Can we take a moment to appreciate just how well fed we are? Both in canon and beyond?
Oscar said "woah" the moment he first met Ruby.
"Woah. You have... silver eyes". Specifically.
The scene of them sparring at sunset and being goofy about it.
They're the two youngest members of the team, and both of their main allusions are stories about growing up (The Little Prince and Little Red Riding Hood).
Oscar's main allusion is of a character that's in love with a rose. Ruby's last name is Rose, she has a rose emblem, and can turn into rose petals.
They also have shared/parallel allusions from in-universe fairytales (Ex. The Boy Who Fell From The Sky, The Girl Who Fell Through the World, and most notably, The Warrior in the Woods).
The Dojo Scene
Their shared attachments to each other keep being put in focus.
Oscar cared more about Ruby being knocked out than Weiss being impaled at Haven.
Ruby's always watching his back in fights, and he always has hers in group conflict discussions.
Neo, the illusionist character, uses Oscar as both the first and last illusion to torture Ruby; going so far as to make Ruby "kill" him with her own hands. It could have been anyone, but it WASN'T. It was OSCAR.
Meanwhile, Oscar in the V9 epilogue laments to Ruby's "grave" about how he is struggling to hold onto who he is more than ever before. In large part because of the merge, but also because Ruby "always saw people for who they really were", and she's not around anymore to help remind him of who he is.
"You're your own person."
The Almost Hug.
The song that plays leading up to The Almost Hug is one about someone pining for a love they've lost and been separated from across worlds. The song airs a few episodes before Oscar and Ruby are the only "pairing" split up between Remnant and The Ever After. The song itself is called Treasure and Ruby is a type of precious gem, while Oscar's name alludes to gold.
Oscar's last name is Pine. Which, aside from the species of tree, is defined as: "to long or yearn for the return of something; to suffer, typically from a broken heart"(please see points 12 and 15).
They have multiple paralleling arcs and themes around choice, identity, responsibility, leadership, grief, etc.
Their character designs have complimentary colour schemes like other canon ships (red/green and silver/gold).
Sun/Moon ship
"Combat gear looks good."
They also follow the same story beats, separations, and reunions that other canon ships have in show (the meet-cute, the getting-to-know-you, the breakup arc, the distance makes the heart grow fonder trope, the (upcoming) emotional reunion, etc).
The animators, writers, and even voice actors on occasion, engage with fan content or discussions of the ship in a positive manner.
The Official RWBY Twitter Oscars Meme
Miles Luna has said a few times that the ship is cute. He also highlights that their relationship is built on mutual understanding from being in similar circumstances as the youngest kids in the group with too much weight on their shoulders.
Miles also said that in a hypothetical scenario where everyone celebrates Oscar's birthday, Ruby would buy a co-op video game as a present and the two of them would stay up really late playing it together.
Rosegarden won 2nd place in a popular RWBY YouTuber's "Top 10 RWBY Ships" poll as voted by fans after Volume 8 (it would have been third place if Renora and Bumbleby hadn't tied for first).
That one video from Aaron Dismuke, Oscar's VA.
"That kid's got a collapsible staff" -heart eyes emoji-
We've gotten a "Rosegarden Moment" in every Volume premiere since Oscar's debut in V4.
Oscar shouting Ruby's name too many times in the V6 fight against Cordovin.
Maria tells Oscar to "keep that fire fed" after he overhears Ruby talking about food always making her feel better. Then a few episodes later, he suspiciously makes a casserole for the "team" after "they" had a rough day (where he stood up for Ruby when she was looking defeated in a group argument).
Oscar's the only person Ruby opened up to about her grief until the blacksmith. Meanwhile, Ruby's the one who's always assuring Oscar he's his own person despite the merge.
The parallels of Oscar's struggle with the merge and Ruby's ascension in The Ever After.
"I'm just going to be another one of his lives, aren't I?" / "What if you could be anyone?"
Characters within the narrative regularly notice how close these two are to each other. Mainly Nora, Weiss, Yang, Cinder and Neo.
Oscar blushed when Ruby touched his shoulder???
THE FUMBLE?!?!?!?
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I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning
It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.
My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.
But
Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.
They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.
Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.
So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?
Do not watch the following material
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