#something completely angering

[bandzboy]

grammys having a section of their show about “coming together” and “being in harmony” when what they are talking about is a genocide is crazy and disgusting! after all this time they have the audacity to do these neutral statements… shame on you

[spacedace]

Still thinking about the Social Worker Jazz concept that @gilbirda posted about and it's slowly turning into a full Anger Management fic send help

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Jason at length - much longer than it really should have taken really - set the resume down.

The new Social Worker’s resume. Because she was there, in his office, trying to convince him to hire her as a member of his criminal organization.

Crime Alley’s new social worker. A bright eyed Midwestern transplant from some tiny speck of a place that only qualified as a city because there was nothing bigger in a hundred miles in any direction to claim otherwise. The new social worker who had a Psy D. and three masters degrees and who had graduated Valedictorian. The one that had high paying private gigs lined up all over the country with the offering companies fighting over her.

The one who had, apparently, decided to take a shit job in Gotham’s shoddy social services department instead. The one that got kicked to Crime Alley - which was its own division despite technically being a small neighborhood in the grand scheme of things - within her first month. Supposedly for the sole purpose of scaring her off or getting her killed for all the questions she was asking and secret dealings she was sticking her nose into.

That social worker.

“I’m gonna need you to run this by me again.” Jason said, never so grateful for the voice modulator in his helmet as he was in that moment. It stripped out the bewilderment that had bled through into his words and made him sound stoic instead.

“I’d like to work for you.” The social worker - one Dr. Jasmine Nightingale - repeated primly. Back straight, clothes neat - if skewing more on the librarian side of professional - expression confident and hopeful. Completely and utterly oblivious of how fucking insane she sounded. “I was told that you’re the person in charge of Crime Alley.”

He resisted the urge to scrub at his face. It’d just look weird with his helmet on and not do anything to actually settle him in that moment anyway. “I understood that part.”

“Look, Doc,” She earned a doctorate and she was crazy enough to waltz into the office of one of Gotham’s most powerful Crime Lords, he’d be respectful about using her proper title at least, even if he suspected she was ten pounds of crazy in a five pound bag. “You’re going to have to tell me why. I was under the impression the only reason you ended up dumped on our end of the city ws because you wouldn’t play ball. But now you want to sign up for my crew?”

Nightingale frowned a little at that.

“Is that what people are saying?”

“What else are they gonna say?” Jason answered, leaning back in his seat, “Head of the department only dumps Crime Alley on folks he don’t like. And everyone knows he doesn’t like anyone that can’t or won’t play his game by his rules.”

“Alright, well. I’ll give you that.” Nightingale conceded, “Payne doesn’t like me. The feeling’s mutual. But for the record,” She added giving him a wry smile, as if sharing wry smiles with Red Hood was just something people did, “I asked to be assigned to the Park Row and Bowery neighborhoods.”

“You wanted to work here.”

“Yes.”

“Bullshit.”

Nightingale laughed. It was a bright sound. Not especially clear or pretty, but warm and welcoming in a way that carefully calculated giggles or overdone guffaws couldn’t be. Something with real and honest amusement in it, that encouraged those nearby to laugh along. Not the kind of involuntary, nervous chuckling people tended to slip into when they thought they had pissed someone that scared them off.

She just wasn’t intimidated by him at all, was she?

Behind his helmet, Jason found himself smiling. Just a bit.

“I’m serious.” She assured, blue-green eyes meeting the dark stare of his helmet without a moment of hesitation. He watched as she brushed a lock of her bright red hair behind her ear and out of the way. She’d woven it all into a practical, neat braid but a few sly pieces had snuck out to bounce around her. Gilding her quiet professionalism with a playful charm that worked well with her academia but make it cottagecore kindergarten teacher aesthetic.

“I’ll admit, Gotham wasn’t part of my plan when I first graduated. Time and choices take you funny places sometimes.” She plucked an invisible bit of lint off her soft blue cardigan, not nervous but absent as her gaze went distant for a moment. Thinking back on the events that had led her to his fine city. In a blink, those sharp eyes were back to focusing entirely on him. “But Gotham is where I am now, and I want to help.”

She looked at him, a serious, determined expression settling easily on her face. “The city as a whole has so much chaos and crime breaking out all the time.” No censure or horror in her voice, just a neutral fact to be observed. “But where the rest of the city has millions of dollars poured into it by various foundations or charities run by the Waynes, Park Row is largely ignored.”

Jason watched as steeliness sharpened her gaze, the blue-green shifting from the shine of a bird’s wing to the warning hue of something poisonous and deadly. “No one deserves that. No one.” Her chin tilted up, proud but not imperious. “So yes, I want to work here. There are people in Park Row and the Bowery who need help and I refuse to let any of them feel like they are going to be ignored.”

Jason considered her.

Really looked at her. Pealing back his initial off handed impression of her as some clueless transplant in over her head with no idea of what she was doing or what she was poking her nose into to find the real woman beneath. Her confident poise, her clear unshakable belief, her unflinching willingness to look danger in the eye and not blink. The tense curve of her frown, the lines of pain at the corners of her eyes, the simmering anger beneath it all. There was an edge to her, too. Something sharp and dangerously well hidden by the cardigan and folksy charm of her accent.

It was personal for the woman before him, Jason realized. Maybe not Crime Alley specifically, but something about the whole situation. The treatment the neighborhood and its residents received from the city at large, from those even beyond it.

Crime Alley wasn’t a place that received much in the way of charitable thought. The average joe with their house in Somerset and job at some corporate shithole hating every second of their life but thinking at least I don’t live in Crime Alley. Those asshole hoity-toites in city hall throwing money around equally between shit that’d get them re-elected and their off-shore slush funds in the Caymens doing their damn level best to pretend the black mark on the other end of the city just didn’t exist. Bruce, flooding the entire city with charitable programs and carefully constructed infrastructures shying away from the manifested grief and trauma that was the place he watched his parents get murdered.

For the most part no one from outside of the Alley gave a shit about the Alley other than as a place to avoid at all costs. And most of the time those natives that manages to claw their way out into better and brighter lives didn’t ever turn to glance back. Orpheus could have learned a thing or to from an ex-Alley Kid who managed to eek out a steady 9-to-5 and move to Burnley.

And something about that seemed to piss Dr. Jasmine Nightingale Psy. D right the fuck off.

He could see why Bill said he liked her enough to let her in.

“Alright.” He said, tilting his head, watching the woman seated across from him carefully, “Still doesn’t explain what you’re doing here. Why you’re trying to get on my payroll.”

“I’m not trying to get on your payroll.” She said, some of the glinting edge softening, but the steel remaining. Strong and unyielding. “I’m trying to get into your community outreach program.”

Jason thanked god and all the saints once again for the gift of his helmet. That baby had saved his ass more times than he could count both by keeping his head in one piece and keeping his stupefied expressions wrapped up and hidden from view. Dr. Nightingale was one hell of a woman to make him have to rely on that fact twice in one conversation.

“Wasn’t aware that was something I had.”

Nightingale, not fortunate enough to have a full face covering helmet of her own, had nothing to hide her stupefied expression behind. Jason had a feeling she might have removed it to make sure he saw even if she did though. She looked like she had caught him eating glue like it was a cheese stick.

“Yes you do.” She said, sounding deeply confused but unshakable confident in what she was saying. “I’ve seen it. The soup kitchens, the shelters, the collection boxes for donating old clothes, the after school day care.” Nightingale ticked off on her fingers, “I’ve lived here for less than two weeks and I’ve lost count of all the things I’ve seen setup to help people struggling in the area that I’ve been very reliably informed you and your organization are behind.”

Oh.

Those.

“Those aren’t part of some community outreach program.” He said, “We are simply locals offering services for our neighbors.”

He watched as her caught-him-eating-glue expression shifted into one that said she’d stumbled upon him licking electrical sockets for a mid-day pick-me-up instead. He had to give it to her, the woman was not afraid to let one of the most dangerous men in the city know she thought he was a fucking idiot.

“Let me see if I understand this right.” She said, and he appreciated that there wasn’t any kind of condescension in her voice, even though she very clearly thought he’d been dropped on his head as a baby. Possibly from the top of a three story building. “You have a large group of people working together to plan, organize and execute multiple services in your area - your community, if you will - that provide aid and support to those that otherwise would not receive it. Reaching out with your available time and resources to offer these services, that you provide. For free.”

Alright, Jason got it. He had stumbled ass backwards into creating a community outreach program. But he wasn’t just going to let her think she won this one. He was Red Hood, he had a reputation to uphold here.

“What makes you think any of that is free?” He tilted his head at just the right angle, the one that cast shadows across the planes of his helmet and made him look hell-touched and terrifying. “Just because we don’t charge money, doesn’t mean there isn’t a price to pay.”

Dr. Nightingale, dressed like a damn kindergarten teacher, laughed at him.

[obsessedwithstarwars]

Question for the DP fandom:

Do you think Danny’s hair turns white when it falls out? It’s technically dead cells anyway but when it naturally falls off his head, do you think it turns white? Because I think it would be hilarious if his hairbrush just has white hair, no black strands whatsoever, and his significant other thought the worst until they know his secret.

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[antiyourwokehomophobia2]

Been thinking a lot about how lesbians have to pretend they never experience any adverse feelings to rejection in order to avoid the "predator" stereotype. When we get rejected by a straight woman or even just get hit with the reality that most women are straight, we're not allowed to be upset or angry or hurt about it.

I am not saying that lesbians should be allowed to verbally abuse a straight woman for saying no, but I don't feel like we're allowed to be angry at all. Even privately. Having those feelings at all makes us 'bad'.

The truth is that it very much so sucks to watch women you love choose men over you. It sucks to know that no matter how attractive and sweet and kind you are, most women will simply not be attracted to you in the slightest and there's nothing you can do about it. It sucks to know that men get to freely love women while you have to hide from bigots. It sucks to have strong, tender feelings for women that they simply do not return.

It's perfectly normal to feel deep sadness and anger over this. I'm talking bubbling violent anger that leaves you feeling like you're a descendant of the Greek goddess Lyssa. Wishing deeply that your feelings for women were returned doesn't make you a predator. Having extremely negative feelings towards the men that catch your crush's attention doesn't make you a bad person. That is all incredibly normal.

Straight men get rejected one too many times and commit mass shootings... You feeling private rage doesn't make you a bad person at all.

I just really hate that it seems like the only appropriate reaction lesbians are allowed to have to heartbreak is demure acceptance.

[dykedvonte]

I just realized some people are confused about events in the alluded to past in Mouthwashing, particularly about how long the crew has been working together.

The only person who is truly new is Daisuke and it’s why his dynamic with the crew and role in the story is very unique and somewhat distant. Curly didn’t just get Jimmy this job on the Tulpar, he got him the job with the Pony Express. He’s been his copilot for probably a couple of years but still not as long as they’ve been friends. None of them are new with the freight industry, Anya and Swansea especially have been doing this for years, together.

Jimmy is the newest on the regular crew, maybe just a few assignments, but it’s not his first time working with them. I think it’s just something important because this isn’t just one bad mistake that snowballed with giving Jimmy the job. None of them thought Jimmy would do anything, no matter how off-put by him they could’ve been, since he hadn’t done a thing since being there. Generally unpleasantness isn’t a crime and he’d be aware of that.

It was a festering thing and a sort of forced trust they had to give him that he knowingly took advantage of. He was the black sheep and still a wolf under the wool. He expected when he lashed out, that he had been there long enough for it to be looked over completely. Got too comfortable in the space he inserted into and did a lot of damage with his claws when he felt he was going to get shaken out.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[lunar-wandering]

do y'all think Macaque is falling back into the role that Azure and the others put on him by remaining on the outskirts of the group because he thinks his input/presence is unwanted (and yeah his presence isn't really wanted by MK and the others BUT. something about the fact Macaque is placing himself at the edge of the group, the edge that Azure and the others pushed him to, doesn't really sit well)

[aphel1on]

neuvillette's lore is actually insane. we all took one look at him and went "haha dragon🫵" but i significantly underestimated how big of a role he would play. he's the incarnation of the original hydro sovereign. he took back his rule right under the heavenly principles' nose. he's the one handing out hydro visions now (not even because he has to, he doesn't, he just grew so fond of humanity that he chooses to). he gave away the hydro gnosis bc he straight up doesn't need it. he's planning to DETHRONE ALL OF THE ARCHONS (in a few hundred years, when the traveler's not around to see it, so it won't be awkward for them). he's kind and soft-spoken. he's full of vengeful rage. he's a father to hundreds. he found his purpose after feeling lost for 500 years. skirk pulled him aside for a super-secret convo and when he saw us again he immediately spilled the tea. as far as i can tell, he spawned into existence fully formed. no other character can fucking compare

[whereismyhat5678]

SPOILERS (kinda) FOR INSIDE OUT 2 ‼️‼️

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Okay so if anyone doesn’t want any spoilers on Inside Out 2 PLEASE scroll away! I mean genuinely it’s not the BIGGEST spoiler, but it’s a line from the movie. And it would ruin the surprise if you saw it 🙇‍♀️🙇‍♀️

But yes I did make art for it, and I had to draw my favorite character from Inside out anyways, please, I thought he would look good in my artstyle 😅💕✨

No hun, no- no you can’t fix her honey you can’t do that-

Can I just say that I’ve been thinking about that line for way too long? I’ve been into Fear x Anger but, GOD, that single line SOLD ME- Best thing a Pixar movie has ever done in my opinion we LOVE the humor in this movie I love it especially. 😂

Also extra cuz I also wanted to draw Anger (one of my favorites too 👀):

I only did the sketch tho guys I don’t wanna draw Fear’s shirt again IT TOOK SO LONG-

[atopvisenyashill]

Worst things GOT did casting wise:

- making Dany too beautiful (+ styling her in a way that she never has a hair out of place, always wears BLUE - which makes her look peaceful and soft and angelic, not making her burn her hair off etc). I just think of that one official art piece that's in the illustrated AGOT book where dany is bald, with the dragons and sparks and frames around her and its so striking instead of the "beautiful angelic blonde women stand empowered with her tits out" scene we got

- casting Iain Glen as Jorah and not like. a random Lannister (like. Come on. He is a burly and ugly man... why are you casting one of the most beautiful men to play him.... this is how we ended up with dany/jorah shippers)

-making Joffrey too unattractive (this is not meant to disparage JG who is a great actor and seems like a really cool dude and i'm not saying he's ugly but I think from his very first scene Joffrey looks very punchable and it would have been so much smarter to make the audience .. relate to Sansa's infatuation with his golden looks. In my head (and in all the official art) Joffrey looks like a male version of cersei/a younger version of Jaime.)

- making Dany, Jon, Robb, Marg, Brienne etc 10+ years older than Sansa and the younger starklings .... It's not "the main characters and arya (who is so cool and can kill people) + the little children" it's ONE AGE group of equally important characters

Like I know people are upset at Ned/Jon etc being too attractive, WHICH I GET, but I feel like those were very vibe based casting decisions and i'm ultimately fine with that (I also think it's easier for the audience to root for someone if they're attractive so like. I guess they had to do it) but these other things resulated in people's perception of the characters being so wildly different from what they're supposed to be. The real reason people get so angry whenever someone says they wish tamzin had stayed is because they don't like the idea of daenerys not being this ethereal beauty (TM is beautiful but not in a conventional way) that they can fully root for without issue.

1. NO YOU ARE SOOOOOO RIGHT ABOUT THEM REFUSING TO LET DANY LOOK UGLY. it’s not to say tamzin isn’t clearly beautiful, but i think she’s beautiful in the same way gwendoline christie is, which is that she’s very striking and she has a strong presence but she’s not exactly what people picture when they say “typical hot lady” (which is Crazy these are all able bodied white women, like the definition of “beauty” is soooooo fuckijg narrow that tamzin merchant is ~atypically beautiful) vs emilia definitely is, and YES like everything from not burning her hair off to emilia being,,,,,fuller in figure than dany as a fourteen year old would be is just very clear that they saw dany different than the way she is On The Page. i mean i know people whack george for saying that she’s like a sexy funny lady or whatever but george never lets go of the fact that she’s incredibly young whereas d&d completely miss that part of her character.

i will say i Get the criticism of tamzin perhaps not picking up on the conlangs easily because one thing you can say for emilia is that she had a decent head for the conlangs, she’s even still partially fluent in dothraki lmaooo. but all the other stuff they said about why they recast dany it’s like. hmmmmmmmmmm.

2. absolutely right about iain especially because he’s similar to idk paddy in that he’s got CHARISMA but unlike viserys, they didn’t intent to portray him as a deeply flawed, antagonistic character they went in portraying him as like an objectively Good Guy dedicated to dany. he’s just so much less creepy and pushy in the show and has several scenes where he shows some moral backbone - that “yet here you stand” “yet here i stand” scene is sooooooo good for example, the fact that he actually apologizes for spying on dany, giving him the greyscale story & not having him fuck a valyrian looking woman in a brothel 💀, etc etc - and you also just lose some of the creepiness here because emilia is clearly a grown if young woman and ian is handsome, so it’s like. welll of Course you want to root for them to be together! and never mind that this is a Massive departure from their book characterizations!! again, they have this idea of jorah in their head that doesn’t match up with what’s on the page even a little.

3. i do get your point re: joffrey and i think this is my problem with aidan as littlefucker too - they’re too obviously villains and it makes ned and sansa look stupid. like, in the books we have that moment where robb almost decks joffrey which does seem to signal something bad but the crown prince being full of himself doesn’t mean he’s going to threaten his betrothed’s sister with a sword then get his ass handed to him by a toddler. in the show we get QUITE a number of scenes where joffrey is shown to be a brat AND as you say, just like aidan, jack has a Certain Look, he looks like a shitty jock who has allegations against him ajsjdj like irl when jack smiles he’s so adorable!! but in the show they REALLY play up his ability to channel a greasy aura ya know aksjd. when the point of asoiaf is often that villains don’t LOOK like villains, but some of our Main Villains clearly resemble typical villains in the show.

4. “it’s ONE age group of characters” NO YOU ARE SO RIGHT. like, there’s several years difference from robert to ned to cat to the twins to tyrion but they’re all the same generation of characters. there’s that exact same age difference from brienne to robb, dany, jon to sansa, arya, bran, with theon kind of similar to characters like jorah, who are old enough to remember The Before Times but aren’t quite in either generation. but because they wanted dany, brienne, jon, robb, and margaery to be more of a Typical archetype rather than an exploration of that archetype, they aged everyone up and essentially invented another generation between the “adult” characters and the “kid” characters. not to be super nerdy here but one of my favorite worked shoots in wrestling is one cody rhodes did where he was ranting about the way young wrestlers get put through the grinder and he has this amazing line where he sums it up as “old men talking, young men dying” and it’s not to say there aren’t a lot of old dudes Also dying lmao but you really see this where young leaders are often unprepared for their responsibilities and used as puppets by older men and you just MISS THAT when that whole generation is so grown!

it’s like they looked at those themes of war being terrible and all consuming and brutal no matter how justified you feel you are and went “wow war is brutal 😍” LIKE PLEASE????

[s0fter-sin]

watching the valeria interrogation again and when alejandro says, “you disgrace the army”, rudy steps forward but when alejandro looks over his shoulder at him and says, “and your brothers, no?” he steps back again, almost like he’s trying to pull himself out of the conversation

alejandro leans in close to her and rudy reacts like he wants to pull him away, to protect him from her and from her words, but when he brings up that valeria hurt him too, betrayed him too, rudy retreats like he doesn't want to be reminded of it

it's alejandro who keeps valeria talking about the past, who prompts her to say more when simply saying she's ex-military would've been enough. they bait each other, valeria far more successfully than alejandro; she’s essentially running the interrogation

this speaks volumes of rudy’s interjection of, “he (the son of la areña) was supposed to go to prison”. he’s getting short; cutting off valeria and her excuses, not to redirect them back to the point of the interrogation but bc he’s done with her. rudy’s terser with her, more obviously angry, than he is with an actual terrorist

alejandro can't get past their history; let's himself get pulled off track and compromised but not be he's more upset than rudy. rudy has just repressed the hell out of it; if he doesn't think about it then it didn't happen

but now, he's suddenly being confronted with it head on

"you disgrace the army," is generalised; valeria didn't just hurt rudy, she hurt all of them. it's easier to take

"and your brothers," calls rudy out directly for his pain; pain alejandro wants retribution for and he doesn't want to face it, doesn't want to admit to it bc he doesn’t want to have to feel it

[mingot-studios]

Why do people think Nanami purposfully killed the kitten??

Like, did you see her reaction when it went over the waterfall?

That is NOT the reaction of someone who killed something on purpose.

She was very young in these scenes and clearly didn't grasp the gravity of what she was doing or what would happen after she did it until she saw the consequences too little too late!

SHe was an angry child who had not thought her plan through and clearly, she felt regret for what she did

She's crying and begging her brother to forgive her!

How does one come away from this episode and think she truly wanted to hurt that kitten?!

Noralities, I'm talking to you!

[cessmaga]

pet peeve but I don't like how mk1 johnshi is portrayed, and no not just the infantizing disabled people one

[opheliasam]

what is spn about if not humanising the monster (people who do objectively violent and wrongful Things) vs. villainising the humane (people who are labelled inherently wrong and sinful and therefore mistrusted and ostracised again and again . Regardless of what they do. they are not granted the grace of mistakes, or imperfections—they are held to a standard of ideality so strict it’s disturbingly cruel. Every thing they do Has to be about making up for what they are. The only way they r accepted is if they accept this rhetoric and use it to self-flagellate and overcompensate and beat themselves up again and again—)

[t-u-i-t-c]

balance & naga // episode 31