#sometimes i don't know how to caption my art
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Caitlyn + Violet
#sometimes i don't know how to caption my art#i just saw a tweet the other day that said romeo + juliet was very butchfemme and thought of these two#so i made this#vi x caitlyn#caitvi#vi arcane#caitlyn kiramman#illustration#digital art#fan art#arcane#arcane fan art
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I want to think a little about Blitz's self-perception with regard to his lack of education/sophistication. In my opinion, HB gives us a very accurate portrayal of what it feels like to navigate relationships when you're a person with a long history of feeling like you're never good enough ("I can always do better").
Let's start with his friendship with Moxxie, though like a lot of my posts, it will find its way back to stolitz.
Moxxie doesn't necessarily have more formal education than Blitz. I mean . . . he likely had the economic resources growing up, but I don't think Crimson seems like the kind of parent to prioritize education. Besides an education in violence. I assume that both Blitz and Moxxie had some basic education as kids, but the difference is that Moxxie likes "high culture(ish)" things like musicals and bow ties, enjoys knowing details about history, and probably reads for fun. He's also the kind of ". . . um actually . . ." friend who can make even a secure person feel a little stupid. Not that Blitz doesn't sometimes need to be called out, but Moxxie does seem to take some joy in correcting him.
And yes, Blitz bullies Moxx and calls his junk tiny and tells him to eat a salad, but like . . . it's pretty obvious that to some extent, Blitz is covering up for feeling inferior to Moxxie on some level.
We see how Blitz really feels about this in Truth Seekers.
Borrowed observation from excellent reaction youtuber Omn1media: When Blitz hallucinates Moxxie lecturing him, Moxxie goes really hard specifically on the insults to Blitz's intelligence. Moxxie's speech is also much more rambly/laced with figurative language than it is in their real (non-imagined) interactions.
We can see from Blitz's face in these scenes that these comments really get to him. Of course they do- he's making them up in his own nightmare.
"Foolish flights of fancy" is the rest of the caption there . . ."
He's very upset by the idea that he's really inferior to Moxxie- under all of the bravado, he's deeply insecure. It probably doesn't help that the truth gas made him admit that he didn't like the musical that Moxx recommended. Yes, I know that was a Cats joke, but also, Blitz bothered to lie, and he doesn't seem allergic to hurting Moxxie's feelings, so I think he wanted to pretend to "get" the "higher art" that Moxxie likes.
Okay so if Moxxie (with an essentially equivalent status and education) manages to unintentionally make Blitz feel stupid and uncultured, how does this translate when Blitz falls in love with Stolas, who IS objectively very high status and very well educated and DOES speak in "fancy rich people" language?
Oh. Right. The pedestal, the impossibility, and all of that.
I'm not saying that Hell's strict hierarchy doesn't have a lot to do with how Blitz perceives a real relationship between himself and Stolas as impossible- it absolutely does. And so does his history of failed relationships and heaping backpack of trauma. But also, the education/sophistication piece is there, and it's major.
I'm on the fence about whether Blitz actually sees himself as stupid or is just worried about being perceived that way by others. He obviously knows he's very good at the work he does, and that takes both a certain level of strategic thinking AND some very brilliant improvisation. I think he knows this. But he also knows he'll never . . . let's say, be the best read person in the room (if you want to know my thoughts on Blitz and literacy, click here- but short answer, I think he's quite literate but also dyslexic).
I think that like many real people who are kind of out of the box in this way (disrupted education and/or neurodivergence) he's simultaneously aware that he's very intelligent AND deeply insecure about being stupid or having others devalue his kind of intelligence.
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Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?
So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.
First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.
Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.
It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"
But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?
Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.
Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.
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i keep mistaking some of ur kidxelqua art for ur grian art so i have to stop and read the captions/tags every time 😭😭 is there a fundamental difference im missing that would make it any easier
hi !!!!!!! no i understand it can be pretty confusing !! its pretty messy on my blog ahahah i'll try to explain them and their place in the AU
All the kid drawings are Xelqua ! Originally it was Grian, but as the character Xelqua developed, I changed it to him. When people send requests for kid Grian, i'm drawing Xelqua, as that is the AU.
This isn't 100% accurate as I forget to do it, but Grian and Xelqua part their hair differently, kid Xelqua does too. Xelqua's hair is always a bit longer. (Grian got a haircut when he joined the Watchers, thats why his hair parts different now in evoAU and HC, he just kept it shorter ! Xelqua used to wear his hair in a ponytail during his time with the Watchers.)
The reason why i say they're "technically the same" is bc Xelqua is just another Grian from a different timeline, he just has a different name. Xelqua only exists because this one Grian joined the Watchers, new possibilités opened new timelines, ones where he died, ones where he's a Listener instead, or ran away to different servers, or stayed. Xelqua is the only one to have reached Sainthood.
Because of this, Xelqua can hop around timelines, he usually just bugs other versions of himself, helping them, giving them tnt. He finds This Grian during s8 of HC, bugging him through the boatem void, briefly possessing him later, but hey ! water under the bridge !
Xelqua's timeline doesn't exist anymore after becoming That, but by becoming That he has essentially rewritten history in other timelines, solidifying himself as a saint of destruction, a destroyer, this is what the Watchers know him as, this is what evo Grian knew him as, even if Grian caused it--It already happened--Xelqua has always been here. (It makes Grian's head hurts when Xelqua explains this to him.)
Basically: Grian set off a chain reaction when he joined the Watchers, and that opened new universes, and in doing that, Xelqua is made.
Xelqua is powerful, but also very lonely and has a lot wrong with him, which is expected he spent many years with the Watchers. Xelqua can mimic any version of Grian he wants, but if he stays in that form for too long, he'll start to forget himself and instead think "Xelqua" is a patron, rather than himself. This is why kid Xelqua will usually praise the Saint Xelqua and be proud of his own name, he just doesn't know ! It takes a little while to remember himself and change back. This also happens in high stress, (bc of course it does, i love when a character loses control of their powers hahaha,) the memory is much worse if it happens from stress. You can't talk kid Xelqua out of this, it'll stress him out further and you'll just have a little god child throwing a temper tantrum then, never a good idea.
After s8 in HC EvoAU, Xelqua hangs around, popping up sometimes in s9, mostly in his adult watcher self. They don't get along too well at first, Xelqua has a little bit of bitterness over Grian having such a fun life, all these friends, needed, wanted..... But whatever ! Xisuma doesn't know how he keeps getting in, but Xelqua has been on good behaviour, so...... Shrug... Just let him visit sometimes....
Xelqua's version of the Watchers are gone, the unfortunate conséquences of becoming a destroyer, you kinda rip your own timeline apart. This, added with the fact that he is a cautionary tale in every other reality to Watchers, means if he tries to visit other versions of his Watcher family, they won't really know who he is, and just see something destructive and chaotic. If he wants to see Aether, he'll just... hop in a timeline and change himself into a kid and quickly forget what he's done. He's lonely, ok !!
Xelqua starts doing this kid bit on HC (late s9/early s10) too, he doesn't exactly mean to, but he does feel safe there. He eats Grian's food and takes over his couch and no one can get mad at him bc he is just a little kid--grian puts him in the corner. timeout. a few dead birds hit the roof as a result.
#KID XELQUA IS VERY MUCH YOTSUBA TO ME </33 ADGHJKAD#ask#kidxelqua#evoau#DOES THIS MAKE SENSE !!!!!!!!! i try to explain the timeline as best as i can but if its still confusing i can probably. clarify more#eovAU is 90% just my own ideas so you wont find a lot of this within Evo itself
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Social media usage hc's!
Ichika: totally a tumblr user. she's very active in the vocaloid fandom and sends memes in the leo/need groupchat. she would sent cute pictures and caption them "us <3" or some shit like that.
Saki: she definitely used tiktok, twitch and youtube a lot during her stay in the hospital. responsible for 90% of the links in the leo/need groupchat.
Honami: i dont feel like she would use much social media. maybe she made a few accounts to check the links others sent her, but otherwise she doesn't use them.
Shiho: she only uses youtube for bass and calligraphy-related stuff, as well as cute animal videos. that's mostly on tiktok tho. she would have a perfectly curated tiktok fyp.
Leo/need probably have a youtube, twitter and tiktok account, but only use them for promotion.
Minori: VERY active on tiktok. she had been posting since way before she joined mmj, but her account has only gained popularity recently. she sometimes gets haruka, airi and shizuku to feature in dance tiktok challenges with her.
Haruka: she doesn't have a public social media presence, but she does lurk a lot on her private accounts. she feels better when she can keep up with all the news. mainly twitter.
Airi: she's quite active on instagram, but doesn't use anything else often.
Shizuku: banned from all technology usage. i feel like we already know.
More More Jump have official instagram and twitter accounts, as well as youtube where they stream. mostly ran by haruka & airi, though minori likes to log in sometimes to respond to the comments (and probably shock them). they sign off each message with colorful heart emojis. very cute.
Kohane: doesn't use social media much. minori got her to record tiktoks together when they were still classmates, so now she also has a tiktok account. doesn't have a very curated feed, but does partake in scrolling sometimes.
An: watches a LOT of youtube & twitch in her free time. i dont feel like she would feel the need to use anything else tho.
Akito: that man is too committed to the grind to let social media have a hold on him. maybe a bit of youtube and a sports news twitter account, but in healthy amounts. he's too good for tiktok so he watches youtube shorts.
Toya: had no idea what a social media was for most of his life. he would be active on reddit though. an showed him twitch so now he partakes in watching some streams too.
Vivid BAD SQUAD wouldn't have an official social media presence. most of their fame outside vivid street comes from other people posting recordings of their performances.
Tsukasa: he doesn't use it at all. saki once showed him a few things, he tried it, went "you know what. i dont feel like this brings any value to my life" and stopped. we should all strive to be more like tsukasa.
Emu: solely a tiktok user. she sends wxs a lot of funny and cute tiktoks. also partakes in dance challenges sometimes, which gain her a surprising amount of popularity.
Nene: uses discord frequently for her game stuff. made her own tiktok account only to open all of the links emu sends her.
Rui: uses twitter, but realized very quickly that the constant drama isn't healthy for his mental state so now he just looks at the memes. nene makes fun of him for living in the twitter trenches.
Wonderlands x Showtime are tiktok famous. this hc mostly comes from that one tumblr art about tiktok famous wxs and ?!?!?! i absolutely agree! i hc this also was a big reason why they gained popularity so quickly. mainly ran by rui, with everyone frequently helping and giving ideas. they post a lot of skits and extra behind the scenes content.
Kanade: she doesn't seem like the person to use social media. she only has discord and her streaming services accounts, which she considers a chore to run.
Mafuyu: for obvious reasons, wasn't allowed to use social media. i don't feel like she would use it after running away from home either, since she's seen how much pain it brought to ena and mizuki. discord only.
Ena: her being very active on instagram is practically canon, as well as discord of course. i dont think she would use anything else though.
Mizuki: this girl has an account on EVERY social media platform ive mentioned. and probably a few more. she's very good with technology, and has definitely participated in at least one fandom.
Nightcord at 25:00 don't have any social media accounts, apart from streaming services of course. Partially to keep up the mysterious and anonymous image, but also no one could be bothered enough to run it.
woah how did this get this long??? im going to sleep now
- 🍔
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WIBTA if I started doing sex work while still living with my mom?
Warning for sexual mentions(nothing heavily explicit though)
I (18F) can't get a typical job like working in customer service or physical labor because of a mix of reasons. I'm both physically and mentally disabled, for one. I have chronic pain & chronic fatigue so extensive physical labor or any job that requires being up for a long time is out of the question for me, as it would cause me a lot of pain and put me at risk for collapsing or falling asleep due to exhaustion. I also have heavy social anxiety and sensory issues, and despite being in therapy since I was around 11, this hasn't gone away. I still have problems with stuttering when talking to people I don't know, and feel on the verge of panic the entire time. I also can't handle loud noises well- I carry around a pair of headphones constantly but that does mess with my hearing so I couldn't really use those in a customer service focused environment. I'm a full time student as well, and will be for several more years, as I'm going straight into college out of high school. On top of all that, I can't drive yet, as the process was delayed due to concerns that my health issues would make me a hazard on the road, so I won't have my full license until late this year.
I've tried looking for other job types before, but nothing I've been able to find works. I've tried doing art, but it's not easy to get people to actually commission you- I've only gotten 1 so far and I've had commissions open for almost half a year. I've tried content creation but have yet to build a platform big enough to make money from it. I've looked for online focused jobs such as creating captions or proof-reading others work but realized very quickly I'm not equipped/qualified for that job due to my problems with processing audio correctly, and my problems reading and writing correctly first try- I often have to re-read things many times over and re-type things at least once to get it at all correct, as words and letters get mixed up in my brain sometimes or I just accidentally skip over entire words or even sentences. And even then I sometimes still get it wrong. So I'm a pretty slow worker with things like reading, and something that requires listening to something and then writing what was said took so long it wouldn't meet the time requirements a lot of places are looking for in workers for that (that I've seen).
So the only idea I have left for making money so I at least have something to help pay for college and to go towards me being able to move out someday is some sort of sex work. I'm not planning on doing anything super risky, like meeting up with real people or anything that would show my face. So I wouldn't be worried about this bothering my mom since she's not really sex negative or strictly against sex workers or anything if it wasn't for one thing. I'm not sure if this will work either. I have a lot of acne problems all over, and problems with picking at my skin that leave scratch marks in a lot of places. And I'm not sure anyone would be willing to pay to look at that. It's not something that bothers me on an individual level, it's just a part of me, but that doesn't really change what other people do or don't find attractive. So it just kind of feels disrespectful to be selling that kind of thing in my mothers house if it's not even going to be significant enough for it to matter financially. And, of course, there's always the risk my mom could see it, and I worry it would upset her to see her daughter selling that kind of thing. But I don't see other options left for how I could make enough money to not end up drowning in student loans down the line, or end up living with my mom for many years into adulthood- which wouldn't be fair to her since she's not financially well off either. I don't plan for it to be a permanent job, just something to help me through my college years till I can start working in the field for what I'm getting a degree in or until my issues get well enough I can work a more typical job.
WIBTA?
What are these acronyms?
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So, here's another Dean. This one's in neocolor crayon, which are very soft crayons - you can use water with them, but I haven't here, because the paper's newsprint and it would fall to pieces very quickly if I used water.
While I was drawing, I was pondering various arty matters. Mainly, how some art/craft posts - mostly on Facebook rather than here - irritate the hell out of me. You know the ones. Where there's some amazing piece of art/craft, but the caption is something like, 'please be kind - it's my first time!' When it's blatantly not their first time, unless art and craft is just plain easy, which it isn't. Anyway, I'm not sure why people make those posts - for others to comment how amazing they are? I suppose. But it must be pretty hollow to receive such compliments. Unless it really is their first time. And even then...
So, anyway, it made me think, why do I post my art? What exactly do I get out of it? Do I do it to receive validation in the form of compliments? I'm not saying there's anything wrong with that, but I just wanted to be really honest with myself. And also, why do I make art in the first place and why this particular type of art, drawing the same characters over and over?
Well, I think I draw for the same, or similar reasons that I write - because it's my own world, that I can control. There's comfort there, isn't there? And comfort in the characters I draw and write about - they're not called comfort characters for nothing, after all. And they're beautiful, aren't they? They're just damn beautiful. Why wouldn't I want to draw them?
So, I guess I want to pour my love into creating something beautiful, or as near beauty as I can get. And I choose to do that with my crayons or my charcoal or my pastels because I love those things too - their colours, the way they spread, the way you can make big, soft marks or sharp, dark marks, the way you can smush them around with your fingers, the way you can just mess about and sometimes it doesn't work and sometimes you get an amazing effect that you didn't know was possible. I love drawing randomly, roughly, searching and searching until I find what I want.
But why post online? Hmm... Well, yes, it is nice when people think what I've created is technically skilful. I have an ego that likes to be stroked, same as anyone else. But if that was the only reason, I'd probably cheat. Some people do. And if that makes them happy, who am I to criticize?
Anyway, I think what I'm after is connection, which is in no way an original thought. That's what makes fandom so wonderful, isn't it? The way you can find connections with other people all over the world. I think when I post, I'm looking for people who love the same kinds of things that I do - the same characters, obviously, but also the same kind of approach to art. The colours and the roughness, the playfulness and the 'continuing mission' to find beauty. I think I post in the hopes that someone will see my art and think, 'hey, I like that.' And that they'll feel a little spark of joy.
I think that's what all our fan creations are about. You get the firework of joy and excitement that goes off when you create your story or your picture and then, around the fandom world, other people get a spark struck from your joy. Which is pretty flowery stuff, but, hey - I'm a writer, aren't I?
That's enough rambling. Nearly. Because I also want to do the thing I often do, which is totally anti the 'it's my first time!' kind of posts. This is very far from my first time and I want you to see the crappiness of my progress shots, because it's important to know that there's almost always a lot of crappy stages before you reach something you consider beautiful. Not perfect. I'm not after perfection, which is impossible anyway, and I would never say any of my stuff is perfect because it's far from perfect and I don't want that - I want life and humanity and striving toward something.
I'm gonna shut up now, because there are burgers to be cooked and chocolate cake to be eaten, and hey! Doctor Who's on soon! Bye!
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please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written
Sure! And thank you for throwing me this bone because WOOF
(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)
Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.
The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.
The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.
You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.
Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.
At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.
"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.
Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.
#askjesncin#woman of tomorrow#jesncin dc meta#media criticism#there's a whole Ruthye rant where she talks about how superfam stories aren't pointless because they'll meet opponents stronger than them#and then the story proceeds to show supergirl defeating genocide pirates no biggie with help from horse#all she had to do was fight harder
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dont mind me i just wanna be a """""little""""" sappy,,,
I love my mutuals. I love my mutuals whom I talk to on discord or through tumblr (msgs/cmts). I love my mutuals who I talk to or reply to through tags on posts. I love my mutuals who I talk to every once in a while. I love my mutuals who I just never talk to. I love my mutuals who I don't talk to. who never interact with me, but still choose to be my mutual. I love my mutuals who aren't restricted to one fandom, one interest. I love my mutuals who are restricted/choose to be restricted to one fandom/interest. I love my mutuals who I can recognize just based on their sims/art style. I love my mutuals who I can recognize based on their rendering and editing style. I love my mutuals who I recognize almost instantly based on their name. I love my mutuals who I recognize almost instantly based on their pfp/theme. I love my mutuals who I recognize almost instantly based on their typing/texting/speech. I love my mutuals who I recognize almost instantly based on how they reblog (no tags/typing out as many tags as possible). I love my mutuals who I share a fandom/interest with. I love my mutuals who I don't share a fandom/interest with. I love seeing my mutuals post about their interests, I love seeing you guys post about anything, I love seeing your posts, I love seeing what your interested in, even if I don't know or aren't interested in the media, I still love your posts about that interest, I love when you post so much about media it makes me piece together the storyline, or makes me want to watch the media. I love seeing your art, sims and/or not sims, I love seeing you express yourselves, I love seeing how you guys post stuff, I love how I can tell who's post is who's based on how they caption their posts. I love seeing you guys in my notifs, I love seeing what posts of mine you reblog, I love seeing what you guys have to say in the tags, or even if you don't put tags, I just love seeing you guys in my notifs. I appreciate you all. I appreciate those who reach out to me so we can talk more. I appreciate those who dont reach out to me. I appreciate those who tag me in tag games or in something that reminds you of me. I appreciate those who don't tag me in tag games or the like. I appreciate those who send me asks, whether for an ask game, a question, or just wanting to say something to me (regardless of if you send that ask on or off anon). I appreciate those who don't send me asks. I appreciate those who ONLY send anon asks. I appreciate those who never send anon asks. I appreciate those who are always online. I appreciate those who are sometimes online. I appreciate those who only check tumblr once a day. I appreciate those who haven't even been active in 3 days. I appreciate those who haven't been active in 3 months. I appreciate all my mutuals. I love you guys, you are all so amazing, strong, creative, talented, inspiring, admirable and humorous people, you all really truly deserve anything and everything wonderful in life, I love being mutuals with you and I truly TRULY from the bottom of my heart appreciate you, it really does make me happy when I see you guys on my dash, or when I see you in my notifs. Thank you and good night :') <3333
#idk i keep seeing my mutuals having a hard time. esp in this last week and ive been super sappy esp after my friends graduated-#-so i just wanted to share my love for you all. with you all.#nobody may see this or most of my mutuals will see this but either way I love my mutuals 🫵🫵🫵🫵🫵🫵#unfathomable amounts of my love and appreciation going YOUR way mutual#of course. I love all my followers. truly. I just needed to sap all about my lovely mutuals#yapping
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hi all! since it's been on my mind, I thought I would offer some practical advice when it comes to giving proper credit to creators online.
(disclaimer: this post has nothing to do with plagiarism laws or intellectual property rights and the like, that's a whole other kettle of fish. this is purely about online etiquette when it comes to sharing work by other people.)
so! I present you with:
a guide to providing credit when reposting art & writing!
let's start with some clarifications:
what counts as reposting? in this context, reposting refers to taking content (a downloaded image, copy-pasted text, a screenshot, etc) from it's original context and uploading it yourself to an unconnected secondary place (a new post, a different online platform, etc). for example, taking a screenshot of someone's poem on twitter and posting it on tiktok.
is all sharing reposting? no! some social media platforms (like tumblr) have built-in features for sharing or boosting posts made by other people that don't disconnect the content from it's original source. here, the reblog feature just puts someone else's post on your blog—the OP's handle and information and everything are still attached to it. this is a great way to share art & writing, because it keeps the content connected to it's creator and original context.
how do I tell the difference? a good way to judge whether something would be a repost or a boost is to consider if the original post is being kept intact and if there are direct links to the original creator's account. for example, sharing a post to your instagram story keeps the original post intact and links directly to that original post & the creator's account. this would be boosting, and that's great! however, if you screenshotted an instagram post and uploaded it to your story that way, that would be a repost, which is less ideal. that said, reposting can be done respectfully with the proper considerations and credit.
if you are going to remove content from it's original context and repost it, first consider:
do I know who made this? sometimes people post content that has already been disconnected from its original source. like, for example, if you wanted to make a spongebob fan art collage and found an account on pinterest that reposts spongebob fan art from a bunch of different artists without identifying each artist. as a general rule of thumb, if you can't identify the original creator of a work, don't repost it.
NOTE: putting "all work belongs to the original creators" or "not mine, credit to original creator" is useless as a credit. this doesn't give anyone any information about the creator of the work or its original context, nor does it absolve you of anything. to give an hyperbolic comparison, that would be like grabbing a painting from a gallery wall and saying "don't worry, this isn't mine," on your way out.
does the creator allow reposts? some online artists ask other people not to repost their artwork in new posts or on other platforms, even with credit. it is basic decency to respect an artist's wishes in this way and not repost it if they ask people not to do so. usually if this is an artist's preference, they will state it somewhere in their account title or bio.
NOTE: again, built-in boosting features like reblogging on tumblr are not reposting, because you are not removing the content from its original context, so that would still be an acceptable means of sharing the creator's work.
can I give credit to the original creator in my new post? ensure there is an accessible way to offer credit. for example, if you're using a screenshot of a poem in a tiktok slideshow, you could put the credit in the caption of the post or on the image of the poem itself as an overlay. but, if you are using someone else's work in an icon or banner for a social media account, you would have to find somewhere less direct to put the credit (like in your bio, as is often the case for icons and banners).
how should I credit an artist or writer in a repost?
use the original creator's name and/or online username. this is the most important part. if you don't do anything else, do this. to make your credit even better: if they use the platform you're posting on, consider tagging them, or if you found the work on another platform, name that platform.
poem by [originalcreator] OR poem by O. Creator / @[originalcreator] on instagram
link back to the original creator's post. if the format allows, include a hyperlink to the creator's original post of the content you're reposting. you can also copy and paste the link address in your caption (it looks a little messier, but does provide a direct connection back to the creator, which is helpful). some platforms also have an "image source" input built into their interface for posts—keep an eye out for that as another option.
the drawing in the background is by @[originalcreator], linked here OR the drawing in the background is by @[originalcreator]: https://originalcreatorsblog.com/posts/the-drawing-youre-reposting
put the credit somewhere clear and accessible. putting credits in the content or caption of a post is generally the best practice—place it clearly somewhere people can easily see. putting credit in the original caption of a post is much better than putting it in a comment or other secondary interface feature (such as an image's alt text).
ask the creator for permission to repost their work. this is something of an extra step, as not many people necessarily expect it, but I know myself and many of the creators I know would be flattered by the courtesy to ask before sharing our work elsewhere. this is helpful because it makes the creator aware of the repost, your support, and also gives them the opportunity to decline if it's something they're not comfortable with.
what if I can't find the source for something I want to repost?
in this case, you have two good options: 1) don't repost that thing, or 2) try to find the original source yourself.
for finding sources yourself, I know search engines are the shittiest they've ever been, but lots of previously posted or shared work can be located online with some quick searching. for word-based work, try searching a few lines of the text—I've found lots of poems and posts this way. images can be harder to track, but it's worth it to try using a reverse image search tool like tineye or something similar to see if the work can be found somewhere else on the internet.
if all else fails and you really want to find the source for an image or a work, making a post and asking others for help locating the source can be an effective option, but there is a definite difference between making a post like:
can anyone help me find the artist who made this drawing? I want to put it in a web weaving collection but I can't find who made it.
and making a post like:
here is my web weaving collection! if anyone knows who the artist for the third drawing is, let me know.
while both lack credit, the first post isn't using the uncredited drawing and the poster is actively trying to find the credit to be able to use the drawing respectfully. meanwhile, the second post still uses and benefits from the artist's uncredited work while only really passively seeking out the credit / passing the torch to other people when their repost has already been made.
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that's my advice for reposting! if anyone has anything to add please feel free. and remember, it's very often not too late to go back and fix old posts to add credits if you have left them out in the past! if you think you may have posts that have used uncredited works by others, I urge you to take the time to either edit them or take them down.
in the current treacherous terrain of ai use in the realms of art & writing, the basic decency of credit extended to artists & writers is more important than ever. please. credit the creators of work you share.
#art#writing#web weaving#poetry#moodboard#illustration#artists on tumblr#writers on tumblr#writeblr#writers and poets#creative writing#long post
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Living with Leon NSFW headcanons
the anon who requested this is not only a genius and a sweetheart, but also super hot (don’t ask me how i know this, they just are)
sfw part 1 here
just a lot of gn! ambiguous genitals! reader getting dicked down by leon all about the house. wholesome stuff really.
NSFW under the cut
You thought you knew what Leon’s sex drive was
All the sexts, spicy videocalls, the multiple rounds you’d go for when one of you stayed over, the quickies in Wyndon Stadium etc
Turns out, you weren’t even close
He’d barely put the first box of your stuff down in his sitting room before you were bent over the couch with him deep inside you
Look, you can’t blame Leon
He just loves you so much
And he thinks you’re so goddamn sexy
Suddenly he has way more access to you and your beautiful body
All the excitement at the prospect of living together, and all those missed moments just get to him
Of course he is going to take full advantage of this situation (while obvs respecting your boundaries)
Luckily, you are more than pleased with this arrangement
Say it with me my friends
QUICKIES
You two have it down to a fine fucking art
Like literally, you have the timing perfect
You both get orgasms and a good fuck in, but still enough time to fix yourselves up and arrive on time for work
Well, you are on time
He keeps getting lost on the way rip
Hands often start wandering over shirts and under waistbands when you’re cuddling on the couch and the movie you’re watching just isn’t it
Or if you unintentionally or intentionally grind against his dick while getting comfy on his lap
SO
We know Leon’s shower is really fancy right?
Well, I neglected to mention in the first post that it has steps, and handles, and non-slip surfaces
And alongside his hair and bodywash stuff, he has a bottle of water-resistant lube
You often delight in feeling each other up, if not just straight up fucking under the luscious heat and pressure of the water
You definitely make use of the jets in the shower and bath
“Can I wash you back?” and your ass and your chest and your junk
And if somehow you make it out of the bathroom without ending up with him inside you
You’ll probably end up sandwiched between him and the bedroom wall anyways, towels on the floor
Outside of the house, Leon is a fashion disaster
Inside the house though, he doesn’t even wear enough clothes for it to be considered an outfit worth scrutinizing
Okay that’s not totally true, he does sometimes wear a shirt that is definitely very tight on his muscles
But mostly, especially after showering, he’s shirtless
In loose shorts
Or grey sweatpants 👀
You…. you don’t wear much either
Usually one of his shirts (which tends to be quite big on you)
And sometimes you wear shorts or leggings with it, but only sometimes
It’s for easy access really
Which is good because we all know how Lee gets when you’re wearing his clothes
Gentle morning sex is common
Particularly on his days/morning off
Where he can really spend time holding you, kissing you, caressing you, making love to you
And then cuddle you afterwards, drifting off to sleep again
Because you're both so sleepy during this, it can often lead to unintentional cockwarming
He just gets too sleepy to move for a bit
And too caught up in how perfect and warm and snug you are around him
Not that you mind, because he feels so wonderful against your body, and so amazing and big inside you
Just because you're living together doesn't mean the sexting stops
And I don't just mean when one of you is away from home
Like, you'll just be chilling on the couch in the sitting room
When your phone lights up with a notification from Leon
Which is just a mirror selfie of him in the bathroom, glistening from his workout, in just a low slung towel and a sultry expression
With "🚿?" as the caption
You two have fucked in every room of the penthouse
Except Hop's room ofc
And have made use of basically every surface
The mirrored walls in his gym are 👌
#champion leon x reader#champion leon headcanons#champion leon#leon pokemon headcanons#leon pokemon#leon pokemon x reader#trainer leon headcanons#trainer leon x reader#request
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Jimin x Black OC Headcannons
Pairing: Jimin x Althea
Synposis: A little intro to Althea Evans, and her relationship with Park Jimin
Jimin/Althea: These two met in a modern sense through a dating app. Jimin reached out by swiping up with a cute pickup line on Althea's profile, and the interaction went as such.
Jimin: Hi! :)
Althea: Hey ;)
Jimin: May I take you out?
Althea: You don't even know me??
Jimin: Will you let me ;)
It was history from there. Jimin wasn't creepy or overtly sexual like some of Althea's previous matches. Althea was a verified user and not another catfish nightmare. Neither side had anything to lose.
Jimin/Althea: Their first date was at an art museum. It contained many classic pieces, making it the perfect place for a photoshoot, which is exactly what ended up happening. Jimin brought his Polaroid camera, snapping pictures of Althea. She had a natural beauty and an overall jovial spirit. She was constantly smiling, her eyes big with wonder. She just carried herself in a carefree manner. It was new to Jimin, a good kind of new.
Jimin/Althea: He keeps one of the pictures that he took of Althea on their first date on the back of his phone case (of course, once they became official). Another event that also didn't take long. Althea quickly saw that Jimin was a very decisive man. If he wanted something, he thought of a game plan on how to get it.
Jimin/Althea: Althea is the type of girlfriend who prefers a public relationship to a private one. She has Jimin's initial in her Instagram bio, and her one public picture is one of Jimin and her cuddling in bed. Jimin is lying on his stomach, his head turned into her chest. Althea is cheesing at the camera frizzy curls on top of her head. The caption is anticlimatic, with a red heart and Jimin's Instagram tag.
"Jimin, come get in my picture." She calls out to her boyfriend. She smoothes out her business trousers. They are getting ready for a grand opening to show support to a mutual friend. Althea puffed out her lips, doing a slight slight duck lip.
Jimin didn't look at the camera, only his girlfriend. Her space became his. His nose touched her cheeks, and he took a deep breath of the floral perfume. Jimin turned his eyes to the camera.
"Smile." Althea posed.
Jimin just looked at the camera and then his girlfriend. In a moment, he slides his tongue up Althea's cheek. Delivering a wet lick.
"Ewwwww Jimin." Althea laughed, saving the video as a treasured memory.
Jimin/Althea: Althea is the first woman Jimin has dated who is his height. Back in his younger days, (late teens- early twenties) he had a strict rule on his partner's heights. It empowered him being the taller one in the relationship. It felt good being the one to make the 'short' jokes instead of being on the receiving end.
But the moment he realized how nice it felt to make eye contact without having to look down was a new feeling. She loved it. It was one of the ways he felt he could connect with Althea. Their eyes had conversations of their own.
It's their world, everyone else is just living in it.
Jimin/Althea: Despite trying her hardest, Althea has a concise attention span. She cannot sit for long periods of time, and long trips are a true test of her patience. She has to get up to stretch her legs or something. Being stationary for too long allowed her thoughts to take control. Which wasn't always a good thing. Hence on the flight to meet Jimin's parents, Jimin packed a stack of playing cards. For the duration of the flight, Jimin taught Althea all sorts of card games.
Jimin/Althea: They are proud pet parents to eight Betta Fish. Two of the fish were apart of a yearly tradition at the state fair. The other six were the babies of the two state fair fish. Sometimes Althea will call up Jimin to update him on the little lives of their babies in the tank.
Jimin/Althea: Jimin got Althea hooked on Korean reality TV shows, specifically Single's Inferno.
"Jia is pulling everyone. Gimme your game card sis."
Jimin rolls his neck at Althea's comment.
"Whatt. It's true."
Every release of a new season they binge it all in one night. It's that bad.
Jimin/Althea: Jimin was mildly impressed to see how high Althea's spice tolerance was. He enjoyed cooking some of his favorite Korean dishes for her, but he tended to stray away from the spicy ones until he watched Althea chow down some gumbo made at her Nana's house in New Orleans. The dish was delicious, but it easily removed two layers off Jimin's tongue. Jimin was a new shade of pink after eating the meal.
Althea, unbothered and unfazed, fixed herself another helping. Not a bead of sweat in sight. Not even a glass of water by her side. She teased Jimin on the flight back home.
Jimin/Althea: Althea takes more pictures of Jimin than Jimin takes of himself. She has a natural gift for capturing the moment. She's had to buy extra gigabytes of storage just to keep up with their relationship, which has been one year. When she is apart from Jimin and can't come to the phone. She scrolls through her many pictures, cheering herself up.
Jimin/Althea: The best compliment Jimin has received from Althea is that he heals her inner child. Take it he was fixing her tea for her sore throat, but the statement caught him off guard. Often, compliments have been focused on his good looks, dance capabilities, or excellent music taste (self-proclaimed). But rarely is he recognized for his emotional soft side. He grew a different level of appreciation for Althea that day.
Jimin/Althea: Not a drinker. She tried in once after her cousins snuck it over at her Nana's house,but she gagged at the awful taste. In college she experimented a little bit with wines, tequila, vodka, and other spirits, but never really saw the hype. Now she chooses to remain abstinent from alcohol. Making her a great DD for Jimin and his friends.
Althea's Bio
Full Name: Althea Irene Evans
DOB: April 28th (26)
Zodiac: Taurus
Height: 5'9
Figure: Slim
Hometown: Lafayette, Louisana
Education: LSU (Louisana State University- Baton Rouge)
Degree: Architecture *Honors
Career: Architecture + Interior Design
Siblings:
Amina Evans (half-sister) 11
Anhai Evans (half-sister) 8
Althea's Mood + Vibe + Aesthetic
[Althea + Jimin Together Vibe]
#bts#black oc#bts x black reader#jimin x oc#jimin x black oc#jimin x black fem oc#x black reader#x black fem oc#jimin x althea#madameaug#jimin headcannons#black writiers#park jimin#bts jimin
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Do you know of any resources or posts specifically about captioning comics? I am very new to this, but I love comics and I make comics so I want to learn how to caption them properly. Thank you for your blog and all you do!
Delighted you asked this, since it gives me the excuse to share one of my top favorite posts about exactly that!!! I used @/TheQueerWithoutFear's addition in this post as a personal bible when starting out with art IDs! I think this post also has advice which is generally applicable to lots of comic IDs, since people can get bogged down writing every single detail of a piece when the broad strokes would do and thus detract from the overall comprehensibility of an ID. I also really appreciate this site as a great resource for examples on how to write concisely and with an audience in mind, and this post also lays out a lot of good tips! I'll round out this post with some general advice/guidelines:
Neither alt text nor caption IDs are better or even necessarily more accessible than the other; what matters is good formatting (so please don't put IDs below a readmore or use anything but plain text, use sentence case and primarily formal language, use brackets and "ID/End ID" formatting for caption IDs but omit them from alt, etc!)
For comics, especially long ones, I personally favor conciseness over strict fidelity to art, though this is highly subjective and depends on the piece and sometimes my mood. What I would boil this down to is that you don't need to include every detail in a piece to write a good ID, and using narration/prose is often more understandable than transcribing visual techniques (Ex: "She notices something to the side" is clearer and more succinct than "Action lines next to her face indicate she saw something to the side")
Organizing an ID's information in a top-down format is best for comprehensibility: start with who/what is featured (and where they're from, if applicable) and what they're doing, and then move on to background, style, and details
Last, you're welcome, and thank YOU so much for reaching out!! Artists like you make the world go round!! Please feel free to reach out if you ever have more questions, and have a wonderful day!!!
#i really hope this helps anon!! godspeed with all your future projects!!! :DDD#i wish this could've been a bit more in-depth and included a tldr but truthfully i am sick and quite tired 😔#that said if you ever have further questions not only my askbox but my dms are open! i'm always happy to answer!#shoutout also to nik peachygos for suggestions on what to say here :)))) ily king#asks#anonymous#accessibility#kay talks#also anon consider checking out my personal id tag on my fandom blog (linked in my bio) for examples of how i personally write comic ids!#ALSO!! the doc in my pinned post has a section dedicated just to resources!! not all will apply but sone surely will!!
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EVERYONE LISTEN UP, THIS IS IMPORTANT!
I'm going to talk about the history of Tumblr, the current state of Tumblr, and why you should get out.
And you can call me a hypocrite, sure. But as an artist who depended a lot on commissions and art sales, I only came back to Tumblr because this is where the audience and active fandoms are. If it weren't for that, I wouldn't be here.
So, you've probably heard people calling tumblr "the queerest place on the internet". Probably more ironically that sincerely, lately. But the reason for this is that, at one point, it was true. Tumblr was synonymous with gay shit, all over the internet. That was this site's reputation. To the point that what the right wingers call "woke" these days, used to be called "tumblr shit". Tumblr was the BIGGEST resource for LGBT+ communities, information, advice and connection. That was here, on this site. Ask boxes thrived with friendship and fun games, artists got regular commissions and their work was shared. And, as much of a cliche as it may be to say this, Tumblr was a 'safe space'.
Then everything changed in 2018. I don't know how many of you were here for that, but that's when all this started. That's when we had porn bots. They'd start reblogging random posts, adding pictures of straight up porn. Naked people, straight up fucking. No tags, no warnings. Just uncensored porn and those stupid "click here to fuck me" captions. They were everywhere, constantly. And staff did nothing about it. No moderation, no kind of adding verification or new accounts. They just let the problem fester. Why should they care? Until they were threatened with being kicked off the app store, at least. Then they moved to do something about it.
So, instead of pulling together a human moderation team, or temporarily limiting new accounts, or doing any kind of intuitive policing of these spam bots, they just decided to make a blanket ban of all NSFW content, the enforcing of which would be carried out by AI bots. This, as you can probably guess, was a monumental failure. Anything that remotely looked like naked flesh was tagged as mature (a particularly infamous example features a picture of sand dunes being tagged as mature). And perhaps most tellingly of this failure, it didn't get rid of porn bots.
What it did get rid of though, was artists. Myself included. I was a mature artist. I had a NSFT sideblog. I sold commissions, I made money. It wasn't exactly career level, but I made enough that commissions helped me to eat when all my money went on bills. Then that was gone. Even SFW art wasn't entirely safe, because if the bot decided that your art had too much "skin" in it, you were flagged. (And at the time, I drew a lot of Jojo art, so I was screwed on that front.) So I had to leave. To find a new site where I could post my art, and try to continue selling commissions. The problem with this? Only a handful of people followed me offsite. I had roughly 300 followers on here. About 5 came with me to twitter. And then about 2 came with me to pillowfort. I had lost everything. Artists all over lost their following, lost their support, lost their income. All because people couldn't be bothered to boycott their funny fandom website.
But that wasn't all. Because now staff saw they had an opportunity. This bot they had created, was going around flagging anything mature, sometimes outright deleting posts or banning blogs that were too 'NSFT'. So... What group is often inherently seen as NSFT or sexualised? Yep, you guessed it. The queer community. And so that's what they did. They struck it all down. The biggest LGBT community on the internet, and they used the "porn ban" excuse to start flagging and deleting blogs. Never touched the nazi blogs, or the white supremacists, or that one blog that would doxx gay people in homophobic countries. Nope, they were left alone. But the most prominent, notable and well known queer blogs were gone. And again, the majority of the userbase was ok with this. They stayed.
I left this site for 5 years. And I tried to make it work elsewhere, I really did. I went to twitter. But over there nobody retweets work, nobody comments on your art. I only had like 2 regular supporters. I haven't gained followers in YEARS. Literally the only reason I still post to twitter is because Airdorf retweets FAITH fanarts. I tried going to pillowfort, which is honestly like a BETTER version of Tumblr. But, it was empty. Nobody was there. I even offered to give out free invite links to pillowfort so other people could join up too! Nobody ever responded to me. So I gave up. After 5 years with almost no interaction, almost no commission sales. No friends, nobody to talk to, nothing to do, nowhere to go... I came back here. And interaction is so much better (even though it's still a struggle to get people to actually talk to me). But I hate being here because I know what this site is like.
Also I know how complacent people are. The things they did back then, they're still doing now. Flagging trans women as mature, straight up banning them for no reason, spreading around campaigns of hate. Its STILL happening. And you're all still here sitting "oh this is awful, this website is transphobic" and then go back to reblogging memes. I saw a poll recently that asked what people would do if tumblr closed down or kicked them out, and the majority answer was just "give up social media completely" and it's like, really? There are plenty of alternatives out there. Artists and creators, and LGBT activists and whoever have been BEGGING you to join us, but you just wont. People would rather sit in this sinking ship till it goes down than make the leap and follow us into the lifeboats.
And I'm saying this again now because there have been talks about tumblr making a deal with midjourney. Because they want to feed all our art, our selfies, our hard work into the AI slop machine. So history is repeating itself again, and once more artists will be begging you to please come with us. Please get off this site. Please come to a place that isn't actively trying to get rid of us.
Me... I'll be staying here as long as I'm able because this is the only place I have any kind of audience. But if you can, if you care about friends, if you care about artists, if you care about queer people. PLEASE come with us. If the worst comes to it, then I'll be leaving for pillowfort. Please, PLEASE come with me. I have invitations, I can send you one so you can join. Send me a message and ask me. Just please, don't die with this place.
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I've been writing since I was 8 so obviously I have a lot of work I can look back at and think "egh, that's fucking awful", but the thing is, I have a friend who's been reading my work since 2015, and they love everything I write. I had fans avidly following my writing back in 2016. In 2017, a reader told me at a con that my book was their favorite book they'd ever read.
I look back at that book now, and sometimes I feel ashamed to have written it because I see all its flaws and all the things I don't like about it, but even if it was only for that single day, there was a reader for whom this was *the best book ever*, and it just feels really cruel to sit here and say "that book was garbage and shouldn't have been published" when I know it really meant a lot to someone.
I think of all the times I've seen an artist post something I loved with the caption "This is so bad but whatever", and how that made me feel both guilty for liking it but also down on myself because I knew my work couldn't reach that level. I can't imagine how shitty it must feel to see the author of your favorite book talk about why that book was trash and shouldn't exist. It's not just self-deprecation anymore because there are people for whom this story was life-changing and now I'm demeaning everything it means to them.
And so I guess my point is this: your art isn't bad. Even if it's not on some higher level craft with superior technical skill, stop telling yourself it's bad. Stop telling yourself that you're gonna hate it in ten years so you shouldn't finish it or share it. Stop holding yourself to some impossible standard and then publicly flagellating yourself to prove that you're better than the art you think is shitty.
Because no matter how mediocre or downright *bad* your work is, there is someone out there who will like it, love it even. It doesn't have to be perfect to deserve to exist because it'll be perfect to them or it'll be exactly what they need when they need it, and that is priceless and exactly what art is supposed to be for. And when you shit all over yourself for putting out something that isn't perfect, you may be targeting yourself, but you're also hitting them, that person who just wanted to love the thing you made.
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Posting by Queue, or: why I need some distance from my crafts
It has been some time since my last hobby meta blog entry, it had different reasons and one is that I need distance. Like, yes I of course enjoy crafting and sometimes I am like a little child that runs everywhere to show off things.
But it got ... less intense. And I learned I do better when I keep projects or at least details to myself to sit on them for longer. That the first euphoria is purely mine and not to be shared.
Like for my photos I have a buffer of several weeks now. Yes, I know past-me would have kind of hated that. But I learned I do better when I have a time buffer. I do take photos weekly but sometimes they don't feel special enough to get the weekly photo feature?
Friday & yesterday I went out for photos and while I like the ones from yesterday way more than the ones from friday I am not sure if the set from yesterday will get the feature or not as it's only a hand full of photos giving me that certain spark.
Other than that I am a very emotional artist, I sometimes really fuck up my art and hate it at the moment I worked on it, but then, sometimes, after a few days or weeks I can look at it and just wonder about what was my problem the day I made it.
Another thing is that I, myself, enjoy my art. The process of it. And I like to see my blog updating, sometimes I forget what post will go online and then I check the blog and think "ah yes, this was that thing!", and it reminds me why I made the blog overall, to show myself I had progress and that every tiny step counts.
Which leads to another reason why I hold back in regards of posting. Yes, I do share some snippets in my stories over on insta but not always and not all. I sit on over 300 drawings from the last two years alone nobody ever will see, I enjoyed drawing but it's nothing for the public eye. I will maybe go back and redraw some and share the redraws then, who knows?
But wait, there is actually more reasons.
The biggest or main reason is ... i sometimes go really wild on projects. In January I finished so many dolls it was insane, I worked on Cosplays and other crafts in an incredible speed, I have literally no idea where I found the time but I somehow did and doll parts arriving every week did the rest.
I keep the blog running with partially 2 month old stuff but .... to be honest I don't have doll stuff aside photos to do anymore. All I can do is wait for bodies to be shipped (or dolls even) and arrive. There has been no movement since January. Aside Iza getting the shipping notice for our Split, might take a while until its at her place and I can't really start on the Akuma until I got the body (which I at least have finally ordered this month) as colors need to be matched and mods to be made.
I am truly itchy to do something else than sewing all the time, I do enjoy cosplay but you know how much I like sewing (hint: not at all). So to remind myself of the fun I had in the past weeks I have mixed my blog to bless me with some progress I had which was maybe not sewing all the time. And well, the Cosplays have deadlines and I do get some ideas aside purely sewing while doing them, so that keeps me going for now.
Yes, I could start redoing dolls like Alastor or Erwin. But you know what? IT'S ALMOST ALL SEWING. Urgh.
Aside that real life is pretty good at eating me up and I just want to enjoy crafting. Right now drawing feels like stress relief but I hate the results and just scan the pieces and put them away to never look at them again, I have a bunch of posts queued up without any captions, a wip entry of a current project only has two photos but I lack the spoons to actually get them done. But since those posts are so far back it's fine (yes I know drafts are a thing).
In general I enjoy having my art to myself to get used to it before I put it out into the wild as I just recently got reminded I do bad with direct comparisons still and it hits some triggerpoints from the past and makes everything harder, I don't need that.
I literally have no idea if this blog makes sense even, lol. I just am tired of sewing and stopped working on my current project around lunch time and have drawn so much today and I walked way too much the whole week my friends urged me to stay the ef home and at least try to relax. But I'm restless as my body is too stressed (I know it all I'm a certified relaxation trainer so eh), so, have an over the place blog entry.
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