#so yeah totally

[v0idwraith]

quite frankly idgaf what Luigi Mangione’s politics are, he actually did something to make a change and that’s more than most people can say

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[spacizia]

he’s just a swinging space age bachelor man!!!!

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[dimensionzero]

so do we think gayatri took some inspiration for her style or did pavitr actually pull a motherfucking model

[terrys-min-catl]

hey, i made smth (weird)

this is so bad, that it makes it double better

[shrugsinchinese]

Day 7 of Billy Batson week! It’s a free space so I decided to do Dad!Billy 2: Electric Boogaloo. Dad son bonding out of this world

Part 1

Fics that inspired this au:

when you don’t believe, that’s why you fail by @suzukiblu

Preteen Parenting: The Marvelous misadventures of the worlds weirdest found family by @im-not-buying-it-ether

[dapper-lil-arts]

The power of goth lolita Twilight Sparkle

[gd-dollopole]

Oh, oh.

Yes.

My favourite “Merlin?” Very underrated moment, in my opinion.

[bigskyandthecoldgun]

steddie fake dating au that starts because robin’s mom keeps pushing for her and steve to get together and robin gets so fed up that she yells, “it’s not gonna happen because some people are gay, mom!”

and upon seeing the utter horror and fear on her face, steve swoops in and says he’s the one who’s gay. cue mr. and mrs. buckley, local hippies, attempting to show how supportive they are, and all the while steve gets eddie to agree to fake date to get the buckleys to prove they’re safe, so that robin will feel comfortable enough to come out to her parents.

[egophiliac]

Most unhinged moment in TWST Wonderland that made you go:

I love this game.

can I just say the entire front half of episode 7 chapter 8, because everything about it was BONKERS in the most absolutely delightful way. genuinely this might have been the funniest single update yet. we got Idia's directorial debut! big stronk Epel! and. just. gestures to the entirety of SavanaRook. (then Vil went into a spiral of murdering people that culminated in punching the manifestation of his own insecurity in the face, and that was good in an entirely different kind of way, but I digress)

if I have to pick one though, I'm gonna go with Idia's video, because 1) adorable, 2) seriously just look at it, and 3) I did legit have to replay that subchapter on account of laughing over most of it the first time. truly Idia is the artistic genius of our generation.

[turtleblogatlast]

One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.

It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.

Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[umblrspectrum]

i got lazy in the second panel and didnt feel like coloring or whatever bite me

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[airoarts]

"yellowfang? what are you doing in bluestars den? well its none of my business" -fireheart, probably

[ID: a digital painting of Bluestar and Yellowfang, two battle-scarred gray cats, from Warrior Cats. They are cuddling in loaf positions in a den with sunlight streaming in, looking towards the entrance with slight smirks. The image is drawn in a semi-realistic art style with soft colors and shading. End ID]