#so that sucks ok.

[goyurim]

exceptionally talented girls are on tumblr oversharing about their mistakes in the tags

[nataliescatorccio]

"The white face is very important. There's a reason why I do the white face." Chappell Roan for 'Faces of Music'

[roninkairi]

You can only reblog this today.*

*PLEASE READ THE TAGS

[waterghostype]

ocean blue how do you do

[helpallthenamesaretaken]

i hate how sometimes people make out rachel to be this tragic heartbroken mess. WELL FRIENDLY REMINDER THAT

she was the one who dumped percy in the first place

and the scene after that she said "I don't have to tell you what you have to do now, right?" with the next scene being percy confessing to annabeth

she genuinely CHOSE to be the oracle, if she was really serious about percy she would have not have gone along with the whole thing without being a tiny bit sad about not dating percy

she flat out admitted percy was just a vehicle for her to be involved with the greek world

she is not august by taylor swift. she is not driver's license by olivia rodrigo. she did not care less about percy once he didn't reciprocate pls 😭

[puppppppppy]

basement guys

[fizzlo-and-the-cubes]

purgatory flight

(wings are based on my post from a few days ago about them getting healed by the end void)

[xxplastic-cubexx]

secret wars secret love you will ALWAYS be famous

bonus:

[hajihiko]

kofi doodles!

transfem Nagito x Chiaki for eatcrow

Izuru interacting with someone for Ren

[coletolo]

got a new brush and started playing

[fakemichaelsheen]

-give me coffee-

crowley: *angrily stirring his coffee*

aziraphale, arms folded: *looking away from crowley*

jesus, sitting between them, awkward: um, did crowley mention-

aziraphale: oh, it's first name terms, is it?

crowley: I don't have a surname, you idiot. what's he supposed to call me?

aziraphale: well, it doesn't matter to me. do what you please

crowley: don't worry. I will

jesus, fed up: oh for my sake, don't you see what's going on here?

crowley & aziraphale: ...

jesus: in case you haven't noticed, there's going to be a war. and this *gestures* is just going to have to wait. I didn't come back just to be your marriage counsellor

aziraphale, scoffs: we're not married

crowley, scowling: yeah and if we were, which we're not, I'd want a divorce

jesus to nina: yeah, could I have a glass of water? I'm gonna need something stronger than coffee

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[cobalts-corner]

protected secret or something like that

[mspaint-flower]

hi

gentle reminder that me and my family are still in need of help and my comms are open, i have school so i may not be very fast but i try my best to be despite the situation i currently live in it would be great if you could help in any way, even just by sharing. thank you for everyone who helped me so far (and a special thanks to EmeliaK), i had wished by now this would be over but it's not. so i gotta keep fighting

thank you

[soupysundae]

🐍🐍🐍🐍🐍

[m4rs-ex3]

the callum / runaan dynamic is so funny bc like. out of nowhere your daughter has a boyfriend who happens to be the most wildcard character you imagine she could find - human (mind you you're currently in the process of unlearning all your racial prejudices), magical, and a government official in addition to all of his other Emo Personal Lore - and they're the most beautifully devoted but also most painfully public affection-displaying couple you've ever seen and the guy also kind of freed your soul from purgatory plus you love and trust your daughter so basically you just kind of have to Deal With It. yet it would seem he's determined to make that as difficult as possible because he is the biggest fucking dork you have ever met in your life and it seems you are the only person who is bothered by this because your husband is amused, your daughter thinks he is the greatest thing to ever happen, and the dumbass himself attempts to show you some respect but also apparently refuses to stop being cringe so now you must continue on with your life while this loser teenager does your daughter in the room next to yours every night and you can't do anything about it because oh yeah you killed his father