#so many characters need this kind of quote moment and this series really went there

[violentdelightshavevioletends]

“You guys act like my sense of humor somehow lessens my ability to show up for our squad.”

— Ridoc was so raw & real for this quote.

[dinogoofymutated]

SFW!Colossus/Fem!Reader

I've been infected with another fictional man the way in which I pumped this out was ridiculous. I happened to re watch the scene in the movies where the government breaks into the mansion and seeing Piotr act like a big brother/dad to all the kids really got to me. That and the Deadpool movies (even though I thinks he's a little stuffy in those.) I even rewatched the episode he had in the animated series so that I knew I would get his character right and DAMN ugh god I juts have a thing for big men with soft hearts. especially the ones who are family oriented.

ALSO HOLY SHIT TY FOR 600 FOLLOWERS???? when did yall get here???? I swear I was at like 48 two weeks ago lmao time flies when you're thirsty for the X men I guess!! TWs: None? No pronouns mentioned but I went ahead and labeled it as fem because it's basically about kids forcefully adopting you as their mom. Kids having night terrors mentioned.

Can you imagine sort of just being adopted by the students at the mansion as mutant mom?? At that point you don't really get a choice. Like you start out being very patient with these kids and making sure to keep bandaids, burn cream, pain meds and all of that because one way or another something is gonna happen- and you want to be prepared.

And then you start making breakfast. I feel like normally they probably have a schedule for who has breakfast duty but if you wake up and can't go back to sleep and you take over no one really cares. More sleep for them!!

And then a few times turns into every morning. And you're setting out ketchup for one kids eggs and syrup for another ones hashbrowns- and making sure not to cook with nuts and make sure there's at least three different things on the table that are Kosher or gluten free. Keeping an eye on everyone as they come to get food and noting who did and did not make it to breakfast this morning so that you can make sure they eat later-

And one day you're waking up at 5am and getting ready for the day so you can go make breakfast like always, and you look in the mirror at some point and just realise, holy fuck, when did you become a parent?

It's such a regular thing for kids to call you mom at that point, a knowing how so many of them have come from rough backgrounds, it makes you really happy to know they find comfort in you and will come find you if they need comforting.

And then there's Piotr. Big, strong, Piotr. Piotr who wakes up before dawn and does chores around the mansion in the early morning air. You can take the man out of the farm, but you can't take the farm out of the man. He does the lawn care, chops wood, takes care of whatever animals that might need feeding, replaces the feed in the bird feeder.

Piotr who makes sure to stop by the kitchen to share a small cup of coffee with you before he does chores. Piotr who hangs Hummingbird feeders right outside the kitchen windows because you mentioned you missed the ones your grandmother used to hang. Just Piotr, being strong and masculine and an absolute sweetheart.

He reminds me of that one quote that heard somewhere about masculinity being about protecting femininity, not rejecting it??? That one!!!

Kids call him dad all the time, and even though yall aren't even together, you become the parents of the school. Scott and Jean?? Love them, but they don't have that same kind of parent energy.

It's such a regular thing for kids to find the two of you interacting one way or another. Someone woke up way too early and enters the kitchen to find yall during your coffee, and there's a sweet moment with yall telling them to go back to bed, or offering to make them a quick breakfast. Maybe if they're really young Piotr will offer to tuck them in. He might be really blunt when telling them there are no monsters, but will be a little more gentle when you set a hand on his arm and give him a bit of a look.

The kiddo asks for both of you to tuck them in and you obviously aren't going to refuse them. Which leads to everyone wanting both of you to tuck them in and soon enough you two are doing curfew checks instead of the professor.

It's becomes so regular for the students to treat you two as their parents, and no one actually believes it when they find out that no, you're not a couple. So, they do what kids do and try to get you two together.

First it starts with making sure you two are sat together during everything they can get away with. Then it moves on to things like mistletoe (out of season, Piotr mistook it as an accidental bloom made by one of the agrokinesis kids and took it down) and then more mischievous plans like telling one of you that the other needed help with one thing or another, knowing that either one of you would help out at the drop of a hat. Sureee, they were lying, but you two didn't know that. (most of the time)

The kids just want to see their parents happy and in love. There's nothing wrong with that, is there? It's not like You and Piotr hadn't been helplessly pining for the other the entire time anyway.

You sigh deeply once you finally sneak out of the dorm room, Piotr right behind you. The tall man takes extra care to shut the door very gently, making sure it clicks in place just as silently.

"I thought we were never going to get her to sleep." You whisper to him. One of the youngest girls attending the school had a rather difficult time with night terrors, and would struggle to fall asleep without being tucked in. When you and Piotr were doing curfew checks tonight, she was the only kiddo still awake, and she had practically begged both of you to stay with her untill she finally did fall asleep. It couldn't be just one of you, It had to be both. No matter how many rooms you both had to check tonight, you would never have left her shaken up in such a state. You just hadn't expected it to take an hour.

"Illyana had similar dreams as a little one. It takes time for children to overcome it." Piotr whispers back as you begin to walk down the hallway to check the rest of the rooms. Even when he whispers, his voice is strong and hard to keep quiet. You know there's truth to what he says, and yet you can't help but wish you could do something more to help her with her nightmares. You rub some warmth into your arms anxiously as you think about it, surprised when you feel the warm weight of Piotr's hand settle in between your shoulder blades.

"You're worrying again." He states, frowning slightly when you look up at him. You send him a resigned smile, before it quickly falls as you look away.

"I can't help it. I worry about all of them, her especially. They just... deserve so much more than their lot in life." You say. Piotr hums in response, his thumb brushing idly against your back.

"Their life like us, you mean? Mutants?" His question makes you wince.

"No. Yes? I don't know. I just... I just wish that we could give them more than... this." You say, waving your hands to motion about the mansion. "The school might very well be the only safe space they have their entire life. The world hasn't been kind to them, and I'm not sure it ever will be." Your words begin to quiet down as you finish the sentence, lowing to a whisper that only he can hear. You'd never, ever want any of these kids hear a word of what you're saying. Knowing that hope is really all they have at their age, and you of all people refuse to be the one to destroy that beautiful childlike optimism.

"That is what we are working for as the X-men, yes? To change that?" Piotr asks you point blank, his hand moving up towards the back of your neck in a soothing manner that still gives you goosebumps, feeling the comforting heat of his hand even stronger than before.

"Yeah, but..."

"Then we are doing all we can." He finishes, a smile on his face that's so determined and confident that it very nearly changes your mind completely. Nonetheless, it's a reassuring smile that makes your chest feel warm and fuzzy. You smile back at him finally, and you swear you see fondness in his eyes.

It doesn't take long before the two of you are finally at your door. You give Piotr a short and sweet goodnight as you begin to step inside, but he stops you before you go, gently catching hold of your arm. For the first time, you think you've seen him debate on his words. His mouth opens, but he doesn't speak at first, and you swear you see a blush rising to his cheeks as he does so.

"You'd make a good mother." He says eventually, and it makes you smile widely.

"You'd make a good dad." You tell him. There's silence between you as he brushes a stray lock of hair away from your face in a fond and caring manner, and you swear you could trick yourself into believing that you and Piotr were already in domestic bliss if this moment goes on for any longer. The tall man leans in, and you find your mind short circuiting as he presses a kiss to your forehead. The simple action somehow leaving you beyond flustered.

"Sleep well, Любовь моя. I will see you in the morning." Piotr tells you, before walking off at his regular stiff pace. You stand in your doorway for a minute, watching him leave with a bit of a confused smile on your face. Out of all the Russian nicknames he's called you in the past, you had never heard him say that one before. You wonder if you should pick up a book on the language as you close your door and finally crawl into bed, although part of you is content to leave it be. Colossus had always been blunt, and you're sure he'd tell you eventually. You fall asleep just as you always do, excited to see him when you wake up in the morning.

[girlfriendsofthegalaxy]

tuesday again 3/28/2023

accidentally read five books.

listening

look i know there's a new fall out boy but i have conflicting opinions about that band bc i am no longer seventeen.

MARINA (formerly Marina and the Diamonds) was another artist coming up when i was in high school, but even though Family Jewels was one of the first albums i really got into, she has soundtracked far less of my life compared to FOB so listening to her is a little less fraught. nothing else has taken up space in my brain this week like the lyrics to hollywood: "hollywood infected your brain/you wanted kissing in the rain".

kind of obsessed how the music video cuts out an entire chunk of lyrics about dissatisfied flight attendants? also jesus christ this came out in 2010. BABY marina

originally stuck in my brain bc my sister and i were talking about the musical chicago, and this song contains the lyrics "oh my god you look just like shakira/no wait you're catherine zeta/actually my name's marina"

-

reading

Star Wars: Dark Disciple by Christie Golden. ventress has never been my favorite of count dooku’s batmanesque kidnapped children. i respect her! she’s awful! i want to see her flirt with obi-wan more but maul (my beloved) has always had more screen time and depth.

it’s spackled together from most of a cancelled eight-episode clone wars arc and it kind of shows? this is not to say that star wars books are uninterested in the interiority of their characters, but we rarely get in their heads. star wars books are much more focused on what it looks like in the movie— there are big cinematic set pieces where it’s important to know exactly where everyone is in a fight.

golden writes a competent action scene. this is more than i can say for many star wars writers.

^ i am shoving my fist into my mouth and screaming.

anyway, one of my worst character traits is a latent previously discussed fondness for steampunk and a less latent fondness for urban fantasy.

i read Alexis Hall's Iron and Velvet Kate Kane book a million years ago possibly at the rec of @bronanlynchh during the new hampshire internship, one of the worst depressive periods of my life, but i did consume a lot of gay romance during that period. bc im in my noir era now, reread it and realized there were more! so i devoured them all over the weekend.

to quote @quaraxuanzenith who seems to be the only other person here who has read them recently,

have you ever thought, "Twilight sure is a book, but it would be better if Bella ( a ) realized that Edward is a weird controlling creep, ( b ) dumped him, ( c ) came out to herself as lesbian, and ( d ) went off to become a paranormal private investigator"?

these are just fun nonsense! i loved them and will buy paper copies after i move! i would not call these "spicy", but she falls in and out of the arms of SO many femmes and fatales (who sometimes overlap). there are SO many women throwing themselves at her. it is a delightful way of nodding at the genre's roots bc kate has some game! she doesn't have zero game! she not an oblivious useless lesbian archetype either! but she's usually like ?????? this person is OUT OF MY LEAGUE and never actually realizes a tall, tortured, sad, purple-eyed lady in a trenchcoat is catnip to nearly all wlw.

i think the third book hits its stride and flings you into a rapidly entangling web of loyalties and motivations that i really enjoy in a noir. i like how the author feels no need to write the YA vampire book trilogy she survived. i like how kate has a life going on apart from the stuff that happens in the books. she does not feel like she started existing the moment the book opens.

i finally understand the little old lady love of endless mystery series, bc this is some really comforting reading. i would read twenty of these. i trust that this author's got me and may fling some twists or red herrings at me but ultimately i won't turn the page and she'll be beaten in the street for being an out lesbian. okay so she does get whumped in the street but it's for case reasons

-

watching

virtuosity (1995, dir leonard). the tagline of this film is "Hell hath no fury like a composite of 183 serial killers. Meet Sid 6.7"

is this a Good film? oh god no. if you've seen the tv show interview with the vampire, it has the same contrasting vibes between the two leads, where one is turning in an incredible performance about a black man trying to hold onto family and dignity while the other is prancing around like a deranged show pony. except without the clarity of purpose or production values of a big budget amc tv drama. however, russell crowe (guy i love to see) put his whole ass into this performance. this is not a half-assed acting effort. it is a joy to watch him zip around screen while denzel washington is giving a very good performance as a disgraced, widowed ex-cop.

this really throws a wrench into my whole "if a movie is about being afraid of a robot it's about being afraid of women" bc crowe is not a woman, but he is a malevolent neural network given an android body. a private company has a contract for a police training tool (the neural network trained on 183 serial killers who you can fight in VR) and is testing the interface on prisoners. i wish this movie had anything to say or critique about this three-way partnership other than using it as an inciting incident for what turns into a chase movie. the movie does not attempt to convince you this would be a good idea in a different private company's dev team but i wish the movie spent slightly less time going AAAAAA HOW TO STOP and any time at all going AAAAAAA HOW DID WE LET THIS HAPPEN

i would call this film camp on vibes alone except it is almost completely uninterested in sensuality. the special effects have not aged very well at all, but the film has the same production designer (Nilo Rodis-Jamero) as Johnny Mnemomic (also 1995) so the film Looks.

why? it was leaving canopy soon and when my gender isn't "woman in the same way a sailing ship is a woman" it's "nineties movie club scenes"

-

playing

weird west! still! (image from the steam page bc i keep forgetting to take screenshots)

not terribly worried about the somewhat repetitive nature of the locations themselves, bc the enemy encounters are varied enough it feels like solving a new puzzle each time. also im still having fun.

i have been picking off guys from around the edges of enemy encampments with a silenced rifle and then tanking through this rest with a shotgun and liberal bandage application, as i am wont to do in shooty games, but i cannot currently break my husband out of a mine run by...cannibals? human traffickers to the cannibals? the xp-giving bad guys without getting one of my companions killed. i really don't want to ditch ann lara (i'm not entirely sure what her deal is? sort of a smooth-talking hustler archetype? but really good with pistols?) who has been with me for most of the eight hours i've played this game. the sheriff/my neighbor, along for the ride for her own reasons, has four times as much health as either of us so she's staying. she's been the only one left alive most of my attempts at this one FUCKING cave.

so i am looping back out into the world (sorry husband) to go think about some real tactics. practice my dodge rolls in a less tense environment. perhaps level up some guns and armor. now you might say "kay! isn't it worrying that you're hitting such a big difficulty cliff?" and to that i say "not really bc i cannot stress the amount of simply dicking around and exploring ive done, also i am not a clever woman."

-

making

fallow week

[ghosts-and-blue-sweaters]

3, 5, 14, and 17 for the character ask game!! OH and I need to choose a character. Umm either Ghostbur or Phil (that's a person, right? I'm pretty sure it is but I don't know for sure)

Hello, friend! And yes, both of those guys are characters :D I shall answer for both of them!!

Ghostbur

Obscure headcanon

Hmm… this is a good question for Ghostbur :0 He’s a very obscure man.

He collects books! But not just history books (which he canonically reads) but all sorts of books; ancient books, religious texts, poem books, psalms, series, novels, fiction, non-fiction, short stories, fables, and on and on and on!

No one really knows where he gets them all lol

Best personality trait

EEEEEEEE

SO MANY!!! BUT FOR THE SAKE OF THE LENGTH OF THIS POST I SHALL ONLY FOCUS ON ONE!!!

His compassion and care for people :) No matter what the situation was, Ghostbur always paid attention to the well-being of others, and tried to help them as much as he possibly could.

That’s why he visited Tommy so much during Exile, and kept him company and gifted him the compass.

That’s why he gave Blue to almost everyone he came across, in an effort to make them less sad.

That’s why Ghostbur encouraged Tubbo, and told him that he was doing great :)

Like… okay, I could go on and on about this alsgajfsjafsgs but his care for others is near-unmatched, and it’s very sweet :’)

Most heroic moment

REEEEEEEEEEEE

I think that confronting Phil after Doomsday was pretty brave of him—and goodness, was Ghostbur scared. He was so very scared, but he talked anyway, and he let himself be open and honest and raw, and even though Phil didn’t do the greatest job with responding, I still think that Ghostbur was very brave, then :’) I freaking love that scene.

OH AND ALSO WHEN DREAM WAS LOOKING FOR TOMMY!!! And Ghostbur did his very best to lie in order to protect Tommy 😭 It was sksgajsgajfshaf it was so wholesome, it was so adorable my goodness that scene is the greatest ajdgsjsgajgshg

Quotes, songs, poems, etc. that I associate with them

:)))

Well. I um. I have a playlist. For Ghostbur. It is twenty-three hours long.

SO THERE’S THAT!!! But to name a few specific songs, I’d go with…

Married Life - Michael Giacchino

The Secret Place (acoustic) - Phil Wickham

Taking Care Of Things by Cavetown

Turning Out by AJR

Phil

Obscure headcanon

HE DRINKS TEA BOILING HOT. LIKE. I’M TALKING AS SOON AS IT’S OFF THE KETTLE, HE STARTS DRINKING. DOES NOT WAIT FOR IT TO COOL DOWN. DOES NOT BLOW THE STEAM AWAY. JUST STARTS DRINKING.

It’s mortifying.

Best personality trait

Aww :D

He’s a very steady guy; he’s not super emotional or conflicted, and rather chooses something and sticks with that something, whether it’s a person or a cause.

And goodness, does he care about the people he chooses! He’s such a sweet and kind guy, especially towards Techno and Wilbur (after Wilbur was revived). His love for those two is awesome :)

Most heroic moment

Hmm… okay, let me think on this for a minute.

Honestly? Doomsday comes to mind. Which is weird for me, because I definitely don’t agree with Phil’s actions when it came to Doomsday—in fact, me and a friend had a whole argument about it, which lasted forty minutes! It was great lol

But, while I disagree with Phil’s opinions and decisions when it comes to Doomsday, I do understand him. I understand his dislike of L’manburg, because to him, L’manburg is what took away his son, and L’manburg is what hurt Techno, and L’manburg is what changed Tubbo, and L’manburg caused so many problems and is not worth the pain that went with it. At least, that’s what Phil believed.

And I get it! I really honestly get it! I don’t agree with it, but I get it!

And like one of my friends said, Phil was willing to be the one that everyone hated by blowing up L’manburg; he was willing to be the bad guy. He was willing to be seen as evil or a traitor, as long as it meant that L’manburg was gone and that no more awful things could happen because of L’manburg existing. Phil was willing to be the bad guy if it meant he was “doing the right thing”.

And I think that’s brave. I don’t necessarily think it was right, but I do think it was brave.

So probably that :)

Quotes, songs, poems, etc. that I associate with them

EYYYYYYY :D

Here’s a few songs that make me think of this birb guy <3

Icarus - Bastille

Flying - Cody Fry

The Star-Spangled Banner - Chase Holfelder

creature - half alive

[amphibifish]

okk im answering a maloki 30 questions thing cause…. i need to talk abt it n why not?

1. How did you get into the fandom? I forgot how i initially found maloki, but i remember wanting to get into more norse mythology media after researching the myths for a few months. then i found it and it was the first thing my brain latched onto so now... we're here !!!

2. Favourite character? Oh i dont know.... maybe Heimdall..... just maybe...... and anime!Hel, i don't care for her manga counterpart since they're so diff lol

3. Least favourite character? idk none of them really stick out to me as being awful so much i hate them, theyve all got their charm.. baldr, ig ? i dont care abt him..

4. Favourite series? (Out of the original, Ragnarok or Shin Sekai no Kamigami.) ragnarok or shin sekai. ragnarok i think is fun and shin sekai i like just because it gets really heim centric lol the og series gets on my nerves....... its just sooo bad. its just awful.

5. Favourite case? (Since Matantei Loki doesn't give names to the cases, you can describe the case instead of trying to pinpoint it. However, if you can remember which chapter/episode it came from, that would also be good.) I keep forgetting that this is a detective series, and also i try not to reread the original because it really sucks more than usual imo, so idk

6. Least favourite case? see above

7. Most heartwarming moment? episode 24 of the anime,,, hel's plotline is honestly the most well written out of the entire series..

8. What didn't you like about the series? i have an entire post where i just complain to mutual rosquinn, but basically the many plotholes, the misogyny, the weird relationships that keep getting pushed, the amount of weird comments made abt mayura, the character development for heim in the manga which is basically him getting worse and not acknowledging anything at all in the plot for the sake of being evil... the anime is so much better abt this, but freya had so much potential there that was just lost :/

9. Favourite comic relief character? Freyr & Freya

10. Favourite song from the series? idk i don't pay that much attention to the sound traack

11. Would you like the English translation to cover everything in the Matantei Loki manga canon? The people responsible won't know what you said, but you can still voice your opinion. yes?

12. If they made a movie out of the series what would you like the movie to be about? ragnarok's plotline could work nicely in movie format i think.

13. Who would you most like to meet out of the cast? probably Mayura or Koutaro. being in the presence of some sort of god would have me stressed ok. i think frey and freyja might be chill tho

14. What kind of crossover would you like to happen with Matantei Loki? the tv show supernatural because that would be funny and my friends like spn

15. Do you think the manga will ever cover what happened to Heimdall's right eye? (If you saw only the anime, you can't answer this.) This is explained? I guess showing the actual event, it's very vague on how it really went down.

16. What song do you think suits Matantei Loki best? fighter - jack stauber matches a lot of the chars i think. doesnt necessarily fit though.

17. Manga or anime? If anime, fansub or fandub? Sub or dub? anime, i prefer the eng dub just because i think its funnier lol

18. Do you think Sakura Kinoshita could have added something to make the series (as a whole) better? If so, what could she have added? there's so many things to be fixed this list would go on forever.. as one thing though, i really don't think there should be as many romantic subplots as there is, esp if they're all going to be loki centered. it just gets annoying

19. Favourite quote? Freyr's "Nice one, Heimdall! It might be copyright infringement but it's working!" is very funny to me.

20. Favourite moment in the series? (It can't be the same as no. 7 though.) hard to choose, but maybe the part where its revealed heim got revived to help hel in the anime? or the part where heim almost gets murdered in his sleep i just like seeing heim be evil.

21. Least favourite moment in the series? The part where Narugami tells loki to look at mayura's boobs and generally loki being a freak abt this. This chapter is majority the reason i despise the og series. it is so awful. it makes me throw up. also the part where heim and loki each kiss mayura. literally what. what. what. im going to throw ten million hammers (mjolnirs) at you.

22. Do you think Tactics is better or worse than Matantei Loki? If you don't know about Tactics, which series would you say is similar to Matantei Loki? don't know tactics but in supernatural they;re also hunting creatures and killing them.

23. Despite Matantei Loki being shonen, do you think it would benefit if it were a shojo series? i dont know enough manga/anime terms to answer this ^^''   

24. Do you think Kantarou of Tactics (if you don't know who I'm talking about, Google him) was deliberately made to look like Loki? i don't really see it all that much.

25. If you could add one character to the series, what kind of character would it be? Do you have a name decided for the character - if so, what's their name? i think skathi from the myths would work great as another antagonist, esp. as she is the only other aesir that has the kenning of "loki's foe". (Heim is the other one)

26. Did you even want to learn about Norse mythology after seeing/reading the series? the reverse, I only got into maloki because I like norse mythology.

27. How well do you think Matantei Loki teaches people about Norse mythology? Not at all, but better than other popular media based off of norse mythology (cough cough marvel). I think a lot of its base is pretty accurate though, save a few things here and there (such as heimdall being god of tactics and dawn? straight up wrong and incorrect and false and not true.)

28. Do you think the portrayals of Loki in Marvel Comics/the movie Thor/Norse mythology etc. are incorrect now that you've seen/read Matantei Loki? They're both just diff interpretations and portrayals. I'd say they're equally incorrect but maloki gets extra points for keeping Loki's family tree accurate because that is such a pet peeve of mine.

29. What do you first think of when the name Loki or Thor is mentioned? the guys from the mythology.

30. What do you think the ending will be like? Or do you not want it to end at all? Uhh heim gets his shit rocked and his ass kicked again. iirc odin comes back? don't really know much else but i know loki gets the eye staff at some point, he's the protagonist after all. I reckon baldr gets stopped and the valkeryies are freed. Odin gets placed as king again.

[bethaven]

#8 Please like me

Plot: Josh is in his 20's and together with Claire, his girlfriend for many years, when he realises he's actually gay (or, to be honest - she tells him). This takes him on a new track in life, discovering things about himself, his body and relationships. In the middle of this partly selfbiographical soul-searching we have his emotionaly complex father, his bipolar mother, his slobby but kind best friend Tom, his cute dog John and several boyfriends and love interests. It's messy, cringey, complicated - and absolutely wonderful!

Years: 2013-2016

Seasons: 4

My story: One of my best friends found this when season 1 aired on national Swedish television. I instantly realised that this was something very different from other shows out there. I might still, after several rewatches, sit with my head in a pillow during some scenes; screaming, laughing and cheering them on. Few other shows makes me feel as much as this do.

Teachable moments: Josh might not be a role model, but he's the embodiment of trying your best. His friends and family loves him and trusts him and might sometimes depend on him a little bit too much. I think the most teachable moment here actually is that life's a mess and we just live in it, don't judge yourself too hard.

Best character: This series might mainly be about (gay) men, but it's the women who makes it. Rose (Josh's mum) and Ella (Tom's girlfriend in seasons 3 and 4) are two amazing characters whom without the series would lack color. Rose loves Josh so much and though she might not always get his choices she'll always be his biggest supporter. Ella comes in like a whirlwind in the middle of an episode and never leaves. She's the perfect complement to Tom and their energy and banter gives the series new life. I also love her friendship with Josh.

Best episode: "Pancakes with faces" (S3E6). To be honest, I might love this episode mostly for Claire's fantastic smashing of Tom's cardboard city, dressed in Josh's frog kigurumi, which is the last scene of the episode. But there's A LOT going on in this episode that tells us that the support we have might not always be the support we need, but somehow we have to live with that. I also want to mention "Scroggin" (S2E7) since it's a beutifully made deep dive into Josh's and Rose's relationship.

Best quote: "Like, in the grand scheme of things, like the billions of people and the millions of years, and the stardust and the mammoths, and Taylor Swift, it just seems like you don’t really matter that much.” (Josh)

Fun fact: While making the series Josh Thomas hired Emily Barclay to play Tom's girlfriend Ella. While Tom and Ella breaks up in the last episode, in real life it turns out Josh was sort of a matchmaker. Emily and her co-actor Thomas Ward are today married with two kids.

If you like this you might also like: After Please like me Josh Thomas went on to make another great series called "Everything's gonna be ok" about Nicholas who's left to take care of his two younger halfsisters when their father dies. Together they guide each other through a messy, funny neurodivergent world where anything can happen. Others you might like are Sex Education, Pose, Atypical, Nanette/Something special/Douglas and Skins.

[misteria247]

I'm gonna say something really wild today y'all ready for the insanity of this circus and clown of a blogger who runs it???

Raphael Hamato is so much more than his temper.

Like I've noticed how in a lot of media such a fanfiction, talking about characters and other things that a lot of the time Raph is often times shown in the light of his temper and his temper alone. Like this personality trait is given the spotlight so much that often times that's the first thing to pop into people's heads whenever they hear Raphael Hamato. He's in a way been reduced to just his temper and it's honestly kinda sad because Raph's not just his temper. There's so much more to our red clad turtle than him being angry constantly and there are so many moments within the Tmnt series that displays his better qualities that are often overlooked by his famous hot head.

2003 Tmnt shows a lot of moments of Raph being more than his temper. Moments such as his protectiveness over his brothers whenever there's danger, moments where he gets emotional and upset whenever his loved ones are harmed and so many other times afterwards. One of these moments is when Leo had been ambushed by the Foot Clan and had fallen into his few hour coma. As soon as Raph realized that Leo was hurt he instantly went to protect him and when he found out about what had happened he'd wanted to hunt the Foot Clan down for what they'd done. Yet he refrained from doing so because Leo was defenseless as well as his other family members and he instead stuck by his side until he woke up. And there's the time where Raph helped out a small boy and all the times he's literally fought enemies to protect his brothers and him always keeping a close eye on Karai after she'd betrayed them because she was a threat to his family and so many other moments like these ones that display just who exactly Raphael is.

But that's not all there's also the 2012 series where again there are several moments where Raph is shown to be much more than his temper. Like whenever Mikey was hurt by Bradford and he was feeling down about his supposed friend being an actual jerk Raph is one of the first people to go and offer him comfort and give him advice. Or whenever Mikey was taken by the mutated cockroach Raph despite being terrified of bugs, went after his little brother because he refused to lose him. And there was the times of Raph having Leo's back and being there for him whenever his older brother really needed that support. Like whenever April was kidnapped and Leo had started panicking Raph had stepped up to the plate and had even quoted Leo's favorite TV show to inspire him. Or the times when Donnie needed someone to talk to or rather rant to Raph is usually the one to rant with him. And of course when Leo went into his own three month coma he refused to leave his side barely sleeping and eating till his brother was awake again. And then there was the Slash incident where his mutated pet turtle, essentially his best friend had started to attack his brothers and Raphael despite not wanting to hurt Spike had fought him anyways because his brothers were in danger and he loves them dearly. Not to mention that he's an animal lover and is gentle towards those who are smaller than him such as Spike and Chompy. He's a sweetheart underneath his tough exterior.

And of course the Rise series shows Raph's more better qualities because Raphael within this series is the oldest brother instead of the second oldest. So he has more restraint on his temper because he's got to be the example amongst them. In Rise we see Raph being sweet and kind hearted and fiercely protective of his loved ones. He shows so many amazing qualities about the character Raphael Hamato that we sometimes forget that nearly all the different versions of Raph have these qualities. 2003 Raph can be kind hearted to a default. He can't stand injustice and he's often times seen helping others even if it gets him hurt because he fights for the little guys whether we pay attention to it or not. 2012 Raph is fiercely loyal and fully prepared to die for his family should it be necessary. He puts himself out there, stepping out of his comfort zone to offer a shoulder of support to his family and comforts them within the toughest of times. Rise Raph is protective and he always keeps a close eye on his brothers and is willing to tear the world apart should something happen to them. All of these wonderful qualities shared by the same red clad hot head that we all love and admire.

And there's still so much more to him.

Raphael is short tempered yes. But he's also kind, fiercely protective and loyal to a default. He loves his family dearly and is willing to put himself in the line of fire for them. If he had to choose between the world and them he'd choose his brothers every single time. Raphael can be rude and unintentionally hurt his loved ones but he's always quick to apologize to them or try to make amends. If he hurts someone he cares about he carries guilt because he himself knows how bad his temper can be and because he knows this he's always doing his best to grow and learn from his mistakes so they won't happen again. Raphael Hamato is such a complex character and he's got so many pieces that make him an amazing character whether we acknowledge it or not. And we seem to forget that Raphael is a very emotional person when it comes to things he's passionate about. Such as the safety of his family or the safety of those who are innocents. He only ever really loses his temper whenever he feels like no one's listening to him, or if he's cornered somewhat and forced to lash out. Raphael Hamato's job is to be the protector for his family and he lives up to that title and is passionate about it so much so that whenever he feels like that his family is put in danger or rushing head first into it he immediately becomes upset. And when he realizes that he's lost his temper he's quick to try and fix his mistakes.

Our favorite red clad turtle is so many things and is so much more than his temper and I'll never be over the fact that a lot of times he's often reduced to that and that alone. He's such an amazing character and lowkey I personally admire him because of all these things and so much more. He's a hot head but he's also one of the four turtles to have the biggest heart on him whether he's open with it or not. Because that's who Raph is and who he always will be.

[felassan]

Dragon Age development insights and highlights from Bioware: Stories and Secrets from 25 Years of Game Development

Some really tasty factoids here.

Cut for length.

Dragon Age: Origins

The continent of Thedas was at one point going to be named Pelledia, a name initially floated by James Ohlen

“Qunari” was a temporary name that ended up unintentionally sticking, much like “Thedas”

Mary Kirby wrote the Landsmeet. To this day, nobody understands how it works, except possibly her. If she’s “really really drunk” she can explain how it works. There’s as many words in it as Sten’s entire conversations put together

Concept art for Thedosian art - as in in-world art - draws heavily on Renaissance-era portraiture, the Art Nouveau movement, religious styles and media like stained glass, and favorite pieces from the golden age of illustrations in the early 20th century

Andrastianism in-world (art-wise) is depicted in wildly different methods depending on who in-world made the art in question. “One religion, 3 different lenses”. There’s the Chantry take, the Orlesian take and the Fereldan take; each with its own different interpretations, different mediums and different stories

The stained glass images were drawn by Nick Thornborrow for DAI, to decorate religious spaces in that game “and beyond”

irl Viking art influenced Ferelden

Greek and Italian art influenced Orlais

The book also had other insights into and anecdotes from the development of DAO, but I’ve transcribed them recently as they’re essentially the stories DG has recently been relating on the awesome Summerfall Studios DAO playthrough Twitch streams. (On those streams he provides dev commentary while Liam Esler plays through DA. The ones with DG are currently once every two weeks. Check them out! Here’s a calendar where you can check when the next one is) Instead of repeating myself I’ll just provide the link to the first transcript. From there you can navigate to the subsequent parts. Note these streams are ongoing. At this point I will also point you to a related post which is cliff notes of the Dragon Age chapter in Jason Schreier’s book Blood Sweat and Pixels.

Dragon Age II

DAO had the longest development period in BioWare history. In contrast DA2 had the shortest

Initially DA2 was going to be an expansion to DAO. A few months in EA said “Yeah, expansions like these don’t sell very well, so let’s make it a sequel.” So it suddenly became DA2 and they had to make it even bigger, although they still only had 1.5 years of time in which to do this

Production of DA2 officially lasted only 9 months, and at the time the team was still supporting live content for DAO! They finished development that January after the design team crunched all the way through the holiday period that year. Then it went to cert 9 times

The limited time they had is why the story takes place mostly in and around 1 city, and over 7 years (so it was temporal, rather than over physical distance, because a more expansive world would have taken more irl time to make)

They had no time to review even the main plot. Mike Laidlaw pitched the idea of 3 stories taking place at different points in the PC’s life, tied together by Varric’s recollections of events. DG rolled with this and made 1 presentation on the idea. This presentation was then approved and off they went

As they were writing DG realized that there was going to be no oversight and that everything was going to be a ‘first draft’. “Because nobody had time.” He sat down with the writers and said “Look, here’s the conditions we’re working under. A lot of what we’re putting out is gonna be raw. We’re not going to get the editing we need. We’re not going to get the kind of iteration we need. So I’m going to trust you all to do your best work.”

Looking back, DG has mixed feelings on DA2. “A lot of corners were cut. The public perception was that it was smaller than DAO. That’s a sin on its own.”

Despite this he thinks DA2 has some of the best writing in the series, especially character-wise. The DA2 chars are his favorite

The pace with which production progressed may in some ways have helped. “When we do a lot of revision, we often file away [as in buff off] some of the good writing as well. Somehow DA2′s whirlwind process resulted in some really good writing”

The pace meant chars landed on the writers in various stages of completion. For example Isabela was fairly defined due to appearing in DAO. In contrast Varric at the start was just that single piece of widely-shown concept art

Varric was conceived as a storyteller not a fighter. His skills are talking and bullshitting. Hence the question became, so what does this guy do in combat? The direction was to make him as different as possible to Oghren, so not a warrior. He couldn’t be a dual-wielding rogue in order to differentiate him from Bela. But you can’t really picture this guy with a bow. “For a dwarf, it would probably be a crossbow. We didn’t have crossbows, or we only had crossbows for the darkspawn. And they were part of the models. We didn’t have a separate crossbow that was equip-able by the chars. They had to like, crop one off a darkspawn and remodel it. And that became Bianca” (quote: Mary Kirby)

“Dwarven mages are exceedingly rare.” [???]

If DAO was a classic fantasy painting, DA2 was a screenshot from a Kurosawa film or a northern Renaissance painting. (Here Matt Rhodes was commenting on art style)

John Epler: “In any one of our games, there’s a 95% chance that if you turn the camera away from what it’s looking at, you’ll see all kinds of janky stuff. The moment we know the camera is no longer facing someone, we no longer care what happens to them. We will teleport people around. We will jump people around. We will literally have someone walk off screen and then we will shift them 1000 meters down, because we’re fixing some bug.” John also talked about this camera stuff in a recent charity Twitch stream for Gamers For Groceries. There’s a writeup of that stream here

Designing Kirkwall pushed concept artists to the limits of visual storytelling, because it has a long history that they wanted to be present. It was once the hub of Tevinter’s slave empire, so it needed to look brutal and harsh, but it also then needed to feel reclaimed, evolved, and with elements of contemporary Free Marches culture

The initial plan was for DA titles to be distinguished by subtitles not numbers, so that each experience could stand on its own rather than feel like a sequel or continuation. (My note: New PCs in each entry make sense then when you consider this and other factoids we know like how DA is the story of the world not of any one PC). Later, DA2′s name was made DA2 in a bid to more clearly connect the game to its predecessor. For DAI they returned to the original naming convention. (My note: so I’d reckon they’d be continuing the subtitle naming convention for DA4)

DA2 was initially code-named “Nug Storm”, strictly internally

The Cancelled DA2 Expansion - Exalted March

This was a precursor to DAI

It was meant to bridge the gap between DA2 and DAI

It focused on the fallout from Kirkwall’s explosion, with Cory serving as the villain

Meredith’s red lyrium statue was basically going to infest Kirkwall and it would end up [with what would end up] the red templars taking over Kirkwall and essentially being Cory’s army

To stop him Hawke would have recruited various factions, including Bela’s Felicisima Armada and the Qunari at Estwatch, forcing Hawke to split loyalties and risk relationships in the process

It was meant to bring DA2′s story to an end and end in Varric’s death. DG was very happy with this because all of DA2 is Varric’s tale. The expansion was supposed to start at the moment Cassandra’s interrogation of him ended in the present. “And we finished off the story with Varric having this heroic death.” It tied things up and would have broken many fan hearts, something BioWare writers notoriously enjoy. But between a transition to the new Frostbite engine and the scope of DAI, the decision was made to cancel EM, work any hard-to-lose concepts into DAI, and in the process save Varric’s life. DG has talked about the Varric dying thing before

Concept art for EM explored new areas previously not depicted in the DA universe, with costumes that reflected next steps for familiar chars. Varric was going to war, what would he have worn? With Anders, if he survived DA2, the plan was to present a redeemed Warden

A char that vaguely resembled Sera in DAI was first concepted for EM. This fact was mentioned near this concept art (see the female elf) and this concept art of Bethany with the blond bob

The writers sketched out plans to end it with Hawke having the option to marry their LI. This included alternate ceremonies for party members like Bethany and Sebastian if the player opted not to wed. There was even a wedding dress made for Hawke. This asset made it into DAI (Sera and Cullen’s weddings in Trespasser). The dress can also be seen in DAI during an ambient NPC wedding after completing a chain of war table missions

The destruction of a Chantry was explored in concept art as it might have happened in EM. This idea ended up carrying over to the beginning of DAI. (My note: Lol, the idea that DA2 could have had 2 Chantries being destroyed in it 😆)

World of Thedas

Sheryl Chee and Mary Kirby started with “a disgusting little dish called fluffy mackerel pudding”. In the middle of DAO’s busy dev period one of them (they can’t remember who) found a recipe online for this, scanned in from a 70s cookbook. “I don’t understand why it was fluffy. Why would you want fluffy mackerel pudding?” MK says. “We loved it so much we included it in a DAO codex.”

This led them to create more food for Thedas, full recipes included, like a Fereldan turnip and barley stew from MK and SC’s Starkhaven fish and egg pie. The fish pie became Sebastian’s favorite. “To me it made sense for it to be fish pie because a lot of the Free Marches are on the coast”, SC says, “It was something that was popular in medieval times, so I thought, let’s make a fish pie! I looked at medieval recipes and I concocted a fish pie which I fed to my partner, and he was like ‘This is not terrible’”

For WoT the whole studio was asked to contribute family recipes which might have a place in Thedas. SC adapted these to fit in one Thedosian culture or another, including a beloved banana bread that localization producer Melanie Fleming would regularly bake to keep the DA team motivated. “Melanie’s banana bread got us through Inquisition”

DAI

It says part of DAI takes place in or near the border with Nevarra [???]

This game was aimed to be bigger than DA2 and even DAO in every conceivable way

The first hour had to do a lot of heavy lifting, tying together the events of DAO and DA2 while introducing a new PC, new followers etc in the aftermath of the big attack. DG rewrote it 7 times then Lukas Kristjanson did 2 more passes

DG: “Our problem is always that our endings are so important, but we leave them to last, when we have no time. I kept pushing on DAI: ‘Can we work on the ending now? Can we work on the ending now? Can we do it early on?’ Because I knew exactly what it was going to be. But despite the fact that it kept getting scheduled, whenever the schedule started falling behind, it kept getting pushed back... so, of course, it got left til last again.”

“The reveal of the story’s real antagonist, Solas, a follower until the end, when he betrayed the player”. “Solas’ story remains a main thread in Inquisition’s long-awaited follow-up” [these aren’t DG quotes, just bits of general text]

Over the course of development they had 8 full-time writers and 4 editors working on it. Other writers joined later to help wrangle what ended up being close to 1 million words of dialogue and unspoken text. While many teams moved to a more open concept style of work for DAI, the writers remained tucked away in their own room, a choice DG says was necessary, given how much they talked. All the talking had a purpose ofc as if someone hit a bump or wall in their writing they would open the problem up to the room

As writing on a project like DAI progresses, the writers grow punchier and weirder things make it into the game. This is especially the case towards the end of a project (they get tired, burned out)

Banter and codexes require less ‘buy-in’ (DG has talked about this concept a few times on the Twitch streams) from other designers. DG liked to leave banter for last as a reward because it was fun. Banter begins as lists of topics for 2 followers to discuss. These may progress over time or be one off exchanges. One banter script can balloon to well over 10k words. “The banter was always huge because we were always like, laughing, and really at that point, our fields of fucks were rather barren, so we would just do whatever”

The bog unicorn happened pretty much by accident. It was designed by Matt Rhodes and was one of his fav things to design. They needed horse variations and he had already designed an undead variant which was a bog mummy [bog body]. irl these are preserved in a much different way to traditional mummies. When someone dies in a bog their skin turns black and raisin-like. The examples we know of tend to have bright red hair for whatever reason. It’s a very striking look and MR wanted to do a horse version of this as he thought it’d be neat. 5 mins before the review meeting for it he had a big ‘Aha!’ moment, quickly looked up a rusty old Viking sword, and photoshopped it through its skull like that was how it died. “And I was like, ‘I just made a unicorn. Alright, in it goes!’” It got approved. “So we built the thing. It fit. It told a little story”

With the irl Inquisition longsword, one of the objects they tested its cleaving ability on was a plush version of Leliana’s nug Schmooples

The concept art team explored a wide variety of visuals for the Inquisitor’s signature mark. It needed to look powerful and raw but couldn’t look like a horrific wound. In some cases, as cool as the idea looked on paper, they just weren’t technically feasible, especially as they had to be able to fit on any number of different bodies

Bug report: “Endlessly spawning mounts! At one point during development, Inquisitors could summon a new horse every time they whistled, allowing them to amass a near infinite number of eager steeds that faithfully followed them across Thedas. “You could go charging across levels and they’d all gallop behind you,” Jen Cheverie says, “It was beautiful.” Trotting into town became an epic horse siege as a tidal wave of mounts enveloped the streets. Jen called it her Army of Ponies”

The giants came from DA Week, an internal period when devs can pursue different individual creative projects that in some way benefit DA. They also had a board game from one of these that they were going to put in but they didn’t have time. It’s referenced though. It was dwarven chess

Josie’s outfit is made of gold silk and patterned velvet, with leather at her waist. She carries “an ornate ledger” and she has “an ornamented collar sitting around her neck, finished by a brilliant red ruby, like a drop of Antivan wine in a sunbeam”

Iron Bull’s armor is leather. His loose pantaloons and leather boots give him agility to charge

On DAI in particular, concept artists took special care to make sure costumes would be realistic, at least in a practical ‘this obeys the laws of physics and textiles’ sense. “While on Inquisition, we thought about cosplay from a concept art perspective. Given how incredible a lot of [cosplays] are, I now am not worried about them. In fact in some cases in the future I want to throw them curveballs like, ‘All right, you clever bastards. Let’s see if you can do this!’”

2 geese that nested on the office building and had chicks were named Ganders and Arishonk (it wasn’t known who was the mom or the dad). Other possible names were Carver Honke, Bethany Honke, Urdnot Pecks, Quackwall, Cassandra Pentagoose, the Iron Bill, Shepbird, Garroose, Admiral Quackett, Scout Honking, HChick-47 and Darth Malgoose

Bug report: “The surprising adventures of Ser Noodles!” DAI was the first time the series had a mount feature, meaning this had a lot of bugs. A lot of the teams’ favorite bugs were to do with the mounts. There was a period of time where the Inquisitor’s horse seemed to lose all bone and muscle in its legs. They had a week or so where all quadruped legs were broken. It was a bit noticeable in things like nugs and other small beasties but the horse was insanely obvious. “The first time we summoned the horse [for this] and started running around, the entire QA exploration room just exploded with laughter.” Its legs flapped around like cooked fettucine, leading testers to lovingly nickname it Ser Noodles. At galloping speeds the legs almost looked like helicopter blades, especially when footage was set to classic pieces such as Wagner’s Flight of the Valkyries

For DAI the artists were asked questions like “What would Morrigan wear to a formal ball? Can Cassandra pull off a jaunty hat?”

On DAI storyboarding became the norm. John Epler: “Cinematic design for the longest time was the Wild West. It was ‘here’s a bunch of content, now do it however you want’, which resulted in some successes and some failures.” Storyboarding gave designers a consistent visual blueprint based on ideas from designers, writers and concept artists

Quote from a storyboard by Nick Thornborrow (the Inquisitor going into the party at the end of basegame sequence): “Until Corypheus revealed himself they could not see the single hand behind the chaos. A magister and a darkspawn combined. The ultimate evil. So evil. Eviler than puppy-killers and egg farts combined.”

A general note on concept art:

In the early stages of any project, before the concept artists are aware of any writing, they like to just draw what they think cool story moments could be. It’s not unusual for the team to then be inspired by these and fold them into the game as the project progresses

– From Bioware: Stories and Secrets from 25 Years of Game Development

[brodependent]

Sam loves Dean as much as Dean loves Sam: a meta

Much as I love reading good meta, I don’t often write meta. Thus please accept my apologies if this is mediocre, and let me start with a simple topic sentence:

Sam loves Dean as much as Dean loves Sam.

A little longer, now: Sam is even better at loving Dean than Dean is at loving Sam because of Dean’s profound and abiding love for Sam.

Confusing, right? But not really.

We all know how Dean lives and breathes SammySammySammywatchoutforSammy. It’s his defining mission, his ultimate purpose, or, as a therapist might say, his “core belief.” But sometimes I think that we allow adult!Dean too little autonomy. We assume that he can’t help himself: he’s locked into this single-minded focus, on loving and protecting the only family he has left.

That sells Dean short. (Hang in there, I promise I’ll get to Sam in a moment.)

Even people who have been forced into a certain way of life have choices. Even people who have been told who they are all their life have choices. Dean tells us, in Season 14, I’m good with who I am--and I, for one, believe him. Whether we follow canon all the way to 15x17, when Dean is finally brought back from the edge of his desire for revenge against Chuck by his love for Sam (the only thing that’s “real”), or whether we keep to season 1 when Dean said--that’s all we have...that’s all I have... and I want us to be a family again and as long as I’m around, nothing bad is gonna happen to you--Dean has always accepted his role as Sam’s big brother. Dean’s life is unabashedly Sam-centric. He’d change a lot of things, but in the end he’d change nothing, because he wouldn’t change that. 

Some fans get very het up about the codependent aspect of this. Others (in my opinion, rightly) defend it. There’s scads of meta on why the Winchester dynamic IS necessary for their mythic role in the narrative, and their human role in the narrative (more importantly), so I won’t write that meta now. All I’m saying is what I think you already know: Dean lives for Sam, his baby brother, and despite the grief, the growing pains, the occasional cruelty of desperate love, Dean said it all when he told Sam (and us), Don’t you ever think that there is anything, past or present that I would put in front of you.

So where does that leave Sam, and his love for Dean? Let’s start with that line I just quoted. Building on the above, Dean’s goal in life is to give Sam a life. He wants Sam to be happy. He wants him to be free. He also wants to keep him by his side forever, to control him for safety and comfort’s sake, and sometimes those instincts of a frightened-child-turned-traumatized-man win out. Dean isn’t perfect. Dean’s full of contradictions. But time and again he goes back to stone number one: what he can do for Sam. What he can offer Sam, by being the grunt, by standing in harm’s way. 

When we begin the story, Sam has succeeded in the path Dean helped carve for him. I’m not taking all the credit from Sam here, and giving it Dean: merely pointing out that Dean stepped into traditional parental roles and helped send Sam into adulthood, even though that meant Sam leaving him. We know that the night Sam left for Stanford was one of the worst of Dean’s life, but even in mid-season 1, Dean tells Sam he’s proud of him. You always know what you want. You stand up to Dad. Hell, sometimes I wish I--

(this, of course, is beautifully echoed in the series finale itself)

Dean is telling Sam what so many parents tell their children: you have gone places I never could, accomplished goals I never could, grown in grace and understanding like I never could. At least, I like to think that’s what the best parents tell their children.

To Dean, Sam is always the one with more hope. More wholeness. More options. To Sam, Dean is stone number one. 

You asked how Sam loves Dean, and my answer is: just look. Look at how Sam goes out into the world young, stands up to their father, makes his own decisions, fights back against Dean’s own nihilistic narrative through their primary losses and setbacks. Dean gave Sam the safety to build a better worldview than Dean himself has, and Sam turns that right back around and tries to give it to Dean. 

What do you think my job is? You’re my big brother--there’s nothing I wouldn’t do for you. 

I can’t lose you.

You’re not a grunt, Dean, you’re a genius.

This is my life. I love it. But I can’t do it without my brother. I don’t want to do it without my brother.

I am going to save my brother. And then I’m going to kill you dead.

If you ever need to talk about anything with anybody, you got somebody right here next to you.

I believe in us.

This is just a small collection of Sam quotes showing his love for Dean. A small collection showing the persistent theme of Sam’s persistence. He knows that pushing chick-flick moments and emotional conversations can get jokes for a dime a dozen, and even the occasional punch thrown his way. He keeps at it anyway. When Sam knows Dean’s hurting, he wants to help. He’d do anything to help. He won’t sit around and see his brother turn into an embittered killer (season 2), go to hell for saving his life (season 3), take on the Trials (season 8), be irrevocably corrupted by the Mark of Cain (seasons 9-10), let him despair (seasons 11 and 13), let him sacrifice himself to an archangel’s grave (season 14), or let him lose his goodness to the whims of a vicious god (season 15). Sam fights for Dean with full use of his considerable gifts--intelligence, rationality, resourcefulness, and yes, the occasional blind rage. Sam looks to Dean, first as a leader, then as a judge, and finally as an equal. Sam has been looking up to Dean since he was four, yes, but over the course of the show he comes to look at Dean. With love, peace, understanding, humor, pain...whatever their inimitable connection requires.

The quotes I noted above also reveal Sam’s own conflicts rear up. Sam and Dean (again, in my opinion) are equally developed characters. Both have flaws and inconsistencies. Both have struggles inherent to their personalities and upbringings, distinct from those imposed on them by supernatural forces. 

Sam had a glimpse of a different life, once. He had the smarts, he had the drive, he had the sheer stubbornness to live a different life than John or Azazel or hell, even Lucifer had planned for him. But also in Sam--innate in Sam--is his core of goodness and compassion and the principle of doing right, which leads him back into the life and to soul-crushing sacrifice again and again.

Sam breaks and is broken. Sam suffers and ages and spends more time in hell than even Dean, who went to protect him.

But what keeps Sam going? Dean. Dean can’t live without Sam. We know that. The flip side is that Sam doesn’t want to live without Dean. Importantly, I think, he has more choice in the matter. Dean focused his whole childhood identity on giving Sam a life that meant he had choices, even if Dean didn’t know he was doing that. Sam can move through more crowds, more roles, more relationships. He has a better education, he has a more powerful ability to intellectually reason and detach. He would have made a great lawyer. Yet he casts all this aside out of sheer willpower, choosing instead to love Dean and live with Dean through the chaos of their lives, and to go near mad when Dean is gone. Consider Sam in season 4, Sam in season 10...Sam in season 8 trying to atone for the very choice that Dean (the best part of Dean) wanted him to make, even if the real muddle of Dean’s psyche couldn’t forgive him, for a time, for making it.

All of this leads us to the finale. 

You said you wish Sam had said I love you back to Dean in the finale. I argue that he did. He made his love perfectly clear to Dean in that moment by holding his hand, by looking in his eyes. He said, you can go now, when all he wanted was for Dean to stay. 

The best part of Dean wanted Sam to have happiness and freedom. At the end of his life, Dean was finally able to communicate that without fear or reservation. 

But the bittersweet brilliance of that moment is that Sam--the Stanford boy who went to hell and back, who saved the world, brought down one god and raised another--no longer wanted any kind of happiness or freedom that didn’t include the one person who’d been by his side all along. Dean was giving his blessing for a path that didn’t beckon Sam anymore. And yet: Sam said yes to it out of the love for Dean. Sam went out of that barn, out of the bunker, out of that day and that year and that decade and into the next and the next, out of love for Dean. Sam loved Dean by living. He loved Dean by raising another Winchester. He loved Dean by holding all their contradictions, flaws, and heroisms in his heart (in their car), until he’d done what he set out to do many times over. 

Then he met Dean on a mended bridge, dressed in old clothes that said: I was happiest at the beginning. I was happiest when we could be brothers again. I took my time getting here anyway, because I know that was what you wanted. I took my time so that we could be happiest now.

If that isn’t love, I don’t know what is.

[lonslibrary]

things the netflix shadow and bone got right and wrong—my reaction to the show (🚨 contains spoilers, pls read at your own risk!!)

- to start on a positive note! the shadow and bone characters: i, like many others, didn’t care too much for shadow and bone with the exception of nikolai and am also half convinced a different person wrote soc judging by how little i enjoyed reading s&b compared to soc and crooked kingdom. however, i thought the show was enjoyable and got the characters spot on. alina was more likable, mal was not bland/douchey at all, and i thought ben barnes as the darkling hit every right note.

- highlights included genya and david; though they didn’t have too much screen time, genya was stunning and david was almost exactly how i imagined him when reading the books. i’ve grown attached to them, and yes, i’m pretending row chapter 20 doesn’t exist :-)

- cgi and costuming was also super impressive. loved the keftas, loved the crows’ outfits, and the stag, the fold, and all the grisha powers were really, really good.

- moving on to the crows, i will say i thought casting was some of the best i’ve ever seen throughout all ya adaptations, although i know there are some things that could have been improved, including the fact that danielle galligan, who plays nina, isn’t plus size (no hate to the actress, pls). however, all the reviews i read praised kit young and i could see very obviously why. his jesper was spot on—exactly as i had imagined in the books. i’m willing to bet kruge on the fact that he falls within everyone’s top 5 characters. loved his character in the books, and kit was perfect for him.

- amita was also a stunning inej. her knife/acrobatic skills were all there like i imagined and i thought she portrayed the character very well on screen. i was so invested in her menagerie backstory when reading so i was happy to see some of that get into the show as well.

- ok, now my thing about kaz: freddy carter’s performance was perfectly good! i had no issues with his acting, but i think the show, meaning the producers/writers, haven’t fully understood kaz. don’t get me wrong, the introductory scene with all the crows in ep 1 was fabulous. jesper shooting the coin, kaz’s cane being on screen first, inej’s silent appearance. i really enjoyed the grittiness of kaz, the way his bare hands weren’t shown once, his hair, his cane, how he sweat, etc. however, i thought they overdid it with the pekka rollins backstory, which i think could have been saved for later seasons, and i wanted non-readers to be introduced to a more brutal, calculating, brooding, and genius kaz. i know he isn’t like that all times, but i felt like he was kind of on the defensive(?) very often, raised his voice when it wasn’t needed, etc. i wanted more of his smart, scheming moments like when he double crosses the conductor. not sure how to explain it, but his character felt a bit off at times. maybe i’ve read the books too many times to the point where i’ve kinda made him in my head very specifically.

- nina and matthias: loved danielle and calahan’s performance, i know some disagree but i think the actors were also pretty spot on to how i imagined in the books. their lines most alike to the books as well so i loved hearing the quotes. i did feel that their relationship moved too quickly, though. i definitely feel like matthias would have taken up a bit more time than that to warm up and i know how it goes in the books, but on screen it felt really sped up to the point where i was like already?? i feel like with how much they put into the very little screen time they had, this could’ve been saved for flashbacks in season 2.

- the combination of the two series did worry me but it was pretty smooth! i liked where the crows went, how they kinda came together in the end, but i’m also glad that they’re separating after all. i’m so invested in seeing the soc and crooked kingdom storyline come to life exactly how it is in the books so i don’t want any more interference lol. i am worried about how the timeline is gonna work in season 2 because obviously the civil war has not ended, but i really liked how the last episode set us up for season 2. (also a random note, but the show was very dark lol i had my brightness up all the way the entire time)

- HIGHLIGHTS: milo the goat (mvp of the show), jesper tumbling the stable boy, all of jesper’s lines, really, the darkling’s office/room setting, genya and david’s one (1) singular scene together, the darkling’s kefta, the child actors portraying alina and mal, the way the stag’s bones connected alina to the darkling (super grotesque, but a good portrayal of her becoming his prisoner), the CUT omg, that one scene when jesper pretends he didn’t shoot on dime lions territory, the scene where the fjerdans attack alina in the forest, kaz avoiding the cut, kaz saving jesper from the cut, inej’s knife battle with the heartrender, kaz stepping in front of inej to face the volcra, FEDYOR AND IVAN omg, kaz’s “jes?”, queen baghra, the darkling coming out of the fold at the end with his monsters that are impossible to spell, and more i can’t remember after binging the show until 3AM.

- in conclusion, it lived up the excitement for sure, and i’m ready for season 2!! especially with the way the last episode ended. i’m very eager to see my faves, nikolai and wylan, and cannot wait to watch where the grishaverse takes us next.

do you agree or disagree with my thoughts? i want to hear everyone’s opinions!! feel free to drop comments below :))

[ghostietea]

On Tohru and Akito: a long overdue analysis

As some may know, Tohru Honda and Akito Sohma from the manga Fruits Basket are pretty much my all time favorite protagonist/antagonist pair. They just work incredibly well as thematic pieces and driving forces of the story in relation to eachother. And beyond even the surface level they have a rich and layered goldmine of parallels that make them fascinating to think about. While it may make many a newbie raise an eyebrow, I think this is a fact that is to some level pretty widely acknowledged in the fandom proper. However, there is another level of their relationship that is often mostly left out of analytical conversations about them and their parallels: their eventual friendship. Something which, partly due to screentime, is often somewhat simplified down and misinterpreted. Which I think is a shame because, when you look at it, their eleventh hour friendship is deeply interwoven with their parallels and the very thematics and ending of the story. So then, what’s really going on with the girls that stand as part of the thematic core of Furuba? Beyond (most of, true analytical objectivity is impossible in interpretation) my personal sentimental feelings, let’s talk Akito and Tohru: their parallels, relationship, and role in the story overal. Read more present, this is going to be a long one but I hope you stick around 😊

One facet of Akito and Tohru’s role in relationship to eachother that I think is both interesting and imperative to understanding their purpose is their nature as eachother’s foils, especially their parallels. See, the two girls are both opposite and the same. Takaya sets them up as foils before we even properly meet Akito, as you can see in these panels: 

However, their foil relationship becomes a lot more intriguing once their similarities become more apparent later in the story. Just think about it: two girls with boy’s names whose fathers died when they were young, leaving them alone with their mothers, who both developed behavior that, according to the environment that they grew up in, would keep them from being abandoned. Akito, coming from the cultish Sohma clan where she was treated as a God to the point that she thinks she can do no wrong and has tied all of her self worth to the role, plays the part of a male ruler who must uphold tradition and keep the zodiac with her by any means. Akito is terrified of being abandoned, especially since she has no idea how to have relationships outside of the context of the bond, only exacerbated by the fact that Ren, one of the only people that openly questions her role, has constantly told her that she’s useless and will be abandoned. This is something that informs all of her (many, terrible) decisions and leads her to try desperately to keep the curse together, something which puts her in direct conflict with Tohru, who actually wants the curse broken in part so that she won’t be abandoned. Tohru may not be as obvious with her abandonment issues as miss screeches-at-people-not-to-leave-her, but they still inform a good deal of her character. Like Akito, she develops behavior around the time of her father’s passing to try to keep herself from being abandoned, mirroring her father’s proper speech because she was worried that she was losing Kyoko.  But, as she grew older in her much warmer environment, Tohru turned to kindness instead of fear to capture others, maintaining a facade of extreme positivity, politeness, and determination so as to not bother anyone. And, while she hides it, Tohru just gets worse after losing her mother. She becomes dedicated to preserving her feelings about her mother as is, refusing to move on much as Akito also refuses to move on from the curse and what her father wanted. Then comes the beach house reveal, where Tohru learns that Akito plans to take away her new family, even locking up the one most precious to her. Tohru tells herself that she’s going to break the curse for the freedom of the zodiac and cat, but she is also, in a way, doing it to keep herself from being abandoned. Later this feeling changes to become more focused on preventing the loss of Kyo himself, something which Tohru doesn’t want to admit. Tohru is a truly good and kind person and does want to help, yes, but also some part of her is doing this to keep the ones she loves by her side, understandably as she is a teen that recently lost the person she revolved her whole life around. But it comes to a point that you have to realize: Akito and Tohru are both motivated by the same thing, they just present it in wildly different ways. I don’t think that I have to explain how exactly their behavior foils eachother, the more worldly and modern Tohru acting on radical kindness and acceptance and thinking she deserves nothing while the sheltered, traditional Akito uses manipulation and fear to get what she thinks she is entitled to. It’s very apparent, but just gets even spicier in the context of how similar they are. Another parallel is in Tohru’s mom picture vs Akito’s father box, both relics of their dead and favorite parent that they are extremely protective of and treat almost like it is their deceased parent. Early in the series Tohru is seen carrying around a photo of her mom which she talks to, something which seems pretty harmless, until we consider how terrified she is every time she thinks she’s lost it, even going as far as to refer to it as if it were her mother.  Notably, it barely shows up in the second half of the series, as she reluctantly drifts away from her mom and towards Kyo. In this later part of the series, we are introduced to Akito’s box, which she (semi, it’s complicated) thinks contains her father’s soul. Akito’s box is shown in a much darker light, from how the reveal of what it us to her is framed to how cruelly she reacts when it’s being stolen. Akito’s box is to Tohru’s photo what their owners narratively are to eachother: a dark mirror.

Ok, and now for the reason that I think it was important to bring all these parallels up first: because as you cannot understand Tohru and Akito as enemies without understanding their differences, you cannot understand them as friends without knowing their similarities. While it is easy to write off Tohru reaching out to Akito as just another case of Tohru being Tohru, that does a disservice to the full picture. I’ve seen around in the fandom that a good deal of people seem to think Tohru trying to befriend her is just Tohru being overly kind and forgiving, and this is something I think ties back a bit to some early fandom misconceptions about Tohru. Bear with me for a second, this is going to be a bit of a tangent but it ties back. It’s died down some now, but in the early Furuba fandom it was very common to just think of Tohru as a pretty flat nice girl doormat character, which besides misogyny is probably partially the fault of the 01 anime, which cuts off before we get to see more of Tohru’s insecurities and tones down what we do see (also, in the case of the relationship I’m talking about, 01 ads in that God awful end confrontation that I despise for being everything that I’m about to argue the ACTUAL confrontation that I like is not). Manga Tohru is a very subtle character, she hides a lot of her feelings behind a perpetually happy front which doesn’t start to let slip until later. And, since it’s later on in the manga which went unadapted for years and is mixed in with a bunch of crazy stuff, I think Tohru’s quiet development is often somewhat overlooked. For example, early series Tohru is very well known for the speeches she gives to the zodiac when she first meets them, speeches that, importantly, always tie back to things that her mom said. Tohru’s worldview back then revolved completely around Kyoko, so it’s probably a bit of a thing that in the later story, when Tohru draws ever nearer to the realization that she must move on, she does not give her mom speeches anymore? As opposed to the early story, when it was pretty much back to back character intros, in the late story Tohru notably only gets to befriend two new Sohmas: Isuzu and Akito. Notably, she doesn’t quote her mom either time, these are both people that she can relate to on some of her more hidden issues, and she shows a more personal side of her emotions in her turning point confrontations with them than she did earlier. It is especially important to realize that, in her confrontation on the cliff, Tohru is deciding that she is willing to go against her mom. Early series Tohru was a front anyways, and is a different Tohru from the one that finally gets through to Akito. I was using it as an example, but the evolution of Tohru’s befriending confrontations will be important later. Furthermore, there is the perception of Tohru as a doormat. Listen, Tohru may be very kind and polite, but one of her defining characteristics is being very determined and strong willed when need be. This is something that is especially relevant to her interactions with Akito. From the first meeting outside the school, Tohru knows to be wary of Akito and even breaks politeness and shoves her when she senses that Akito is making Yuki uncomfortable. This sets up immediately that Tohru can and will stand up to Akito. This is driven in even farther at the beach house, when Tohru, after again physically getting between Akito and a zodiac, decides that she will directly go against all of the Sohma family’s centuries of tradition and Akito herself to break the curse.  There’s even a cute moment when, upon remembering Akito telling her not to, Tohru just decides to meddle even harder. Tohru, while polite about it, does not like Akito and puts herself in direct opposition to her. Tohru does not originally want to be Akito’s friend, or to have anything to do with her. The cliff scene is not just Tohru befriending someone because she just is over forgiving and loves everyone (an argument can be made that she still goes to easy on Akito, but it’s in line with how the narrative treats her too so that’s another conversation), there was a specific reason both that she chose to try to get through to Akito and that it actually worked. Up until their big confrontation, Tohru still thinks of Akito as a threat, and while she has gotten more information that shakes up her view of Akito, she still doesn’t understand her well enough to see her as much more than an obstacle. Then Akito barges into her yard when she’s just been rejected, crying and confessing how terrified she is of being abandoned, of things changing, and Tohru just goes still, eyes wide in shock. And she realizes: her and Akito have been afraid of the same thing the whole time.  This is when Tohru decides to try to reach out to her. Because Tohru, on a deep level, sees Akito because of their similarities.  She calls Akito out on her insecurities, and Akito reacts badly, accusing Tohru of being “dirty” and trying to condescend.  Tohru partially rebukes this, not trying to hold herself above Akito as pure and righteous, but instead confessing her own fears of abandonment and change in an attempt to empathize with Akito.

At this part of the story, Tohru is fully coming into the realization that, in order to live her life, she needs to stop clinging to this idea of an “unchanging” relationship with her mom, something that scares her quite a bit. She realizes that, while she saw the flaws in Akito’s “eternity” and tried to destroy it, she had not been as perceptive with herself, clinging to that same notion. Tohru is an incredibly repressed character, especially in regards to emotions she thinks of as “dirty,” and she is showing a remarkable amount of vulnerability in this scene. Another thing to note about Tohru is that she, in her immense repression, will often process her own issues through other people. We see this throughout the story, from her showing grief over her mom by crying for Momiji and his mom to her projecting her fear of losing Kyo onto Kureno and Arisa. So then, it’s quite something to consider that the last Sohma she befriends is the one most emblematic of the issues she keeps locked up tightest? That as she’s speaking to her she’s deciding to move forward from her own fears? In a way, could accepting Akito be a symbol of Tohru accepting what she thinks are the darker parts of herself? Akito is also coming to a realization about moving on, acknowledging that the zodiac curse is coming to an end and that everything she believes is a lie, and she is absolutely distraught about it. But Tohru, in a way that nobody else does, understands Akito, and wants Akito to be her friend. Not out of pity or reverence, but a desire for solidarity. And this is the very reason why Tohru was actually able to get through to Akito. As we see with Kureno before he gets stabbed and Momiji at the beach house and when his curse breaks, it’s not like people haven’t kindly tried to get through to her before.

Of course, the reason it worked for Tohru can also be partially chalked up to the fact that Akito herself has come a long ways in personal realizations to the point that there’s just some things she can’t deny anymore, but that’s not all. Akito tends to react very negatively to what she sees as condescension, she thinks people want to try to pick her apart and see how she ticks just so they can look down on her, so they can see her as lesser. She thinks Tohru is trying to condescend too at first, especially since she perceives Tohru as this holier than thou saint wannabe. Fascinatingly, Akito’s view of Tohru is incredibly similar to that early fandom idea of Tohru as an angelic mary sue, and she hates her for it. She thinks that Tohru is trying to be like this and is seen as such, and that she (Akito) is the only who can see that Tohru is wrong somehow.

But Tohru rejects this notion of a pure her that both the fandom and her early self tried to project, presenting herself as flawed and human and purposefully trying to not put herself on a pedestal above Akito. She makes it very clear that she’s not trying to condescend, she is the same way (well, sorta) and she gets it. Notably, after this point Akito doesn’t accuse her of looking down on her, instead freaking out temporarily because of how much Tohru called her out before venting about her fears to her. And, while, partially due to outside circumstances, it does take Akito a bit longer to accept her offer of friendship, she legitimately manages to get through to her very soon after this point. If Tohru had tried one of her early series mom speeches on Akito, or just tried to blindly accept her without understanding, it would not have worked. Akito would have just written it off or reacted badly and left it there. But because Tohru tried to befriend Akito out of understanding as an equal it actually worked. You can’t separate Akito and Tohru’s parallels and their eventual friendship because one aspect is integral to the other.

A connected aspect of their relationship that I see talked of very little but is actually a pretty strong undercurrent is that of equality and power. To explain this, we have to look at Akito for a bit. Throughout her life, pretty much everyone around Akito has either put her on a pedestal or looked down on her. This is something that not only greatly damaged the way she thinks of herself and others, but has given her an intensely hierarchical view of relationships. We even see this notion clearly take form for her in the black paint scene, where she decides that Yuki, who she’d previously seen as the same as her, has to be lesser or else she will become useless.  From the moment Akito was born she was “God,” an existence above everyone else. Even her own father only seems to give her affection for being God, and when he dies and she takes his place as the head of the family she is just elevated even farther at an extremely young age. The only people (she thinks) she’s close to are the zodiac, and the curse itself puts an inherent power dynamic into that relationship that can only be overcome with its undoing. Akito clings to her power, to her rank in the hierarchy, all the while the very thing she desperately upholds has made her the real outsider. Akito, who does everything in the name of belonging, was always alone from the start. As Tohru points out, as long as she is above the group she cannot be a part of it.

Simultaneously, and almost contradictory to the pedestalization and power dynamic aspect, Akito is extensively coddled and pitied. A lot of the older adults around her treat her almost like a crotchety, spoiled child. A child who is coddled to the point of never being given any reprimand or instruction on just how to behave like a functional human being until things have gone far too far. Then you have cases like Kureno, who seems to still see Akito like a kid, pretty much just coddles her as a job, and only stays because he pities her. This leads to a strange dual sided dynamic in multiple cases, where Akito is seen as someone’s better and has more power but is also being looked down upon in a way too. Akito has never in her life been seen and treated as an equal, so it’s pretty important when it is made clear that Tohru tries to befriend her as an equal. After all this time, Tohru, an outsider that is not under Akito’s control, who can hold her ground in a challenge against her, is finally the one to meet her on the same level. There’s this page that I adore that symbolizes this idea really nicely. It opens on a panel of Akito sitting a distance away from the zodiac who are all having fun together, a motif we’ve already seen a few times, but this time Tohru sits down right next to her.

This page comes at a critical moment, when Tohru is offering her hand in friendship to Tohru, it’s Akito realization of what Tohru is trying to do. Later on, we get Akito narrating what this page was showing, which I think I just need to put in:

We also see a bit of their conversation after they reunite in the hospital later, where Tohru again denies that she is better than Akito. Now, I think both the Tokyopop and Yen Press translations of this scene are a bit weird, the Tokyopop version uses the word “pretty” (confusing) while the Yen Press uses “kind” (don’t think that’s the best word). However one time I saw like a Malaysian english release in the half price books that used “pretty on the inside” and I like that best so I’ll just pretend that’s it.

I think this scene is interesting because it could seem like they’re just talking about morality but that’s not it. This is, once again, Tohru pretty explicitly trying to stop the creation of any sort of hierarchy between her and Akito. It’s not about right or wrong, Tohru know very well that Akito’s done things wrong and actively worked to stop her, it’s about not wanting them to be put on some sort of different rank based on morality and Tohru understanding Akito enough to empathize with the fact that (wrong or no) Akito was really hurt by Tohru and they won’t get anywhere if they don’t acknowledge that. Furthermore, I’ve already talked a bit about it already, but I think the way that Tohru asserts that she gets what Akito’s feeling and thinks she herself is “dirty” during their confrontation is relevant here too. She is, again, presenting herself as someone on the same level who understands Akito and is not being nice out of pity. This then leads to the page I talked about before which is again, Akito realizing this! This is a huge moment for her, someone who has had all of her relationships messed up by inequality and has no idea how to have a normal relationship, who is having a breakdown because she thinks that because of this it’s too late for anyone to love her, to have someone who understands her and wants to meet her on the same level. Even if she tries to deny it and shift blame, at this point Akito has realized that the zodiac bond is not what she thought and that she has been acting horribly. The groundwork is already there for Akito to have a change of heart, especially considering that a lot of her horribleness stems from legitimate extreme ignorance and her obsession with the bond so once she’s snapped out of that… The main thing that’s holding her back past that is that she’s panicking and cannot see a way forward. So then when there’s someone who actually gets where she’s coming from instead of just tolerating her and is offering her the sort of friendship that she’s never gotten to have of course she’d go for it! Tohru Honda has proven Akito wrong in ever way and, in the end, she even proves her wrong on her greatest fear: that she can only be wanted because she’s God. Because of Akito’s specific issues, nothing could have been more powerful for her than someone coming to her as an equal. Again, the piece about why Tohru could get through to her. It just wouldn’t be the same if Tohru didn’t have a reason to want Akito around or if she somehow saw Akito as below her, the very core of their relationship is the destruction of hierarchies. From the beginning Tohru has been trying to destroy the hierarchy of the zodiac, and when it comes down to it she does not take Akito’s spot at the top, but decides to stand beside her and the zodiac instead. Early in the series we see Akito trying to have some power over Tohru through fear, but when the time comes and Akito is pretty much defeated Tohru does not take power as the victor, hoping that Akito joins her instead of being somehow defeated. And at the end of it all this works, and Akito dissolves the zodiac and with it most of her power and her godhood of her own accord. 

Despite their relative lack of page time, Tohru and Akito’s relationship has always been something that I come back to. Sure, a lot of that is just sentiment as they meant a lot to me when I was younger, but I think there’s something there. They work amazingly as protagonist and antagonist, contrasting nicely and working as symbols of both sides of the thematic conflict. There’s a palpable tension to their early interactions that makes you both scared and interested to see what happens when these two inevitably have to go head to head. But then, as the story goes on, it seems more and more like they are a tragedy, so similar yet on different sides of the story, fated to have one of them stuck with an unhappy ending brought on by the other.

But, even as dark as it gets, that wouldn’t really be Fruits Basket, would it? In the end, Tohru and Akito’s similarities win out, not their differences. I think it would have been so easy to just make this a story where the sweet heroine “saves” the villain just because, but that is so blatantly not what’s going on. Tohru simply sees herself in Akito, she’s not trying to somehow fix her and nor should she have to, she just wants to be her friend. And then the two manage to overcome their driving fear of moving on, forging new bonds and inspired by their interaction with the other. It’s not like Tohru somehow fixes Akito’s problems, Akito has to do things herself and in fact independence is a big theme of her endgame arc. Tohru simply offered her friendship, and that was enough. There’s a distinction to be made between how Tohru inspires Akito and Tohru somehow “saving” her, because Akito very much has to learn to save herself in the end after a lifetime of pushing her issues onto others. And, as a side note, all this is sort of why it bugs me when people act like Tohru would be like a mom to Akito. First off, Tohru shouldn’t have to be the mom to everyone. And, kind as she is, Tohru is also not a Kureno, she sees and interacts with Akito in a completely different way and their relationships with Akito are one of the big points were Tohru and Kureno differ. Second off, Akito has spent her life coddled and clinging onto anything that she can hold onto as a resemblance of parental affection to a toxic degree. Part of her arc is that she needs to grow out of this, become more independent, and have more balanced relationships. Akito at this point does not want or need to make a mommy figure out of one of her peers, and doing so may in fact be regressive. Sure, she will definitely need a level of guidance going forward, but it would be more beneficial for her to learn from example and under more of a friendly, balanced context coming from multiple people, not one person holding her hand. For all the reasons I’ve gone over in this entire post, I think it is much more meaningful for Akito to have Tohru as what she was canonically presented as in text: someone who sees her as an equal. The whole point of their relationship is, again, the defiance of hierarchies, something which I think is often sorely overlooked even though it is very openly there in text. And that, in part, is why I think their relationship is so powerful to me. Beyond hero and villain, right or wrong, or any story roles, it’s about two girls finding solidarity and friendship on a very personal, human level. This is Akito for the first time being seen not as this distant, untouchable male deity or some pitiful being, but as a flawed, hurt human girl who is nonetheless capable of change and being loved. This is Tohru coming out of hiding, presenting her flawed, terrified human self to someone she saw as an enemy. Fruits basket is, in part, a story about friendship and defeating systems of power and abuse. Even in a messy third act that muddles its themes at times by weighing character endings too heavily on het romantic love, especially in regards to the women (Hello Rin, Machi, Uo, ect.), Tohru and Akito stand out as a friendship that is given a huge amount of narrative weight. It just feels nice that, in a story that often focused on the power of relationships between women only to ditch all that and focus primarily on their relationships with men, these two girls are one of the driving forces of the endgame. The curse didn’t get broken by romantic love, but by the friendships everyone made along the way, including Tohru and Akito. Tohru has gotten it to this point, and now Akito just needs to bring it to a close and finally end things. At the very beggining, before this all started, all the cat wanted was for the God was to move forward and live as a person among the humans, and, finally, a long time later that wish was granted. The tale of the zodiac gets its happy ending not by a villain being defeated, but by the power of friendship and solidarity between women.

[meeko-mar]

Can I just compare Bakudeku to Korrasami for just a moment

Not as in, their relationship, but in terms of fandom experience, perception and how it became Canon.

So, some years ago, LOK was on it's 4th and final season. So of course, shipping discourse was high. Who would Korra end up with? Would she end up single, be back with Mako?

Or....there was a big calling for the couple Korrasami, that is, Korra and her female friend Asami, to get together.

Now, up until the point of the finale, (and grant that I haven't watched in a while so I'm speaking in an overall sense and recalling my experience) Asami and Korra had been teaming up more and more. Korra had been really, badly, injured in the last season, leading to her isolating herself in the SWT for about 2 or 3 years to heal with Katara, and upon heading back to Empire City, she takes an abrupt turn to spend more time isolated and on a sort of spirit journey in the wild because she didn't feel ready to face her destiny and her friends and was suffering from PTSD. She later returns to EC, and to Asami, and they are close together for the season.

This all caught the attention of the Korrasami shippers who had, at the time, kind of only been casually shipping them because, hey, wouldn't it be nice? and they were slowly and steadily getting more crumbs, and the ship gathered momentum as the seasons progressed.

But lo and behold, everyone else was saying such things as:

"they're a female/female ship, it will never happen, even if you want it to" (even shippers of Korrasami were resigned to this because the precedent in youth animation in western cartoons at the time, was of course, not inclusive of same sex couplings).

We SAW the subtle development between the two and DARED to hope and dream that it might one day become canon, even though we thought it unlikely because of the trend towards heteronormativity. We saw their interactions and toiled over if they were trying to hint at something more between them.

"They're just friends. You're reading into it"

Because the "just friends" behavior of Korrasami in later seasons were:

-Asami being deeply supportive of Korra when she was injured (and for a time, disabled) Like, literally, getting on a knee, putting her hand into Korra's and saying "I'm here for you, for ANYTHING you need" kind of supportive, even offering to COME to the SWT with her. (Korra sacrificed her desire to have Asami close because she didn't want Asami to drop her duties as basically a CEO to tend to her)

-Korra receiving letters from all of her friends during her healing period, but ONLY responding, in a very beautiful letter, to Asami's.

-Korra honestly apologizing for being gone so long without writing more than one letter or sharing more of what was going on or where she went

-Asami complimenting Korra's new hair and Korra BLUSHING and looking SO charmed(and returning the compliment of how amazing Asami always looks) --there is no hetero explanation for this.

-being battle partners and constantly having each other's backs

-Asami protecting Korra from pursuing enemies while she's in the Spirit World(leaving her physical body vulnerable)

-other characters in their circles being literally like "What's going on with you two??"

-Culminating in the final episode after the final battle with Asami breaking down, confessing that she wouldn't know what she had done if she had lost Korra in that final battle(she'd even lost her father the same day) AND THEN Korra comforting her and suggesting that they, the two of them, alone, take a trip together, to get away from it all for a bit.

-It ends, when They literally walk into the spirit world portal holding hands and staring lovingly into each other's eyes as the camera pans from them into the spirit portal

Which, LET ME TELL YOU, watching this when it first premiered, for the first time, WAS AN ALMOST TRANSCENDENT EXPERIENCE. It was a soft scene, emotional, beautifully animated, and the MUSIC just hit you right in the heart. Like, they didn't even kiss to really hammer it in that THEY ARE IN LOVE, however, it was an EMOTIONAL PAYOFF and there was NO arguing that they were not a couple. Creators soon after confirmed, yes, they are both bisexual women, and they are in love.

And so, you could definitely say that Korrasami could have been interpreted as just "Very Good Friends" behavior, of "Gals being Pals", and many people DID argue that, and would later claim that there wasn't "enough build-up to the relationship". And part of the atmosphere in media back then(esp. Nickelodeon at the time) they really couldn't be blatant about it up until that ending. It was even a thing that Nickelodeon had been kind of shooting them in the foot for a while with switching around air times, and eventually taking it off air and putting it only available to view ON THEIR WEBSITE. There was a lot of fuckery with the studio at the time, and It wouldn't have been far off to think that they had issue with the idea of this series ending with two girls together romantically.

..

It just kind of makes me think of people telling BKDK, not only "They're m/m, it'll never happen in shonen manga" but ALSO anything from "they hate eachother" to "They are toxic because Bakugou bullied him(blatant disregard for any current development of Bakugou's character) and so it can never ever happen" to "Ok sure they're becoming friends again, but that doesn't mean they love each other or will by the end of the story"

When arguably, Korrasami was basically given the same dismissal.

And my dudes, it's only gonna get more intense from here.

Like, Bakugou and Izuku are friends now(again). There's no denying that. They would literally die for one another. Their relationship, and the emotions between the two of them in the coming arcs will only be compounded, with how the last arc left off and how Izuku SUDDENLY left and how Bakugou has so many unresolved feelings, and how, like Korra being the Avatar and having to save the world multiple times over(and the PTSD she got from it), Izuku is carrying a heavy burden that Bakugou is determine to help him see it through to the end without LOSING Izuku in the process. Their stories are so closely tied together and they are SET to return to each other, and it CANNOT end WITHOUT them being together, in some capacity, even if it is just platonic.

So...I wouldn't write BKDK off just yet. We're at the same spot right now that Korrasami shippers were when they were starting to seriously think that there was something canon about Korrasami.

So, Am I saying that I for sure, 100% believe that BKDK will become romantically canon? Not really; the hurdle of it being a Shonen-oriented manga being actively marketed for boys, is admittedly a huge hurdle to overcome, and I, as an American, cannot begin to understand all of the cultural barriers, or implications breaking any of those barriers would have to a Japanese audience or for Horikoshi/his career as a manga-ka.

I still don't know what Horikoshi is thinking when it comes to BKDK, he's obviously very private and all we can do is speculate on what he feels about it; there's still a possibility, however small, that he may actually be the biggest BKDK of us all, and "telling the story he wants to tell" may yet include BKDK becoming canon(that quote may also have nothing whatsoever to do with any romance, but we don't know)...But, much like I was at the point in the Korrasami tale, I'm still painfully aware of the precedent that remains in the way.

Like the Korrasami tale, though, I suppose there is that possibility that we will see something completely amazing and groundbreaking, and I will once again have that transcendent experience where an unlikely ship suddenly becomes reality. At this state in the Korrasami tale, I had NO IDEA that we were shipping the real, canon deal, and it honestly surprised me, being that I usually attach myself to something that never becomes canon, lol(*cough*Zutara).

We're in the thick of it now, we just gotta wait it out and see.

[marshmallow-xphile]

My thoughts on the sexuality of some of my favorite X-files characters.

I posted this in my X-files amino back in June as part of a LGBTQ pride challenge and for some reason I only just thought to post it here as well.

Fox Mulder: openly bisexual

Mulder is so open sexually that I really don't think gender matters all that much to him. He does seem to prefer females but I wouldn't be even remotely surprised if he had a boyfriend or two in the past. I don't think he's flamboyant about his sexuality but I don't think he'd hide it at all either

My evidence:

In the season one episode "Ghost in the Machine" we meet an Mulder's ex-partner, Jerry, and I absolutely feel like there is an ex-lovers vibe to the both of them. They hug upon first seeing each other, Mulder looks incredibly happy to see him, when Mulder says they worked together Jerry corrects him to say they were partners at which point Mulder looks over at Scully as if to see her reaction. Mulder has this real guilty look to him. When Jerry acts a little self conscious Mulder is real quick to jump in and reassure him. They get in each other's personal space. It just really leaves me with the impression that they care deeply for one another and broke up for other reasons, perhaps the different career goals as Mulder tells Scully.

We also have Mulder with Krycek. From the very beginning of Krycek's involvement with the X-files I feel like the writers went out of their way to make a correlation between the change in partnership and a new partner in a relationship. There is a scene in Sleepless where Mulder and Scully are on the phone and Mulder tells Krycek he'll be right there, the rest of the conversation feels reminiscent of two exes chatting about the change brought about by the new relationship. Scully even brings up that it must be nice having a partner who doesn't question his every theory.

There were many scenes in Sleepless, Duane Barry, and Ascension in which Mulder and Krycek were alone but that we never got to see who knows for example what the two of them got to talking about while they were stuck in traffic during the drive to New York in Sleepless. Or how often they hung out between Sleepless and Duane Barry.

During Mulder and Scully's partnership Mulder only called her 'Dana' on a few emotional occasions. He started casually calling Krycek 'Alex' almost immediately.

Let us not forget the infamous speedo scene. While yes it definitely showed more of a Krycek attraction to Mulder than the opposite. It does make one wonder what led him to wear such a revealing bathing suit. How many straight men do you know who wear speedos? My guess is few. How many straight men wear speedos when they can reasonably assume their male partner will show up looking for them? Not many would be guess.

And then there is their relationship after Krycek is revealed to be a traitor. They both tend to act more like scorned lovers than enemies and notice that it's Mulder, not Krycek, who cannot seem to keep his hands off the other. Seriously it's like every time Krycek shows up, Mulder immediately grabs him.

Now here's a couple quotes from Mulder,

Krycek tells Mulder he most be losing it because Krycek beat him with one hand. Mulder's immediate reaction: "isn't that how you like to beat yourself?"

When the little man in Humbug is lined up pretty much exactly with Mulder's crotch he says that Mulder would be surprised how many women find his size alluring. Mulder's immediate reaction: "you'd be surprised how many men do as well"

How many straight guys do you know comfortable enough with their sexuality to make a gay innuendo? I personally cannot think of any.

Dana Scully: bicurious

I believe that Scully is sometimes attracted to women. It definitely is not as blatant as with Mulder and I really don't think she's had any past girlfriends but I definitely think that there is an attraction.

My evidence:

In the episode "Ice" I really felt like there are a few tender moments between her and Felicity Huffman's character especially while they were examining one another for the worms. That examination had a sort of sexual energy to it I thought.

In the episode "kill switch" theres a moment where the Invisagoth asked if she could have her handcuffs removed or if she should type with her tongue. Mulder mentions that she doesn't want a vote there and the look on Scully's face and the way she licks her lips, I definitely get the impression that she would have been perfectly happy to see what Invisagoth could get up to with that tongue.

Some people point to Scully's relationship with Reyes as evidence of her bisexuality, I personally don't see any attraction there on Scully's side but I don't think its outside the realm of possibility.

Monica Reyes: Closeted lesbian

This one's probably a surprise I know there was something between here and Brad as well as a flirtation with Doggett so you would probably think she was Bisexual but honestly was either one of those even remotely convincing? To me they weren't. I believe that Reyes is a lesbian.

I kind of go back and forth on whether she's open about it. Reyes is very spiritual and open so it seems strange that she would be in the closet but maybe she has a reason, fear of it affecting her career in the FBI perhaps? It just seems strange that she keeps pursuing these heterosexual relationships she has no passion for unless she is trying to hide her true passion.

My evidence:

I admit I really have very little evidence but look at the relationship between Reyes and Brad Follmer. It had all the chemistry of two people who got really drunk once and cannot remember sleeping together. I don't for a second believe she was ever in love with Brad nor he in love with her.

Then you've got the same thing between her and Doggett. Yes the writers were obviously trying for a romantic angle with the two of them but to me it never came across as convincing. It seemed more like she thought of him as a good friend and figured she might as well date him, I saw no evidence of love or attraction.

On the other hand look at her and Scully. While I feel like the attraction there was one sided I definitely feel like Reyes was into Scully or Dana as she would call her. Reyes was willing to risk her life for Scully and yes that is her job after all but Reyes seems to take that above and beyond and it's not just Scully herself but also William. Look at how protective Reyes is of William in The Truth and of the sacrifice Scully made in giving him up. She seems to care even more than Mulder on that.

Cigarette-Smoking-Man: Asexual

CSM has probably had sex at some point, he is of course the father of at least three children but I do not think that he was ever in love with any of these women or even attracted to them. I believe they were all just a means to an end.

I believe that CSM's only love was for his cigarettes

Evidence:

There is a little bit of evidence that he might have actually felt something for Teena Mulder but I don't buy it. He freely admits that he felt nothing for Cassandra Spender but he must've been convincing if he got her to marry him and we have seen him fake emotions more than once. He also seemed to show an attraction to Scully in En Ami but that too was just a means to an end. Perhaps he does feel something towards all the women he has impregnated but I wouldn't call it love. I don't see any real attraction there either. My bet is that CSM needed some "help" in order to produce his offspring.

Alex Krycek: Gay

While Krycek did have an obviously sexual relationship with Marita Covarrubias he definitely didn't have any real feelings for her and I don't buy attraction either. No I'd say they were both just trying to use sex to get what they wanted. His anger at finding the Russian boy gone wasn't because he was heartbroken at her betrayal. Merely mad that she'd managed to get the upper hand.

Whether Krycek is open or in the closet I'm not sure, I'm thinking it probably depends on the mission hes on at the time.

Evidence:

Of everyone on this list I'd say Krycek is the one I'm the most sure of. There is no doubt in my mind that Krycek was attracted to, perhaps even in love with, Fox Mulder. From the very beginning there appeared to be a bit of longing in his eyes.

There was the speedo scene wherein Krycek was definitely checking Mulder out. There were several scenes where Krycek could've killed Mulder but chose to help him instead.

As I've seen pointed out before, Krycek's crazy motivational choices don't make any sense at all unless it's all in an effort to be around Mulder more.

Look at his sense of style and his obvious love for lip gloss. I am not saying that straight men cannot love lip gloss and dress themselves in Krycek's fashion but it is uncommon and it was especially so back in the 90s

The infamous kiss in The Red and the Black could certainly be explained away as some kind of Russian custom but it isn't one that I am aware of and he hasn't really shown any other signs of his Russia heritage.

I would say my best evidence of Krycek's sexuality is in Essence and Existence, just look at the look on Krycek's face when Mulder trusts him to protect Scully. Krycek knows what Scully means to Mulder and then look at how seriously Krycek takes the job! I definitely feel like that moment meant a lot to him and he would have protected Scully with his life for Mulder.

There's also the fact that Krycek's unwillingness to kill Mulder lead to his own death.

Of course asking Skinner to shoot Mulder goes against this theory but I do have a couple thoughts on that, the most sensical being that he knew there was no chance Skinner would shoot Mulder and he probably knew there was no chance he would survive anymore. Maybe he made that request in hopes of sparing Mulder any pain he might have otherwise felt at his death (I know it's a bit of a stretch but my other theories require a long explanation of my thoughts on where the series had planned to go next)

The lone gunmen: no one knows....not even them

Three (I don't count Jimmy for this) single adult men who all live together in very cramped quarters and are, at least in Langley's case, perfectly happy to be around each other without thier clothes on certainly makes it seem like there's something between them all but I really don't get a overtly gay impression with any of them, even Langley who as mentioned doesn't like to wear pants and is the only one who hasn't had a love interest. They just have this sort of Vegas-esque thing. "What happens in the bachelor pad/newspaper room stays in the bachelor pad/newspaper room.

I would love to hear other people's thoughts on these and any other X-files characters you think might be somewhere on the LGBTQ spectrum.

[highfaelucien]

I completely agree with how you feel towards azriel. Thinking about azriel’s character now vs how I used to view him during acomaf times is just... sad and so so so much more complex. Part of me still wants to love him for the character that was presented to us in acomaf and other small good moments, like his friendship with nesta. And then the other part of me is disgusted, disappointed, and honestly kind of terrified of who he may become if sjm allows him to continue acting predatorily/toxic. The whole mor/az situation really fucked me up. As someone who is also a lesbian and an abuse survivor, it broke my heart to watch the situation unfold in acowar. It still hurts seeing many readers (and sometimes even sjm) take az’s side and paint mor as some sort of liar/two faced character that is playing everyone. I kept thinking that things would be fixed in future books, but instead az has grown worse and mor was, once again, sidelined and written out as a character. And honestly... as much as I love the idea of gwyn x azriel ... I think his books would need a lot more focus on his own recovery/growth and not center on a romantic relationship. If anything, I hope it’s written as friends to lovers so az has a better way of interacting and forming relationships with women. Because right now... well, that shit is borderline predatory and isn’t coming across well. And I really really do not want that for him. Basically, azriel deserves a better arc than what has been written for him. I miss him :( he used to be a character that made me feel safe and now :/ idk anymore

I'm going to quote parts of this/chop it up and reply to them a chunk at a time. because there's a lot going on here and I want to try and reply to as much as I can because I resonate with.....all of it. Please forgive me for the length of this.

I completely agree with how you feel towards azriel. Thinking about azriel’s character now vs how I used to view him during acomaf times is just... sad and so so so much more complex.

He feels like a different character? There was always an anger simmering under the calm surface, we knew that. But it was an anger born of love, deep down, and the desire to protect his family, and his court, at the expense of himself. Az was always the first to volunteer himself for dangerous missions, to spare the others.

Now that anger is directed at his family, and at the world, for not giving him what he feels he 'deserves'. That has NEVER been Azriel. Azriel's deepest issues and insecurities have always stemmed from the feeling of being unworthy, and undeserving of anything.

She's just made him into......Every other dude in this series tbh. Snarling, and possessive, and wanting to fuck anything in a skirt that moves.

Azriel was actually somewhat of an original, complex character initially. It's unusual that we see trauma affect men in the way it did Az. Usually it makes them angry, and vengeful, and eager to prove they are the alpha etc. Seeing them withdraw, and think less of themselves/that they're unworthy is something not explored often enough. But bye bye nuance hello #Drama.

Part of me still wants to love him for the character that was presented to us in acomaf and other small good moments, like his friendship with nesta.

I feel this. I found a lot of comfort in Az's character. Particularly the way he reacted with Mor. I was a big fan of their relationship, and I wrote a few 'missing scenes' style fics in the gap between ACOMAF and ACOWAR. One of them was where Az went to her when she had pushed everyone else away, including Cassian, and comforted and calmed her.

I hate that Maas took that away from Mor. I hate that Az no longer does that for her. I hate that Az was the one to betray her along with Rhys and bring her abuser into her safe space behind her back. I hate that he is no longer a symbol of calm, stable, dependable comfort and support for Mor, but is instead a threat. I HATE it.

Every now and then Az has lovely, gentle moments - his friendship with Nesta is a good example, and something I hoped we'd see. But also quieter times with Rhys, and their similarities being explored. And I adored the flying lessons with Feyre in ACOWAR, and the training he did with Cassian and the others in ACOFS.

But then she goes and twists him and does something else that just makes me want to fucking scream. Like the High Lord scene where he 'frightened' Mor. And his entire POV chapter which is frankly fucking gross.

And then the other part of me is disgusted, disappointed, and honestly kind of terrified of who he may become if sjm allows him to continue acting predatorily/toxic.

I agree.

I don't know how she can write a series that explores the effects of emotional abuse so well with Feyre and Tamlin...And then write what she did with Az?

The possession to a traumatised, still impressionable and desperate young woman, who likely finds the same comfort and safety in him that Mor did. Before that got shot to fucking pieces.

He sounds like a whiny toddler 'Cassian has a mate, and Rhys has a mate, where is mine!?!?!?!?' I DESERVE Elain, because I'm your brother and you guys have her sisters and what the FUCK. Who let that shit get published holy mother of god.

It's just...It's so unhealthy? Like, not even talking ship wars here (which I'm aware are rampant, and which I'm trying my best to stay away from). But that just.

How can that ever be a healthy foundation for a relationship? A man who thinks that he deserves, not only to be in a relationship with her, but to be bonded to her. Not because of HER, not because of who she is, or how she makes him feel. No. Purely because her sisters are mated to his brothers?

The whole thing made me feel so uncomfortable. It's predatory and toxic, just as you said. It's not right, it's not fair. Forget alliances and Lucien, even if none of that was a factor, that sort of thinking is still not right. And it's completely unfair to Elain.

But it also just. It didn't read like Azriel. The first part, where he struggles to sleep, and pushes himself until he passes out, and the insight that his shadows are basically hovering beside him screaming SELF CARE YOU DUMB BITCH at all times was very pleasing.

And the part where he goes to Clotho and leaves an anonymous gift for Gwyn. No fanfair. No audience. No pressure on either of them to react/perform. That felt like Az, too.

But everything in the middle. Everything with Elain, was just...Gross and out of character. And this is not because I dislike E/riel as a ship. I could get on board with it, tbh, if it wasn't written the way it was.

But it's not about ships, for me. It's just. Everything felt out of character. The predatory way he was with her. The fact he lies awake and gets himself off to fantasies of her. How apparently quickly he was aroused by putting a necklace on her. Idk, maybe it's my ace ignorance, but that doesn't sound normal/healthy to me.

Nor does him having to leave a room because he can scent her mating bond with Lucien. Or not being able to control himself to sit and eat dinner with her?

This is the same dude who has, apparently, been in love with Mor for 500 solid years, and who never did a damned thing about it. Who always kept himself in check. Even while she's had other lovers. But he can't control himself through one dinner with Elain?

It just. It doesn't feel like him. It feels like...Honestly not even Cassian. It feels like Tamlin on horny, predatory steroids. And that's not something I ever wanted to see from Azriel's POVs.

She could have explored a darker side to him without making it sexual? And misogynistic. And having him treating Elain as little more than a fucking object that he feels entitled to because 'everyone else got one, where's mine?'. What the FUCK???

The more I write it the more angry I get.

Because SJM has consistently put Az in the position of saving women when they were in danger? He was the one who found Mor near death at Autumn. He was the one who rescued Gwyn from her attackers during the war. He was the one to retrieve Elain when she was taken.

She always puts him in this position and, for better or worse, presents him as a safety figure for these women. The first person who they saw come for them, and fight for them, and protect them.

And on the inside she makes him this vile, predatory monster who just thinks constantly about fucking them? Who isn't actually safe at all?? It's sad. And it's infuriating. Because this isn't about ships anymore. This is about female survivors who have an apparent safe person who's presented as almost as dangerous as the people who attacked them in the first place. And that makes me feel so sick and sad that we've gotten here.

It still hurts seeing many readers (and sometimes even sjm) take az’s side and paint mor as some sort of liar/two faced character that is playing everyone. I kept thinking that things would be fixed in future books, but instead az has grown worse and mor was, once again, sidelined and written out as a character.

This is yet another vile thing SJM has done to queer readers with this whole fiasco. Because it puts me in a position where I want to call out her shitty writing, and what she's done to Mor - sidelining her as soon as she became queer. Undermining her power and her strength. Undermining her role as the survivor to look up to. Saying her power is truth but then making her seem like a liar. Which is all shitty, shitty, shitting writing.

But I'm also a queer person. And I will always always ALWAYS want to defend a queer person's right to remain closeted. Regardless of their reasons for doing so. But in this case it's a concern for their safety/a fear of how those around them will react. And I will NEVER condemn that. I will never say Az is suffering more than Mor for her being closeted. I will never call Mor a liar/a manipulator/two-faced when all she's doing is trying to survive.

I WILL condemn SJM for making this a scenario. For putting homophobia in her world purely to cause pain for queer characters, and drama for her straight ones. And for sidelining Mor as soon as she can't write graphic scenes with her fucking men because now she's a lesbian so we best get her off the page so the guys can get their cocks out some more.

And honestly... as much as I love the idea of gwyn x azriel ... I think his books would need a lot more focus on his own recovery/growth and not center on a romantic relationship. If anything, I hope it’s written as friends to lovers so az has a better way of interacting and forming relationships with women. Because right now... well, that shit is borderline predatory and isn’t coming across well. And I really really do not want that for him.

This is going to sound sarcastic but I actually mean it fully and completely genuinely: 95% of the drama inducing problems in this series could be fixed with some fucking therapy.

But I agree with you. I think it's high time Azriel worked on his own issues. Even if they've apparently made a complete 180 from what they were in ACOMAF.

I...Like the concept of Gwyn/Azriel, but I'm not sold on the ship. Not with the way Maas has been writing Azriel lately. That kind of man shouldn't be with any woman right now. But especially not a rape survivor who sees him as one of the first men she's been able to trust in a long time.

Basically, azriel deserves a better arc than what has been written for him. I miss him :( he used to be a character that made me feel safe and now :/ idk anymore

"he used to be a character that made me feel safe" - This shit hit me like a tonne of bricks because this is EXACTLY how I feel about Az, too. You just managed to say it in a few words instead of 12 pages of rambling, like I do.

And I think this was intention. Azriel was presented as a very dependable character. He rescued Mor, and was respectful enough to keep his distance, despite his feelings, for 500 fucking years. Because he didn't think she was ready/interested.

He had a very calm, and calming air about him. Always in control of himself. Without the expected bursts of aggression and temper we'd seen from...Every other male character in this series. He was stable, and solid, and that was comforting. An anchor. And someone who would quietly, and without fuss, seek out Mor/others when they needed someone to talk to or comfort him.

That was a very soothing, reassuring presence in the book, I felt. And now she's made him seem...volatile, and unstable. With this dangerous anger that he can't control, that he uses not to protect, but to intimidate, and to fuel his entitlement and desires.

it's just sad. It's sad that she's taken this away from Mor, but also from other survivors who found comfort and safety in Az. Because I'm sure we weren't alone in that regard.

I miss him. And I mourn the character he was, and feel anger for the character he should have been. but instead he's become yet another possessive, entitled, snarling cardboard cutout dude like...everyone else.

And I ache for the Az/Mor dynamic that we had in ACOMAF. Even without it becoming romantic, there was no reason for that to be destroyed/ruined.

She could have written it that Az is the only one who knows about her sexuality, and that he pretends he's still in love with her as a shield/buffer, so no one looks too closely/to protect her and make her feel comfortable.

Instead she turned it into a soap opera style drama. And wrote it almost as though her sexuality was her cheating on him? Denying him what he deserved. And now she's just...just pussyfooting around it. And apparently he's just. Just moved on. Without them having any kind of conversation or closure at all. He just wanks off to the thought of Elain instead of Mor, now, problem solved /s

I miss what they were. I miss what he was to Mor. I miss when she had that support system, and that safety net. I miss when he protected her. And looked out for her. And understood her in a way that no one else, not even Rhys, did.

Mor deserved that. Azriel deserved that. WE deserved that. And she nuked it for some fucking twisted drama that punishes a lesbian because a man is thirsting after her. it's a fucking disgrace. I'm so fucking done with SJM, y'all. So fucking done.

[silvia7272]

Miraculess Ladybug Salt AU: You Always Liked To Play With Fire ~ The Prologue

Hey everyone, this is a new story I wanted to introduce to you all.

I’ve been putting everything in a massive word doc because I had so many ideas and finally settled on putting it out today because it's my birthday. 29th, I may have updated it late.

Yay.

So as a special treat, here’s a new series with a few original characters, ones you know or have been changed ever so slightly to fit, in a Miraculess world. (haha, you see what I did there? No… I’ll leave)

Also for anyone new, I’m a multi-shipper so I ship my characters with a bunch of other people, as I like Lukanette (Fandom Version), Daminette (Fandom Version), Felinette (PV Fandom Version), Marichat (Fandom Version) and I guess Rosannette. What’s Rosannette? Well, I guess you’ll have to find out, won’t you? (also no that’s not a typo, it is Rosannette)

Also, I guess this will just have the usual salt, maybe more, I don’t know. I kinda want it to just be about these two.

Word Count: 3912

Note: I haven’t tagged anyone just in case, this is a different series from my other, I just got really excited and wanted to write it. If you still wish to be tagged for this story please say and specify.

Also: This is a salt story, it will have OOC moments from everyone so it will be classed as an AU. If you don’t want to read that’s fine, and have a nice day.

Well, I hope you’ll enjoy it.

This is for all the people that might prefer Rosinette (like from the songfic) instead, I don’t mind but it won’t be in my main series, so I hope this will satisfy you.

(Word of warning, I believe this will be an AU where the Miraculous don’t exist, and non-canon to my official story and I believe mentions of a panic attack might be lightly mentioned, don’t know if it is, but if someone could check and I’ll make the warning clearer that would be nice)

Summary: 

(Fire doesn't exactly have anything to do with this story I just really liked the title)

Note: This book contains OOC scenes of Miraculous Ladybug as well as a ton of salt, so if you don't like that stuff you may scroll past and have a nice day.

In a world with no Miraculous, no Hawkmoth and no Ladybug, how does our little heroine do?

Well, it usually would be hanging out with her friends, as any other teenager would do...

But, of course, this wasn't normal. 

This was reality. It was cold, hard and definitely not welcome.

So, when this girl wishes to have some kind of adventure in her boring, mundane life...

How long does it take for her to regret it?

***

Memories, it's such a simple word yet it holds so much meaning. One could either wish to forget everything from their life, and simply move forward so they could pursue their dreams. Or, simply relish in the past when they remembered how great it was, all the friends they had made, all the moments they had which were too good to let go.

.

But, I guess sometimes, you did have to let go. But let go of what exactly? Let go of all the happiness once you knew how it would end? No that would be too harsh and you’d turn bitter. Let go of all the sadness? But, wasn’t it an important life lesson to learn, sometimes, you just have to be sad because of the situation at hand. No amount of croissants or macarons would be able to lift your spirits back.

.

Or maybe that was too much of a specific example.

That was what Marinette had thought, staring at an empty glass so intently the man behind made himself disperse from the amount of time the unblinking woman just stared and never flinched.

She guessed it hadn’t all been bad, she at least had some form of happiness before it was violently ripped away, but part of her wondered, what would’ve happened if she never felt that type of happiness before? Would she have felt like she had for so long, was it the fact that she knew what being happy was like before worse? Because, as depressing as it sounded, if she hadn’t been as happy, would she have been as upset?

She would never know, she couldn’t go back in time since that was impossible, but the thought always came and went whenever she was alone with her thoughts.

So… Maybe it was for the best, that she was able to remember what real happiness felt like.

The tight feeling in your chest, butterflies in your stomach, face being so red anyone would worry if the bluenette had caught a cold instead-

Wait- this was an oddly specific kind of happiness she felt, surely she must’ve gotten mixed up with some other felling right?

Right!?

So, how come she was feeling this- incredibly bright heat from her cheeks when she felt a hand on her shoulder?

We may need to go back several years.

***

In a classroom in Collège Françoise Dupont, a young pigtailed girl sat at the back, tears silently falling onto her knees and bawled up fists. She didn’t see any use of wiping them away, since they would just come back anyway, and it would be useless to just repeat that endless cycle. She hadn’t looked around to see anyone else’s faces, they would either just ignore her, or taunt her for just crying, for just being human.

Now you may be wondering why she was so upset? What possibly could’ve happened to make our very cheerful and sunshiny girl become so hunched over she was practically crying her eyes out? Well, the answer lies on the one girl at the front. The one girl sitting in an all too familiar place. The one girl who just ruined all of her newfound friendships.

Lila Rossi.

And boy had she hated that name.

She couldn’t stand that smirk, that thief, that scandal!

And what exactly did she do?

.

She lied.

Now you may be thinking that may not have been all that bad, but it was.

Every time she opened her mouth, everyone would fawn around her, even Alix, the one who seriously couldn’t care about anything to do with glamourous celebrities, was hanging on the edge of her seat to hear one of Lila’s so-called stories. She just had to guess Lila held up a treat over her head to keep her being obedient enough.

She hated Lila so much because she was just using everyone to get an easy life at school, the fastest way towards popularity she guessed, but why she thought this was the fastest way was beyond her.

She hated Lila because she had spread so many lies, so many rumours, all about her. All so out of the realm it was such a surprise they all believed her without a shred of evidence.

It had happened so fast, one day, they were all friends, smiling and laughing like there was no tomorrow, the next, she was surrounded by those faces, those faces of disgust and hatred. As if she had committed even the worst of crimes, more so than Chloé, speaking of, who was absolutely enjoying this show.

But undoubtedly. What she hated about Lila the most.

.

Was that technically, she didn’t have to do that much.

After so many sessions of crying, and just not believing that they could possibly leave her, a friend, like that, she started to reason with herself, that maybe it wasn’t just Lila that pushed them all away.

She thought back to before.

Before they were friends, before Alya even came to Collège, she had been alone. Chloé had always gone out of her way to relentlessly bully her, and no one wanted to be friends with her with Chloé around. So she accepted it, just hoping one day, karma would seek justice and she’d be put in her place.

So she waited.

And waited.

And waited.

And waited.

And-

Gave up.

She accepted defeat after all the years. After the meaningless conversations with teachers that she should try and be the bigger person and rise above all of her hatred for her. Simply because they couldn’t do anything. They had no power over the mayor's Daughter. So they just let her continue her reign over the school.

She didn’t have any powers to stop her.

.

But then, a light of hope came.

The new girl, with ombre brown and red hair, glasses and hazel eyes. A striped t-shirt and an undeniable Aura that reeked of confidence.

As Marinette was being targeted by Chloé yet again, she came in, and for once, stood up to her. Chloé! No fear in her eyes as she, Alya, grabbed her, Marinette’s, hand and walked off to the desk at the front.

She couldn’t believe it, someone stood up to Chloé! She thought it had only been a myth, a legend, but that right there, it was real.

They became friends faster than the speed of sound.

And soon, she too was able to stand up for herself. Reclaiming her original seat back, and citing a quote her new friend had said… Then everyone had wanted to become friends… And, she felt ecstatic.

Finally. It finally came. The day she had prayed for had come. She felt nothing but pure joy.

And she didn’t want that feeling to go away.

She was terrified that the feeling would go away.

So, she thought of making sure that feeling wouldn’t go away.

That’s why she made so many ‘spare’ macaroons to give away, she didn’t spend her free nights staying up and making them, no way.

That’s why she provided so many free gifts to her friends. What? Her hand has a plaster, no she just tripped and hit herself, it had nothing to do with the gifts. Don’t worry, try your gloves on, do they fit?

That’s why she was late for class. Huh, no I’m fine, I’m not tired… But I might just rest my eyes for a bit, wake me up when something important happens.

That’s why she was so happy to realise Adrien wasn’t as bad as Chloé, the small gentle soul that he had, to graciously provide her with his own umbrella, how selfless.

And that’s why she held onto the idea of Adrien so much. The idea that he was perfect. The idea that she was in love with him.

So, she held onto it.

No, she clung to that idea because she didn’t want any chance to let go. So, she may have gone a bit overboard, with the whole, schedule thing, and the phone… And the schemes. But she believed it was harmless. No one else seemed to have any problems with it, so she believed she was in the clear.

Until she wasn’t.

And Lila used that to her advantage.

She remembered that day so vividly, just like all those other memories. The day she came. The day she would find herself in the same predicament from before, it hadn’t been that long since she had been friends with everyone in fact. She was still getting used to it, and her feelings grew as each day passed by.

She remembered when Lila introduced herself to the whole class, and at first glance, anyone would just think she was an innocent little girl. But behind that smile, behind those eyes, held a sinister intention.

She, in less than an hour, had everyone wrapped around her little finger.

Even her.

She’d been on a private jet?

Had a song written about her?

And saved Jagged Stone’s cat?

There was no way Adrien would fall for her now.

…So maybe she had been jealous of that girl before she had done anything. But she had every reason to. She, Lila, was pressed against Adrien who was happily talking to her. The love of her life! She had to do something, even if Alya had given her a disappointed look she just had to stop them from confessing their love to each other, it was inevitable now, so she followed after them to the park. If they even got too close, she was sure she could just conveniently interrupt, she just had to wait for the perfect moment, she only had a couple of hours before they would fall in love, get married, have three kids and a hamster named-

“Wow Adrien, you’re so nice to me. Y’know I really thought moving here would be just like all the other times. But you’ve really made me enjoy my first day Adrien.” She smiled so sickly sweet Marinette wanted to hurl, how dare she just hold onto his arm like that, so affectionately!

“Its no problem Lila, that’s what friends are for.” She smiled, hugging him so fast they almost lost their balance from sitting on the bench, before seemingly giving him a quick peck on his cheek, only for Adrien to turn his head towards her.

And they kissed.

However, it wasn’t a simple quick kiss, by all means, Adrien should’ve realised his mistake and pulled away.

But he didn’t, what felt like forever lasted a minute. One minute to realise that it should’ve been an accident. But they stayed like that.

It- it was over, wasn’t it? This wasn’t her being melodramatic, she just knew how it would turn out. They were going to fall in love so soon, she wouldn’t have a chance.

If only she had seen the look Lila gave, spotting her retreated form from behind a small trash can, the smirk would’ve given her shivers.

***

Getting back to Collège had taken longer than expected. Maybe it was the small amount of dread knowing she may have lost her love for good. Sure, there might have been Kagami as well, she had tried to sabotage her chances with Adrien too, but it always worked out in the end, Adrien always smiling as Kagami’s cheeks burned with redness. But to say they were friends afterwards.

Marinette would cringe at the fact she always felt so relieved afterwards reflecting years later at her choices. But she had always believed she would still have a chance.

Until today.

Lila came, and took him away, within hours.

And she couldn’t stop it.

Walking along the stairs to her class she had to keep her head held high, if she showed weakness, that would mean she was sad, she wasn’t sad, she couldn’t be sad. She still had all of her friends after all.

Maybe now, they could do more activities, after crying and eating a ton of ice cream of course with cheesy movies to brighten her mood up.

But, this would only be the beginning of that negative feeling.

Opening the door, she would be fully aware of something terribly wrong. At the front of the classroom, a crowd had formed, and a crowd that would soon become a routine in this classroom.

But a crowd formed around a girl, the new girl, Lila. She had seemed to be covering her eyes, water dripping down her eyes, no wait they were tears. What had happened?

She didn’t realise she had spoken those few words before heads turned around, looking- no glaring at her, why were they-? What had she done?

“Marinette I knew you could be a tad jealous but to actually do something like that” Huh? Oh no, Lila must’ve noticed she followed them, how embarrassing, and definitely not the best first impression she could’ve made.

Before she could apologise, before she could explain she really didn’t mean any harm. She didn’t have time to.

“To threaten her to never talk to Adrien again because she likes him. Well, I never thought you’d put your jealousy out like this.”

What!?-

No- she didn’t- she, just saw them kiss.

She didn’t even speak with her.

Why would she say this?

Why didn’t she say anything?

Why wasn’t she defending herself?

Why was she letting them believe that so easily?

Why

Why

Why.

.

Why was it so hard to breathe?

Running out of the classroom was easier than looking at all of those faces. Those accusatory faces. She hated it, she couldn’t do- defend- explain.

She- just-

She-

She-

She-

She was in a room?

The bathroom.

It didn’t matter why, as long as she was alone, she could cry to her heart's content.

The fear seeped over her just like that first time, knowing Chloé had won and would never stop, she had lost and lost everything.

Everything she had worked so hard to obtain.

Everything she had worked so hard to keep.

To make sure she didn’t have to let go.

And now it had gone.

Because it was then Marinette realised. That girl, those tears hadn’t been real, there she saw her eyes hadn’t been red or puffy, the tears’ dried up rather quickly, and the inconsistent wails made it very likely she was only doing them for effect and sympathy.

That girl. Was lying!

That must’ve been it.

No way could she be telling the truth. And no way could ‘I saw her around me and Adrien’ be translated to ‘she threatened me, I’m so scared of her’

Maybe, maybe with that, there was hope.

If she could just simply convince her friends that she was lying, then everything would be all sorted.

And maybe she and Adrien-

Wait, she was getting a little ahead of herself there.

Wiping her tears away she proudly opened the door, ready to face her fears.

Too bad her fears were much much stronger.

No matter how many times she would try to prove her innocence, it became worse.

When she tried going to the teachers, they bat an eye with her responses. Obviously not taking her seriously, and just believing it to be some teenage drama, she was pushed out of the classroom and told to try and just be nicer and make friends with her.

That was harsh but expected.

She tried talking with Alya, she turned away from her. Not wanting to hear anything come out of a crazy stalkers mouth.

That had hurt.

She tried talking with any of her other friends, y’know, the ones who ‘always’ had her back.

They too turned from her. Believing Lila without a doubt, I mean, they knew how jealous Marinette could get, it wasn’t that much of a stretch to think she would jump to that, considering the situation.

That felt like a punch to her gut.

She tried talking with Adrien, even if she did stutter and always lose her words around him. But this was more important, than a silly crush.

.

She wasn’t used to saying that.

But, the way he looked at her, it felt like- pity.

He told her he already knew.

He already knew? Wait- then why didn’t he say anything?

Because, as the naïve little boy stood so tall and ‘innocent’ he simply wanted to help her through his own way.

“She was only lying for attention,” He said.

“Once she finally makes some real friends, she’ll stop,” He said!

“In the meantime, you should really drop this, it would be just awful if you were to hurt Lila again. After all, she hasn’t hurt anyone, she doesn’t mean any harm”

.

.

She stood in shock.

This was the boy she had fell for?

This spineless- foolish- Son of a-

“So please Marinette, don’t cause too many problems for her, you shouldn’t be so harsh on her. If you really value our friendship, you’ll do it.” He smiled before walking off, leaving her to her thoughts.

That felt like someone had walked over to her, ripped out her heart and squashed it in the palm of her hands, all while grinning.

Why, why wasn’t she able to see before? Did her heart want to deceive her by falsifying all of his qualities? Was she just blind to bear witness to him not being as perfect as she made him out to be? Was it because she just couldn’t entertain the thought of letting go?

She didn’t know, she just hated this negative feeling. It felt so familiar. She wanted it to go away.

Unfortunately, that feeling would only grow for months.

And it was about to be worse.

“Huh? Marinette? Why are you crying? If this is about what happened this morning, don’t worry, I’ll forgive you” She was crying? Huh, when did that happen?

Whatever, more importantly.

“W-What, no you don’t have to forgive me because I did nothing wrong” Lila’s worried expression faltered for a bit before she grew ‘scared’

“H-Hey, I didn’t realise you felt like that. Oh, you poor thing” Her eyebrow snapped, she seriously didn’t like being called a thing.

“Save it, I can’t prove it but I know you’re just lying to everyone here. And you need to stop, you’re going to hurt everyone when they find out. You need to confess” Her face faltered again, but it never recovered, her once innocent eyes hardened as she smirked, a look that seemed almost natural, as if she had perfected it by looking into a mirror countless times.

“Oh, so you’ve finally figured it out? Figures, I was told you were the smartest one, and it seems like I wasn’t wrong”

“What?” Lila sighed, maybe she had put too much faith in her being the smartest.

“Ugh, you’re so young Marinette. I haven’t told the truth all my life, why the hell should I start now?” Marinette was stunned, why, why was she telling her this?

“Honestly, and I thought Adrien was naïve. Look, I’m not here to play games, I have this whole routine wrapped up. So just sit back, stay out of my way and I might consider making another lie that would benefit you.” It was an offer any reasonable person wouldn’t refuse.

Unfortunately for her, she didn’t want a reasonable offer.

Marinette stared, she was- she was fully aware of what she was doing?

“B-But you’re going to end up hurting everyone, you need to stop, please!” She begged.

Lila frowned.

She was just like all the rest.

“I don’t care”

Huh?

“I said I don’t care, seriously don’t you get it yet? I’m here to win by all means necessary. You were in the way so I took you out. They are just little trophies to remind you of my victory. You had your chance”

She stood still, this situation felt so familiar, but she had to stay strong, she couldn’t give up now. If reasoning with her won’t work, then maybe understanding might, and she could work with that.

“Why are you doing this, do you really not care about when you get caught? About how everyone will feel when they know you promised nothing in the end?” She hoped she would see some sense. They were good people, they shouldn’t be manipulated into this, she was sure they would’ve been friends regardless of what she had promised.

“It’s because I can”

.

“What do you mean?”

“What I mean, dear sweet Marinette, is that because I am able to, I can. I’ve had years of practice with this, and the result always has me at the top, all that oppose me either stay at the bottom or beg for mercy from moi. It's always a delight to see their hope diminish. To realise they would do anything but to be alone.”

Alone- that word, that word stuck with her so much.

She didn’t want that- but she didn’t want her friends to be tricked either.

“Besides, you made it so easy for me, in reality. You only have yourself to blame”

“What- I didn’t even-” A finger was wagged in front of her face.

“Ah ah ah. You really should know better than that. A calendar full of Adrien’s schedule? A box full of presents for Adrien? Sabotaging dates? You’d think I’d have made it all up, it only made the end result so much greater. Seriously Marinette, I don’t even know if I’m the bad guy here, what you’ve done really isn’t appropriate behaviour. But I do know of a great therapist, they helped me through such a hard time” Lila continued to talk as Marinette zoned out. She was the bad guy? No- no that couldn’t be, that was just a harmless crush, that was just what normal teenaged girls did.

But- if it was. Then why didn’t anyone tell her it was wrong, she didn’t mean for it to be wrong. She just didn’t want them to leave, she just didn’t want to be abandoned again.

Why didn’t they say? Why didn’t she realise?

Why did she know?

Lila must’ve seen the shock as she giggled, not at all innocent.

“It was so easy manipulating all of them into telling me about this ‘crush’, once they realised just how crazy it actually was, they had no problem seeing you for the crazy stalker you are.” Lila flicked her hair up away, only for it to come back, but it didn’t matter, she made her point.

Not having the energy to look up, she would’ve noticed Lila had left her behind, laughing too, because no one had been there to overhear their absolutely private conversation. Her overall plan would not be undiscovered today, tomorrow, or the next. It wouldn’t be discovered ever.

Because she was in control.

Marinette, wasn’t in control.

Just like before, that hollow feeling from before, it was back.

And so much worse.

.

She hated Lila, because she made her realise, she was right. All along. And she just had to accept it.

And gave up trying.

She reverted back to how she was at the beginning of the year.

The quiet girl that no one paid attention to, alone, in the back, with nothing but her sketchbook.

Gone were the childish pigtails, it was for the better, no one said anything about then anymore.

Because she realised.

She wasn’t a child anymore.

She couldn’t be, not after this.

***

Hey, so I guess this was more like another prologue, so I’ll have to apologise if it seems just like the other one, but the premise is still the same so yeah.

And I think I might like the idea of a non-Miraculous world; it seems interesting since I feel like Marinette wouldn’t have as much of a confidence boost since she wouldn’t be Ladybug, please tell me that would make sense.

I think it’s interesting for how much would change and stay the same, and my OC will be making an entrance next time, however, here they are all like 13-14. The next chapter will have a time skip of 3 years, oh and Lila came in late, like around Season 3 late ok? So they already know about Kagami and Luka.

Also if you’re confused about anything feel free to ask any questions.

Cya next time.

Note: Please tell me if I should add anything else to the card, there will be one of these cards for all 15 chapters, however, because I have uni work all updates will be slower because I really need to focus on the uni stuff, then I might be able to upload quicker.

[katelyn--renee]

Out of the Fire (Part two)

Title: Out Of The Fire (Part two)

Fandom: Supernatural AU

Main Characters series: Reader, Lieutenant Firefighter!Dean Winchester, Lawyer!Sam Winchester, Jessica Winchester (Moore), Nurse!Lisa Braeden (Formerly Winchester), Ben Braeden-Winchester, Harper Winchester (OFC), Charlie Bradbury, Firefighter!Benny Lafitte, Firefighter!Jo Harvelle, Firefighter!Castiel Novak, Claire Novak, Mechanic!John Winchester, Firefighter Captain!Ellen Harvelle, Mechanic!Bobby Singer, Doctor!Arthur Ketch, Nick Vaught and many more!

Pairings: Dean x Reader (eventual), Dean x Lisa (past), Reader x Nick (past), Lisa x Ketch (current), Sam x Jessica (current)

Word count: ±2200 words

Series summary: A slow burn romance. Reader is trying to get away from her troubled past and start fresh; a new name, new town, new friends, and a new job. A clean slate. After years of planning and saving, she is able to open her own business. With the help of her best friend and business partner, Charlie Bradbury, and her new flirty firefighter friend, she is hopeful, even when disaster strikes and her past threatens to catch up with her years later. 

Part two summary: Flashback to when you first met your green eyed hero and their budding romance. 

Warnings series: NSFW, 18+ only! Fire or mentions of fire, fluff (so much fluff), angst, eventual smut, mutual pining, alcohol abuse, alcohol intoxication, mentions of domestic abuse (physical, verbal), mentions of miscarriage, mentions of adultery/cheating, mentions of death, dangerous or life threatening situations, stress, descriptions of injuries, blood, hospital scenes, character death. 

Author’s note: Here is part two! I hope you enjoy this chapter and all it’s fluffy goodness! :)

A special thank you to @that-one-gay-girl and @deanwanddamons for being the wonderful beta’s that you are! Your feedback is always appreciated! Check out their awesome work and spread some love!

All graphics and dividers done by me! :)​

If you like this story, please don’t hesitate to leave a like, comment and if you’re feeling extra generous, share! Your feedback gives me live and motivation! If you would like to be tagged in the series, please don’t hesitate to ask!

Thank you and let’s enjoy this ride together!

<<-- Read part one, here!

Out of the Fire Masterlist!

Interested in more of my work, check out the link below.

Masterlist

About five weeks ago.

The shop was busier than usual, but being the final days of summer, it was expected. It wasn't anything you or Charlie  couldn't handle, of course, but it sure did make for long days and even longer nights of cleanup. 

"Charlie, table two needs refills, table six never got their vanilla lattes, and table four is ready to pay." You announced as you joined your partner behind the counter with a handful of dirty mugs and plates, having just made one of many rounds through the seating area.

The two of you danced around each other gracefully, moving in harmony as you switched from one task to another. “On it.” She acknowledged, already preparing the missing drinks and throwing in a complimentary pastry for the mistake.

You set the pile of dishes down into the sink before turning to the next customer in line, flashing him a friendly smile. “Yes, hi, how can I help you?” You greeted urgently, looking up to meet a set of stunning green eyes. You faltered slightly, taken by surprise by his strikingly good looks.

He smiled, almost bashfully, as he began to place his order, seeming not to notice your hesitation. “A round of coffees, black, for me and my buddies ,” He motioned toward the booth near the large bay window which was occupied by three other bodies; two men and one woman, all of whom adorned matching uniforms. “Cream and sugar on the side. Oh, uh, larges… or eh, talls?” He added with a sheepish chuckle, clearly unfamiliar with the coffee house lingo.

You couldn’t help but giggle at that, pulling your bottom lip between your teeth to prevent yourself from smiling more and potentially embarrassing him. “Venti.” You corrected him playfully. You saw the confused look on his face, his head cocking like a confused puppy, before adding, “For our ‘large,’” 

You used air quotes to emphasize your point, rolling your eyes at the technical terminology. “It’s venti.” You saw it the moment he understood what you were telling him, and he chuckled again, not missing the way he ducked his head to hide the slight flush to his freckled cheeks.

 “Never too old to learn something new.” He chuckled again and winked at you, the gesture setting butterflies loose inside of your stomach. It was your turn to look away this time, your face hot with a blush. He fished his wallet from his dark blue cargo pants, looking at the assortment of baked goods.

“Throw in a few of those bagels and croissants, too, please.” He added, casting his gaze down at the display case once again. “Oh, and a piece of that cherry pie.” He added almost dreamily, pulling out a couple of twenties. 

Upon further inspection, you took notice of the soot and ash that dirtied his face and darkened his hair in certain places. He had dark circles under his gorgeous eyes, too, clearly exhausted after a long shift. You glanced in the direction of his crew members, finding much of the same. “Long night?” You asked, trying to be friendly as much as you were curious.

“I look that rough, huh?” He teased, a look of mock offense accompanying his handsome features.

 You shook your head, a smile still curving your lips at the corners, “Oh no, I didn’t mean it like that.” You clarified hastily as you calculated his order  into the register, making a point to leave off the coffees; it was the least you could do for him… eh, them, right?  

He winked again and laughed, the sound deep in his chest, assuring you that he was only teasing. “I know you didn’t,” The corner of his mouth turned up into a smile, his tongue darting out to wet his lips, watching your face and the way you tried to suppress your smile. “How much do I owe you, sweetheart?” He asked, glancing down at the display screen. 

The term of endearment made your heart flutter slightly, and you couldn’t keep the smile from creeping onto your face again. You swallowed the feeling down, pressing the enter key before you read aloud his total. 

“That’ll be $19.94, Mr. Firefighter.” He rose a questioning brow at the total, glancing up at the menu prices. “Coffee’s on the house.” You added quickly with a closed-lip smile, your eyes sincere. “It’s the least I can do for your services.” 

Several emotions seemed to make their way across his face, contorting it briefly before settling on gratitude. “Thank you.” He said, his voice genuine. He held out one of the twenty-dollar bills, paying for his order. “That was really kind of you, truly.” He smiled softly, glancing down at the name tag attached to your apron. “(Y/N).”

A smile formed on your lips before you could stop it, and your cheeks flushed at the way he said your name, your eyes finding the name embroidered onto the left side of his dark blue button-up shirt, opposite of a silver badge over his heart. Red patches were on either sleeve, proudly showing off the station they serve. “It’s no trouble, Lieutenant Winchester...” You promised with a sly smile. 

He laughed, appreciating your observation. “Dean.” He insisted as you accepted the bill. Your fingers touched, brushing against each other softly. The touch, however slight, was like an electric shock, igniting every part of your body. 

There was an annoyed grunt behind the firefighter, but the two of you paid little attention to it. You put the money into the till and collected his change, but Dean insisted that he didn’t need it. He walked backwards to his table, his bottom lip drawn up between his teeth. The two of you couldn’t seem to stop watching each other, nor did you want to, silently flirting with your eyes. 

You giggled when he bumped into an unoccupied table, watching as he almost knocked over its contents and awkwardly fumbled with the accompanying chair that nearly fell over. He rubbed the back of his neck and chuckled self-consciously, trying to conceal his embarrassment. He ducked his head when he got back to his table, his friends giving him a hard time. 

He hid his face in his palms as a dark-haired man with scruff and blue eyes clapped a hand against Dean’s shoulder, booming with laughter. “Smooth,” You heard the blonde female tease, snickering at her partner. You watched them as you gathered up their order, blushing when you caught him stealing a few glances your way. When finished, you brought their order out to them personally, earning you another wink from the fireman.

The rest of the shift went by in a blur, unable to get those emerald eyes out of your head. Charlie had seemed to notice your distraction and, in perfect Charlie fashion, commented on it as you were closing up shop. “That fireman sure left his mark on you, huh?” She teased, a knowing smile drawing her lips up. 

You scoffed at her and tried to play it off like you didn’t know what she was talking about… and failing. “W-What? No - No, I - Who? I don’t know what you’re talking about, Charlie.” You muttered, locking the doors and placing the keys into your pocket.

She looked skeptical and cocked her hip, propping a hand there. “Uh-huh, sure.” She stated, waving her hands. “And I’m not the Queen of Mordor.” She said sarcastically, “Oh wait, I am.” She said exaggeratedly with her hands thrown in the air, referencing her extracurricular activity of LARPing. 

You rolled your eyes fondly at your best friend; she’d dragged you along to her LARPing weekends on more than one occasion, and you’d humored her, going along with it because it made Charlie happy. “You can’t fool me, sista, now spill the beans.” She insisted, following behind you with the broom as the pair of you cleaned up.

You sighed, wiping down one of the tables and the chairs that joined it, already knowing that you wouldn't win this battle against the feisty redhead. “I don’t know…” You hesitated, chewing on your bottom lip as you thought about the encounter. “I can't explain it, I don’t know how to explain it… but there was just something about him… y'know?" You recalled, picking up one of the chairs and putting it on the table. "I just… I can’t quite put my finger on it…"

Charlie giggled, "Bet you wish you could." She teased, clearly hinting at more than she said. You gasped and feigned innocence, throwing the towel at her. Charlie laughed more, catching the soiled cleaning cloth before it collided with her face. "Oh, come on (Y/N)! I know that look in a woman's eye. I’ve seen it dozens of times! You want him. Bad!"

She threw the cloth back, and you caught it with ease. "Jeez, you make me sound so desperate." You grumbled, not denying Charlie's observation, despite the dramatics. 

Charlie hadn't missed a beat, and she grinned, a cocky sparkle in her eyes. "So you do like him." She chimed accusingly, clearly happy to be right.

You rolled your eyes again, moving onto the next table as Charlie continued sweeping under the one you'd just cleared. "Okay. Yeah, fine." You admitted, "I thought he was cute and charming and sexy in that uniform," 

Charlie made an ‘I-knew-it’ face, but you continued before she could make a sly remark, "But it doesn't matter. It's not like I'm ever gonna see him again." You stated with a reluctant sigh, spraying down the next table with the cleaning agent, trying to hide the disappointment lingering in your voice. You began to scrub at a stubborn spot on the table, trying to distract yourself.

Charlie frowned sadly, reading into your mood, and leaned the broom down against the table before closing the space between you. "I'm sorry for being pushy. It's just that you work all the time. When was the last time you did anything for yourself?" You were about to answer when she held up a finger, "Other than this café. This doesn't count, this is work." 

She had a point. You couldn't remember the last time you'd done anything that didn't involve this little shop. "Exactly. I just wanna see you have some fun and that," She thumbed over her shoulder toward the door, referring to Dean, "was fun." You chuckled softly, your cheeks getting warm at the thought. 

"You deserve to live a little,” She put her arms on your shoulders and squeezed affectionately, “Especially after what that snake put you through." You frowned at the reminder, dread coiling inside of your stomach and a frown pulled at your lips at the mention of your ex, Nick. 

Like always, Charlie didn’t let you get too lost in your thoughts, "And who knows, maybe he has an equally attractive sister for me." She added with a playful shrug and a giggle, effectively distracting you. "Fate works in mysterious ways, sista; you never know what she might throw your way." She added mysteriously, wiggling her eyebrows for added effect. 

As it turns out, Charlie was right. Fate did work in mysterious ways because, in the weeks that followed, Dean continued to show up, sometimes with his crew, but mostly by himself. The times he showed up varied, depending on his work scheduled, which you soon noticed was quite busy. Regardless of the hour, he always showed. 

It wasn't long before you memorized his order by heart; a venti coffee, black, and a slice of pie; whichever flavor was baked for the day's special. The flavor never seemed to be an issue for the firefighter, but it didn’t take you long to realize that cherry was clearly his favorite, with pecan  a close second. 

The pair of you flirted and subtly got to know each other as time went on, teetering somewhere between acquaintances and friends. He’d flirt. You’d flirt. But it never went any further than that.

Charlie teased you about it the whole time, of course. She wouldn’t be your best friend if she hadn’t. You’d just roll your eyes or shake your head every time she’d urge you to "grow a pair and ask him out already." 

You wanted to. Of course, you wanted to; you’d be an idiot not to want that.

But you didn't, of course, because you were too embarrassed and too afraid to act on your feelings. You'd done that once before already, and you paid one hell of a price for it. Hell, in a way, you still were. Nick left such a nasty scar on your heart; you weren't sure if you could ever love again. You were in a constant state of fear, afraid of being hurt again.

Charlie, being the wonderful best friend that she is, always tried to remind you that love… true love… would never hurt you. That real love was the stuff of magic and fairy tales. That what you had with Nick wasn’t love. It helped, a little, but that fear never truly went away, you just sort of learned to live with it.

Maybe someday you’ll feel differently.

And there you have it. Part two is complete. I hope you enjoyed that chapter as much as I did. Awkward/adorable Dean is one of my favs. Haha. 

As always, thanks for reading! 

Read part three, here! -->>

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