#so the voice acting is... what it is

[idaten-jump]

https://drive.google.com/drive/folders/15GjiUnYQzT557Tax9J9ZvZvt79aT2P5k?usp=drive_link please share this link it have idaten jump episode 1 to 3 , 5, 7, 8, 11, 12 , 13, 15, 16 in english organized by Mr. H

Thank you so very much for sharing this with us! It is much appreciated!

[paper-mario-wiki]

Hi could you please dub over jerma clips in japanese please

why?

okay

[bunnieswithknives]

Mostly familiar stuff, but I'm doing my best to keep it interesting ! Dorothy was surprisingly hard to draw at first, but really fun and cute once I figured her out :3

[Prev][Next]

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x01 - “Heavy is the Crown”

[fandommothfreak]

Something that really got me this episode is how Ochako responded when Himiko finally opened up to her.

Himiko says she falls in love easily, because everyone has beautiful blood running inside of them, and Ochako hums, because she's listening. Himiko says she was told not to smile, that she was jealous, and Ochako hums, shakier this time, because she's listening. Himiko tells her about the boy she liked, about her fear of being seen as something inhuman, about how she joined the League of Villains so she could live unapologetically as herself, and Ochako reaches out to her. Brushes the darkness away. Tells her she has a wonderful smile.

And then we get the quintessential Togachako scene and it hits so hard. And a lot of that is because of the buildup - because of Ochako's desperate need to reach out, to touch, to listen (and, god, the way her voice breaks when she begs Himiko to talk to her), because of the catharsis when Himiko finally opens up, how soft her voice gets, how softly Ochako responds to her. I don't even know where I'm going with this. I'm just in awe. This episode ripped me apart.

And the stark contrast between Ochako and the monsters in Himiko's past. The lack of judgement. The way she embraces her, comforts her, understands her, despite everything. She really does touch the sadness inside of her, feels for her like no one else has. Honestly calls her beautiful, calls her cute, because, to Ochako, Himiko really is the cutest girl in the whole world.

I don't know how to end this post. I'm just. Feelings.

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[creeping-sense-of-oh-fuck]

Here's the thing though. The people who say they saw Jon watching them in their dreams didn't say anything about a monster version of him with glowing eyes or many eyes or floating or whatever.

I love a good monster Jon design but just think THINK about how scary it is that he isn't. You met a fairly normal guy once and you told him the worst thing that ever happened to you. Now that man is there staring blankly while you suffer, over and over. You don't understand why it's happening. There's nothing you can do. The man is still out there, somewhere.

[birdy-babe]

I know this is so crazy obvious but I just LOVE comparing the pilot to the newest episodes… the designs… the improvements.. the changes

Mostly with blitz

BUT ESPECIALLY WITH STOLAS

This bird and his dramatic draping himself upon couches

[vnknowcrow]

Random fact abt the fo4 va's: both Peter jessop's (danse) and Keythe Farley's (Kellogg) kids played fallout 4, Keythe's kid would come back from school and tell his dad "my friends killed you in the game and it was so bloody and violent!!!" Frequently after the game was released and Peter would walk up behind his kids while they played fallout 4 and say random paladin danse dialogues in their ears to scare them

[emacrow]

Siren song of Space by emacrow/the og prompt creator

The assignment has gone all type of wrong for the justice league.

They were investigating a mass sudden disappears of a town called Amity Park after finding out a neglectful person(*cough cough* flash*cough*) thought they were prank calling about ghosts and some group called GIW until John Constantine heard one of the voicemails.

The area where Amity Park was now a Mass ocean that looked like galaxy was dipped into it even if it was daytime and fog covered the greenish tint sky inside the Barrier.

This was deep world ending shit, but unfortunately, none of the adults could even enter at all nor high tech ships not even John constantine could pass through, but old wooden ships with food supples can easily slipped through, along with the except J'onn.

Who tried float a foot deeper in without gripping his head from the pure mass empathetic overload and pushed back out by an unknown force, going through an internal shock until one curious Robin tried stepping a foot in and successfully went through, stepping on the ship easily.

Seeing that only kids and teenagers could go leads to mass arguments between the Justice league until John cut in that the abnormal sea space dome is expanding, sucking in more ground until the very earth itself is swallowed whole.

Grumbly, internally, Batman called in the young justice league, teen titans, and a few robins to find what had happened and come back in 1 hour.

Now, the entire young justice league, main teen titans, and robins were on a wooden ship sail into the space like sea.

Cyborg and blue beetle had to stay behind due to being mostly technology along with miss Martian who might also had the dame reaction as J'onn earlier as Red Robins pulled the sail with a compass, Starfire, Raven, Super girl, Super boy and Tranformed eagle Beastboy flies around as the scout.

Aqualad couldn't get in the water the moment he tried to stick his head only to immediately pull away gasping for air. This water was too dense yet suffocating like space itself submerged in it.

Kid flash helps around with arrangements, tying up knots and untying when the wind blown hard with the help of bat girl, robin, and Artemis

The only sound they could hear was the sea roaring, the ship creaking with each wave they sail over, and an odd electric sound buzzing around, as the ominous greenish fog seemed to roll in.

Starfire, Super Boy, Super girl, Raven, and Beastboy flies back onto the ship the moment their vision was blurring by the Fogs. Super boy and girl couldn't detect any other elses' heartbeats others than their group, and that alone sent chills of what could have happened to the Amity Park residents.

The sense of danger was shivering up everyone's backs as they could hear a voice, low and quiet, that began to grow louder.

Beautiful like yet haunting young male voice that nearly pulled their attention towards as Raven yelled at them to cover their ears with ears plugs from one of the wooden boxes now.

Something massive white was swimming in the star filled sea near their ship.

There couldn't be anything alive in this sea, but their eyes couldn't betray what they have saw.

It was humanoid, with multiple arms with webbed fingers with white massive hair longer then foot ball station, a large slender body that had thousands upon thousands of green spots and hundreds scars too neat and professional align to be normal cut and a very long tail with shredded fins.

Super boy and Girl eyes widen seeing that the green spot weren't for show as they were bubbles with people sleeping, encased, young and old, most of them were green colored or off color humaniod while the rest were living human people asleep.

They all kept their ears shut with the ear plugs, But super boy and Girl could still hear the most beautiful yet haunting voice that sound like a Siren enchanting his next victim.

Red Robin could see Super boy swaying in a dazed like state while Super girl looking enchanted nearly floating, motion the others to help tied the two to the pole with lightly laced Kyptonite rope to stop them from going over board toward the Entity.

Raven could see that this was likely the Entity that trapped the Residents of Amity parks, but the questions remains as how it got here and why this space dome was here.

Bat girl was signing that this creature seemed desperate, hurt, confused, traumatized, hopelessly scared, yet dazed in some typed of trance like over protective like state.

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[the-meme-monarch]

sorry if this is Damn Incoherent or missing anything Glaring as i haven't seen Everything there is to see from the christmas event. anyway. i know i'm just making shit up based on my own oc-verse when it comes to delilah and toon creation and the effect it's had on her but like. i don't think i want her to be Just Evil. they said dandy isn't Just Evil so it just feels a little wrong to me that 'but there Will be a Just Evil one'. like i certainly see how she's shaping up to be The Villain in the way she's talked abt Particularly the holiday toons in the christmas event and giving All of the toons like. Experiment Number Designations. and maybe being the reason dandy can Go Twisted. but arthur seems to have a lot of trust in her and I don't want to believe it's just Him Being Naive.

(the following is headcanons territory) I like to think arthur and delilah have been friends for a long time and he like. just Gets her way of speaking and acting. she comes off very cold and clinical, she's so Guarded and these walls Barely come down but he Understands her. and inversely she cares A Lot about what he's passionate about. she admires his kindness and trust and unapologetic love for everything around him. she made the toons Real for him bc his show is important to him and she wanted to help him. i think she also cares about the toons but she doesn't quite see them the same as arthur does. she cares about them bc arthur cares about them, not exactly bc She Cares About Them Independently Of Arthur. she thinks it's really cool she was able to do this but yeah. they're a Feat to her first and foremost

and with my headcanons about toon creation, making a toon real is Physically making your investment of something intangible into an independently living thinking fully formed Thing capable of motor function and speech right out the gate. it wears on your soul bc it Came from there, it is borrowing bits of your heart and brain. i think with making like 28 and counting there's not much of her soul Left at this point. i think that's made her 'worse'. i think that's made her think 'it's a waste of resources' about the holiday toons disappearing and to 'think of it as a good thing' about them finding corners to die in like a spider of malnutrition in your bedroom. i think it has all Worn Away her identity and sense of self or sense of Care. and this isn't even factoring in whatever the fuck THE ICHOR has to do with anything bc I don't even Know what it is. but i Don't think it really helped anything. i just think she's like. a sick sick husk of herself by the time gardenview shuts down.

[whirlybirbs]

tbh i have a running gag in my head about the mha heroes + late night talk shows, but all i can really muster rn is: dynamight and sabrina carpenter on snl.

[createandconstruct]

Thinking about Peter's absolute cry of anguish after the final boss battle when he finds Harry unresponsive. Thinking about how all he can say is I'm sorry. Thinking about the fact that in Peter's head it was him at May's side sobbing I'm sorry. Thinking about how "with great power comes great responsibility" can never be separated from the guilt Peter feels. Thinking about how that guilt extends to May. How it extends to Ben. How it cripples Peter so much that he tells Miles that he can't do this again. Thinking about Peter's voice as he'd begged Harry to fight - pleaded with him to not make him do this. Thinking about how when consumed with the symbiote Peter had screeched out I'm the hero, I don't get saved! Thinking about how that's not just pride, how that's not just responsibility, how it's guilt. How it's always been Peter and the weight of the world, the life of his loved ones, and their blood on his hands. And now it's Harry's and Peter just breaks. Always the hero, he's done the right thing, but this time it's the last straw. His best friend. The last sacrifice Peter Parker can take...

...and it's then... that Miles saves him.

[poorly-drawn-mdzs]

MDZS Disco Elysium AU part 2 - Psyche Skills

Part 1 - Part 3

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!