#so the symbolism would be more effective

[jacketpotatoo]

abandoned wip because I got too impatient and was too vague with the sketch before starting to colour :’)

[akkivee]

if we’re getting to use abilities in hypdream, my biggest hope is that they define what all dice’s speaker combinations can do like in the manga:

3 posse stars allows for all three of them to use a combined attack as pictured above

3 lightning bolts give an attack boost to dice

3$even gives the team 10x their power for an attack boost

2 sevens and a lightning bolt results in his speakers attacking his team, and maybe you can infer any miss will provide the same result

2 sevens and a posse star is typically a dud but there’s a 1/8192 chance of a reroll with that particular dud lol

and i’m so curious if there’s more and if they’ve implemented them LOL

[artheresy]

Just saw the Black Swan trailer and I adore it. It's giving me very similar vibes to Blade and Kafka's trailers, in which it is very atmospheric, not afraid to play around with visual effects and certain cues in order to establish a feeling, very strong color choices like if you notice those trailers it seems like they're basked in certain colored light sources which I adore, and the music ties in so well with the video, managing to stand out while also not obscuring or taking away from what any of the characters are saying. I really loved it, I am WAITING for Black Swan's theme to be released in full to listen to, C'mon hoyomix where's that album. All around I just love it

There is one thing I'll say... and it's not necessarily about the trailer more about Black Swan herself and her design, and it's that I think her design and concept for me at least (very important to emphasize that this is based on my own taste and thoughts) would be like 10 times more effectively esp in conveying her mysterious nature if her eyes were obstructed. I do plan to explain that more in a later post, but yeah I think she'd fit the mysterious bill a bit more if her eyes were covered somehow

[recallback-art]

Remembered I wanted to post this individually and don't think I already did.

It's always a storm out where faceless beasts prowl.

[lamina-tsrif]

*thinks abt the connection between sanji n dirk through heart* *thiks about the connection between sanji and jane through life*

[dutybcrne]

Me, attempting workin on drafts yet again: :)

My brain: What if the blue-eyed Khaenri'ahns are the ones who can have Abyssal affinity/abilities and the red-eyed ones are able to Domain Expansion, then my Kae who has both-

[mightaswelljxmp]

hm ok so interestingly, bdubs’s courthouse is built on an odd number of blocks. note the roof of the facade coming to a point, but more importantly, the nine pillars….

you don’t use an odd number of pillars. like ever.

let me get this out of the way first: i get why you’d build with odd numbers in minecraft. i usually do it myself, to not run into problems like double doors or two-wide pointed roofs or frustrating spacing/symmetry between decorative elements. however. to not even out the design of something so unequivocally done in every other example of columns and pillars…. fascinating implications…

every other example guys. every other building with columns like this has an even number of them.

doing so sets the line of symmetry at an invisible point between two pillars, an even number on each side. but an odd total number of pillars makes the central pillar itself the line of symmetry. this does a couple things.

one, it upends the sense of community and equality. which i know sounds crazy, but really, a group of columns are all put there to hold up a structure. there’s no focus on one because they are all are working as supports.

symbolically, at least when first used in ancient greece, pillars represented people. and it makes sense for courthouses, especially, to want to show an even, fair, equal number of people on each side. no focus on any one, no inherent bias right off the bat just looking at it.

with an odd number of pillars, though, one will always be placed front and center.

and THEN. and then you walk in the courtroom itself (also odd-numbered blocks) and you are immediately opposite the judge, bdubs, located exactly centrally. and true, courtrooms are often set up like this anyway. but bdubs ups the ante and reaffirms that no, focus is on him by staging it all as a daytime court show, boom mic just over his head, cameras pointed in, spotlights on him.

literally by design, it was not built for justice. it’s built for show, for entertainment. and just look at the credits to know exactly what sort of message you’re supposed to be getting from this show.

the biblical story he used, with king solomon. it’s about king solomon. isn’t really about the trial itself, or the babies, or the women. it’s about showing (off) how wise and just he is. that’s the point. hm. interesting.

now, getting to the second point that etho also picked up on: it feels like a prison.

it’s not just the color palette. when your eyes naturally draw to the center point, you aren’t seeing an open space. instead of feeling like an arch or gateway or otherwise some kind of opening, the pillar there makes it feel closed off. the overall effect is that of prison bars. not pillars lining the entrance to a place of order or a temple. bars of a cage, a cell.

imagine the lincoln memorial were set up with 11 or 13 pillars. he’d look so much more trapped in there.

having a central pillar blocks the entrance. it’s not welcoming. you have to go around it; it’s immediately inconveniencing you. and when you go to leave, it’s there blocking you again.

this courthouse was not designed and built to be fair, nor accomodating, nor equitable, on any terms. even if unintentional, i wouldn’t call it so much coincidental as i would… subconscious.

after all, y’know. form follows function.

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[clockwayswrites]

Birds and wings and hope Part 13

Masterpost

Danny had thought hat if he finished with Frostbite early that he would spend a few days in the zone to catch up with some of the other ghosts. He hadn’t wanted to with the wings. It wasn’t that Danny was ashamed of the wings, not from the fact of having different features, but Frostbite had seemed certain that Danny was in a heavily mutable state right then. The more people that knew Phantom with wings, the more likely they were to stick as they cemented in consciousness and identity.

Or something like that.

Danny had a whole stack of reading tucked away in his chest to go through later.

Just wanting time alone, Danny had given himself somewhere between an hour and a day (time was hard to tell in the zone) to sulk among the sparks and dust that were long dead stars before forced himself to get a grip and go home. He was an adult for, well, him sake he guessed. He could deal with this.

The reading set on the left side of the coffee table with a fresh notebook next to it. It wouldn’t do to mix up this work with his actual work, so Danny was sure to pick out one with a green cover from the stash that he kept on hand of his favorite dot patterned paper notebooks. He’d draw a blob ghost or something on it later. A few color pens and a highlighter joined the little pile, set in a battered and chipped Amity Park tourist trap mug.

Sam had gotten it for Danny as a present due to the so hideous it was funny caricature of Phantom on it.

On the right side of the coffee table went a box of protein bars, electrolyte drinks, suck’em candies, and Danny’s well stocked pill container. He moved the coffee table a little closer to the couch, turned the TV on to a playlist of Mythbuster episodes, and made sure he had his favorite blanket in hand before he transformed back.

And fuck that hurt. Pain shot up Danny’s back, radiating up through his shoulders, and shooting along his Lichtenberg scars so intensely that they burned. Danny collapsed inelegantly onto the couch with a defeated whimper.

Maybe it was the wings? Did having a different set of limbs as a ghost cause transfered muscle aches to his human form? He didn’t even have muscles as a ghost, not really, but the mind was a very powerful thing and not even Frostbite was entirely sure of how exactly the two parts of a halfa effected each other.

After the worst of the pain had dulled slightly, Danny managed to toss back his medication (missing doses while Phantom never did him any good) and pulled the candies close enough that he could use them as a distraction for his senses. Slowly the muscle relaxant worked its magic and Danny became a boneless lump. The episodes of Mythbusters idly distracted him as he just let his thoughts drift over what Frostbite had said.

Frostbite was sure that there had to be a reason— or several— that Danny’s form had shifted into a bird and after retained the wings still. Frostbite felt the first step to this all, if Danny was determined to either control or to get an understanding of where this all was going, was to understand the subconscious or symbolic particulars of the change.

The why Frostbite felt was clear: Danny had been without a haunt for too long now. Yes, he accepted, the pollen may have certain accelerated matters (hence the full bird then and only the wings now), but Frostbite was admit that the change wouldn’t have been occurring at this stage if Phantom had still been the protector of Amity Park.

Phantom had a purpose in Amity Park. Phantom was a protector and guardian. That guardianship extended to a very limited range. Now that Amity Park was many, many years behind him and Danny was living in a place already full of its own protectors, the Phantom part of Danny was left adrift which allowed for this new stage of ghosthood.

Why couldn’t his ghost half just be happy with a nice long nap?

“Fuck you, Phantom,” Danny grumbled as he watched a car be vaporized upon impact on the screen. Idly Danny wondered if he could get an object up to that speed if he flew fast enough.

Several hours and several protein bars later, Danny was managing to sit up enough to start going through some of the reading Frostbite had sent and make notes. Two more episodes and delivered Indian food later, Danny scrawled on the top of a fresh page ‘The Subconscious & Symbolic Particulars of Wings’.

Why on earth and beyond did he have wings?

‘Flying’, Danny wrote first and then as many reasons he could think of why he loved flying from the freedom of it to space to the way that it felt to move through a cloud. ‘Freedom’ branched off into movement and escape and getting to become his own person without the weight of Amity. ‘Gravity’ and ‘Identity’ sprawled into transformation and his death and the million of ways that it had changed everything about his life.

It was hard to think about.

Danny turned the page.

‘Wings’. Wings and feathers. Birds. Pigeons and crows and ducks and robins. And Robins. Biblically accurate angels who created the cosmos. Hope. And always hope.

“‘Hope’ is the thing with feathers — ”

Hope and Robins and Bats.

And always hope.

Was Gotham his haunt?

Was he the thing with feathers?

---

AN: shhhhh I've been writing as my wind down before sleep. Also special prize for @stoiczee. I promise we'll see more batfam next part. Danny just needed some time to react!

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[alchemist-of-life]

I’m curious how binary cant work for admech since day 1. At first, I thought it’s just high speed alternation in frequencies of sounds to denote 0 and 1, just like how computer cable does with voltage. So I wrote a python script to convert natural language to binary code then to sound based on the idea (so that I can curse in binary in ttrpg). However, since the human auditory cortex can only distinguish sound about 20ms apart, the current commonly used binary coding method (Unicode) that requires 8 bits to encode for one letter (16 bits for one character in Mandarin) would make binary cant less efficient than natural language through the bare ear. As a result, binary cant users not only need vocal implants but also auditory implants to receive info (or perhaps cortex implants to decode). Based on these assumptions, binary cant would be able to happen in sound frequencies not perceivable by the original human cochlea so techpriests conversation can be extremely quiet. And more efficiently, just through data cables.

Or it could be the other way around, scientists might develop more efficient binary language without basing it on the symbol system of natural languages (I’m not that familiar with linguistics so I don’t know if this is possible or not).

However, the sound techpriests made in the game mechanicus doesn’t sound like my assumption. There are definitely more than 2 pitches used in the conversations (which makes it less binary...) and they seem to be faster than natural language. I still couldn’t figure out what’s happening here. Do the twisting pitches actually encode more than one bit? Is binary cant actually an analog signal encoding a digital signal? Or is the sound effect just mean to sound better for the game?

The binary curse program (turn the sound on!):

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[bossuary]

Kept thinking about this absolutely feral fandom declaring that they would obliterate Emmrich's pelvis.

The ornamentation on the back of his overcoat is a gilded representation of the iliac crest, sacrum, and coccyx of the male pelvis.

This decoration is joined to the front of the coat via deep scarlet cords, giving a nod to blood as that which connects/disconnects the mortal frame to life.

From the back, the entire coat looks like an opulent exploded diagram of a skeleton, with the spine represented as a series of buttons, and the rigid shoulder guards representing the wing-like scapulae, flared out to show the ribs:

The straps holding together the tails of the coat call back to stitches, neat but stark, like those of the wounded dead put together reverently for their final rest.

The front of the coat is SO interesting, because it presents this open autopsy view in rich colors, accented with gold, so that the effect of skin and muscle being peeled back for study, the ribcage broken and splayed, doesn't feel gruesome at all. Because of the person wearing it, his generosity of spirit, the effect of the coat is that the viewer is invited to study death up close, to be curious about this part of life, to understand it until it doesn't scare them.

It's worth it to mention, too, how many chains and ropes Emmrich is displaying. Apart from the red cords, there is the chain for his collar pin, three chains running into/from four different pockets on his vest, a chain connecting bracelets or cuffs on his wrist, and several more chains attaching in various places on his belt.

Yes, they are utilitarian, but they are also symbolic of a person attached to their work by a strong resolve, by guilt, or by some other unbreakable compulsion. As far as I know, there aren't watches of any kind in Thedas, much less pocket watches, so what is Emmrich keeping in those little pockets? Does the Mourn Watch use a magical tether on spirits, such as whatever coins or talismans are at the ends of those chains?

I love this design so much.

[nekohooch]

Otakon was amazing. Finally getting to wear my Azem summoning circle gown in person was so much fun. I had multiple people stopping me to gush over my costume and people from HERE telling me they saw it online and were so excited to see it in person. I haven’t been to a con since right before the pandemic and it was so nice to come back to a space I love so much. My goal of someone knowing what I was without me explaining was reached (thanks to the ffxiv photoshoot)! And I can’t wait to see the pictures of the group photo shoot. I added more details to the costume and (minus the stars which were my nemesis falling off the whole day) everything was perfect.

The gown itself took about 100 hours total. 85 originally and 15 to add finishing touches. The top is gold lamé and the chiffon overlay was ripping so I removed it. I have a whole costume breakdown under the tag for the original dress creation.

The necklace has an Azem summoning stone that my fantastic friends brought me from Fanfest which I repurposed. The most added details are the stars. I felt the black spots between the p design and the beams was a bit too big and wanted something to bridge the gap. I also considered adding my statics job symbols in the circles but they keep changing jobs XD

I added some more filigree details to the main Azem design in the front of the gown and individual rhinestones to each of the right angle v filigree and each of the small mirrored circles that make up the big circles because I’m extra along with a gold ribbon for the hem

Then I decided to add lights

Again because I’m extra

I don’t have skill with LEDs so I used individual 6ft fairy lights with tiny battery packs. I painted each battery pack black because the white shows through the skirt especially when lit up. There are about 75-90 battery packs I lost count at 2 am on Wednesday honestly ahaha. I looped them twice up and down so the effect would be less spaced out but I might edit that in the future if I figure LEDs and how to get more powerful ones because they weren’t really strong enough for 10 hours (you can faintly see them in the pictures above) and I kept turning them off when I sat. I used the same petticoat but added a hoop skirt because I was wearing tennis shoes (sadly sensible instead of fashionable) instead of my platform boots.

When people complimented me I would ask if they wanted to see my favorite part (which is spinning) and the laughs and gasps of delight were fantastic. Overall I’m so fucking proud of this costume. Thank you to all of you fab people from the FFXIV coordination who said such kind things I’m so flattered and lovingly overwhelmed. It was an amazing return to cosplay.

[arkadijxpancakes]

Yes. The Weasleys had too many kids. An analysis. (Part 1 of 2)

Everyone who read Harry Potter read about the prejudices regarding the Weasleys: They all have red hair, are poor and have more kids than they can afford. Insert a sneering Malfoy here.

The books were adamant that that was not the case. The Weasleys are depicted as the best family in the books. (Just look at the others. The Dursleys were narrow-minded, bigoted and abusive. The Malfoys were bigoted terrorists. The Lovegoods were weird. Let’s not even start about Merope and Riddle.)

However, if you look closer, the prejudices have some truth to them: They had more kids than they could afford. However, money isn’t the issue here, not really.

Yes, the Weasleys are clearly depicted as members of the working class. They don’t have much money and fall back on second-hand stuff a lot of the time. Ron in particular is shown to be using hand-me-downs in book one.

However, they don’t live in abject poverty. The family owns their own home on their own land. They have a garden to grow their own vegetables and they have chickens. This means that food scarcity shouldn’t be a big issue for them, because they can produce a lot of it on their own. (Magic should make this even easier, because they can use it for the gardening stuff. And if we assume that you can duplicate food, this should keep everyone well-fed.)

The main issue when it comes to money isn’t that they don’t have anything. They have clearly enough money to stay comfortably over water. They just don’t have enough money to buy all the fancy shit the wizarding world uses as status symbols. (Like racing brooms and dress robes.)

Could things be better, money-wise? Sure. But one can have a loving, comfortable childhood, even with second-hand clothes and working class food. So no. It’s not about the money.

It’s about time. 

And it's also about how the parents divide that time (and the work that comes along with it.)

The Weasleys follow a family structure one would expect from a muggle family of their time (the second half of the 20th century): Arthur is the one who goes out to work and earns money, while his wife Molly is a stay-at-home-mother who takes care of their home and kids. It’s also just their nuclear family that lives in the burrow. There are no other relatives (no grandparents and no aunts or uncles, either) living there.

I find this a little bit weird, tbh. The nuclear family (parents and kids) living alone, without any other relatives and with the father as the sole breadwinner, is a pretty new development. The practice only really established itself after the Statute of Secrecy went into effect. It developed first in the upper classes (who used this to flaunt their wealth) and in urban centers (where there was no space to live together with your extended family.) Before this, living with one's extended family was very common, especially in rural areas, where it was beneficial to stick together. The Weasley’s don’t really have a reason to live as a nuclear family. There is no need for wizards to follow the Muggle trend, and things were different before the statute. Living with other, adult family members would also be beneficial, especially for Molly. And the books do suggest that the extended family is quite large, so “They don’t live with other relatives, because they don’t have any” doesn’t fit their situation either.

This is a common theme for Rowling, by the way. She tends to ignore the extended families of her characters, whenever it is possible. The numbers of grandparents, aunts, uncles and cousins that get mentioned in the book is incredibly low. (The only character who seems to have close connections to his extended family is Neville – and that’s because the other members of his nuclear family are completely absent because of health reasons.)

Anyway. When we look back at the Weasleys, this leaves Molly basically as a tradwife. (Minus the religious baggage.) But let's start at the beginning. 

(Note: I will focus on the books in this. I don’t consider the games canon and will not use them as a source.) Arthur and Molly were born around 1950. We know that he went to Hogwarts from 1961 to 1968. They were close enough in age to start a relationship while still at Hogwarts, and they married shortly after graduating. For this to work, she must have been in his year or maybe the year below or above.

Bill was born in 1970 and was followed by six siblings, the last who was born in 1981. So from the age of ca. 20 to the age of ca. 33 Molly was either pregnant or nursing at least one baby at any given time. (There might have been a short break in that pattern between Charlie and Percy, but it only got worse after that.)

As I said before, Molly and Arthur seem to have a very traditional division of labor between them: He works at the ministry and earns money, she takes care of their home and kids. This means that Molly has drawn the short end of the stick.

While Arthur is working one job 9-5, Molly has to work three jobs and at least one of them is 24/7. Let’s pick them apart:

Her first job is to take care of the home. Molly cleans the house and does the laundry. It is also very likely that she is not only responsible for cooking, but for food production in general. This means that she takes care of the garden and chickens. This would be pretty exhausting, if not for her magic. She can likely cut down on time and effort by using magic for most of those tasks.

On top of this, she is also producing at least some of the clothing her family wears. We don't see her sewing, but she knits a lot. She is using magic for that, too.

Her second job is to raise their kids. Molly is their primary caregiver and does most of the parenting. This is a difficult job to begin with, but there are seven of them. This is where her workload starts to stretch her thin. It can’t be easy to do the laundry, while Ginny needs to be fed, Bill and Charlie are arguing in the backyard, and the twins have just vanished. Magic is less helpful here, because a lot of the work requires her to interact with her kids. She can’t really flick her wand to speed that up.

On top of that - and this is where things get even worse - there doesn't seem to be any kind of elementary school in Wizarding Great Britain. At the very least, the books do not mention any form of primary education and Hogwarts seems to be Ron’s first school. But Hogwarts still requires its students to be able to read, write and do math. Having some education about the Wizarding World couldn’t hurt, either.

However, someone has to teach the kids. And this someone is probably Molly, because Arthur is at work, and they don’t have the money for a private tutor. They cant sent their kids to an elementary school, because there is none. (And they obviously did not send them to a muggle school.) 

So this is her third job. This is another job she can’t really speed up with magic, because she can’t hex the knowledge into her kids’ brains. (Or at least I hope she can’t, because everything else would be disturbing.)

This means Molly has to take care of their home, produce their food, take care of their kids and teach them elementary school-stuff. All while being pregnant and/or nursing for circa 13 years straight.

Her workload just isn’t doable for a single person. It might have started off okay, when she only had Bill and Charlie, and it probably got better once most kids had left the house to study at Hogwarts. But the years in between must have been hell. And she did not really have any help to do it.

Arthur was off to work most days and seems to spend quite a lot of time on his hobby. Additionally, he just doesn’t seem to be all that involved as a father and seems to take care mostly of the fun stuff. 

His parenting style is much more relaxed than Molly’s, too. He’s probably the parent the kids go to when they want to do something their mother would say no to. This, of course, makes parenting even harder for her, because she doesn’t just have to deal with the kids, but also with Arthur’s parenting decisions. There are no other adult family members around to help her, either. They also don’t have the money to hire help. (No wonder Molly dreamed of having her own slave house elf. It would have allowed her to drastically reduce her workload. It’s a really disgusting wish, but I understand where it comes from.)

This is where the family dynamics probably took their first severe hit: It’s very likely that Molly’s workload left her with more work than she was able to do consistently. Whether Arthur pulled his weight in that regard is questionable (and he was at work for most of the day anyway.) She also had no other adults to help her, so she probably offloaded her workload elsewhere: her kids.

Yes. I think it is very likely that the Weasleys parentified their kids, especially Bill, Charlie and Percy. We don’t see it with Bill and Charlie, probably because they had already left the house when Harry meets the family. Still, it’s a little weird that both of them went to live so far away from home. Yes, sure, exploring tombs in Egypt and taming dragons in Romania is fun and exciting in and off itself – but being so far away from home that mom can’t rope you into household chores and babysitting duty is probably a really nice bonus. It would also relax their familial relationships quite a bit, because moving away gives them control over when and how they want to engage. (And it’s probably easier to be the fun big brother to your younger siblings when you aren’t required to watch and control them every day.)

We do see it with Percy, however. He looks after and take responsibility for his younger siblings a lot, especially at Hogwarts. You can see it in the way he looks after Ginny and how he’s constantly at odds with Fred and George because they refuse to follow any rules.

Fuck, he still does this after the big row with his father. Yes, the letter he sends to Ron is pretty obnoxious, but he still wrote it. He did not need to. At that point he had cut all contact, after all. He clearly cared for his younger brother and wanted to look out for him, even if he did it in the most annoying way possible. It would be interesting to know whether he also wrote to Ginny or the twins or not.

Also, did I mention that the Weasleys have too many kids?

They have too many kids.

It’s a numbers game, really. The more kids you have, the more time you have to use for household chores (you need to clean more, wash more, cook more, etc.) You also have less time to spend time with each kid individually. This is especially true for quality time – so time that isn’t spent on chores or education. Time that is spent playing and talking with each other, just to enjoy each other's company.

Molly is already working three jobs. She doesn’t really have any opportunity to spend time with her kids equally. She’s too busy looking after the home and teaching the older ones, while watching the younger ones and making sure the twins don’t burn the house down. 

I just don’t see her spending quality time with her kids regularly, because of this. It’s just difficult to talk with Charlie about his favorite dragons or read something to Percy or to play with Ron, when there is always someone else who needs her more. Full diapers. Empty stomachs. Unyielding stains of unknown origin on Arthur's work robes. A sudden explosion on the second floor. And probably everything at the same time and all the time.

So yeah. Chances are that her attention and her affection can be pretty hard to come by at times. (To a certain degree, this also applies to Arthur, because he is away from home so much.)

Let’s look at the timeline.

It probably starts pretty harmless:

1970 - Bill is born, and he’s the only kid for two years. Yeah, it’s Molly’s first child, and she is a really young mother, but she is a stay-at-home-mum, and it’s just one kid. It’s mostly her and Bill who are at home, and her workload isn’t all that big, because she can use magic for most stuff. The war has started, but it probably hasn’t kicked into overdrive just yet, so this shouldn’t affect her too much either.

1972 – Charlie is born. Molly’s workload is expanding, but things should still be pretty manageable. Also, they don’t have another kid for almost four years. This allows Molly to adjust to caring for two kids. She can also relax from both pregnancies and births. If it wasn’t for the war, this might be her favorite years as a mother.

When Arthur is involved in parenting Bill and Charlie, it’s probably on the weekends. I can imagine him taking them out to do fun stuff, so their mother can get some rest. It’s probably a great time for him, because he can bond with his boys. I can’t see him do much more than that, though. Molly has a handle on things, and interfering could be seen as overstepping.

1976 – Percy is born. This is probably the moment, where the attention-distribution in the family gets a little bit wonky. Molly has three kids now, and it’s the middle of the war. Bill is almost six, which means that she has to start teaching him, while simultaneously nursing Percy and keeping Charlie entertained/away from trouble. This is probably still manageable. She can wait a little longer with teaching Bill, so she can teach him and Charlie together. She can also hand him (and maybe Charlie) over to Arthur, so he can teach him/them on weekends.

Additionally, Arthur is probably still taking Bill and Charlie out for some bonding-fun-time. However, the war is in full swing now, so leaving the house gets increasingly dangerous. Their trips will get shorter and stay closer to home. They will happen less frequently, too. He will also end up working more because of the war, doing overtime much more frequently. When he is home, he is going to be exhausted, as a result.

1978 – Fred and George are born. The attention-distribution in the family falls off a cliff.

This is when Molly's workload starts to become overwhelming. Charlie will be 6 at the end of the year, Bill will be 8. She has to start teaching them, if she hasn’t already. Otherwise, Bill will not be ready when he starts Hogwarts.

And on top of everything, Molly has to take care of the twins. She has to do everything that needs to be done for a newborn – times two.

So her workload explodes. Molly is raising five kids, now. She needs to educate Bill and Charlie, nurse Fred and George, and has to make sure Percy doesn’t fall to the wayside completely. She also has her household chores that aren’t related to her kids. The war is still raging on. Arthur is probably tied up at work most of the time, and when he is home, he’s exhausted. And Molly will be pregnant again in a year. (Really, why do they have so many kids during a war? One or two, I would understand, but this is getting irresponsible.)

This is probably the time when Bill has to take over at least some chores, not just to learn how to do them, but to take some pressure off of his mother. This might not be parentification yet, but it will get worse over time. I assume he has to look after his younger brothers a lot.

On top of all that, it is increasingly hard to shield the kids from the war. At least Bill and Charlie are old enough to understand that things are really, really wrong and scary. And there is not much Molly can do about it.

1980 - Ron is born. The twins are already old enough to open cupboards. Molly is not having a great time. She probably hands over Percy to Bill and Charlie (“Go, play with your little brother!”), so she can take care of baby Ron while keeping an eye on the twin shaped chaos that is growing by the day. She will be pregnant again in a couple of months.

Bill (who will be 10 at the end of the year) and Charlie (8) still require teaching. Percy (4) isn’t old enough just yet, but he will be, soon. (And, let’s face it: It’s Percy. Chances are that he wants to learn, even now.)

The war is still in full swing. Arthur is still overworked and underpaid. Everyone is tired and scared. This also affects the kids. There is probably a lot of pressure on Bill as the oldest brother to watch over his younger siblings, to make sure all of them stay safe. They don’t spend much time outside their home, because it’s just too dangerous to do so.

Around 1980/81 is also the time when Molly’s brothers Fabian and Gideon die. (Gideon can be seen in the photograph that was taken of the Order before James and Lily went into hiding, so he was still alive back then. But we know that he dies soon after the photograph was taken.) Molly never talks about her brothers in canon, but this must have been horrible for her.

1981 – Ginny is born. They are seven kids now. Fabian and Gideon will be dead by the end of the year (if they aren’t already.) Molly’s workload is at its peak, while her ability to pay equal amounts of attention to her kids is at an all-time low. She’s grieving, the rest of her family is in danger, and Arthur is stuck at the ministry. This means that she will likely lean on Bill’s support even more. As Charlie is 8 now (and will be 9 at the end of the year), Molly might consider him old enough to help, so he might see an increase in responsibility, too. At this point, we are in parentification-territory.

With each day, the twins grow more into the troublemakers we see in canon. This sucks away attention and affection from their siblings (simply because they need to be watched and disciplined).

I think the following years are very formative for the family dynamics between the kids. It’s probably less pronounced for Bill and Charlie (who are stuck with chores and babysitting-duty and will leave for Hogwarts soon-ish) and Ginny (who gets more attention because she is the youngest child and only girl). It’s worse for the others. Percy, Fred, George and Ron are basically in direct competition for their mother's attention. I think the dynamic develops as follows:

Fred and George are active and pretty extroverted. They explore a lot and start to play pranks on their family members. This is overall harmless, but Molly has to pay attention to them, to make sure that no one accidentally gets hurt. From this, the twins learn that they can get Molly’s attention by causing trouble, so they will lean into it even more.

This sucks away attention from Percy and Ron. It causes Percy to veer hard into the opposite direction: He tries to gain Molly’s attention by following all her rules and fulfilling her wishes. This earns him her affection and will turn him into her golden child in the long run. It will also put a strain on his relationship with the twins, because Molly compares them a lot, especially when angry. This will cause Percy to perform the “Good boy”-role even harder (because he doesn’t want to be treated like the twins), while they start to resent him on some level.

Ron on the other hand is still too young to affect the family dynamic on his own. He internalizes that his mother cares more about his siblings and that there is nothing he can do about it.

The only good news: At the end of the year, the war ends. This will bring a lot of relief. (It’s short term relief for now, things will need some time to go back to normal.)

However, the end of the war also means, that Percy gets a pet. Either late in 1981 or early in 1982 he (or another member of the family) finds a rat that is missing a finger on its front paw. Percy keeps him and calls him Scabbers.

We all know who Scabbers is, of course. I just want to highlight how fucked up this situation is. Percy is 5, when he adopts him. Because he was a little kid, he probably took him everywhere without a second thought – into the bathroom, into his bed, you know, everywhere. There is probably no part of Percy’s body Scabbers hasn’t seen. Percy probably told him everything, too, all his worries, all of his fears. It’s just creepy.

And keep in mind, Scabbers – Peter – is not just a random wizard. He is a Death Eater and mass murderer. We don’t know if he ever hurt Percy (there are fanfics that do explore that possibility). He probably didn’t, but the idea alone is nightmare fuel.

To get this back on track: This could have impacted the sibling-relationship, too. It depends on whether the other kids were allowed to keep pets.

With that, we are done with the war and with Molly’s time being pregnant. The family dynamic is already fucked up – and it will get worse, as the kids get older. However, this post is long enough, already. So we’ll take a break here. Next time, we will look at how the dynamics shift, once the kids start to go to Hogwarts. See ya!

[howcouldmuffin]

Dreaming.

You know that falling in love makes you feel like a fool, but what if it’s him?

PAIRING : Jacearys Velaryon x Fem!Reader

WARNING : SFW, Targaryen incest, Non-canon

AN : I was inspired by the song “Kingston” by Faye Webster. Her music is amazing, and the way she describes falling in love is so lovely to me. Although it may not perfectly match the song, I hope you like it.

please be kind to me English is not my first language.

Everyone in Westeros is aware of the long-standing conflict between the Greens and the Blacks. The king is well aware of this issue too, but he hasn’t been able to resolve it, so the problem continues to persist.

You know the Velaryon siblings very well, having grown up under the same roof as them. While your mother’s influence might have made many think that you were not close, children often don’t see things the same way as adults. They, along with your siblings, were raised to constantly compete with each other, enemies by birth. But after they moved to Dragonstone, everything seemed to calm down.

As the years passed, you grew into a princess of great honor, more graceful than anyone in the Seven Kingdoms. You possess every desirable quality, and people often compare you to a combination of Visenya and Rhaenys in a single woman. Such praise could easily lead to vanity, but you know well that these words are nothing more than the desires of those who speak them.

“I’ve heard that Rhaenyra has arrived.” you say as you open the door to Helaena’s chamber. “Will you join me? Mother is likely busy in the small council.” She is preoccupied with your nieces and nephews, and at their age, they are quite a handful.

“I’m sorry, but my children are being quite a handful right now.” she says, confirming the scene before you. The children are getting ready for their bath, and it looks like it will take a while. You decide to help your sister manage her lively brood.

“Who here is being a good child?” you ask as you lift up one of the boys. “Is it you, Jaehaerys, or is it you, Jaehaera?” The children are usually well-behaved around you, and they listen to you quite obediently.

“I am!” the boy answers.

“Well, good children don’t make their mother tired, okay? That goes for you too, young lady.” Both nod in agreement and follow their maid to go take their bath.

“Thank you so much, sister.” Helaena says as she walks over to you. “It would have been even more chaotic without you.”

“You’re welcome, but I should be going now.” you reply, kissing her cheek before leaving the room and making your way down the corridors of the Red Keep.

The decorations here have likely changed since your eldest sister last saw them. Religious symbols now adorn the walls of the building. At times, you don’t agree with what your mother has done, filling the place with the beliefs of your family’s old traditions.

“Your Grace.” you curtsy to the pair as you approach.

“I apologize for not being there to welcome you. I only just heard that you arrived, and Mother is likely preoccupied with the small council meeting,” you explain. Rhaenyra immediately embraces you. Despite your mother’s dislike for her, you are not your mother. Her attempts to separate you have no effect if you refuse to adopt her views.

“I have already received a warm welcome from you.” Rhaenyra smiles as she releases you from her embrace and takes your hand.

“Only from you, niece.” Daemon adds.

“You must be tired from your journey. I think you should rest first.” you suggest.

“My husband and I will visit Father first.” she responds. “and I have someone I want you to meet.” She lifts up a young Targaryen boy while another child is carried by a maid.

“This is Aegon, and this is Viserys.”

“So these are my nephews, my little princes.” you say, taking Viserys from the maid. “They have grown so well.” Both boys have the silvery-golden hair of dragons and possess the regal presence of true princes of Westeros.

“Jace and Luke mentioned they would be heading to the practice yard if you wish to see them.” she adds. Your dear nephews, you wonder how much they’ve grown. You hand Viserys back to the maid after kissing his cheek, then turn to your sister.

“In that case, I’ll take my leave, Your Grace.” They both nod in acknowledgment.

You leave the area and head straight to the practice yard. You and Jacaerys are the same age, while Lucerys is a year younger than you. You Daeron and Jacaerys were all nursed by the same wet nurse, which is why you and your twin brother are closer to them than to others in the family.

After a short walk, you find the stairs leading to the training yard. You catch a glimpse of your brother Aemond, who is also there. Over the years, you have tried to encourage him to let go of his grudge, knowing that he once experienced the same mistreatment as our nephews. You hope he may have come to some understanding.

“Welcome, dear nephews.” you say as Jace and Luke turn to see you, their faces showing a mix of nostalgia as they remember the place where they once lived.

They have grown so much, the boys you once knew have become handsome young men, true princes. As soon as they see you, they rush to embrace you, and you return the gesture. They are still as endearing as ever.

“How was your journey?” you ask them.

As you pull away from the hug, you notice how their handsomeness has only increased. Jacaerys, in particular, possesses a beauty that seems straight out of the fairytales you once read. Your heart races, pounding in your chest.

“It went smoothly.” Jace replies. “You’ve grown so much.”

“And even more beautiful.” Luke adds, making you all laugh together. The moment brings back memories of when you were all young and oblivious to the complexities of the world.

“I wish you the best in the judgment, Luke.” you say, taking your younger nephew’s hand. “I will speak with my mother and my grandfather on your behalf.”

“Thank you so much, Princess.” he smiles back at you.

“It seems there’s a family gathering I wasn’t invited to.” your brother Aemond’s raspy voice breaks in. He walks over, and you notice Lucerys’s discomfort. To prevent any tension, you step in front of him, silently urging Aemond not to start anything.

“Are you here to train, nephews?” Aemond asks.

Before anyone can respond, Vaemond Velaryon, another claimant to Driftmark, appears. His presence is intimidating, and he seems to harbor little fondness for your two nephews. You silently pray that the gods favor your nephews over him.

“I apologize for being late, Your Grace.” you said, curtsying before taking your seat. Before dinner, you had so many things on your mind that you lost track of time in the bath, and by the time Nora came to fetch you, it was already late.

“A princess should know the importance of being punctual.” Alicent scolded you.

“It’s alright. Children always have many things on their minds.” your father said. “Go ahead, take your seat.” You nodded at your father and made your way to the empty seat beside Aemond. Helaena smiled at you, and you noticed Jacaerys watching you as well. He had been the reason you had been thinking about him all day.

“This is an occasion for celebration, it seems.” Viserys continued. “I announce here that my youngest daughter will marry my grandson, Jace. I have made my decision, and I ask you all to accept it.” Your father's declaration left the entire room in silence, including you.

You could hardly believe what you had just heard. You looked over at Jacaerys, who was already looking at you. Although you felt a small twinge of joy, the suddenness of the announcement left you stunned. Your mother's displeasure was immediately evident on her face. Viserys slowly stood and shared his thoughts.

People began to rise and speak, but you couldn’t focus on anything else. You were at a loss for words, unsure of how to feel.

“Sister.” your brother called. “Congratulations on your engagement.” Aemond spoke with a hint of amusement, knowing well that you never saw yourself ending up as a wife solely meant to bear children. But if it was Jacaerys...

“How should I feel?” you asked him.

“Be happy, at least he’s not like our eldest brother, sister.” he replied, surprising you. You expected him to mock or tease you, but instead, he offered you encouragement.

“Do you not resent them anymore?”

“I promised you before they arrived that I wouldn’t do anything to stir up trouble between us.” he replied. “I’m trying.” You raised your glass to toast to your brother's words, appreciating his sincerity.

The music played beautifully, and your mother seemed to have composed herself, while others engaged in lively conversation with those seated around them. Before long, Jacaerys stood and invited Helaena to dance with him. You felt a pang of envy as you watched them together—wasn’t he your betrothed?

“Has Daeron sent any news?” your brother beside you asked.

“He’s been training as usual, more diligently than ever.” you replied. “He asked me to thank you for the new book you sent him.” Although you were speaking to your brother, your eyes remained fixed on your newly betrothed. He was handsome, and the sudden betrothal your father had arranged had left your mind unsettled.

“Are you jealous?” your brother interrupted again. “Shall we dance together like they are?”

Your brother had been acting strange lately, starting from yesterday, today, and even now. Although he had promised, his behavior was beyond what you had expected.

“What do you want, brother?” you asked him seriously. “Are you planning to use me as a tool to hurt them?”

“You’re overthinking, sister.” he replied. “Wouldn’t it be better if I were to make friends with another heir to the Iron Throne?”

“Let’s hope that’s true.” you said, offering him your hand. “Don’t leave me behind. My feet are sore.”

The dinner proceeded smoothly, with everyone seeming to be one big happy family. You hoped this friendship would endure and not be shattered.

You closed the door to your room and hurried over to your writing desk. There were so many things from today that you wanted to record and reflect upon. You thought about the conversation you had with Jace today, your heart pounding at the memory. You hoped he hadn’t noticed. Your face had flushed, and you couldn’t meet his eyes. You knew what this feeling was—you were falling in love with him. How could it be so simple?

Should you write to your twin about this? What advice would he give you? Or perhaps you should share this with Helaena, though she was likely busy with your nieces and nephews. In the end, you decided to jot it down in your personal journal, a simple and safe choice.

After trying to fall asleep in the darkness of your room, you realized it was no use. You couldn’t sleep. Perhaps a walk, like you often did, would help calm your thoughts. Before you knew it, you found yourself in the corridors of the Red Keep. The moon tonight was beautiful, and you stopped to gaze at it from a window, its light bright and close.

“Princess.” Jacaerys' voice startled you, nearly causing you to gasp out loud.

“Prince.” you curtsied, and he bowed in return.

“Are you unable to sleep?” he asked.

“Yes, I couldn’t sleep.”

“You must be worried about our betrothal.” he replied. “I swear on my honor, I will not dishonor you, Princess.”

“I will do the same.” you replied. The two of you stood there, looking at each other, and you found yourself at a loss for words. If it had been anyone else, you would have no trouble striking up a conversation, but with him, you were suddenly too anxious.

“I think we should both return to our rooms, Princess.” he said finally. “If you don’t mind, I’ll escort you back.” You nodded in agreement, and as you led the way, he followed at a slow pace.

When you reached your door, you realized it was time to bid him goodnight. You stopped, turned to face him, and gathered the courage to meet his gaze. His eyes were so beautiful, and you wondered if he could see how red your face was.

“Goodnight, my Prince.”

“Goodnight.” He remained where he stood, not turning to leave. You opened the door to your room and closed it slowly. He would leave after you shut the door, you assumed. Your hand clutched at your chest, feeling your heart hammering as if it would burst out of your body. Your hands were trembling. This must be the beginning of that foolishness you had always heard about.

You were overjoyed when your sister said she would be staying here longer. It meant you could spend more time getting to know your betrothed and spending time with him. The activities you often did alone now had him joining you. You talked about matters of the kingdom, the families allied with yours, the histories of different dragons, or even trivial things.

For you, it was wonderful to spend time with him. There were days when the two of you talked until you fell asleep together. When your mother found out about this, she scolded you intensely, speaking about propriety and how others might perceive it. You were confined to your room for an entire week.

But Jacearys surprised you with the secret passage in your room. You wondered if there were passages like this all over the castle. He used that secret passage to visit you while you were locked in your room. You thought about how much effort he must have put in just to talk to you, and it made you think about him even more, falling in love with him all over again.

“So, how was practice today?” you asked him. “Did Ser Criston bother you again?” You were lying on the bed reading a book while he leaned against the headboard, staring at you.

“He seems to have stopped. Aemond kept him away from us.” he replied. You knew well that Criston didn’t seem to like Rhaenyra or her children, but it wasn’t good to pass that dislike onto others.

You closed your book and slowly sat up, crawling to sit beside him. Jace shifted slightly to give you more room. You rested your head on his shoulder, holding hands. One of his arms draped over your shoulder. Life here must have been hard for him—the stares from everyone, the words he often heard.

“I want to go to Dragonstone.”

“Then you’ll have to marry me and go live there with me.” you said, turning to look at the prince. He smiled slightly.

“And if I don’t marry you? Can’t I just go?”

“Wouldn’t you want us to go together, just the two of us?” Jacaerys leaned closer. You looked at him without blinking, and finally, your lips met slowly. He gently slipped his tongue into your mouth, teasing yours as if to savor every bit of sweetness from you.

After a while, the two of you pulled away, gazing into each other’s eyes before laughing together. Jace leaned in again to kiss your cheek.

Now you know what your desire is from here on out. No longer will you need to sleep to recall your dreams, because now your life feels like a dream, and you’ll be living in it forever.