#so incredibly real anon

[littleshopofhorrors-confessions]

I love being a multi shipper sm!! Audrey x Seymour? YES! Seymour x orin? SURE!! Seymour x twoey? Why not!! Audrey x twoey? Great!!!!

😁

~~~

[wexhappyxfew]

saw you were taking prompts and am having absolute carrie x dougie brainrot! maybe something with “i can stay the night, y’know. if it’d make you feel better.” or really whatever you see fit for them!

I just think that have such a fun and interesting dynamic that i’m OBSESSED with.

HELLO LOVELY ANON!!!! :) apologies that i am now months late to this prompt - but i am happy to say, i have an incredibly fun piece written in response!!! this has gone through a few iterations i won't lie - with some of the pieces of writing most likely incorporated into other pieces in the future! BUT - for now, please enjoy my take on this prompt. thank you SO MUCH for the love on carrie and dougie! i have so much fun writing them and their entire dynamic and THANK YOU so much for loving on them!!!! carrie x dougie brainrot is REAL!!!! <33333 PLEASE ENJOY!!!!! :D

stay the night

(a/n): carrie x dougie, with a hint of angst, featuring a smidge of episode 5 in all its sad, grief-filled, angsty glory. if you squint, you can get some vivian x blakely in there as well - a prelude to them and an upcoming piece! <3 if you want to read a piece for a bit of an idea as to what both carrie and dougie discuss in the second half of this piece, highly recommend didn't think you'd notice as a starter! as always, please enjoy! carrie x dougie here fill my heart with all good stuff! :)

Carrie's head had begun to nod off at the bar.

Between the highest levels of exhaustion she'd been feeling in ages, the numbing realization that hundreds of men were being lost everyday, and a few piloting crews were out 50% of their men, meant she was on edge now more than ever.

And to top it off, Blakely's crew was missing - no one had seen them go down, nor had anyone seen their plane come back. And it'd been two days.

Everyone was feeling some sort of pain that they were trying to push away with light music, a little alcohol and the remaining crews.

After the Silver Bullets crew was split up, much to the highest distaste and dislike of both Annie and Francis; Annie, Bessie, Kennedy and Margie had gotten transferred to a new plane crew - co-ed. First of it's kind.

They were spread thin, they needed vets with the rookies. Some people got the short end of the stick - where there was no more flying and simply the Operation room as their closest companion.

That was Carrie.

Staring at maps all day, marking bombing runs with some of the navigators, filling holes where they were needed. She wasn't a map-keeper, she was a goddamn bombardier. But she didn't even bother to open her mouth.

Stress was high, tensions thick and everyone was trying to keep it together around her it seemed.

Annie was usually flying in the air or on training duty or in meetings more often than not, staving away any sort of reality that there was at this time.

Francis was nowhere to be found unless she was needed on a mission with her own co-ed flying death trap.

Bucky was gone to England with no idea that Buck, alongside DeMarco, were both MIA, along with Margie doing everything it seemed to ignore the obvious.

Judy was placed into a new crew - Rosie's Riveters - and every time Carrie saw her, squeezed the living daylights out of that poor girl when she could. Judy was a little sister to all of them. Knowing she was separated from the rest of the crew, Carrie considered going to church.

Marianne was stuck in Operations with Carrie - and she always brought Frank - which seemed to be the highlights of peoples' days when that fat orange cat would come around. Though, Marianne was fighting sleep most days, the stress becoming far too much for all of them.

Paulina was still Radio Ops, but she wasn't flying anymore - days and nights she spent beside Operations, translating and recording and writing until her hands damn-near broke.

Now, she was nursing a beer, cuddled up beside Hambone Hamilton across the bar, talking in the quietest voice anyone had ever heard from the woman. They were really all going through it.

And on top of all that, Vivian Ratcliff was spiraling beside Carrie this fine evening, trying not to lose her mind. Everyone knew how rough it was for her after losing James - they were supposed to get married, she wanted to have kids with him, he was planning to pop the question after the war.

Ev Blakely had become a good friend to her, a real good friend, probably closer than either of them had thought or even seen coming, but now, she was onto her second beer and sitting there with nothing but tears in her eyes and a blank face. Carrie was going to tell her to finish her drink and head to bed soon by this point; it hurt Carrie to see Viv like this. Ever since coming to England, it's been bad spell after bad spell for the waist gunner.

"Holy shit, it's Blakely's crew!"

Carrie's whole body froze. There were cheers and yelling and voices and a clammer of footsteps along the wooden floor to her left and she slowly turned her head to see, there coming through the door was Blakely, Crosby and Douglass. Carrie couldn't move, watching as guys hugged one another, slapped each other on the back and fell into their normal banter routine of laughter, cackles and drink offerings.

Carrie could only watch. And her eyes fell specifically right to Douglass. Stood there, his hair unruly, a few bloodied scars on his face, a wide smile on his lips as he laughed and eyes so soft she was sure if she could get her legs moving, she would be over there right now, trying to keep it together.

Carrie watched the group disperse, drinks a promise from Brady and Crank, and took to watching Dougie who was offered a beer which he took with a smile, before his eyes started roaming around. Her heart began to pound inside of her chest. Before-

"Ev!" Carrie looked up and over and watched as Vivian had looked up, jaw dropping open, a few stray tears lingering in the corners of her eyes, as she slid off the stool and hurried over towards Blakely. Carrie's heart warmed as her eyes tore off of Dougie to watch as Blakely whipped his head around, a grin blowing up on his face like some sort of hot air balloon, pushing through a few of the guys to meet Viv halfway.

When they met, it was a sort of bone-crushing looking hug, with her arms wrapped around his neck and Blakely's….rather-large form cocooning Viv against him there.

Carrie watched as Viv's form trembled a bit against him - she was sure Viv was shedding a few tears that she'd been trying her best to hold in the last few days - and watched as Blakely said something clearly enough to make her laugh.

And then, Carrie was looking over towards Dougie again, and found his eyes already on her. A beer bottle halfway to her lips and her eyes blown wide open, she slowly placed the bottle down and awkwardly lifted her hand to wave.

Why the hell was she waving?

The man had probably just seen death and she decided to wave?

Lowering her hand, she watched as Dougie smiled at her, offering a small wave her way. He knocked Brady in the shoulder, stood beside him and then began walking over towards her, a small grin riding his face.

Briefly, incredibly briefly in Carrie's mind, she remembered that feeling of kissing Dougie - and the fact that immediately afterwards, she had been pulling herself from him, mumbling about being drunk, and then avoiding him the entirety of the rest of the night. Only for the mission to be called that night, and she had found herself disappearing for the night to her cot, not telling a soul that she had been kissing James Douglass just an hour previous.

And when the news had broke that Blakely's plane had disappeared and gone down? And she hadn't said a goddamn word to Dougie the next morning, promptly ignoring him, she found herself ripped with guilt.

And now - he was here, he was back and standing right in front of her, and her only thought was that she was speechless. She didn't know what to say in that moment, and was having a rather hard time deciding if she should be upset or angry or overjoyed or pissed off.

She couldn't sort it out.

And with him standing here, after those two days, she was half-convinced she could just kiss him on the mouth and it'd be better than any other reaction she could've had.

"Hi." he said.

"Hi." she found herself saying back, fighting to say more, but keeping her walls up and closed in on every inch of herself. She was pissed the plane had gone down, that she had allowed herself to be beyond worried sick for him. She was pissed she had let herself feel like that. She was pissed he was standing here now and she was speechless and didn't have more to say.

Carrie stared at his face a little while longer, those bloodied scars along his face, his unruly hair, his kind eyes. She felt her heart begin to race.

"You should get those cuts looked at." she said quickly, her voice sounding choppy, her tone sounding fake. She sounded out of place, nervous, and flustered. She didn't sound like her.

"I will." he said with a smile, before drifting his eyes over her form and meeting her gaze again.

"Are you okay?" she asked, almost mechanically, "When I heard-"

"All good." he said, his fingers twitching near his hip, "You?" Carrie's face grew hot.

"Me?" she choked out, clearing her throat, "Fine, fine, I…I should be making sure you are." Her heart was beginning to pound harder inside her chest.

"Do you want to talk?" he asked her, before dropping his voice, "Somewhere not here?" She blinked, feeling her face turn a deeper red, before slowly nodding.

"Yeah." she said quietly, taking one more sip of beer before slowly moving to her feet, closing a few inches between them, the space between their faces minute for a split second before she stepped away from the bar, "Where to?"

"We can go outside." he said, meeting her eyes before patting the bar table and turning.

Following him out of the room and to the darkened outside world made her feel dizzy - she was sweating, red in the face, hyperaware of his presence, the way he had looked at her, and every single urge she had felt upon seeing him. Dougie stepped outside and she followed him around the corner of the hut, where for the time being, they were hidden from anyone's view.

For a moment, all they did was stare at each other, listening to the quiet rumble of their breathing, the distant voices, the chirping of mid-fall crickets and bugs holed up in trees. In the dark, she found it easier to breathe than when she had been stood inches from him at the bar.

The anticipation was killing her on the inside in every way possible - the lack of speaking (something not at all normal for either of them), they way all they could seem to do was stare (which yet again, was not normal), and the way Dougie was watching her now (she couldn't get her mind to work).

"I thought you were dead." Carrie said - quickly - her voice sounding rushed, as she met his gaze, "When they told us the plane hadn't made it back. And that the others had gone down, gotten hit. After hearing about Major Cleven's plane-"

"Carrie." Dougie said, stepping forward and gently placing his hands on her shoulders, "It's okay." He offered a small smile. "We're here now." Carrie watched him, the feel of his hands on her shoulders, his gaze on her, body inches from her own.

"But you know it's more than that." Carrie found herself saying as she stood there, "You know that." For a moment, Dougie just watched her - as if a bit dumbfounded and confused.

"Whatever is going on between us," Carrie managed out, shakily meeting his eyes, "I can't deal with it. It's suffocating. When I heard the plane had disappeared over IP - that you were on that plane. You, Dougie. I couldn't breathe." She blinked rapidly for a moment.

"Knowing the way we'd left things, and how I'd left things and now you're standing here in front of me and I'm blabbering like an idiot." Carrie said, "And I could barely sleep because I felt so guilty that I'd just left you there and then thought you had died. But now you're standing here and still alive and I….." She trailed off and grew quiet, before meeting his gaze. She knew something was wrong with her because the longer she stared at Dougie's calm and rather composed face, the more she could feel herself calming down. The presence of his hands, his eyes, him.

"I know." Dougie said quietly, taking a small step forward between them, that small smile on his face growing as she peered up into his eyes, "You okay? Don't need you losing your breath, huh?" Carrie managed a crack of a smile on her lips, before she found her eyes welling with tears.

"You're just saying that to not rile me up." she managed out, hoping her attempt at a joking tone was evident.

"Oh am I?" he asked with a laugh, his warm hand appearing on her cheek, his thumb brushing over the scars left behind from her time in the sky, left behind by the war, the memories scathed across her face, "You think that's what I'm trying to do?"

"It's usually what you're trying to do." she whispered, eyes flicking to his lips for a brief moment before meeting his gaze upwards again, "You're just like that."

"With you I am." he said, his face lingering closer, his dark eyes inviting her into him it felt.

"With me?" she whispered, her hands finding their way to the front of his B3, gripping the leather tightly as she stared up at him with a slightly watery gaze, "So, you do it just to piss me off?"

"Sometimes." he said with an almost surprised, gruff chuckle to follow that made her heart twist, "I also know it makes you laugh so…."

"Makes me laugh, huh?" she whispered as his other hand traveled down to her waist, his grip tight as he watched her in the darkness, "Not always."

"How so?" he whispered back, "I know you, Bergie." Carrie watched him - and she could feel her insides calm. It was true. He did know her. He really did. Just like in this moment.

He knew her.

With Dougie pressed so close to her, his gaze persistent in front of her own, her own eyes scoring the blood across his face, the damage of war done to someone she wanted to protect suddenly with her life, she couldn't help but let out a quiet laugh.

"What're you laughing at now?" he whispered, "I didn't even get the chance to say anything funny." Carrie laughed again and shook her head.

"You know the first time I met you, I couldn't stand that carpet on your face?" Carrie whispered quietly, "I thought it looked like a squirrel, or….I don't know…a mangled bird." Dougie let out a laugh.

"A mangled bird, are you crazy?" he whispered, his thumb brushing on her cheek as his grin grew.

"Maybe." she whispered back.

"At least Ev appreciates the 'stache." he said and Carrie chuckled at his words, before going quiet, simply gazing up at his eyes, her own smile growing.

"What?" he asked her, "You always got that look on your face, you know that? When you look at me."

"I know." she whispered, her smile growing, her boldness flickering at the edges. Dougie watched her, his tender eyes quiet and content, and Carrie was sure she could spend the rest of the night simply staring at his face, memorizing that look in his eyes, the closeness of his face, all those little bits of his eyes you never saw until you were up close. She almost couldn't take the pounding of her heart anymore.

"I had wanted to kiss you, by the way," Carrie said quietly, "when we had danced together. And I guess….it scared me what it could mean. Especially during the war. And then it sort of came true. The possibility of losing you then. After they told me." Dougie smirked at her, before leaning closer to her, his eyes looking tired and lazy, his smile wide.

"Fuck the war." he whispered, before he leaned forward fully, his lips meeting hers.

It was a desperate kiss, she will admit fully - especially from herself. Clinging onto him, hands curled into the front of his B3, trying to pull him as close as she could, her mind a scattered array of thoughts as all she could focus on was his lips on her own.

Of course, the first time it had happened, she had been slightly buzzed, a little out of sorts, and taken off guard. Yet she had enjoyed every second.

Now, it was familiar, comfortable and safe. And she had never felt more wanted. It felt as if there was a million unsaid words between them in this moment, rooted in passion, desperation and grief that couldn't be described in any other way. Her hands were in his hair at one point, his cradling her face, her heart continuing to pound inside her chest. She felt out-of-body, like she didn't know what was happening to her.

When they had pulled apart, faces still inches from each other, trying to catch some sort of breath in this moment, all Carrie could do was stare up at him.

"What?" he asked her, his voice rich with warmth and what nearly felt like adoration in his tone.

She couldn't seem to get words in her mind and out of her mouth.

She was in love, she knew that much.

Softly, she gave him a gentle kiss before pulling back.

"Nothing to worry your pretty little face about." she whispered, as he chuckled. In that quiet moment, where they could only just watch the other, a soft red lit clicked on somewhere around the corner, near the door to the flying club. It hit the side of Dougie's face gently, and in a sinking realization, she saw the smile on his face drop, mirroring her own.

They both knew what that meant - another mission. Another mission. Dougie let out a quiet sigh, leaning forward to rest his forehead against her own.

"I can stay the night, y'know. If it'd make you feel better." he whispered. They were walking a very thin line.

"Please do."

[pissed-whizard]

Post a selfie, I bet you're hot!

You sure about that? Are you sure about that?

Sorry to disappoint you anon

[possamble]

AHA thank u i was mostly just. frantically pulling the "no hetero" card bc farcille is super super always endgame for me and the "marcille has two hands" thing is absolutely not for me and my personal characterization of marcille

i like. can't find it anymore for some reason but there was a farcille fic set just after the shuro confrontation where laios reaches over to hold marcille's hand and ask her if she likes him or if she's just tolerating him too and it was so. the vulnerability. the puppyness.

that safety and security he must feel in knowing that she wears her heart on her sleeve and he will always know when she's unhappy with him because she will absolutely let it be known. the way that falin's first revival was the turning point for the way he felt about her because, for the first time in his life, protecting falin wasn't something he had to shoulder alone. there was finally someone else who cared about her as much as he did (in his eyes, resenting his parents for failing to protect her) and would stop at nothing to save her. the way it must have been proof for him that, not only was falin not alone anymore, he wasn't alone anymore.

idk why i like rather than dislike the fact that his only framework for parsing how he feels about "the first girl other than his sister that he's ever cared this much about" is a comphet romantic lens. like he would have the autism moment of fully assuming that he's in love with her for a while and just like. not? doing anything about it? because he doesn't feel the urge to, nor is he sad that he knows marcille would mostly likely never "feel the same way" about him?

like. he "figures out" that he's "in love with marcille" with all the passion of printing out a label and sticking it onto a favourite scrapbook for organizational purposes. he's equally happy to be her husband or brother-in-law so long as it means she stays close and is part of his family.

i know logically i should hate it but it's sooo crunchy to me. my comphet besties ever. designated plus one and dance partner to all fancy and formal occasions. having actual real chemistry but the "romantic" part of it is some weird shapeshifter smokescreen. augh

[silverwhittlingknife]

I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3

[sydmarch]

i love spoilers sm and im also terrified of watching the substance, would u mind describing what monstro elizasue looks like?? im super curious I've only heard vague details!!

trying to answer this ask im thinking you've probably only heard vague details bcus monstro is pretty hard to accurately describe lmao but I'll try!

warning to anyone who doesn't love spoilers as much as anon my response totally spoils the last like ~20 mins of the movie

so there's a ton of extra eyes & random body parts where they don't belong like an arm sticking out of her back & multiple breasts. the original elisabeth's face is sticking out of the back of one of her shoulders with the mouth permanently open making this kind of choking noise. there's a lot of extra bulky fleshy bits with these kind of dark veins everywhere. she has just a few sparse strands of hair that we see her attempt to curl while getting ready for the new years show, & no ears so she just jams the backs of some earrings into the flesh on the sides of her head during that same scene. there's some weird kind of placenta thing that drags on the ground behind her when she walks & also this weird.. mouth? orifice? on her head that gives birth to a boob on an umbilical cord while she's on stage which I thought was one of the best parts of any of the monstro scenes lmao like "you want tits right? here's some fucking tits for you" absolutely incredible. also theres a kind of transformation after someone bashes her head in only another more fucked up head to grow out, and after the massive bloodbath when her arm gets ripped off her body basically collapses into bits on the sidewalk & elisabeth's face on what used to be the shoulder is just on the back of this fleshy blob that crawls off like some kind of fucked up sea creature or something

throwing this into the tags so others can chime in bcus I know there's gotta be things I'm forgetting to mention

[fix-me-sixteen]

I have a CRAZY theory.

Stria isn't Katie. But you aren't Stria, are you?

So smart. You've explicitly said your other blog is a main blog. This has an excuse to be a main blog also tied to another person's name. No one would even suspect you of being Katie.

The wicked gave it away

DID YOU JUST TRY TO TELL ME THAT FIX ME SIXTEEN AND THE WAY ASTRAY ARE NOT RUN BY THE SAME PERSON LMFAOOOO . . . that is so funny i'm so sorry anon this is hilarious

so if i'm understanding this right, you think stria runs the way astray, but that katie runs this blog, and that stria is lying about also running this blog, because it's actually katie? oh brother. you are fully on the wrong track with this one . . . here's the proof that fix me sixteen and the way astray are in fact run by the same person

and i just watched wicked the movie two weeks ago and know nothing about the stage play. anon this is insane but you are fully on the wrong track

@myfairkatiecat they've come for my main

[sadaveniren]

Hi Sada! I saw your nasty anon and I thought i’d balance the hate with some love: you’re my favorite blog on Tumblr! I always look to see if you posted and I love reading your thoughts on things! Lots of love xx

🫶🏻 thank you so much!!!! I’m glad to know I entertain the majority of you!! I’m just here for a laugh and to enjoy myself and if other people like it all the better 🥰

[quirkle2]

I was wondering if there are any rare happy ritsu moments in ur zombie au since hes always miserable I think,, like is he always miserable or is he happy/not miserable and feeling kinda good sometimes?

VWHDGDGD NO YEAH OFC HE'S HAPPY SOMETIMES im just horrible and enjoy putting him through misery

ive never been able to get a genuine smile to look right on his face in my art style either i think thats part of it. as ive said his face is just built to be mildly uncomfortable and bothered and i lean into it sm it's starting to get kinda funny

but yes ritsu is happy plenty! i think, canonically, he just seems like the type of person to me that tends to turn lemonade back into lemons. he's easy to scare and his first reaction to things is often Dread and Anxiety. he dwells on the negatives a lot and seems to be a "hope for the best, expect the worst," kinda guy, but there's a section in this post abt shigeo always loving the little things in life, and ritsu steadily learns throughout the journey on how to do that and how healing it can rly be. even if he had to grow up too fast during this whole thing and learn things a kid should never have to, the journey also gave him some good insight and lessons in other places! ritsu is smart, he figures it all out

in terms of little things here n there he's the happiest lil guy on the planet when he finds one of his favorite foods—swings his legs while he sits and munches on a kitkat bar like he's got absolutely nothin in the world to worry abt. sometimes mob does smth funny that he laughs at; for the longest time i've had this silly image in my head of mob accidentally knocking down a bucket from a store shelf and it lands on his head and he just kinda stands there and makes noises.when the noises continue out of pure curiosity about the weird echoey quality it's giving them ritsu cannot help but lose it

besides tiny things tho, when tome comes around ritsu in general is a lot happier, just cuz he has somebody to talk to that will actually respond in some way. they're sorta reluctant partners in crime at first (at least on ritsu's end) but over time and over bonding they grow to rly like each other's presence. they bicker constantly but it's almost always fond eventually, and they shove each other and playfight until mob gets antsy enough to get worked up about it. rly, tome is a godsend to ritsu's mental health—after months and months of being effectively alone with his thoughts, he finally has another person to converse with. a person His Age, too!

tome is rly good at knowing when ritsu is thinkin himself into oblivion and she's Also rly good at being the most annoying girl on the planet to yank him outta that and replace any misery with Oh My God Get Off Me You Freak. she doesn't even do this on purpose at first, but over time she learns how to tell when he's thinking too hard and, ofc, she's grown attached and she cares, so she's as obnoxious as possible to lighten the mood

when they find reigen n teru, ritsu gradually gets Much happier still. now that he knows they're safe and the gang is finally back together (and now that there's an Adult present and he can relax a lil and let himself be taken care of) his stress levels r exponentially lowered. having teru back is another instant lift to his mood—im always a big fan of teru and ritsu friendship, and i think adding tome to their dynamic simply makes it more chaotic. truly a trio of the 3 most normal teenagers in existence which will surely bring nothing but good (reigen sweats offscreen)

actually this makes me feel bad for forever torturing him im gonna go draw happy zau ritsus brb ,.,.ok imback <3

[selfship-confession-box]

I need to hold Mepad. Not in a weird way, I just need him close. I need to wrap my arms around him and hum lullabies for him at night.

-⭐⬇️ (Starfall anon!)

:3

.

[littleshopofhorrors-confessions]

i want skip snip BADLY

~~~

[wexhappyxfew]

i hope your having a great day!! i’ve just been think about the possibilities of annie and brady’s FIRST KISS. the slow burn😩 and ik it’s killing them(probs especially john) just as much as it is me. ik details are definitely something your keeping close to ur chest as a writer but i cannot wait to read what finally does it, who initiates it, etc.

HI SWEET ANON!!!! apologies that i am a day late to this!!!! was incredibly busy today (and yesterday…and really every day atp lmao) so thank u so so much for the well wishes!!!! i have some down time between evening classes so i was very excited to get to this! 🥰

THE POSSIBILITES OF THE ANNIE X BRADY FIRST KISS. oh dear anon i fear you have done nothing but make me INCREDIBLY EXCITED. i have the first half of it written actually 🤭 !!!!!! and i am *very* excited to get to the other half (possibly this friday, we’ll see i’ve been wayyyyy too busy i fear)!!!!

indeed my reaction upon seeing this though hehe:

we KNOW captain john brady is absolutely losing his mind - because he is and has been in love with annie for far longer than he has even known himself and the thought of him just makes him go a little crazy he’s found….. i mean we saw bucky with how he was with his and kennedy’s like…JOHN BRADY IS LOSING HIS MIND FOLKS!!!!!

hehe yes! u know me too well sweet anon! i have found i definitely like to keep the mystery there until i can post, but i do like to tease things for fics haha! u definitely get my vibe though 🤣 i will say ….. it is seemingly becoming a trend here and a john brady POV of the first kiss seems to be in the works for this 👀

AND I’LL LEAVE U WITH THAT! thank u again sweet anon! enjoy the rest of your day/night/evening!!!!! <3333

[gintamajustaway]

The fandom has gotten really dark since you left.. certain shippers are really aggressive about their ships to the point of bullying. I kno you’ve dealt with stuff like that in the past and you handled it all so well I remember reading some anon asks.. any tips n’tricks?

OOF, WHELP -- not sure I'll be much help given that I have no idea what state the fandom is in. All I can really say is that you're going to find aggressive shippers no matter what fandom you're in. My method to dealing with people like that was to just block them and add them to my blacklist. The only times I ever engaged with them was if they came at me directly (which rarely happened -- the more aggressive they are, the more cowardly they were when it came to confrontation) or if they put a callout post about me directly in the main fandom tag. I always clapped back at those people just because like lol if you've got a problem with my fics or my decision to delete them all, okay cool, I don't care, but doing stuff like putting a long-winded complaint post in the main tag is so childish and stupid.

The best advice I think I can give for this is to just not care LOL I sure as hell never did and still don't. Never will! Shipping is supposed to be fun and the people who actively try and take that fun away from others are struggling with issues outside of fandom, but shipping is their outlet so that's where their aggression manifests. Happy people don't care about drama over fictional characters, so go be a happy person! Utilize that block option and live your best life!

[sleepless-in-starbucks]

ik it's like Late now and idk how many will see this but as a little closer to anon reunion party bash 2024 . i just want to say that it was a real treat seeing all of y'all . and im really happy that bein a silly goofy anon on my silly goody blog was smth memorable enough to make you want to come back and pop in and say hi even if it's been 4 years and we're not in any connected fandoms anymore . y'all're incredible and my ask box is ALWAYS open if you want to pop in for any reason, any time . and even if our paths have diverged far enough that a pop-in is all you're really lookin for im still really glad to have seen u today and to have known u as i did back then . hope y'all've lovely rest of evenings, rest of weeks, rest of lives, and everything in between and outside :]

[solar-halos]

ive blocked ppl for having the same opinions as me but having too many feelings abt them it's definitely just a me problem but i cant handle it at all when ppl get emotional

tbh i get that, there was a very big period where i couldn’t read any lucy gray/billy taupe fics bc the thought of it being even *slightly* different but pretty much the same from the very passionate hcs i already developed genuinely made me sick to my stomach lol

[averlym]

a word to the wise sometimes the only true rest is looking beyond what you thought was success

so true! adamandi is full of wise advice such as this, including: "and you'll never feel better if you - fucking die- you stupid ass!"