#so there isn't that much romance
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lilllithdraagon · 23 days ago
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HIYA!!!
So we wrote a thing. No, it isn't Book 3 of The Path Not Taken, though that is still under construction.
*throws fic onto the internet*
It's stupid, and crack-y, and we love it. We hope it eases someone's boredom in the lead up to the Veilguard release. Enjoy.
Full tags and description below the cut.
Five Minutes to Doomsday (5571 words) by Heldpeach, LilllithDraagon Chapters: 1/1 Fandom: Dragon Age: The Veilguard (Video Game), Dragon Age: Inquisition, Dragon Age (Video Games) Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence, Major Character Death Relationships: Solas (Dragon Age)/Original Character(s) Characters: Varric Tethras, Rook (Dragon Age), Solas (Dragon Age), Original Female Character(s) Additional Tags: Time Loop, Wish Gone Wrong, Never trust the fae, Crack, Based soley off the gameplay trailer, Alternate Universe, Alternate Universe - Canon Divergence, no beta we die, Author Is Sleep Deprived, Sorry Not Sorry, One Shot, The characters have lost the plot, Weird Plot Shit, It's sorta edited, good enough, Not representitive of our best work but you know it is what it is, Mia is a dumpster fire and we lit it Series: Part 2 of Silly Little Oneshots Summary: Mia made a wish. Wish granted. Shenanigans ensue. Spoiler warning: Gameplay reveal trailer for Dragon Age: The Veilguard
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batman-gif · 4 months ago
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"Frank and Gerard early 2000's stage kisses" this "Frank and Gerard early 2000's stage kisses" that. LISTEN! 2022 Ray and Frank forehead kisses. In conclusion . Frank iero.
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krazieka2 · 4 months ago
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Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)
#double bonus can you identify the 2 or 3 fe3h characters that AREN'T in the scene?#i say 2 or 3 but i probably forgot more :( im using you people to check my work#fe3h#carrying over my posts from twitter choo chooooo#fireemblem#im not going to tag everyone but you're welcome too! good luck!!#instead let me tell you about the mini narratives i came up with while drawing this#soren is waiting for Ike to get back with food#seteth just noticed flayn dancing WITH A BOY from afar#rhea was supposed to sing but got superseded (she's okay with it actually)#monica and ferdinand are trying to start a dance off with edelgard and hubert (its not working)#Ashe stepped on Annette's toes and is freaking out. Lorenz is trying to give pointers but it's only sort of helping#balthus absolutely stole some of the betting pool money. i think i forgot to ink the coins falling out of his hands! dang#metody and shahid are going to become great friends and have a wirlwind romance before one betrays the other in a cutthroat fashion#Lysithea left a single cake slice on the table and Miklan is just happy to have gotten his before she showed up#ike and leopold had a flex off#Gilbert is stuck between young lovers this isn't a narrative i just think it's funny#oh and of course Sylvain managing to piss off Sera Charlotte and Maribelle while Felix ignored him and Ingrid looks on#that's supposed to be roy not eliwood btw i forgot to color his headband so it's basically eliwood#that's all i can think of rn but if you played#thank you!!! i hope you had fun#this was SO much fun to make thank you to the mods for facilitating me#haha this post has been up for 20 minutes and people are already pointing out so many characters I forgot. ur keeping me humble
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vampyfrnk · 4 months ago
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happy birthday ray toro! - july 15th, 1977
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redysetdare · 11 months ago
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I think queer stories would be better if people stopped assuming that queer representation hinges on if two characters are romantically involved at all. Like the moment you accept characters as being queer without needing romance to prove said queerness then i think we'd find ourselves with a lot more unique, nuanced, and interesting queer stories. but by limiting queerness to only romance you are stifling queer stories.
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poorly-drawn-mdzs · 7 months ago
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Assisting Acquaintance Acquired.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen ning#wei wuxian#Ignore how Wen Ning's hair looks here because I messed it up. Let's pretend he just sported a different hair style for a brief moment.#I am not exactly great at consistency but I am trying very hard to work on that (immediately messes up again).#Absolutely *love* how Wen Ning clearly remembers and admires WWX...who does *not* recognize him.#This is the best day for Wen Ning and it means *nothing* to WWX. A painful one-sided crush made worse.#It is bittersweet to realize that we care about someone more than they care about us. Sometime we pour love into a relationship-#-with someone who just can't reciprocate. It isn't always a conscious things either. Some people just aren't aware we care.#And painfully - so painfully - You can't make them aware. No act of kindness or gift or self sacrifice will make someone care about you.#You can martyr yourself for someone and they will continue on unchanged.#I think a lot about the parallels between WN and LWJ. Not foils - just reflections. A theme repeated.#People who give so much of themselves to someone who doesn't have the capacity to give any part of themself away.#I will die on the hill of 'Wen Ning would be the love triangle romance if that trope wasn't being avoided'.#And to be honest - thank the stars above that is the case. I do not know any good love triangles in media.#We are skipping some of the sad Jiang Cheng content because I really want to finish season 2 before May.#Sorry JC emo moment lovers...I'll deliver another time.
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willowser · 7 months ago
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in a way that i think katsuki can be flustered by intimacy, i think shouto is just plain as day curious.
situations like when you're pressed up against each other on a busy train car, leaning into a familiar touch rather than the unknown, i think shouto has no qualms about being so obvious. you glance up at him shyly, heat burning down your chest, and he's just looking at you, open and unashamed.
so close that you can see him catalogue you, explore in ways he maybe never has before; eyes flitting over the width of your nose and the curve of your lips and your each individual lash. just learning, in the most innocent and interested manner, the new bits of you he'll think of when you're not together.
i think in moments like this that could be deemed romantic—two people in their quiet corner, staring so deeply into the other's face, a breath apart—he's easily engaged, but i don't know if he realizes the significance of it. why it means what it means and why it will affect him uniquely, later on. all the lines you're crossing.
that's also why being kissed by him comes as a complete surprise to you, because i don't think he's planning any of it. he just wants to know, is all, and there's plenty to figure out, with you.
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simplydnp · 4 months ago
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There’s something so beautifully heartbreaking about the man who’s so anti fate/destiny being forced to believe in those things bc he has someone that loves him so deeply and unbelievably 🥺🥺🥺🥺
see, i don't think it's just that someone loves his whole, authentic self. i think it's that he loves them back. equally. it's that they're in this together and it feels like they always have been. it's how life never started for him before this. it's that love is nebulous and unfathomable and unreachable, and yet, he's gotten a taste. it's that, when the universe was created, every single neutron in existence was formed. and all the ones that eventually became you and me, were together. what explanation do you have for praying to a god that's not listening to fix you, to take this all away, to make you better--and someone offers you a hand. and a smile. and sure they help you up but you climbed out of there goddammit. you put this work in, side by side. you've fought every battle together. faced every crowd. sacrificed. and you're coming up on spending more life on earth with them than without. and without thinking or asking; you've already got the next twenty planned. how can you rationalize the fact that you were on the same planet, at the same time, in the same place, if it wasn't meant to be? there's billions of people here and there's been billions before. but your person knows you better than you know yourself. and you love them more than anything. how can you ignore that they're your perfect half--from interests to opinions to humour. how do you miss the way a room lights up with both of you there. how it feels like magic. and no one else will ever understand. how can you stop the feeling in your chest. of when you know in every universe, you'd end up here.
you can't.
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flowerakatsuka · 7 days ago
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✨💙 beneath the lanterns, we’ll meet 💙✨
weiward romance has been stuck in my head all day and i've really been wanting to redraw one of the frames from it w/ kara's m.league fit...
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shmaroace · 2 years ago
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romo aros, low-empathy aros, romance-repulsed aros, romance-favorable aros, loveless/lovequeer aros, and aros in relationships are all valid parts of the aromantic community! one is not better than the other and one is not "more aromantic" than the other!!
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welcometogrouchland · 2 years ago
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Also I am. Constantly forgetting how fucking funny Hunter is. We never give him enough credit for how funny he is because his life is so fucked up but I swear 90% of his lines are just bit after bit after bit. He's not even trying either. Anytime he actively tries to make a joke it falls flat but if you just put him in a Scenario he'll find a way to be so over invested and yet out of touch/at odds with whatever's going on. He's so autistic
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral. 
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 
Now, look… you might think I’m going somewhere not great with this but hear me out. 
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
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bixels · 10 months ago
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Looking for good romance fics on fimfiction is such a mental endurance task because most of them will be stuff you're not interested in, a good number will be child x adult crap (usually Spike), and then a handful is maybe the worst, most abhorrent and disgusting premise you've ever heard of and they'll have, like, 400 likes. And I'll think to myself, hm. Maybe I don't wanna associate myself with this fandom.
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chemical-ghoul · 6 months ago
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ray toro put ur music back on spotify... yk you want to...
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undead-moth · 4 months ago
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
#The Bear#SydCarmy#I was like a casual fan of this show two days ago#and now seeing how little respect this show gets from it's fanbase I'm losing my mind#I mean I shipped SydCarmy before anyway but now it means so much to me#it means so much to see such a realistic and purposefully well paced romance take place#so many shows portray romantic relationships and their beginnings in ways that just don't really happen in real life#and this show very purposefully said no. These are characters who are strangers. who are working together. Who are in a tense environment#and each of them has problems - one of them the type of problems that makes developing new relationships pretty difficult#these two would not get together right away. It would take a long time. And there would be ups and downs.#And even when that's the case. Even if when it takes a long time and doesn't go smoothly and is hard -#it can still be beautiful. It can still be romantic. It can still happen and here's how#and I'm just so inspired genuinely. It is so difficult to write romance without being cliche and so difficult to write it in a way that#could actually happen in real life and I really do hope I can write something half as good some day#and then to know so many people have no appreciation for it at all#because they prefer the shows that have characters make eye contact a few times and then confess their love for each other like#it's just fucking sad. So sad that so few people have any appreciation for good writing especially the difficult of romance writing#like I really just don't even know what to tell you. In real life these two would not have confessed to each other yet. They would not have#kissed yet. They would not have even realized they have feelings for each other yet because those feelings would still be developing#and I also want to point out that given the disparity in power between Syd and Carmy in season 1 it wouldn't have been healthy for them to#get together much sooner. He was her boss. He was also her idol. Before they can even get together that needs to be balanced out.#And then on top of that don't you see the value in Carmy realizing the dream girl he's romanticized in his head - Claire - isn't actually#what he wants? Don't you see the beauty in him being disillusioned from that? And realizing that Syd is what he wants?#Don't you see the beauty in Syd having an idealized vision of what Carmy The Great Chef is like realizing she was wrong and that he's human#and flawed and then realizing - she loves him anyway? She loves him more for not being on a pedestal and for having his flaws?#Are you telling me that even thinking about this doesn't move you? Doesn't make your heart ache a little?#And again - ship and let ship - but what is Luca? What is Luca if not just what she was hoping Carmy would be when she wen to The Beef?#What is he if not just another man who she has not seen under pressure yet? Not seen reliving trauma yet? Not been her boss yet?#It's easy to look at him and think he's better than Carmy - and that's the point. That's the point The Bear is making.#It is easy to want someone you don't know. It's hard to want to someone you do know. But that's what love requires and that's the point
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redysetdare · 8 months ago
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Some of you will see a character that is actively repulsed by romance/sex and heavily non-partner coded (sometimes they even actively just say that they do not want a relationship!) and y'all will still respond with "But aros/aces can still date and have sex!!" like okay bud it'd be so much easier for you to say you don't respect repulsed and non-partnering aros and aces. stop beating around the bush trying to pretend to be oh so supportive when you obviously feel uncomfortable about our existence even in fiction.
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