#so many things i want to write

[xiao-brothers]

So let say Jiao Liqiao didn't bother with interfering during the wedding for plot reasons. Let say the plot doesn't move forward for a bit.

Imagine Di Feisheng periodically visiting the sect to try and find the prison. Imagine him just breezing through everyone (because I honestly can't believe that 6 supposed masters couldn't make him sweat, it was delicious), and not seriously hurting any of them because the power difference is big enough that he can do that.

And Fang Duobing is just there, I'll make up a reason for why later, and they just have romantic one-side death matches amongst the trees. (One-sided because A'Fei is having fun while Fang Duobing is seriously trying to kill him...sort of.)

[noodles-and-tea]

Continuation of this

[boysborntodie]

TUA S4 proved that Netflix cancelling their shows after the first season is actually a good thing

[corkinavoid]

DPxDC Ring of Rage? More Like Ring of Engage [pt.2]

[<- part 1 | part 3 ->]

Tim doesn't remember what happened. What he does remember is that he was in the middle of an apocalypse with no idea how to survive it, a few of his friends and family dead, and clinging to the last possible resort with no hope it would actually make a difference.

He remembers thinking whatever happened next could not be worse than what he's already been through.

And then, he remembers an unfamiliar voice, a cheeky grin, and a light so bright he had to squint his eyes shut not to be blinded.

When he opened them again, he was back in the Cave, and, as he found out a few moments later, when a panicking Dick ran up to him and attempted to squeeze the dear life out of his body with a crushing hug, back in time by three weeks. With the whole recollection of what happened before- Well, after that.

And, it was not only him who got to keep all the important memories. The rest of the Bats remembered everything as well, and the League, and even a few others, all of whom were somehow connected to said apocalypse, which had not yet happened.

Tim looked down to the Ring.

He did not tell anyone why or how they got a second chance.

A month later, with the crisis safely averted and his anxiety buzzing under his skin, Tim locked himself up in the Nest, pressed his lips to the cold metal on his finger once again, and whispered a quiet, "Thank you."

He did not know what he expected in response, but certainly not a snort right by his ear and an incorporeal voice that seemed to come from every direction at once.

"You're welcome." It was not ominous, not solemn or anything of sorts. If anything, the voice sounded like Duke whenever Tim thanked him for a fresh cup of coffee the boy brought to the Cave for him. Entirely unbothered and offhanded, and a little bit fond, like somehow saving Tim's whole world was not a big deal.

Well, maybe it wasn't, for whoever the voice belonged to.

Tim looked at the Ring again. Then, he looked around, not sure how to proceed. As far as his analysis went, the King - because who else it might have been? - did not want anything in return, nor did they intend on keeping in contact. And, technically, that was probably a good thing. Because, yeah, right, any normal and sane person would prefer to stay away from getting unnecessarily involved with beings of immeasurable power.

However, Tim did not think of himself as either normal or sane.

So, he clicked his tongue, annoyed and on the verge of pouting, "Really? That's it? 'You're welcome'?"

For a second, nothing happened.

Then, there was a startled, surprised snort of laughter, and, a moment later, a boy floating in the air a few feet away from Tim.

Tim blinked. The supposed almighty monarch of Infinite Realms, Keeper or Worlds and whatever, did not look particularly kingly. If anything, he looked very much unkingly.

Not much older than Tim - so, twenty or somewhat around it - wearing something that he'd expect Jason to wear on a daily basis. Cargo pants, an unzipped jacket with its sleeves rolled up, a t-shirt with some rock band logo, none of which exactly screamed 'royalty' to Tim. There was a matter of floating, of course, and the boy's hair was so white that it actually hurt to look at it directly, but other than that, the King looked...

Almost absurdly normal.

He was also holding a big, although already half-empty cup of bobba milk tea, and lazily reclining in the air without a care in the world.

"You want some?" The boy asked when he caught Tim staring at his drink.

Tim blinked. The vision of a floating boy in his living room did not disappear.

"I, um," he stammered over words, searching for any kind of answer, and then shook his head, "No, thanks?" The words came out more like a question than a statement. The boy pursed his lips and shrugged.

"Your loss. It's from the best place ever," he paused, looking up to the ceiling and frowning, "I don't think it exists in this timeline."

Tim shakes his head again, like trying to kickstart his thought process. It doesn't work.

"So, you're..." he trails off, and the boy startles before moving in the air and shifting so his feet actually touch the ground. His hair and jacket still both act like gravity doesn't exist.

"Oh, right. I forgot I never introduced myself," he gives Tim a sheepish grin, "It's kind of strange, seeing that I did spend about three years around you. I'm Danny, or Phantom," he offers Tim a hand and then tilts his head slightly, "But never Daniel, for the record."

That is honestly too much information in just three sentences. Tim shakes the offered hand - which is way too cold to be actual human hand - mostly on reflex.

"I'm Tim," he adds dumbly, and Danny grins.

"Yeah, I know."

Which brings Tim back to what the boy said before, and he frowns.

"Wait, you said you've spent three years around me?" That means, since around the time Tim first put the Ring on, if he is not mistaken. The boy rubs the back of his neck.

"Yeah, well, I wanted to see who you were before I made myself known, but your family is a really nosy bunch, and you're quite literally never alone, and I kind of didn't want to scare you, so..."

"So you stalked me for three years," Tim finishes the sentence when Danny trails off. The boy grimaces and makes a so-so expression.

"I mean, you all did think I was some kind of an eldritch monster that's going to spirit you away or something. Showing up unannounced would be awkward at the least," he reasons. Tim can't argue with it when he puts it that way.

So, instead, he reaches for the cup in Danny’s hand and snatches it away, taking a sip before the boy is able to protest. It does taste like the best bobba he tried, so there's that.

"Are you?" He asks, tapping the straw on his chin as Danny floats up again, seemingly unbothered about the stolen drink. Looks like keeping his feet on the floor is either uncomfortable or rather unnatural for him.

"Am I what?" Danny raises one eyebrow.

"An eldritch monster?" Tim clarifies, and, between one moment and another, the sight of the semi-normal, albeit floating, guy in front of him distorts like a glitching video. Glimpses of bright, neon green eyes, sharp, inhuman teeth, and shadows crawling around the room fill Tim's vision, making him gasp sharply, but all of that is gone as soon as he blinks. Danny shrugs.

"I can be," he admits easily, "But most of the times, I'm not."

Tim looks at him thoughtfully, narrowing his eyes and taking another long sip of the drink. The bobba pearls taste vaguely like mango when he chews them.

On one hand, this is a very much unknown, possibly dangerous magic creature. On the other, the creature's name is Danny, and he does have a good taste for food, so how bad can it really be?

"Cool," he shrugs finally, offering the cup back, "Wanna go out some time?"

Danny smiles so bright that Tim can't help but return it and takes the almost empty drink, his fingers brushing over Tim's.

"I thought you'd never ask," he snorts.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[sp0o0kylights]

“Dustin isn’t coming.”

“What?” Eddie says, all frantic and jovial movements freezing instantly.

His eyes narrow on Lucas--the bearer of bad news. “Why?” 

“Family emergency.” 

Mike makes a face. “I saw his mom yesterday and she was fine, so is this a…?” 

He makes a gesture that is entirely incomprehensible to anyone who isn’t Sinclair and his terrifying girlfriend.

(At least, Eddie thinks Max is Lucas’s girlfriend this week. It got a little hard to keep up after the third break-up-make-up marathon, and he frankly, stopped bothering to try.

It helped that she barely spoke--The only time notable being when Eddie had mockingly asked Sinclair if he needed a cheerleader when she’d first sat in, upon which she’d asked Eddie if he needed new kneecaps with a look in her eye that said she was serious.)

Wheeler Jr.’s gesture however, made her put her book down.

“You think he’s having migraines again?” She not so much asked as demanded, which had Mike shrugging. 

“Dunno." Lucas says. "Dustin didn’t say.” 

“Gotta be, if he called Dustin.” Mike mutters, Lucas shuffling his papers about as he begins to set up for Hellfire. He was the last in the room, practically late, which Eddie had planned on harassing him for had he not announced Henderson’s absence. 

(Fucking freshmen. They just weren’t terrified of Eddie like they used to be.) 

 “Robin must be sick or something, otherwise he’d call her.”  Lucas finishes as he finally sits down. 

“Didn’t the Marching Band go on some trip?” Mike turns to address the rest of the table, and gets nods from Jeff and Gareth both. 

“Yeah they’re marching in some parade in Indianapolis.” Jeff confirms. 

“So his last resort was Dustin?” Max is getting that tone in her voice, the one that makes everyone at Hellfire very uncomfortable. “Typical.” 

She pushes away from the table, making a show of gathering up her things before rising easily to her feet.

Eddie trades looks with the elder Hellfire members as she makes her exit--the kind that says they’re all going to be talking about this later. 

They knew their freshmen had some weird obsession with the former King, of course, but Mayfield too?

What the hell was up with that guy?

At least Eddie thinks, right before things are once again shot to shit, they can go back to playing the game.

He can make it work this early into things, and if Henderson isn't’ a fan of what he’s about to do to the kid’s character in his absence, well. 

Maybe he shouldn’t be fucking absent then. 

“So what, Max, you're gonna go over there and make it worse?” Mike snorts. 

Fatal mistake.

Eddie almost strangles him for it, if only because it prolongs this entire unnecessary conversation. 

Max performs a military perfect heel turn, coming straight back for Wheeler Jr., which makes him right about fall out of his seat in panic. 

“What was that, Wheeler?” 

“I’m just saying--!” 

“We don’t know Steve’s having migraines.” Lucas reiterates, pinching the bridge of his nose. “Maybe it’s something else.” 

“Does Steve get migraines a lot?” Grant asks, because despite all appearances he’s a terrible gossip and gets sucked in far too easily.

Eddie throws a pencil at him for it. 

“Hel-looo, we have a game!?” He thunders, but unfortunately for him, precious Stevie-Weavies headache now has everyone’s attention. 

“Yeah, though he’s really good at pretending he doesn’t.” Lucas answers with a put upon sigh. 

“There’s a whole pattern--he ignores it until it gets super bad, then he has to call Robin or Dustin to come get him when he inevitably gets stranded at work or the like, grocery store.” 

“Well who else do you think he’d call?” Mike scoffs again. He does a lot of that, when discussing Harrington. “It’s not like his parents are--Ow, Max!” 

“Close your mouth before I close it for you.” She hisses and Mike, shockingly, does just that. 

To Eddie, she says; 

“Your ass isn’t any better, or did you forget I live across from you?” 

Eddie--who had an insult primed and ready--promptly shuts his mouth.

(Fucking! Asshole! Freshmen!) 

“Maybe I should go too.” Lucas says, hedging a look between his girlfriend and his DM. 

“No.” She snaps, pointing a finger at him.

 “If you go, then this idiot,” she flicks her finger to  Mike, “will go and then we really will make it worse. Stay here before your bichon frise has a fit about all his sheep abandoning him.”

Then she’s turning on her heel again, storming out. 

“What the hell’s a bichon frisé?” Gareth asks in the aftermath, frowning. 

“It’s a type of ahhhh--” Jeff clearly thinks better of the explanation, eyes sliding to Eddie.

Who’s scowling.

“I know what a bichon frisé is, Jeff.” He snaps. 

“I don’t.” Grant loudly complains. 

Jeff attempts to both calm Eddie and explain while Mike and Lucas spend far too many minutes looking after Max. 

“Enough!” Eddie howls, temper finally getting the best of him. “Are we playing or do you also need to go sit by the King’s bedside?”  

“Thank you,” Mike says, like he wasn’t a third of the entire problem. “Let’s play!”

They make it about ten entire minutes before getting knocked off track again. 

In fairness, not that Eddie would ever admit it--the second meltdown is his own fault.

xXx

Hellfire is Eddie’s domain. 

It’s one of the few places where he could relax without getting harassed or hounded, and having his freshmen--his!--abandon him for King Fucking Steve had set him off. 

So he’d made a few comments about it.

Maybe introduced an NPC who sounded suspiciously similar to Harrington, only to instantly kill him off. 

Made another couple of nasty comments. 

Who cares? It worked him through his snit rather nicely, and his boys all knew to leave him be.

Except, apparently, for Lucas. 

“Dude, would you lay off?”  The kid finally snaps, pencil slamming down on the table. 

Which is the most backbone-like thing anyone has ever heard Sinclair say, and he gets far more whistles for it than he should.

Eddie pins him in place with a glare. 

“What was that Sinclair?” He snarls, voice as menacing as he can make it.

(It’s pretty terrifying, he’s practiced quite a bit with it.) 

Sinclair flinches, but doesn’t back down. 

“I said lay off. Steve has migraines because of--” He stops, before seeming to come to a decision. “Because of me. He took a hit for me, and I owe him a life debt for it.” 

To Eddie, he says; “You get what those are, right?” 

Mike rolls his eyes. “It wasn’t just for you--”

“That time with Billy was!” Lucas is quick to snarl. “But you know what Mike, you’re right. It wasn’t just for me. He T-boned a car for all of us!” 

Sinclaire is on his feet now, which is the unfortunate moment that Eddie realizes he has once again lost control of the room. 

A situation he firmly blames on Steve Harrington, because he’s petty. 

“Or did you forget that part? That’s you, me, Will, Nancy and Jonathan right there! Nevermind the tunnel. Or the junkyard! 

“We had the junkyard handled--”

Lucas scoffs. 

“We absolutely did not.” 

“I don’t get why you’re all making such a big deal out of this. He’s the fighter. That’s what he does. That’s why we brought him to the tunnel.”

“You recall what happened at Starcourt, right?” Lucas challenges, furious. “You did see him after, right?” 

This, finally, seems to shut Mike up. 

“Shouldn’t you be mad at him for that?” He says after a moment, and the rest of Hellfire has completely put aside all actual gaming to watch this play out with a morbid sort of fascination. 

Eddie allows it, only because he’s trying to breathe the way Wayne taught him to before he loses it entirely and throws both of the idiot kids out of the drama room. 

“He pulled your sister into it.”

“Have you met Erica!? You can’t pull her into shit!” Lucas spits furiously. “That wasn’t D&D, Mike. It was the Upsi--real life.” 

Lucas is quick to correct himself, even in the heat of the moment--as all the kids are, like the entire school hasn’t clocked that they have some weird ass secret they’re terrible at hiding.

“And if we’re playing those games, then who pulled him into the tunnels? Who made him come to the junkyard?”

“Dustin.” Mike says snidely. 

“You don’t get to blame Dustin when Steve was the only person around.” 

“There were people around! They just weren’t people who--weren’t--who couldn’t--”

“Finish that sentence.” Lucas demands 

“Be trusted.” Mike spits out, like it hurts him. 

“Exactly.” 

“El went through way more than Steve ever has! El--”

“El was using her po--doing mage things! And also, she shouldn’t have had to go through all this shit either! We can’t rely on her to save the day every single time, Mike--and look at how hurt she gets!”

“She--”

“She hides it from you, you know. How bad she hurts. Cause she wants to put your feelings first.” 

“I--”

“Will does too.”  Is Lucas’s parting shot. His backpack is in his hands in a blink, papers and character figure shoved wildly into it, before he’s storming out the door in a poor mimicry of Mayfield.

“Harrington T-Boned a car?” Grant says, in the resounding silence. 

“That BMW of his hasn’t had a scratch on it--” Jeff says, with an inquisitive tilt to his head. 

“He didn’t use the Beamer.” Mike interrupts, angry and sulking. “Are we playing or not?”

“I’m gonna say not, given we are down two players.’ Eddie tells him through clenched teeth. 

“I’m going to be so mad if Steve doesn’t have a migraine.” Mike grumbles, as he begins packing up his stuff. 

The rest of Hellfire follow his lead, after one look at Eddie’s face convince the lot of them that it’s best to flee now, before Eddie unleashes all his pent up rage. 

“Not as mad as I’ll be, Wheeler.” Eddie promises darkly.

And it is a promise--because now, he’s going to follow all his stupid (sans Mike, who isn’t in his good graces either but at least stayed) freshmen--and go visit one fallen King.

If Harrington doesn’t have a headache now, he will when Eddie’s done with him.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.��

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[purpleelephantsocks]

Oh god, oh fuck, oh no; the parallels between Jean at the beginning of tsc panicking and telling Wymack "I want to go home" and Jean at the end of tsc falling apart after finding out his baby sister has died, telling Neil the same thing.

"I want to go home."

He is only nineteen

[redbean-nom]

Cadets

(aka trash children, chaos children, and children who understand 98 is getting graded on this)

Inspired by @thefoundationproject! Closeups under the cut:

jesse got this pic from jangotat:

[genshinluvr]

I am brainrotting so hard right now for these two fine ass men from Wuthering Waves.

But imagine if I just… put them in the same room as these other fine ass men..

I WANT TO WRITE SOMETHING SO BAD BUT FINALS WEEK IS FAST APPROACHING 😭 I’ll probably write something, but no promises since I have a lot of stuff to do for school… 😔

[asaka-lucy-dr-rc]

狛日が一緒にポッキー食べてるだけ/ KomaHina Sharing Pocky

Happy Pocky Day! 🌟