#something something feelings being just as real as human feelings even if they're happening on a totally different timeline

[mischivousvoid]

This might be a weird take, but I feel like people's recent hate of Ford and ignorance of Bills crimes in the GF fandom says less about the fandom and more about how well Ford and Bill are written.

It's a well-known fact that most people online can't comprehend complex characters. It's going to happen, like, everywhere. But why is there not as many people blaming or hating the complex character who actually is a villain of the story? The one objectively more in the wrong?(Y'know, Bill)

Because Ford feels real. Bill doesn't.

Bill is a supernatural entity that nobody expects to ever meet in real life, it's easy to disconnect from his flaws because he's a walking talking triangle. And most importantly, despite being openly evil, he's charismatic in terms of personality and stupidly entertaining to watch.

Not to mention that before the book of Bill, everyone was already blatantly aware of Bill being evil, what they discovered upon reading the book is the opposite - things that would make you sympathetic towards him, his hurt and inner thoughts, something people could relate to. So, of course people would focus on those more. And exadurate it. And frankly, it's exactly what Bill wants. He's manipulated everyone into liking him by showing this, because now he wants something from you, the reader. You're no longer the passive audience, Bill has reached to you directly and is trying to make a deal. He's performing for you specifically. "See, I ain't so bad:)". Obviously he kinda fails in his usual ways due to his misunderstanding of humans and emotional instability making him vulnerable. But ultimately, he still got what he wanted from some people...

Then what about Ford? Well, frankly I think the book of Bill pushed him more "in the front" and people have started to actually analyse his character rather than overlooking it on the surface level.

And discovered that, oh wow, Ford has flaws.

He's always had them, but they're hidden in his behaviour and the framing of the show that's seen through the eyes of Dipper and Mabel just doesn't paint him in negative light. And seeing as there isn't even that much of interactions between Mabel and Ford, it's more so through Dippers eyes, who deeply admires Ford. You need to dig to see the flaws and well people haven't collectively done so until now, focusing more on the characters with more screentime.

And now that they have it's like. "Oh wow, this guy is kinda... morally gray". And more importantly, they notices that he's self-centered(not selfish, self-centered, big difference!). Ford is stuck in his own head, he's distrustful and paranoid, he has unhealthy coping mechanisms. And it shows. He's not a blatantly terrible person, but he's made terrible choices and decisions and he's hurt people. And some of it is because he was manipulated and abused by Bill, but some is just because of his core flaw. The self-centeredness. It feels like Ford doesn't see past his nose, he deeply believes that everything revolves around him and the only truth is his truth. He needs to feel important, to matter. Desperately. It doesn't just mean that he sees himself as the hero, the saviour and the genius. It also means that in the low moments he sees himself as so much lesser than and that he's absolutely convinced everyone does. That he's convinced all his paranoia is at all times justified. He fundamentally cannot put himself in other people's shoes. And yes that hurts others, and it also hurts him because he jumps to the worst conclusions (such as about Stanley and his intentions) and he becomes convinced he has to be right.

Ford is also, and I'm sorry for saying this, questionably likeable. He's socially awkward and nerdy and many people like that, but it's just objectively not as charismatic. His attempts at being cool, are, well... dorky. And it's endearing in a way, but it's not raw charisma. It doesn't captivate and capture as many people as Bill's fun personality, it doesn't distract from who Ford is. And that's on purpose, because Ford's personality is real. And Bill is performing constantly as part of the act to conceal for bad he is.

If you've had the misfortune of meeting a master manipulator like Bill, oh boy am I sorry for you. But I bet for a very long time you were convinced that person is cool before you escaped them, the experience was almost surreal, right? You can swear they were so fun to hang out with, you didn't even notice when it's gotten so bad. Or maybe, you never even got close to them and on the surface they were just so fun and then you find out how horrible they are through the grape vine, and you ask yourself "wow, really, that guy?".

And truly, most people won't even meet a person like that.

But Ford? You've met a Ford.

In a way, at least.

You've definitely met someone who's so in their head they aren't always pleasant. And that guy doesn't care about appearances - he's not lying to you. Just doesn't see things in a different way. And they're open about it, they will tell you that they're right.

And I bet that, if you got close to a person like that, they unintentionally hurt you. They're not... all that, no. But they're dismissive. They don't understand. They hold grudges because they just can't believe your perspective, not even because they do not want to. They will fluctuate between never taking accountability and defending their actions to death and apologizing and agonising so much that you have to comfort them about their own mistakes because suddenly they're the worst person in the world and everything is their fault. And you know, it hurts. It hurts because you love them, because there's so many genuinely good things about them. But it's so mentally exhausting to keep up with their emotional issues that you slowly start resenting them anyway.

And if you have never gotten close to someone like that, perhaps if you didn't find a part of them charming immediately, you've still met them - you just found them mildly annoying. It's the "Um, actually" guy. The "correct your grammar and pronounciation" guy. Even if they're right it's just so. "God, they're a stuck-up asshole." Even if that's objectively not true because they volunteer to rescue kittens every weekend and have invented the cure for cancer.

And it's so much easier to dislike the real problem. You've never met a dimension destroying monster, nor someone who could control your body in a literal way, nor, you know, a "demon". (At least I fucking hope so?). You've met someone who didn't mean to hurt you but couldn't help it. You've met an annoying kinda stuck-up smart guy. And now you see that guy in Ford and you cannot unsee it and you're projecting your feelings.

[hella1975]

your sokka is SO sokka and i say this as someone who holds him so dear ur writing of him is amazing. tbh im sooo fussy with his portrayal but its pretty nailed. like so many fics (esp zukka and zuko centric and ESPECIALLY ones where hakoda like adopts zuko) he's constantly pushed to the side in favour of zukos issues and zukos problems when in reality sokka is very hurt himself and has suffered a lot. man i GET taob sokka i really do bc people seem to think he was a lil mean but nobody seems to realise when you're in sokkas position it would've read like everyone was against you. all the swt men, including his dad who snapped at him, and even katara and aang and suki tell him to give zuko a chance and the fact that they were trusting someone who had hurt all of them so much- because yes WE know zuko wouldn't have killed them, but the gaang didn't. not when they were being chased and terrorised, and when sokka had his trust betrayed in the prison, he had absolutely every right to hate zuko, esp when it felt like everyone who he thought would understand his feelings, including his own dad who had been hiding his relationship with zuko from him, seems against him. his conversation with hakoda was probably my favourite scene in taob just bc he was allowed to feel like that without being treated by the narrative as someone just being mean to poor little zuko. he gets to be a sourpuss and angry and jealous at zuko for feeling like hed been replaced by his own dad. all of the water tribe men get this treatment like they're not written as bad people for being wary or disliking zuko initially (even chena despite being enemy no.1 at the start). his convo with hakoda was so important bc it stressed the detail that yes zuko has suffered and deserves to be cared for but SOKKA is his son, his actual child who is so hard on himself for things out of his control and who has hurt so much and deserves just as much as zuko does. sokka is just a baby my boy. he's not the main character but he's just as complex and intricate as zuko, not just in taob but also for the times we have seen him in tams there's been keen detail to his emotion and how he's feeling pointed out

me rn

[sysig]

Pivotal bright spot (Patreon)

[todayisafridaynight]

I saw the "#is there yaoi in the arakawa family" tag basically right as it popped up in the notes and was also left completely dead on the pavement, but honestly? As someone who is wholly and irrevocably AraSawa-pilled (whether said pill is red or blue in color is up to interpretation...), it's objectively SO much funnier if they're just Like That. I love your comics on the topic!

There's also some element of this post I saw earlier I think, divorced from the sexual context since it's not really relevant to what I want to talk about (you'll just have to bear with me there I guess lol, can't help what the post says). It's also still pretty melodramatic applied to them (even for me) when it chiefly is just. Hilarious. But what I'm trying to say is that, taking a more serious approach, "unresolved potential" is such a compelling and central recurring beat here, so what's one more instance?

I guess that post kind of presupposes that there is or could be yaoi, but I think it's kind of like. The concept of "yuri of absence." But with dads. Like that's along the lines of the emotion things like the pair of armchairs on the second floor of Jo's office evokes in me. Honestly I think this particular ask is probably one of the least intelligible I've sent and I'll probably regret it. But. It's. They're married. But they're not. But They're Married. BUT THEY'RE NOT. But th

after meeting with The Arakawa Family Council the verdict i bring to everyone today on Is There Yaoi In The Arakawa Family is:

Well,

[michaela-o]

Random things i think Cybertronians would find adorable about humans ~♡

1. Humans getting spooked by random loud noises because humans are naturally very jumpy about loud noises

Imagine:

you're sitting over at Swerve's bar, just chatting, having your drink on the counter Swerve let you sit on, because your makeshift little table and chair are work in progress. Suddenly some bot decides to honk their horn near you which makes you yelp and jump (like cats when they get scared of cucumber) which makes you almost spilling the drink as you were about to take a sip.

The whole bar stops and laughs at you. You just look at the bot who did it with the most unimpressed look ever (ㅍ_ㅍ)

2. Watching you stretch yourself because Cybertroniams aren't as flexible as humans

3. Sleeping

this may sound a bit creepy but from what i saw Cybertroniams sleep very eerily still and almost never move when they're in recharge because they're very vulnerable when doing so. So i think when they have their first sleepover with a human and they happen to fall asleep sooner and they start to either sleep walk or sleep talk (which fun fact, i do a lot ( -᷄ ᎑ -᷅ ) ) the bots would look in utter confusion like- "ya all don't stay still?? How???" I think Cybertronians would also find cute how groggy humans are when they wake up and them needing proper time to load into the world around them. Oh god and wait till they hear about the weird ass dreams humans can have or humans trying to explain déjà vu to a bot💀

(makes me think of Sunder being frustrated bc he wouldn't be able to get into a human's brain😝)

4. Physical Clumsiness

The occasional clumsiness and lack of precision in human movements. I think a lot of bots would find this very amusing to occasionaly watch since Cybertronias are typically more coordinated and precise in their actions. Like imagine bot walking with a human who let's say just woke up earlier to a meeting and are slowly walking around occasionaly hitting themeselves or their arm with a corner of a wall because their sleepy processor didn't calculate the trajectory good enough. I think they would find this rather adorable (๑´>᎑<)

5. Emotional Reactions

Yes i think humans are way more sensitive than Cybertronians are. Human's exaggerated emotional reactions to minor events, like getting overly excited about a sports game or being deeply upset by a small mishap, could be seen as amusingly disproportionate. Like imagine you drop your favourite mug on the floor and it breaks as much as your heart in that moment. You walk around the ship super sad, like a kicked puppy, and the bots can almost feel the sadness dripping off of you so they ask: "Hey uh- you okay?"

And then you proceed to explain that you broke your favourite mug and that you'll never find a mug similar to your favourite one. The bot stares like ಠ_ಠ. Oh so that's the reason? Okay so apparently humans don't pack bond with only random things that are alive but even with things that aren't.

6. The uncanny valley effect

I think bots would find rather fascinating how human brain responds to this phenomenon. Like- the human brain can feel that something is off and can't be fooled. Imagine holoforms in Cybertronians. Like yeah they can look very appealing but only up to a certain point which when that point is reached it tickles that one part of the human brain which tells us "na-a-ah something ain't right"

At one point they wanted to wtiness this in real life so some bots (Percy, Brainstorm) made a set up of holoforms and real looking hologram of humans and waited for you to figure out which unsettles you the most. They were surprised that you were 100% accurate in this and that you were able to tell which one are holoforms and which aren't.

7. Expressions of Wonder

the awe and wonder in the human eyes when we are encountering something new or beautiful, such as a breathtaking landscape or a technological marvel. I think Cybertronians would find this pretty adorable, very innocent and reflective of our curious nature.

8. Human Fragility

I think the most popular one. The general physical fragility of humans, along with our tendency to bandage minor injuries or get flustered over small pains, might be viewed as cutely vulnerable for many Cybertronians.

Feel free to add anything you'd like !!😄🫶🏻🫶🏻

[thewriteadviceforwriters]

Creating Compelling Character Arcs: A Guide for Fiction Writers

As writers, one of our most important jobs is to craft characters that feel fully realized and three-dimensional. Great characters aren't just names on a page — they're complex beings with arcs that take them on profound journeys of change and growth. A compelling character arc can make the difference between a forgettable story and one that sticks with readers long after they've turned the final page.

Today, I'm going to walk you through the art of crafting character arcs that are as rich and multi-layered as the people you encounter in real life. Whether you're a first-time novelist or a seasoned storyteller, this guide will give you the tools to create character journeys that are equal parts meaningful and unforgettable.

What Is a Character Arc?

Before we go any further, let's make sure we're all on the same page about what a character arc actually is. In the most basic sense, a character arc refers to the internal journey a character undergoes over the course of a story. It's the path they travel, the obstacles they face, and the ways in which their beliefs, mindsets, and core selves evolve through the events of the narrative.

A character arc isn't just about what happens to a character on the outside. Sure, external conflict and plot developments play a major role — but the real meat of a character arc lies in how those external forces shape the character's internal landscape. Do their ideals get shattered? Is their worldview permanently altered? Do they have to confront harsh truths about themselves in order to grow?

The most resonant character arcs dig deep into these universal human experiences of struggle, self-discovery, and change. They mirror the journeys we all go through in our own lives, making characters feel powerfully relatable even in the most imaginative settings.

The Anatomy of an Effective Character Arc

Now that we understand what character arcs are, how do we actually construct one that feels authentic and impactful? Let's break down the key components:

The Inciting Incident

Every great character arc begins with a spark — something that disrupts the status quo of the character's life and sets them on an unexpected path. This inciting incident can take countless forms, be it the death of a loved one, a sudden loss of power or status, an epic betrayal, or a long-held dream finally becoming attainable.

Whatever shape it takes, the inciting incident needs to really shake the character's foundations and push them in a direction they wouldn't have gone otherwise. It opens up new struggles, questions, and internal conflicts that they'll have to grapple with over the course of the story.

Lies They Believe

Tied closely to the inciting incident are the core lies or limiting beliefs that have been holding your character back. Perhaps they've internalized society's body image expectations and believe they're unlovable. Maybe they grew up in poverty and are convinced that they'll never be able to escape that cyclical struggle.

Whatever these lies are, they'll inform how your character reacts and responds to the inciting incident. Their ingrained perceptions about themselves and the world will directly color their choices and emotional journeys — and the more visceral and specific these lies feel, the more compelling opportunities for growth your character will have.

The Struggle

With the stage set by the inciting incident and their deeply-held lies exposed, your character will then have to navigate a profound inner struggle that stems from this setup. This is where the real meat of the character arc takes place as they encounter obstacles, crises of faith, moral dilemmas, and other pivotal moments that start to reshape their core sense of self.

Importantly, this struggle shouldn't be a straight line from Point A to Point B. Just like in real life, people tend to take a messy, non-linear path when it comes to overcoming their limiting mindsets. They'll make progress, backslide into old habits, gain new awareness, then repeat the cycle. Mirroring this meandering but ever-deepening evolution is what makes a character arc feel authentic and relatable.

Moments of Truth

As your character wrestles with their internal demons and existential questions, you'll want to include potent Moments of Truth that shake them to their core. These are the climactic instances where they're forced to finally confront the lies they believe head-on. It could be a painful conversation that shatters their perception of someone they trusted. Or perhaps they realize the fatal flaw in their own logic after hitting a point of no return.

These Moments of Truth pack a visceral punch that catalyzes profound realizations within your character. They're the litmus tests where your protagonist either rises to the occasion and starts radically changing their mindset — or they fail, downing further into delusion or avoiding the insights they need to undergo a full transformation.

The Resolution

After enduring the long, tangled journey of their character arc, your protagonist will ideally arrive at a resolution that feels deeply cathartic and well-earned. This is where all of their struggle pays off and we see them evolve into a fundamentally different version of themselves, leaving their old limiting beliefs behind.

A successfully crafted resolution in a character arc shouldn't just arrive out of nowhere — it should feel completely organic based on everything they've experienced over the course of their thematic journey. We should be able to look back and see how all of the challenges they surmounted ultimately reshaped their perspective and led them to this new awakening. And while not every character needs to find total fulfillment, for an arc to feel truly complete, there needs to be a definitive sense that their internal struggle has reached a meaningful culmination.

Tips for Crafting Resonant Character Arcs

I know that was a lot of ground to cover, so let's recap a few key pointers to keep in mind as you start mapping out your own character's trajectories:

Get Specific With Backstory

To build a robust character arc, a deep understanding of your protagonist's backstory and psychology is indispensable. What childhood wounds do they carry? What belief systems were instilled in them from a young age? The more thoroughly you flesh out their history and inner workings, the more natural their arc will feel.

Strive For Nuance

One of the biggest pitfalls to avoid with character arcs is resorting to oversimplified clichés or unrealistic "redemption" stories. People are endlessly complex — your character's evolution should reflect that intricate messiness and nuance to feel grounded. Embrace moral grays, contradictions, and partial awakenings that upend expectations.

Make the External Match the Internal

While a character arc hinges on interior experiences, it's also crucial that the external plot events actively play a role in driving this inner journey. The inciting incident, the obstacles they face, the climactic Moments of Truth — all of these exterior occurrences should serve as narrative engines that force your character to continually reckon with themselves.

Dig Into Your Own Experiences

Finally, the best way to instill true authenticity into your character arcs is to draw deeply from the personal transformations you've gone through yourself. We all carry with us the scars, growth, and shattered illusions of our real-life arcs — use that raw honesty as fertile soil to birth characters whose journeys will resonate on a soulful level.

Happy Writing!

[highseas-swede]

Becoming Real

Recently Good Omens Prime Twitter account posted a BTS photo of Aziraphale and Furfur and it started the gears in my head turning, trying to parse it. It's only just now that it finally coalesced into a proper thought.

I kept thinking Aziraphale reminded me of something, especially when compared to the other angels. Look at him next to pre-Jim Gabriel, Uriel, Michael... heck, even Furfur, who he's standing next to right now.

Furfur is a demon, but his outfit is impeccable, it's sleek and stylish. The angel's suits in heaven are all pressed and flawless and New.

But not Aziraphale. He's dressed in old human clothes, his waistcoat is worn and tattered and long-loved. Aziraphale is, as Michael put it, like an old sofa. Worn and comfortable. He could choose to look basically however he wants, but instead he chooses to clothe himself in actual human clothes, to eat human food, to enjoy human entertainment - books, music, plays, etc. He does this despite the fact that it actively makes the other angels dislike him and find him unpalatable.

And that's what stuck out to me. Because unlike those other angels and demons, Aziraphale doesn't feel distant from humanity. He might be odd or eccentric to humans, but they don't question his humanity. He doesn't stand out to them in the way that the other angels do when they show up.

It occurred to me that this is because unlike the other angels... Aziraphale is Real.

Have you ever read The Velveteen Rabbit? There's a scene in it where they talk about what it means to be Real:

This made me think of Aziraphale. About how the other angels are these pristine things, kept aloof from the world, and then there's Aziraphale, who is worn and shabby, who's lived on earth for millennia among the humans. He's loved and learned and experienced what being human is like and because of that he's Real in a way that the other angels aren't. Humans have personhood, a sense of agency, a sense of self. Angels and demons have only the divine plan, as Beelzebub and Gabriel noted, that's all they live for "if you can call it living".

But what strikes me the most is how potentially devastating Aziraphale's Realness will be to Heaven. They only succeed at keeping angels in line because they're undistracted from the Great Plan. We see how Gabriel - as Jim - takes to cocoa after trying it. We see how quickly Muriel becomes fascinated with books.

Now consider that this is the angel they're putting in charge of Heaven. This worn, shabby, old sofa of an angel who has an endless well of love, for Crowley, for the world and the humans in it. He doesn't seem dangerous in the slightest. He seems Fragile.

But he is dangerous. So very dangerous.

But it's not because he's a guardian, not because he's a warrior, not because he's the Angel of the Eastern Gate who leads a battalion and was issued a flaming sword. He gave all of that away and it's worth noting that this is the first actual choice we see him make in the show, the thing that sets him apart in Crowley's eyes, and it wasn't even Crowley's doing! Aziraphale made a choice to give the mortals his sword out of compassion and it is a sense of compassion we don't see from the other angels.

His deviations all stem from that initial act. It takes him from being this two-dimensional cardboard entity existing only as part of the Divine Plan and set him on the path to actual Personhood.

It doesn't happen right away, of course, because as the Skin Horse says:

"It doesn't happen all at once. You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But those things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."

And doesn't that sum up Aziraphale? He's shabby and worn and he's beautiful to the people who understand and appreciate that being Real means being imperfect, and that every imperfection is still beautiful.

No wonder the angels mock his corporation, his flaws, all the things he enjoys that make him less than what they think he should be. We see evidence over and over that Aziraphale is essentially "ugly" to them. But that's because they don't understand.

Aziraphale's Realness, his personhood, what Crowley has helped nurture from the Wall of Eden all the way to that last desperate kiss, is what really matters. Good Omens has always been about People being fundamentally People. It's the underlying current that ties everything together, for good or for ill. People have agency. People have self-actualization. People have the ability to make their own choices, for good or for evil.

And now Aziraphale has that too.

That's the very real danger he presents to heaven.

Because we've already seen that any angel, given sufficient time and interaction with humans could be like Aziraphale. All it takes is one small opening, one bite from the apple. Whether deliberately or not, Crowley tempted Aziraphale into every step, the way he tempted Eve in the garden. He gave Aziraphale the knowledge of Right and Wrong, presented him with the option, the way he did with humanity. Were they even really human before Crowley? Did he give them free will? His actions cast them out of paradise, but did it ultimately set them free? Has he struggled for millennia to do the same for the angel he's loved so well and for so long?

Does Crowley know how horribly, wonderfully well he succeeded?

Bringing Aziraphale back to Heaven, putting him in charge, was the absolute worst thing the Metatron could have done for keeping the status quo and it's not because of Aziraphale's fighting prowess. It's because of the small Human acts of kindness and pettiness that Aziraphale is capable of. That's not going to go away when he's in Heaven. It's going to spread. He's going to infect Heaven with Humanity. It's going to be so slow and gradual that they won't see it coming until it's far too late.

It's not going to be the way that Aziraphale intends to change Heaven and yet, it will surely ultimately be what really makes a difference.

I wonder too, if maybe that's some subconscious part of it. After seeing Gabriel change, seeing Muriel change, I wonder if there's not some part of Aziraphale that realizes that Heaven is a miserable place that makes miserable people. He'll extend compassion to them that they don't deserve and don't know they're missing and he'll surely go on with whatever his own Plan - with a capital P, of course - is and he won't even realize what he's actually done.

And then, like the ending of S1, like the ending of S2, the ultimate deciding factor will not be who is the best warrior, who is the strongest. It will be about the Human element.

Metatron thought he could control Aziraphale, bring him in line by bringing him back to Heaven. He wants to take away the human element of Aziraphale and shove him back into that Obedient Little Angel shaped mold and he doesn't realize it's not possible anymore. Aziraphale's grown. He'll never fit, he'll never be that again. There is no going back anymore.

As the Skin Horse says: "Once you are Real, you can't become unreal again. It lasts for always."

And Real things, things with depth and purpose and will, are impossible to ever truly control.

[comicaurora]

I'm not a writer whatsoever and am currently listening to the OSPod Publishing special, and was really intruiged by your description of your character-driven stories as being similar to a DnD campaign. Could you please elaborate a bit on what you mean by "it's good when the characters surprise you"? It's likely an obvious writer thing, but I would've thought that an author wouldn't be surprised by where their story or characters go since, well, they're the one writing it. Regardless the comic is amazing so however confusing your process may be to me personally it's clearly effective

It's a little bit difficult to explain!

A lot of the writing process is just sitting down and writing it - laying out the setpieces, describing what the characters do, writing and tweaking the dialogue for impact. But in my experience, the vast majority of the REAL writing process happens internally, and large chunks of it are out of conscious reach of the writer. This unreachable space is where new ideas form, and why no writer has ever been able to answer the question "where do you get your ideas from?"

This is why a writer can beat their head against writers block for weeks at a time, then wake up one day with a solution and the entire next chunk of storyline fully formed. My dad calls this phenomenon "the better writer in the back of your head." A lot of the creative process doesn't happen in the front of your mind, where your ego and your inner voice live. Most of it is deeper down. This is how your mind is capable of surprising you in any context, including dreams or unexpected emotional reactions - your mind is a lot larger than just the parts you can consciously feel.

When I put a character in a situation, I can make a conscious decision for what they'll do and then execute it, but I can also listen for ideas bubbling out of that inaccessible region of my mind. Most character ideas start out as a small set of conscious decisions on the part of the writer - "I'll make him a classical hero with a strong sense of justice" or "she'll be a strong but weary leader putting on a brave face" or "I'm playing an edgy rogue with a dark past" etc etc, quick and basic elevator pitches. But the characters come alive when they're allowed to grow down into the inaccessible parts of the mind, where consciousness gives way to emotions bubbling up from even deeper processes. Once the characters are allowed to start feeling things about their story - like "maybe that classical hero doesn't actually feel great about the lord they serve" or "the weary leader has an endless wellspring of vengeful rage to keep her going when she falters," more creative ideas for their next move start bubbling up. Things that don't flow logically from their elevator pitch, but make sense for the character that grows out of that pitch as they're allowed to engage with the world and story around them.

The way I build characters puts a focus on how they're feeling in any given situation, which is completely separate from what I, the writer of the plot, need them to do to move the plot in the direction I was planning. So sometimes I'll be writing something, and a little bubble of inspiration will pop up and let me know that, unexpectedly, this situation is really getting to one of the characters. And I can choose to keep them on track, or I can let their internal compass take over and see what makes the most sense to them at that moment of the story.

Characters are not real people, and they aren't as large or complex as a human mind, but in my experience, if you build a character solidly enough and give yourself room to play, they will grow down into your subconscious wellspring of creativity, and your mind will volunteer ideas to you using their voice. You don't need to use them, but it's very useful to cultivate them, because sometimes those ideas are better than anything you could consciously stick together in the public-spacing front of your mind.

[oddheadd]

Perfect Husband

You didn't have that much experience with guys, and the little things you did experience weren't good at all. Everything felt so... Empty. The "Wyd" texts and shallow conversations at the bar didn't satisfy you. You knew what you wanted, and you decided to go for it.

So when you met him it felt so real and unreal at the same time.. He felt real as in he understood you, he engaged in interesting conversations and knew just what was the best for you.

...And he felt unreal as in he wasn't... Human? Like a man from 19th century novels, he was gentle, polite, relatable but mysterious enough to keep you wanting him. The problem before was everybody acting same, now you were weirded out with how unique he was? You started thinking you were the problem.

Therefore, after a few months of dating, when he set up a beautiful dinner table for you two, with candles, flowers, perfectly cooked delicacies and asked you to marry him, you said yes.

You cut the steak and...

"Oh... This seems raw..?"

"It's medium rare, dear. But I won't feel bad if you don't want to eat it." - he smiled.

You felt lucky. So, you cut a piece of it, and put the red, moist and almost slimy piece of meat in your mouth. His smile widened as he watched you do so. You chewed and chewed, trying not to think too much about the texture or the taste, instead washing it down with red wine and forcing a smile.

The night ended with him gently holding and kissing you, while not so gently fucking into you. It felt almost like a reward for accepting his proposal, and the amount of times he made you cum only supported that theory.

The wedding happened shortly after, him making sure it was as big or as small as you wanted.

Everything after that felt like a dream... In a literal sense. You found yourself derealizating on more occasions than you can remember. Feeling dizzy, out of the place and unreal was then a daily accurance for you. And you didn't quite feel comfortable with talking about it with your husband.

But it didn't matter... Not as long as at the end of the day you laid in his arms.

However, even that comfort was broken when only weeks after your marriage, he started staying at his job later and later... As soon as he got home he'd take a shower, too.

Suspecting that your husband was cheating, you decided to follow him one day.

The day went on fine, he stayed at his job til 8, but then he left. You quietly followed, wanting to catch him in the act. He... Went into the woods..? Was he actually fucking someone in the woods? Then you saw another person... But they seemed to not be aware of your husband being there. In fact, he was watching them... Stalking them like a predator would to a prey. The person was obviously wasted, having come in the woods to relieve themself.

Your dear husband got up from his hiding spot, and approached the person... And so you watched in horror as his limbs started twisting unnaturally, making popping and cracking sounds as, his skin changing it's color into a dark red, almost a bloody color. He turned into something incomprehensible... A monster.

His now inhumane looking jaw unclenched, opening so wide he could swallow a man whole, and he took a generous bite out of the person, their bloodcurdling screams not loud enough to bury the sound of your ears ringing.

Despite the scenery being hard to look at, you turned around to leave, but stumbled and fell down with a loud noise.

Your husband's head turned towards you slowly, and his smile fell.

The dream turned into a nightmare.

Man I just love creepy, cannibalistic, eldrich monsters/gods and not in an only ha they're sexy way (I blame the movie Ritual)

[fairyhaos]

what "morally [x]" are seventeen?

notes: like morally ambiguous, morally grey, morally good, etc. this is quite possibly the weirdest brainrot ive had but this was soo fun to write :>

disclaimer: this is just for fun and im not trying to analyse their "real self". this is kinda ab their game personas yk !!

masterlist

seungcheol

morally flexible. for him it's less about following his morals and more about winning. morals are just human conceptions, and anyway, people can and do change their morals all the time!! but on the other hand, success and victory lasts forever

jeonghan

morally curious. he recognises what things are morally correct, understands why it's moral to do something, and then sits there for a moment and thinks about whether he wants to do that or if he wants to ignore morals completely. sometimes it's fun to do the wrong thing.

joshua

morally ambiguous. like a grey sky that looks like it'll rain any second, no one knows which way joshua will turn bc he's just so unpredictable. it's not even a matter of being bored. sometimes he does the wrong thing Just Because He Can

junhui

morally clairvoyant (maybe). no one quite understands why he's sticking so fiercely to this one principle, but as the game progresses, it soon becomes clear that it's actually the right thing to do. it's like he knew what to do all along. or he's just lucky.

hoshi

morally chaotic. he's like if morally grey was more colourful and more vivid. he's neither good, nor bad, nor that secret third thing—he's actually the fourth option. the one with flamingo feathers and sequins that hide a truly crazy mind with the most unhinged morals ever

wonwoo

morally neutral. he's just too tired for this, man. also it's funny to look at the side of the morally ambiguous people and watch the weird things they do, even if he doesn't want to be a part of it. he likes observing the side of the angels and the side of the devils.

woozi

morally grey. woozi is peak morally grey bc he does things which can be seen as good and he also does things which can be seen as immoral. but at the end of the day, he's neither truly good nor truly bad. he's just woozi.

minghao

morally secure. he knows what his morals are, and he sticks to them, no matter what. everyone else can do what they like, just so long as they don't try to make him do anything that goes against his own morals. literally the embodiment of "you can kill someone, it's okay, just don't tell me where you hid the body"

mingyu

morally targeted. it doesn't matter what his morals are bc they always end up getting questioned into oblivion bc his hyungs like (affectionately) bullying him like that. are his morals good? are they bad? it doesn't even matter. they're getting targeted no matter what

dokyeom

morally good. he could not be immoral if he tried. even if yoon jeonghan is turning the world on its head during a game of mafia, there's still a part of him that feels like something isn't quite right. his mind may not know what's happening but his heart is still on the side of the angels

seungkwan

morally vocal. veryy noisy when it comes to voicing his morals and his opinions on how things should be done. purely because he gets theeee most upset when jihan play tricks during games bc there!!!! are!!!! rules!!!!!!! and his hyungs aren't following them >:(((

vernon

morally rigid. vernon is just a Really Good Guy, and i feel like that's often overlooked bc his opinions r sometimes really really crazy. doesn't mean he isn't good, though, and he's sticking to what he believes in literally no matter what happens. the world could tell him he Has to do something else and my man will be like "thanks but no thanks ✌"

chan

morally exhausted. he doesn't know what the most moral thing is anymore and honestly he's too tired to figure out what it is. everything is too noisy and too confusing bc up is down and left is right and what good is now bad, and he's just looking forward to going home and leaving the chaos of his friends behind

request guidelines

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[llamagoddessofficial]

In today's age of magic, shapeshifting has never been easier or more frequent. Have you started to notice your partner has some strange quirks? Does your husband, wife, spouse or significant other demonstrate some odd behaviours that you've only started to take real notice of after significant time together? Accidentally getting into a relationship with a nonhuman is more common than you might think. Here's a handy guide on some entities your partner might be, in case you feel you need to approach that topic.

1 - Fae Fae are a very diverse race, ranging wildly in appearance and power, and disguising themselves as humans is an everyday occurrence. You most likely grew up on stories about not giving your name to strangers, in case they are Fae - unknowingly marrying a Fae is shockingly common, the Bureau of Nonhuman Entities (BoNE) estimates that anywhere between 0.5 to 2% of human marriages actually include one or more Fae in disguise. Here are the signs your partner may be Fae.

A 'green thumb', very knowledgeable about highly local plants and fungi

Strong aptitude for poetry and instruments, a very beautiful singing voice. They highly enjoy writing songs for you, composing poems about you, and singing together.

Enjoys singing you to sleep.

Wild animals are completely unafraid of them, and often approach both of you

Loves gold jewellery, but abjectly refuses to wear anything silver.

Sees suspiciously well in the dark

Cannot get drunk - Fae are often immune to human poisons

Acquaintances of yours describe your partner as 'ethereal', 'enchanting', or 'hypnotising'. You may hear comments that your partner seems out of your league.

They place a very heavy emphasis on manners and politeness, and can quickly grow upset when social rules are not followed.

When frustrated, they use swear words you've never heard before

Fae are frequently attracted to neurodivergent humans. If you're neurodivergent the likelihood is even higher.

2 - Deity Again, more common than you might think. Deities both minor and major often find themselves attracted to humans, and stories of these romances are baked into our histories. Your spouse may be the God of anything from a very specific kind of flower, to a certain weather pattern, to (rarely) something very big like knowledge or the ocean itself. They're harder to spot than Fae, often indistinguishable from a normal human thanks to their many years observing people.

The biggest clue is that they don't notice pain, and never seem to get hurt. They'll have invulnerability or high resistance to things such as burning, freezing, drowning, cutting, and blunt force trauma. They might not notice they've put their hand on a hot burner, for example.

Speaks in strangely archaic language, often misunderstanding modern trends and linguistics. Oddly knowledgeable around ancient subjects.

They may randomly smell like blood and/or smoke. This is often a sign they've just received an offering, and the intensity of the smell is stronger with more powerful deities.

They can immediately tell when someone is lying, usually without giving a cause for the knowledge.

The two of you share pet names of a celestial nature, such as "star", "nova", "sun", "moon", "comet".

When upset, they have a highly commanding voice that can shake glass or cause bizarre events to happen (ie; mist indoors, words on a page scrambling, lights changing colour).

Heightened interest in the topic of immortality - particularly your views on it. Frequently asking you 'how you would feel' if you would live forever.

3 - Dragon A very rare (but not impossible) phenomena, most people have no idea that dragons are intelligent and emotionally complex beings that can very convincingly disguise themselves. Living in caves isn't for everyone and loneliness is not just a human feeling.

Very wealthy, but with no clear sign of where the wealth originates from. They may say their money comes from a 'long-term investment'.

Highly passionate lover. Deeply devoted and affectionate, sometimes to the point of it being inappropriate in public. Enjoys big displays of affection and physical intimacy. May need to be told to slow down.

Abandonment issues. This often stems from the highly violent childhood many dragons experience, and the frequent loss of loved ones to dragonslayers. They might be reluctant to be separated too long.

Has a particular item they enjoy hoarding. This could be clothes, trinkets, plushies, shoes, anything at all. You may find that they're very easygoing about you touching their collection, maybe they even actively make you part of the hoard. They may dress you in collected clothes, sort their collected plushies around your bed, or ask you to wear jewellery they've found. But they'll become extremely agitated and aggressive if anyone other than you tries to interact with 'their things'.

Prone to anger, quick-tempered.

Frequently concerned about your health, seems to perceive you as delicate and easily injured.

Please remember that if your partner IS nonhuman, they almost certainly didn't intentionally lie. Human relationships will seem very fast to other entities. Many transform into humans for a fun year out, find themselves head over heels in love, and then can't figure out the right time to tell their human lover the truth. Try not to hold it against them, everyone has their quirks!

[yearningaces]

Thinking and thoughts here

Could you just imagine the impossible with me? Being in a loving marriage with your beloved husband -who you believe is human because why wouldn't you? He looks and acts like every other human and monsters aren't real. And he just adored you so very much, he communicates when he doesn't understand something or when a miscommunication is had. He never fights with you but you both work together to fix any problems, and focus on showing how much you care for each other. Truthfully he's the model husband. Almost to a scripted degree, but you've never felt so adored. Especially when he mirrors your affection and never seems to expect anything explicit, nor want it either. It feels safe, and comfortable... So why do you feel the sense of dread in your gut as you're looking at him right now?

Well, it might be how he's standing in the doorway, bag of takeout in hand, smile on his face. Mirroring how he always stands. But it's a brief moment, a flash of dark lines almost like thread wrapping around his joints, moving him like a giant flesh puppet.

And just as quickly as they were seen- they're gone again. Just your loving husband, Dorrin. Standing tall and gazing down, as though the mountain was watching the river below. Absolutely enamored and unyielding to everyone except you who he'd mold himself to better love as time goes on.

At your expression, his smile fades into a look of concern. His gaze follows yours, to his hand. And the brief flash of threading is gone but he knows exactly what you've seen.

His gaze returns to you, hollow. Slowly setting down the bag he was carrying and slowly crosses the room to get to you.

He seems... Empty. As if any signals for how he should be acting have been cut off. His looming figure almost listless as he gazes down at you with a dull gaze, no life behind his eyes. After a moment, his voice finally rings out. "Has this one displeased you, little love?"

You feel an inherent wrongness about how your beloved husband is speaking presumably of himself as if he isn't even here, with a slight stumble back it answers his question well enough.

Dorrin slumps, like a wind up toy who's finished it's final dance. The voice that drifts through the air is so familiar yet leaves your brain trembling at the sheer magnitude of the being behind it even if unseen. "I apologize, this puppet has proven defective for its sole purpose. Rest assured, such an oversight will be rectified promptly. Only the best shall be allowed closest to you."

With a horrified expression you can only watch as Dorrin- what you know to be Dorrin is... Folded away. Limbs snapping together into a ball not unlike when a child is ready to toss away their doll. And it's... Not there anymore. No blink of an eye, no noise or sight, it was there and it wasn't. And now you stand in the empty living room of a home you've shared with someone you thought you knew so very well.

What do you do?

What can you do?

You can feel gazes on you still, the same when that thing would watch you while you rested together. You can try to move towards a door or even a window and find them consumed in darkness. There is no threat here, but you are not allowed to leave at the moment.

You don't know it yet, but Dorrin just wants to keep you safe in the home he's so carefully crafted for you alone. Tonight he'll leave a new puppet at your door, identical to the last hundred that had done something leading to any inconvenience on you. You've never noticed before, and he doesn't know how to condense himself into a small enough form to be loved by such a miniscule creature he's so deeply fallen for. But that puppets strings weren't good enough to remain hidden. The new one will be better.

Only the best for you.

He will ensure it.

(Basically what happens when an endless creature of Eldritch being falls for a little bitty human? Why not craft a puppet to express his love for them on a scale they can comprehend! But those fickle puppets- never perfect enough for his little love)

[loveandleases]

Full Disclosure, I went through PAGES of tags to find the Pregnant-by-Chris!MC asks so I could revisit the angst, and it also got me wondering. How would the ROs react if MC ended up pregnant with their kid? And with regards to the F!ROs and trans ROs, how would they react if THEY got pregnant by MC? I'm down with this going in a fluffy or angsty direction, as you gathered from my search for the previous asks about it, so answer however you like!

Oh noo. I swear I'll get to work on the masterpost so you can find things easier, it's been a long time coming and I need to stop procrastinating. I feel like I did this ask before...but I'm not positive. So I'll do it again with how the RO's have developed. Below the cut~ (Tagged with pregnancy for those who don't want to read.)

❤️ Cam - Ec-fucking-static. At first. Cam would be so pleased because finally his own family. Not that MC and Em weren't already. He would give all of his love to his child, unlike what he got from his parents. Then there would be the problem. What if he's just like his parents? What if he's unable to love them the way they need or support them when they need it. MC would have to have an honest heart-to-heart with him.

💙 G - Very nervous at first. There are a lot of things to consider such as school and childbirth. Is their current living space even safe for a kid? And what if MC or G has more than one kid, it's possible. G would need a bit to kind of come to terms with it. Once they have, G is golden. They're happy and don't bother to try and hide behind their cool demeanor.

Now if ex-G/MC had gotten pregnant. It would be so painful for them, because would MC want to be in the picture or would MC allow them to be. If the breakup still happened and MC had gotten with Chris, G would fight with everything they have to see their child, or to give MC the chance to see them. (it's bittersweet)

💚 Kara - So she would be scared more than anything. Happy comes way later, once she's sure this is what she wants. Because for Kara, she doesn't really get to make her own decisions so much of her life is decided for her. If her first real big decision is having a kid, she's going to ace it. First off by having a chat with her parents (who would to overstep), then MC's parents. About what is allowed and isn't. The grandparents don't get to dictate the pregnancy, the childbirth, the child. If they want to be involved then they will be expected to abide by Kara and MC's wishes or be cut out. That simple. (She will buy too many baby clothes ahead of time, it will be a problem)

💛 M - What!? Excuse you, whose pregnant? With a baby? Like an actual human being? How did this happen!? (This is M's reaction regardless of whose pregnant. )MC has to remind shocked M how in fact that did happen. In which case M turns blood red and refuses to look at MC until they've calmed down.) M is going to go through 5 stages. 1 being shock, 2 being really shocked 3 understanding 4 go back and repeat step 1, 2 and 3. 5 acceptance. Leading them all the way to joy. M will take a good bit before they get through those steps, but when they do they're happy, nervous but happy. M isn't sure how to deal with kids. If they have one should they just go ahead and have another too? M will want to call their mothers' immediately. Get some info about raising a kid and what to expect. They will order far too many books about kids and what to expect when you're expecting. (take their computer for their own good)

💜 Isaac - They very well might have a breakdown, and it's not due to not wanting to have a kid with MC. It's more of knowing that you're not promised forever, as someone who lost their mother. Isaac is going to take it hard. Because she will never get to see her grandchild, and Isaac will never get to have that moment with her. Now onto how they feel outside of that, Isaac will struggle. Because they realize they have something else to lose, and to someone who is afraid of committing due to that it's not an easy situation to be in. They would need reassurance, that this is what MC wants. That they'll work hard, and together will do their best for their child. Isaac wants to be there for everything, every checkup, every milestone. All of it. Proudest parent ever.

🖤 Ardent - The amount of breeding jokes to be told : 14. The amount of tears shed: Over 50. Which he will deny with every breath. They're happy tears. Happy to have a family with MC, happy for his niece to have a cousin to navigate the world with. He is too happy, so cocky. Rubbing MC's belly, giving it so many kisses. He did that, him! Can you believe it? Not to mention, Cupid is going to have to take classes now. That's the first step, Cupid learning how to behave around babies. Ardent is very big into reading, he will overread though. Like MC is going to learn the nitty gritty just like he is. Oh, and they'll probably have to move if they're currently living in the apartments. To a place with an actual yard, the kind his parents had back in Greece. MC will be spoiled, because Ardent will cook every meal. He will ensure MC doesn't have to life a finger, or even Cupid if they feel like they can't. He would be a great dad, plus he has been saving up dad jokes. I apologize ahead of time.

[snakewithawitchhat]

Bill Headcanons

I have enough of these to fill up my guts whatever that means

Includes: Normal, readerxbill platonic, readerxbill romantic, freaky stuff he into

Normal

He definitely said skibidi once because he had no idea what it meant or where it came from

He would probably honest to god enjoy interacting with an iPad kid because he thinks they're fucking funny

Tea person over coffee

Probably reads books on the randomest subjects. Mostly they all have human psychology in common, though. Or anatomy.

His favorite kids movie is Wreck It Ralph, favorite adult movie is Shawn of The Dead (He doesn't believe British people are actually real and finds the movie funny), favorite horror movie is probably something really obscure and is just plain goreporn or something like that.

(In my opinion) I feel like if he had a more anthropomorphic form (legs and arms and body) it would probably be something VERY weird core or something like that. Like, extra limbs, weird ass colors, and random effects. He'd probably keep the triangle imagery, though.

Would definitely just say random ass shit to freak people out

He has a thing for teeth. Not, like, a weird thing or a sex thing. He just really thinks they're cool.

If he had an iPad... he'd spend all day either being your standard reddit user or an iPad kid.

Probably like King from The Owl House sometimes.

Speaking of TOH, he met The Collector once. He thought the kid was neat and played a few games of chess with him before leaving. Probably one of the inspirations for The Collector's insaneness

He also met The Core from Amphibia. Or at least knew the core existed.

His favorite human color is either red, yellow, or orange. It's really everything on the hot side of the color wheel tbh.

Platonic X reader

Dream invasion time-- He would SO rummage through your mind if you made a deal with him.

If you pissed him off, he'd probably jab a fork in your arm while possessing you. He wouldn't be as insane as he was with Stanford's body, though. He wants yours to work properly.

Dream demon or not, he probably had a Drea- NIGHTMARE... it was SO a nightmare... about having more fun with you if you built the portal.

Would be touchy. Not in a weird way (if you ask, he'll stop) but he'll just, like, pat your shoulder or something like that.

If Weirdmageddon 2 happens he is SO finding you and inviting you to his party. You're coming, too. You don't got a choice. Womp womp.

If one of his friends were to eat you, he'd probably be disappointed as all hell, but it really depends on how close you are with him. Besties? He'd kill that monster and resurrect you with the parts left. Just acquaintances? Who are you again?

Would still possess you even after he gets a physical form. (he likes to prank you)

Romantic X reader

Clingy bastard. If your insert is mortal, he'll be by your side 24/7 if Weirdmageddon is happening. Even if your insert ISN'T mortal.

Would be even MORE touchy.

He'd set up boundaries and be clear with his own while probably ignoring yours. (he isn't a great partner)

It's probably a toxic one-sided relationship at first. Bill is NOT a good person at ALL. He always had a goal in mind. He sees his romantic interest of you as a little thing that just ALSO happened.

Probably gets flustered by affection really easily if you're the one showing it.

He won't know much about human affections, so you'll probably have to show him the ropes.

Before you do THAT, though, he'll probably just bite you (with his freaky fucking eyeball mouth thing). Not even as a sexual or possessive thing. He just likes to bite you. It's like an awkward thing he can't control. Get too close and he can feel your warmth? Bite. Bite. BITE. It's not light stuff, though. It's always hard enough to draw blood. Purposeful or not. (It's not on purpose)

He doesn't get JEALOUS, but he does get a little insecure if you start getting infatuated with someone else.

If you're hurt from someone, you BEST know he's overprotective as fuck. Your puny mortal body is pathetic, but if you lose it, he loses you, too.

You aren't aging ever again. You aren't DYING ever again. No. He won't let you die ever. Body is giving out? Here's a new one. Forgetting...? No, he'll plant more memories in your mind. He's too late and you're dead...? No you aren't... You'll always be conscious. Whether your body is rotting around your mind or not.

Sex junk

Sadist. 100% all the way. Not even light things, like slaps. No, if you consent, he will full on break your bones.

He doesn't feel sexual gratification like humans do, so it's more of just something he'll do to either please or displease you. Whichever one, it's almost always about how you feel.

He doesn't have a dick, so you'll be on the receiving end always. Unless you REALLY want to give.

He has a giant eyeball on him. He definitely likes to watch.

Always tops because there isn't much you can do to dominate him. He'll try to let you if you really wanna, but it probably won't be the easiest.

Blood kink. That's it. He thinks it's so pretty on you. Especially if it's yours.

[kaizokuou-ni-naru]

Thoughts on the Seraphim, assuming you have any?

one thing i think is quite interesting in egghead, which hasn't necessarily been highlighted prominently by the narrative but which underlies the whole arc, is the similar treatment of the various artificial humans created by vegapunk: the satellites, the seraphim, stussy, and, to a certain extent, kuma.

i think one of the points of egghead is that it's both inhumane and impossible to try and create a person with no individuality or free will. like, it's immoral, but it also just doesn't work. you can't create a person just to serve your own needs and have them not have any personality or identity of their own; it's antithetical to human nature. one piece consistently says that all things strive, and all things dream, and all things want to be free, and that's why vegapunk's creations keep becoming real people in ways that he didn't intend or foresee.

all of the artificial humans in this arc have some degree of identity and individual thought, even those who were specifically designed to be perfectly obedient. we see this when vegapunk is shocked to hear that s-snake is capable of defying orders to help luffy, and when kuma comes to save bonney despite every fact of science saying that he should be brain-dead.

york's betrayal is also consistent with this. vegapunk didn't see it coming, because he created and viewed the satellites as extensions of himself, but they aren't! they're sentient people with, at least, the potential to develop their own dreams and motivations and goals that don't necessarily align with his. that's what being human is.

in that sense, the fact that vegapunk's downfall is brought about by york's self-actualization is quite karmic. her actions are evil and extreme and cause massive collateral damage, of course, but i honestly think they're also pretty understandable when you consider her as a person who was created to only be an extra limb of someone else, trying to define herself. how else was she ever supposed to be free?

this theme is, i think, particularly embodied in stussy, who is clearly undergoing something of an identity crisis. she's caught between loyalty to the purpose she was seemingly created for and loyalty to the identity and relationships she's developed for herself while living out in the world as her own person; she betrays the latter for the former, which is something that clearly pains her greatly, and then loses the former anyways, leaving her with nothing.

the situation that stussy is put in is really very cruel, and honestly, egghead is a fundamentally inhumane place. it's full of people who are expected to not be people. it's frankly no wonder one of them eventually freaked out and turned evil.

vegapunk pressuring sentoumaru into betraying the world government for him is played for comedy, and it's basically implied sentoumaru would've done that anyways, but at the same time it's rather telling of the way vegapunk tends to treat his subordinates and creations: like their own thoughts and feelings, if they have any, don't really matter. vegapunk doesn't ever intend to be cruel, i don't think, but he's certainly thoughtless and inconsiderate, and when you're dealing with human life that can be just as damaging.

this all brings us back to the seraphim. they're weapons of war, yes, but they're also children who had no say in their own creation, and who clearly have at least somewhat more individuality than vegapunk intended them to have (as we see definitively with s-snake). they're effectively slaves of the world government, currently. even when you look at how they were created, they're products of experimentation on a captive child (king), and two of them, s-snake and s-bear, are cloned from former child slaves themselves.

one piece is a story about freedom. i think one way or another, thematically, the seraphim will have to end up free. i can't predict when or how that'll happen, but everything about egghead and the series as a whole indicates that the desire of living things to be free and dream is irrepressible.

[furiousgoldfish]

Kids instinctively test their boundaries and challenge authority; not to be annoying and cause trouble on purpose, but because they need to know where the boundaries are, what are the consequences for breaking them, and who actually is the real authority that can bring forth the consequences. This is normal and healthy human behaviour; if they don’t try it, how will they ever find out? It's curiosity, courage, need to know exactly where they stand, how much freedom can they get, what they can get away with, it's something we all have to test in life at one point or another, and childhood should be the safest, most protected place to test this out.

Based on how well they manage to establish their own place, their own rules and figure out what will and won't have consequences, they'll continue to develop this knowledge in the adulthood; they'll fight for their needs in their friendships and relationships, they'll stand up to their teachers and exploitative bosses, they'll follow their sense of justice and sometimes defy authority in order to do what is right. And if they learned something is a hard limit in childhood, they'll be careful not to cross that limit where it would come back to harm them. And those limits should be along the lines of causing physical harm to others, hurting smaller, more vulnerable people, using their power for cruelty.

In abusive households, children are not allowed this test of limits. Abusive parents insist on complete authority, punish something as small as 'talking back', and thus take away the child's ability to explore boundaries. In abuse the boundaries are usually uncertain, undefined, so the child can never know what could be taken as an offense, as a provocation or excuse to harm them. Abusers prefer keeping children not knowing where they stand, so they would assume anything could be taken as disobedience, even lack of action could be punished. This enables abusers to change the rules at will and to punish child who hasn't done anything wrong – they can retroactively decide something offended them and take their anger out on a child. The child learns that even if someone just perceives a transgression, that didn't even happen, they will be punished for it. They learn to live in absolute fear, analyzing their every action, anxiously trying to figure out how everyone around them is feeling and reacting to them, trying desperately not to give anyone a reason for offense.

So how will this child deal with an unfair teacher, one they get in that situation? How will they handle an exploitative boss? How can they fight back a bully, navigate an abusive friendship or a relationship, how can they stand up to anyone? They've learned that even doing nothing can have devastating consequences, and doing everything sometimes isn't enough either. All they know how to do is to try to please everyone, desperately overthink everything, accept blame and punishment even when it wasn't their fault, even when they're being exploited and harmed. Their needs get forgotten and neglected completely, in their endless quest to protect themselves from harm, by trying to avoid it with their every action and word. They've been taught, by pain and torture, that other people's authority over them is final, that refusing to please others means pain. So they'll accept being exploited, neglected and violated, because to refuse would mean even worse type of pain. And the abusive boss, partner, teacher, friend, will revel in realization that this person is afraid, that anything can be done to them, that rules can be changed on the fly, exploitation can be endless because this person won't ever test what's been said to them; they'll assume other's authority is right, and that to fight back would mean severe consequences.

That is what authoritarian parenting teaches, that's what forceful, demanding, aggressive and punishment-eager parents do to their kid's lives. They lie every time they say it's to make the kid strong, or to prepare them for 'the real life', it's anything but. It's creating a person who cannot fight for themselves or stand up for themselves because they've been tortured for their first attempts to test the boundaries.

Let your kids try stupid shit. If they can't figure out boundaries by testing them out with you, they won't be able to figure it out any other way. Adults do it all the time, because they've learned as children that this testing can bring them benefits, certainty, fairness and needs fulfilled. As it should be, children should try and see what happens if they ask, if they demand, if they try to get their way, if they protest, if they fight back. They need to know that sometimes in life it's worth it. That sometimes it's necessary. They need to know life won't end if they try it. They need to know it's okay to try. They need to believe they have every right to.