-give me coffee-
crowley: *angrily stirring his coffee*
aziraphale, arms folded: *looking away from crowley*
jesus, sitting between them, awkward: um, did crowley mention-
aziraphale: oh, it's first name terms, is it?
crowley: I don't have a surname, you idiot. what's he supposed to call me?
aziraphale: well, it doesn't matter to me. do what you please
crowley: don't worry. I will
jesus, fed up: oh for my sake, don't you see what's going on here?
crowley & aziraphale: ...
jesus: in case you haven't noticed, there's going to be a war. and this *gestures* is just going to have to wait. I didn't come back just to be your marriage counsellor
aziraphale, scoffs: we're not married
crowley, scowling: yeah and if we were, which we're not, I'd want a divorce
jesus to nina: yeah, could I have a glass of water? I'm gonna need something stronger than coffee
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How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
can look like this in print!
because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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Time. Worried about Wars.
Time. Worried about Wars. Time is worried about Wars- Time has to be so freaking scared for Wars I-
Warriors is going into his first dungeon which has challenges for how he should deal with it, and Time is stressed. Ima rant about it
At this point (update Entrance) Time is obviously... well, terrified. His concern for mr. stubborn after his injury is obvious and he wants to make sure it does not happen again
And his concerns are valid- they are all now painfully aware of their lack of skills in working as a team. And they are heading into a dungeon- where that instantly results in stuff like this lol
And then Wars openly says that he has never done this before
The group is obviously uhh concerned that he hasn't done this or had any dungeon experience
'No dungeon experience?' / 'Has he even seen certain monsters before?'
Time wanted to stay in a group for safety- but they have to split up. Dungeons are cramped and messy and small, and Wars is used to fighting on a battlefield - not this sort of setting
And they still joke around about it- and Wars instantly starts analyzing.
'Tell me. Give me the intel' / 'This isn't practical'
Honestly Wars' response to this is pretty cool- it's totally in line with who he is as a captain and hero. He instantly starts thinking about it and treating it as a different type of battlefield to figure out strategy. Also I think it's pretty cute that he said 'intel' even if he's grumpy about asking the others for advice and what a wallmaster is
Wars can handle it and learn what a dungeon's like- I think it'll be fun to see him go through his first dungeon :D
But. He's still never done a dungeon before. It will be interesting to see how that develops in this arc... and let's not forget he's pissed the shadow and his emo sword off before. This isn't where he fights best and Wars is particularly vulnerable in a major way.
Time was already stressed about mr. stubborn Twilight, but hearing that the captain, that Warriors isn't prepared for this is. Extra scary. I just think he must be really concerned for him- for all of them. And now mr. reliable is in a learning position and not a leading one
Their faces fjdkfsjdksjsk
But these are his boys and he'll have to trust that they'll be ok. Therefore I think this was Time's thinking:
Time, thinking: "Dungeon. A dungeon oh this is dangerous- no one can get hurt-"
Wars: "can't say I've really been in one"
Time, absolutely sobbing internally: "YOU WERE SUPPOSED TO BE THE RELIABLE ONE"
.
Art by @linkeduniverse au :))
:)
Hey, don't worry too much about it I'm sure it'll be fine :) (mostly)
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