#so yeah this is very appreciated!!

[flowersandfashion]

hot twink is tied up and penetrated

A Collection of Homoerotic Paintings of Saint Sebastian

Carlo Saraceni, c. 1610 /// Nicolas Régnier, c. 1620 /// Guido Reni, c. 1625 /// Nicolas Régnier, c. 1625 /// Louis Finson, c. 1613 /// François-Guillaume Ménageot, c. 1760 /// Guido Reni, c. 1615 /// Nicolas Régnier, c. 1620

[say-al0e]

Hi! I’ve been reading your fics for a while and I just wanted to say that you’re such an amazing writer <3. I loved the most recent hangman fic! I’m too anxious to come off anon but I just wanted to let you know how excited I get whenever I see one of your fics because I know it’s gonna be good lol

Not gonna lie. I had a Very rough morning and getting this made me tear up a little. It’s very much appreciated!!! You’re wonderful and I hope you had a wonderful day!!

[chloesimaginationthings]

HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333

The worst man ever 💜

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[stark-lord]

Side A

[torchstelechos]

I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.

[gallusgalluss]

hey Hey i'm shouting out this new Bugsnax Wiki (The Bugapedia) by @betterdonutgalaxy, separate from the Fandom/Wikia wiki! Go check it out n help contribute some stuff if ur able to!!

[arcanegifs]

God, I'm (yet again) exhausted. What a show. I will say, flaws and all, it's still one of the best animated series I've watched. Ever. No, I don't think it deserves the vitriol it's getting on social media.

I have a LOT of emotions right now. I don't think I'm even thinking straight after watching through everything once. It definitely needs to be re-watched multiple times. No, I'm not offering any kind of insights or anything like that. I think I'm just too emotional seeing my favorite show end.

I really wanna thank the writers, directors, artists, animators, producers, and everyone else who worked on this show for this work of art. It was beautiful, and it's why I love making gifs of this show.

And just because this show has ended, doesn't mean I'll stop making things. There's two whole seasons to work with now. I hope I can have enough free time to post regularly. I still need to make some 8k wallpapers and a ton of gifs haha.

I'll take a break and sleep for now. I'll see what I can make when I wake up tomorrow. I have so many things I want to do, but I also feel like crap and I too, have a life LMAO.

Oh, and I'm still looking forward to the next stories that they tell us! Runeterra truly has amazing lore. Excited to see what's next!

Thank you for all the likes, reblogs, and support you guys give to my lil sideblog! I appreciate you guys so much <3

[gotchibam]

Chespin art raffle doodle reward for Frebbo! 💚💚💚

You can join my monthly art raffle by being a member on one of my ko-fi tiers 😊

[blackbatcass]

listen I know it’s kind of corny and inaccurate to act like every single person in the dc universe knows each other and is besties but it IS endlessly funny to me to follow the web of connections and see how many degrees removed from each other everyone is.

like look at the arrowfam okay. ollie and dinah are together, ollie is homoerotic best friends with hal, dinah is homoerotic best friends with babs. roy is dating dick, has a kid with jade, and is basically an adoptive father to both grant emerson and rose wilson. connor is dating kyle and is constantly followed around by eddie fyers. mia is friends with a lot of the second gen teen titans kids, had an on-again-off-again thing going on with steph for a while, and is currently dating sienna. emiko is besties with courtney and some of the other recent teen titans. sin has a small army of protective aunts from the birds of prey. the real question is how far does it go before ollie puts a cap on the number of people who are invited to family brunch on sundays

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[royalarchivist]

Pac: [Sighs] I'm trying to find someone, a person who's– a good person, a good person, a partner–

JV: No no! You only want bad people, Pac. Sorry, sorry.

Pac: No, I get it. And actually, I– I actually– I want someone to harm me, Fun. I want someone to hurt me– I want to have regrets, you know? I want it.

Fun: Wait, wait– A "she" or "he" or "whatever"? Hold on, I'll put whatever–

Pac: Whoever, whatever. ❤️💜💙

[ Full Subtitle Transcript ↓ ]

—

Fun: What's this?

Pac: This is it! Let's see- let's see if I stop being single, right guys? I'm trying, right? The party brings new opportunities to appear and everything, right?

Fun: Ah, you're trying to stop being single?* What's your type? Let me– let me be Tinder, dude.

Pac: I am–

Fun: Your type.

Pac: [Sighs] I'm trying to find someone, a person who's– a good person, a good person, a partner–

JV: No no!

Pac: What?

JV: You only want bad people, Pac. Sorry, sorry.

Pac: No, I get it. And actually, I– I actually– I want someone to harm me, Fun. I want someone to hurt me– I want to have regrets, you know? I want it.

Fun: Wait, wait– A "she" or "he" or "whatever"? Hold on, I'll put whatever–

Pac: Whoever, whatever.

Fun: "Whoever," then. Freaky or crazy, a vibe like that?

Pac: Yeah, exactly. You get it?

GuhZera: I like that vibe, I like that "crazy" vibe.

Translation notes:

* Fun uses the verb "encalhar" here, which is colloquially used to mean "to stay single," especially for women.

[cementcornfield]

[Zac] was just trying to tell me to be happy with the win, and I appreciate that about him. Because I can get lost in, just like everybody can, you get lost in the adversity of the season. You can't take winning for granted and I've tried to get better at that.

[moeblob]

Impulsively shoving a guy's hand in your mouth after having the thought "oh just like when my little sister used to prick herself on a rose thorn" and then immediately being treated like a pet who ate something they shouldn't have? Wonderful. Thank you, Thane.

(also not pictured is Thane apparently trying to scrape your tongue with his hand BEFORE pouring the holy water down your throat because NO. BAD.)

[friszil]

the golden ratio

[viveela]

If you draw dip i woul be sooooooo happy

So I like to imagine Damien likes to fill in Pip about what happens back on Earth