#sometimes popular characters are popular for a reason

[sarahreesbrennan]

I think this is a lovely addition and I am so glad you feel that way. I hoped some people would! I knew not everybody would.

Under a cut to spare your dash, friends, some thoughts about villainy…

I don’t know that we differ in substance, though perhaps in style. I’d say that I agree with you… but it’s complicated.

Long Live Evil poses many questions about the nature of villainy, who is assigned villainy and who gets the sympathy and understanding. It’s about the experience of being assigned villainy, but also understanding the assignment.

Rae is absolutely going through something so awful. She is very understandably angry about it. Indeed, most of the main characters of Long Live Evil have been THROUGH it. That’s part of why they’re seen as villains - though this perception also exists on an axis of gender, class, race, sexuality, disability. These things affect how they’re perceived and how they’re treated and how they act, and there is almost no way to disentangle cause and effect.

‘Under the present brutal and primitive conditions on this planet, every person you meet should be regarded as one of the walking wounded. we have never seen a man or woman not slightly deranged by either anxiety or grief. we have never seen a totally sane human being.’ - Robert Anton Wilson

This world hurts people. And then it can be very harsh to hurt people. We’re blamed for our wounds.

I agree Rae is a more interesting protagonist to me. That’s why I picked her. But there are very, very popular protagonists in fiction I find absolutely dull as ditchwater. (Not saying I find Alice dull. I love Alice.) I’m still interested in why audiences like them, and as I would like to have many readers too, I think about why things are popular a lot. I learn rules… sometimes simply that I may break them.

You might think Rae’s plight would engender sympathy: and for some it does. For many it doesn’t. And I knew that would be the case. I’ve seen it happen in real life many times.

—Someone in my close circle of friends publicly made fun of me for my ‘terrible anger issues’ at a time I was literally too sick to walk and barely able to breathe. I know that person thinks she’s a good person who was good to me.

—this is a very common thing to happen to chronically ill people. Most of my mentees, especially my younger mentees, have been abandoned by many friends who would all confidently state that this is the patient’s fault for being a bad person.

—one woman I know had her ex accurately recount all her behaviour to his new girlfriend without adding the reason why she ceased intimacy, got irritable and didn’t help around the house.

Sick people are legitimately hard to be around sometimes, and they get blamed for being so because it’s easier to blame a person than a disease. Other people don’t want to be the villain, so they make you the villain.

And the making of a villain is an interesting thing to me.

Rae being sick and Rae being perceived as evil and embracing that perception are inextricable. As a society, we are not truly sympathetic to victims. I knew it would be this way, but I still found myself shocked by the way some readers responded to her - she’s so evil that bitch got Key killed, she’s not even evil enough so she’s something pathetic that can be dismissed, she’s cringe because she uses humour as a coping mechanism, everything is her fault, it’s disgusting how much this formerly emaciated by illness woman talks about her boobs. But then, did Katniss in the Hunger Games get as much sympathy for literally starving as Peeta did for having his feelings hurt? (Note: Peeta also had many legitimate problems and I really like both characters.) And then again, isn’t feeling any kind of way about a character a compliment?

This is one of the reasons Rae is a woman. Society is set up to dismiss women’s pain, and discourage empathy with them. (And yet at the same time, we can’t demand anybody likes any specific character, regardless of gender. We can only observe patterns.)

And listen, I am not equating being a gorgeous talented famous artist with being chronically ill, but there is a phenomenon my friend who’s a psychologist has observed, which is that audiences get tired of famous women after a certain number of years (seven at most) and begin to criticise their looks or say they’re annoying or problematic.

Anne Hathaway and Jennifer Lawrence, both relatively inoffensive women, just had to basically go away for a while, until audiences were ready to go ‘wait, is Anne Hathaway talented and beautiful?’ (Yes she has been the whole time.)

The only woman who I’ve seen not have to slink into oblivion for several years when the tide of public opinion turned is, actually, Taylor Swift - there’s a piece online called ‘Darling, Villain, Victor’ which covers this very well. I like Taylor’s songs because a lot of them are narratives. And it was interesting to me to see the way she engaged with the narrative - going ‘okay yes I eat men for breakfast but also they flee from me, I’m drowning in diamonds, I’m covered in snakes, I’m wearing the evil makeup but also the eyeliner is running down my face because I am HYSTERICAL’ - and people looked stupid for saying the thing she’d already said about herself, outsized. Someone who also does this is Dolly Parton. ‘Yes I am everything you say about me. Now what?’

I did find that inspiring. I did want to claim, for my vipers and myself, the beauty and freedom of that ‘Now what?’ Anger is how we survive. We will be blamed for anger and for survival. Okay. Now what?

Another inspiration is the Interview with the Vampire quote ‘evil is a point of view.’ Not one of the Time of Iron characters think of themselves as people who enjoy cruelty for cruelty’s sake. Sure, some glory in justified vengeance, but that’s okay, right…?

To be able to see yourself as the villain in someone else’s story is, in some ways, an act of radical empathy. It’s an early thing Key says that makes him fun to me - that he’s like oh yes, I am evil. He’s very clear-eyed about the fact that, say, many of the people at the glass blowers’ guild (relatively innocent pleasant individuals) were from their point of view flat out murdered by a homicidal maniac for no reason whatsoever. Still when he tells his story, Rae is sympathetic - and it is also the tale of an abused child and a pitilessly corrupt society.

Key isn’t human. And he’s not a sociopath. Key is a god. And actually, it’s considered morally acceptable for gods to raze cities or worlds for sinning, and even to kill their children. But if a god thought he was human and evil, then what? (Was Athena traumatised by her birth?)

Yet another inspiration for me is Congreve. ‘I love her with her faults. Nay, I love her for her faults.’ I did want the vipers to not just be misunderstood darlings but to commit crimes and have serious personality problems.

Does Rae deserve more sympathy than she gets? Sure. At the same time, I really wanted her to have hubris. I refer to Greek plays a lot - where the deus ex machina was invented, art designed for the audience to be rocked and purged by emotion - and it’s this classic failing, to be arrogant and think you can avoid destiny and get this outsize punishment for it. (And people haaate women to be arrogant, and I knew they would find that annoying about her.) Rae doesn’t want Key or Emer to be hurt, but they are both people of a lower class in her employ, whose lives she knows are only saved in the original narrative by another aristocratic woman - and she deliberately sets out to use them and that does put them in harm’s way. Emer is whipped. Key is whipped twice and killed. Rae is not corporally punished in the same way servants are. But then again, when death looms, what choice does she have? Is she the one ultimately responsible for hurting them? No. But does that mean she bears no responsibility at all, when she made a bargain with them? Do we get to hurt others just because we’re hurt? When is lashing out because of trauma okay, never or always? Well…

It’s tricky to discuss personality flaws, because some characters get more sympathy while others’ faults get magnified. I’ve seen Rae discussed as more privileged than Marius - Lord Marius Valerius, second-most powerful man in the kingdom, in possession of literal superpowers, and uh - very arrogant at times himself. (And I love Marius and he has many very legitimate problems!) They are both flawed people. Very few feel villainous to themselves. Very little of what the people we love do to others feels villainous to us. I will miss Octavian so much as an antagonist, because he was such a great one - never for a moment did he consider he was being anything but heroic, and I do think at bottom he was a very ordinary guy, with an absolutely normal capacity for empathy. Yet all that power and privilege and the empty assurance of others and fame ate him right up. He didn’t ever have to look through anyone else’s eyes, and see himself the villain.

But also, can you look at the abyss, and not be changed? Rae at the start of the story would not be capable of tossing a man off the battlements of a tower into a yawning ravine full of flame with a wild, mocking laugh. But she IS that person by the end - and some of us are with her! It’s a villain origin story, emphasis on origin.

So yes it’s wish fulfilment, and yes it’s about villainy, and about having different perceptions of villainy, and which sins and flaws are forgivable in which people... We all have different perceptions. I am posing the questions, but you may have a different answer than I - if either of us find any answers at all.

Still the questions are worth asking. I do believe that.

Truly, thank you for having sympathy with my viper queen.

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[storyofmychoices]

There are so many amazing, talented, creative, inspiring, and all around wonderful people in this fandom. There are far too many for me even to mention or count, but I will try to shout out as many people as I can throughout the event.

I know the fandom is shrinking. I know that a lot of beloved old accounts have deactivated or simply been left on the shelf. So many people have left, but still, there are so many that have stayed or joined more recently. This fandom has changed so much in the years I've been in it. Sometimes for the better. Sometimes for worse. But I truly believe there is something special about this fandom and I am glad that each and every one of you are a part of it!

Since I hope to shout out all the amazing creators in future days this week, I am going to use today to focus on supporters!

@lilyoffandoms: You are forever the most wonderful. I can't tell you how much you mean to me. I feel like I say it a lot, but truly, I think the world of you. Your kindness and support has kept me going. I always look forward to your reblogs and comments. Thank you for making me feel loved and supported.

@princess-geek: I am so grateful for your friendship. I know we've both been busy and have had our own struggles to work through, but I know you're always there for me and that means everything.

@trappedinfanfiction: You've been on this journey with me from the beginning. Your constant support and love for my characters is very appreciated. I enjoy your thoughts on my stories and look forward to seeing you in my notifications.

@quixoticdreamer16: You are such an amazing gem. I can't say enough about how grateful I am for all your support of my creations. You are always there to share and encourage me. Your love for my characters is something I cherish. You have been such an amazing supporter and one of the reasons I'm still in this fandom. Your support has kept me going!

@jerzwriter: Thank you for always loving and supporting my sunshine babies and for letting the play with T & C from time to time. I am grateful for your support and encouragement over the years. You've been such a wonderful friend to me.

@dutifullynuttywitch: You are the loveliest. I am so grateful for all the love and support you give me and shower my precious characters with. Your reblogs and comments supporting all of my pairings means so much to me. I truly am grateful for your kindness!

@aallotarenunelma , @peonierose , @kyra75, @liaromancewriter, @missameliep, @rosesnink ; @snoopdogcone and @thosehallowedhalls (love being able to tag you again!): I can't thank you enough for being here and supporting my creations. I know I don't write as nearly as much anymore, but I am truly so so grateful when I see you in my notifications, whether it's a like, comment, and/or reblog, it means everything to me.

@gaiuskamilah: I didn't know I needed the Vampire!Daenarya x Mal AU, but I had so much fun with it, and your reblogs of the art and one shot truly just made my day. Thank you for that!

@rjschoicesstuff: I am so so grateful to have "met" you this year in the fandom. I'll talk more about your art on the art day but you are AMAZING! Thank you for the art requests you've filled for me and for supporting Mal x Daeanrya too!

@trappedinfanfiction, @snoopdogcone, @lilyoffandoms, @princess-geek, @kyra75, @dutifullynuttywitch , @quixoticdreamer16 , @peonyblossom

A special thank you for supporting Thomas and Alex. They are the reason I joined this fandom. They gave me hope when I needed it. They will always have an extra special place in my heart. I know they're not a popular ship, but anytime you interact with them, it truly makes my entire day (not that interactions with other pairings don't, but it's just something different with these two). So thank you!

I feel like I am forgetting people! It is not my intention at all to leave anyone off this list. Thank goodness this event lasts almost a week. Hopefully if I missed you hear, I have you on one of the other posts for the event!

And to anyone who made it this far, I am so very grateful to you for taking the time to read this and to support me. You are a wonderful part of this fandom and I appreciate each and every one of you!

💛

dani

@choicesfandomappreciation

[karlachismylife]

Soap for the character ask game plz :)

Do I really need a reason to yap about him? Nah, but I'll take it, thanks :)

If anyone else is interested, I'll be glad to talk about someone else from COD and BG3. The game itself is here if someone wants to reblog!

So. John "Soap" MacTavish.

favorite thing about them

Is "everything" a good enough answer? No? Damn. I guess I'll have to go with his passion. I can tie that to his ADHD, I can tie that to the fact that he's sunshine (and sun burns hot and flares), it doesn't matter - his emotions are bright, run hot, he's impulsive and he feels so strong. I relate to that, I also just like everything bright and flashy. His anger, his loyalty, his sense of justice, his love - they are so big and strong they cannot be contained inside his heart no matter how huge it is. This is what makes him dangerous, this is what makes him vulnerable, this is what makes him so fucking lovable to me.

least favorite thing about them

The fact that he prefers coffee over tea (source: his VA). I'm sorry, I can't stand coffee, my throat literally closes up and stops breathing if I enter some coffee-smelling space and it's not something I can control well (I tried, I swear). So the knowledge that living with Soap would involve the apartment reeking of the forbidden drink, and even worse, kissing him might taste like coffee... it's heartbreaking. I'm training that man to drink tea whether he likes it or not, coffee doesn't do anything for ADHDers anyway.

favorite line

I mean. I feel like using any of Ghoap batner here would be cheating cuz it is very much the best thing ever and also they're bouncing off each other. So I'll go with "Kids, guns and balloons. That's a new one."

It's at the start in Las Almas. I love listening to Soap in general, I love all the Scott-isms he has (even though it seems actual Scottish didn't appreciate those too much), I obviously love the funny lines he has or when he gets angry. But this one just stuck with me. Probably not because it's a Soap line, but because it's a sad line in general (and hits a little too close to home in the current situation).

But also I feel like it's kinda. The fact that I, a 22yo civilian am not actually surprised to see that "kids, guns and balloons" situation (although I am so fortunate to not be witnessing that directly), and Soap, a 26 (I think?) yo SAS Sergeant who ran off to enlist at 15-16 is. It says something about how he views the world, doesn't it? He lacks that cynicism. I've seen people say that veiwing him as a "happy go lucky" guy is incorrect, but I dunno, man. I think if someone who kills people for his job is surprised to see kids involved into crime+politics games, then he's a pretty damn optimistic lad that believes in the good in the world.

brOTP

Soap and Alejandro. There's just something so smooth, straightforward and inherently good about just two men coming to fight for what's right. Also nothing is funnier than Soap's constant cultural shock in Las Almas and Alejandro just chuckling at every silly question Johnny asks. Big brother Alejandro go go go!

OTP

Karlach x Soap for life, everything else is secondary.

nOTP

I reject the concept of nOTP, even the least likely/adhering to my tastes ships are at least interesting to explore. However, I am not a big fan of toxic relationships and such, so something like Soap x Makarov or Soap x Graves would be interesting to look at, but probably upsetting.

random headcanon

He likes the pink Orbit bubblegum, the one that comes in little stripes. His dad used to bring those at the end of the work week, sometimes unopened, sometimes with just a couple pieces left, and Soap stashed them away in his pillow case when he had the willpower not to eat them all at once. His old pillow in his childhood bedroom still smells like bubblegum.

absolutely based on my own life

unpopular opinion

I don't know what's popular to say what's unpopular. But maybe the fact that I think that Soap isn't like a total horndog 24/7? I still think he is pretty horny, more than an average person, but I also think that he's more tactile than anything and that even when he gets a random boner or just is hot and bothered, he can be satisfied with non-sexual touch. But he does not respond well to touch starvation, oh no.

song i associate with them

I am so bad at assosiating songs with characters/ships etc :( I'll be boring and repeat myself for the third time: Ren's "Loco"

favorite picture of them

That comission of him and Karlach I got, duh

But if we're talking ingame, nothing beats him being pretty and doing puppy eyes in that Milena interrogation scene. That hand reaching scene alone has me by the throat.

Thank you for asking about him!! Love youu <3

[mrstellmeafuckingsecret]

can u plsssss yap more Abt ur opinions of fanon Marlene more??? I agree with everything u said Abt the rant Abt fanon Remus, James, Sirius, regulus, and Marlene, but wanna hear more abt her (and maybe the other girls too???)

yes bby OKAY so.

i lowk hate marlene's fanon. she's so mean lesbian and i dont . i dont like that. mainly because she's only mean to sirius (&is a remus dickrider lowk,) and like . i hate men too bby but like there is a time and place for it yk idk. i get that bc her personality is entirely headcanoned its more necessary to 2d-ify her but i wish she had more personality than liking effie, being mean and being a lesbian :(

lily !!!!!!!!!!!! let her be dumb. please. i want my silly goofy girl. also !!!! i see a lot of content of her being discriminated which yes true because muggleborn but i feel like it's canon/safe to assume that she's well off !! i want to see more cunt lily. but not like a bitch yk just a cunt. also !!! more lily getting in trouble AND GETTING CAUGHT please. please. she's not a super genius mastermind who can play the godliest pranks with her girls and then never get in trouble. more flawed women please.

also !!!! this is specifically @ people who pair james w someone else (jegulus, bambibelle, wolfbucks, etc.) i dont like. actually. i lowk hate when lily's a lesbian. like bfr is the only reason shes not w james bc shes a lesbian? i love marylily and stuff but i feel like i want to see more lily with a man (i KNOW what this sounds like i swear im not being like 'STRAIGHT REP MATTERS AS MUCH AS LGBT REP 😠😠' )

i want to get into moonflower but like idk any fics yk. ☹️. and !!! i want to see her studied without having a love interest. OH AND i want to see her not end up single in james/man ship fics. idk why this peeves me. i think this goes for a lot of women actually. like idk let her find someone yk. oh and !!! this is just a random fandom complaint but like just because someone is single doesnt mean theyre aroace. sometimes people are just single!

also !!! more lily friendships. more lily as a popular girl. as liking quidditch. i feel like she's so underdeveloped even though she's the ONLY marauders era girl we have SO MUCH information on. :((

MARY MACDONALDDD my BELOVED . my BETROTHED. i love her. but. shes so oversexualized. i say this as someone who also views her as dating around a lot btw not shading anyone but like . !!!!!!!! she should be seen as more than that. same as lily, let her be seen as a character and judged as one before you ship her with someone. also, idk again why this bothers me since i dont see her as that, but i feel like i require some insecure mary content. just like a mess of insecurities, ACTUAL insecurities which are real and not simply in her head because she's the most drop dead gorgeous girl in the whole world. maybe as a mother. i love her as a mother. because mother mary skfsk. ummm yeah . i love her. my wife. please treat her right guys. ALSO if someone has any mary centric fics haha . give me.

[stellar-solar-flare]

This popped up on my dash and since you said that the conversation is open, I thought I would share my two cents, even if it might be stuff you are already familiar with and do yourself. I don't think I'm in the same fandoms as you but things mentioned here are observations made from multiple fandoms. Although I have been writing in AO3 instead of tumblr for the most part, my experience here comes from writing almost exclusively Steve Rogers longfics (mostly 50k+ words, 10+ chapters) from 2021. I don't claim to be super popular - I'm just reflecting on the relative differencies I have noticed in my engagement.

First of all, please don't quit a series just because it has been over a month. That's not a long time for an update at all! If you're writing fic, it's something you do on your free time without getting paid, so there's absolutely no reason at all to apologize life getting in the way.

From my own experience, I have to agree with the consistency and speed of updates being pretty big factors on engagement. I have noticed most reader engagement when I have been able to push out one or more update a week for multiple weeks straight. It helps people stay engaged with the story and invested when the story is fresh in their minds. But then again, I have gotten a lot of comments when coming back from a hiatus too so I think it's not the only factor at all.

Writing a lot, even if it's not the same series, helps keep one's fics on people's minds, and helps establish you as someone who writes X character (with a certain kind of characterization). I share sneak peeks sometimes, but that's just because I am too impatient to wait, they're not from 'marketing' standpoint. Personally I try to focus on writing and let the writing itself do the rest, but I do make a point to reply to comments and thank people, even if that is sometimes very delayed, so that they know I appreciate them. I also don't talk badly about my own writing, because as a reader, seeing someone do that can very easily turn me off from reading their story. (To be clear, I don't mean venting about the human frustrations of writing but publically calling your own stories bad etc.)

One of the big things for me as a reader and a writer is having multiple storylines going and having 'hooks' in the story, so to speak, so that the readers know what they're looking forward to when the story continues. Cliffhangers are the ultimate form of this but things like a character uncovering a partial piece of information that raises questions work too. I spend a lot of time establishing chemistry, both romantic and platonic, so that the readers have something to root for.

Then again, engagement always depends on the story. Some things do better than others. Sometimes I think a fic is going to be well-liked and it doesn't get much attention, sometimes a thing I thought was just pure self-indulgence gains a lot of reader interaction. Which brings me to my next point - I think that the writer's enjoyment bleeds through the story to readers; things that I have enjoyed writing the most are my most popular fics. And sometimes when I think I'll write some easy 'trope soup' that'll get a lot of interest, it's crickets. I think there's a lesson there for me.

I try to engage with people and be a part of fandom beyond writing. I read and comment other people's fics, I reblog stuff, I talk about everyday things and try to stay active even when I have no capacity to write (happens to us all). It helps foster a sense of community, and while it's not self-serving and I read and comment out of genuine enjoyment, ultimately being active in fandom and engaging with writing helps us all. It does feel like current fandom population doesn't comment as much as they used to, which is a shame. But I try to be the change I want to see in the world.

It's also worth noting that sometimes there are these 'lulls' in fandom where everyone is sort of quiet and busy with life, I assume. Like major holidays. They just happen, and the season will change again. Also, scheduled reblogs and comment replies help reach different sets of people.

Finally, focusing too much on the stats is a thing that for me is a road to madness that sucks all enjoyment out of writing. It is human to want engagement and look at the pretty numbers but again, what matters is the enjoyment you get from a story. Personally I have written a 250k longfic in a tiny niché that was commented regularly by one single person and occasionally by about five people. And I still love that fic to death and am so proud of myself for writing it.

That's my two cents, from my personal experience. As always, they should be taken with a grain of salt, and they might not be universally applicable. I wish you the best with writing and hope that the muses are kind to you.

Writers of multi-chapter fics:

How do you keep your readers engaged as the story gets longer?

I've heard from many, and seen it myself, that interaction drops significantly as the chapters accumulate (which I honestly do not even understand...hence why I'm asking this) but I've also seen a lot of writers who have quite lengthy fics where the engagement and excitement seems to stay consistent throughout.

They're receiving asks with comments and questions about the latest chapters, the reblogs are abundant compared to likes, and I'm just curious if there's anything anyone does differently to help maintain this other than just being a great writer 🤣 (which I'm realizing is probably the key thing and that there's nothing to do other than just be able to write a really good story which I'm clearly not haaaaa)

I've tried sharing snippets of upcoming chapters in the past and they've always fallen on their face, I've released chapter playlists, etc so I feel like from a "marketing" standpoint I've done what I can? And also as writers we shouldn't even have to work that hard to "promote" our fics considering people ask to be on taglists and what have you. (This is the site for sharing and ACTIVELY participating in fandom...)

It's been a struggle to keep myself motivated to finish up my series and I'm starting to wonder if there's even a point now that it's been over a month since I've updated (which I realize consistent updates are likely a huge factor as well 🙃 but, you know, life.)

Anyway. Thinking out loud here. Any advice/conversation is welcome! 💗

[blueflipflops]

Listen kids. The surefire way to get really into a fictional character is saying "I don't know why this guy has so many fans. He can't be all that, can he?" And slowly but surely you find out that yes. He IS All That™ and then Suffer

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[aceofwands]

idk man I just think of all the franchises you could try to make the Next Big Thing by creating a bunch of new shows and movies, maybe don't pick the one with the notoriously nitpicky obsessed with canon fandom ?? if you don't plan on applying any sort of consistency to the world, characters, alien cultures, entire ethical and moral framework of the universe, etc etc ????

[parafic]

Mostly it's that I've been reading and absorbing fandom personalities for them (Izuna dramatic and showy, Hikaku The Sane One) for... however many years, and I'm trying to do something a bit different with their personalities, but those standard ones are still ingrained.

So for Izuna, what caught my attention is that apparently he's described in the data book as something that gets translated as 'peace-loving' or 'harmonious' (and probably other things, but those are the ones I've seen). Which is kind of a contrast to the very little we see of him, in which he seems very eager to fight and distrusting of peace.

It could just be that he's in favor of peace generally, but distrusts the Senju specifically and we just don't see his opinion on peace otherwise. But I think, combined with how Madara and the Uchiha fell apart without him, it's also reasonable (and to me, more interesting) to interpret that as a reference to someone who values/is a source of interpersonal harmony. Izuna is the one who notices and redirects a conversation before an argument starts, soothes ruffled feathers, listens to peoples' concerns and persuades them to give Madara's latest strategy a try, finds an excuse to have a celebration when people need to be cheered up, notices if a clan member is being excluded and figures out what's up and how to fix it. He keeps morale up and everyone working together.

But the flip side of that is someone who's really conflict averse (emotionally speaking), and to do all that effectively for a whole clan, he's constantly putting on different personas. So like, that common characterization where he's dramatic and demanding might be how he acts around Madara, because Madara likes having a baby brother, but he doesn't do it around anyone else. And he'll have a bunch of other different ways of acting for when he's around younger shinobi, older shinobi, various groups of elders, kids, parents, etc, based on what they expect of him/like him to be. (Everyone does this to an extent, but I'm thinking Izuna does it a lot more than most.)

And at the same time, when things upset him, he's likely to let them go because he doesn't want to start an argument, people would be upset if he asked them to stop, etc, and if he just ignores it then nobody's upset so no harm done, right? So the end result is an Izuna who's barely (if at all) more aware of his own emotions than Tobirama is, he just has a very different mask.

So from a writing perspective, that is a complicated character to write anyway, and it overlaps enough with the popular characterization I see that sometimes I'm not entirely sure which I'm writing. Also this is a weird and extreme situation that Izuna has no preestablished way of acting for, so in-story he's struggling to figure out how to act to begin with. So it's a lot to balance, basically.

Hikaku is a little simpler! The way I'm characterizing Izuna overlaps some with Hikaku's usual only sane man/The One Who Gets Things Done role, so I want to give Hikaku some other traits so that he doesn't feel redundant. I also think he deserves to get to be Uchiha dramatic sometimes too, but I don't want to just give him a copy of Madara's/Izuna's/Sasuke's usual personality.

So I'm aiming for him being quieter than they are, but without just being calm, and more willing to argue and criticize (or just snark) than Izuna usually will be. But he's also starting out in an extreme situation that has him very off kilter emotionally, so he wouldn't be acting exactly like himself anyway, so I'm trying to figure out like, his baseline personality, and also how that's going to be affected by what's going on at the same time, so it's kind of doing two steps at once. (And is part of why I've been using his POV so much; it helps me work all that out when I can just write out all his thoughts as I go.)

Honestly the tunnel visioning is probably most of what ADHD Tobirama will mean for this fic; it's more that I just looked at how I usually characterize him and went 'yeah that sounds like ADHD'. Though Hikaku mentioning that Tobirama is "even rapidly bouncing his heel against the floor the way he seems to do when deep in concentration" is a bit more deliberate reference to Tobirama showing ADHD symptoms (since fidget toys are not exactly abundant in this setting, and he'd probably consider them too undignified to use himself anyway).

The sensing bloodline limit is all me! One of those headcanons that technically kind of contradicts canon a little but like. I prefer it. (Though @domoz is using a variant in the Hanahaki-adjacent AU!)

Basically the idea is that usually, a person's chakra system is like the circulatory system: it's more or less closed off from anything external, your body produces and uses it, but anything from outside is going through the stomach or lungs or something first.

But in the Senju, chakra is a little more permeable. It's a little more like, say, the water in a bay: it's distinct from the ocean but it's not cut off from the ocean by any means, and there's always some amount of flow back and forth.

So, because they're always having a little bit of chakra flow back and forth with the chakra around them (both natural and other Senjus' chakra), they get passive sensing. Which is not entirely as useful as it sounds; range is based largely on how much chakra a person has (though they can extend it or pull it back with conscious effort) but learning to distinguish chakra signatures and place their location is difficult and much rarer for someone to be good at. Hashirama for example technically has a bigger sensing range than Tobirama, but he can't distinguish signatures or estimate distance well, so it's not much use for him. (Though he will be able to tell that Tobirama is still alive while he's trapped on the island.)

All Senju (with this trait) do have the advantage of being able to feel when another chakra signature is present though, since basically no one else knows this is a sense to hide from. Senju can also read shifts in peoples' chakra the way that other people might read facial expressions, which again other people don't usually learn to control or hide, so the Senju get a nice edge there.

(In this headcanon the sensing jutsu, which Hikaku uses in this fic and is used in canon, was invented in the past to both give allies access to some of the same information the Senju had, and to cover up that what the Senju were doing was not a jutsu. Which is why both exist.)

Senju might also have a bit of an advantage at using elemental and/or sage jutsu, because their chakra is always a little bit bleeding back and forth with natural chakra, so it's more familiar to them. Not a huge advantage though.

The vulnerability is poison. Most poisons target the physical body and very few target chakra itself (with the exception of chakra suppressing poisons, which are more common). But when a Senju is hit by something that turns their chakra toxic, it will spread to every other Senju in their range, and then in all those Senjus' ranges, and....

So best case scenario an entire team gets wiped out. More likely it's several teams in the same area. Worst case scenario someone gets hit with something while Hashirama is alive, it spreads to his chakra, and from him it spreads to every other Senju with the same trait, and that's how the Senju clan disappears.

Tobirama escapes because he happened to be in his lab at the time, which is shielded against chakra going in or out, in case he accidentally invented something chakra toxic. And some Senju, presumably including Tsunade and Nawaki, just don't have the trait to begin with so they survive. But most of the clan falls over dead within about an hour, which Senju generations ago more or less saw coming, which is why they kept the bloodline so secret and tried to breed it out.

(Some non-Senju in allied clans that intermarried would probably also have had the trait and died along with the Senju too, but I have not planned anything detailed about that because that is the bad ending AU and I don't enjoy those.)

a lot more focused on the results of interaction than the often annoyingly intricate path to get there "correctly", except people put a lot of stock on the "correct" path of behavior and WILL react weirdly if you don't follow enough of it.

Yeah! Tobirama is very focused on efficiency and getting things done, and he thinks everyone else ought to be equally focused on practicalities, so he has no interest in wasting time on being indirect.

I do think he can be polite if he has to--he's a clan heir, he's going to get stuck doing politics and diplomacy to some extent, so he doesn't really get a choice about learning this, and he's the type to learn how to be excellent at it because it's important even if he hates it. (And he's aware of appearances, demonstrated by scolding Hashirama about dignity in public and such.) But getting him to use those skills when he's not in an explicitly diplomatic setting (or maybe in disguise) isn't likely.

(Which does again make him kind of the opposite of Izuna; Izuna is compulsively diplomatic, because he sees value in building rapport and connections with as many people as possible. Izuna is building a tightly-knit community while Tobirama runs a well-oiled machine.)

You're welcome, I'm glad you like the songbirds! If you haven't read it, you might like @denialcity's hanahaki AU, for adoration grow. Somewhere in there is a scene where Izuna sings for Tobirama and Tobirama discovers that music can make him Feel Things.

(I also have equivalent headcanons for the Senju and Uzumaki collective hobbies, but they're not musical.)

Sparring will lead to yet another culture clash, in which the Uchiha decide the Senju are insane and Tobirama is judgy (after he gets over being freaked out).

The Uchiha aren't having too difficult a time; Kagami isn't old enough to know most sharingan secrets, and Ruri is old enough to know what not to say. Plus there's a general politeness norm among shinobi of not asking about clan secrets when clans are interacting in a polite way, so all the kids generally know not to ask (and probably don't know too many secrets even if they were asked).

Tobirama is having a bit more difficult a time keeping Uzumaki seals hidden, because the Uchiha can copy any seal they see him make and that would be that. But again, the Uzumaki kids are mostly either too young to know seals or old enough to remember not to share them, so Tobirama mostly has to hide his own work. Which is a bit inconvenient, but he can just tell the Uchiha to leave so he can make a seal, and can sense whether anyone is close enough to watch him, so it's workable.

They also don't really care much about other clans' secrets. If a kid from one water country clan gives something away to a kid from another, that is not their problem and they have bigger things to worry about. Rescue your own kids next time if it bothers you. Aside from the Uzumaki the clans here are too distant to be allies to either the Senju or the Uchiha, so they have no obligation to care and are already doing these clans a huge favor by rescuing their kids, keeping them alive, and eventually returning them.

Thank you! The jutsu definition headcanon is mostly Domoz's, although I did adopt it immediately.

And there actually aren't really secrets to worry about in that case! The Uchiha know that if a Senju uses a jutsu, that Senju will probably also know several 'related' jutsu; that's not something the Senju could or have attempted to hide. It's basically a semantic difference; the Senju label something on jutsu and the Uchiha label it a cluster of related jutsu, but everyone's still aware that the options exist.

Izuna specifically has been expecting Tobirama to show up with a 'new' water dragon jutsu for some time, so his reaction is more along the lines of 'of COURSE you can do this now'. Though he WILL be annoyed at Tobirama insisting that they're all one jutsu. Izuna takes pride in how many jutsu Tobirama has invented to fight him with, stop trying to ruin his score!

(It will probably come up very late, though; the most likely prompt for this is Tobirama being introduced to the Uchiha jutsu library, and that is a post-relationship thing motivated maybe by Izuna and Hikaku innocently trying to give him a gift and possibly by hopes of interesting him in the sex jutsu section.)

Tobirama has at minimum collected some hints about Uchiha organization! He's trying to figure out exactly how hierarchy works between Izuna and Hikaku, and who Hikaku is that he seems to sometimes have equal authority to Izuna.

The Senju have basically one hierarchy: Hashirama at the top, Tobirama second, and everyone in charge of various things they've delegated answering to them. War and missions are all built into the same system, and shinobi are sent where their talents are needed, because the down side to having a wide variety of talents is that you often only have one or two people that can do any specific thing. So a Senju who's good at sneaking in and stealing things, for example, will be sent to steal the enemies' battle plans and that valuable vase some lord wants but can't buy.

The Uchiha basically all learn the same style of fighting, the same types of jutsu, etc; obviously there's some variety but nothing compared to the Senju. They also might just have more people in general. So they have basically two hierarchies; the war/battle shinobi (who are led by Madara and Izuna) and the mission shinobi (who Hikaku is in charge of). The two operate in parallel, and shinobi generally only are part of one, not both (other than kids/young shinobi still figuring out where they fit).

(This could also have gone the other way around, and had the clan head running missions primarily and someone else handling the war. But uh, Madara and Izuna are both very war-oriented. In other generations it's been different.)

As a result of that, since they're on a mission, Hikaku is actually officially in charge here. But Izuna is the clan heir (and functional co-clan head) in addition to co-head of the war, so Hikaku is used to deferring to him and Izuna is used to being in charge, and Tobirama's presence is another argument for Izuna to take the lead because Hikaku has no personal experience with Tobirama. So Hikaku and Izuna are kind of unclear on who's in charge here, which is fine because they trust and respect each other and agree on their goals.

So that's what was going on when they're trying to plan how to attack, and Izuna says he's outvoted and makes Hikaku do the negotiating instead; if Izuna was actually in charge of the mission he couldn't be outvoted. And Tobirama doesn't know exactly what's up there but he's sure something is, so he's Observing. (And also why he asked about whether Izuna would follow the plan he and Hikaku made; he expects Izuna to outrank Hikaku the same way Tobirama would outrank any teammates he had on a mission, and Tobirama wouldn’t necessarily be obligated to keep an agreement/follow a plan any other Senju made, so he thinks it’s weird and suspicious that Hikaku is making the plans instead of Izuna.)

He was also fishing for information during the "you deserve to suffer slightly less than bloodline thieves" exchange; he's trying to figure out Izuna's opinions on peace/alliance, since that's a thing Hashirama wants.

(But also yes, he feels very bad about giving away the healing jutsu thing and will try to apologize to Hashirama about it when he gets the chance.)

That works really well for the limits on Hiraishin! It did always seem odd to me that two unrelated people could use it but no one else. (Though for Typhoon Island it's just not invented yet, otherwise Tobirama could teleport off the island and we wouldn't have weeks of pining to inflict on them all.)

...are you trying to show off for the pretty guys, Tobira? >__>

XD Not quite yet! (I mean, he might have been trying with the first fish, but that was general pride + "see I am a Useful Ally, now how about we stop this whole 'war' thing".) With the second fish he's just very sneakily being a little shit, because he thinks them freaking out over An Ordinary Fish is funny. (And unimpressive. But he can judge them AND laugh at them just fine.)

(He won't admit it. But this is the Tobirama version of a prank.)

You're welcome, and thank you! I'm really enjoying getting to talk about all this.

@starstuffduster You are SO right about needing distractions, unfortunately I am working overtime so it will be even later than usual before I can write

(Do send me lots of asks though! I'm off tomorrow so I can write plenty then)

In the meantime, have a couple of incomplete later scenes from Typhoon Island (which will probably get rewritten but they're fun for now)

Hikaku finds Tobirama sitting under the ledge, where the rain is blocked but some light still filters in.  His eyes are closed, and his face is perfectly blank as he traces ink blindly over his face and throat.  A seal, clearly, though what it’s meant to do, Hikaku can’t imagine.

Tobirama is too skilled not to have noticed him, even rapidly bouncing his heel against the floor the way he seems to do when deep in concentration.  How Tobirama managed to train his skills so that he is always aware of the people near him, but has missed sunrise, sunset, food placed beside him, and being rained on, all in the few weeks they’ve been here, Hikaku still hasn’t figured out.  But a surprised shinobi reacts violently, and Tobirama is no exception, as proven by the times a sudden movement has startled him.

So Hikaku knows Tobirama is ignoring him for several minutes.  As Tobirama is currently placing the most intricate seal Hikaku has ever seen on his own face, and doing it blindly, that’s more than reasonable.

Tobirama stops abruptly, his heel landing sharply on the stone.  Hikaku doesn’t glimpse the handseal that pulls rain into a bubble over Tobirama.  The bubble bursts and splashes over Tobirama’s face, blurring most of the seal and drawing the ink in distracting trails down his throat.

Hikaku sets that aside for later.  “Difficulties with the seal?” he asks.

“Obviously,” Tobirama says shortly.  He wipes some of the water off of his throat, smearing the sealwork there further.

Hikaku still doesn’t know whether Tobirama is aware of his own rudeness.  He has learned that ignoring it is usually enough to end it.  “Would a mirror help?”

Hikaku doesn’t have a mirror, and neither does Izuna.  But they could probably work out something adequately reflective, if the seal is important.

“Hmm.  Unlikely,” Tobirama decides.  He unfolds from the rock he was sitting on and starts back toward the main cavern, and he’s still somehow taller than Hikaku remembers.  “The seal is meant to be used in groups, applied to each other.  The difficulty is in applying it backwards.  Seeing it would likely be a distraction.”

Hikaku will never comprehend the Senju mind.  “What sort of seal is it?”

Tobirama hums.  It takes several seconds for him to answer, and they get close enough for Izuna’s voice to reach them, slightly distorted, singing a children’s training song.  Several of the children have joined in, with a much larger range in skill than Hikaku expected children so old to have.

Mostly in the direction of less skill.  Do other clans teach their children nothing except to fight?

“It is a snorkeling seal,” Tobirama says.  “By drawing on the user’s chakra, it draws air from the surface into their lungs, and allows them to remain under water indefinitely.”

An incredibly useful seal, then.  It would be a deeply concerning one as well, except that most of its uses are pointless in Fire Country.  Fire Country has many streams and creeks, but even the Nakano, which is the largest river in the country, is only rarely deep enough for a person to truly hide in its depths.  Mostly, a submerged shinobi would only look like a fool, trying to hide a few feet below the surface of clear water.

But in a place like Water Country, much less these Whirlpool islands… Hikaku is glad that the Uchiha so rarely venture outside of Fire Country.

Still, it gives him an idea.  “If it is not given chakra, does it do anything?”

“No.”

“So it’s safe?”

The question earns a quick flick of Tobirama’s eyes in his direction, before they return to the tunnel ahead.  “Children use it.”

“If you were to draw it on me, then,” Hikaku says, and even having concluded there would be no danger, his heart rate picks up, “Izuna could watch, and draw it on you.”

Tobirama pauses, a fractional delay in his steps as he glances in Hikaku’s direction again, this time longer, almost actually looking.  But he shakes his head.  “It is an Uzumaki seal.”

“I have not yet found a limit on the complexity of what the sharingan can copy,” Hikaku says.

“The Uzumaki are protective of their secrets.”

Ah.  A different issue than Hikaku assumed.  The Uzumaki are Senju allies, but it’s not a seal for war.  “Is it that valuable?  I can’t see it being used often in Fire Country.  I’ve never seen a river or lake large enough to hide in.”

“Fire Country doesn’t have lakes; we only have ponds,” Tobirama says, as if reciting the opinion.  “Every seal is valuable.  If not for its own effect, then for what it will teach about sealing.”

“I see.”

Izuna stops singing the moment they reach the cavern, and most of the children break off after him, uncoordinated.  Kagami continues alone, his voice clear until he finishes the verse.

“Izuna-san is teaching us Uchiha music!” [Uzukid] announces.  Izuna’s face goes strained.

“Is it very similar to Uzumaki music?” Tobirama asks, apparently interested, which sets all the kids off.  Uchiha music isn’t much like Uzumaki music at all; the [idk water bloodline] have some similar music but it’s not [waterkid]’s favorite; the Hyuuga have the same song, with only a few different words.  Tobirama listens with solemn interest.

As soon as every child has shared their comparisons, Tobirama focuses on [Uzutween].  “[Uzutween], are you familiar with the snorkeling seal?”

She nods, looking slightly confused by the question.

“Good,” Tobirama says.  “Come with me; I am going to use it to go fishing, and I am not able to apply it to myself.”

--

“Look!  Abalone!”

[Uzukid] is grinning when Hikaku glances over, holding up a palm-length, brown shell with six holes in a line and oddly triangular spots.  She, of course, is looking at Tobirama, who pauses in his demonstration of prying mussels off the rocks to seriously examine the shell she hands over.

“Very good,” Tobirama says, and hands the shell back to her.  “Your family works with abalone, don’t they?”

“Yeah!”

Tobirama nods again, and turns to include the other children in his explanation.  “We likely won’t find many abalone here, but they’re valuable and harmless, so collect any that you see.  [Uzukid], would you like to explain how to identify them?”

“Yeah!”

The rest of the kids cluster around and [Uzukid] holds up the shell, pointing out the shape, colors, and shiny interior.  The Uzumaki eat the snails, and make the shells into all kinds of jewelry and decoration.

Tobirama listens, but his eyes keep sliding away, scanning the pool and the area nearby.  Izuna glances over, sharingan flicking on to catch the image of the abalone’s shell, and then goes back to hunting through a pool closer to the water.  Hikaku listens while he keeps prying mussels off of stone and tossing them up the beach toward dry land.

The kids spread out again, now mostly ignoring the abundant mussels as they stick their faces in the water and peer under rocks in search of abalone.  [Uzukid] turns rocks over a little more strategically, and keeps chattering.  “An’ when you grind the shells up really good, you mix ‘em in with ink and make star seals!  That’s what my family does, for the whole village!”

“What are star seals, [Uzukid]?” Tobirama asks.

“You’ve seen them!  On the roofs!”

“I have, but not everyone here has,” Tobirama says.  “Kagami, do you know what star seals are?”

“Not yet!” Kagami chirps.

“They’re sparkly!  And bright!”  [Uzukid] gestures, hands flying out in a burst of implied light.  “We put ‘em on the edges of the roofs so the old shinobi don’t fall at night!”

[Uzukid]’s descriptions make it sound as if every day is a festival in Uzushio.  It’s a shame, Hikaku thinks, that he won’t get to see it.  But the Uzumaki have been the Senju’s allies almost as long as the Uchiha have been their enemies.  Hikaku will no more be allowed to see Uzushio than Tobirama’s bedroom.

“What if they’re too bright?” Kagami asks.

“They’re not!” [Uzukid] declares indignantly.  “They’re star seals, not… not sea-glare seals, or something!”

Kagami nods seriously.

“Seals that create a bright light as their primary effect are called flash seals,” Tobirama says.

“Yeah!  They’re not flash seals!”

“But flash seals are one of the primary types of seal which Uchiha encounter,” Tobirama says.  “So it’s reasonable for Kagami to think of them.”

“And fire seals,” Kagami adds.

“Explosive tags,” Tobirama corrects.

“Izuna-sama hates those,” Kagami shares.  “He says fire’s ours so it’s not fair Senju can fake it without learning real jutsu.”

Tobirama smirks, a flicker at the corner of his mouth that vanishes before he raises his voice enough to make it carry.  “Well, next time he says that, you may tell him that Senju use fire jutsu, too; he just hasn’t seen.  And he should know better than to make assumptions like that.”

Kagami grins and nods.  A few other children giggle.

Izuna looks thoroughly annoyed, but he turns away instead of saying anything.  He’ll have plenty to say later, Hikaku is sure, once Tobirama and the kids are out of hearing, but for now he tosses his hair back and peers deliberately into the water.

“Are there lots of kinds of seals, Senju-sensei?” Kagami asks.

“More than I can list at once,” Tobirama says.  “Seals are even more varied than jutsu, only less commonly used.  Now, how many mussels have you found?”

The Uchiha are collectors of jutsu.  Every jutsu that any Uchiha has seen since the beginning of the clan is recorded, both in written form and in memories passed down across the generations.  Many of those jutsu are useless—there are dozens of campfire-lighting jutsu, invented by different clans in different countries and different generations, and the Uchiha only need one.  But they are kept anyway, for any who want to study jutsu creation, or in case an Uchiha needs to disguise themselves as a member of another clan.

Among those jutsu are thousands that have no use at all in war.  Jutsu to make food more flavorful, to shape wood and metal and stone with greater precision than a handheld tool, to send messages, to embellish dance, to amplify music or sensation.  Most Uchiha learn a handful of them.  Jutsu for singing and sex are the most popular, and those that are useful with various crafts.  Hikaku has at least glanced through most sections of the library, looking for interesting options.  Each recorded jutsu also records the source, and every Senju jutsu Hikaku has ever seen is for war.  Hikaku used to be sure that meant the Senju simply didn’t know or use jutsu for anything other than battle, sabotage, and the like.

But once this season is over he’s going to have to go home and add an entire new section to the library for jutsu that heal.  Not merely by shaping a needle out of a broken blade or pulling gravel out of wounds, but actively.  It’s still technically for war, but it’s an entire category of jutsu that the Uchiha didn’t even know were possible, which the Senju seem to have been using for generations, the way Tobirama acted about it.

So maybe, being a Senju, Tobirama doesn’t know the full variety of uses jutsu can have.  Or maybe the Senju are very good at keeping secrets, and seals can do things Hikaku hasn’t even imagined.

It really is a shame that he’ll never see the Uzumaki compound.

Hikaku pries the last mussel worth eating off the rocks, tosses it into the pile with the rest, and straightens.  The children are enthusiastic, but very distracted by all the unfamiliar creatures in the pools, and Tobirama is similarly distracted by watching and teaching them all.

Hikaku and Izuna, then, will have to do most of the foraging.  Which isn’t worrying, really; Hikaku is no longer concerned about starving while they’re trapped on this island.  But he’d rather not eat every meal from the same single fish for a week again, nor would he like to see what bigger fish Tobirama could possibly find. 

[this is followed by Hikaku picking up a blue ringed octopus, and Tobirama being Totally Rational And Calm And Not Panicking in response. As he always is, of course]

[mariocki]

The Evil Dead (1981)

"Why have you disturbed our sleep, awakened us from our ancient slumber? You will die! Like the others before you, one by one, we will take you."

[leadendeath]

mate. im sitting in the confessional right now with this.

i have a "guilty ?pleasure?"- well, not pleasure exactly, it's just something to background listen to while i do other stuff... so that i don't have to look at the show's art style which i generally do not like much- maybe a better term is a "bad habit"- of putting on peoples' reviews/video essays of the works of someone whose name sounds a lot like "fizziepop".

and let me tell ya.

the combo of the double take/"oh no he's cute" feeling i got when i saw this guy.

i have too much of a mental sickness for this they can't be doing this to me man. i almost had a moment of "......hmmmmaybe i could give the show a try 🤔" weakness. can u guess why. take a guess. a wild one.

help me.

[peteytheparrot]

I don't understand how you have so much motivation to draw, like on toyhouse you post like 2 drawings a day,,like I fr could never?? I make one drawing then lose motivation for the next like 2 weeks 💀

I have TOO much motivation for art it’s all I want to do 24/7 ☠️☠️☠️ I try and spend one day without drawing to give my damn arm a break and then I’m like ‘well :3 you could just draw a lil bit :3’ and then I draw three full artworks like AFAHSFAHSGSHHS

Tbh I think the reason I like drawing my OCs sm is because of the stories I give them, like if I’m just drawing a random OC with no lore or backstory it can be HARD…

[coolspacequips]

I think if all ppl can say about allura is that she's an obstacle to kl or that she's dead to be kl angst or that ppl shipping her w Lance suck then maybe just don't talk about her ever LMAO

[bylertruther]

some of you never grew up in a small conservative town as a (gay) nerd that was bullied, harassed, and excluded for years on end for not fitting in and for visibly and enthusiastically liking geek things—geek things that then branded you a satanist in everyone's eyes and as something Other, Lesser, and Undoubtedly Unworthy of Basic Human Decency even though you were literally just an actual child with harmless interests and not a satanist or an evil disgusting subhuman thing, and it shows.

you cannot apply modern views and beliefs to a show that is set in the eighties, especially not when it's set in conservative midwest eighties which is a whole other beast. being a socially awkward and nonconforming geek is something that people STILL get bullied for if you don't do it in a way that the majority deems "acceptable", especially if you live in a conservative, religious area.

your experiences are not universal and your inability to relate to a certain motif or story does not make it "lesser" or "bad writing."

[naptimed]

the problem with shitty fanfiction turned books is that i want the corny bad plot only if its about my favorite characters. i could read about wwx and lwj falling in love with each other in every universe. some randos, though?????? no thanks

[judeharoldvich]

tumblrinas will brainwash you into thinking lamestream musical artists are cringe and bad and then one day you'll listen to a song so breathtakingly beautiful and you'll see it was written and performed by harry styles the one direction guy harry styles. all bc they cant look past some unusual fashion choices