#so like! i'm still doing better and making progress!

[nicodiangelato]

Here's what I do that helps me get stuff done on time without stressing myself sick:

Split tasks up into their bare, basic components. Then, make a checklist of each component. Planners are my best friends, because I have an easier time remembering to do something if I write it down.

I find it a lot easier for me, motivation wise, to get through an essay by writing :

"do research/ find sources,

find quotations and create citations,

create an outline,

write paragraph (1,2,3, etc.),

edit rough draft,

create final draft"

because I can check off each little part and still feel like I'm making real, tangible progress vs. just putting down "turn in essay by (deadline)" in my planner.

Then, figure out what's the absolute *bare minimum* you need to do each day (or any other incriment of time that fits your schedule) to meet your deadline. Whatever it is, make sure to add an extra day or two as padding, so you can meet that deadline even if something comes up. Don't be afraid of asking for extensions or setting up accomodations. Be realistic with your limitations and time constraints.

For example: I have 5 hours of lecture I need to get through over Thanksgiving break to meet a deadline. Over 6 days, I need to watch at least 45 mins of a lecture each day. For me, 45 of lecture time is doable over a day because I know I dont have to do it all in one sitting. Realistically, I know it will take me anywhere from 1-5 hours to watch and take notes for these 45 minutes of lecture, because I am preemptively assuming I will need to take some breaks in between.

Breaks: when I get bored, I dont fight it. Instead, I take time to pivot. This is particularly helpful when I find myself doing something I have no interest in, and my brain does not for any reason want to let me do it. I take the time to scroll aimlessly, but also to get a drink/eat/use the restroom. I'm actually writing this while on a hw break right now. And when I get back from my break, all my stuff is in the same place where I left it at my desk, so I have a much better time easing my way into being productive again. If I still don't wanna work on what I was before, I start working on something relatively quick & easy from my to do list that I *do* want to do and ride the wave of productivity I get from finishing that.

The last part: reward yourself for the small victories. Yes checking things off a to do list is fun, but so are stickers. My planners are FULL of gold stars, smiley faces, and cute character stickers. There's a reason teachers use them, they are amazing motivators.

There's a bunch of adhd advice out there that's like "people with adhd tend to work better under deadlines due to the anxiety so here are ways to artificially induce a stress response in order to get you to get work done" and it's like well what if I don't want to be stressed out all the time in order to function

[spookwriter-xo]

Coppélia

Chapter 7 - The Lion's Den

Chapter Summary - Y/N Is urged to meet with some of the other women involved in high society to gain some close friends and she decides to drag Mia with her. Y/N starts to realize the boys may not be as friendly as they seem.

warnings: mentions of murder, Seonghwa injures reader (MDNI)

Series Masterlist

It had been almost two weeks since I had started living with the boys. Yunho and Jongho were still pretty stand-offish, not really bothering to make conversation unless absolutely necessary. Yeosang however, had gotten better.

I figured he was shy from the start, but after I thanked him for filling my wardrobe he started asking simple questions like how my day was. It wasn't a lot, but it was progress.

Hongjoong and San had backed off a little, not actively seeking me out like the remaining three. Mingi, Seonghwa, and Wooyoung were a lot more social, Wooyoung would come and find me the second they'd come home during the workweek to tell me everything before I left for the Society, at least what he could tell me anyway.

Seonghwa's gifts hadn't stopped, however, they had broadened from simple Gardenias (Though he kept fresh ones on the dresser in my room for me). Mingi often played piano after dinner, sometimes, he'd play something from the show or past shows just to see me dance.

He always smiled so brightly when I would.

Seonghwa was the one who suggested I go to a ladies brunch over dinner. I'd glance around at the others who made no objection.

"Ladies Brunch?" I ask.

"All the women that our allies are involved with get together once a month for a ladies brunch. You should go." Seonghwa explains, bringing his fork to his mouth.

"Are there many?" I ask.

"Normally there's around 10 or 11, depending on who's available," Seonghwa says. "You could bring a friend if you like, maybe Mia?"

I nod at the mention of Mia. It would be good to see her again and catch her up on everything in person. Besides meeting other women, hopefully around my age, would probably do me some good. Maybe some of them could explain what the men actually did.

And that's why I agreed.

"You think any of them are like... Murderers?" Mia asks me as we sit in her family's limousine. "I mean, they're involved in families known to be involved in the mafia so.."

She wasn't wrong. After I had invited her, Mia had one of Marks's friends dig up some information about some of the women we'd be meeting. Jeno Lee was always pretty good at that.

Kazuko Takanashi was the fiancé to the CEO of the SVT Association, Choi Seungcheol. A large modeling and fashion company much like the one my father owned, their rival if you will. She was beautiful and worked as a model for their more expensive pieces. I assumed her husband-to-be would only allow it as such.

Park Minji was born into high society, her father running a car company. She was dating one of the leaders of SKZ Foundation, a military company, Seo Changbin. She didn't do much, but there were rumors that she was an excellent hacker.

Those were the only ones I could remember from the list, but I knew there were so many more. I recognized some of the companies, a little surprised some of them were still running.

We arrived at the club we were to meet at, one owned by the husband of one of the women we were to meet, Nari.

"Mia, don't say anything rude," I warn, getting out of the car.

"I'm not promising anything." She quips, following me.

We head inside, it's empty aside from the small group of maybe six women sitting at a long table, laughing and drinking already. I glance at Mia who looks back at me, gesturing with her head to go towards them.

I hesitate before approaching slowly. Kazuko was there, and Minji too. They looked so much friendlier in person. I clear my throat, causing one I didn't recognize to look up. She offers me a kind smile before standing.

"You must be Y/N!" She says, approaching the two of us. "And you're Mia Hua right?" Mia nods in response.

"I'm Kate. Come sit." She says, gesturing to some empty seats. "It's just us today, the others couldn't make it."

I take a seat beside Minji, her dyed blonde hair shimmering in the overhead light. Mia sits on my other side, shifting in her seat. Kate starts to introduce everyone, and my memory comes back to me; Minji, Jaehwa, Asami, Kazuko, Liv, and Kate herself. Easy enough.

I knew Asami was the oldest based on what I remembered. She was born into high society much like Minji however, she runs her own company, a tech company alongside a friend of hers, Taeyong.

Jaehwa was the younger sister of Nari, I knew she had joined the military for two years because she 'wanted to scratch an itch'. I could tell it paid off, her tan skin and muscular frame seemed oddly attractive.

Liv was a part of the TBZ Association, a law firm. I could tell she was studying me the minute I sat down, her eyes unmoving and unblinking as they stared me down. Like a predator hunting prey.

"So, ATZ Corp chose you huh?" Jaehwa asks, her voice deep. "I heard you're a dancer."

"Ballerina." I correct, noticing the quirk of Asami's eyebrow. "I'm a Ballerina for the Ballet Society."

Kazuko takes a sip of her drink. "I went to one of your shows, you're quite good." She says, glancing at me. There was something comforting about her words, yet I kept my guard up.

"What's the show?" Minji asks, her Australian accent thick.

"Coppèlia I'm pretty sure." Kazuko answers, leaning back in her seat.

"Never heard of it." Jaehwa says, elbow now propped up on the table.

I listen to the women talk. They seem friendly enough, and at least three of them are anyway. Asami looks at me before finally speaking.

"Something you wanna say?" She asks, her eyes boaring into mine. "If you have questions you can ask."

A part of me felt relieved she'd said that, opening a door for all the questions I'd had piled up to spill out. Kate gave me a reassuring look, nodding slightly for me to speak.

"I'm... It's been a long time since I've been in this life." I start. "It's all so different now.. And they guys won't tell me anything no matter how much I ask."

"It was like that for me too." Kazuko says. "I was born in the bronx. When I met Seungcheol, none of his friends or even him would tell me anything about what they did even though I grew up on the other end of it all."

I listened to her. These women had come from all different parts of society. Some are working their way up, and some are fighting to survive even now. Maybe this wasn't such a bad idea.

"When Seungcheol asked me to marry him, I told him no unless he told me everything." Kazuko continues. "Eventually, he caved when he realised I was serious."

"So I threaten them?" I ask.

"Definitely don't do that!" Liv laughs, finally speaking. Her voice was sweet. Maybe she was just shy. "ATZ don't take nicely to threats."

"So what do I do?" I ask.

"Ask us." Kate says, reaching a hand over. "We won't hide anything from you."

I nod, taking a deep breath before glancing at Mia, who seems a little too invested now.

"Be honest with me. Do they hurt people?"

"Obviously, it's the mafia." Asami says. "We have to kill to keep those close to us safe. Greed is evil, and those who let it consume them will always try to take what isn't theirs."

I stare at Asami, and the bluntness in her tone causes goosebumps to coat my skin.

"The boys kill, yes, but most of the time it's business or for protection reasons. There's some corrupt companies out there, ones that kill the weak for sport. Like Belluxe." Kazuko spits, my head snaps to her hefore quickly composing myself. My fathers company? Killing for sport?

"After everything that happened with Aurora, I'm surprised they decided to let another one in." Jaehwa says, causing me to perk up at the name.

"You knew her?" I ask.

"Of course we did." Liv says, her eyes softening slightly. "I miss her sometimes... She was always a voice of reason."

"She was a fool." Asami says. "Stuck her nose in something she shouldn't have. That's what got her killed."

My blood ran cold at Asami's words. Her tone was so indifferent, like she was angry.

Aurora was killed? Because she was investigating something? But what?

"Asami!" Kate scolds.

"It's the truth!" Asami barks. "Nothing would have happened if she'd just-" Asami stops herself and lets out a sigh before standing. "Excuse me." She mutters, heading off in the direction of the bathroom.

"You'll have to excuse her." Minji says quietly to me. "She cares a lot more then she lets on."

"Aurora was killed?" Mia asks. I'd spoken to her about Aurora the night of my first day living with ATZ. She was just as curious as I was.

"She was investigating some suspicious activity even when Hongjoong told her not to." Jaehwa says. "She got too far in and ended up getting herself killed."

"What was the suspicious activity?" I ask, glancing at Kazuko.

"Do you remember the Cobra?" She asks us. Mia and I nod. The Cobra was a serial killer who caused some grief to a lot of businesses years back. He'd kill runners, undercover workers, and sometimes even leaders in gruesome ways to get his message across. His tell; all of his victims were found with poison in their system.

"But The Cobra disappeared when we were kids?" Mia questions.

"He came back. Briefly." Kate says.

"Well, there were rumours." Liv corrects. "That's what Aurora was investigating."

Aurora was trying to catch a serial killer and was killed when she got too close? Why didn't the boys tell me this? Was there more to it?

"Enough about Aurora." Jaehwa murmers as Asami returns.

The topic shifted rather quickly.

It was almost 6pm when I returned back to the estate. Seonghwa was sitting in the living room, waiting for my return.

"How was it?" He asks, not looking up from the book he was reading, Frankenstein.

"Enlightening," I answer, my tone indifferent. I was upset at them. I'd learned more from women I'd just met in a few hours than the 8 men I had been living with for almost 2 weeks.

The girls had told me all about their work, giving me some idea of what was going on in the basement as well as outside of the house that I probably would never see.

Seonghwa recognizes my tone and sighs, marking his page in his book before setting it down on the coffee table. He stands, moving in front of me now, staring down at me with a cold look.

"How much do you know?"

"Enough," I answer, staring back up at him, I hear footsteps thud to a stop behind me, whoever it was listening closely. "Funny how I can trust complete strangers more than the men I'm supposed to be with."

"If you don't trust us, why did you come back?" The voice, Hongjoong, says from behind me. I don't jump at his voice, only turning to look at him. I had nowhere else to go. The answer was as simple as that.

On the second day of my stay, I woke up to all my things from my old apartment tucked away in the corner of my room. Wooyoung had gone to collect my things and speak to my landlord that night, at least that's what he said.

"You know why," I say, my blood boiling at the teasing grin on his face. Here we go again, being laughed at. Maybe I should have stayed at Mia's tonight.

"Dinners ready!" Wooyoung calls out from the other room. "Is Y/N home?" He asks, poking his head out from behind the connecting archway.

"You could have told me she was killed." I blurt out, my gaze on Wooyoung but my words are aimed at all of them. "Did you think I couldn't handle it?" I say, looking up at Seonghwa once again.

"They told you?" Seonghwa asks, his voice low.

"Yes, because unlike you they recognize that I can handle myself." I snap, poking his chest. Big mistake. He snatches my wrist, gripping it tightly. My eyes widen and I try and pull away, Hongjoong and Wooyoung make no move to step in.

"You listen to me," Seonghwa says, his voice coming out as a growl. The gentleman I knew was long gone now. There was something sinister in his eyes as he looked down at me, the size difference suddenly feeling a lot larger the tighter he held my wrist. "You won't ask any more questions about what happened. You will not go investigating it yourself and you certainly will not ask others. That includes our housekeepers." He says quietly, his voice low and threatening.

I glance at Wooyoung, his face void of emotion as he watches from the archway. Shit.

"If I find out you have, you'll never step foot from this house ever again. Say goodbye to Mia, the Society, everything." He warns.

"Seonghwa." Hongjoong finally speaks up. Seonghwa's knuckles are white from how tightly he was gripping my wrist. "Let her go. She's gotten the hint." Hongjoong says, taking a step forward.

Seonghwa lets go and I pull back, bumping into Hongjoong. I jump away from him, backing up into the foyer. I stare back at them with wide eyes, clutching my wrist as they stare back at me. A sick feeling overcomes me as I mutter out three words before scurrying up the stairs.

"I'm not hungry."

Mingi had come upstairs to check on me a few hours later. He carried a plate of food in his hands and his expression adorned a pouty expression. Surprisingly, I let him in.

He sets the plate of food down on my dresser before taking a seat on the loveseat by the window.

"Wooyoung told us what happened." He says, holding his hand out and glancing down at my wrist. I hesitate for a moment before letting him take it. His touch was gentle as he examined the light bruise, his eyebrows furrowing. "I didn't think Seonghwa would ever hurt you.."

"Yeah, me too." I huff, looking down at the ground. "I guess I was wrong to trust you all so quickly."

"Trust is human nature, it's who we gift it to that could come with consequences." He says softly, moving his hand from my wrist and holding my hand in his. I feel some butterflies flutter in my stomach as he does. "I'll beat him up for you tomorrow if you want." He says, causing me to snort.

"There's no need." I laugh, squeezing his hand which makes his eyes sparkle. At least I still had Mingi. I let out a soft sigh, moving to sit beside him. "Why are you guys so hesitant to tell me about her?" I ask, staring at the floor.

"Some of us want to," Mingi says honestly. "But it's a sensitive topic." He adds.

"I understand that," I say. "But that doesn't mean I'm not curious. Why can't I look into her death? I know it has something to do with The Cobra." I look at him and he looks at me.

"Why do you say that like it's personal?" He asks, his deep voice breaking through the brief silence.

I hesitate again for a moment. "Because it is," I say. Maybe if I'm honest with him, he'll be honest with me. But I didn't want to tell him the whole story, it hurt too much to even think about.

Then the realization hit me.

That's why they didn't want to talk about Aurora. It was too personal. It brought feelings to the surface that they wanted to forget about. It made sense now, and a feeling of guilt settled in my stomach.

Mingi must have picked up on my conflict of emotions, as he cups my cheek to bring me back to him.

"I won't stop you from finding answers." He says softly. "But that doesn't mean the others won't try. And I can't protect you if that happens."

I nod in response. It's like he knew already, my mind went back to the night we first met. He'd known I grew up in high society, did he know what happened to Chaluai?

"Thank you," I whisper, our faces not resisting the magnetic pull.

"For what?" He murmurs, not pulling away as he glances down at my lips.

"For understanding," I say as our noses brush.

Then, our lips met. The kiss was featherlike like he was scared to hurt me any further. When we pull away, he rests his forehead on mine briefly.

"Give them time." He says softly, stroking my cheekbone with his thumb. "They'll stop taking you for granted eventually."

With that, he stands, pulling away from me slowly as if a part of him was telling him to stay.

I watch him as he heads towards the door, offering him a goodnight before he shuts the door behind him, leaving me in the silence of my thoughts once again.

taglist @bellaptv @arilevenatz @my-atiny-kookie-rkive @hecateslittlewitchling @neuviloved @monstacheol @latisthegenderfluidwannabealone @vtyb23 @bigbabygremlin @professormingiglasses @pinuspot @astral-trashcan @ateezswonderland @joonhasjiminsjams @atzlordz @lightwxodd

[filipfatalattractionrblog]

The thing about Episode 7, Jayvik and Timebomb

We like to joke about the whiplash from constantly shifting between Ekko's visit in paradise and Jayce's suffering, but....

I actually have to put the shipping googles back on for this one.

When Ekko and Jayce meet, Timebomb and Jayvik have basically been torpedoed. Ekko almost killed Jinx last season, and only hesitated at the last moment. He spent so much time telling himself Powder is dead and Jinx killed her, but now he is no longer so sure. Jayce meanwhile kept drifting away from Viktor and every time he thought he would bring them back together, he would fumble, last time they meet he was yelling, unable to understand why Viktor given up on him, as if Jayce haven't broken every promise he made to him by not destorying the hexcore and by weaponizing hextech. Ships aren't completely sunk, but they're gaining water fast.

And then the Wild Rune sent Jayce and Ekko to different worlds. Ekko gets the world that could have been, Jayce gets one that may be.

Ekko's life in a near-utopian version of Zaun quickly focuses on him falling in love with Powder that could have been. And why wouldn't he fall in love with her? Shems a genius, she's funny, she's creative...but I think with time he realizes that all these things can still be found in Jinx. He realizes Jinx didn't kill Powder, Jinx is Powder lashing out in pain.

And yet, this Powder is not free of pain either. It's different pain, that he actually stupidly pokes early on. Pain caused by different trauma, which she got to deal with, while having a better support network, but sitll present (I have seen somewhere a good argument she shows signs of depression, but forgot where). It's not that she deals with her pain better than Jinx, it's just different. And I see with time Ekko realizes that and realizes how wrong it would be to give up on Jinx, that the same person he loves is in her world, but she has no one to be for her what this Powder has in her Ekko, Mylo, Claggor, Vander and Silco (that last one is an assumption on my part, it's unclear how close he is with Powder in this world, but considering he apparently co-runs the bar with Vander, he has to be present in her life in some way). When Ekko decides to come back, he isn't doing it only because it would be unfair to Ekko of this timeline and to Powder and everyone who loves that Ekko. He also does it because he realzied what an asshole he'd be to give up on Jinx.

And remember, he has no fucking idea about the seven hells of bullshit that went down in his world when he was absent. He doesn't know about martial law, about Warwick, about Viktor, about Noxus. He's coming back expecting to deal with his tree being sick and Chem-Barons war.

Now let's look what Jayce goes through. He gets sent to hell where his dream goes horribly wrong, yes. But what quickly happens to him? He breaks his leg falling down the chasm. He ends at the very bottom of where Piltover used to be. Correction, where Zaun used to be. The enviroment is slowly poisoning him. He is forced to fight every second to survive. Poisoned by enviroment, limping, forced to use leg splint and a staff as a crutch. Sounds familiar? Moreover, he is then forced to climb his way from the bottom all the way to the highest tower of Piltover. I'm surprised more people aren't talking about this, the metaphor is laid down pretty thick. Jayce gets crash course version of Viktor's life, he is literally forced to walk miles after miles in his shoes. They even made his leg splint look like one League of Legends' Viktor had until 2024.

he never really could understand where Viktor is coming from, even at his lowest he still was a minor noble house, he still lived in good part of the town. And sure, he and Viktor became close, but then Jayce got seduced by the fame, by glamour, by being man of progress, by being savior of the future, by cushy council seat. Power makes it hard to see evil, and privledge makes you blind to human the suffering. This experience was eye-opening to Jayce. I wonder how many times he must have stopped himself and realize this is what Viktor goes through on daily basis. And, as we learned later, after Jayce climbed this way to the top of hell, he saw how much HE means to Viktor, how HE is the only person who can give Viktor hope and save him from his own internalized ableism. He goes back to save the world, but he also goes back to save Viktor.

These stories weren't paired jsut to fuck with us, they're pararells. Jayce and Ekko both were blinded, one by glamour, the other by hardship, they could no longer see real Viktor and Jinx, too wrapped up in the people the world forced them to become. Each one was forcefully stripped from his ideantity, and therefore his biases, and forced to actually SEE the person they love, not the false image they built, but real them. And then each one went back and each one reached to their respective love and save them. And jsut like Ekko went back in time over and over to make Jinx see he's there for her even if she hates herself, Jayce was willing to sacrifice it all to show Viktor he doesn't need to be perfect to be loved, because for Jayce he always was beautiful.

And I could probably write a whole separate essay about how this theme of tearing through your own bullshit and actually SEEING the other person is present in this season. How Jinx and Vi are forced to go through microcosm of each other's experience to rebuild their love. How Caitlyn is saved from her own descent into villainy by being forced to see how much pain she caused Vi, see a human in Warwick, see a wounded child in woman who killed her mother. How Vi stops her self-destruction by trusting Jinx and seeing Vander in Warwick. How Mel literally has to fight Illusionary Sorceres, a.k.a. LeBlac THE DECEIVER and defeats her with words "I see you". How Ambessa is the only person who doesn't go through this identity destruction this season, even i nthe opening proudly wearing red of Noxus, and that's why she fails. How Maddie being a spy is telegraphed from her first appearance, where she's blocking the sun, effectively obscuring Vi's vision and making herself harder to be seen. How Jinx and Sevika are forced to see people in one another now that Silco's gone. How even during sesbian lex Vi doesn't let Cait get bogged down in guilt because she sees the woman she loves and that's all that matters. How Ekko defeats Viktor by showing him he's wrong to think only he can achieve power of Wild Rune, but also by literally tearing off the mask of god from his eyes, so that Viktor can SEE Jayce again.

But it's 4 in the morning as I type this and I'm no longer being coherent. Episode 7 is literally the microcosm of the whole season and Ekko and Jayce go through the same character arc in it.

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[empty-vessel-of-a-person]

Review Time: Goodcat Code

Note: This is my personal take to Sylus' most recent memory. Nothing has been confirmed by Infold, so this is just full delulu mode as I dive in to Goodcat Code. Spoiler Alert for those who hasn't seen the memory yet.

I actually don't know how to fully describe MC and Sylus dynamics on this memory. While the plot of the memory is solid at it's best, their relationship here is really kinda shaky specially on MC's part. So I will have the review in 2 parts. "The Good Part" and "The Bad Part".

The Good Part

As mentioned, the plot of this memory is solid and the twist at the end is surprising but expected because it's Sylus.

The attention to details and the research on different kinds of teas are amazing. The whole memory exude luxury and wealth. It really screams Sylus.

Probably the best part (for me) of this memory is when Sylus almost never fight his cat urges. I really enjoy that part with the Seagull and Parrot. He really does manhandles them and it its hilarious. Can you imagine having to fight of a 6'2 fully grown man to free the birds? (I'm 5'2 by the way. I really can't Imagine having to wrestle Sylus to save the birds. He can easily knock me out)

And the cherry on top of this memory is how Sylus is shown to be a pure gentleman. We can definitely say that MC can be the death of him. (He will actually let her even help her kill him. He did it once already) He can never deny her. He's really down bad even showing (again) the soft side of him.

And how can we forget the kindled part? This is the first time that he really does touch MC. But I must stress on this. He is never pervy or inappropriate with her and that little circling motion he does with his hand on her back is just perfection. He is indeed touching her but it is soft, sexy, and very intimate. I applaud MC for not being swayed. I will totally break with that touch and have goosebumps everywhere.

I mentioned this as well on my previous entry, Sylus is a very old school type of guy and that little moment he have with MC on the speedboat screams Gentleman and Old Money. he can really make the most of any given situation and turns it to something romantic.

The Bad Part

I hate the way infold portray MC in this memory. He never ask Sylus opinion before creating a plot for her mission. It's like she knows that Sylus will do everything for her and his opinion doesn't matter.

If I count it correctly, Sylus mentioned being sold to other women 6 times making it obvious that he is not comfortable with the idea of being with other woman and being emotionally betrayed that MC can easily plot that without hesitation. It's actually twisted! I actually felt bad for Sylus.

MC flicking his forehead and called him Opportunist! Again why?! MC rented him off the cat café like he's an object, asking him to find Snowy Owl, make him act like her butler, and order him to woo another women. MC make him do it all without asking his take on all of this. He even mention "I never agree on any of this". So who is the opportunist one? Really?! REALLY?! It is totally a mood killer. I don't know how they phrase it on other language but this scene totally ticked me off. It's Like MC suddenly becomes one of those who mischaracterize him. I just simply dislike it. I just hope they phrase it better or left it out altogether. It's very unnecessary.

And that collar, though MC is taking claim on Sylus, its just part of her plot. I don't know but Sylus's laugh after MC brings out the collar sounds so disappointed.

The Conclusion

I feel like the love between Sylus and MC are still one-sided (at least in this memory) The lack of communication and asking permission (on MC's part) makes it looks like she is taking advantage of Sylus' feelings for her.

I am deeply moved on how slow burn their story is showing how patient and gentlemanly Sylus. When the preview was revealed, I honestly thought they are making progress as he was now touching MC only for my delulu to be shattered by MC's words and action. Not once she acknowledge Sylus saying he was being sold to other woman.

While I do love the kindled part of this memory, this is certainly one of my least favorite. Radiant Brilliance is easily better because they are mutually pinning for each other.

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[black-flag-if]

Helloooo players! To all those that write in asking about progress, you're more than noticed and appreciated. It's nice to know the story is loved. To those that write in about songs reminding them of some of my characters, it's also very nice to see and read those!

As for the story and update. I am still working on it, buuut I haven't had much progress done since the last update. I should've known holidays would slow things down for me.

And it's not like I haven't done anything. I really have. I deleted and rewrote a few times. Not once. Not twice. I'm starting out for the fourth time, actually. 😮‍💨

I'm new to interactive and new to coding in general, so when I first started to write I thought it's best to do and write as I go. Just thought to see how people felt about it. Not the case, hence why the big set back. So although I keep going back and forth between Prologue and Chapter 1, I am writing and I'm not just working on code though that is the most difficult and tedious, and I mean very tedious, part! 😒 It easily drives me bonkers. Also, being a perfectionist, I'm never happy with my product and think I could do better hence the constant rewritings. But, I'm learning to be gentle and I understand that I will never be a 100% happy with writing. It's a working process and so am I.

But I do take some ideas from you all, so I got a lot of messages asking if there was more to some of the RO scenes in Chapter 1, so I'm tiding up everything and rewriting a lot!

So it's a lot of work and I am working. I will not make any time estimates because we all know they never work out, unless I'm like 90% done then maybe. So while I unfortunately don't have the best news, know that I didn't give up. Let's hope for some better news next month.

Take care of yourselves. 💌

[runes-menagerie]

There was no pity in Sky's words or actions, simply concern for a friend. She had seen how diseases progressed in the Undercity and while he did look worse than when she saw him last, he still looked better than he likely would have had he stayed. For that she was grateful but it didn't ease her worry entirely.

"I don't pity you. You've made it so far. I... I just want to help you keep going if I can. i worry since I've seen people in worse states and I don't want you to get to that point but I'm not trying to placate you. I've been more honest with you than i have with my own mother." She replied softly, earnestly. She wanted him to understand that when she spoke to him it was the truth, not what she thought he wanted to hear.

"You're welcome and lucky for you, Viktor, I know how to combine multiple treatments into a single tea." She said with a wry smile as she gave his hand a soft squeeze in return. She was glad that he seemed to accept her concern and was willing to let her help. "And they taste better than the stuff the Piltie doctors made me drink during my health exam."

When he suggested breaking into the lab tomorrow night she frowned in thought. It was true that she did have a few days before her classes started so she wasn't concerned about that. However it wouldn't surprise her if House Young was paying someone to monitor her movements to make sure she wasn't doing anything to dishonor the House's name.

"Yes. I... I don't know if I'm being watched but I should be able to sneak out. Should we meet here or would another place be better?" She asked while tuning her hearing to the area around them. She had been passively keeping track of any sounds that might indicate someone nearby but now she focused on it. Thankfully they were still alone so she turned her focus back to him.

 Her words were ones of genuine concern, not pity. It took him a few seconds to believe it, but he was sure that she wasn’t simply fretting for the hopes of gaining his favor. Mentioning ‘the progression’ had him reminded that the disease was, in fact degenerative, and no matter how much the clear airs of Piltover helped, he still probably looked worse for wear than when he was a teenager.

 His somewhat sharp gaze grew softer within moments of him recognizing her sheepishness. Perhaps that had put her under to bright a spotlight for frustrations he ultimately had with others, not her. With a little sigh of self-aimed disappointment, he adjusted himself in his seat and looked back at her.

 “I’m sorry. I know you’re worried about me. I am just too used to pitying words and futile attempts at placating me. It is as if they do it to make themselves feel better for having looked at me.” He glanced down at the hand on his shoulder, taking it into his own and giving it a chivalrous kiss. “Thank you for your concern, Sky.” He meant it genuinely, that honesty showing in his gaze.

 A chuckle bubbled out of him at the mention of more tea. “I will have traces of blood in my tea stream, eventually.” He made sure she knew he was receptive to the idea by giving her hand a squeeze. “Alright. I will give that one a try, too.”

 His thoughts returned to her need to have her blood tested, and he reached over to put his hand on her knee. “I can get us both in as soon as tomorrow night, if you’re willing to follow me through some air conditioning vents.” His smile turned a little impish, ready to commit mischief.

[aparticularbandit]

Self.

Please remember.

If you have not hit word count this month.

Most (not all) of your writing has been second writing, which means you've been going through a lot of words, just not adding a lot of new words.

Word count is not always an indicator of progress.

You're okay.

[edwardallenpoe]

Hey. Just wanted to put my two cents in, like everyone else on Tumblr dot com is. (It got pretty long so putting it under a cut)

I don't really care about what you think should happen to the fandom. Like. If you are going to continue to engage in the fandom without giving Neil any sort of gain is fine. I'm personally still on the fence on what the fuck to do now. But let's not make that the whole focus, yeah? What Neil allegedly did was fucking terrible. Like. Objectively worse than what JKR did when things first came out about her. Let's forget good omens and sandman and coraline for a minute (don't care if you still engage with those things or burn your copies and remove your tattoos, let's just put it down for a minute.) and try really hard to think. Because we all hated JKR. We burned her reputation to the ground. For good reason. But we can't even decide if we hate Neil Gaiman yet? Guys. Please. We have to believe all women. Plus he's a rich fucking white dude who has admitted to using his power for gain.

And if it turns out (which this is a 8% chance) that this is all not what it seems to be, or even all of it is fabricated, and Neil is innocent, we still gotta stop worshipping this dude. This has got to be a wakeup call that he's not some Messiah. He's a human dude in power who does the same shitty things human dudes in power do.

And I get it. You want to continue to like your stories that he helped create (key-word 'helped' bc he was a part of a team with a lot of these stories, including Sir Terry Pratchett) but me personally? I would be a massive hypocrite if I metaphorically burned my Harry Potter stories to the ground and put HP fans in my DNI because of JKR but said "separate the art from the artist" with Neil Gaiman.

And this is coming from any other Good Omens fan that became way too attached to the story. Like a lot of people have said that story helped in very. Very fucking trying times. It was my rock, some days the only thing keeping me going. The fandom has been an amazing place of creativity and community and love.

But so was Harry Potter. If you think about it. If any Good Omens fans were previous Harry Potter fans you'll know just how wide spread and open and creative and deep the hp fandom was. And this may just be me misremembering because it was a couple years ago at this point (plus everything with Neil Gaiman is still such news) but because JKR was spouting rhetoric that directly harmed us (us being majority queer and poc people) we drop-kicked hp pretty fast and focused on the artist and her shittiness.

Can we have the same attitude towards Neil? Can we separate the art from the artist long enough to fucking focus on Neil? When I say separate the art from the artist I don't mean "remove artist, continue to enjoy art" I mean "remove the art and focus on the artist, and study that motherfucker". How many video essays are their out about JKR? How many books referencing her terribleness? Without giving so much as a hint to Harry Potter?

Separate the art from the artist and focus on the artist and bringing him to justice. And believe the victims.

And yeah I can see your arguments against the source of the information and who the victims went to tell their stories, I can understand those arguments, but let's look at the data, okay? Let's look at what Scarlett and K actually said with their actual words and their actual messages and separate the source from the material. What Scarlett and K talked about is scary. Terrifying. I couldn't even read more than a little bit before I got triggered. I wasn't caring about how the source podcast was talking about it. What Scarlett and K said with their own words should be enough. Make your own judgements. If you can't look at a story without being influenced by the storyteller's hidden agenda and not have critical thinking skills????? I'm sorry but that's going to be your downfall.

Or better yet, if you can't believe victims because they have political views that differ from your own (which, they probably don't. From what I can tell nobody really fucking knows what Scarlett and K's political views are but it doesn't really matter) you need to really study and look into what you mean when you call yourself a "leftist". Because it's not very progressive or helpful to not believe or help victims because of their political views. Sorry. Is that wild for me to say? Idk

Uh anyways. I don't really care what you do in your free time when it comes to enjoying the fandoms. I don't necessarily think it makes you a terribly shitty person for still engaging in it instead of burning all your Neil Gaiman stories, and also like a lot of people have said (and since I'm on the same boat) treating fans like the scum of the earth when a lot of fans have had good omens as a way to escape and has become super dependent on good omens and are justifiably horrified by everything and trying to ignore it is shitty. But I'm personally going to continue to follow this story because I care about the victims. Not because I want to be guilt-free reading a fanfic about an angel and a demon. Because I care about real life people.

[coquelicoq]

watching cdramas with french subtitles is the best idea i ever had. if the show is in a language i don't speak i'm already going to have to be closely reading the subtitles, so why not also use it as language practice? the subs go by so fast i don't have time to translate them internally into english, i just have to absorb the meaning without doing that (which is how it's supposed to work but i've never been fully able to do that before). AND the best part is that when i'm going about my day i'm finding that some of my internal monologue is just in french now?? i think it's because subs are almost entirely dialogue...i'm getting hours of dialogue practice without actually having to converse. it's also fun with cdramas specifically because i have by now picked up some chinese vocabulary from watching tv and i get to see how that vocabulary is translated into french. idk man i'm just having a great time.

[crowroboros]

I went Carl first. My initial impressions from his route were:

TJ/Flynn/Leo did not have much given that they weren't in Carl's route much. TJ seemed traumatized about "what happened at the lake" and was very much the "goody two shoes" Christian kid; Leo didn't seem to be able to let go of the “perfect get-together” idea; and Flynn seemed kind of like a dick but because he knew something was up about the Lake incident.

Carl's situation was both frustrating but also really understandable. I completely get how debilitating anxiety can be and him being born into a rich family doesn't change the trauma and struggles he experienced. Though it is frustrating cause he is born into a rich family who coddle him and only back up his inaction; Carl needed to get help with his anxiety and his parents didn't even make much of an effort to try to assist him in that journey. Debilitating anxiety and self-esteem issues aren't a “just get your shit together” sort of issue, you don't just wake up one day and go “I'm better now”. It takes work and a support system Carl didn't have a drive to do that work, nor did he have that support system (minus Flynn) prior to his route.

I did not (and still do not) see his parents as being anything more than superficially supportive. They clearly care about him and his well-being, but not in a way that's truly beneficial to him or his growth. His parents are definitely a massive step up from Jenna's, but I don't see them as particularly spectacular or anything. They're just rich. A big part of Carl's self-esteem issues is that his parents never actually supported his interests. They didn't outright show hatred like Jenna's, just complete indifference. They showed him that while they do care about him, they couldn't give much of a shit about what he actually likes and wants to do in life. Whether they meant it or not, they gave him the impression that his art career and personal interests were "lesser" things not worth taking seriously.

I doubt they actually wanted to make him feel that way, but with how Carl talks about his own art; his initial desire to major in art, which was vetoed by his parents in favor of business; and his story arc over his route, it's my own interpretation that Carl's issues stem from being treated as his family's successor and heir to the business rather than his own person. And part of his route is overcoming that (something I also talk more about in this ask).

And so on a similar note, Jenna's frustration with Carl is completely understandable cause she was born into the exact opposite circumstances and managed to progress in life in the exact opposite way than Carl. She grew up poor with a very abusive family life with parents who didn't give a shit about her. She's right in a lot of what she says, but fails to fully grasp the extent of Carl's mental health struggles, seeing it more as a moral failing and laziness on his part.

It makes sense why she thinks that, as with the information she's presented, that's how she interprets the situation. It isn't like Carl is the most open about how he's feeling and about how things are for him, so why would she know? It's like what you said in the Jenna character analysis post you made; It’s obvious to her that the town breaks people and if they were smarter they would know they should leave; if they were stronger or just tried harder they could leave because that's what she did.

Beyond that though, I saw Jenna as really independent and steadfast in her own interpretation of the world. She's a fascinating character.

First Route

I'm curious; what Route of Echo did you first play and what were your impressions of each of the main characters, just from that route?

I did Flynn's route first.

Chase: Despite the reveals and some of his behavior, I actually liked him. Super flawed, but still relatable and somewhat tragic.

Carl: Had a big part in Flynn's Route; I thought he was a bit of a goof, but well meaning. Felt pretty bad for him when the interview went south. Was definitely weird seeing him in other routes without Daxton to bounce off of.

Leo: I ended up picking all of the Daxton option, so Leo was muy loco here. Still didn't tip me off to how his route was going to go though. Mostly I just felt bad for him (if a little scared) because it was very clear choosing not to talk things out led to this.

Jenna: Jenna came off as overprotective, but even though she was overly harsh with Flynn, I did get where she was coming from and couldn't judge her too hard. She also redeemed herself (and her relationship with Flynn) when he trusted her to use a gun, and she shot the monster on the road (and the ending with little Jenna left me loving her and her relationship with Flynn).

TJ: I kind of feel like this is TJ's strongest route; he tells Leo and Jenna to shut up and stop babying him and willingly tells Flynn what happened. While he spends the rest of the route scared out of his mind (understandable), he's still less comatose than he is in Leo and Jenna's routes. I'd say he left a pretty good impression.

Syd the Kid: I think I'm slowly coming around to the idea that kid Sydney is my favorite character, and I've replayed his scenes more than any other part of the game. They're just so good and they give you such a good sense of who this child was. I know he bullied TJ (and the tragic backstory doesn't excuse that), but I still love him (and what he could have been).

Flynn: Man of the hour. One of the, if not the most tragic character in the game. Chase wanted to know what his deal was, and this route sure did tell us his deal. None of this excuses how he treated TJ (or the others), but knowing his motivations (and what he's done) makes his actions in the other routes, particularly Jenna's, much more meaningful. Came out of this really admiring the complexity of his writing and how he never stops being an asshole, but is an asshole you root for. (Disclaimer, Flynn is the character I most relate to, so I might be a little biased.)

[bigcats-birds-and-books]

Books of 2024: September Wrap-Up.

Delighted to report I am VERY far behind on my NaNo prep reading goals, and now September is gone (oops). However! This month I did manage to carve nine (9) pages out of a behemoth scene, write a newsletter article for the nonprofit I volunteer at, and alpha/hype read a friend's manuscript, so I still had a fairly wordy month (I say, as if all of my months are not Wordy™).

Photos/reviews linked below:

THE HAUNTED BOOKSTORE, Vol. 1 & 2 - ★★★½ These were cute! I liked them enough that I went ahead and ordered the next two volumes, and I'm glad I did--turns out there are only four manga in the series, so I'll have the whole thing :) I plan on returning to these after November/as part of Driscoll prep again, because they match the vibe I'm trying to channel really well.

CITY OF SAINTS AND MADMEN - ★★★½ (rating subject to change upon series completion) So on my shelf, this book doesn't LOOK like a brick, but it's 704 pages (according to Goodreads, because the pages in the back half of the book are not numbered sequentially lmaooo). It's told in several novellas strung together and then An Appendix full of all sorts of (sneakily?) relevant bits and pieces--fascinating anthology of a book, very meta-textual. It grew on me! If you can get through the first story, it's worth sticking with, and the whole series is turning into a puzzle box. And speaking of...

SHRIEK: AN AFTERWORD - 135/451 pages read; will report back later. I definitely had to dual wield CITY and SHRIEK last night to compare passages that are, in fact, duplicated across books, and I feel like the calculus meme about it. This one is structured interestingly, too: It's written by a sister (first person) about her brother, but the brother is annotating her manuscript in his own first person (in parentheticals wedged into or tacked onto paragraphs, also first person). I'm very excited to finish this, and equally excited to see what's going on with FINCH after that, so. Back to reading I go!!

Under the Cut: A Note About ~*★Stars★*~

Historically, I have been Very Bad™ about assigning things Star Ratings, because it's so Vibes Heavy for me and therefore Contingent Upon my Whims. I am refining this as I figure out my wrap up posts (epiphany of last month: I don't like that stars are Odd, because that makes three the midpoint and things are rarely so truly mid for me)(I have hacked my way around this with a ½). Here is, generally, how I conceptualize stars:

★ - This was Bad. I would actively recommend that you do NOT read this one, no redeeming qualities whatsoever, not worth the slog. Save Yourself, It's Too Late For Me. Book goes in the garbage (donate bin).

★★ - This was Not Good. I would not recommend it, but it wasn't a total waste or wash--something in here held my interest/kept my attention/sparked some joy. I will not be rereading this ever. Save Yourself (Or Join Me In Suffering, That Seems Like A Cool Bonding Activity).

★★★ - This was Good/Fine/Okay/Meh. I don't care about this enough to recommend it one way or another. Perfectly serviceable book, held my interest, I probably enjoyed myself (or at least didn't actively loathe the reading). I don't have especially strong feelings. You probably don't need to save yourself from this one--if it sounds like your jam, give it a shot! Just didn't resonate with me particularly powerfully. I probably won't reread this unless I'm after something in particular.

★★★½ - I liked this! I'll probably recommend it if I know it matches someone's vibes or specific requests, but I didn't commit to a star rating on Goodreads. More likely to reread, but not guaranteed.

★★★★ - I really enjoyed this!! I would recommend it (sometimes with caveats about content warnings or such--I tend to like weird fucked up funny shit, and I don't have many hard readerly NO's). Not a perfect book for me by any means, but Very Good. This is something I would reread! Join me!!

★★★★★ - I LOVED THE SHIT OUT OF THIS, IT REWIRED MY BRAIN, WILL RECOMMEND TO ANYONE AND EVERYONE AT THE SLIGHTEST PROVOCATION (content warning caveats still apply--see 4-star disclaimer). Excellent book, I'll reread it regularly, I'll buy copies for all my friends, I'll try to convince all of Booklr to read it, PLEASE join me!!

[weed-cat]

.

[forcedhesitation]

*wheeze* slowly, but surely, working on art of them all

[gu6chan]

thinking about what rubs me so wrong about the writing of furiae really felt like "woman who really only has control over her own mind and fantasies, hardly unable to do anything than what's expected as her both as a goddess and a woman" and how the way the staff viewed the writing of furiae as "woman who can't do anything"

I feel like Tadashi really summed it up good in this passage here