#so like. more worried about characters than actual plot

[cheezewhis]

I'm going to regret this.

Sometimes the iwtv fandom makes me worry about the future of diversity in media. I mean I expect the racist assholes to pop up and bother everyone. That happens all the time and while it sucks, there are ways to filter those people out.

My big worry is honestly on the other end, where people are so desperate for harmony they end up treating minorities like monoliths of purity. Seriously, we have a show with morally grey characters of a variety of colors, a color conscious writing team, actors who constantly discuss the nuances of their characters, and people still find a reason to fight about this. Wasn't this the ideal we were asking for???

How are we supposed to evolve the representation in media if we can't go 2 seconds without fighting about which characters you're "allowed" to like?

You can't like Lestat because then you're condoning his behavior, but you can't condem anything Louis does cause then you're racist, but also you can't like Louis more than Armand because Louis was a pimp, but also you can't like Armand because he killed Claudia, but also that was all Lestat's fault and Armand did nothing wrong and if you don't ship Loumand it's because you're racist and if you do ship Loumand it's because you just hate Lestat and Anne Rice and puppies??? or something, and Clauida is the only character you're actually allowed to like except you are not allowed to like her unless you hate Lestat or Louis because as we've established it's really Lestat's fault she died and also Louis was a bad father and is responsible for Clauida's death so you cant like him either but also you are racist for thinking Louis did something wrong because black characters are not allowed to make mistakes or be nuanced or be human but also you don't get nuance if you like 1x05, you have to hate 1x05 because that episode of the toxic abusive vampire show dared to show toxic abusive vampires and ruined your precious precious perception of Lestat but also if you still like Lestat after that then you must hate Louis because Louis is 5 fucking years old and needs to be coddled but also he's a piece of shit and you cant like him and idk i don't really hear people argue about Daniel but maybe I'm just not looking hard enough and who ever cares cause I lost the plot about 100 fucking words ago.

Like jesus fuck we'll never weed out the racist people in the fandom cause we're too fucking busy fighting each other about, like, if we should let black characters be nuanced and interact with white characters who are mean??? Istg half this fandom thinks Louis (and Jacob Anderson for that matter) is like a battered helpless child who has never been able to stand up for himself. Louis is a character built from very real pain, he's always going to be kind of sad by virtue of that, but he's not 5, he can make decisions for himself.

How the fuck are we supposed to normalize diversity in media if we can't be fucking normal about diversity in media.

Fuck. Everything. And. Everyone.

[tyrantisterror]

You're welcome! Thank you for being such a willing participant in the interactive side of this story!

And yeah I'll gladly answer some more questions.

So, as I said above, I realized in the process of writing the story that, from a narrative and thematic perspective, this story could not give Sailor a clear and definitive answer to what they are. Even in the ending where they chose to go back to the normal world, we get an answer that convinces Sailor, but still clearly has some holes to the audience. I think there are ways we could have skewed certain conversations to learn more about the hypothetical answers in-story, but it would have come at the cost of key moments of character development for Sailor and Calibani. And I also think it's possible we could have skewed the story in such a direction where giving a definitive answer to the question wouldn't have necessarily hurt the theme of the story, by dint of turning the story into a different theme entirely - a South-heavy story might have focused on Sailor confronting their own inherent selfishness and short-sightedness rather than questions of their identity, for example, while a West-heavy story might have been a more dense and wacky adventure full of foolhardiness where learning who/what Sailor is could happen quickly and definitively without fanfare in order to be pushed aside for more shenanigans. 58 choices - there's a lot of potential what-ifs here.

There would be no way to contact Earth in the story as told, no, just as there wouldn't be a map till the very end. But, like, Sailor is canonically living longer than just the nine or so days the story covers, the Sea of Monsters is big, and Sailor knows a mad scientist. It's possible Sailor finds a way to get a message back to earth at some point - but I guess we'll have to save that for a hypothetical At Sea Without a Map 2: Now With Map!

I generally tried to vote either for the answer I thought would get the most votes, or the one that would get the least, in hopes of not actually affecting the result too much (unfortunately tumblr doesn't let you see the results before the poll ends unless you vote, and for the sake of keeping to a more-or-less daily schedule, I kinda needed to keep an eye on it to know what I'd need to draw during my downtime moments). I think the TT-only version of At Sea Without a Map would have been pretty similar to what we got. We might have spent a bit less time with Calibani and bit more time getting into monster hijinks and drawing exposition about the setting from characters like Dr. Neptune, but otherwise it would have been pretty similar. I had more fun with the player-choices that contradicted my own instincts, though - it was fun being given free reign to just shoot the shit with love interest while ignoring the plot. Very indulgent I do wonder if Sailor might have turned out differently, though - I was very conscious of trying not to flavor things too heavily when Sailor was in my control in the narrative, i.e. when they had to make choices without a compass to set them in a direction. I didn't really start giving Sailor personality in-text until I got a feel for what we were turning them into together, and even then I always felt nervous about it - I never wanted it to feel like I was forcing you all to play a character that wasn't authentic to what you were choosing. This wouldn't be a problem if Sailor was just written by me and me alone, so they might have become something different by dint of me not having to worry about alienating voters with their actions.

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[kingofanemptyworld]

does anyone wanna see my slapdash notes for an original fantasy story? no? im putting them on your dash anyway

I really wanted to write an isekai/transmigration story and I love ones with video game elements, so. our hero’s awoken in a trashy PC game he’s played maybe three times. he has no idea what’s going on but everything seems determined to kill him. also amused by stories where like every character is obsessed with the MC but he’s not so much oblivious as he is desperate to ignore their advances because he’s trying his very best not to trip and break his neck on their trek up the divine mountain, or whatever. I’m not trying to subvert any tropes or expectations here, just have fun. you might see periodic updates of this because I haven’t written a cringe-fail loser MC in a while and Alaric promises to be very entertaining for me

[moeblob]

Look, I just think it's VERY funny and on brand that I thought of an entire premise of colorful characters for half the cast and immediately drew the only one void of color.

[waitineedaname]

feeling completely insane about The Author And His Protagonist™️ this morning and now I'm thinking about bingqiu too, and like. Airplane of course wrote Luo Binghe to be everything he wasn't, this cool and powerful stallion protagonist. And he also wrote him to be what the readers wanted, especially as time went on. But there's bit of himself embedded in Binghe -- his insecurities, his fear of abandonment, his loneliness, his hunger for love. Those vulnerabilities are hidden away under layers of strength and stallion badassery in PIDW, but for Bingmei, they're laid bare and ratcheted up to eleven

And then Shen Yuan. He of course loved Luo Binghe The Protagonist™️ but he fell in love with Luo Binghe, the real person with insecurities and fears and strange ugly edges to his personality. He saw this carnival mirror reflection of Airplane's flaws, and he wanted nothing more than to wrap Binghe up and love him and care for him and soothe those insecurities

If I was Airplane, bingqiu would be like therapy for me

[sskk-manifesto]

Ep 5!!!

[clumsycapitolunicorn]

.

[keferon]

Chapter 2 of Blurr storyline >:D

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”

Part one

Holy shit I actually managed to finish it…..Oh. My god.

Under the cut⤵️

Is it stupid to miss someone who doesn't even exist?

Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?

For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.

Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.

It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.

Wait, hell, not days. Cycles.

His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!

But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.

Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.

He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.

Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.

Swerve isn't sure he wants it to pass.

He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.

So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.

That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?

Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...

His small persona wasn't important enough for anyone to notice his disappearance.

Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?

Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.

Swindle would probably get upset about the money he'd lost.

It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!

People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.

In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.

He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.

Most of his memories are occupied by--No. Frag.

Don't think about Blurr, don't think about Blurr, don't think..

He's thinking about Blurr. A lot.

Blurr occupies a surprisingly important role in his comatose dreams.

In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.

Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.

Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.

But that's not quite true, Swerve thinks.

Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.

Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.

Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.

Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.

Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.

Uggh.

The doctor was wrong. These thoughts don't go away. These memories don't dull.

Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.

When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.

When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.

The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??

Freaking cursed.

Jazz looks puzzled by his reaction, but all Swerve can think about are two things.

One, if Jazz is here, does that mean everything else was real, too???

Two - holy shit, Jazz is tiny.

It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.

If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--

He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?

He's going to get sick.

He needs to talk to Jazz right now.

____________

Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.

They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).

“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”

Jazz frowns

“Oh. I’m sorry to hear that.”

He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.

“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”

Swerve mentally crosses his fingers.

“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”

Jazz looks at him with huge eyes before switching to English in surprise.

“Mech, what the hell?”

“...And we lost him...” finishes Swerve with a sad smile.

Before thinking for a bit, and adding.

“I'm going to show you a trick I can do.”

And then projects his holoform onto the table in front of him.

This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.

Prowl looks confused.

Jazz looks absolutely frantic.

“SWERVE????”

Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?

Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.

Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.

“Dude, I'm not complaining but what...how???? You just kinda..."

Swerve laughs and twitches his eyebrows playfully.

“I still speak English, you don't have to torture yourself with Common.”

“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”

There is a polite click of the vocalizer resetting above their heads.

“I” Prowl says “very glad you two are happy but I'd like some explanation”

Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.

Although Jazz doesn't seem to feel the same way?

“Short version - I sleepwalked my holoform to another planet.”

He pauses dramatically.

“The long version is...”

Jazz raises his hand

“What's a holoform?”

Swerve sighs.

“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”

Jazz whistles impressed. And then immediately turns back to Prowl

“Have you been able to do that all this time too?“

Prowl hums

“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”

Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.

“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”

Jazz laughs

“Dude. So you're telling me you were basically sleepwalking the whole time?”

“ I was.”

Prowl frowns.

“But the range limit of the holomatter generator is only four hundred miles...”

“.... I had a lot of practice...”

Jazz claps his hands.

“You learned a whole other language! Got an ID!. You had a job!!!”

“I got carried away,” Swerve admits.

Jazz scratches the back of his head, still looking very amused

“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”

“Two. And I failed my driver's exam.”

“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.

Swerve blows the hair out of his face

“Says you who retook the physical several times. You couldn't pass the "being human" exam.”

Jazz just wheezes incoherently in response. Prowl looks alarmed.

“Don't worry, that's him getting excited. So...where have I been...”

Swerve nervously shoves his hands into his pockets

“...Do either of you two know where Earth is?”

Prowl twitches his door wings

“No. Since Jazz was teleported we don't have much clues.”

Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.

He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.

He's thinking.

Oh hell, yeah! I knew it wasn't a dream!

Then he remembers the mess he left behind.

Oh, no, it wasn't a dream.

Jazz puts a hand on his shoulder.

“Swer... Swerve? Dude, are you okay?”

“Ah frag..” Swerve says weakly ”it wasn't a dream.”

Jazz looks...puzzled.

“Is that bad?”

Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...

“It's...complicated.”

This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...

And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...

Hahahahah oh fUCK.

He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.

It's also probably too late.

But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.

And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.

Jazz glares at him with a worried look on his face

“ That expression you have...”

Swerve puts the smile back on his face.

“I need to get to Earth.”

___________________

Swerve is not an idiot.

Or maybe more accurately an idiot, but with several degrees.

He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.

Ask the Quintessons. Or look for it himself.

The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.

He just needs to do some preliminary reserch.....

Jazz, now back inside his Mech looks doubtful.

“You're not going to die suddenly and for no reason, are you?”

Swerve laughs.

“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”

“It's not harmful?”

Swerve makes an uncertain gesture with his hand...servo.

“If I have enough fuel. And an additional connection to an external generator.”

Jazz tilts his head

“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”

Swerve bites his knuckles.

“ I have some unfinished business?”

“Pshhhh you sound like a ghost.”

Swerve only laughs in response.

_______________

Concentration is tricky.

Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?

Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost

Shit. No. Earth. Think Earth.

What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.

He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.

The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.

After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.

He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--

Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.

This is the place where he was last.

He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.

Blurr is not here. The place where his Mech was lying is empty.

Which means he was at least found and dragged out. Dead or alive.

Swerve's bites his knuckles. Okay.

All right.

He's got things to do.

_______________

He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?

He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.

He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.

Breaking the rules feels...it's exciting.

All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...

He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?

The answer is probably none.

Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.

A degree in spying on the Quintessons' ships wouldn't hurt him either.

Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.

Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.

Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.

Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.

It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.

He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.

It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.

Blurr's name isn't there.

So his smug, shiny ass must be around here somewhere.

He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.

That's...something's wrong.

He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”

Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.

“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?

Uh-huh....... Uh-huh.Okay.

Give me half an hour...okay, yeah.”

This is it, Swerve thinks.

He shrinks himself further and teleports under the collar of Swindle's coat.

He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.

He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.

Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.

Shit. Shit. Shit. Shit. Shi

Blurr looks like a mangled corpse.

Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.

Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.

Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.

Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.

“'Got bored without me Swindle?”

Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.

“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”

Blurr wrinkles his nose.

“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”

Then he stops talking for a few seconds and raises an eyebrow curiously.

“You wouldn't have come here in person just to say that. Why are you really here?”

Swindle adjusts his glasses

“Have I ever told you why I made the contract with you?”

“Because you like money” Blurr says without hesitation.

Swindle lets out a quiet chuckle.

“Fair point. But money wasn't my only priority.”

He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.

Goes back to his seat.

“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”

He raises his hand when Blurr rushes to say something.

“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”

Swindle sighs and adjusts his glasses again

“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”

Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.

“But you... found a way to change that, didn't you?

Swindle rubs the bridge of his nose

“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”

Blurr blinks.

“Why are you telling me all this.”

Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.

“You're that shield right now, Blurr. You can't leave.”

Blurr's eye widens

“Is that why you insisted on ‘befriending’ me with all those bullshitters?”

“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”

Blurr runs his fingers through his hair

“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”

Swindle puts his hat back on.

“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”

The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.

Swindle puts a hand on his shoulder.

“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”

They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.

Swindle moves his hand away and gets up from his chair.

“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”

Blurr smiles sourly.

“My lawyer is going to charge you such a handsome sum for that stunt.”

Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.

“We’ll see about that. Seriously though. I need you there.”

Blurr bites his lip.

“I..don’t know...”

Swerve...doesn't know what to think of that.

Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.

Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.

The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.

The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.

Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.

Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.

Ah, damn it.

Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.

And now that he knows where to look, he sees things he'd rather not see.

Blurr ... is crumbling.

Swerve doesn't know all the details and consequences, but that incident did leave a mark.

But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.

He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.

And continues to act like a jerk of course.

The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.

Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.

When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.

Or when he develops that stupid habit of leaning his elbows on people standing next to him.

It's the model behavior of a rich, spoiled brat.

It's also an inconspicuous way to stay upright.

Employees say “that dumbass has never heard of personal space.”

Investors say, “I think he likes me.”

Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”

Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.

Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.

On the other hand, without Blurr, everything is going down the pit.

Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.

Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.

Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.

Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.

But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.

It makes a difference. Small one. But still.

It turns a disembodied imaginary “combat units” into a tangible person.

From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”

More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?

There have been two fronts here all this time, Swerve realizes.

While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.

After another conference, Shockwave stops Blurr in the hallway.

“Good show.”

Blurr laughs. Soundly and proudly.

“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”

Swerve, hiding on the ceiling again, snorts.

Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.

“It must have been hard getting here with your injuries.”

Blurr shrugs and lazily turns his head around distracted.

“It's just a few bruises here and there. Not the end of the world.”

Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.

“Of course it isn't. But hardly good for your career.”

Blurr freezes.

No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't

“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”

Blurr makes an indifferent face and tucks his hands into his pockets.

“Like I said. Not the end of the world.”

Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.

Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.

“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”

Blurr visibly shivers and looks away.

“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”

Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.

“It may not be the end of the world, but it is the end of you.”

He writes a set of numbers on the same page, tears it off, and hands it to Blurr.

“You are broken. I can fix you.”

Blurr frowns, but takes the piece of paper.

“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”

Shockwave tucks the notepad into his pocket.

“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”

Blurr flinches.

“I don't need your help.”

“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”

...

“By the way, you might want to wipe the blood off.”

Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.

____________________________

Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.

Holy shit...

Jazz pokes him gently on the forearm

“Are you alive? You've been gone for like quite a while...Did it work?”

“Hey Jazz” frowns Swerve “what do you know about Blurr?”

Jazz laughs

“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”

Swerve sits up and rubs the back of his head.

“Ah...”

“So it worked?”

“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”

Jazz rubs his hands together happily.

“I'll take it.”

Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.

He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.

He has eight fingers again instead of the human ten. Huh.

Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.

Left to himself.

He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.

....

Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?

He looks at Jazz and Prowl.

“You two get along really well.”

Jazz chuckles, sitting on Prowl's shoulder.

“Right now, yes. But we got on each other's nerves quite a bit when we first met.”

Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.

On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.

_____________________

”Are you a ghost?”

Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.

He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?

“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”

Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.

Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.

“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”

Blurr squints amusedly.

“You can walk through walls?”

“Uh, I can teleport into the next room?”

He backs up his words by making himself disappear and reappear in another corner of the room.

“Cool!” says Blurr cheerfully.

Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.

“ Show me more?”

“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”

“Wooooo look at you, you're like an action figure~”

Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.

Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.

“They really drugged you huh?”

“It's not the drugs” snorts Blurr ”...it's my eye.”

He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair

“... depths Per…percen.. ah, shit. I can't tell how far away things are.”

Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.

"If you can't tell how far things are, how are you going to drive?

Race???”

He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???

Blurr drops his hands back on the blanket

“I won't.”

He freezes when the all too close fireworks rumble outside the window. Then points to his head.

“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”

Swerve sits down quietly cross-legged on the blanket.

“Well...at least you're alive....”

Blurr shakes his head.

“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”

“...”

“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”

Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.

Blurr frowns and leans back against the pillow, looking up at the ceiling.

“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”

Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.

“Hey, don't say that. I think what you're doing is great.”

“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”

Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...

Swerve folds his arms awkwardly across his chest.

“I can be mad at you and think you're cool at the same time. I'm a multitasker.”

“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”

Swerve stiffens.

“I...Wwhat?”

“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”

He's silent for a couple seconds before he hesitantly continues

“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”

Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”

Swerve wants to run around and bang his head against the wall.

Instead, he gets up from the hospital bed. Carefully.

“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”

“You'll tell me later?”

Swerve hums quietly and pulls the curtains all the way closed.

“If future, sober Blurr would want my company.”

---------------

Jazz looks at him. Very intensely.

“Are you going to tell me who this mystery person you keep coming back to Earth for?”

Swerve snorts.

“What makes you think it's anyone in particular?”

“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”

Swerve crosses his ..metal arms over his metal chest.

“Is it that big of a deal? He thinks I'm a ghost or something.”

Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.

“Sooner or later, he'll put the facts together~” says Jazz in a chant.

Swerve laughs.

“That's unlikely. He's got a pretty bad memory.”

_______________

His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.

He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.

They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.

Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.

Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.

Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.

Pharma smiles sweetly and reaches out for a handshake

“Mind some company?”

Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.

“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”

Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.

“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”

Blurr, to his surprise, backs up his act almost instantly

“Really? But I thought there was nothing to take from the old models?”

“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”

Pharma tilts his head

“Can it wait? We were actually talking here!”

Oh no, thinks Swerve I'll show you who's talking.

“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”

“What do you mea...”

“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.

“No I'm just...”

“I had a better opinion of you, to be honest.”

“I...” opens his mouth Pharma “...WHAT...?”

Swerve shakes his head.

“And I thought his profession was to help people, can you imagine?”

“Wh..”

Blurr rolls his eye.

“Any idiot can get an important position these days.”

“Wait..”

“Tell me about it. Especially doctors.”

Pharma looks like he's about to start pulling the hair out of his head.

“Can at least one of you shut up??”

Swerve adjusts his cap in a businesslike manner

“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”

He raises his eyebrows knowingly

“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”

Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.

“…..Wha....there's rumors?”

“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”

He leans in conspiratorially, effectively pulling all of Farma's attention to himself

“So if I were you, I'd stay out of any more things you don't understand.”

Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.

“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma

Swerve shrugs.

“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”

Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.

A quiet cough sounds behind Swerve's back.

“So. Should I be worried about Norman's health?”

Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.

“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”

Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.

Blurr snorts one last time, cutting off the laughter.

Then he reaches out his hand to him.

Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.

Swerve, not expecting this, freezes with his hand outstretched.

Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.

Ugh, and how to explain it all to him....

“Uh...you...uh...probably don't remember me. I...it's...”

Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.

“You're real???”

Swerve awkwardly waves his hands in front of him

“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”

Blurr shrugs.

“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”

Swerve twitches.

“Third??? How are you still standing???”

He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.

“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”

Blurr laughs quietly.

“I'm glad you're back.”

_____________________

He wakes up in his quarters and can feel his face burning.

When he goes out to get the energon, Jazz throws him a look.

“Is something wrong? You're all kinda...shaky.”

“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”

Jazz smiles

“ Oh, I went crazy when I found out. But we figured it out.”

“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”

“Worried about what your human friends will think?”

Swerve swings back and forth on his heels

“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”

Jazz frowns

“No offense, but keeping secrets isn't your strong suit.”

“Haha” Swerve waves his servo “ Watch me.”

[lemonlover1110]

𝐇𝐄𝐀𝐃𝐋𝐈𝐍𝐄𝐒

Toji Fushiguro

Pairing: Actor!Toji Fushiguro x f!Reader

Warnings: MDNI!, smut, oral sex (m. receiving), spitting, vaginal sex, creampie, angst, family fluff, toji has like 50 kids (4) and tries to be a good dad

Summary: Toji's selfishness is getting in the way of your family. When he notices that your family is slowly falling apart, he does what he can to hold it together.

*Actually a long oneshot! for @ayyy-pee's collab

Discord +18 - Twitter - Ko-Fi

“ACTOR TOJI FUSHIGURO SPOTTED GETTING A LITTLE TOO COZY WITH NEW CO-STAR”

The headlines are everywhere, it’s nearly impossible for you to ignore them. It’s not only the headlines but the pictures, the videos, the talk shows, the clear chemistry between them– And if that isn’t enough, the messages and calls you receive asking if you’re okay, are driving you insane. You don’t know how much more you can take of this.

Toji wanted to venture out of his usual villain role, wanting to do something more lighthearted, more fun. Whenever he’d audition for anything where he wasn’t the bad guy, he would get a simple answer: you’re not the guy we’re looking for. Truth is, Toji is too intimidating and lacks the look of the perfect picture man that they’re looking to cast in romcoms. You aren’t going to lie and say that you were bothered by this, because in fact, you were glad he wasn’t.

As selfish as it sounds, you were happy with the fact that Toji was getting stuck in the same villain roles. He’s already famous enough, and you have more than enough money, he doesn’t really need the lead role since it means that he’ll spend even more time away from his family. But you lie to yourself because if he got the lead in any other movie, you’d be ecstatic for him. 

The dreaded day came, and Toji got a call from his agent. An offer for a lead role in a new and upcoming romcom. It was hard for you to be happy for him, even though your husband was so excited to venture out of his usual character. ‘He’s going to kiss someone else’ was the first thought that came into your mind, and then you realized that movies nowadays are so much more explicit than just a kiss. 

Toji wasn’t supposed to, but he told you about a couple of things in the movie. He was so excited, and he couldn’t keep a thing from his wife. He told you of the characters, the plot, the scenes he was most excited about and the scenes he was worried about– The steamy scenes where Toji will be stripped to nothing with his tongue down another woman’s throat. 

Jealousy would consume you for the next months, realizing that your husband is going to pretend to be with some other woman; however, you can’t be too mad, since it’s all just happening in front of a camera. You’re the only woman Toji loves, you know so. You shouldn’t take this too seriously.

Until the relationship came off the cameras because the pair has undeniable chemistry, and the directors thought that hinting they were having an affair would make for great promo. You nearly begged Toji not to do it, but he didn’t listen. He wants to ensure the movie’s success, which you understand but it’s humiliating for you and your family.

You’re upset with him, and Toji knows this, but he’s allowed to be selfish. He’s wanted this, and he’ll do just about anything to make sure everything goes smoothly, he can risk having you mad at him for a few months. Although, he’ll admit that it sucks because you’re so cold with him.

“How about we take the kids and go out for dinner tonight?” Toji asks, watching as you get out of the bathroom with nothing but a towel. He wants to go on a date with just the two of you, but he also misses his kids. It doesn’t matter what Toji suggests either way, because you ignore him. He clears his throat, repeating, “How about we go out for dinner?”

“Huh?” You respond, acting as if you hadn’t heard him before, and Toji doesn’t know whether to laugh or roll his eyes. Toji repeats the question a third time and you proceed to answer, “I’m going out tonight, I can’t.”

“What are you and the kids doing?” Toji questions, wondering why he wasn’t invited. He guesses he knows why, but you should’ve at least tried to make the effort since it involves your kids.

“I’m going out, the kids are staying with the nanny.” You tell him, which makes his eyebrows perk up. Toji stands up from the bed, walking over to you. He hugs you from behind, planting a kiss on your shoulder.

“How about we–” He begins but you proceed to cut him off before he can even finish his sentence.

“I’m going out with friends. Without you.” You answer, removing Toji’s arms from your waist. You walk to the closet to find your outfit for the night, and Toji can’t seem to leave you alone, following behind you like a lost puppy. 

“You don’t have to be so cold.” He argues, and you pay no attention to him. You were clear that you didn’t want this to go this far, yet he let it happen. You can be as mad as you want to be with him. “What are you planning to do anyway? Cause a scandal to get back at me?”

“I’m allowed to have fun, am I not, Toji?” You respond. You simply want to go out without thinking of your husband and all the embarrassment his job is bringing. If it causes a scandal, then so be it.

“Then why are you so set on going alone?” He replies, and you scoff. You can’t believe the audacity.

“I just want to be away from you because you humiliate me.” You finally look at him, shooting him a glare. It shouldn’t hurt because he’s caused his own problems, but it still hurts to hear that from his wife, “I was upset about the movie, sure, but I knew you wanted to do it so I bit my tongue. This publicity stunt is too far, and I told you not to do it over and over again, but you did it. Fine. You’re an adult.”

“And? You know it’s not real.” He argues, which only ticks you off more. You won’t raise your voice because your children are wide awake, and you don’t want them to hear as you yell at their father.

“Do you know how many pity messages I’ve gotten? The amount of calls? I’m just the poor victim to all of them, and also the stupid woman that won’t leave her husband.” You respond, and he opens his mouth to argue that it’ll be over soon. In a couple of months the truth will come to light and everything will go back to normal. “The kids are getting teased about it too. Megumi is old enough to know it’s a stunt, but the other three aren’t.”

“What do you mean the two year old and five year old are also affected by this?” He questions in a mocking tone, which tells you that he isn’t fully believing you. You feel your blood boil, and you take a deep breath to keep yourself calm. You’re not letting him get the best of you.

“Well, considering that the ten year old can’t keep his mouth shut and tells the other two that mommy and daddy are getting a divorce, I’d say yes, they are affected by this.” You try to remain stoic, keeping your voice low and calm. Toji bites down his lip, his eyes going wide at the realization that his ten year old refusing to talk to him wasn’t just a simple tantrum. “I tried to tell him that everything is fine between us, but he didn’t exactly believe me.”

“Is that why they’re refusing to talk to me?” Toji’s demeanor changes, becoming somber in a matter of seconds. You end up shrugging, not really knowing why your son is acting the way he is, but you can only assume it’s because of it. 

“I’m not sure. Probably.” You don’t care to really find a solution to his problems since you’re upset with him too. He needs to realize that his actions not only affect him but also his family. You watch as the man walks over to the bed to take a seat and think of what to do with this new piece of information. And while you’re mad at him, you still love him and want to help him out one way or another. You focus on getting yourself ready while you tell him, “How about you take them out tonight? Explain to them that everything is fine between us and–”

“Will you come with us?” He interrupts you, making you click your tongue.

“I’m going out, you can deal with the issues that you’ve caused, alone.” You answer, and Toji furrows his eyebrows. He knows that he can’t exactly be too mad at you because you’re right, he caused his own problems. “Take them somewhere to eat, watch a movie with them, play with them. I don’t know. I’m laying it all out for you, Toji. You can decide what’s best.”

“What about you?” He asks, and you don’t even care to entertain him, sitting in front of your vanity to do your makeup. Toji has to repeat himself, and you sigh.

“Figure it out.” 

“Ryo, are you ready?!” Toji yells down the hallway, but his ten-year-old doesn’t answer. Toji simply goes ignored, and the man tries to remain calm. Getting mad isn’t going to do him any good, yelling angrily at his son isn’t going to make Ryo any less mad. 

You left around thirty minutes ago, and Toji spent the entire time trying to convince you to stay; however, his efforts were in vain. You didn’t care enough to listen which shouldn’t really shock him, he’s still upset though. After you left, he began getting his daughters ready to go out, telling his sons to put on something comfortable since they’re going out to dinner.

Now that both of his girls are ready, he’s simply waiting on his sons. Toji knows that Megumi is somewhat ready, but he isn’t sure about Ryo. 

“Aimi, baby, can you wait downstairs while I check on your brother?” Toji asks his five-year-old, and she nods in response. Toji has to talk to his son alone, but he can’t do so with the two-year-old that’s on his hip. He knows that Aimi isn’t going to cause any trouble, but the little one that he holds is either going to get hurt or cause a big mess. He’s dismissed the nanny, and he can’t exactly leave her alone with Aimi. 

Before making his way to Ryo’s room, Toji walks over to Megumi’s door. He harshly knocks on the door and puts Emi down in front of it, as if Toji were the stork himself. Emi is about to run after her papa but Megumi opens the door, and she squeals when she sees her beloved older brother.

“What?!” Megumi yells down the hallway when he spots his father. Megumi picks up Emi from the floor, ensuring that she doesn’t run away.

“I’m going to talk to Ryo! Make sure she doesn’t get hurt!” Toji responds, and Megumi sighs. Not that he particularly minds, but Toji could’ve at the very least waited until Megumi had her in his arms. Megumi clicks his tongue, shaking his head in disappointment before telling his sister,

“What are we going to do with him?” And she shrugs in response.

“I don’t know.” She answers, which makes Megumi laugh. He walks out of the room and goes downstairs to join his other sister. 

Toji stands in front of Ryo’s door. He knocks but he’s met with no response. Toji isn’t willing to respect his kids’ privacy, not when he pays for everything they have. Toji opens the door to the room, finding Ryo in his pajamas, playing with his console. Perhaps this would be the perfect time to have a heart-to-heart with his son, explain everything that’s going on– But would Toji really think of that right away?

“Change. We’re going out.” It’s an order, and Ryo doesn’t like it. He’s about to ignore Toji but Toji snatches the console that’s in the boy’s hands. “Don’t act like a fucking brat. Change. We’ve taught you better.”

“I’m staying with mom.” Ryo mutters, angrily getting out of bed to do as his father says. Toji won’t lie and say that the words don’t hurt him, but he remains stoic. 

“Hurry up. Your siblings are waiting.” Toji says before leaving the room, the console in his hand. He has to hide it before leaving.

“No more.” Emi pushes her plate away after taking a few bites of the food she ordered. She’s barely eaten, Toji wants to make sure that at the very least she finishes a chicken tender. 

“Can you at least finish this, please? You’ve barely eaten, princess.” Toji asks her, but she shakes her head. Toji has to find a way to bribe her, but first he has to deal with Megumi and Aimi who bicker about… Something.

“Chew with your mouth closed, don’t be gross.” Megumi corrects her, but Aimi isn’t going to listen to someone who isn’t her mother… Occasionally she listens to Toji, but it’s rare.

“I don’t care!” She yells, and Toji’s face slowly gets red with embarrassment. People are slowly looking at the table– It’s funny because he really thought that having Megumi here would be useful. Instead, he’s yelling back and forth with his five-year-old sister.

“You’re nasty, Aimi!”

“Your face is nasty!”

“Will you two quiet down?!” Toji half yells. His eyes linger on Megumi, “Remind me how old you are.”

“Sixteen.” Megumi answers, reality setting in when he says his age. His cheeks slowly turn pink as he waits for his father to say his next sentence.

“And you’re arguing with a five-year-old? Loudly, in a restaurant, dare I add.” Toji says, and Megumi pushes his plate away because he’s suddenly lost his appetite. Toji hadn’t realized just how hard it was to deal with all four kids without any help– Well, three kids since Ryo isn’t talking. He’s not doing anything. Toji clears his throat before asking, “Do you like the food, Ryo?”

Ryo doesn’t answer, and it’s slowly driving Toji to his limit. He’s talking to everybody but Toji, the moment Toji addresses him, he goes silent. Toji looks at Megumi and points at Emi, “Get your sister to eat.”

“Ryo, talk to me. Your mom and I are fine.” Toji claims, but Ryo doesn’t say anything because things clearly aren’t fine– After all, everyone is talking about it. Toji is essentially ruining the family by running off with his co-star.

“Ryo, do you want my leftovers?” Aimi asks her big brother and he hums in response, taking the plate from her. Toji takes a deep breath to remain calm. Ryo technically didn’t even say a word, he just hummed in response, Toji can’t be mad about that. Then Aimi asks, “Do you think daddy will get dessert? I think they have ice cream.”

“The key lime pie is better, plus we have ice cream at home.” Ryo argues and Toji gets an idea on how to get his son to talk to him.

“Do you really want the key lime pie? I thought you liked cheesecake better.” Toji comments, and Ryo doesn’t answer. He proceeds to talk to his little sister, and Toji can’t take it. He slams his hand on the table and causes a scene, “For fuck’s sake, Ryo! Don’t ignore me!”

If all eyes weren’t on them before, they definitely are now. The cherry on top is Megumi who tells Emi, “See, he’s going to do that to you if you don’t finish what’s on your plate.”

Emi begins to cry her little heart out, and Toji lets out the biggest sigh. Curse the day he decided to have kids.

“I’m not going to do anything to you, Emi.” Toji says, but she’s crying and stuffing her face out of fear. Everyone is looking at him, some people surely recognize him. At least this fits the narrative that his family is falling apart, and while it was all a stunt at first, it’s starting to feel real.

It’s his fault, he can’t blame anyone else but himself.

“Finish up, we’re going home.” Toji sounds defeated, and he is. Taking the kids out to dinner should not be this hard. 

“What about dessert?” Aimi’s voice is filled with disappointment.

“Dessert isn’t happening because you kids don’t know how to behave.” Toji answers, and Aimi crosses her arms, a pout on her lips. Toji wanted to make things better with his kids, but unknowingly, he’s made them worse.

“Night, night, princess.” Toji kisses Aimi’s forehead, but she doesn’t care to even acknowledge him. She doesn’t say anything, turning to her side so she doesn’t have to look at him. Toji sighs, “You’re ignoring me too, huh?”

She doesn’t say anything, which doesn’t really upset Toji. She’s just mad that she didn’t get dessert, tomorrow she’ll be fine with him again. He kisses her temple before telling her, “I love you.”

He knows waiting for an answer is useless, so he turns off the lamp and walks out of the door. Aimi will eventually get out of bed and run after him to apologize because she feels bad since she loves her daddy so much. 

Toji closes the door, and he looks for Ryo’s console. Once the console is in his hand, Toji goes to his son’s room. Toji doesn’t bother knocking because he knows he won’t get a response. Ryo has the lights turned off, trying to sleep since there’s nothing better for him to do. But Toji knows that the child isn’t sleeping, he’s just like you, he tosses and turns a million times in the night before actually succumbing to slumber.

“Here’s the console, kiddo. Thanks for going out with us tonight.” Toji says, putting the console on Ryo’s dresser before walking over to his side to press a kiss on Ryo’s temple. Toji hears some sniffling coming from his son, which makes the man want to fall to his knees and cry as well. 

Toji has four kids, he’s heard them cry many times before for trivial things. He’s never really felt this before with one of them because he really wasn’t at fault. He was doing things for their own good… But this time he’s doing all of this for his own selfish reasons. 

“My baby boy, please talk to me.” Toji kneels down by the bed, hoping that his son will finally say something to him. It’s killing him slowly, he just wants to talk to him. Toji doesn’t want his kid to hate him, but it feels like Ryo is slowly getting there.

“I don’t want you and mommy to get a divorce.” Ryo finally speaks up, and Toji’s heart breaks when he hears him call you mommy, considering Ryo started calling you mom the day he turned eight. Toji stops kneeling, taking a seat on the edge of the bed. 

“Everything is fine between me and your mommy.” Toji says although it’s hard to believe. They’re not fine, but you’re not getting a divorce either. “We just have to talk things out, but we’re not getting a divorce.”

“All of my friends are talking about you and how you two will end up splitting.” Ryo finally sits up on the bed, and Toji doesn’t really understand why this is even a topic of conversation for Ryo’s friends, but it is and Toji has to deal with it. “And it’s your fault.”

It is, Toji can’t really say otherwise. But he isn’t splitting up the family– At least not by having an affair like the news claim.

“Ryo, I promise you that your mom and I are not splitting up.” Toji tries to reassure his son, but Toji isn’t all too sure himself. “We are having some issues, but it’s not because of what your friends are telling you. What they’re telling you is not real.”

“But–” He’s about to keep going but Toji has to cut him off. Toji can’t keep defending himself, he keeps using the same argument over and over again and he doesn’t know how many times he can actually say the same words.

“Did you ask your mommy about this?” Toji asks, and his son nods in response. Ryo has asked a million times and you always have the same answer. 

“Yeah… She said that you two were okay.” He replies, yet he doesn’t believe a single word of it. Toji is growing frustrated, but he can’t let it show. His whole job is to pretend to be someone else, to act out certain feelings and suppress the actual emotions that run through his body, he should be able to do that, right?

“Then why don’t you believe us? Your friends don’t know what’s happening in our relationship.” Toji points out, but that’s not enough for Ryo.

“I know mommy was lying.” 

“What do you mean? Did she tell you she was lying?” Toji’s confused. Ryo is ten, he’s not smart enough to spot a lie, especially from you. You’re a damn good actress, when you show your emotions it’s on purpose, and Toji doubts you were purposely showing your emotions.

“I was going to ask her something and I saw her crying…” Ryo confesses, and Toji furrows his eyebrows. He’s certainly hasn’t heard that, but Toji clears his throat before arguing,

“You do know that your mom has a completely different life and she could’ve been crying for something that doesn’t involve me, right?” Toji is sure that the crying had to do with him, but he isn’t going to let that be known. Ryo nods in response, since what his father says does make sense. Toji ruffles his son’s hair before kissing his forehead, “Next time you’re mad at me, don’t give me the silent treatment.”

“I won’t.” Ryo answers, although neither of them are too sure that he’ll keep up with his word. Toji stands up and gives the gaming console to his son, and Ryo wastes no time in taking it. 

“You can stay up late tonight.” Toji tells him, which puts a smile on his face. Toji also walks away with a smile on his lips, feeling victorious after getting his son to talk to him. Toji exits the room, gently shutting the door behind him.

Toji begins his walk to Megumi’s room, planning to check up on him. However, when his hand touches the doorknob, he feels a pair of tiny arms wrap around his leg. He looks down to find his five-year-old hugging him. He chuckles, “What’s up, Aimi?”

“Papa, I’m sorry. I love you too.” Tears are streaming down her face, feeling guilty about not telling her daddy that she loves him back. Toji picks her up from the ground, wiping her tears away and kissing her cheek.

“My little princess, I’ll get you some ice cream tomorrow.” He assures her, rubbing her back. She continues to wipe her tears because once they begin, they’re hard to stop. He takes her back to her room, reads her a story and puts her to bed once again. 

Toji continues what he was doing, checking up on his kids before going to bed himself. He waits for you, but it gets late. His eyes are closing on their own and before he knows it, he falls asleep. He’s getting old.

“Toji, baby–” You’re calling out to him. It takes a moment for him to open his eyes, but they open rapidly when he feels you kissing his cheeks. It’s definitely nice to feel you kissing him after barely acknowledging him the last couple of days. Still, he can’t help but question,

“Are you drunk?” You keep kissing him. He doesn’t smell any alcohol on your breath, but that doesn’t really answer anything. He feels your hand go down his torso to his sweatpants. You’re just incredibly horny, that’s a good enough reason. Your hand goes to his sweatpants, wrapping around the base of his cock before lazily stroking it. “What happened to you? What have you done to my wife?”

“I just need you. Need you so bad.” You say in between kisses. Your lips are on his neck, and Toji really can’t complain. He misses your touch so much– But what the hell happened to you? You were barely talking to him a couple of hours ago; either you’re on something or something happened to you.

“What happened, baby?” He stops you. Your hand comes out of his hands and you get on top of him. Your lips go on his, your tongue quickly entering his mouth and pressing against his. You’re avoiding the answer, and Toji grows worried. You’re grinding on him, and it’s hard for him to have a clear mind when all the blood rushes to his dick. He doesn’t remember the last time he touched you. You’ve been so mad at him that you shut him down the moment that he initiates something.

Toji wants to enjoy it, and his body is but his mind thinks about the fact that nothing has been solved. He’s not done anything to apologize to you, so he immediately thinks that you’ve done something. It takes every bit of him to push you away even though he doesn’t want to. You’re so gorgeous while you’re on top of him like this, that he doesn’t want to ask the question but he has to, “What did you do?”

“What do you mean what did I do?” You furrow your brows, and Toji clicks his tongue. He can’t believe that you’re initiating something and he’s stopping it. One week ago he would’ve been beating himself up for passing up on this opportunity, but he has to know why you changed your mind. 

“You’ve been mad at me, and now you’re all over me when I haven’t apologized.” Toji points out, and you suck in your bottom lip between your teeth. That confirms that you’ve done something bad, and his heart beat speeds up, thinking of the worst.

“I met a guy…” You begin and Toji’s heart breaks. He doesn’t need to hear the rest of it because he knows. Tears well up in his eyes and he tries to take a deep breath. Yeah, he knew his actions would have consequences but not this. “We flirted a bit, just having fun and then he invited me back to his place–”

“You don’t have to–” Toji is about to cut you off, and he’s reasonably thinking the worst.

“I didn’t go back with him. I remembered the amazing husband I have, how much I love him, how amazing he is at everything he does. I wasn’t going to risk losing you even though I’m mad at you.” You have to interrupt him before he gets into his head. You press a subtle kiss on his jaw before your lips go to his ear, “But if you see some headlines tomorrow, don’t get mad at me.”

“You scared the shit out of me.” He chuckles. He guesses he’s getting a taste of his own medicine, but he’s not mad after his initial scare. Your lips go back on his, but they don’t last long before moving down his neck and torso. Your mouth kisses to his nipple, your tongue circling around it which makes him bite down his lip. 

Toji is sensitive. Just about anything will make him cum. You continue to kiss down his body until his sweatpants obstruct your path. You desperately push them down, while Toji reaches for the lamp to turn it on. He has a particular love for watching you while you take care of him.

Your hand wraps around the base while you spit on his cock. You stroke his cock a couple of times before your tongue circles the tip of his cock. You take your time working him up before you lower your mouth on his cock, taking in as much as you can take.

If Toji had known that this is how his night would’ve ended by letting you go out, he wouldn’t have tried to talk you out of it. A pathetic moan leaves his lips, feeling your warm mouth wrapped around him. He’s missed this, fuck. 

He wants to push your head down, forcing you to take all of him– Which he normally does, but it’s not going to end well. Toji knows well that you’ll stop, and he won’t risk that tonight. This is a sweet treat that he doesn’t deserve, he’s not going to risk losing it. 

You try to take all of him in your mouth either way, tears building up in your eyes as you gag, eventually spilling and messing up the makeup that was already coming apart. This is what Toji loves, watching the makeup that you work so hard on, fall apart just for him. And you do it because you want to. Because you love the taste of him on your tongue.

You take him out of your mouth, using your hand to stroke his cock. Toji’s moaning with your every touch, it’s hard not to. You’re just so fucking perfect with everything you do that it’s hard for him to contain himself.

“Baby, please–” He sounds so pathetic. Toji is usually much meaner in this situation, but circumstances have obviously changed. He just wants to feel your mouth wrapped around his cock. “Use your mouth, baby. Please–”

“How can I say no to you?” You chuckle before your mouth wraps around his cock again. You take as much as you can take, your hand stroking what your mouth can’t reach. He’s shutting his eyes, moaning your name as his climax approaches. 

His cum hits the back of your throat, and you raise your head. You swallow it, sticking your tongue out so he can check it. Toji sits up, his hand going down to your chin, thumb into your mouth. The bit of submissiveness that you had witnessed quickly fades. 

“Who’s my good girl?” He asks, your tongue circling around his thumb. He wants to know what happened that has you so aroused, but as long as you didn’t get physical, he doesn’t care. He takes his thumb out, a string of your saliva connecting it to your lips. He orders, “Open your mouth.”

As soon as your mouth opens, he spits in it. You don’t waste a second before swallowing. Toji lips meet yours again, his tongue messily entering your mouth and pressing against yours. You readjust your legs, knees on either side of him. You’re grinding on him again, and the man pulls away from the kiss, not doing so without biting your lip first. 

“You want me to fuck you, baby? You need me?” He asks as you push your panties to the side. You’re aligning him with your entrance, softly moaning as you push yourself down on him. You can’t wait any longer, you desperately need him. You softly moan as he fills you up, your eyes nearly rolling to the back of your head. You’re sure no one will ever feel as good as Toji.

“Was thinking so much about you, baby. I missed you, Toji.” You moan, throwing your head back. You give yourself a moment to get adjusted to him before moving back and forth on his cock. His cock brushes your sweet spot, driving you insane. 

Toji shuts his eyes, getting lost in the moment. He’s missed you so much too, but he can’t speak right now because he’s groaning. He can’t believe that he’s gone so long without you… He shouldn’t have agreed to doing that publicity stunt in the first place. 

“You feel so fucking good, baby.” Toji moans, his hands going to your hips as you move on him. He hands roam, looking for the zipper of your dress, pulling it down so he can take your dress off you. His lips go to yours, your moans translating into his lips. 

You’re bouncing on him, his lips going down to suck on your neck. You let your moans roam into the air, feeling overwhelmed with how good you’re feeling. Toji barely even tries and he makes you feel euphoric. Maybe you were having second thoughts, but then you remembered just how perfect your husband is.

Toji pulls out, putting you down on the bed. He puts your legs on his shoulders before sliding back into you. He sets the pace, much faster than how you were going. Your hands are gripping the bed sheets, loudly moaning as your husband pounds into you.

“You’re so perfect, baby. You’re everything to me.” He praises you while one hand goes to play with your clit. You’re almost at your limit, and he feels it as your cunt squeezes around him. He says through gritted teeth, “You’re so fucking tight.”

“Oh fuck, Toji– I’m gonna–” You announce, so close to reaching your peak. 

“I know, baby– fuck, I know.” He groans. You’re driving him insane, it’s the effect that you have on him after not being with him for a while. God knows he needed this.

You loudly moan his name, your legs quivering when you reach your high. It’s hard for you to last when his cock reaches deep, and reaches all the right spots. Toji can’t help but praise you when you come, “That’s my good girl, that’s my fucking good girl.”

Toji’s thrusts begin to get sloppy, even though he wants to stay buried inside you for as long as he can. His hands hold on to your hips, nails digging into your soft flesh. 

“Inside of me, baby, do it inside me.” You tell him, knowing he’s nearing his release. You need to feel his warmth in every possible way, and Toji isn’t going to turn you down, certainly not with this. 

Toji comes to a stop, groaning before filling you up with his warm cum. He stays buried inside of you until making sure every droop is inside of you. His lips go down to yours, kissing you as he pulls out. 

“I’ve missed you, love.” He says before you both get comfortable in bed. You’ll wait a minute before going to the bathroom to clean yourself up. 

“For the record, I’m still mad at you.” You say before kissing his cheek, causing him to laugh. You stand up, walking to the bathroom to take a shower before going to bed, and he follows behind because he’s truly lost without you. 

“You’re here late.” He points out, unsure of what to say next.

“When you don’t have the kids with you, things go surprisingly smooth… Speaking of, how was your night?” You get in the shower, and Toji is staring. He’s watching every single one of your movements, even when he tries to tear his eyes away, he can’t. You're just so perfect in every way, how can he look away?

“Why did we have so many kids? They made the night so difficult.” Toji shares, and he hears you laugh. It’s no surprise to you, you’ve handled the kids on your own so many times before, and you always swear that you won’t even think of having another one– But then Emi comes to you with her teddy bear and begs for cuddles which makes you reconsider.

“Welcome to my world.” You respond, and Toji chuckles. He lightly bites down his lip, debating if he wants to go back to bed. He really doesn’t, so he decides to join you in your shower.

“So you’re less mad?” He asks, grabbing your sponge and pouring some body wash on it. Toji kisses your shoulder before he begins lightly scrubbing your body. You hum in response, and he can only wonder what you were up to– But he can’t complain. He couldn’t care less what you were doing as long as you’re not mad at him.

“I’m still upset though, don’t get me wrong.” You say as you take the sponge from his hand and use it on him. You peck his lips before muttering, “My husband has still been misbehaving, I won’t forgive him so easily.”

Toji doesn’t know how to come back from that so easily, so he ponders his answer. He helps you clean up.

“I talked to Ryo.” Toji announces, and you cock your eyebrow. Before you can ask about the details, Toji explains everything to you, ending off his sentence with, “Why were you crying?”

“Life gets tough when your husband is allegedly cheating on you.” You answer, and Toji bites his tongue. You have said a million times how you hate this arrangement, and Toji has been too selfish to consider your emotions. It’s not like you’ve been silent about how much you hate this. He can’t exactly be too mad at the fact that you’ve been ignoring him when it’s deserved. 

“I’m sorry, baby.” Is all he manages to say. You turn off the water, and get out of the shower, Toji following your lead again, even though he’s barely washed himself. You have your towel wrapped around him, while he opts out of getting his towel.

“I think you’ll need a bigger apology, but I guess sex is good too.” You answer, but that’s not enough for him.

“I’ll call my agent and tell him that it’s off.” He says, and you stop in your tracks.

“No! You’ve already done this much, the premiere is soon. Stick with it for now and just clear up your name after.” You’re quick to object. That movie better do great after all you’ve been through for this. You’ve suffered for months, you can put up with some more judgment for another month or so.

“But now I feel horrible.” He responds, and you sigh. “I want to apologize.”

You take a couple of steps toward him, your hands meeting behind his neck. You kiss his lips before telling him, “Another little Emi will suffice.”

“Woman, how dare you?! After the night I’ve had, that thought makes my dick flaccid. Don’t you ever suggest having more kids!” He argues, and you look down. His words certainly don’t match his feelings.

“Are you sure about that?” You ask him, and he sighs. He isn’t going to lie to you, and he isn’t going to tell you that you’re right, so he does the next best thing, picking you up and carrying you to the bed.

You have a long night of apologies ahead of you.

[chithereader]

l-o-v-e / aaron hotchner

part 2 to jealousy, jealousy!!!! word count: 2.1k pairing: aaron hotchner x f!bau!reader, shy!reader genre & cw: hotch being so in love!! jealousy plot, made-up case, and different use of cm character a/n: i got so much love for jealousy, jealousy it has been so surprising to me how much u guys loved it!! i really hope you enjoy this part 2 as we finally get some clarity to their feelings for each other!!

With your jaw slightly dropped, you manage to get out an “Uh..” Then you clear your throat as if that will make actual words come out then— “Uhh..” 

Now you didn’t know how long you were staring at Hotch. Yet somehow you were aware that the silence— your silence was stretching out for too long. Like a fish out of water, you continue to move your mouth soundlessly. 

And if you were actually underwater, you knew a series of air bubbles would come out in a line from your lips. 

Deep inside, Hotch was getting a little worried. That maybe he came on a little too strong. 

Was that too bold? Was that out of the blue? What if you think he’s joking? Or worse, what if you think he’s not taking you seriously? 

On the outside, Hotch is trying very hard to maintain his calm and collected composure, not letting too much emotion seep through his expression. Making sure he doesn’t look worried or too proud, too scared or too smug. 

The small smile on his face is one that he hopes to convey what he means: that he seriously likes you and that he doesn’t mean to embarrass you. But it is a smile that slowly fades the more he sees the panic growing in your eyes. 

Loud clapping shakes you both out of your individual worries as Derek teasingly cheers for the development in your romance— hooting and whooping about how the boss man has finally made his move. 

As if suddenly remembering that there are other people in the room, you both look around to check the other team members’ faces. 

To your surprise, Reid is blushing even more than you and Hotch are, and to absolutely no one’s surprise, Rossi is looking straight at Hotch with a smug grin. Raising his hands theatrically slow to clap painfully slow for his best friend. 

“My man.” Derek proudly says still clapping, and if he was brave enough to risk losing a hand tonight, he would have stood up to pat his boss on the back. 

Hotch shakes his head bashfully, cheeks turning increasingly red.  He looks down at his shoes to hide his face a bit, mumbling a low, “Shut up.” 

But Rossi being Rossi, was not gonna let the moment go, “I gotta say, Hotch, I didn’t think you’d ever do it…or anything actually.” 

Looking at Hotch, you start to giggle. He’s got his head facing the ceiling, acting playfully exasperated at his team’s antics. No doubt already regretting his public expression a little bit. 

But the laughter dies down into soft giggles, and he straightens a little to look at you. Catching your eye, you smile back at him softly, also hoping that he’d understand what you’re saying with that little smile. I like you too. Don’t worry, you didn’t embarrass me. 

Hotch’s worries are instantly quieted by your smile. Like dust settling on the ocean floor, he feels at peace. 

Your little staring moment though, is suddenly interrupted by his cell ringing. And the room’s mood sombers knowing that there can only be one reason someone will call one of your cells late at night— a new body was just found. 

—

It’s 7:00am and the sun has risen brightly. Reid and Rossi went to the ME with the body to further examine what’s been done. Meanwhile you, Morgan, Seaver and Hotch stay behind at the crime scene, knowing a fresh scene can tell you the most right now.

You’ve been staying close to Morgan as he theorizes the unsub’s movements. Following and coming up with theories of your own in terms of the order of the unsub’s entry and exit. 

But as much as you are focused on the case, you look at Hotch and Seaver every now and then, who are interviewing witnesses and authorities on the side. 

Hotch catches you looking at him and Seaver, just as Seaver holds on to his arm to fix the strap of her heel. You may have looked extra irritated but you’d blame it on the sun being on your face. 

Looking back at Derek who had gotten quiet, you find him smiling at you teasingly. Already aware of what you were just looking at— more like who. You roll your eyes at him, “Shut up, chocolate.”

Derek shakes his head as he laughs, taking his sunglasses from where it hung his shirt and wears it on you. 

“Calm down, Cyclops. You might just kill the two of them if you’re not careful.” 

You gasp at his audacity, watching his back as he walks away, not even giving you the chance to respond to his teasing. 

Not wanting to stare at his back any longer, you turn around to pick up right where you left off. Only to have the fright of your life seeing Hotch right in front of you. 

With a hand on your chest you catch your breath, “Oh my god! How even—“ One second he’s more than 6 feet away from you, the next second he’s not even 4 inches from you. 

Your heart beats even faster as Hotch’s hands reach up to your face to remove Derek’s sunglasses. “Morgan!”, he shouts and tosses Derek his glasses. 

Derek catches it instinctively and looks to the both of you in confusion, but Hotch looks back at you and takes his own sunglasses off his face to wear it on you. 

Seaver watches all of this unfold from behind Hotch, and you could see it annoyed her. But she puffs her chest and turns to the people she and Hotch were talking to, continuing the interviews they were conducting. 

— 

Now during the case, obviously there wasn’t really any time for you and Hotch to discuss the romance brewing between the two of you. Absolutely no time to indulge in personal matters at a time where other people’s lives depended on you. 

But that’s not to say that Hotch has not followed up his advances with more actions. Not at all— the complete opposite actually. 

He has only become increasingly affectionate and bolder with his actions. He seems to have given up on holding himself back around you. He’s constantly sitting beside you, placing his hand on your lower back as you walk, then he stands behind you constantly towering over you whenever, wherever. 

He’s even given you his handkerchief multiple times so you could wipe your sweat, and when you guys ordered takeout for the night, he made sure to unpack yours for you and hand you your utensils, even standing to get you water from the pantry before he even touches his food. 

He’s been crazy sweet and even more protective than usual, you almost didn’t need words to confirm how he feels about you… if it weren’t for Seaver who has also gotten bolder with her advances towards Hotch. Then I mean, maybe a little reassurance would be nice. 

It seems as if the recent development in yours and Hotch’s romance was something Seaver saw as a challenge- a hurdle she has to get over to win Hotch. 

Annoying you even more, when she arrived at the precinct the next day wearing a revealing top and tight pencil skirt. She looked good, you had to admit. 

Looking down at your own attire, with jeans, boots, and a plain shirt. You felt a little defeated. Obviously you weren’t going to attract Hotch being this plain. 

But you also wanted to be ready. The team was closing in on the unsub who has become more and more erratic, you could almost predict a chase and maybe even a tussle. 

You were standing beside Reid, looking at the board trying to uncover a pattern in the unsub’s dump sites when you heard an agitating little voice say, “Hotch, I think my top unbuttoned at the back. Could you get it for me?”

Tension instantly brews. The team, who has caught on to Seaver’s ploy early on, awaits your reaction. You could feel their gazes on your back, even from Reid who you could feel checking on you from the corner of his eye from where he stands to your right.

But you refuse to give in. You continue- more like pretend to- analyze the map on the board. Even tilting your head a little to sell that you’re really not paying attention to the two. However in all honesty, all your other senses are very much attuned to whatever’s happening behind you. 

Rossi cleared his throat, making you check the room’s reflection on the window on your left through the corner of your eye. And you watch as Seaver turns in her seat away from Hotch, anticipating him leaning close and putting his hands on her. 

Now you thought that since Hotch had an idea about how Seaver makes you feel, that he’d keep his distance. You know, set those boundaries to appease you. But to your surprise, Hotch leans over the distance between his chair and hers, and reaches over to button her top. 

You could feel your face heating up. You don’t know if he simply didn’t care, if he was oblivious, or if he did it on purpose. But now was not the time to act up and make a big deal out of something so trivial. You were all so close to catching the unsub, you poured your focus on the case instead. 

But you need a moment to yourself, maybe a little fresh air or even a pep talk in the bathroom mirror will do. Just as you were about to excuse yourself stepping back from the board, you hear Hotch close the file he was reading- before he was interrupted- loudly. 

His stern voice soon follows, “Just a little advice, Agent Seaver: if you’re assigned to the field, dress like it. Then you wouldn’t have to worry about buttons popping or heels snapping while you’re chasing an unsub or racing to save someone’s life.” 

You couldn’t stop yourself even if you wanted to. Their reflection on the window was blurry enough that you couldn’t make out their facial expressions, so when you hear Hotch’s stern voice your head snaps to look at him in surprise, not expecting him to be annoyed at Seaver given that he’d just helped her. 

You almost feel bad for Seaver who’s turning red in embarrassment. She’d obviously put together an outfit for Hotch. You all knew she was an outstanding agent, so to jeopardise her performance for a man’s attention seemed weird even for her. 

–

To your surprise, her advances towards Hotch did not stop even after his dig at her unprofessionalism. 

As you were all boarding a jet well into the night, exhausted from the long case, you all noticed Seaver subtly rushing to sit first. Unsurprisingly, she chose the seat beside Hotch’s usual seat. Acting normally, she pulled out a blanket settling in her seat. 

But Hotch, who has been behind you the whole time, was just shadowing your movements. The most exhausted out of all of you, he wasn’t even thinking about where he’ll sit. He was blindly following you like a puppy, with a hand on your waist as if to not get lost. 

He was actually just waiting for you to sit somewhere, then he’d sit beside you. So you chose a couple-seat on the far end of the jet, away from Seaver. Neither of you have the energy to deal with her antics. 

In a last attempt to get Hotch to her, Seaver calls out “Hotch, I saved you your seat!”, even opening up her arms that are covered by the blanket as if to invite him to her warmth. 

But Hotch only looks at her silently, blinking. Then in less than 10 seconds, Hotch takes your hand, intertwines it with his, kisses yours softly, and crosses his arms as he closes his eyes to sleep- leaving your hand somewhat trapped to his body. 

You’re surprised at the bluntness of his affection, considering most of your team members were looking at you after Seaver called him out. 

Stealing a glance at Seaver, you catch her shoulders drop before she settles back into her seat, while Morgan mouths to you “Told you,” from across her. 

Turning your head to look at Hotch, you can tell he isn’t asleep yet though his eyes are closed. You squeeze the hand intertwined with yours, trying to get it out of his grip and crossed arms– he opens his eyes to look at you and softly whines, “Stoopp.”

“Hey!” you whisper. 

He breathes out a grumpy, “What?” to which you smile softly and say, “Fine. I guess I’m your girl.” 

here's my masterlist!

[1lovepeace]

I genuinely agree with your take. It's true that the trauma Rayla experienced doesn't excuse her actions, but it deeply explains the reasoning behind it. And in a way, you see Amaya soften up after seeing herself in Rayla in terms of being stoic, strong, and lonely in handing things alone. She's opened up more. Callum refuses to let Rayla push him away, that everything they do and face, they do it together, accepting his help and leaning on him for support. Little by little, she's growing and maturing, and I'm proud of her. There's still a long way to go for her, but she will get there.

With all the time that all four of Rayla's parents have spent self-reflecting, whether in the coins or while being alone and self-isolated from the community over the last two years, I sincerely hope that it can transition to all five of them reconciling, healing and repairing their broken, fractured family. No doubt that all 4 of her parents are incredibly scarred, haunted, devastated, and extremely hurt by the failures and negligence committed. Imagine the uncontrollable, horrifying nightmares they must be having of Rayla, being tormented by her memory every night. Their hurt, pain, heartbreak, emotional/psychological torture, and suffering are perhaps far worse than we imagined. I wouldn't even know where to begin with addressing Moonfam's family issues. But they deserve to have their family again after all they've been through.

But Rayla also has a right to feel and express her anger, resentment, disdain, animosity, and even her rage towards all four of her parents for what they put her through. Let her say what she needs to say. Let Rayla be angry and messy.

Seeing people crap on arc two Rayla genuinely makes me sad. I don't think many people truly realize the depth of Rayla's isolation. What happened to all the characters in arc one was horrible (I am not down playing that), Callum and Ezran lost their father, and Soren lost his family, but they all had Katolis to go back to. Their home. Rayla lost EVERYTHING. She lost the assassins who she grew up with and trained her, she lost her home, and worst of all she lost her parents. She lost Runaan and Ethari in one go, only months after her parents. And all she had to remember them by was what they taught her. And they taught her self sacrifice, they taught her to do questionable things in the name of protection and the greater good. Viren threatened everything she loved which WAS Callum and Ezran, and she thought he was still alive. She was stuck in fight or flight mode, she was bathed in trauma. And she had a point in TTM, everyone was just moving on, and didn't take or let her have anytime to truly grieve. She was in such a dark place in TTM and it influenced her decisions. She knows she did something wrong, she knows she hurt Callum. She hasn't brought herself to apologize yet, but why did we stop treating her as human? (Or elf, as it were)

Also hi, I've recently been liberated from TDP reddit

[theostrophywife]

chicken noodle soup.

pairing: mattheo riddle x reader

song inspiration: is it really so strange? by the smiths

author's note: just a soft fluffy comfort fic cause i've been thinking about matty lately and i needed cheering up after the end of kwaf. let's all laugh at the fact that i set a 1k limit on this fic only to fail miserably lmao 😭

Mattheo Riddle was not a fan of Mondays. 

Most of the time, Mattheo spent the first day of the week nursing a hangover and getting higher than a hippogriff at the Astronomy Tower with his friends to achieve equilibrium. The only thing he looked forward to every week was the prospect of riling you up in class. To be fair, it didn’t take much to get under your skin. Being himself seemed to do the trick. 

As he walked through the castle halls, Mattheo smiled to himself as he plotted out all the different ways he could provoke you on this dreadful day. For some sick and twisted reason, he reveled in the fact that only he could manage to rouse such a violent reaction out of you. There was something satisfying about the way your eyes blazed, your rosy cheeks tinged with heat as you told him off.

Maybe he'd flirt with you today. Tell you how good you looked in your short little skirt. Watch as you turned as red as the tie around your neck. His pretty little Gryffindor good girl. In Mattheo's mind, you were his to tease and taunt.

With his usual swagger, Mattheo sauntered into Advanced Transfiguration fully prepared to test out his new tactics on his nemesis, but you were nowhere to be found. 

At first, he figured that you were just running late. Throughout the duration of your rivalry, Mattheo had never once witnessed you skip class. He would’ve bet his entire cigarette supply that you’ve had perfect attendance since first year. When Professor McGonagall started the lesson and you were still missing in action, Mattheo was understandably concerned. 

The uneasy feeling in his stomach didn’t mean that he was worried about you though. This was purely about mutual benefit. Mattheo couldn’t very well have his Transfigurations partner skipping out on lessons. Even though he regularly did so himself. But still, that was different. Everyone knew he was a delinquent. You, on the other hand, were anything but. Until today, you’ve probably never missed a class in your life. 

Mattheo waited. Surprisingly, the two of you had the majority of your classes together. All of which dragged more than usual since you weren’t there to yell at him for dicking around. When you still hadn't turned up for Charms or Herbology, he became convinced that something was horribly wrong. Missing one lesson was alarming, but three in a row? That was entirely out of character for you. 

When Professor Sprout finally dismissed the class, Mattheo sauntered over to Granger’s desk. As always, she was surrounded by her two dimwit friends who immediately tensed the second he loomed near. Potter and Weasley shot him matching menacing glares, but Mattheo ignored them entirely. 

“Granger,” he drawled, leaning against the wooden desk. “Care to tell me where my partner’s been all day?” 

The Gryffindor girl appeared a bit perturbed by the question. “Why do you want to know where Y/N is?” 

Mattheo sighed in exasperation and produced the set of notes he’d taken during class. A first for him. He couldn’t remember the last time he actually listened to an entire lesson, let alone take notes, but he knew that you would have a million questions for him when you returned. The notes were his way of saving himself from your relentless interrogation. 

“Figured the little know-it-all would want my notes.” 

“Y/N is feeling a bit under the weather,” Hermione said cautiously. “I can take the notes to her if you’d like.” 

“No.” Mattheo declared rather suddenly. He cleared his throat and attempted to smooth over the sharp response. “No, McGonagall tasked me with it. I don’t want her docking points from my house when she finds out that you did my dirty work for me.”

Hermione raised a brow. “Sure.” The quirk of her mouth told Mattheo that she wasn’t convinced by his excuse. “Well, Y/N is resting up in the tower if you fancy a visit.” 

After a quick detour to the kitchens, Mattheo made his way over to Gryffindor tower. It was surprisingly easy to gain access to the lion’s den. He simply threatened a third year to let him in and got on with it. They truly needed to upgrade their security measures. One glare was all it took for Creevey to crumble and cave. 

With a satisfied smirk, Mattheo walked past the gaudy common room. For Salazar's sake, hadn't the Gryffindors ever heard of subtlety? The decor consisted solely of crimson and gold and the furnishings looked like something out of that muggle show his nan loved to watch—Antiques Roadshow. Antique was right. The worn out couch that he passed looked older than him.

Merlin, now he was starting to sound like Malfoy. Mattheo hurried along before he caught the urge to fold origami notes and chuck it at Potter's head. Fortunately for him, the place was devoid of the Chosen One or anyone for that matter.

By now, his fellow classmates were all in the Great Hall eating dinner, which he was thankful for. It was no secret that Mattheo’s presence wouldn’t be welcome here and he wasn’t really in the mood to fight his way through the Gryffindors just to deliver a note from the kindness of his black heart. Thank Salazar that there wasn’t a single soul in the tower to bicker with. Until he reached your dorm, of course. 

The relationship between the two of you was volatile to say the least. Despite Mattheo’s reputation, you weren’t shy about telling him off. When you were first assigned as partners, Mattheo had fully intended to let you do all the work while he skipped class to smoke, but he quickly realized that this would not be the case. You hunted him down at his hideout in the Astronomy Tower and discovered him blissfully sharing some premium grade mirthroot with Theo and Draco. When you found him, you were so angry that you dragged him by the ear all the way to the library, much to the amusement of his friends. Needless to say, Mattheo never missed a study session again. 

In a way, Mattheo admired you for it. Aside from his friends, everyone in the castle feared him. It was sort of refreshing to have someone call him out on his shit. Especially if that someone was a funny, feisty, ferocious Gryffindor who he enjoyed pestering every chance that he got. Mattheo always did have a penchant for girls with an attitude problem. 

Even as he knocked on your door, the Slytherin boy couldn’t help but chuckle to himself when he heard you grumbling from the other side. 

“Oh, for Godric’s fucking sake, what is it now?” 

The door swung open, revealing a very pissed off Y/N. Clad in striped pajamas and fuzzy bunny slippers, you placed a hand on your hip and frowned. Even in the throes of sickness, you still somehow managed to inject venom in your glare. Mattheo grinned like an idiot. 

“Nice slippers, princess.” 

You huffed, crossing your arms. “What do you want, Riddle?” 

“To make sure my partner doesn’t slack.” He waved his set of notes around. “Don’t think your sickness excuses you from studying.”

“This is payback for making you revise with me after you fell off your broom and broke your arm, isn’t it?” 

Mattheo cringed as he recalled the quidditch accident that sent him to the infirmary for a week. In true Y/N fashion, you were sitting by his bedside with a stack of books in your lap the second he woke up. Madam Pomfrey hadn't even put his arm in a sling yet before you were drilling him on proper spell enunciation and wand movements.

“You terrorized the infirmary with your mnemonics,” Mattheo said with a dramatic sigh. “It’s my turn now. This is sweet revenge, Y/N.” 

You squinted at his barely legible handwriting. “I’m just surprised you took your head out of your arse long enough to take notes.” 

“Glad to see that illness hasn’t lessened your bite. If anything, those teeth seem a little sharper than usual.” He leaned against the doorframe and smiled down at you. “Feeling a bit feral, princess?” 

“Why don’t you come a little closer and find out?” you quipped, baring your teeth at the aggravating boy. 

The gesture appeared intimidating for a full second until you sniffled and launched into a coughing fit, which made Mattheo frown. 

“Are you alright?” 

“Of course I am. I regularly cough my lungs out on nosy Slytherins whose sole purpose of existence is to make my life a living hell.”

He pressed the back of his hand against your forehead. The way his brow furrowed strangely resembled concern. Mattheo trained his chocolate brown eyes on you, examining the rosiness of your cheeks and the slight pinch of discomfort in your features.

"You're burning up." Mattheo's hand dropped from your forehead to the side of your neck. He pressed his fingers against your pulse point, feeling the erratic beating of your heart underneath his touch. It was strangely intimate. "You have an elevated heart rate."

You flushed and swatted his hand away. "Well, yes. That usually happens when one is ill."

"Come on, you should sit down."

"Don't tell me what to do, Riddle."

Mattheo rolled his eyes before dragging you by the elbow. Your protests fell on deaf ears as he barged his way into your dorm and walked you over to the bed. You watched as he pulled up a chair next to you before rifling through the contents of his backpack. Out of the sordid mess of his belongings, Mattheo produced a small container of soup. With a flick of his wand, he conjured a spoon. 

“Here, have some of this. It should help.”

As soon as he pried the lid open, the heavenly smell of chicken noodle soup filled your senses. Mattheo scooped up an equal amount of soup and noodle and blew on it to cool it down before tilting it towards you. The sight of him offering you food like you were some helpless toddler was only slightly insulting. You swore to Godric that if Mattheo started making airplane sounds, you’d strangle the bloody twat.

 “I can feed myself, you know.” 

“Just eat the damn soup, Y/N.” 

You rolled your eyes in return, but obliged nonetheless. Despite the source, you could never resist comfort food.

“Chicken noodle soup?” 

As soon as you tasted it, you knew that it wasn’t just soup. It was your favorite soup. The very same one that Winky made every third Wednesday of the month. You knew because you looked forward to it every time. It was even marked on your calendar. That’s how much you liked it. 

Mattheo nodded absentmindedly. “Yeah, I know it’s your favorite so I bribed Winky to make some.” 

You furrowed your brows in confusion. “How do you know it’s my favorite?” 

For once in his life, Mattheo looked utterly uncomfortable. He averted his gaze and busied himself by stirring through the carrots and celery. “You, uh, mentioned it in class once.” 

You couldn’t help but smile. Maybe it was the fever talking, but you thought that was sweet. “You remembered that?” 

Mattheo looked up, a stray curl kissing the tops of his cheekbones as he met your gaze. The shy smile on his face was alarmingly endearing. Sometimes when you looked at those angelic curls and stupid big, brown eyes, you forgot that you were supposed to loathe him. “Of course. It’s my favorite too.” 

You chuckled, sniffling a little. “It’s like a hug in a cup, right?” 

The curly headed boy nodded. “It totally is.” 

After you finished the soup, you expected Mattheo to take his leave. Instead, he inspected the vials of potions laying out on your night stand. He read through every label, frowning a little. 

“You should really have some pepperup potion in here.” Mattheo remarked as he arranged the vials one by one. “Are you sure this dose is potent enough? Maybe you should ask them to brew something stronger.” 

“Pomfrey prescribed them herself. No offense, but I think I’ll take her years of healing experience over your expert opinion.” Mattheo gasped rather dramatically, which made you chuckle. “As much as I appreciate the notes and the soup, I don't think it's wise for you to stick around. I’m feeling a bit better, but I might still be contagious.” 

Mattheo shrugged. “It’s alright, I’m not scared of a little cold. Besides, I still have to go over the Transfiguration assignment with you.” 

“Aren’t you worried that I’ll get you sick?” 

“Not really,” he said, waving off your concern. “I know you’re going to pester me about everything you missed in class, so I figured I’d kill two birds with one stone.” 

To your surprise, Mattheo’s notes were extremely detailed.  It was a bit hard to read given his boyish scrawl, but with a little help in translation, you were making great progress in becoming fluent in Riddle. The more Mattheo explained the concepts and ideas that were discussed in each class, the more baffled you were. You've always known that he was smarter than he let on, but this was borderline impressive.

“How do you know all of that?” 

“I asked.”

“You asked?” Mattheo stared blankly at your surprised expression. “You never ask questions in class.” 

“I never had to since you're always there interrogating the professor like the little know-it-all that you are. Thanks to your absence, I had to fill your role in class today.”

You grinned. It grew wider and wider, spreading until your cheeks hurt. Mattheo glared at your joyous expression. “What? What’s that shit eating little grin for?” 

“You missed me.”

Color flooded Mattheo’s cheeks. You were surprised to find how well crimson suited him. It was almost the exact shade of your house colors. “Don’t be ridiculous—”

“Riddle, you asked questions in class. You took notes for me. You brought me chicken noodle soup." Mattheo flushed as you pointed out the obvious. "You totally missed me.” 

“If you tell anyone, I’ll hex you.” 

“Admit it, Mattheo. Your day was utterly dull without me.” 

Mattheo rolled his eyes, sighing in defeat. “Fine, you’ve got me. I was bored out of my mind without you around. How else am I supposed to pass the time if you’re not there for me to argue with?” 

“There’s plenty of other people in the castle that you could bicker with.”

“Yeah, but they’re not you.” 

He seemed a little shocked by his own statement, but he didn't try to retract it. In fact, Mattheo almost seemed resigned to it.

“Careful, Riddle. It almost sounds like you have a crush on me.” 

“I’d have to be a bloody idiot to fall for a girl who absolutely despises me.” 

“That wasn’t a denial, you know.” 

He pinched the bridge of his nose like the very idea of it vexed him, but you caught the little smile he hid beneath his fingers. Mattheo snatched the notes from your hands. “Focus on the lesson, will you?” He grimaced as soon as the words left his mouth. “I can’t believe I’ve just said that. Look at what you’re doing to me, Y/N.” 

“You’ll live, Riddle.” You poked a section of his notes that you hadn’t quite deciphered. “Now what in the bloody hell is the Gobstopper Ruffian?” 

“The Goblin Rebellion. Merlin, my handwriting isn't that bad.” 

“Are you kidding? A kindergartner writes more legibly than this.” 

The hours passed while you bickered and bantered. You hated to admit it, but you missed arguing with him too. Laying in bed all day had you positively bored, but yet time passed within the blink of an eye as you went back and forth with Mattheo. Somewhere between discussing the possibility of Longbottom running an underground exotic plant ring and arguing over the best Smiths song, the sun had set over the horizon. Mattheo rubbed his eyes and yawned. 

“You look knackered, Riddle,” you teased, patting the spot beside you. “Do you want to lie down for a bit?”

Chocolate brown eyes widened at you. “Lie down? With you? On your bed?” 

“Yes, that’s typically how people do it.” You smirked as he shot you an apprehensive look. “Unless you’re too scared.”’

Never one to back down from a challenge, Mattheo lifted the covers and gestured for you to make room. “Scoot over, then.” 

The jest seemed to have backfired on you because now Mattheo was crawling into bed and making himself completely at home. All the apprehension from earlier melted as he pulled you against him, his chest pressed against your back as he nuzzled into the crook of your shoulder. You stifled a giggle as Mattheo released a satisfied little sigh. 

Mattheo wrapped his arms around you until you were covered in the scent of amber, cinnamon, and leather. You never expected to unearth the fact that Mattheo Riddle was a great cuddler, but yet here you were, reaping the benefits of this newfound revelation. He slipped his fingers through yours and nuzzled closer. 

"Who would've known that Mattheo Riddle was such a great cuddler?"

"If you tell anyone—"

"You'll hex me. Put a curse on my family. Set my possessions on fire. Yes, I know, Riddle. You keep threatening me, but you never follow through. I'm starting to think that you're losing your touch."

Mattheo squeezed your hip before twining your legs together. "I wouldn't test me, Y/N. You're in a very vulnerable position right now."

You chuckled as he scooted even closer. "Maybe, but you won't do anything."

"Why's that, princess?"

"You like me too much," you retorted, chuckling as Mattheo buried his face in your hair. "One day without me and you're already a needy mess."

"You infuriate me," Mattheo whispered against your ear. "But you're also the best part of my day. I couldn't imagine fighting with anyone else but you, my dear nemesis."

"I totally loathe you, Mattheo Riddle."

He chuckled as you snuggled into him. "I loathe you too, Y/N Y/L/N."

The irony of the statement contrasted with how tangled up you were wasn't lost on you. For two people who supposedly hated each other, cuddling with your enemy had never felt so right. The steady beat of Mattheo's heart lulled you towards sleep. You were slowly succumbing to its hypnotic lullaby until Mattheo's voice broke through the silence.

“Y/N?” He murmured against your hair.

You shifted, your eyes feeling heavy as his warmth enveloped you. “Hmm?” 

Mattheo’s voice was low and gravelly, flowing like honey in your ears. “This is nice.” 

You smiled against the pillow, staring at your intertwined fingers. “Better than chicken noodle soup?” 

You felt him grin against your skin before he leaned forward and pressed a gentle kiss on your temple. “Way better than soup.” 

TAGLIST

@annaisabookworm @bubybubsters @criesinlies @niktwazny303 @therealallisonspear @athenalikethegoddess @clairesjointshurt @vixzwrites @elle4404

[sunderwight]

SV fic where every Cang Qiong peak lord is actually a transmigrator, but such different varieties that Shen Yuan and Airplane are still the only ones who identify one another as such, and they think everyone else is actually the character they represent and everyone else is convinced they're the only transmigrator.

Yue Qingyuan transmigrated into his character's early childhood, but the twist there is that he was a child of a similar age when he transmigrated, and is fully convinced that he had found a magical portal to another world, somehow failed the test of heroism, and is now stuck in a crapsack dystopia that he failed to fix by not being a good enough portal hero. The idea of transmigrators possessing others bodies never occurs to him because he doesn't realize that he himself changed bodies at any point, he just thinks he got a fantasy world makeover that made his hair longer and swapped out his clothes (he was, like, eight years old at the time).

Liu Qingge also transmigrated into his character pretty early on, but in his case he didn't come originally from our world, he came from a wuxia story's world. He was a swordsman and martial artist there, too. He has no notion of any kind of plot or system, he just thinks that he managed to kick enough ass to ascend to the next life and next tier of learning to kick ass, which now involves more flying around and energy blasts and such.

Mu Qingfang is in one of those "doctor from the future goes to an old-timey/magical world and applies advanced knowledge to max out their doctor skills" type stories. He is from our world but from like, the 1920's-ish, and he never read PIDW or any isekai at all. No one ever catches on to him because anything weird he does just seems like Airplane's anachronistic writing or is no more or else inscrutable to the other characters than the rest of his medical knowledge seems to be. He has some suspicions about Shen Qingqiu being a transmigrator like him, but in his own case he gained all of the original Mu Qingfang's memories when he transmigrated so it could also just be amnesia, and he doesn't want to broach the subject if he's wrong. Also he figures it's not necessarily his business, he's just interested because transmigration is a fascinating medical mystery.

Qi Qingqi, on the other hand, had plenty of familiarity with isekai and such as a concept, but she transmigrated as a teenage girl and is pretty sure she's in her own girl's adventure story. But she's desperately trying to avoid any semblance of plot because the girls in those stories always end up married to guys by the end and she's not into dudes. Consequently she's a little worried that some of the troubles embroiling everyone else are a result of her running away to Girl Warrior Peak and not ever meeting like a handsome prince or anything along those lines. It's well after bingqiu becomes a thing that she realizes she's in a danmei instead, and then she's just convinced that she gay'd up the universe (you're welcome) and starts to relax a bit.

And etc, etc, Wei Qingwei and the rest are all living different tropes and angles of a transmigration experience.

[maelancoli]

Adding Tension After the Ship Happens

i feel a lot of slow burn ships lose steam after the characters finally get together, whether it's just from sleeping together or them actually engaging in a relationship, so here are some ideas for how to maintain steam.

their problems are not solved now that they've crossed the thresh hold

first things first, the plot itself i'm sure has other details than just their relationship. even the most fluffy of fluff has other things going on than kisses and giggles. don't abandon these details once the relationship truly begins. and if there was any kind of unresolved tension point or previously mentioned ex/trauma/insecurity/fear bring it back! bring things back around that might put a strain on a new, tender relationship. this can either make them have problems or be a way to develop their bonds and *show* it in action. any of these foreshadowing/resurrected points can be added in edits if you didn't start out with them or with retconning if you're writing rp/fanfic. all the writers do it. we see it in tv everyday it's ok if u gotta pull a rabbit from a hat.

their relationship will not be suddenly smooth and solid as if they have been married 20 years

okay they kissed/fucked/agreed to be together. now what? what circumstances kept them from getting there sooner? are those circumstances still present and how will they deal with it as a team? you also don't have to have characters officially together once they've done something physical. there is still discussion to be had and boundaries/expectations to establish. those conversations could be interesting to explore. and, even more-so, this is the perfect point for plot to happen and keep them from being able to have those conversations when they should. you can add angst, you can add miscommunication, you can add anything that tickles your fancy. especially a perfect time to have an ex return to cause some tension and uncertainty if they haven't made it official. they don't know what they are yet and that uncertainty is a delicious point to write it and really give the characters a hard time

utilize the main plot's tension

again, if you're writing more than just a contemporary fluffy romance, the romance should enrich the main plot. the romance as a subplot should be a component which merges with the main storyline and does not take away from it. if you don't want to milk the will-they-won't-they anymore than you already have it's time to build the relationship up in the midst of OUTSIDE conflict. let them disagree about how to resolve problems. let them butt heads. let them be scared and do and say stupid shit because they're scared. let them be worried or angry or frustrated and have to figure out how to balance their newfound vulnerability with who they are and were before that point. let them hurt each other a little so they can come back together stronger.

utilize the characters around them

if it is a plot which is mainly romance filled, then think about the tension from the lives around them. think about their loved ones and how their own issues could influence the plot points the characters have to face together. this could be a time for them to be introduced to loved ones. you could throw in a group trip with silly mishaps and shenanigans. you could even have loved ones try to break them up or doubt the love interest. navigating new relationships while also dealing with friends and family can be a source of plot and tension in and of itself. this can be a point to let love interests reassure each other and prove their salt. it can help them grow closer. it can be the heroic moment for one of them to stick up for the other or prove they're there for them no matter what.

overall if you're struggling with what to do after the slow burn feels like it's sizzling out it's time to zoom out. make sure you are not losing the whole picture of their environment or steamrolling past the real development of new relationships.

[tritoch]

the warrior of light as a game-breaking force of violence

there's a moment, relatively early in dawntrail, that establishes succinctly how out of place the warrior of light (as the savior of eorzea and main character of four successive final fantasy game plots) is in what is essentially the story of fresh new final fantasy protagonist wuk lamat. and it sets up quite nicely how the framework of fantasy video game conflict pulls the warrior of light forever towards violence as the expansion goes on.

spoilers through 7.0 follow

consider wuk lamat's kidnapping and rescue. bakool ja ja holds his blade to wuk lamat's throat, taunting you. his lackeys line up against your party in neat little ranks suspiciously reminiscent of a classic final fantasy encounter screen.

and it simply does not matter to the warrior of light. you stride right through their combat setup because you are beyond that by now. the warrior of light has absolutely no respect for the "we are about to do ATB combat" lineup. the camera even jumps the line for you in one continuous rotating shot, crossing the axis of action as though to emphasize through the disruption of visual convention how far outside the game's boundaries you are.

this is how far you are above the problems of dawntrail's first half. you cannot even be bound by the normal rules of cinematography and video game combat. everyone else here lined up for a good old-fashioned scrap and the warrior of light said haha nope actually. i'm going to stroll through here like a god of war astride this tiny battlefield. your henchmen cannot even raise a hand to me. i don't even have to engage in violence directly anymore. my mere presence is enough.

in fact, not only can bakool ja ja's henchmen not raise a hand to you, he's not even worthy of your direct intervention. he kidnaps wuk lamat and steals her keystones and frees valigarmanda and kidnaps hunmu rruk and none of it warrants the warrior of light so much as raising a finger. he's wuk lamat's recurring villain, that's not your problem. you're just here to take in the scenery.

zoraal ja spends his whole life aspiring to be thought of as his father's equal and a worthy successor to the dawnservant as the "resilient son." all it takes for gulool ja ja to acknowledge you as a warrior on his level is like a five minute sparring match. the acknowledgement from gulool ja ja that zoraal ja hungered for his whole life and would eventually go full cyborg supervillain to get via regicide is something the warrior of light receives casually in a throwaway line after their level 93 solo duty on the way to more important plot conversations.

it really seems for a second, in the first half of dawntrail, like you are strong enough and the problems simple enough for this to be a clean and easy adventure. bakool ja ja? power of friendship'd. mamook? successfully reintegrated, no worries about the crimes against humanity. rite of succession? handily won. nothing can stop you. even duty finder queue times have been conquered: you can do all your duties with trusts now.

all of which only makes it better when the second half has sphene ask you and wuk lamat directly: could your strength have been enough to save alexandria? could you have found a different way?

i know some people get very annoyed we don't intervene in the gulool ja ja fight. now personally i think if you see arthur and mordred squaring up it's rude to intervene, but beyond that, it simply wouldn't have mattered. by the time zoraal ja's forces arrived in tuliyollal, alexandria and tural were already on a collision course and doomed to conflict. your hands alone could never have averted this conflict. sphene was always bound to do what she did—and certainly a gulool ja ja without his reason would not be any more inclined to peace than wuk lamat and koana were.

there's a great little moment just before living memory where estinien, champion at reading the room, is like "okay so if thancred and i stay here that frees up you up, aibou, to do what you do best and save the world and have epic fights. woo!!!" and immediately afterwards you basically have to apologize to alisaie because part of the sort of unspoken premise of this whole trip in the first place was that you were, finally, not going to plunge into mortal peril to save the world. you were finally going to take it easy. you were finally done with that. and she has to sort of ruefully be like nah it's fine bro. i was trying to get you to take it easy and not do insane risky world-saving violence. but y'know these things (interdimensional invasions) happen.

by the time you reach the very last trial, all pretense that the warrior of light could have ever been beyond these problems has vanished. you were, very emphatically, not strong enough to hold onto all that was dear without sacrifice. gulool ja ja and otis and cahciua died. yyasulani was irreversibly changed, physically colonized and culturally decimated by another dimension. you systematically shut down each part of living memory, and all its friendly, charming, loving ghosts, with your own hands. with your own clicks.

not even the vaunted strength of the warrior of light is enough to overcome sphene's inexorable logic of conflict. and so, in the end, she plucks you out of the crowd and says, explicitly for reasons of your strength, that you are going to have to do a boss fight now. you are going to have to kill her and you are going to have to do it in a proper 8-on-1 trial, and she forces you to affirmatively state that you understand you're going to kill her.

did you think you were above it all? did you think you could get away from here with your weapon undrawn, with your hands clean? that for you and you alone the logic of conflict comes undone? wrong. wrong. wrong.

your strength cannot redeem you, says sphene. your friends cannot make these sacrifices for you. if you would play the hero then you must play the hero. no half-measures.

back to the duty finder with ye.

[narnian-neverlander]

What Could’ve Been [Viktor x GN!Reader]

Plot Summary: In which you find yourself in a world so similar yet so different to your own and are simply too tired of life knocking you down again and again to still play the selfless hero.

Word Count: 3,9k

Warnings: spoilers for Arcane Season 2, talk about character death and illness, suicidal thoughts, slightly suggestive at the end

A/N: I saw that alternate timeline and went ‘Ekko’s a stronger man than I am’ and went with that; actually wanted to write sth fluffy and happy, and this is wholesome-ish, but with some very bleak undertones so I might have to write some actual fluff to compensate. Also, the religious imagery wasn’t planned from the get go but it kinda happened and it is on brand for this man, I just decided to turn it on its head a little 🤷

I’m also very much using a translator for the Czech parts, so please bear with me and absolutely lemme know if you spot anything wrong!

“Interesting. When I told you about this last, you advised the exact opposite.”

You freeze mid movement, plate hovering an inch or so over the table you were setting. “Well I… I suppose I’ve changed my mind.”

The soft tap of a cane against the floor alerts you to him crossing the room, appearing in your peripheral as you put down the porcelain with shaky fingers. “A rather… hm, siginificant change in such a short time, wouldn’t you agree? Not to mention you acted like I was telling you for the first time.” He doesn’t receive an answer, so he keeps going. “I’ve had a theory for a while. I don’t believe I’ve told you about it, because really, it’s only a pipe dream at this point, but entertaining for the duller moments nonetheless: alternate timelines. The possibility of several different realities, all co-existing with each other simultaneously. Some would call the mere idea preposterous, I’m fully aware, but then again, how would we know for certain? How could we know? Unless one or more of said timelines happened to… overlap.” The silence that follows is deafening and heavy; a precursor of what’s to come. “You’re not originally from this world, are you?”

While he knows this is a conversation that needs to be had, the way you curl into yourself and seem to wither and grow small before his eyes makes him wish he could take it all back. He tries to catch your gaze, but you purposely avoid his as you drag yourself over to the couch. Body heavy and tired, you all but slump down into worn cushions, blankly staring into space as you weakly reply with “No. I’m not.”

He doesn’t move, nor does he speak, cause while he’d been expecting your answer to a degree, now that it’s out in the open he’s… unsure what to even do with it. It isn’t a worry for long, though, as you continue speaking, slow and weary. Like you had been expecting, dreading, this moment just as much as him.

“It wasn’t a… conscious choice. To come here, I mean. It was an accident really, I didn’t even know what had happened at first.” A weak chuckle. “This was a shock to me as much as it must’ve been for you.”

And what a shock it had been for you. To have been standing with your friends in the bowels of the Hexgates one minute and to wake up in an unfamiliar bed the next. Dizzily traipsing through a space that had felt familiar yet foreign all at once; pictures and mementos from times you couldn’t remember staring at you from every surface. And to have had Viktor come through the door, bag of baked goods under one arm, to find you in the living room of what should’ve been your home, looking every bit as lost as you felt. It had been a miracle you’d stayed standing then and there, with the way he’d looked: same lanky figure supported by a cane, same messy chestnut locks, same two beauty marks against the pale skin of his sharp face, same concern in his honey colored irises when he took in your state. But no dark circles borderlining bruises under his eyes, no hollowed, sunken in cheeks, no blood on his lips to betray another attack. And no Hexcore devouring him whole. Your downfall had come in the form of slender fingers gingerly wrapping around your forearm to try and steady you; a silent question and a gentle offer of help. One of those fingers wearing the very same ring you usually kept on a chain around your neck, because you’d always been too busy or too in your own head to just ask him. To offer him your heart, your life, your everything, if only he wanted it. Always too terrified of rejection, of losing him to his illness; too scared of fucking something until it was too late. And when your hand had come up in search for said necklace, a nervous habit that had developed at some point, and you’d found a matching ring on your own finger instead, you’d finally dissolved into a wailing, sobbing mess against his chest, never wanting to let go again.

And what a shock it had been for him. To have talked to you, not twenty minutes prior, an exchange of sleepy, lazy kisses and quiet murmurs, telling you he’d go get breakfast and be right back, watching as you’d curled back up under the blankets with a content sigh. To come through the door, expecting you still in bed and instead finding you in the middle of your living room, looking utterly lost and misplaced in your own home, an almost manic look in your eyes, staring at him like you’d seen a ghost. He’d approached you, carefully, like one would a wild caged animal, and then a simple touch of his had sent you into a meltdown. And at an absolute loss, he’d simply held you. Let you cry yourself to utter exhaustion in his arms, the both of you a heap on the floor, propped up against the back of the sofa. When you had finally, finally calmed down, you’d played it off as the aftershocks of a nightmare. The kind that makes you believe they’re real and keeps you trapped in them for what could feel like a lifetime. And Gods you’d looked like you had aged a lifetime while he was gone. And ever since that night you’d been… different. Getting lost in your own head more often than not. Suffering from nightmares almost every night. Migraines and something akin to epileptic seizures every once in a good while. He had let it go on, assuring you that if you needed anything he would be there for you, and in the following months, you’d seemed to settle and things had gone back to normal. Relatively. But it had been the memory loss that had made him suspicious. Or more so the fact that while some things remained, others seemed to have happened differently for you and some had never happened at all. Never having been able to leave well enough alone, he’d started digging for explanations. And now, at the end of his research, his most impossible theory proven right - he’s yet again at a loss of what to do. How to help you.

“I didn’t know how I got here, much less how to get back. From what I do understand about all of this, and it ain’t much, the thing that sent me to this world doesn’t even exist here. So at first I didn’t have much of a choice but to just… live. To pretend like everything was normal and I belonged here. But eventually I realized that even if I got the chance to go back, I didn’t want to. I wanted to be selfish, I wanted—“ Your voice cracks, thick with emotion and he watches your head drop forward like a doll’s whose strings have been cut, eyes downcast at your trembling hands. “I wanted to be happy again. And for once in my damn life I wanted it to last. It just never fucking lasts…”

Stride over to you and hold you tight, kiss you and tell you that everything would be alright, that you would figure this out together, like always. That’s what he should be doing. Every bone in his body tells him to, but just like so many other times in the past, his oh so brilliant mind prevents him. Tells him that there is no ‘together, like always’ because the person in front of him isn’t the person he’s known his whole life. Isn’t the person he married. Everything’s an ugly mess and he doesn’t mean for his next words to come across as cruel, doesn’t perceive them that way; blissfully unaware of the implications, he’s simply, truly curious.

“What would you do if you were to go back home?”

An inelegant snort leaves you and you wipe the back of your hand over your eyes in a desperate and vain attempt to stop the tears from flowing.

23 seconds.

You were counting, just to give you something to occupy your spiraling mind with, really.

23 seconds.

That’s how long it had taken him to no longer refer to this world, this apartment, him as your home. To prioritize whatever might be going in your other life. And you know it’s not fair, to be this upset with him, this version of him that you’ve been deceiving from the start; even though he has never wronged you. But you can’t help it. Guilt and regret would soon be all you’d have left again, so might as well leave him with some, too.

“Well… if I hadn’t gotten sucked into this mess, I would’ve killed myself by now. I guess I’d be getting back to that.”

The breath that escapes him sounds like you actually just sucker punched him in the gut and immediately makes you feel terrible about how casual and bitter you’d made it sound, but he’d wanted the truth and that was it. Limbs heavy und unsteady, you rise from your position on the couch and make your way over to the front door. “I’ll go take a walk or… you know, go do… whatever. Give you some space, time to think.” Your hand’s already on the door handle, but you pause and somehow find it in yourself to turn around and at least give him the courtesy of looking at him for what you’re about to say. “For what it’s worth, I never meant to let it go this far. It just became so… easy to pretend like things had always been like this. You made it easy. And while I’m sorry that I lied to you, tricked you, intentional or not, I got the chance to fall in love with you all over again. And I could never be sorry about that.”

You’re fairly certain you’ve never seen him move as fast as he does now and before you know it, you’re wrapped in a hug almost too tight, his cane landing on the carpeted floor next to you with a dull thump. “You cannot say things like that and expect me to just let you walk out of that door, I-“

Readjusting his hold on you, he cradles your head against his shoulder and loops his other arm around your middle, continuing in a hushed, gentle tone. “I can’t bear the thought of harm befalling you. Even worse, you harming yourself. In any timeline. Please, just stay. No matter what might happen in the future, just… stay with me. Right here.”

He means for it to be reassuring, comforting, loving, you know that. It’s not his fault that it has the exact opposite effect.

Wincing, a new wave of tears springs to your eyes and you remove yourself from his hold, but can’t bring yourself to let go completely; hands now linked between the two of you. “Viktor, I stole the body and life of a person you actually love. I don’t want you to force yourself to try and love me out of pity.”

“And why are you so certain that’s what this is?!” It surprises you, how genuinely upset he sounds, and a gasp is forced out of your throat when he wrenches his hands out of your grasp and his palms find your face, to force your gaze onto him and keep it there, wether you want to or not. The expression he’s wearing almost scares you; thick brows furrowed in anger and lips curled back in what could nearly be a snarl, but as soon as gold eyes find yours, red and puffy and so very desperate and grieving, whatever fire seemed to have been burning him up inside goes out all at once.

His shoulders drop and he rests his forehead against yours with a sigh, warm breath fanning over your face. “I’m sorry, moje lásko, please forgive me. I’m not angry with you, I just… I can not comprehend why you are so ready and willing to accept rejection, but will not even entertain the possibility that loving you comes as easy to me as your affections for me do to you. Why can you love every version of me, but I’m not allowed the same with every version of you?” He watches you blink owlishly, your mouth opening and closing several times and he’s not sure wether it’s endearing or heartbreaking, how clear it is that this possibility never even crossed your mind. “You act like this entire situation only penalizes me, when in reality, I’m not actually your Viktor, either, am I?”

He expects this to help, to give you a new perspective. To make it clear to you that you are both the same; you are not a villain in his story. And there is a smile on your lips, but it’s so small and sad that his stomach drops at the sight. “No, you’re not. You couldn’t be. My Viktor is gone.”

And all of a sudden, it makes so much sense. How sometimes you’d stare at him with the most haunted look in your eyes, like he was a dead man walking, ready to collapse at any given moment. How you’d grow frantic when he came back late from the academy. How you’d insisted on tagging along on the most mundane of tasks, always under the guise of wanting to spend more time with him, but really just keeping a close eye on him at all times. Though he suspects the former to be true; the chance to spend even a few more precious hours with a loved one you’d thought lost, who wouldn’t jump at that chance?

His world would simply seize spinning if you were no longer in it, he can’t even begin to imagine how you feel. How tormenting it must’ve been to see him everyday, a second chance dangling right in front of you, but never certain if you were to wake up back in a world where he was gone.

You’re in his arms again in a heartbeat, one hand carding through your hair, the other rubbing soothing patterns into your back; whispering sweet little nothings into your ear as you bury your face into the crook of his neck and sob. All so much like the day you arrived and saw him for the first time, and yet… softer. More intimate.

You stay like this until your bawling dies down to whimpers and sniffles at which point he gingerly coaxes you to look at him.

“Miláčku, listen to me. As it stands now, you have no way of going back to your original world.” He doesn’t call it your home anymore, you notice. “You did not ask for this, you did not choose this; you had it thrust upon you while going through enough pain and grief you considered taking your own life. For the love of everything, you needn’t feel guilty for wanting to use this chance to find happiness again. And you shouldn’t feel guilty if you continue to do so.” Still sniffling you gently caress his face, thumbs running over his chiseled cheekbones and heart stuttering when he leans into your touch. But then you catch sight of the ring on your finger again.

“I’m not… I’m not the person you married, Vik.” Unknowingly, you parrot his own thoughts back to him, but surprisingly enough, he finds he doesn’t much care anymore. He’s flabbergasted how he could ever even doubt for a second that it would matter which timeline you were originally from. Because it’s still you. Damn it all, it’s still you. “Maybe so. But I’ve seen the same kindness in you in those past few months that I’ve always known. The same wit. The same ambition and passion. All the things that made me love you in the first place. You said this gave you the chance to fall in love with me again; would you allow me the chance to do the same?”

The truth is, while you want to try and build a life here, you feel guilty. Guilty about the friends you left fighting a war. Guilty about taking over the life and joy of someone else, even if they are a different version of you. Guilty about forcing the man you love into a relationship with a person he technically doesn’t even know. All these months, you’d only ever reciprocated his affections, never initiated them, had barely let him touch you at all, because you’d always felt like somehow you were coercing him into cheating on someone he actually loved. But here he is now, telling you that he wants you, this version of you, all of you. Could you really do it? Leave behind everything and everyone you’ve ever known, for a chance at happiness, a fresh start? You had no guarantee that things would go smoothly in this universe either, after all. Wouldn’t you just be playing pretend for the rest of your life?

“So what, we’ll just… pretend like it’s the first time then?” you ask, a quiet breathless laugh accompanying your question. He shrugs and smiles at you. “Something like that. Falling in love with you again and again and again? I could imagine a worse fate.”

So could you. Much, much worse, in fact.

Your expression shifts somewhat without you even realizing and he immediately recognizes that he must’ve triggered some form of painful memory. He places tiny little kisses all over your face, murmuring apologies all the while and when you sigh in contentment it finally dawns on him that this is very much the first time you’ve let yourself enjoy being close with him since you got here. He doesn’t blame you; the moral dilemma that was forced on you would put anyone on edge and make them anxious about what they could allow themselves to experience without some form of consequences. He would prove to you that there would be none, he’d make sure of that; singlehandedly destroy them if they did decide to raise their ugly heads. That you didn’t always need to give and give and ask for nothing in return. That you could take what you wanted and not be punished for it. You’d taught him that after all.

“Moje světlo…?”

Gods have mercy on your soul, you never could say no to him when he used those damn pet names on you.

You crash your lips to his, desperate and practically starved; in direct contrast to all the sweet promises and gentle reassurances you just shared, there’s nothing romantic about it. It’s all tongues and teeth and absolutely filthy and it’s exactly what you need right now. Your back makes contact with the door you’d been oh so insistent on walking out of not even fifteen minutes ago, that thought now the furthest thing from your mind as his hands are already under your shirt, leaving goosebumps in their wake.

Your head falls back against the worn wood with a thump as his lips find your neck, leaving marks and bruises for everyone to see and maybe the moan that escapes your throat with a broken version of his name coupled with how weak your knees already feel could’ve been embarrassing, but you don’t have it in yourself to care; it feels like it’s been years since he last kissed you like this. Touched you like this. The whine of protest as he pulls back is cut short when he drops to his knees in front of you, hands on your hips to keep you in place and placing on last kiss on your stomach before he puts some distance between you both, not more than a few inches really, but still too much for your liking. One hand goes to cover his own, while the other cups his face, trying to tug him closer again, but he refuses. Brows knitting together in confusion and frustration, you’re about to ask him what he thinks he’s doing, but he beats you to it.

“I won’t go further unless you tell me you want this.” You almost laugh, because he can not be serious. How much more obvious could you be? Your own body is doing half the talking for you, really. But of course that’s not exactly what he means. “I want you to admit to me, and more importantly to yourself, that you want this life. I want you to realize that it is perfectly alright for you to be selfish every now and again.”

His words trigger a memory from long ago, when you’d found him passed out on the desk in the lab one too many times. After you’d been done yelling at him, you’d told him that he couldn’t just always give and give and give until there was barely anything left of himself. That it was okay to be a little selfish and take things for himself every once in a while.

Take your own advice, liar.

A voice somewhere in the back of your head purrs bewitchingly and it’s right. You are still lying. Not to him though - to yourself. Telling yourself that you feel guilty for wanting to stay here, when in reality that’s how you should be feeling. But the truth, the real truth, is that you’re scared.

Scared of how little you actually care. About the friends you left fighting a war. About taking over the life and joy of someone else, even if they are a different version of you. About forcing the man you love into a relationship with a person he technically doesn’t even know. You haven’t truly cared about any of it from the get go; always too self righteous to admit it to yourself, though.

Practiced fingers slip from his cheek to the hair at the nape his neck and pull; he goes along willingly this time, head forced back and his eyes lock onto yours, right as fresh, hot tears start to travel down your face. But you’re done grieving; you are livid, plain and simple. “I want this…” you breathe out, so quiet he almost misses it. You don’t stay quiet, though, you can’t anymore, and your voice rises in volume with every sentence spoken. “I want to stay. I want a life with you. All blissful boredom and domesticity. It’s all I ever wanted. Why…? Why was even that too much to ask?!”

He doesn’t have the answer, but he does have the solution, delivered with a slight turn of his head and a kiss to your wrist.

“It wasn’t. It isn’t.”

Breaths heavy and irregular, you simply take in the sight of him: all disheveled hair and kiss swollen lips, pretty blush all the way down to his neck, eyes dark and pupils blown wide, only a thin ring of gold left, looking at you so longingly, on his knees for you and you alone; like a worshipper ready to commit any atrocity for the sake and love of their god.

“You can take what you want, anděli. No one will punish you for it. I won’t let them.”

Angel. Oh, the irony. Irony turned certainty. Certainty turned reality.

So take you would. And you wouldn’t bother looking back at the things you’d left behind.