#so it's really more of a parallel between them

[superblysubpar]

OKAY OKAY OKAY YES?!?!? Like the parallels between them all?!

And it also works the other way too?! Like if it wasn't "flipped" and they truly are upside right on their side, just parallel to the real side?

Like Max is Nancy's place and hello? Yes? Are they not the same person in terms of not fitting the mold being thrust on her, grieving and haunted by a death, and so so so capable of so much and so strong? And also that whole scene even at the end of s4 with Nancy sawing the gun? And the don't miss from Max and Nancy's I won't miss?!

Then that would be Erica where Eddie is and again? Hello?! Lady Applejack & Eddie the Banished?! Thrust into this group. The Dnd. The speak their mind no matter what. The sarcasm. THE LITERALLY BEING HUNTED BY THE JOCKS???? Erica standing up for Eddie and Hellfire at the town meeting? ERICA FIXING LUCAS' WEAPON AND LAYING OUT THE FACTS WHILE EDDIE MAKES SURE DUSTIN ALSO HEARS THE FACTS?!

OKAY. NOW HEAR ME OUT ABOUT THE LUCAS/ROBIN & DUSTIN/STEVE POSITIONS

Not only. Do we have the whole Lucas with Max and Dustin liking her in S2 too and the whole sort of Robin befriending Nancy Steve weird love triangle that isn't a love triangle on Robin's end but Nancy doesn't know that BUT

I truly think Robin and Lucas have more in common than I ever realized. Especially if you think about Lucas trying to hide his nerdy/Dnd side in S4. He just wants to get through high school and fit in and be cool and I mean Robin is literally hiding this huge part of herself and sort of doing the same? Granted she's not a jock and doesnt seem to hide her nerdy side, but I do think the parallels are there. And I think they're both under utilized and smarter than the group gives them credit for (let's just remember that Lucas is the one who does confirm and find out El was lying in S1 and that the Lab is the reason the compass is malfunctioning - see Robin decoding the secret message S3 - in S2 I feel like I could go on about how he stands in front of Max with a weapon - in line with the adults protecting their kid behind them - which just makes me think about Robin staying back with Steve to save two kids she barely knows - and S3 he's the reason they have the fireworks to help fight/distract which makes me think of Robin and the molotov cocktails (see also Lucas and his wrist rocket) ). BUT ALSO SEASON 4 AND THE STATE OF THEIR LOVE LIVES SEEMING VASTLY UNIMPORTANT IN THE STATE OF THE WORLD BUT STILL -

I feel like I need a whole other post about Steve and Dustin to really get into it but 😅 I think when we look at them in the show, we are supposed to think they're completely opposite of each other's characters. Dustin one of the smartest, Steve one of the dumbest. Dustin a nerd. Steve a jock. But in reality, they have a lot of the same characteristics and even mannerisms? Idk. I think they represent the parts of each other that they want to be. And they're both a voice of reason for their groups, even if it's not always listened to immediately or even left out of the group for a bit (see Max going to Dustin after not getting Lucas or Nancy and the kids always looking for El or Nancy and ending up with Steve), but even so they're not afraid to put their lives on the line for the rest of the party - no hesitation when it actually comes down to protecting.

Anyways my brain hurts and I need to go to bed but I also need to rewatch the entire show and analyze this further??????

STRANGER THINGS | 4.07 “The Massacre at Hawkins Lab”

[baphometsss]

On Solas' Mythal regret

Alright so this is just one thing I wanted to get out there. I'm not gonna do one big meta post bc I wanna break down specific things more easily. I hope it's not too jumbled

Spoilers

The Solas / Mythal regret takes place in the Fade.

“What if you left the Evanuris, and remained with me? Surely you must want freedom from this struggle?”

Solas says it not just for Mythal’s sake but for his own; he is essentially begging for her to return to the Fade with him so they can be as spirits again... He doesn’t want to be a person, he never did, and now he can’t return to that life. He was happy in the Fade until she drew him out. Mythal says ‘love’ because she knows that he doesn’t want to be there and she needs to keep him loyal in order to keep the Evanuris at bay. We know that Mythal is manipulative af and this is just more evidence of that.

It’s a regret not just because he couldn’t get Mythal to leave the Evanuris but because it’s the moment he gave up on himself. He knew he couldn’t leave Mythal to do it alone, because he did care for her, but also he was likely bound to her after she pulled him from the Fade. We know that pulling spirits from the Fade makes them lose a part of themselves; in this case, Mythal did this to him deliberately so he would fight in the war.

It was a trauma bond, similar to the bond between Cole, the spirit of compassion, and the real Cole who starved to death in a prison cell. Solas needed to provide Wisdom to prove his purpose, and Mythal kept calling on that. In Veilguard, it’s explicitly stated that as a former spirit, he cannot resist appeals to his true nature. With trauma bonds, you do lose your agency. It’s what they hinge on. The two things combined make for a toxic dynamic.

(I don’t particularly like this personally, but it's what seems to be the intent, but I digress.)

The hidden codex in the Lighthouse’s music room—memories of a duet—is significant in understanding their relationship. To me this is very revealing of their dynamic; Mythal took advantage of Solas when he wasn’t used to having a body and moulded him to be a weapon. She moulded him into the image she wanted him to take, and strung him along the entire time. There’s a big parallel between Divine Justinia/Leliana and Mythal/Solas. Leliana’s personal quest in DAI is about her loyalty to Divine Justinia, whom she sees as a mother and great friend. You can ask her if they were romantically involved, and she says that they were many things to each other, but not that. She too carries a huge amount of guilt for her death, to the point that it can break her if you don’t soften her early on in the game, and she becomes utterly ruthless. The end scene with Mythal releasing Solas from her service has many similarities to Justinia releasing Leliana from hers. Leliana and Justinia were united in part because of their shared spirituality and hopes for the Chantry, and Solas and Mythal were united by the connection they forged as spirits. ‘Being wholly seen…’ Leliana felt the same way about Justinia.

Solas also wore Mythal’s vallaslin, and burned it off his face when he rebelled against the Evanuris. As we know, those are slave markings. He was made to become her servant, and rebelled against her too when he started the rebellion against the Evanuris. (As a side note, and especially if you’ve played BG3, you’ll know how the loss of agency can stick around even after the connection to the abuser has been severed. Astarion’s ‘you made me see that I never stopped thinking of myself as his slave’ really springs to mind here, albeit in a different context.)

This is a big part of why I don’t think he was romantically involved with Mythal. I believe his main role to Mythal in the initial war was as a kind of spymaster, similar to how Leliana is the spymaster for Divine Justinia. Mythal taught Solas to behave in exactly the way she wanted him to.

In fact, in the Inquisitor’s customisation screen when you pick your romance, Solas’s explicitly says that even he didn’t foresee what it would mean to fall in love. So… he canonically hasn’t been in love before. He was not in love with Mythal.

I wanna be clear here; I don’t hate Mythal as such. I mean, I do, because she’s pretty fucked up, but you have to consider her nature. She was a spirit of benevolence. She wanted to take a form because she was afraid of what Elgar’nan would do to the world if she didn’t stop him. Even after taking a body, she can’t change her nature. It became twisted into retribution when she couldn’t stop them from harming the elves or trying to leash the blight. Honestly I could write a whole essay about Mythal too, but I won’t because I still have a ton to write about Solas and Lavellan, but we’ll see.

Anyway I’m gonna leave this one here but I’ll be back with more meta. I have a lot of get through

[dubina-dawkins]

STRESS

~850 words

>After long missions Ben is obviously stressed. What else can you do if not help him?

warnings/notes: smut, minors dni! oral (m receiving), female reader but there aren't many real descriptions other than calling reader a "heroine", no usage of y/n, no proofread I'm gonna die, ben is being canonically really rough, but there's just a bit of his softer side i wish was there in canon so maybe ooc, supe!reader, reader is a second captain of payback (like starlight in the third season but no parallels between starlight & homelander and reader & soldier boy)

REBLOGS WILL BE APPRECIATED!

It hadn't been a hard day, not even a hard week, it had been going on for a hell of a long time. Everyone was on edge, even Tessa and Tommy were exhausted, and if all those missions, he filming of that stupid movie Legend had insisted on, could exhaust the twins, whose energy had always burned like dynamite, pun intended, then obviously no one had any energy at all.

People deal with stress in different ways. Some people try to abstract themselves from society - that's what Mindstorm did, and something in you told him that if he missed one more training session, then as soon as his coat even looms in Soldier Boy's peripheral vision, Dan would be dead.

Some were trying to forget themselves in training, and some were trying to beat the crap out of them in training. And you, as co-captain of this incorrigible team, as a supe who still had some humanity left in her, it was unbearably painful to watch Ben take it out on the others. But not at you, of course. Of course not at you, you were fucking special.

For instance, you were special when you sat between his legs in the meeting room.

No, don't think anything terrible, Ben wasn't the kind of man who would force a woman to do something like that, after all, he may have been a bastard, a misogynist and...a lot of other bad things, but he was a real man of his time - or at least he thought he was. In his opinion, it was much more manly to get a woman to fall at his feet - in this case, literally.

No, it's just that after he almost smashed Black Noir's head on the table during today's meeting, you had no doubt that he could use some stress relief.

And who, if not the second captain of the Payback, America's No. 1 heroine, on a par with the Statue of Liberty, could help him, America's greatest hero, become even a little more forgiving? The answer was obvious: no one. Did you do it out of fear, Stockholm syndrome, or because the only humanity left in you somehow cherished the bastard? It wasn't that important. Not now, anyway.

Not when his big hand was clutching your hair, painfully pulling back and literally slamming your head into his lap again and again. His cock slammed into your throat with a sharp and tremendous pressure, and somewhere through the veil of your own pleasure in the process you could hear his absolutely animalistic growl. Well, knowing that you could bring him to such a primitive state fueled so much pride in your chest that you obviously grew bolder.

You could grip his shaft lightly with your teeth, which made your hair pull back especially hard, forcing you to let go of his length from your mouth. You only laughed, and Ben only feigned annoyance.

And just a few moments after that, he's back to exhaling your name gutturally, stretching the "r" sound especially hard when he says you're his "good girl". And soon enough, Ben's grip on your curls tightens, and he's moving your head at an unsteady pace in pursuit of his pleasure alone. You suppress your gag reflexes, because to your great surprise, not only he likes it, but you as well. You were definitely a masochist.

His growls, guttural moans, and sloppy grunts mingled with your whimpers and the wet slapping of your face against his heated skin. How strange was it that you were ready to cum now without even touching your needy slit with your fingertips, just from the feel of his huge length in your mouth? It was probably very strange, but you didn't have that thought in your head, or any other, God, Ben had literally fucked the shit out of your brain, because all your sick mind was thinking about was his voice, his face, his hands, just fucking him. Thrust, thrust, another thrust--

He stops abruptly, apparently not wanting to end it like this. Soldier Boy lets go of your hair, pats your head approvingly (a rare sign of tenderness on his part!) and then takes up the locks again to lift your face off his still-hard cock, glistening in a mixture of pre-ejaculate and your saliva. He grins smugly, taking your chin with his finger. Judging by the fact that he's even allowed himself that smirk, some of his stress is already gone. But this is not enough.

"Get up, love. And sit on the table," he growls, lifting you off your lap as you almost hit your head on the edge of the table, and Ben lowers himself to you, pressing his lips dangerously close to yours in a scalding kiss. His lips taste gross, a mixture of expensive whiskey, weed, and smoke, but you grasp the taste with your whole life line. But before you can even open your mouth to his tongue, Ben soon pulls away, biting your bottom lip.

"I'm not going to end this with you so easily."

a/n: of course know this man is huge asshole and i hate him with all of my heart but your honor he's played by jensen ackles so he can be pardoned. idk what was the last time i written smut tbh

[saucerfulofsins]

I haven’t seen any posts comparing Buck’s coming out to Eddie and Tommy breaking up with Buck, which is a shame because the similarities drive me insane.

Or well. I say similarities, but that’s wrong. What I should be saying is: these scenes mirror each other. This post is more about the highlights than shot by shot comparisons – for that, I’d recommend you watch them side by side yourself.

Let’s start with the first and most obvious structural parallel: both scenes happen around 32 minutes into their respective episodes/between two-thirds to three-quarters in.

Now, for the scenes themselves. They follow the same basic outline, which I’ll discuss one by one. I’m following the same structure throughout: I discuss the coming out scene, then the breakup, and then give some analysis. At the end, I’ve included a section on further things of note that I couldn’t neatly fit into this structure and my final thoughts. Is this the first time I’m using the media analysis I was taught during my minor in Arts, Culture and Media with a focus on film in 2019? Yes, yes it is.

Buckle up, because this meta/essay is nearly 3k. For that reason (i.e. accessibility/readability and the amount of work I put in), this entire piece has been cross-post to AO3 (CLICK FOR LINK).

Opening shots

Seating 1.0

Buck in the kitchen

Seating 2.0

POV shots (both perspectives)

Eddie and Tommy leaving

Miscellany

Final thoughts

Analysis under the cut:

1. Opening shots

This part includes some of the most noticeable differences between the scenes, which explains why they feel different – at least at first.

CO: Eddie’s phone comes into view first – this is his chat conversation with Marisol, which the first part of the CO scene is about (note how this mirrors the gym scene, where Buck intended to come out before the conversation lingered on Eddie and Marisol). Eddie is also closest to the door during this part of the scene – which is where he will remain throughout.

BU: The first shot is of a closed door, which Buck opens for Tommy, i.e. Tommy certainly has no keys to Buck’s place, and this might well be a callback to doors as a recurrent theme. They greet with the briefest kiss possible. I rewatched this several times to make sure it really happened – it happens immediately after a cut and it’s filmed in such a way this could easily have been an air kiss lmao. (No seriously, I had to watch this screen by screen to properly catch it, and the audio is a lot more obvious than the visual). They make small talk about the movies and Tommy having ordered an uber (clearly a throwback to 7x05), and they switch positions so Buck is actually closest to the door.

As for clear similarities: Eddie and Tommy are standing up and remain mostly in the same place; Buck is moving around the loft – it’s an expression of his nervous energy, and the major changes in these scenes are about Buck, not Eddie or Tommy.

2. Sitting down

I made this a separate point for one reason, and one reason only: In CO, Eddie takes his own initiative to sit down, while saying he should go home and Buck offering him a beer, so clearly he won’t be leaving to go home any time soon(ilu Eddie but I’m begging you, stop putting yourself and also us through this 😭). In BU, Buck tells Tommy to sit down... which is in part to signal they need a more serious talk than can be done on the way to the cinema, but also shows a massive contrast in terms of familiarity and comfort, regardless of what Buck tries to tell Tommy later.

Both Eddie and Tommy sit down on the leftmost stool (closest to the door, i.e. it’s easiest for them to leave and Buck can’t get between them).

3. Buck in the kitchen

Fun fact! Before writing this post, I checked the scene where Buck confesses to Taylor that he kissed Lucy. During that scene, Buck is sitting down at the kitchen island, while Taylor lingers in the kitchen proper (i.e. with the island between them). She has moved in at that point – kitchens represent ‘being at home’ – but there’s a physical barrier between her and Buck, and it doesn’t actually keep from her leaving (even while saying she has nowhere to go).

CO: The camera uses a dolly shot to follow Buck throughout the kitchen – to the fridge and then back to the head of the kitchen island. He’s attentively listening to Eddie complain about Marisol and God watching him have sex (cursing God while sluttily drinking his beer).

BU: Buck walks out of view of the camera, through the kitchen, and there’s a dolly shot to the right to focus on Buck finding his place on the head of the kitchen island. He leans on the counter at this point. He does have a pretty open posture (identical to CO); Tommy sits with his hands/fingers folded together but he’s turned to Buck i.e. paying attention.

This is the position Buck has when he comes clear to Tommy about having dated Abby in the past; it’s also when his phone comes into the picture. Well. Pictures. Of Buck and Abby.

4. Seating 2.0

This is the longest section of analysis, and contains the part that makes me SCREAM but let’s start at the beginning. From the moment Buck sits down, the conversation turns serious in both scenes. This dialogue consists of mostly POV shots (which I will discuss next), and these medium shots that show Buck and Eddie, and Buck and Tommy.

CO: Buck sits down while Eddie says, “You and Tommy have the right idea, stay single.” This very clearly introduces a new section of the scene. Overall, the lighting of the loft is muted besides the yellow for visual interest and gay Eddie, thank you for your hard work Buddie colour theorists. Buck’s dining table is unlit and barely visible, so the space really takes a back seat and allows us to focus on Buck and Eddie. Please take note of the chair between them – this serves as a physical barrier, where someone is getting between them (a place for Marisol and Tommy, respectively).

BU: Here, the segway happens right after Buck’s come clear about being Abby’s ex 2.0. He sits down on the middle chair, but it’s quite obvious he’s shoved it away from Tommy. In fact, compared to CO, Buck is almost at the same distance from Tommy as he is from Eddie. There’s a barrier between Buck and Eddie, but there’s space between him and Tommy. This is emphasized by the lit dining table, which draws even more attention because of the white decorations: the loft is a space to be distracted by, focus on or even flee into.

Now. This is what kickstarted my obsession with these scenes, especially the coming out scene. The chair between them? Buck reaches out to Eddie, leans his arm onto it and in the process drawing attention to it. He actually leaves his arm there for an extended period, throughout several of the following shots, and only seems to pull back when he says he and Tommy were on a date.

The following shots – of Buck’s coming out and Eddie’s initial response – are back and forth POV shots. The first shot from medium distance, is this:

Do you see it. DO YOU SEE IT. Do you see what drives me crazy! Eddie is mirroring Buck’s earlier posture – also this is immediately after Buck says Tommy left him on the curb (i.e. Eddie realizes there’s no Tommy getting between them). Eddie’s not just opened up, he’s reaching out, extending his arm back onto that empty chair between them. And again, like Buck, he leaves it there for several shots. It’s still there when he tells Buck to call Tommy, although he briefly vaguely gestures to himself during the “He’ll love you! We all do!” It’s not clear when he takes his arm away; no shots show it and then he’s getting up.

This just. This drives me insane.

For comparison, Buck doesn’t reach out to Tommy during the BU scene. And, compare Tommy to Eddie:

5. POV shots

Okay, the section header is a bit of a misnomer because the scene consists mostly of dialogue and therefore has POV shots. Like I said, there’s also overlap between the POV shots and the wider establishing shots I used in section 4. The bulk of this part of the scene, however, shows a lot of over the shoulder close ups with quick POV switches. In both cases, this is where the subject at the heart of the scene is discussed.

Now, these differences are pretty small and they could be a consequence of these episodes having different directors. However, there’s zero doubt in my mind that Chad Lowe closely studied the CO scene for its sheer number of cinematographic parallels and therefore it might be entirely on purpose too YAY.

There’s some variation in the distance of these shots, but the most intimate ones look like this:

(Still not over that face he’s pulling here, dear Lord). Buck takes up most of the screen – his shoulders are visible, but the top of his head isn’t. I guess this is technically still an over the shoulder shot, but barely. Eddie is out of focus, just enough there to be a blurry ear. These shots are intimate. This is almost what Eddie is seeing – and actually these shots make it feel like they’re sitting a lot closer than they actually are.

"Until now.” Buck’s entire face (including hair) is in the shot, and we can see Tommy’s shirt. This is the closest/most intimate we get to see him (and Tommy, in reverse). For both sides, they’re very clear over the shoulder shots. Yes, this is intimate – but it is not intimate. A quarter to a third of the screen (esp as the conversation moves on) is dedicated to the other person. Buck is more visually interesting too. He has more colour in his face and his background is more clearly white than in CO, whereas Tommy blends in more with the brown coat rack background (shout-out to @sparklespiff for pointing out that difference while I was trying to figure out why Buck felt more noticeable, btw).

SIDENOTE: I know some posts have already been made about the pictures on Buck’s fridge and Eddie’s mantelpiece, like they seem thematically relevant (or perhaps not yet, but soon). Buck’s walls in general have more pictures on them in S8, which is evident both in Buck’s background and Tommy’s. I am nowhere near talented enough to identify them, but going by their general colour and composition, I believe all of Buck’s wall art pieces are that, art, not family photos.

6. Eddie and Tommy leaving

These scenes have some of the clearest parallels, and of course an incredibly clear difference in how Eddie and Tommy are leaving Buck.

CO: Eddie leaves not because of Buck (well, not technically), but because he has to go do something: “I gotta go talk to Marisol.” Buck is smiling while Eddie gets up and is on his way out. Of course, this is when Eddie stops, turns around, and Buck looks up. In fact, Eddie says “Come here” but he’s the one to walk up to Buck to give him a hug. Buck just stands up from the chair. During the hug, we get shots of both Eddie’s and Buck’s faces, and of course Eddie holding Buck’s shoulder. When Eddie leaves, we hear the door open and shut – the focus stays on Buck.

Again, when Tommy leaves, we only hear the door while the camera cuts to Buck. The show then picks up his response (with the same expression) during his arrival at Eddie’s, where Eddie lets him into his home.

BU: Of course, Tommy has nowhere he needs to go to (hello, return of the failed cinema date) – when he says “I should go” it is because of his conversation with Buck. There’s a medium wide shot of him getting up while Buck looks confused, looking like he’s about to reach out for Tommy – the first time during their conversation. The camera uses a slow dolly to the left, which is when Buck calls back Tommy to ask for clarification: “Did you just break up with me?” Tommy says, “Yeah, I guess I just did.” This has been pointed out before, but they’re clearly not sure. Tommy also says, “Believe me, I didn’t see it coming either.” (Was LFJ speaking from Tommy’s perspective in that interview?). That line is fascinating, actually, because only moments ago, he was incredibly adamant about being Buck’s first, not his last. This feels like a throwback to “Enjoy it while it lasts,” leaving them both overwhelmed/confused.

Look at how similar these shots are! Also, the reason I was adamant about calling these scenes mirrors and not parallels is because Buck and Tommy greet each other with a moment of physical affection (which, as I mentioned before, is incredibly short and barely visible). Eddie wouldn’t have ordinarily but feels it’s important to hug Buck to show him nothing has changed. In terms of meaning and cinematography, their interaction is a lot more substantial and reciprocal. They’re also making sure to leave on good terms – whereas Buck and Tommy meet on good terms, but part essentially as strangers. Buck and Tommy ending the scene like truly feels like an end. Buck and Eddie’s scene feels like a significant shift in their relationship, and for me part of that is a result of Eddie hugging Buck, and shaking up their routine.

7. Miscellany

Just some bits and bobs I couldn’t fit elsewhere in the analysis!

“I like him too. Just not the same way as you.” 7x05 was truly out there foreshadowing 8x06’s “I am not gay.” (I want to do a full 7x04 + 7x05 parallels post at some point, but that’s going to be a fuckload of work and possibly even larger than this post).

Like I pointed out, Buck and Eddie drink beer during their scene (which they often do during their conversations). Buck and Tommy are breaking up without accoutrements. Of course, we know Buck brings over beer to Eddie after the breakup. Because the scenes mirror each other so closely in every other aspect, it feels incredibly poignant: Eddie again fills a role in Buck’s life Tommy should have had. I also figured I’d check their fake brands, and they are different labels. I would assume Buck brought a new flavour, considering Eddie’s looks.

Speaking of continuity, Buck opening the door to Tommy in a sense mirrors Eddie opening the door to Buck at the end of 8x06. The key differences in their cinematography is that during BU, the establishing shot of the entire scene is of the closed door without a peephole shot. When Eddie opens the door, it follows his Risky Business tribute so the door takes up less presence, and even when it’s closed, Buck is clearly visible through the peephole.

Phones clearly are connected to (past) female love interests; Eddie is interacting with Marisol but it’s through text and impersonal – we don’t see the messages, we just hear Eddie complain. On the other hand, Buck is out of contact with Abby but he still treasures that relationship – otherwise he wouldn’t still have those pictures on his phone after 7 years. I guess that’s kind of cute? Idk, I never really liked Abby or how she treated Buck, but Tommy’s speech has turned me into an Abby defender lol

Like Buck, Maddie also stands at the head of the kitchen island during her conversation with Chimney. Chimney’s in the kitchen proper, though, and Maddie walks up to him so they can actually stand face to face and be happy about the new pregnancy together! (I genuinely missed that scene the first time I watched the episode, I was so caught up in the bones of it all SORRY MADNEY I LOVE YOU FOREVER).

8. Final thoughts

I mean. Are we really surprised? I’m not! Actually that’s a lie. I saw the similarities but was shocked at just how close these scenes are in full. However,I do think this scene in particular does a lot to show just how deliberate these parallels between S7 and S8 are (and between S8 and previous seasons in general – we’ve seen similar/near identical cinematography a couple of times now), and how deliberate the parallels are between Eddie and Tommy (who are literally taking up the same position in these two scenes).

And just. The fact it’s the coming out scene between Buck and Eddie, which was about opening up & telling the truth, and it doesn’t change anything (allegedly), versus Buck and Tommy, which is about opening up & telling the truth, which changes everything... it reaffirms how I feel about the coming out scene – this is a major moment of change, and that change is deeply entwined with their respective romantic relationships. AAAAAAAAAAHHH!!

[charles-leclerc-official]

Formula 1 Drivers as Supernatural Episodes

I have selected 2 episodes from the CW's hit show Supernatural for each driver in the 2024 F1 season. Enjoy!

These are episodes I feel fits a driver's personality/vibe/style/history and are meant to be complimentary. This is very vibes based XD

Presented in team order <3 (also I guess spn spoilers warning)

Charles Leclerc: Lazarus Rising x The Man Who Would Be King

Charles and the angel Castiel have a lot in common. Charles is seen as this figure that is leading Ferrari currently and into the future and his first season in Ferrari was iconic (Lazarus Rising) Dare I say some of his drives have been as insane as pulling a man out of hell. However it's been a bumpy road and the burdens of one of the most iconic teams is enough to try the patience of any man (The Man Who Would Be King) There are a lot of faith and religious parallels to be made here. If there was one driver insane enough to try to single-handedly fix heaven (Ferrari) Charles is that driver. Also you could cast him as Cas and I don't think anyone would complain. I could go on about the Charles-Cas parallels but we do have to get to the rest of the grid, so he gets two stand-out Castiel episodes.

Carlos Sainz: Trial and Error x The Devil You Know

Carlos sometimes smashes through plans like a hammer, sometimes you need schemes other times you need to throw them out the window and start punching (The Devil You Know). He's also been through the Ferrari trials which is no small feat, often requiring a lot of pressure and sacrifice (Trial and Error). I also feel like he could wrestle a hellhound and come out winning.

Lewis Hamilton: Swan Song x First Born

I felt that one of the most iconic final battles in Supernatural of Swan Song was fitting to encapsulate Lewis' many hard fought WDCs. In addition to First Born, where Dean goes to take the mantle of the mark of Cain from a man who keeps bees in his retirement (Lewis taking WDC from Seb parallels) Both massive turning points in the show and iconic, like Lewis. A lot of small plot and emotional beats in these two that really touch on some career moments.

George Russell: Defending Your Life x Girls Girls Girls

If there was any driver on the grid who would enter into a legal battle against an ancient god and win it's George Russell (Defending Your Life). Additionally George is one of the few who could pull off witchcraft with ease while looking iconic doing so (Girls, Girls, Girls) I just think George and Rowena would get along and get up to some trouble with the book of the damned.

Max Verstappen: The Executioner’s Song x In The Beginning

The parallels of young talent coming in to take down the former bearer of the mark of Cain to Max's 2021 WDC are strong. It was hard, it was messy, and it was one hell of a fight (The Executioner’s Song). Then we have more emotional nuance (In The Beginning) a guy who just likes cars and is kind of old school about them too. These episodes are nuanced and plot centric and that felt fitting. The vibes are here you have to trust me on this.

Sergio Perez: Our Father Who Aren’t in Heaven x Criss Angel is a Douchebag

Do not underestimate Checo, much like you should not underestimate an arch angel that is related to you, and yet. The parallels between Adam, the third Winchester brother, and Checo are not lost, especially in meta context (Our Father, Who Aren’t in Heaven). Then of course Checo does have a flair and charm about him, he can pull a trick or two out of a car when people least expect (Criss Angel is a Douchebag).

Fernando Alonso: Good God Y’all x Weekend at Bobby’s

Fernando is chaos, he's here to cause unapologetic trouble, if he were to be a horseman of the apocalypse he'd be War and he'd have a hell of a time (Good God Y'all). Of course if there was one driver on the grid I know could figure out how to get his soul back from a demon after selling his soul in the first place Fernando would be that driver (Weekend at Bobby's) Naturally there are many Nando and Bobby parallels.

Lance Stroll: Scoobynatural x Hibbing 911

Of all the drivers on the grid at risk of getting sucked into a children’s cartoon I feel like Lance is at the top of the list (Scoobynatural). In addition I think he would be the chill hunter just casually explaining that ghosts are real to Scooby and the gang. Lance would also reluctantly become a vampire hunter if they invaded his small community (Hibbing 911) And he very much reminds me of both Donna and Jody in various ways.

Oscar Piastri: About a Boy x Jack in the Box

I feel like Oscar would be a good witch hunter, I also think if he was hit with a de-aging spell he'd be able to handle it and not panic and figure out how to get out of that situation, worry about the soul crushing curse later (About a Boy). And of course with the way his second season in F1 has been going it very much feels like Mclaren have been holding back a young driver from reaching his potential because they are afraid of his capabilities, you could say they have been putting a nephilim in a box designed to hold back his power (Jack in the Box). Also I cannot be the only one who sees the Jack and Oscar resemblance.

Lando Norris: Swap Meet x I Know What You Did Last Summer

Tell me Lando would not somehow end up practicing black magic accidentally on purpose and somehow survive (Swap Meet). That and I think he would also really like this episode in general. I feel like the duality between Ruby and Anna presented in I know What You Did Last Summer captures a very specific vibe about Lando, is he the demon trying to trick a guy into drinking his blood? Or is he the angel that decided to become human because he was done with heaven's shit? Depends on the day honestly.

Kevin Magnussen: Rock Never Dies x Survival of the Fittest

If there was any driver on the grid that would make crashing the Impala part of the plan to take down eldritch monsters it would be Kmag (Survival of the Fittest). Rock Never Dies just fits Kevin, iconic, villainous, Lucifer comes back a second time and is ready to cause chaos. The whole vibe of this episode is insane and it fits Kevin's particular brand of heart and unique driving. He's loud, you are not going to forget he's there, you should be afraid.

Nico Hulkenberg: Shut Up Dr Phil x My Heart Will Go On

Nico just has the look of a man who would time travel to get rid of a single Celine Dion song (My Heart Will Go On). He does have a lot in common with Balthazar, fun loving but powerful and can execute a plan, he might just end up adding his own flair to it. And I think Nico's spats with others are not frequent, but when they do happen they are memorable (Shut Up Dr Phil) Plus he reminds me of these old witches who have been married a few centuries and keep the chaos alive.

Ollie Bearman: The Girl with the Dungeon and Dragons Tattoo x Reading is Fundamental

Including Ollie in the Haas section since he's raced for them the most this year on the F1 grid. But his story starts as the young talent called at the last minute to solve a huge problem, driving a Ferrari in Jeddah with an hour of practice. I'd say that's similar to being suddenly asked to single-handedly go against some of the most dangerous monsters in the world with no training in monster fighting (The Girl with the Dungeon and Dragons Tattoo) but also being surprisingly good at it. Then we have another team needing young talent to step up and drive their car when things were down, you could say Ollie is in advanced placement in terms of being an F1 rookie now (Reading is Fundamental) I think the Ollie Kevin Tran comparisons are strong. Overall these two episodes of young talent needed at the last minute to save the day really sum up Ollie's 2024 F1 experience.

Yuki Tsunoda: The Gamblers x A Little Slice of Kevin

Sometimes luck is on Yuki's side, and often times it feels like it's not. But then again he's been fighting and sticking around longer than most other drivers in the face of more bad luck than one man should deal with, so perhaps he's won against an old roman god for a bit of luck, who's to say (The Gamblers). Then we get to the duality in A Little Slice of Kevin, young talent being used as a pawn in the larger scheme of Red Bull, more likely than you'd think. Is he escaping purgatory or being captured by demons? Probably both.

Daniel Ricciardo: Frontierland x Blood Brother

I know one thing about Danny, he would time travel back to the wild west to hunt down a rare monster no questions asked. He would bring his own cowboy hat as well (Frontierland). Danny also has that quality of guy who doesn't ask for much, so when he asks for a favor you gotta help. He also does have similar vibes to Benny, don't tell me he wouldn't make a great southern vampire (Blood Brother).

Liam Lawson: War of the Worlds x Bad Day at Black Rock

Similar to Yuki, Liam's luck is a tricky thing. He was in a will he won't he situation at Red Bull for so long. If he had a rabbit's foot he kept losing and picking up again I wouldn't be surprised (Bad Day at Black Rock). I think the episode really captures that kind of swinging pendulum of luck his junior career has seen. Then of course now he's been called to the seat he's caught up in a pretty intense battle at the end of the season, with a lot of demands being made on top of the constant turmoil within the team. Imagine Lucifer is telling you not to do a spell another powerful arch angel is commanding you to do, I feel like that about sums up how he's been thrown into F1 (War of the Worlds).

Alex Albon: Heart x It’s A Terrible Life

Alex was a rookie that went under the radar, at first, but something bigger was brewing in the background and then boom he was suddenly at the center of the driver market and was thrown into the spotlight. A feeling reflected in It's A Terrible Life. Alex is also the type of try to help someone against all odds, even when they seem impossible (Heart). Also I am not denying I am possibly calling him a werewolf fucker, here but tell me I'm wrong.

Logan Sargeant: Jump the Shark x Dog Dean Afternoon

Logan would do well being able to communicate with a dog and would adapt well to taking on dog-like traits to solve a case (Dog Dean Afternoon) I don't even think he'd question it. Forgotten, overlooked, massively unlucky I don't think there is a better Supernatural parallel for Logan than season 4 Adam (Jump the Shark). He was a great guy who got caught in the middle of something dangerous and paid the price.

Franco Colapinto: Red Sky at Morning x Sharp Teeth

Franco is one of the guys who I just think would be able to make it work for him if he were accidentally turned into a werewolf. He'd take a few months off, come back and be totally fine (Sharp Teeth). I cannot fully explain but Franco does give me Bella vibes, the mix of mischief and amusing self confidence perhaps, or maybe he just has the look of an international occult thief? (Red Sky at Morning) He'd be able to steal rare artifacts using his looks and charm I know that.

Valtteri Bottas: Party On Garth x Everybody Loves a Clown

Valtteri strikes me as the most like Garth. Fun, a little silly, but good at his job and scary when he needs to be (Party On Garth). His methods may seem a little out there but he gets the job done. How could I not include the introduction of the best mullet on Supernatural? I know Valtteri would love Ash and call him #mulletgoals (Everybody Loves a Clown). Another character who seems a little unserious out of the profession but Ash is brilliant and knows how to lock in.

Zhou Guanyu: Hunteri Heroici x Wayward Sisters

Zhou would 100% interrogate that cat and get information. He's probably an expert (Hunteri Heroici). I think his level headed mindset would also really help in a case where the world is literally going Loony toons. Zhou also has been through it, but is strong, and iconic in his unique way (Wayward Sisters). He's been fighting an uphill battle in that Sauber car, new hunter learning on the job has a similar experience, add a little dimension hopping in there for flavor.

Esteban Ocon: Beyond the Mat x Hollywood Babylon

Esteban is a sweetheart but do not be fooled, he absolutely would take down his childhood hero if he needed to (Beyond the Mat). I also think that he'd absolutely be one of those hunters looking for all the old Hollywood ghosts, he'd be an expert about which myths were real or fake and have that locked down over there (Hollywood Babylon).

Pierre Gasly: Monster Movie x Simon Said

I am not saying Pierre is a shapeshifter, but I am saying that if he was he'd be doing the over the top camp and theatrics seen in Monster Movie. Also he like Dean has a way of finding out how to have fun even when things are extremely stressful. If he did have mind control powers he'd use them for good or not use them at all, but that doesn't mean he doesn't know how to use them or that he's not strong (Simon Said).

That's the end! Thank you for reading. This was just something silly I have been working on. It's mostly vibes based but I had a lot of fun putting it together.

*Carry on Wayward Son + F1 theme mashup starts playing*

[kyoteugly]

If not Buddie, why Buddie shaped? #2

Following my theory that season 7 and 8 are new seasons 1 and 2 on abc, where the writers revisits the big events from character’s pasts and retells them (you can read it here) I want to look closer at new episode 8x06 “Confessions”.

This is all fresh in my mind, I watched the episode like 4h ago, there is a chance I’ll miss something.

Like I said, I think we’re going to see at least 4 more big moments revisited (or rather the emotional state those events invoked) from previous seasons before Buddie goes canon. Kitchen scene, well, will and shooting arc. And one of those happened in this episode! But also so many other things! 

EDDIE:

Starting with Eddie in the confessional. I can’t help but see his fight club era here (call me bias, I love season 3 Eddie so much!). An attempt to find a healthy outlet to his emotions. He’s struggling and fighting with his inner demons, this time instead of rage it’s sadness and loneliness. 

And he is doing it with an outsider's help. Father Brian is like Lena Bosko. Why Lena and not Frank? I think Eddie would just shut on therapy at this point. He needs someone to talk to, someone with opinions and advice, caring enough to want to help but also not afraid to go straight to the point and call his bs - Lena and Father Brian did just that.

Ok. Time to revisit a big event from Eddie’s past - the well. ABC put the call with the little boy trapped in a pipe in episode promo as the red herring. The real purpose of this call was to remind us about the Eddie Begins episode. The important thing from Eddie Begins is that Eddie was alone in the dark pit - and in the end he saved himself. 

So the real connection between those two episodes is not in the call where 118 saves the little boy, but between Eddie coming out from underwater, drawing a deep breath and Eddie shaving a mustache, shedding his mask and dancing, breathing fully again.

sorry for the meme, I'm tired

It’s also interesting that the moment Eddie allowed himself to feel joy Buck knocked at his door.

BUCK:

This one is pretty straight forward. Like I said before, Tommy represents Abby - a transformative relationship - like Buck said himself. The fact that Tommy was engaged with Abby is a really beautiful way to further connect and close both relationships. What leads to the break up from Tommy’s side is also similar. Tommy knows he would fall deeply for Buck, and Abby didn’t come back because she knew she would lose herself in Buck. They were both protecting themselves.

And here is also a little parallel to Ali. Like her, Tommy offers Buck a proper and honest break up, showing maturity, understanding and clear reason why. And yes, Ali was also protecting herself, ending their relationship before they broke each other's hearts.

And one more thing from Buck’s side. The whole Abby thing throws him off. Maddie tells him it’s not a big thing, Josh tells him not to judge Tommy (honestly, Josh’s speech is amazing!) - this calms him down in the end, dating the same woman doesn’t feel awkward anymore. But the questions Josh is asking leave Buck confused. Taking the next step, moving in together - it’s like Buck is trying to prove he really feels those things Josh was talking about (or maybe even compensate for his “freak out”, confirm he’s fully into this relationship). And on some level Buck has those feelings, he cares about Tommy, but more than that, he simply feels he should be on the level Josh suggested and he wants this to work. It’s Buck’s impulsiveness coming to play, an action that causes reaction in a form of big gesture to confirm his feelings - a nod to his relationship with Taylor.

Fortunately Tommy explains those feelings to Buck (and to the audience) in a very kind way. 

Honestly, their relationship (the last two episodes especially) was handled beautifully, without unnecessary drama, without too much spotlight. It started with fireworks, naturally progressed and faded gently.

The cherry on top: Evan meant something more, something special for Tommy. Ending his goodbye with Buck means “we’re friends now”.

BUDDIE:

There are two things here I want to mention.

Ever since Gerrard separated Buck and Eddie this is the episode where we can see them working together as partners again. And this finally wraps up the divorce era.

The ending scene represents different scenes for each of them, ending different arcs.

For Buck the couch scene represents Abby’s comeback in season 3. He watched her ride off in the ambulance with her fiance (with Eddie solid by his side), and later he got closure from her.

For Eddie this scene represents him being embraced by the 118 after he dug himself out from the well. He’s connected again, no longer alone. 

And of course, the most obvious and sweetest thing - it’s the right couch (and they finally drink that beer).

Bonus MADNEY:

Couldn’t help but notice some revisits here.  Maddie’s postpartum depression is addressed very clearly, nothing to add here. During the pandemic Chimney stayed at Buck’s place, afraid to put pregnant Maddie in danger of catching the virus. Something happened on a call that changed his mind, made him overcome his fear and enjoy the future with his family. The same in this episode. But there is a little twist here and it involves brothers. In season 7 the new audience learned about Kevin. Guess who wasn’t yet introduced (and also took care of Maddie during the pandemic)... yes, I believe this season we will see Albert again. 

That’s it for now. Let me know if you want more posts like this. Feel free to contact me if you want some clarification or just to talk.

Tagging some people who may be interested (if you want me to remove you from this post let me know): @buddiebeginz @stagefoureddiediaz @lemotmo @inell

[getsuuna]

KNY Fandom so fucking insufferable I'm gonna start behaving like those GiyuShino and SaneKana shippers and go around spreading misinformation and say "no you don't get it SaneGiyuu was implied!!!" /j

because I'd actually have more content to mention without even mischaracterizing them

wanna talk about how they're a two-faced mirror? almost as if they were written to parallel each other and there's so much to talk about on this matter

or, since not everyone in this Fandom can dive into analysis, wanna mention how Shinobu figured Sanemi could've made Giyuu smile by inviting him to eat his fav dish with him? why not ask him directly instead? why Sanemi out of all people?

wanna mention Sanemi's pseudo-obsession on that man? he disliked his ass, but if we go back to analysis, his intolerance to someone feeling superior can be tied to a multitude of factors and one of which is being low-key reminded of himself, and he loathes himself while at the same time he puts on that strong façade. he can't face it though. and he wanted to understand why Giyuu felt that way SO BADLY he went to him for training and tried to speak with him, he wanted a contact, he wanted to understand, he needed Giyuu to speak up but he didn't.

on the other hand don't we wanna talk about Giyuu's perspective? Giyuu never hated him nor did he really feel sad knowing he disliked him, contrary to how he felt towards Obanai. not to mention he even got to be sarcastic towards Sanemi's dumb ass at least twice.

and the iconic ohagi scene? idk about y'all but between the hashira I think that's THE iconic scene, alongside Giyuu and Shinobu beefing and Shinobu almost stabbing him (don't get me wrong platonic GiyuShino has my whole heart)

the first time we saw Giyuu smile in the series is while imagining to befriend Sanemi??? and out of everyone he chose Sanemi? the hashira who is canonically the most difficult to talk with?😭 he only ever smiled either for food, for Sanemi or Tanjiro

oh and let's not talk about how Tanjiro, after getting knocked up, wakes up and the first thing Giyuu says is "yeah Shinazugawa left" ..? or the whole novel chapter in which they end up talking about him (supposedly right after that scene in the manga) and Giyuu cheered up. what

anyways, likewise, the first time Sanemi was seen smiling genuinely outside of his family was with Giyuu. Obanai and especially Masachika were both closer to him, not to mention the most important person in his life, Genya...yet here we are ig?? (after Giyuu he also smiled more in general, the scene of him smiling at Nezuko was one of my fav panels ever so keep in mind I'm taking in consideration the chronological events and not the impact of the scenes per se)

or let's talk about the most important part in their development which is when they fought together.

Sanemi saving him, telling him not to zone out while throwing the sword at him, it made Giyuu realize he's the water hashira, it was the first time Giyuu acknowledged it. Sanemi influenced Giyuu's character positively, and so far Tanjiro was the only other one who managed to. Sanemi saw him as his ally (rightfully so), and hopefully seeing him fight also made him realize he wasn't that much of a conceited guy, he was just like him, as he initially wanted Giyuu to understand (despite the fact it was a miscommunication)

Sanemi teaming up with Giyuu out of everyone, in such an impactful panel.... idk, if it was a straight ship that would've felt like a confession for the Fandom 💀

they impacted each other's character, they were the only two hashira surviving after facing the same war, they faced similar struggles during their lives (but let's not get into analysis, once again...), they could've understood each other better than anyone else would ever have, and they ended up bonding and eating together

that panel was there, in the middle of other panels all portraying important bonds, whether canon romantic bonds or platonic and sibling-like ones (Tanjiro and Nezuko, the Kamaboko squad, the swordsmiths etc.)

if it wasn't important it wouldn't have been there, but the funniest thing is that if either of them was a woman it would've been considered canon since it also included TanKana, ZenNezu and InoAoi🙏🏻

but oh, if we try to name either of these things and more, people will rightfully say "can't they be friends anymore?", which is valid, but I wonder why this doesn't apply to equally fanon straight ships.

a show so peak has so many fans that are so dense😭😭😭

[vidavalor]

@tawnyontumblr I'm sure the scrappy Whickber Street residents will have some kind of role to play! And this is an example of how The Finale doesn't need to do any set up of new characters. We already have all we'll ever need in place.

@ao3cassandraic I was being more facetious than literal in the original post as I actually think "Go Team!" and helping Adam see what was coming at him is arguably the most important role on the tarmac in Tadfield but my point is that it takes a slew of characters to stop Armageddon with the supporting ones doing most of the heavy lifting when it comes to action, while Crowley & Aziraphale have less direct action but more symbolic weight to the actions that they do have.

I'm not sure that I agree with your idea that it was Crowley & Aziraphale who stopped a war between Heaven & Hell in S1. Beez and Gabriel aren't in charge of that war-- The Metatron and Satan were. It was a war that couldn't be had without Adam beginning it so it was really Adam who stopped the war by his refusal to start it, imho. It got delayed while they regrouped but it was mainly delayed because they had to figure out how it was supposed to go in the wake of Adam saying nah to Armageddon. We could maybe argue that Crowley & Aziraphale helping Adam against Satan helped Adam to see that he had the power to refuse? I tend to think that's a bit more Adam's innate personality, though. He didn't need them to be able to say that he has all the world that he wants.

In the bit you're talking about in your post, I think Crowley & Aziraphale basically find out from Gabriel & Beez that none of the four of them have any clue about The Ineffable Plan/Divine Plan/Great Plan. It's a shocking moment to Crowley and Aziraphale because, until this point, they had thought that Gabriel and Beez (or at least Gabriel) knew more than they did. I think that scene is more the start of the four main characters beginning to get closer to being on the same side than anything else. The war wasn't really stopped so much as delayed and Adam is responsible for that because Gabriel & Beez have to go back and figure out a new plan since the antichrist isn't playing ball. Crowley & Aziraphale indirectly helped Adam with Satan but I really think it's just Adam who stopped the war.

I think that "omg no one knows what The Ineffable Plan is" scene might also be likely to have a parallel scene coming back around pretty quickly because the fastest way for everyone to realize that The Metatron is a fraud is for them to collectively demand to speak to God. They're only going to think to to do this, though, once they've first asked Gabriel if he knows how to speak to God, thinking that The Supreme Archangel must, right? When Gabriel tells them he's never spoken to God and he doesn't know how to do so, they're all going to demand together that The Metatron go get God and, when he can't, rebel against him.

If you're talking S2, though? Crowley & Aziraphale could be said to have helped delay Armageddon: Round Two, though, because they are partially what inspires Gabriel and Beez to get together, which leads to Gabriel mutinying, which delayed Armageddon: Round Two long enough to bring us to the plot we're sitting in ahead of The Finale.

I find it really funny that people think that Crowley and Aziraphale have to personally stop Armageddon: Round Two in The Finale and have this really long and involved plot to do so. Armageddon: Round One was stopped in about eight minutes by a quartet of eleven year olds. Crowley and Aziraphale were also there, I suppose...

Crowley and Aziraphale's entire contribution was to roll in out of nowhere with four seconds to spare and be like "You, Antichrist Kid! Your bio-dad is literally The Devil and he's coming soon so think quick!" and then cheer Adam on. They both made it to Tadfield separately on a wing and a prayer at the last possible minute and their role was basically GO TEAM!!! while The Them actually saved the day. Newt did more to stop Armageddon: Round One than Crowley and Aziraphale did.

Yeah, that could be different in The Finale but I'd still wager that it's more likely that Crowley and Aziraphale are more the motivation that inspires the supporting characters to take more direct action than that they're the ones who take out Satan and The Metatron and save the world directly themselves. Their role is inspiring the other characters to see that a different world is possible and supporting them as they do. They've actually done a lot of that work already.

S2 seemed like it was setting up for this a bit. Uriel's refusal to kill Maggie and Nina and support of Gabriel in 2.06 indicates she's on our main characters' sides now. Jim + Team vs. Satan seems likely after the suggestion in S2 that Gabriel is the only one who Satan is afraid of, since they have equal power. And you know who I bet is going be the one who deals some extreme sanctions to The Metatron? Michael. I don't think she's going to take finding out that it's all been a sham very well. Plus? She is the duty officer. 😂

There's going to be plenty of time for Crowley and Aziraphale to reunite because the story really works out in spite of--and kind of because of-- the stuff they've fucked up, not because of the stuff they do particularly well. I think this will be true in The Finale, too:

[glisten-inthedark]

I really really really want a super tension filled almost kiss between Byler before we get an actual kiss, I think that’ll make the build up feel even bigger and more exciting

I personally want it to be like, they just narrowly escaped something or they got separated and they grab at each other and hold each other’s upper arms/shoulders really close to each other (kinda like a parallel of Halloween in s2) and checking on each other (“Are you okay? Are—are you hurt?” “I’m okay, I’m okay—are you—?” “I’m okay.”) and they’re breathing hard and filled with adrenaline and they look up into each others’ eyes and the moment like, freezes, the camera stays on a mid-sized side shot of both of them looking at each other, and one of them (Miiiike, make it Miiiike) glances down at the other’s lips, and both of their eyelids grow heavy and start to close and they start to lean forward juuust an inch before—

they’re interrupted

and neither is sure if they read into it or not and both gaslight themselves for just a little longer that their feelings aren’t reciprocated

Hello!

OMG I need this to be a thing! Like, I can see it in my head so clearly!!! You're a genius

[queenburd]

it's not going to let me rest until i write about it, so tonight I want to talk about the TSP2 Expo in Ultra Deluxe, and why it's a thing at all, and what it means about the Narrator, and how deeply self-conscious he is.

The Expo is, and I say this without exaggeration, the Narrator's deep, desperate need to respond to the audience and the reviews from the Skip button ending. They say he's not funny; he makes "a whole lot of gags". He's still reactionary, he makes all of this in response to (and in my mind, in the downtime during) the Skip button, and it's the first thing you can find right after the game resets from the Skip button.

He's not over it.

TSPUD in general is in a big way about the relationship between an artist and their audience. (i swear on my life i've written those words before...) it's about how a creator can and does create for themself but does, on a real level, yearn for an audience to understand and appreciate, while also being scared that people wont get it, and also being scared about "needing" a reaction to begin with.

Create for oneself, sure, but you still want people to like the thing you made. You want them to experience it, this thing you put so much time into. You want them to laugh at the jokes, that's why the jokes are there, and you hope they hit right.

Elements of that have always been in TSP but they're at the forefront of TSPUD and especially all the Expo stuff. Even while the Narrator, in Skip button rants, berates the audience for wanting jokes and gags and bits to distract them, he immediately wants to please. He's yearning to be understood, and he thinks if he can just give the people what they want, then surely they'll find the meaning in his work.

And then there's that darn Bucket. And while the Bucket feels like, at times, a stand-in for the Narrator or a way for him to project, it's easier for me to see him trying to frame Stanley's bond to the Bucket as a parallel to his bond to Stanley, instead of the other way around.

Stanley is the thing that is here in this world and story to comfort the Narrator. But Stanley is also the thing that can crush the Narrator's spirit.

In the Press Conference Ending, Stanley's bold new approach to story-telling gets him lauded, gets him praise. In the Bucket version, he tries to make the Bucket understand him through other people understanding him, and it fails. It scans as the Narrator desperately trying to reach out to Stanley, even as he tries to get adoration from an audience. Stanley only has eyes for the Bucket in the Apartment ending; in the end, the Narrator only has Stanley for company, and he on some level wants Stanley to appreciate him. He asks for feedback in the Games ending. And while nothing will ever really make him happy, there, he still asks.

In the end, Stanley's the only audience that really matters. He wants Stanley to like the things he makes.

"Why did I create Stanley? Was I lonely?"

He was. And the audience he's looking for isn't one he can interact with.

TSPUD is about a creator's relationship with an audience, hoping they will play the game, and like the game, and understand the game, so that they'll keep playing. And the game "ends" when the creator says "okay. I think I'm ready to try something new. for real this time!"

And then he gets pulled right back, because the audience response is just so uproarious. How can you move on from a thing that did, on some level, garner you success? Shouldn't you just stick with the thing that made you successful? But how do you make it better, when it felt like a complete work?

When do you get to move on? When do you make that choice? Will the audience understand? Will they follow you? Or do they just want more of the same?

The answer isn't simple.

[laniemae]

“I think I have to climb to the top of the hill if I wanna see what's going on on the other side...”

Drew this through tears as an acceptance that Ojima will be the killer of this chapter and that he’ll die and I’ll never see him again.

Vent/rant under cut

——— I’m actually crying right now while writing this. I can’t see any other possibility where Ojima isn’t the killer. Just everything story wise and plot and symbolic wise makes sense. He’s already the prime suspect with his shaky alibi, him going to the medbay at midnight, the blood on Hiroaki’s bed where he slept for the night, his strange disassociating more than usual. 

At this point there’s so much evidence pointing towards Ojima being the one who killed Chiba I’m already grieving his inevitable death this trial. Just, even with the parallels between him and Chiba with the story time episode where he wrote a children’s book with her, hence the text in the art referencing that. And how that one time he talked during his dissociative haze he said the exact words that Chiba said to him while writing the book. I can only think of this as Ojima in shock with how he killed her. There’s also their parallels as well with both having sorts of age regression and coping by living through a childish fantasy lens. It’d be so sad thinking how that could be symbolic of Ojima killing a perception of himself. And with Ojima being a children’s book illustrator who had his childhood taken away from him and Chiba looking like a child and having a similar form of regression I can’t imagine how tragic this story would play out through with the trial. 

I really thought Ojima would have more time as I felt it’d be inevitable we’d get a breakdown scene with his PTSD and learning more about that story, but with how things are going I could imagine that happening during the trial. God I don’t even wanna imagine how his execution would be if it goes the route on playing up his trauma, these killing game staff are sadists and I could completely imagine them doing that, especially with the mention of working on the execution in the staffside.

I’m also in absolute tears over his relationship with Hiroaki. Just… purple is so devastating with the likely idea that Ojima is the killer, and even imagining if he already killed at that time. Them sharing an intimate moment and Hiroaki confessing how he’s so reliant and attached to him and how they’re basically codependent, and as well with how he’s almost finished the drawing for Ojima. When he’s the killer he’ll never be able to show it to him and he’ll have absolutely no one by his side anymore who cares about him or even loves him. It would be the most heartbreaking thing ever.

Ojima is such an incredibly amazing character like I’ve never seen before I can’t prepare for him to be the chapter 2 killer… he would’ve gone too early and I’m such despair. I’ll never be able to see him again in the series, he’ll never speak again I’ll never be able to get exited whenever an episode pops up in a thumbnail he’ll never dissociate again he’ll never be funny and sassy again he’ll never help Hiroaki to open up again he’ll never have a hilariously gay moment with Hiroaki again. He’s lived 16 years of his life going through the worst abuse a human could face, only for when he escapes to be dragged into a killing game and forced to commit a murder of someone who shares so much similarities with him. I’m already feeling the effects of his death a week before it happens and I’d rather fall into despair than yearn for hope only to have it taken away from me. I can’t imagine how I’ll be able to watch tetro with Ojima gone forever. I have been crying the entire day over this and my tears are making this hard to write.

[stagefoureddiediaz]

Early thoughts about that ending scene. That picture of texas beside the door ? And then it kinda looming between buck and eddie on the couch? Kinda crazy

Hey Nonnie I have so many thoughts but

My brain is just playing Eddie dancing on a loop and I haven’t been able to get anything done all day - I am not complaining though he can dance on a loop in my brain all he wants 😎😂

But yes the Texas looming between them in the background was pretty interesting - it was of course there all of last season - foreshadowing Chris leaving with Helena and Ramon and also Eddie’s own ‘lone star stat-us’ (sorry couldn’t resist the pun 🤣).

The fact they’ve kept it there is very likely as a reminder of where Chris is, but it can also be foreshadowing a uncomming trip to Texas for Eddie (and maybe Buck we’ll have to see on that front) either to bring Chris home or to confront his parents and to get Chris to talk to him properly to begin to resolve their issues.

I’m interested in the two pictures on the table below the Texas picture though - one - the rectangular one is of Chris and Eddie - and it’s from season 2 - I can make out Eddie’s s2 hair! The round blue one though I can’t make out enough to be sure but I’m currently flip flopping between it being Shannon or a baby picture of Chris.

My personal preference would be that it’s Shannon because putting her between buck and Eddie and with a bright blue background and in a round picture is really interesting. That blue is a buck blue. Circles are a symbol of unity and the cycle of life - birth life and death - and also rebirth. They are also symbolic of inner peace.

So if it is a picture of Shannon there are several layers to draw on - firstly the idea that Eddie will find inner peace when it comes to shannon - and by extension she too will be a peace. The cycle of life and the rebirth aspect is especially interesting - the idea that Eddie can be reborn after Shannon - find himself and make himself whole. And finally there is the more subtle play on the paralleling of buck and Shannon and the idea that unity is achieved through that buck Shannon parallel.

Of course if it’s Chris then we get much of the same symbolism only with a slant towards Eddie and Chris finding resolution inner peace and unity - and that buck will play a part in that in some form.

I’m sure I’ll have more thoughts as my brain returns to normal operations - but hopefully those thoughts are a good starter for 10!

[flowers-of-tenebrae]

Random DotF musings pt. 1

(spoilers for the whole book)

A Savior Lost - Ardyn:

So I uh totally forgot there was an "animated prologue" to Ep Ardyn. I did watch it...back in 2019. That means between Episode Ardyn, the animated prologue and DotF, his story has been told thrice in three different forms. Huh. (Well it's par the course for FFXV tbh)

It starts off rough tbh, but I like how the author reminds us of Noct's "shaggy hair and wayward nature" in the opening paragraph. Then you realise it's set in chapter 13 so any slight amusement - at Noct's expense - becomes 😭

I've had DA brainrot, so the justice (Somnus) vs. vengeance (Ardyn) themes stood out. In executing his ideals of justice and governance, Somnus corrupts Ardyn's purpose (his calling) and leads him on the path of vengeance... Culminating in Ardyn doing unto Noctis/Somnus what Somnus did him: 1) Somnus slaying Aera before Ardyn vs. Ardyn stabbing Luna in Altissia, and ofc 2) Ardyn vowing to destroy Somnus' entire legacy and lineage (through Noctis), much like how Ardyn's past as the "savior healer and future king" was demolished/buried and how his wondrous future (as king with Aera by his side) was cut short. This all seems v obvious, but it sounds cool to me when framed with DA's concepts of spirits vs demons - i.e. "if you see them as a demon, they'll become demons and reflect your expectations back at you".

Also obv Jesus/Judas parallels

The last line goes hard ✍️🔥🔥🔥

Now, the train has clearly steered off the rails of canon and into new territory

Not a fan of them casting Bahamut as the big bad antagonist (so cliché). Like the way his speech (as an Astral) is formatted though

It's easier for me to accept the Noctis/Somnus and Luna/Aera parallels in 2024 than it was back in 2019. But even more important than those are the Ardyn/Luna parallels, which we can see taking shape in this part.

Verdict: A slog to read, denser than expected, less exciting bc I've experienced Ep Ardyn - and the animated prologue. Certain parts felt more like reading a "dry impassive timeline" than a story. (I still question Aera's judgement in telling Somnus.) But this chapter does set the stage, so I can see why they still included it. And it's worth re-treading for that last scene alone.

The Beginning of the End - Aranea:

There's anti-food promotion for once, too much of it really. (Ew stale popcorn)

We learn a little bit of Niflheim's past state and its decline. Cool

Omg mentions of Aranea's parents!? Do we know more about her parents than Iggy's?? 😂

Wow they have an aerial safety net system in Gralea (for dragoons...?) Also, Gralea 🔄 Garlean empire - yeah the ff devs weren't subtle (it's a FFXIV ref)

Aranea's penchant for nicknames strikes again -> Tiny = Diamond Weapon

I liked seeing more of Aranea's dynamic with Biggs and Wedge and learning a bit about the latter two. Not as much Aranea + Sol in this ch as I'd expected, but that's okay for now.

While not quite as impressive as [ME2 spoiler] Miranda giving her resignation to the Illusive Man, Aranea going "I really can't stand you" to Ardyn, winking, then diving off the edge of Zegnautus Keep is still pretty awesome

The ffxv devs keep trying to make me care about Loqi but it's never worked

BONUS: FFVI ref spotted! (dancing mad) + minor Tenebrae lore drop (they were a tourist trap /jk)

Verdict: Some parts were repetitive ngl BUT this was more engaging than the prev ch bc 1) it's new content, 2) ARANEA!! - however the action scenes would've been more exciting to play through vs. reading. I'm going to sound like a broken record here; I feel robbed we didn't get to play as her (DRG ladies ftw) and see her wink on screen 🥲

[lucassinclaer-archive]

i think the most important thing about steve's growth is that it wasn't facilitated by romantic love. it wasn't that he only changed because of a girl. that's what he says in episode 1 when he tells nancy "she's not like other girls" and he reinforces it to himself in season 2 when he says the exact same thing. and then he hangs onto it in season 4, because it's the comfortable thing to think.

but it's jonathan and nancy in combination that get him to tell off his friends and make amends. he goes to jonathan first - he doesn't know nancy'll be there. his first act of repentence (cleaning up his own insults) isn't something he does performatively.

and the thing is, it'd be a delicious thing to acknowledge in canon. that he's convinced himself that it was the girl who changed him but that's not actually the case. that there can be just as profound of an emotional effect illicited by a guy who was protecting what he loves. that it was a multitude of things. that he might have convinced himself because he's used to the type of dynamic tommy gave him - always instigating, provoking, never holding him accountable. and that's never jonathan, who is principled and thoughtful and observant. and it's only a little bit nancy, who has been forced and grown past that.

steve himself tries to put his situation in easy terms that conform to society's pre-occupation with women as the emotional sponges, with cishet normative romance, but it doesn't work. because it's not real. and steve can no longer hide from reality.

[archer973]

One of the things I realized when I watched Fury Road directly after Furiosa:

Furiosa doesn't treat Max like she treated Jack. She treats Max like Jack treated her.

There are so many parallels - the way they meet, their conflict with each other that quickly turns to partnership, their journey to The Green Place (and how it fails)...

But where before it was Jack reaching out to her, now it's Furiosa who is asking Max his name, teaching him the kill sequence for the rig, trusting him to have her back in a fight, giving him everything he needs to leave (even when she wants him to stay).

Furiosa doesn't see Jack in Max, she sees herself. Everything from the muzzle to the nightmares to the fact that he barely speaks is a direct parallel to what she was like when she met Jack, and Furiosa knows it. And so as someone reached out to her, she reaches out to him, this feral, half-mad Wastelander. She reaches out and offers him hope, just like Jack did to her when he came back for her on the Fury Road.

And together, they find some kind of redemption

[poorly-drawn-mdzs]

Parallel Lines and Brothers.

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