#someone needs to fucking push me

[anu-piyakya97]

this man makes my oral fixation tweak so bad and so loud 👄👄 imma finish myself 😭

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[lilithofpenandbook]

Seriously how can M*r*uders stans like random Slytherins (who tf are Evan Rosier, Pandora (is that Luna's mum and why tf is she Evan Rosier's twin in half of these), and I don't even want to discuss Regulus) and make them Actually Misunderstood Good People Who Were Forced Down That Path when at least one of them *coughreguluscough* was obsessed with Voldemort

And then turn around and make Snape an awful person?

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[pluralhottakes]

I don't see the issue in believing that your alters are multiple people or not, but saying that it's "anti recovery" to believe that they are is genuinely one of the most idiotic things i've heard. i don't see why it's a problem? i know so many systems who consider themselves multiple people, who are doing perfectly fine in healing, without needing to see themselves as just "multiple parts of one person". Alters can be so completely complex, they can be so different that you'd genuinely see them as completely different people, because they are different people to that system. This is coming from a plural who sees their parts more as just different parts of themself, by the way. Believing your alters are just multiple parts of one identity is completely fine, but claiming that it's "anti recovery" for others to believe that they're multiple people is one of the shittest things you could do. Just let people do what they want, there isn't anything wrong with that? I definitely see that systems can quite literally have what is basically multiple fully formed identities, fully formed people.

.

[elkkiel]

Regarding ST's merch, I think it's really obvious quality wise what merch the boys had a direct hand in and what merch is just RCA slapping ST's name and logo on something because they know it'll sell. The figurine and the constant HT/Spencer's drops scream RCA just trying to make a buck.

I think the big thing we can do as fans, or in this case consumers, is just be really picky about what merch we actually buy. Let sales numbers and the market talk for us ig (ew capitalism, but unfortunately that's how this works)

Things like the graphic novel? Hell yeah, support the shit out of that! We're out here Obtaining new, original stories made in collaboration with the band themselves, AND supporting art that aligns with the band's previously-curated brand image. Throw your money at that or hype it up online, since that's what we REALLY want to see from them. (even if it's too $$$ for many people. But, I get the sense that they wouldn't mind the pdf being shared with other fans lol. You can't tell me those nerds haven't read pirated manga/comics/books online before)

The low quality, soulless Licensed Products keep on coming because there's apparently a market for them. People will buy it just because it's ST, not because it's actually worth the money. As if it'll bring any value to their experience with the band. How many fans actually want a fuckin lava lamp, or any assortment of the hot topic merch that's just Vessel's face cheaply screenprinted on the front?

I think there's a lot of hype and market potential for their brand and likeness right now, and—for a corporate entity—it makes sense to flood the market like fucking Atlantic with whatever merch will sell. Voting with your wallet really does help. Not buying into the obvious cash-grab merch produces data that tells marketers that we're tired of it. It produces trend reports which indicate their current merch practices are becoming unprofitable to continue (oh, the horrors!)

Idk like I said last night, there seems to be a big disconnect between the band's history of being very selective with aesthetics/design, and whatever is going on right now. Personally, I'd much rather wallow in despair over sleeping through a relatively rare merch drop during European daylight hours. Because then at least the drop feels worth it, and fans who were able to buy merch will have a better, higher quality experience that actually aligns with their brand. Literally anything other than what we're seeing from them right now.

Sorry I just woke up not too long ago, so this might not read very clearly. I want to see my boys succeed and make a living off their art as much as anyone else, but surely there's a better way to support them.

[iguessitsjustme]

Really not a fan of Cheum telling Ray off for treating her and Boston like third wheels when she's been treating everyone like a third wheel to her and Mew's friendship. She was literally telling Boston to leave because she didn't want him there 5 minutes ago but now that she needs him to throw in someone's face, she's friends with him again. I have no sympathy for that.

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[chimerahyperfix]

CW: Graphic depictions of violence, lots of Death and Gore, Psychological horror for like 3 lines, mentions of drowning. Please read the tags and take caution. This one's more than a little visceral.

-----

The King is here.

You walk through crowded halls of rushing Housemaidens getting into defensive positioning. It's like fighting a wave in the ocean, hard to push through the crowd. You make do anyways, curling through paths you normally wouldn't take.

It's a big deal to everyone but you, at this point. This is the big event, the big fight; to you it's simply where time loops back. Just another day, y'know? You've done it over and over, and you'll probably keep doing it anyways.

It's odd, pushing through the crowd. Everyone is going one way and you are going another. Rushing versus strolling. Your hands are in the pockets of your lab coat. You're practically whistling, for crab's sake!

You simply cannot be bothered this loop. It's a failure from the start: you crabbed up making the bomb, which means you're crabbed from the very beginning. You climbed up the Favor Tree and wedged yourself between the braches for a few hours to pass the time, because looping back would be too much of an inconvenience, and you could just wait until the tears started spawning in the house to go back. The birds had a good time at least, one starting to craft a nest next to you.

You ghosted throughout the day, and now its go time. Everyone else is prepared and ready to fight for time itself, and here you are just. Walking. Realistically you're searching for a tear to stop it all before it starts, but luck isn't on your side this loop.

You can hear it, hear it-- the horrors. All the screams of those unfortunate enough to cross the King's path and fight back. It would be easier, for them, to just bow back and let themselves be frozen-- but no one wants to be frozen, because that's having choice itself stolen from you, a cage of ice to lock yourself in forever. It's just as bad as being dead. Stagnant and eternally screaming.

So they march to their deaths.

The King does not take kindly to the Housemaidens fighting back. Some loops, the House isn't prepared for his attack. Those loops are the nice ones, the less gorey ones. Less dead and more frozen bodies, because no one was prepared to brawl with the monster. He can just... swoop on through and take the House without more than a handful of casualties. This loop is one of the bad ones, because your fellow housemaidens were all prepared. You always think your prepared, too, to see the outcome, but you never truly are.

You turn into the main hall, and freeze still.

No matter how many loops you go through, the carnage always gets to you. There's a nasty, overpowering smell of iron in the air and big dark stains painting the walls, the floors and the roof. Bits and pieces of mashed guts and viscera. There were people in this hallway, once.

Not anymore.

It makes you sick to your stomach like every other time. Just the thought of it. There were people here and now there's only parts of them left. Just ten minutes ago or so, there were people here.

There were people here.

The gore goes in a trail down the hall. Paints practically everything-- including frozen people, if you look down the hall. All frozen with shock and absolute horror on their faces. You recognize some of them.

You try not to think about it.

You push on. Try to ignore the way the blood seeps into your shoes very fabric so they become damp. Try to ignore the fact you're trailing someone's very life behind you now with bloody shoe prints.

There are still no tears.

Plan B, then. The King himself.

You hate going against the King. It always ends terribly with you in agony. But that's the only option left right now, so you chase him down on his little path carved from the blood of the innocent. You find him quickly, too- just down the hall.

He stops before you can get too close. The smell in the air is overpowering, the sharp tang of blood and the burning sensation of the sugar.

"Burning one." He says to you. You're not sure where he pulled that one from: the nickname was something different at some point, but you've long forgotten what it was. Maybe it's the smell of burnt, rotting sugar or maybe it's the potions that burnt your throat. You're not sure anymore.

He just... stands there. Turns around and looks at you. You can feel the dead expression you're pulling as you stare back. Blood glints on his armor, shining and the worst sight in the world and all the same kinda beautiful in its own way? Like the lightless gore is the night sky itself, sparkling with little dots. Makes you feel sick just thinking that.

"How have you done it?" He asks. He asks it every time the two of you face off, the same five words. How. A inquiry. Something you have done, you shouldn't have, and he knows it.

You... think you've gotten it, now. Your hypothesis: How you wished. It's not something you were supposed to do. You did something different something WRONG, and it did something to time itself, tearing a hole in the fabric of space. It's wrong. It's wrong, and you know it and so does the King.

He stares in your direction. You think? Despite his hands, blood-stained as they are, not being infront of his face, the mop of hair is still in the way. You can feel the glare still. Enraged. Daggers in your side.

"I don't know." It's the truth.

"You don't know?"

"I don't remember."

The King goes silent. It's odd, having an actual conversation with him. Even if it was a tiny exchange, it still throws you off. He's willing to talk, even if just a question. He's never really talked to you-- or anyone, to your knowledge-- before.

"Ouuuuhhhh... of course you don't." He wails. It sounds like nails on a chalkboard to you. "You shouldn't have been able too, oohhh... not at all..."

He raises a fist up. It sparkles like the night sky, dark dripping from between his fingers. There's still someone's remains painted on them. Preemptively you brace and throw your arms up in an attempt to block.

It's a different thing that hits you. A new attack. A giant open palm slams into your chest, and you go flying backwards into the wall. The world turns to slow motion as something in you SNAPS. Crunches. Your bones shatter and explode with the force and speed, shooting little shards of agony everywhere.

It hurts. It HURTS. Pain rips through your entire body, and you realise you've started to scream when your chest begins to hurt. Blood splatters onto your glasses, blotting out your vision.

You look up at the King. How'd you get on the floor? How are you breathing, with no lungs? You can see fragments of bone stuck between the metal of his armor.

"Let this be a lesson to you, Burning one."

Metal clinks, and your vision swims-- dots in the corners, figures blur. Blood drips down into your left eye and paints half of your vision a dark shade. Nothing but pain.

Make it stop. Make it stop, make it stop make it stop-- it hurts, it hurts it hurts it hurts.

You

Simply stop thinking. Just for a moment.

So your brain can catch up! Yeah, sure. That's a good enough excuse.

Just. Pain. You are pain incarnate, and that's all you will be until you die slowly and loop back.

You

Blink,, and

The King. Is gone. You can hear him leaving, loud stomping footsteps dissapearing down a bloodstained trail, and you just stare.

How lucky, HOW LUCKY of you to be left alive this time. Like this isn't a fate worse than death. You gasp for air, and realise all you have left is blood filling your lungs.

It hurts. You want it to end, now. It's hard to see, over the blood and spots dancing across your eyes, but you see them; tears, floating around you. A quick out. You reach out, and the pain in you flares alive, ripping and tearing you apart. You feel like your flesh is going to peel off.

Your fingers brush into one of the tears, and you sob as the ice rolls down your arm and consumes you. It feels a hundred times better than what you were feeling before.

You freeze in time-- and luckily theres no nightmare you have to endure, you just wake back up at your desk. You spend a good chunk of the morning curled up in the bathroom getting sick, because, wow! That's the worst one yet! It's curled into your very being, the feeling of breaking your bones like rock candy, the feeling of drowning in blood.

You just... have to do it better this time, or... something. Hope is fading away into background static. You can't... do this anymore. It hurts too much. You want it to stop. Please make it stop.

[davrinassan]

to be truthful. i think playin bg3 is making my mental health worse. not in a bg3 is a bad game grrr kind of way but like. my life was very different the last time i played and that was only roughly a year ago. it makes me sad. i do not know if i can say things are better. but i feel lonely over the things i had then that i don't now. i miss them. not having them is making me feel lonely

[teddybeartoji]

thank you everybody who crossed their fingers and toes bc aventurine AND acheron are now both safely at home:3333333333

[ahalliance]

how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another

[alexjcrowley]

Was just given a bit of attitude about being aromantic by the only people I've told I am aromantic really trying not to hyperventilate here

[bedforddanes75]

nobody gets this pic like i do. the way the fat of georges back comes out over his jeans a tiny bit. the way his jeans fit. the tape on his arm. georges hair. his tattoos. the fact you can LITERALLY SEE HIS NIPS. his expression.

[michaelnotwheeler]

I need to sleep fr dawg

Anyway, I wish someone would do this for me

[chubote]

There are two ‘yotes inside me:

1. One that is semi sex-averse and has attachment/self-esteem/trauma issues

2. One that just wants to be a massively fat gainer slut

Also they are both demisexual

Do you see my problem