#so like go away??? he ruined it all

[allofuswantgwinam]

im not gonna post about the gas station guy anymore bc i am never gonna get balls and im upset

[turtleblogatlast]

Every day I’m haunted by the fact the boys happily swim in sewer water

Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear

[lazylittledragon]

i keep trying to think of funny/poetic ways to talk about all the things i'm feeling right now but i honestly can't so. i'm really sad about what happened with my partner. i know he was an inconsiderate prick about it and that i didn't do anything wrong and i couldn't have prevented it but i'm just really fucking sad.

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[moongothic]

(Frankenstein'd two asks together for the sake of previty)

I've been pretty torn between answering this ask and just doing a deep dive re-analysis post about Marineford as a whole (from Crocodile's perspective) because I feel like rereading it now as a Crocodad Truther, I could probably make a whole lot of new observations and/or read into things differently than I did last time I read it (when I was rereading for the purpose of studying the viability of Crocodad) Like there's so much to say about the whole arc and I'd include this line of thought in there anyways... But also, do I really feel like writing a giant essay like that........

I am going to start this by refering to this mini-essay I wrote like a month ago, about how Crocodile seems to have this attitude of "no crying over spilt milk". What's happened has happened, what's done is done, it's your own fault things turned out the way they did, there's no undoing any of it and you just have to continue on. And I do think that attitude would be key here to understanding Crocodile's actions in Marineford re:Crocodad

(Sidenote because this is not relevant to the rest of the post, but the reason this is about Crocodad and not CrocoUncle etc is because if Crocodile was only loosely related to Luffy it would not have the same kind of impact emotionally (for Crocodile; like there is a difference between a nephew and a son). Additionally a part of Crocodad is that it ties into Crocodile's connection with Ivankov in a really important way. If Crocodile was only loosely related to Luffy, him also being trans would kind of be like a random sidenote without being relevant to the two being family, but suddenly if Crocodile is Luffy's other biological parent, him being trans matters a lot more. Also if he's not Luffy's other dad then we'd be still stuck asking who the fuck birthed Luffy to begin with)

While Sengoku's announcement here would make for a horrific revelation to Crocodile in this situation (a revelation we never see his immidiate reaction to, which continues to be deeply sus), what would it change, really?

The little idiot child who Crocodile had attempted to murder multiple times was his own son. Sure, he might've insantly lost whatever grudge he might've held against Luffy, then what? That feeling would be one-sided, because at this point in the story Luffy hated Crocodile's guts and he knew that too. Luffy has no idea about them being related, and even if Crocodile literally walked up the kid right that second and told him the truth, what would it change? He'd still be the man who nearly nuked a million people off the face of the earth, took over a country and killed Luffy and his friends while laughing about it. Being Luffy's other dad wouldn't make him any less of a horrible asshole (if anything it might make it slightly worse 'cause you get to add shit like "child abandonment" onto his list of crimes).

Luffy came to Marineford to save Ace. Crocodile came to Marineford to kill Whitebeard. He had no reason to interfere with Luffy's quest, and with the help Luffy already was recieving from the prison escapees, the Newkama and the Whitebeard Pirates, what would Crocodile's assistance add to the mix? Would Luffy even welcome him in helping save his brother?

Luffy had his own life, a life Crocodile had not been a part of. He had no right to try to insert himself into it at this point, after all he had done to Luffy. There's no crying over spilled milk. What's done is done, you just have to move on. He should just focus on what he came to do; get his revenge and take Whitebeard's head, as planned.

Deep breaths

...Only to realize that Whitebeard is a dying old man and not worth even killing anymore, because he's not the same Primebeard whom once beat Crocodile and crushed all his dreams. Defeating Whitebeard would not give him the catharsis he came for.

And at that point, the fuck was Crocodile going to do? The revenge he wants isn't there anymore 'cause it went bad a few decades ago. And between the raging war and Doflamingo on his ass it's not like he could just sneak out without anybody noticing. He doesn't have allies (aside from Daz under him) to worry about. He only has his hatred to the World Government.

At that point, he might as well be a nuisance to the Government and assist Luffy. Even if the help wasn't welcomed, even if Luffy hated him and regardless if he knew the truth or not, helping Luffy right then and there would still be better than letting the Government have their way and kill his son right in front of him

[mishy-mashy]

Do you think Banjo is the type of person who hides his problems behind a clown mask?

The guy acts like a bit of comedy relief, but I think he's the kind of person to face his problems head-on. I don't think he uses humor as a coping mechanism. We never see him do that for himself. He's just a loud guy

Look at how he first appears to Midoriya

He's loud, and it steals Midoriya's attention. But he's calling him out on why he's messing up

But as a character's debut, the first things he does are:

Call out Midoriya for trying to do things alone, when Yoichi's first message to him was that he wasn't

Tell him that if he can compose himself, things typically work out

Understands Midoriya's side of things, and tells him he knows (like lacking a mouth)

And once he says those two previous things, he exhales, and his eyes show their pupils properly

The parting advice he gives Midoriya is a reiteration of the second point: It's okay to be mad. What's important is controlling your heart.

Blackwhip is a Quirk that responds to the holder's emotions. Like other Quirks, but Blackwhip goes out of control when the user isn't able to get a grip on themselves

Banjo used his Quirk effectively. He'd have to live that advice to pass it on to Midoriya, back when Abilities were starting to become normal, but Japan was still wrecked. And we know that Quirks are influenced by, and influence, the holder's personality.

Banjo would have to be able to be honest with himself, understand his emotions, and has the maturity to say it's okay to be mad. Just control it.

When he said that for the first time, it actually surprised me. Everyone in fiction or reality says "Don't be mad", but a character on his debut and says it's okay to be that. I never heard anyone say that controlling your emotions and outputting them in a healthy manner is what matters. People just say not to he negative or annoying, because it's inconvenient; but Banjo went past that.

And when he fades, he tells Midoriya he's got this. He reminds him that they're all behind him.

Whenever he speaks, he doesn't make the receiver feel bad, or speak down to them. He understands them, and gives the next step in a familiar, friendly way.

On his debut, he told Midoriya to control his heart, and to remember he wasn't alone. Here, he tells him he should try understanding their Quirks better.

He's actually got a mature way of seeing things. He's an adult, and being the holder between Shinomori and En, he wouldn't be able to deal with either of them if he wasn't mature about himself. Shinomori probably wouldn't choose someone who can't be honest with himself upfront, after spending almost half his life for OFA. And En is young, prone to panic, and a guy who acts like his problems aren't there or funny wouldn't help that.

I can visualize Banjo sitting at a small fire with Shinomori, having an honest, calm talk about life (until Shinomori says the wrong thing and Banjo yells something about it). But not Banjo trying to push his problems down with a hearty laugh, and Shinomori being okay with that.

When Midoriya used his Quirk for the first time, Banjo did get loud at the start, but he did lecture him in a way that was kinda teacher-mentor-ish.

I actually like the way Banjo talks about his observances. He's got the demeanor of a good teacher, he's clear, and direct. He's light-hearted about serious things, but doesn't diminish them. He just approaches it in a way that you aren't feeling the pressure, and can feel like it's possible.

He seems to have this habit of being loud to get people's attention, and simmers down once he has it. He's never indirect or leaving the addressed to figure out the answer on their own, he gives it outright.

When Midoriya used Blackwhip for the first time, Banjo was all "You got it all wrong!" and then explained things. Since he felt himself fading, he could've been talking louder to compensate himself past the daze he felt. To make sure he was talking, heard, and to keep himself awake

When the first Three made the void silent because Kudo and Bruce didn't want to help, Banjo broke it with what Midoriya should do next

When Shinomori got yoinked, the first thing Banjo did was report it in a panic to Midoriya. This just tells Midoriya he really has to be careful now, because OFA can really be stolen. Even if Banjo just panics and doesn't say that aloud

Every time Banjo is facing some kind of problem, he doesn't let others panic too hard. He's not pressuring about problems, and steps back to let Midoriya figure things out.

When Midoriya was running himself into the ground, Banjo was one of the vestiges that didn't show up to tell him to rest. He already understood how Midoriya saw things, and was doing them his own way

Rather than trying to be a clown, I think Banjo is just a friendly person. He's honest with others and with himself, otherwise he wouldn't have been able to utilize Blackwhip right, or be the holder between a sagey hermit and young, scared adult.

[skunkes]

the bad: i have been raised without much warmth from my parents in childhood, but also pressured to conform to familial authority, doubt myself always, and value familial connections above all else (<- failed at this, and feel guilt about it.)

but also in experiencing this i have been so isolated from the entire rest of the world and others, that it will be nearly impossible to create my own "family" -> find safety and comfort in anybody else once my family is Gone. despite dis i find it really difficult to break away from the familiar, disobey and disappoint, because, well, why are my wishes more important than anybody else's. why would I cause upset and distress in anybody, and exert so much effort into my doubt filled half decisions, for my meaningless little Wishes. being away would also mean less time with these people who I'll never see again once they're gone. being raised this way is definitely paying off for those who did so.

the good: yaaaay adjacent inspiration for writing talon lore

[phosphophylight-of-my-life]

oshi no ko aqua is such a fun character bc by most counts he's a more than decent guy.

in his first life he regularly visited hospital inpatients who had no visitors. he was genuinely happy and excited to help Ai deliver her babies, because he wants her to be happy on her own terms. he saves Akane simply because he can, and gets angry at the staff on her behalf. he doesn't stop at saving her life and spends sleepless nights turning around her public image. at that point there was nothing in it for him to keep akane around, she was just a person he was able to help and wanted to help.

by most counts he's a pretty decent guy who steps up when people need him most, except. except he's also a guy who really wants to kill his dad and that makes him manipulate people somewhat often and this is somehow not entirely at odds with his instinct to help others

[daboyau]

I was watching lilo and stitch and that “you can never belong” scene came on and I got this idea in my head for that, but with ROTTMNT. So since I don’t do edits or draw, I wrote it out instead. Don’t think too hard about the logistics. :)

It is cold, when Leo slips out of the lair. He can feel Mikey’s gaze on him as he leaves, raising goosebumps over his flesh. He can’t bear to turn back, knowing that his resolve would crumble immediately if he did. His footsteps are too loud in the loneliness of the sewers. His heartbeat pounds in his head. He keeps expecting to hear a voice calling out for him, or the soft sound of footsteps following him. 

But of course it never comes. Mikey had been so hurt. So sad. Of course he wouldn’t follow him. 

When Leo finds a portal into the Hidden City, he doesn’t hesitate to throw himself through it despite the danger it puts him in to be there. The sounds and the sights are familiar to him, yet nowhere calls to him as loudly as the lair had. It’s only been two weeks since he was first brought into their home. They hadn’t even wanted him there, and yet the urge to go crawling back is so strong. He had messed everything up from the moment he’d manipulated his way into their lives. Of course they wouldn’t want him. 

(Why don’t they want him?)

Leo wanders the back alleys and the side streets, letting his feet guide him to nowhere in particular. The picture he had swiped on his way out of the lair is stored safely in the pouch tied around his waist, and between steps he’ll reach in to slide his fingertips over the stiff paper. Just to make sure it’s still there. It soothes him.

He doesn’t stop walking until he’s far outside the city, tucked away in the scraggly rock forests that surround the Hidden City. The aching in his chest has turned into more of a twisting knife, the small knot of sadness becoming more like a gaping chasm. An open wound. A bottomless pit of longing and loneliness that he had never felt before he forced his way into the lives of the Hamatos. 

He hadn’t had anything to lose, before. He hadn’t known the kind of pain that loving something would bring. He wishes he could go back to not knowing. He wishes he could return to a life of never having to make the choice to walk away, to spare them all the pain his existence brings them. 

Leo settles on the ground, curling into himself, shoulders trembling under the weight of everything. When he closes his eyes, the image of Mikey’s face as Leo made his choice haunts him. Donnie’s quiet voice rings in his ears in the silence of the forest, you ruined everything, again and again. Raph’s soft squeeze on his shoulder lingers like a phantom. Leo trembles, tucking his knees to his chest. Then, he pulls the photo out. 

Raph, Donnie, and Mikey grin up at him. It’s almost mocking, how happy they look here. A reminder that they are better without him around. He hadn’t seen them smile like that since the first five minutes they’d found him, back before they learned the truth of how much of their lives he can ruin. 

He runs a careful finger over those smiles, then he squeezes his eyes shut and holds the photo against his chest. His throat burns, and the ache in his chest feels like a black hole that will swallow his body whole. He does his best to breathe through the pain and when he opens his eyes again, the light speckled ceiling overhead is blurry and indistinct. It reminds him of the stars they had taken him to see, wind tickling his skin as they sat on the rooftop of the tallest building of their strange human city and stared upwards at something beautiful.

“Lost,” he whispers to the open air, and he can almost imagine that single word floating upwards, towards the city and the sewers. Finding its way into the only place he’s ever found that might have one day held happiness. But only for him. Not for them. There was only danger if he stayed.

“I’m lost,” he repeats, words like some trouble confession, and hot tears roll down his cheeks.

Some small, selfish part of him hopes they’ll hear. He wants them to come for him, and to bring him back home. It is a stupid, foolish wish. It’s better for everyone that he stays gone. He can’t hurt them this way. 

He falls asleep with tears drying on his cheeks, and body curled tight around the only evidence he holds of a dream he knows can never be. 

When he wakes hours later, it’s to the sound of heavy footsteps over gravel. He jolts upright, heart pounding, eyes wide, and for one foolish, terrible moment he really believes that his family has come for him. 

But no. Of course not. When Draxum emerges with a weapon pointed at his head, Leo can’t find it within himself to feel surprised. He stares back blankly, shifting slowly to stand, halfway wishing that Draxum would just take the shot and get it over with. He doesn’t think he has the energy to raise a hand to defend himself. 

The gravel has left his legs peppered with indents and marks from where they’d pressed into his flesh as he slept. They sound like something breaking as they shift and crunch beneath his feet. Draxum’s eyes dart between those markings and Leo’s tear streaked face, before his expression twists into something complicated. Almost pitying. 

“Don’t run,” he says, voice low. If Leo hadn’t heard what true kindness sounds like these last couple weeks, he would have said that’s what he hears in Draxum’s tone. “Don’t make me hurt you. You were difficult to make. No need to ruin a perfectly acceptable specimen.”

Leo shuffles, eyes darting between Draxum and the stacked stones surrounding them. He makes a sound low in his throat, hurt and uncertain, but he does not bolt. Draxum smiles, already assured of his victory, and steps closer. Leo watches with wide eyes. 

“Yes. Yes, that’s it,” Draxum murmurs, careful and soft, like he’s trying to soothe a scared animal. “Come quietly.”

“I…I’m waiting,” Leo admits, and he watches Draxum’s brow crease. His head tips, curious. He’s not used to this side of his creation — quiet, yet resisting his orders. Leo shuffles a half step back, heart pounding so hard in his chest that he feels a little dizzy. 

“For what?”

“For…for my family.”

“Aahhh. There is no use in doing so. You don’t have one. I made you.” 

Leo shakes his head, hands trembling, photo creased from how tightly he is clutching it in his fist. The thought of ruining the only evidence he has hurts, but the fear of Draxum getting his hands on it, of him finding out about the others, it terrifies him in a way he’s never felt before. He can’t let Draxum know about them. 

“Maybe…maybe I could—“

“I don’t know what yokai fool you found, or what nonsense they’ve been filling your mind with, but banish the thought of family from your mind.” His voice has lost that careful, gentle farce. It is harsh and cutting now. A familiar sound that Leo had hoped he’d left behind forever when he ran away. “You are built to destroy. You can never belong. Now, come quietly and we can begin your reeducation once—no! No no, don’t run, don’t—!”

His voice fades as Leo darts through the towering stones, vines curling at his heels and snapping at his shell as Draxum tries to recapture him. The picture flutters from his fingertips as he trips, lost amongst the shadows of the stone forest. Leo sobs, but he does not turn back for it. It is better if it is lost; at least then, he may be able to move on. 

[cuteniaarts]

Mirror, mirror, on the wall...

Who's the fairest of them all?

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[boygirlctommy]

i couldnt upload the audio like a normal person so heres this. gonna try to animate to it tomorrow :P

[ilovebeingaturtle]

87 turtle birth order is whatever's funniest this episode

👏

[clumsycapitolunicorn]

it's been nearly 6 months since the ted lasso finale and im still pretty much: