don’t know,” Branch mumbled as he nestled his head into the pillow. “You choose.”

Floyd could still see a crease of worry between his baby brother’s brows. He softly brushed a thumb over it in a silent reassurance that everything was going to be okay before he turned around to reach for their dad’s old guitar.

I think Floyd would often sing to Branch to get him to fall asleep, usually the songs and lullabies their parents sang when the older four were still little.

I know in the movie it seemed like they all left right after their fight, but I like to imagine that they just stormed off to cool off and that they actually left in the following days. And that this was the last song Floyd sang for Branch that night. :')

Both Sides Now (specifically this cover by Voncken) Rows and flows of angel hair And ice cream castles in the air And feather canyons everywhere I've looked at clouds that way But now they only block the sun They snow and rain on everyone So many things I would've done But clouds got in the way I've looked at clouds from both sides now From up and down, and still somehow It's clouds’ illusions, I recall I really don't know clouds at all Moons and Junes and Ferris wheels The dizzy dancin' way you feel When every fairy tale comes real I've looked at love that way But now it's just another show You leave 'em laughin' as you go And if you care, don't let them know Don't give yourself away I've looked at love from both sides now From give and take, and still somehow It's love's illusions, I recall I really don't know love at all Tears and fears and feeling proud To say "I love you" right out loud Dreams and schemes and circus crowds I've looked at life that way But now my friends, they’re acting strange They shake their heads, and say I've changed Well, something's lost, but something's gained In living life each day I've looked at life from both sides now From up and down And give and take And win and lose, and still somehow It's life's illusions, I recall I really don't know life... I really don't know life at all

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[sweetsouldhavernas]

I need more time but time can't be borrowed I'd leave it all behind if I could follow Since the love that you left is all that I got I want you to know

[cecoeur]

How do you sleep at night? No one to hide behind Betrayed every alibi you had You had every chance to make amends instead you got drunk on bitterness And you still claim that you're innocent, it's sad

[hoshiina]

pairing: narumi gen x gn!reader (no prns)

summary: he's always thought that anyone would do if he just wanted to find love but he realizes you're the one he wishes for, inspired by pop song by yonezu kenshi

warnings: some profanities from narumi

wc: 1300

Narumi Gen hated a lot of things, but one of his least favourites of all time was "true love". He despised when people would describe their love for another as "true love". It couldn't possibly be that serious. Just say you loved your partner. That was probably the extent feelings got to anyways— you just so happened to like each other at the same time. To him that was plenty of a feat alone, why would you have to make it sound like more than it is? For the sake of love? Ridiculous.

To him, that was truly all love was. If there was someone who liked him when he happened to like them too, that was enough. No need for years of pining, no need to get attached to some unrequited love. All that noise about love and destiny surely wasn't all that necessary.

Now, this wasn't to say that he didn't wish to find love— because he did. Like any other person, he truly wished to be loved. It was just that what he had in mind wasn't some deep pure love that'd last forever, nor was it a promise for eternity. He just wished for a light-hearted "I love you" here and there with someone he found special.

And for that, anyone would do. He'd find someone who fancied him along the way, and hopefully he'd like them back. That was all there was to it.

This meant his plan for finding his partner was sitting around and waiting. As horribly lame as that sounded, because he was Narumi Gen, this wasn't that hopeless of a plan. So, that's what he did. He'd go around saving people and doing his duties (to the absolute bare minimum) while making sure he was constantly trending, hoping that one day, someone would like him.

Today he was standing around for a solid five extra minutes after he defeated the honju with ease, hoping the media would snap some nice pictures of him, or he'd finally charm someone this time.

"Captain, you ought to stop that," you said. "It's rather embarrassing, you look desperate now."

"Oh, would you shut up," he said. "You're ruining my good name!"

You snorted. "What good name," you scoffed.

"I'm starting to think its your fault I'm not charming anyone. Perhaps if you didn't stop me every time, someone would have found me by now," he said.

"Yeah, right. Captain Ashiro seems to be having no issues charming people and I've never seen her try to," you said.

"You little shit," he said.

"Besides they're going to be utterly disappointed if they think this is what you're like and then they find out what you're… actually like," you said, and he was starting to think you wanted him to fire you. "It's okay. Someone will see how you're actually lovely at times soon."

"What?" he asked, shocked by what you said.

"What?" you replied, confused.

"You— you said lovely," he said quietly. Suddenly he felt flustered.

"Oh," you said, looking away and avoiding eye contact. It wasn't like you didn't mean to say that, but you didn't think it was that big of a deal. Rather, how flustered he sounded took you by surprise. “Well, you’re a little lame but you’re a good guy. Like you pretend you only do it for the media, but I know you’re always checking the alleyways that don’t have as much surveillance just in case, and checking alleyways isn’t something a captain has to do. And we both know the media isn’t writing about anything you do there. Things like that.”

“You never know!” he said, and you snorted.

“Alright then,” you said. “You do you, Captain.”

“I will!” he said back, trying to sound proud.

A week had passed and here he was, doing what he always did after arriving fashionably late to the scene and taking all the kaiju out in a matter of minutes: standing around trying to look good. Because he wanted love, and anyone would do. Anyone who liked him was supposed to do.

...

And yet he wished for you.

He wished that when he woke up, the first thing he would see was you. He wished that you'd smile at him everyday with love and genuine joy the way you did to others, and he wished that you’d smile that way to him alone. He wished that after a long day, he was the one you came home to. He wished from the bottom of his heart that you would always be safe and no harm would ever come your way. He wished that your days were filled with laughter and smiles and he knew he would risk his life to protect that.

It was so unlike him in a way he absolutely hated. True love was supposed to be nonsense and someone being ‘the one’ was supposed to be some dramatic line in a movie. It upset him, that he was so utterly fond of you. Yet, no matter how much it upset him, it didn't change the fact that he was, and he couldn't deny it anymore after trying to ignore it for the full week.

So here he was, acting stupid again, hoping that you’d scold him again or tell him he’s embarrassing himself, because that’s what it’s come down to. He just wanted another reason to talk to you.

But you wouldn’t come to stop him after 10 whole minutes.

“Why aren’t you stopping me?” he asked, irritated.

“Pardon?” you asked, utterly confused.

“Why aren’t you telling me to stop?” he asked again. He was aware how silly he sounded, but he was pissed off that you meant so much to him so he had to take it out on you.

“Because you told me to stop last time??” you replied. “I thought you were going to keep this up until you found yourself a partner.”

“You’re the one who told me to find someone that saw how I was…. lovely…. at times,” he said, but said the lovely very quietly. Remembering that you had described him as lovely made his cheeks burn and he’d rather die than let you see that.

“I mean, yeah. I do think you should,” you said.

“Don’t you notice, though?” he asked quietly, avoiding eye contact. There was a moment of silence.

“I do,” you said, and immediately he looked up to face you. You had a grin on your face and you looked so proud— you looked like you had won a game. Oh, how he hated you.

“You’re so annoying,” he said, and you raised an eyebrow.

“Rich coming from you,” you said.

“So, do you—,” he started to yell before cutting himself off. Carefully, he tried again. “Would you please… uh… be mine…?”

Oh, this is so embarrassing, he thought. Perhaps you’d laugh at him, but he wanted to do this properly, or at the very least try to. He’d be far more than just stupid to mess this up now. He was finally in love.

But your laughter never came. When he looked up your eyes were wide and you looked so flustered, but soon you had the most beautiful smile on your face.

“I would absolutely love to,” you said.

So he kissed you right then and there, because there was nothing he wanted to do more at the moment.

He laughed a little.

“What’s wrong?” you asked.

“No, nothing,” he said.

There was no way just anyone would do— it had to be you.

[vaggieslefteye]

♫ TOP 5 FAVORITE HAZBIN HOTEL SONGS ♫ 𝄞 1ꜱᴛ place Honorable Mentions (ʙᴏɴᴜꜱ ʀᴏᴜɴᴅ!!)

To the songs that eventually found themselves bumped out of my personal top five favorites - and they did not go without a fight.

No. 6 - Stayed Gone ♫

No. 7 - You Didn't Know ♫

No. 8 - Poison ♫

No. 9 - Happy Day In Hell ♫

No. 10 - Finale ♫

‹♪›

[espurr-roba]

this snippet's a few months old, but there's no way I'm realistically gonna be animating to this whole song any time soon so 🤪

bonus (rough) model sheet:

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[lynn-tged-posting]

"i get to thinkin' 'bout your sun-kissed face / and a quiet place i could give you all my time"

textless :3

based on a self-indulgent headcanon that lloyd laughs like a goofball and very easily at terrible jokes. he snorts and giggles and wheezes, his nose wrinkles and his grin is all sorts of lopsided. he has to hold himself from falling over, and crinkles form underneath his eyes, and he's laughing so so loudly and javier thinks it's the cutest look in the world. lloyd really should laugh more often, take it easy more often. it suits him.

[willowser]

ᴅᴏᴡɴ ᴏɴ ᴀʟʟ ғᴏᴜʀs. werewolf kiri au.

you wake up under a mountain of furs.

light comes flickering from the hearth and, warm and welcoming as it is—you've no idea where you are.

you don't recognize the inside of the cabin; it's certainly not yours, nor is its layout that of any you’ve seen in the village. it's rather plain, with a singular window and table and chair and small fireplace, empty enough that you wonder how anyone could live comfortably with so little.

outside, the winter storm rages on, and there's a howl that cuts through the air that strikes bone-deep.

all at once your memories come back to you: dragged through town with bound hands and ankles, in only a thin night dress, screaming with all your might as the physician that delivered you into this world tied you to an old pine, along with the priest and the man that sold you blueberries in the spring.

people you knew and loved. had trusted.

the memories become hazy after a while, darkening with the night that crept in. you remember your body losing its feeling, but not its fear. you remember the violence of the storm, breaking trees and branches and uprooting the forest floor. you remember the horrible and hulking shape of something rising in the moonlight.

the door shoves open then, with enough force to send you scurrying back into the corner of the room. the blizzard tries to rush inside, but a man stands in its way, leaning back against the wood to keep the wind and snow out where it belongs. he's—big, as tall as the frame and just as wide, with thick hair that he's tied back, messy and low.

he's rosy in his cheeks and on the tip of his nose, as bright as the eyes that snap to you the moment you dare to breathe.

he doesn't say anything, at first. the bag of firewood he sets at his feet settles as he turns to you in interest, eyebrows raised. the clothes he's wearing look—old and worn, certainly not suitable for the storm roaring outside, with the holes and tears in the fabric. the boots he has on, however, seem heavy, have his steps echoing when he moves further into the room.

you pull your knees up to your chest and try to shrink away; beneath your thin dress, your skin has pebbled up, reminding you of just how vulnerable you still are.

your fear translates; the man stops on the other side of the little table, breathing in deeply before raising his hands up in what reads as surrender.

"hello," he finally says, and when you don't respond, he places a thick hand to his dark-haired chest and introduces himself as, "eijirou."

he nods emphatically and then repeats himself, as if to reinforce the name. you only grant him a small nod in return—and he smiles. it's wide, stretching across his face, and friendly, authentic enough that you question whether you're as damned as you thought, or perhaps saved.

how did you even get here? the question finally thaws out from the recesses of your brain and you take another look around the room as if the answer lies between the wood or nestled into the furs. this place looks too hand-crafted, you realize, all of it—and the man before you looks like he could move mountains, if he wanted to.

the chains that had bound you were iron-strong and didn't once budge in all your thrashing, before things went dark—but now you are inside by a well-maintained fire, warm and free, and all that remains of your ill fate are the indentions worn into your wrists.

he's still staring at you, the man. eijirou. he's not moved any closer, either, and when you meet his curious gaze, his lips twist and his eyes narrow. a thoughtful noise comes out of his mouth, like he's thinking of what to say or how to say it, and you're reminded that you don't recognize where you are, nor do you recognize him in the slightest.

big as he is, you don't think he could have carried you too far in a snowstorm such as the one still raging outside; are you still somewhere deep in the forest? in a cabin at the heart of the wood? saved by a man that somehow survives with so little out in the middle of nowhere?

"eijirou," you test the name on your lips and he perks up at the sound, attention snapping back to you instantly. you don't know if it's winter seeping through the floor, or if it's in the way that he watches you, that makes you shiver.

finally, he asks, "cold?" and when you nod, he slowly makes his way over to you, carefully, as if approaching a deer ready to run.

—and then he sheds his shirt with a quick shrug and holds it out to you.

you should want to look away, for decency sake, but you're—stunned by it, by him. there's a litany of scars that paint him in odd and worrisome places, but he stands tall and strong before you, unbothered by his own state. unbothered by the eyes that run over the expanse of his bare shoulders, the dark, thick trail of hair running down from his belly button, the ripples of muscle his loose shirt did well to hide.

you take it from him carefully and it's so warm, almost hot, that you press it to your face immediately to chase away the chatter of your jaw. the material itself, however ragged, is big enough to drape over your curled form like a blanket, and so you do just that. it carries the earthy smell of the woods, deeply woven into the fabric; pine and musk and something smoky.

with your cheek still pressed to his shirt, you look up to thank him, at last, but the words still in your throat at the minute changes of his face: still smiling, though sharper now, somehow, and his eyes are still wide with that keen, rapt interest—but the crimson to them has set like the sun and they've grown just as dark as the night outside.

[couriersiccs]

no "both are terrible" option bc we know that, i'm asking which would make you want to leave the venue and ask for a refund if you witnessed it more