#so this is kind of rushed

[artsymeeshee]

Thinking about the idea I had a LONG time ago about Mabel sending motivational and complimenting stickers for the boys and Ford saving a “write your own message” one just for Stan and had to draw it.

[thestuffedalligator]

So usually when an imaginary friend is a real thing in a story, it’s either a demon or a ghost or some supernatural boogeyman that probably wants to eat the kid they’ve befriended (Mama, a couple of the Paranormal Activity movies), or “imaginary friends” are just treated as a real thing in the setting, and if a child just thinks hard enough they can manifest a friend into existence (Foster’s Home for Imaginary Friends, Happy).

And somewhere in the middle is an area where the imaginary friend in question is real and they are supernatural, but they aren’t malevolent, and they aren’t entirely honest about what they are. Like maybe they’re a fairy or a god or some kind of boggle from mythology, but they just got caught by a six year old and they don’t have time to get into it, so they just go “…Yes. I’m your imaginary friend. We haven’t met. How do you do.” And then they stick around because they do love this kid, and if you’re a boggle from mythology in the modern day good food is really hard to come by.

And at some level. That’s what I think Hobbes is.

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[chubsette]

Feedist Kinktober '24: Day 10 🌕 Full Moon

[wacuoms]

[sunny4youu]

haha I think they're gay

[drinkinggblood]

i made this in legit 30 mins after watching the final ep of s2

[s0fter-sin]

the 141 recovering brainwashed!soap but he’s just a shell of his former self; never speaking, never moving without orders. he never even blinks; just stares straight ahead with his unnatural green eyes.

empty.

but ghost can't accept that.

price and gaz can't stand watching ghost torture himself day after day; visiting soap in his cell for hours at a time, trying anything he can think of to bring back his sergeant.

he shows him pictures of the 141 but soap thinks he's being given targets and moves to eliminate them before ghost stops him. he brings him his journal, tries to trigger his innermost thoughts and feelings he never shared with any of them, but after he reads it, soap summarises it like he's giving a mission briefing. impersonal.

cold.

it's late when ghost finally calls it; low and defeated after another long day of being stared at with eyes that don't see him. he isn't thinking when he pulls his mask off and harshly scrubs over his face, grinding his palm into his eye.

"don't worry, johnny; we're still fixin' each other's problems," he promises, little more than a whisper as he tries to summon the energy to leave johnny behind. again.

he pushes himself to his feet, his hand on the door handle when-

"what's my problem?"

ghost freezes, something like grief - something achingly closer to hope - chilling him. he slowly turns and though soap is still starring ahead, there's a faint light in his altered green eyes.

"the mask," he forces out. "take it off."

he knows there's no way to remove the mask - the muzzle - from his sergeant's face. it's too high-tech, even for them; the biometric scanner too advanced for any bypass they know of.

it's just another way he's failed him; bringing him home still bound in their enemy's chains.

soap- jolts; a sharp, almost painful looking flinch jerking his body.

"show my face?" and his voice has changed; no longer the monotone delivery that's haunted ghost's every waking moment.

it's smaller. uncertain. recollection of a memory half-destroyed.

"yes, johnny," he breathes.

soap moves unprompted for the first time since they found him; running his finger along the edge of the muzzle where his skin bulges from the pressure, half-visible scars hidden beneath the harsh metal.

"ugly," he murmurs.

ghost immediately shakes his head, almost stumbling back to the table; haphazardly throwing his mask on it. "quite the opposite," he insists.

it doesn't matter if he has no lower jaw left at all; johnny could never be ugly in his eyes.

agonisingly slowly, soap's eyes shift to the mask. he takes in the balaclava and hard shell skull like for all the times he's looked at it since his rescue, he never truly saw it. his lids fall in less of a blink and more stage curtains closing; slow, heavy, requiring effort and no small amount of strength to open once more

"good... to see you again..." he trails off, his hand shifting up to the top of his shaved head; nails digging unforgivingly into his scalp

"simon," ghost finishes for him; that horrid grieving hope tearing at his heart

soap's fingers flex and a drop of blood trails down his forehead, over the ridge of his nose to catch on the muzzle. "s-simon..."

his nails dig deeper, the drop falling to the table just to be followed by more and ghost aches to stop him but he's terrified to interrupt him. terrified to lose him now when he's so close to something.

soap's bloodied nails scratch down the crown of his head, following the line of his stolen mohawk until they come to rest on the back of the muzzle and ghost's heart drops.

they can’t get it off.

they can't get it off and he doesn't know how to explain that to soap; doesn't know if he can stomach watching soap pull at the monstrosity holding him captive, the inevitable bloodbath as the edges cut into his skin.

"show my face," soap repeats.

"johnny..." ghost begins weakly, reaching out to him but he doesn't know how, doesn't know if he even should-

the muzzle clatters onto the table.

the biometrics they couldn't bypass, the fingerprint they needed that they were so sure belonged to makarov.

it belonged to soap.

how cruel to torture him with freedom he didn't understand he could take; didn't even understand he could want.

just the kind of sick game makarov loves.

ghost doesn't know what's louder; his heart pounding in his ears or the long, uninhibited breath soap takes.

his eyes fall shut as he leans his head back with it, the blood still dripping down his face as he straightens through his exhale. his lower jaw is a mess of scars where he fought against the previous iterations of the muzzle, the corners of his lips cut through and cracked.

but the green in his eyes is duller; that light sparking brighter as blue struggles to break through the glow.

ghost's never seen anything so beautiful.

"good to see you again, johnny."

[dopepoisonivyoncrack]

Shar and Shadowheart (Baldur's Gate 3) Traditional art (colored pencils + gold acrylic, so the gold parts shine irl). Sketch here. Please click for better quality

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[kaddyssammlung]

Heartstopper (Netflix Season 3)

[idlechili]

i read somewhere on the gravity falls wiki that Fiddleford stands on his head to think and come up with new ideas and I had to draw a silly comic of him doing that exact thing. Featuring some sketches (and one of him falling over lol)

I love him so

[biggest-gaudiest-patronuses]

self-love is me resisting the urge to eat the leftovers I have in the fridge as a bedtime snack, out of compassion and adoration for future-me, who deserves to wake up in the morning and eat something delicious without having to cook it first

[journey-to-the-attic]

NOW I'M MUMBLING AND I'M SCREAMING

AND I DON'T KNOW WHAT I'M SINGING

[ninjigma]

QuinObi Week Part 5/5 - First / Previous / Bonus

Day 5: Desert Husbands Track: 'We Belong' - Pat Benatar (Spotify / YouTube)

They belong together~

One final kiss to make it a kiss for every day of QuinObi Week! This was so much fun to once again be a part of, I already can’t wait for next year :3

I hope you all enjoyed the week as much as I did! And if you liked these be sure to check out the other works shared on the blog below!

@quinobiweek

[pretzlforpresident]

Sonadowtober day 3: Accident

Organized by @sonadowtober :>