#like the dude has been looking like the same 30-40 year old for so long to me... then panini happened and then BOOM

[molinaesque]

"You know what inspires me? When there's no one in the house… and I'm all alone to do whatever I want." - Walton Goggins, Mulholland Distilling (2023) (x)

[rosewood-multifandom-writer]

Street Fighter 6 Roster Character Ages:

Because the game never made it clear how old certain characters are, these are my personal headcanons that are straight up just guesses. I’m going from who I think is the oldest to the youngest. I am also basing the ages around dialogue, behavior, and of course, the year the game takes place, which I’m gonna assume is either mid 2010’s or late 2010’s because of how the smartphones look, and a bit of appearance. I say a bit, because like in real life, characters can be much older than they look. The asterisk next to the ages has more to the guess. (I also project a lot towards the end)

My personal guesses:

Oldest Fighters (Oldest to Youngest)

JP: Mid 60’s

Dhalsim: Mid 60’s (dude has the bushiest and whitest beard imaginable and acts like a grandpa)

Akuma: Early 60’s (He’s not out yet, but that ain’t gonna stop me from guessing that he’s a demon grandpa)

Zangief: Mid to Late 50’s (think about the oldest wrestlers form any wrestling company who have retired and have aged like the finest wines)

Blanka: Mid 50’s (considering that he’s a beast that lived in the Brazilian forest for a very long time while hiding from tourists, I’d like to think that his DNA gave him the best genes that just barely age him)

E. Honda: Late 40’s*

Guile: Late 40’s*

Ryu and Ken: Late 40’s*

Chun-li: Mid 40’s

Deejay: Early 40’s

Youngest Fighters (Oldest to Youngest)

Cammy: Late 30’s to Early 40’s

Juri: Early 30’s (she calls Chun Li an old lady in different ways in World Tour mode, so I’d like to think that specifically, she’s 30-33)

Rashid: Late 20’s (the closest to being 30)

Marisa: Late 20’s*

Ed: Mid to late 20’s (I’d like to think that he is close to being 30, considering that he calls Luke a “Kid” despite looking like he’s in the same age range as him, not to mention that he is shown in the Fighting Ground selection screen very clearly drinking beer, so he’s above the legal drinking age)

Manon: Mid 20’s*

Luke and Jamie: Early 20’s*

A.K.I: Early 20’s (Specifically, she is the last character in the group of characters who are in their 20’s to turn 21)

Kimberly: 18 or 19 years old*

Lily: 18 years old*

Further explanations (The HCs with the asterisks):

Ryu, Ken, and Chun-Li: They’ve been fighting for a long time. Ken and Chun-Li are both parents with kids that are now in their late teens or early twenties now, and Ryu has witnessed both Ken and Chun-Li grow. Specific ages are 49 and 48 for Ryu and Ken and 45 for Chun-Li since it was officially stated that Ryu is 4 years older than her.

Guile: He gives me the vibes of a brother that is only one year older than him. 49 specifically. I ran into a lot more people with siblings who either have a one or two year age gap. I’ve yet to run into someone who’s age gap between their siblings is significantly larger than me and my sister’s (I’m eight years older than my sister)

Marisa: Again, just going off of vibes here, I’d like to think at her age (27-28) she would be seeking out relationships and wanting to have a life long partner, and seems like the type of woman that is into older men like Zangeif. Could be projection, who knows, but with how young she looks? Definitely late 20’s.

Manon: The fashion industry loves to mostly hire women who are 18-25, and considering how young Manon also looks, I’d say she’s 25. I mean, she’s already a master at her craft at her age considering she started judo and ballet training as a child.

Luke and Jamie: To me, they both act like typical college aged men in their early 20’s. Jamie is the frat boy who is a heavy drinker and gets into fights the most, and Luke is the laid back former soldier boy who gets into a fight with drunk frat boy. I can say this, I have heard many stories about college aged men that have personalities similar to Luke and Jamie (hence why I’m not attracted to either of them, sorry to anyone who simps for these two)

Kimberly and Lily: These two a lot of people speculated a lot. People have guessed that Lily is 14-16, for Kimberly, 17 to 19. My personal guess? I think they are in their late teenage years. I have four reasons for this. One, people can be older than they look, especially from Asian media. If you look up literally any Asian celebrity, they look younger than what their actual age is. Japan has depicted characters who are just as young lookin as Kimberly or Lily but they are much older in canon. Two, there are real life young adult women who have body types like Kimberly’s and Lily’s. ESPECIALLY Lily’s. I am 5”0, and I’m 25 years old. I’ve been told I looked 19 at a job I left, in High School, I was mistaken as a freshman when I was actually a senior, when I went with my sister to her middle school registration, there were middle school kids who were taller than I am, and I had to show a cashier my ID at a grocery store (I was looking after a shopping cart which had beer (which was my dad’s and he went to get something at the last minute) to verify that I am over 21 years old. And three, Kimberly and Lily’s outfits would not be age appropriate if they were underage. Finally four, Capcom is not that type of entertainment company that sexualizes underage characters (unless there were before and Capcom just did a good job hiding it) or puts them in revealing outfits despite being underage. Even back then, they never did that.

More explanation on Kimberly: Guile, Juri, and Cammy refer to her as a kid both directly and indirectly. Not to mention how she acts too. She acts like any 18-19 year old who are a little too curious about certain things to the point where they take so many risks. I mean, think about it. Even at 18 or 19, a teenager will still think they are invincible or super tough even though they’ve been through a few typical middle school and high school moments that you can think of. Kimberly went further into the rabbit hole about the death of her uncle and has fought JP in her story. So it’s safe to say that she is a late teenager who takes risks despite the fact that it puts her in danger. Chun-Li also jokingly says that Kimberly’s youth is somewhat “blinding” to her.

More explanation in Lily: She displays some curiosity most 18 year olds would show, especially since she travels the most out of everyone on the roster. Not to mention that most 18 year olds don’t just magically grow out of most their childlike behavior. Plus, there’s the whole mistaken-as-underage-because-of-her-height situation she has. And if she was underage, again, going back to Capcom not sexualizing underage characters or putting them in outfits that are too revealing, she wouldn’t have the booty shorts that show a peek of her buttcheeks. I have worn short shorts (not the ones with my big butt out). Then again, I could be projecting since I am petite like she is, except she has the petite body type and I’m a shortstack (because boobs and butt).

Edit: A weird edit because Tumblr needs to fix this issue with my comment being eaten every time I want to respond to a comment on here (like seriously Tumblr actually fix this). I was informed by @sunkern-plus (thank you very much for the information) that Cammy is younger than Chun-Li and is closer to Sakura’s age with Sakura being a few months (I’m guessing two to three months) older than Cammy, so possibly 38-40. Pretty much one of the very few times in any Capcom canon there has been a more clear answer on a character’s age.

Edit 2: I forgot to list Rashid, so he has been added.

[mothwithapencil]

Speaking of Jacq: the other day my wife and I discovered why there's tons of pixiv ship art of him and Clavell. And looking into it, that's cool I think. Also some of his lines in SCVI threw me down a huge rabbit hole of analysis and speculation almost completely unrelated to shipping but very much related to character ages, the professors, Area Zero, the Pokedex, and the really fucked up technological Pokemon timeline. This contains heavy spoilers and gets kind of ramble-y so sit down and get comfortable.

It appears Jacq is older than one would initially assume. He and Clavell worked together as researchers a long time ago. This promptly throws a ton of shit into question (see the list above).

In Jacq's class he's talking about when he made the Pokedex app and says something like "But that was waaay before I started teaching. In fact, Director Clavell wasn't in education at that time either! He was a researcher working alongside me at the same facility," which would have to imply Jacq has been around for much longer than he appears.

He was a researcher, which requires a degree, worked at a facility with Clavell for enough time to develop a Pokedex, and then there's whatever amount of time "waaay before I started teaching" means.

It's incredibly likely that "the same facility" meant the Area Zero labs with the professors. Not only because Clavell was there too. Area Zero has tons of hexagon symbolism. Most notably the unidentified hexagon-shell pokemon that's allegedly coming in the DLC and the Zero Gate being covered in hexagons. Although it's just the shape of his glasses, Jacq working with Clavell who also worked with the professors at Area Zero seems too intentional of a design choice.

And tbh Jacq and the professors look like they could potentially be around the same age? Roughly? Trying to map out stuff timeline-age wise is difficult.

On the topic of what the hell happened with Clavell and the professors and apparently also Jacq, I think all of them experienced some accelerated hair graying due to being around fluctuating time machine shit for a while... Which idk how that would happen but it's cool as fuck! We don't know what the professors looked like when they died or what they would have looked like had they not died. They could have had some graying or other aging too, probably the most of anyone. My wife brought this up after I wrote all this, but this could also be why Jacq looks so much younger than he is. An unstable flow of time could definitely fuck with one's appearance in a couple ways methinks.

I also feel like Clavell would have been extremely stressed after the Area Zero stuff because he was closer with the professors. I can't imagine that knowing your close friend is in grave danger, locked in a room in the deepest part of the most dangerous area in the world, would just. Not have any physical effects from the stress. With all that potentially being the case, it's hard to say just how old Clavell is. This is NOT to say he's "young." He's middle aged at LEAST. But given the circumstances and the fact that Pokemon ages +appearances have zero consistency, it's definitely questionable. Cyrus looks Like That and he's 27. Lusamine looks Like That and she's over 40. There's wiggle room for sure.

Maybe Clavell's hair went white early because of stress. Maybe he ages like milk. Maybe jacq just likes older dudes. The world may never know. But the only thing that's clear is that, given the implied timeline, Jacq is not like, 27 as I had previously thought.

That all being said, the Pokemon timeline is incredibly complex and contradictory. Drayden allegedly lived before pokeballs existed and Clavell allegedly had to hand write his Pokedex, but I don't think either of them were alive during Legends Arceus so someone is lying. But hand writing the Pokedex would be understandable if Jacq's Pokedex was the first digital one in Paldea. Which brings up a whole other question: "if Kanto had digital Pokedexes nearly 30 years ago why don't the different regions share the technology with each other? Why is every new region just now developing a Pokedex?" So like. What the fuck is happening.

Is Clavell just saying he had to hand write his pokedex to fuck with you and Nemona because neither of you were alive and/or self aware like 15-20 years ago when the digital Paldea Pokedex was developed by Jacq? Possibly.

I'm hoping this history with Jacq and Clavell gets expanded upon in the DLC, especially given their connection to Area Zero, because this was honestly such an interesting topic to think about. I'd love to discuss it further if any of y'all actually read through this!

[oh-my-damn]

Oh boy I logged in at the right time LOL. This is in response to the new ick ask, so if anyone wants to scroll who disagrees haha. I agreed with number 5 on that list as well. They made good connections on the other ones but 5 ties directly to my issues with older men dating so young.

Men who say things like they want a woman who knows how to apologize or doesn’t push back? I’m in my mid twenties and while I have been in relationships, just because of how the passage of time works, I don’t have as much insight into them as a woman in her 30s or 40s would. I go to my older cousins and mentors for advice all the time. To see older men with women my age is gross because no matter what there’s a power dynamic and with that comes the risk of being able to manipulate someone easier. I said what I said 🤷‍♀️

So yeah, I’m over Chris. There’s a reason I was never a Leonardo DiCaprio stan or something. Shit like this is a character/morals thing for me.

Once again, my opinions under the cut. If you read it and get offended or upset, that's on you. Don't hurt your own feelings lol

I absolutely agree.

It's something you won't understand if you've never been in a situation like that. All men can be manipulative, but there's something just a little more special about an older man dating a younger woman.

She can be smart, deep, mature (for her age! that's the key point bc thats what everyone always say).

Fact of the matter is that people change as they get older. They learn organically. They gain experience. It doesn't matter how mature you seem for your age, you will always lack experience compared to someone in their 40's.

Women in their (especially early) twenties are also usually in a situation where they're trying to define themselves in relationships. They won't know the pitfalls or red flags to look out for bc they haven't experienced them. Even if we think we have a handle on it, there will always be more to learn. And I think it's worrying that someone above 40 can "identify" with someone who's in their 20's. Cool dude, but you shouldn't be. It's a red flag that you do. A MAJOR one.

Now, Chris definitely fits into that box. He's never had a successful long term relationship. All of his exes have moved on pretty beautifully (most even got married/had kids RIGHT AFTER they got out of the relationship. Clearly they wanted it, just not with him.) I think it says a lot that he can't make it work with people within his age group and has now gone searching for younger girls. I always thought the rumors about him hooking up with 20 year old interns in DC was just that - a rumor. But now I'm not so sure anymore.

I'm done trying to defend him on anything. I feel bad for Alba if it really is a situation where he's controlling or manipulative. I'm not saying he is - I'm saying it fits the pattern (also the videos from the pap walk are also kinda alluding to that, ngl)

If they're happy that's great. But a lot about this situation seems fishy. It's not a coincidence they've been ramping it up ever since the WN trailer came out and its DEFINITELY not a coincidence they were "papped" the same day season 2 came out. It's also not a coincidence that the person who "randomly papped them" is the same guy as the one who took the pictures of him and Lily James in 2020 (who, btw, usually works exclusively in London and LA. lol) There was also someone on tumblr who revealed days in advance that a pap walk had been booked for Chris in NY. So they're definitely using it for PR - the question is just how deep it goes.

Either way, it's a shame it had to overshadow the entire SMA thing. That's honestly too bad. We'll see what happens. But I can't lie about my feelings. Idk when my muse will come back, all I know is that seeing his face rn makes me make this face

[a-god-in-ruins-rises]

it’s weird seeing people who were young adults in my childhood being old people now.

because people look “young” for a pretty long time. like from birth to adolescence your body changes dramatically all the time. but once you reach young adulthood you look /basically/ the same for like a couple decades. like from like 20 to 40.

but then once you hit 40 people start look /old/. they get wrinkles and grey hair and sagging skin and stuff.

so when i’m a kid (say 7 years old) i’m watching some movie where there’s an actor who is, at the time, 20 years old. once i’m 17 that actor is 30. he’s basically going to look the same. then when i’m 27 he’s going to be 40. now when i see him (for the first time in 5+ years because he hasn’t been in many movies) all of a sudden the dude looks like a middle aged man.

it’s quite shocking to me. i have these images in my mind of certain celebrities from my childhood as timelessly youthful because throughout /my/ youth (really, my entire life so far) they seemed to never age. but then one day they show up on a screen in front of me looking like my father and the illusion is shattered. suddenly i’m made painfully aware of how much time has actually passed.

[goddamnwebcomics]

Webcomic Check: Winter 2023

Although time runs faster than light now, it feels like I did my last webcomic check forever ago. So here it is.

Las Lindas: Miles is fighting a street shark, and oh come on now.

You expect me to buy Miles being that buff??? And why does he have long hair now? Is this Chalo's late attempt at trying to turn him into a femboy. All of you are gross 30 to 40 year old men now, make your self inserts act their age. I don't want to know what is happening here but I think the Street Shark is one of the "superheroes" introduced earlier.

Spinnerette: Yeah, it's White Heron arc again, involving stuff crashing into a wall. Besides that there are some Spinnerette gift cards.

First of all, why are there THREE Mr. Webbies? Second of all, Mecha Maid isn't even in the fucking suit anymore, and she is sitting. Did Kraw finally make an arc where she gets cured of her ALS. Dude, just fucking do it. This comic is already such a colossal insult, I'm not sure it would offend anyone, speaking of insults...

Monster Girl Academy: Yes, a new member joins the Webcomic Check. Issue 25 is already out on the patreon but not on e-hentai, but it involves Fatcat growing a fat cock...who the fuck is Fatcat you may ask? Well...wait until July 2024 to find out.

There's also a free sketch of a tomboy and oh fuck off.

This is a bootleg copy of the Lois Lane from that new Superman show. How is she a monster? Is she a monster for being a tomboy like dickgirls are according to Kraw? Or is she a monster because she wears crocs. Other than that, she doesn't look half bad but that's probably because she is emulating an existing design that is actually good. I hope her personality isn't saying "I'm a tomboy, you saved our asses" like the Tomboy Soldier.

Carnivores: Austin goes to "Minotaur's Mansion" which is like some sort of a gym, I at least assume so because there is piece of stolen art on the wall.

So I guess Austin is gonna work out, something real Austin will never do...however if this comic is still ongoing in 2043, then I've got concerns that maybe he is.

Legacy of Dominic Deegan: Okay WHAT THE FUCK??? Are you seeing what I'm seeing???

Actual dialogue! Did someone restore Snout's hearing? Or did Mookie get sick of the lack of dialogue. Then again he's nowhere to be found on this page so...

Anyways these two whoevers are talking about music and discrimination against other species. The more things change the more they stay the same.

Alien Dice: Lexx is still fighting Mr. Bad Guy in winged form.

I have to say outside of new panels and few changes, the art doesn't look that different from where we last left off, of course Lexx must have aged like 10 years. There might be a timeskip!

Anyways, I hope you enjoyed the more visual Webcomic Check. This segment has been going on for like 6 years, yet I've never thought of putting images on this. Ah well. See you next year.

[piduai]

on december 25th 1866 a family of average money and status enjoyers up in niigata welcome yet another little prince into the world. it could mean nothing (and there's also the fact that noda borrowed the name from a real person), but the name tokushirou has the kanji for "fourth" in it, which is usually reserved for the fourth son. it was common practice for nobles back then to have a bunch of children (real life hijikata had 9 siblings), so him having at least 3 older brothers and god knows how many sisters wouldn't be out of line.

little prince enjoyed a lavish life of wagashi and piano lessons where he learnt beethoven's sonata 23 and probably other foreign pieces, something reserved for the elite. his status perhaps let him dabble in foreign languages as well, giving him an education rich in cultural teachings, which will come in handy in his future job. not as lavish as it could have been, though - in 1868, when prince was tenderly aged just two, daddy tsurumi senior (if that's even his real name) has been severely cucked in an attempt to Keep Japan Great and as a result of not unstanning the shogunate in a timely manner has suffered losses. who knows what he did when the samurai class was abolished, maybe he went into trade <3 if he was as smart as his son, maybe even foreign trade. maybe even with russia. or at some point he just put on a flop act when the family ran out of funds.

regardless of daddy's finances, junior decided to keep the samurai spirit, his bushido somehow landing him in the army. it's unknown how long he lived in russia before meeting his wife, but he knew enough russian to score a hot slavic gf, so honestly, slay? in 1891, aged 25 and with a freaky blonde baby, he meets wilk, his spiritual half-slavic twin. unfortunate for the wife and the baby, for wilk was the last person that they met. sad!

now that tsurumi learnt the taste of human fingers, he decided to adopt his evilsona. either sucking on them fingies like a horse munching on carrots or pathetic human grief should be credited with him going from a cutesy, blob chubby cheeks look to a chad defined facial structure with chiseled cheekbones we don't know, but he complemented the facial reconstruction with lifeless eyes, sexy eyebags, and a pointy villain moustache and invested in hair gel to keep his outgrown locks slicked back. classy as hell. just two years later, aged 27, he's spotted being weird to children in a dojo in sweet home niigata. one of those children happened to be a young 12 years old usami, whose sheer amount of swagger tsurumi could only dream of, but who nevertheless felt himself swayed by thirst towards the recent widower. perhaps it was his kinda goth vibe? who knows. a year later usami (13) flips his lid and murders his bff, which tsurumi covers up and blames on a horse (kinda rude considering they're the same species), which ends up demoting him in the army. but it's okay because, thanks to usami, he learnt that he's sexy enough to manipulate other people's thirst for him in his own gain. very resourceful.

a year later, in 1894, he goes to his first war, where again he rediscovers psychology and comes to #conclusions. in 1895 he comes back to niigata, shares his thots on the human psyche with some random dude, and tells 14 years old usami that he's waiting for him in the army. this places usami as his first, most specialest candy boy.

in 1896, aged 30, he goes to meet his next toy on the death row. he tells him that he's been transferred to the 7th division in hokkaido, and that he'll be headed to russia as an intelligence officer, planning to take the dude along with him. he gets him off death row.

1897-1989 are a blind spot, we have no idea what he did in those years except that he returned to russia and at some point tried to #connect to that dude by hinting at his life story, except he was talking to someone way too dense to get his subtle hints. tragic, truly. before that at some point they went back too niigata, where tsurumi visited his mother's grave. there's no confirmation in the story, but we know that ogata might have also been accompanying him in russia; even if he wasn't, he did somehow meet ogata in this timeframe. maybe someday we'll find out how exactly.

in 1900, aged 34, he's back in japan, and down in kagoshima too, where he meets a 14 years old koito. most probably not incidental, safe to assume he went there with the exact goal of meeting this particular child. tsurumi is very hard-working.

in 1901, aged 35, he comes to tokyo accompanied by his 3 boy toys and threatens another girlboss with a gun in an attempt to keep yuusaku chaste. he meets kikuta, with whom he never really connected because he's into younger, more emotionally dependent and malleable people, but adds him to his collection nevertheless.

in 1902, tsurumi (36) goes to hakodate and orchestrates koito's (16) kidnapping, helped by ts*kishima, ogata and kikuta. usami didn't make the cut for some reason :( maybe he was left behind to guard tsurumi's copious stocks of hair gel at the military base.

judging by his ripped sleeves, he gets reunited with his spiritual twin mere days later. accompanied by usami and kikuta (it's what i call double shifting, or exploiting his employees. told yall he can't fucking stand kikuta), he is witness to the ainu massacre. very eventful week.

a year later koito pays him a visit in asahikawa and expresses his will to join his clique once he's done with school.

the russo-japanese war breaks out in 1904, where tsurumi gets hit by an arrow of fate in the face of a shrapnel while playing his mind games, and ends up losing a bit of his brain at the age of 38 (which only made him stronger and smarter #thegrindisreal). downside is that it ruined his brows and hairline.

in 1906 (age 40) he talks ogata into killing his dad (girlboss) because ogatapapa was his political enemy kind of, his facial hair was gross, and tsurumi's position in the 7th division needed to be strengthened. ogata obliges because they're besties.

the manga timeline starts a year later, in 1907, with tsurumi aged 41.

what comes next? who knows...

[certainglitterhologram]

I posted 472 times in 2021

167 posts created (35%)

305 posts reblogged (65%)

For every post I created, I reblogged 1.8 posts.

I added 258 tags in 2021

#percy jackson - 40 posts

#nico di angelo - 33 posts

#heroes of olympus - 30 posts

#will solace - 29 posts

#pjo - 28 posts

#solangelo - 27 posts

#hoo - 25 posts

#trials of apollo - 19 posts

#toa - 17 posts

#school - 10 posts

Longest Tag: 123 characters

#of course this isthe onetime i actually put effort into my tags and its the one time my keyboarddecdiedsto be a little shit

My Top Posts in 2021

#5

can we all please remember that Will Solace, a fifteen year old boy, reattached someone's arms to their body.

79 notes • Posted 2021-05-10 08:14:45 GMT

#4

friendly reminder that there was an Apollo shroud burned at the end of TLO. If Michael's body was never found, and Lee died in BoTL, that means that the Apollo cabin lost at least 3 people.

That means Will Solace lost at least three siblings.

don't mind me, just sobbing-

87 notes • Posted 2021-04-18 12:24:50 GMT

#3

conversations in my eighth grade class room with little to no context:

“are rugs just tiny carpets?”

“if pennywise and i sat down and had a talk, maybe he would stop killing little children to boost his self esteem”

“if you dont ship drarry what are you doing?” “shipping scorbus”

“jason is my boyfriend.” “oh! is he new this year?” “no hes a tree you fucking idiot.”

“That’s a nice backpack..very colorful...” “I’m fucking GAY, dianna.”

“i read wattpad.” *rest of the class* “same.”

*me ranting about solangelo and how i just wnat someone to love me like that or ill DIE* my friend: “well, mAYbE, you just need to find your will to live!”

“new year old me, but i’m already perfect so ill just say new year, old me”

“GUYS IM GOING TO GET DRUG TESTED AND IM SCARED” “have you been doing drugs?’ “no” “then why are you nervous?” “what if i did them by accident or something?”

‘you know what tastes really good?” ‘what?” ‘staples.”

‘HOW THE FUCK DID I GET ELEVEN FOR THE ANSWER TO A QUeSTION IN FRENCH CLASS?”

‘so when i was younger i used to ask myself why artemis was my favorite god (godess but they said god so meulch). do you know why? its because im a raging lesbian now.”

“lola. lola. lola. lola. LOLA.” “wHAT” “play me at rock paper shoot’  

‘look at this very nice pencil that i onehundred percent bought with my own money’ ‘thats mY FuCKinG pEncil you asshole GIVE IT BACK.’ *pencil box spills* ‘THATS WHERE ALL MY PENCILS HAVE BEEN GOING????”

*singing* ‘my favorite flavor sweets are raspberry amphetamines' teacher: “EXCUSE ME?”

‘sorry, i just choked on my own personality’

214 notes • Posted 2021-01-11 22:36:59 GMT

#2

just a reminder that patroclus has actually, legitimately been called “Achilles’ bitch” before.

225 notes • Posted 2021-04-20 01:11:49 GMT

#1

THINGS IVE OVERHEARD IN MY EIGHTH GRADE CLASS WITH LITTLE TO NO CONTEXT...PART LIKE, 4 OR SMTH

these r all from friday..

‘dude why are periods even a thing...its so fuckin pointless...im a literal INFANT why is my body trying to reproduce’

‘ramen is good but you know what would be better’ ‘wat?” “*sobs* having high self esteem’

‘BRO! NO WAY, NEIL! BROOOO!” “YES ELI, BRO. I LOVE YOU BRO/ HAPPY VALENTINES DAY.”

‘has anyone here actually seen a weed brownie b4′

“guys my parents are not letting have a batmizvah.’ “maddie, youre not even jewish” “BARMITZVAHS r FOR JEWS OH FUC”

“zeus is a dick and for what?”

“totally hypothetical how long can you survive in a coffin...like buried alive and shit” “five hours give or take” “excuse me” 

“i wish i could fly”

“do you think i’ll die if i snort smarties?” “probably” “Good. Do you have any on you?”

“sometimes I like to make really subtly gay comments to my homophobic parents because they only way they can ask to explain is to ask ‘are you gay?’ and they’re wusses so they would never. It’s satisfying seeing their faces turn purple every time i see a hot guy on tiktok and comment about it.” “Aaron...aaron..” 

“i literally just got a 67 on my math test..please tell me what you got so i can feel better about myself...” “100.” “*chucks hydroflask*”

“dude why does it snow. Seriously. Or why does water freeze. Why is it such an asshole, freezing like that?. Like, ‘ope its too cold for me outside, u know what that means’ and it turns into hard little blocks. One of us is the overreacter here, and it aint me..”

“I want a pride flag in my room but my parents are homophobic, so a jojo siwa poster works ig.” “AARON-”

990 notes • Posted 2021-02-14 14:35:23 GMT

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[loregoddess]

Until the devs deign to give us official ages, I have some Triangle Strategy age thoughts that have been floating through my head (just the main eight, no side characters but I might write up speculation for them later):

Serenoa: probably mid 20s? I get mid 20s vibes, and based on what little I’ve been able to scrape together about Destra, this seems like the most reasonable age range.

Frederica: also mid-20s but maybe a year or two older than Serenoa. Don’t ask where those years are coming from, it’s just the feeling I get, I have no in-game lore to back this feeling so far.

Benedict: somewhere in the range of early 50s to early 60s, not quite sure where though. He was working for Symon during the war, so it all really depends on how old he was when the war was going on (and how long the war lasted). Considering that he seems to view his past self as foolish, and being in the late teens early 20s is the typical age of foolish behaviors, it wouldn’t surprise me if he was in that age range during the war, so somewhere in his early to mid 50s seems most likely. The white hair he has is meaningless, people go grey and white at all sorts of different ages and this man is stressed enough that I’m quite sure his going grey/white before Erador isn’t surprising.

Roland: it’s stated in-game on his wanted poster that he’s 20. Kid’s a kid alright. (By those accounts, I’d assume Cordelia is mid to late teens, and Frani in his mid to late 20s, maybe even early 30s).

Erador: around the same age as Benedict, 50-60ish, but isn’t going as grey thanks to good hair genes or less stress, who knows.

Geela: super hard to place bc she’s apparently gotten...a lot done in her life, and she was scouted to be Frederica’s tutor, so, mid 30s at the youngest, but possibly older? She seems to get along just as well with younger characters as she does older characters, so probably somewhere between the generations. Character design doesn’t help bc there are characters who I know damn well are in their 40s or 50s and could pass for younger bc of how their art looks.

Anna: early 30s at the least, she’s an orphan of the war so she has to be at least 30 if she was born at the very end of it. Oddly enough, this means she’s in the same age range as Avlora, who’s also an orphan of the war.

Hughette: dude, I dunno, I haven’t come across anything in-game to give me good guessing material. Probably early 20s, I get the feeling she’s Roland’s peer in age.

[soulvomit]

This is just too long and nuanced to get into in one go, when I don’t have the time. But it’s something I’ve been thinking about. I’m a bisexual who dated guys as a teen, then mostly dated women in much of my 20s and 30s, and there are huge reasons I didn’t date men. Then in my 40s I got with the dude I’ve been with for the past 5 years (longest relationship) but it followed a completely different pattern and set of expectations than any other relationships I’d had with men, and I’m reflecting on this a bit.   Part of the reason I didn’t date men is because I liked being in a social dynamic with both women and men where I wasn’t seen as a potential hetero romantic partner by men - part of me felt like I could be seen as a potential partner OR seen as an equal, but not both. (This was especially bad when I was younger. It got better over time.) But even more, I wanted to be seen as off-limits to men by the women that my male coworkers were married to. I liked having actual platonic friendships and professional associations with men and being able to have intellectual conversations with them, and I liked women not seeing me as a threat. It’s weird that I feel like I identified as a lesbian for a long time at least partly for the benefit of heterosexuals.  But the biggest thing was that I just didn’t LIKE dating men. It wasn’t that I didn’t like individual men so much as all the SOCIAL STUFF that ANY men just came wrapped up with and part of it is because of the weird mores of my family. The thing is that dating men was just so FRAUGHT. It was wrapped up in all kinds of public moral performativity in my family and older people of my culture and local community, and it didn’t help that my mom was surrounded by gossips. Because my family refused to talk about or acknowledge the fact that I was dating women, it meant that dating women was treated as something relatively private and *for me* and that my family didn’t in any way intrude. It somehow didn’t seem “real” to them.  Whereas men were wrapped up with all kinds of weird, fraught traditionalist moralist stuff and dating any man (somehow, even if I lived a hundred miles away, if my family at all knew about it) meant that my family poked their nose in and felt it was Their Business. I’m realizing that some of the weird mores I grew up with around breakups (you shouldn’t be on good terms or even associate with an ex or be in a place where an ex is) and dating seem to be heavily based in the idea my mom had and some elders had where if sex happened in a relationship and the relationship broke up, or didn’t result in marriage, then this meant that the woman in the relationship had been “used.” Breakups were treated as something always Very Humiliating and not just relationships not working out. And that people would see the woman as slutty and that this was bad. Basically it all revolved around having to pretend to be a virgin, or to be as close to a virgin as possible. Also, the idea that it was humiliating to be a woman over 25 and be known to be unmarried, that if you were in a relationship (with a man, specifically) for a long time but weren’t married then it Looked Weird and other people Cared Very Much about how it looked. And any relationships a woman has that aren’t marriage Make Her Look Bad. 1) Like she wasn’t Good Enough to be a wife. (We need to talk about this because there’s a lot of hidden social class stuff in here. There is a lot about being “high class” enough to get married and it being seen as “low class” to NOT be married, let alone to be partnered but not married.) 2) Like HE wouldn’t marry HER (what if SHE was the one who didn’t want to get married? What if they love each other but just aren’t getting married for whatever reason? This was never considered. Marriage was ALWAYS evaluated like it was a woman winning a prize, or something a man offered a woman, and not a mutual decision between adults.) All of this is hardcore old school stuff.  A lot of this is why despite being bi, it was just much easier to date women. There is a lot of stuff I was able to keep out of my head dating women that I wasn’t able to while dating men. For one, my mom had absolutely no interest in any “non-conventional relationship” I had, absolutely didn’t want to hear about it. But my family intruded with men I dated like whoa, it was Very Much Their Business because they saw it as being their business who did or didn’t join the family and or how my behavior was going to make them look. (Somehow, being an androphile but not A Good Girl or properly married off, was morally worse than being in a queer relationship even though the whole reason a lesbian relationship was not seen as “the real thing” or the same kind of social threat was tbh homophobic.) Something changed in my 40s and all this social noise about marriage, who I was supposed to marry, etc, just evaporated. Suddenly I was free to date or fuck whoever I wanted to date or fuck. People just got off my case all of a sudden. The dynamics in my relationships with men changed overnight as soon as 1) I was no longer expected to be a virgin, 2) I was old enough for my teen/20something past to not matter (it was now half a life ago), 3) people no longer even expected me to get married.  What’s more is that people stopped even asking me when I was going to have children, or if. Everything I do stopped being evaluated in terms of what kind of example I might be setting for children that I’ve never had and will never have.  And poof, just like that, in my 40s, a ton of hangups and cares evaporated. I’m sure that 40something hormones may have something to do with it but I feel as if there are just a lot of social pressures that women in their 40s get let off the hook for. It’s only in my 40s that I feel like I’m free to be a fully sexual human being or own my sexuality or my body in any way, and it’s interesting to think about.

[themarvellouswriter]

FIX ME UP

OMEGA! BUCKY BARNES X ALPHA! READER

Summary: The cute EMT has a very snarky personality and the pretty trauma surgeon isn’t a fan.

Genres: Slight smut, fluff and slight angst. Mostly fluff though.

Words: 2.6k

Notes: This is actually my first A/B/O fic.

Warnings: 16+, Dub con, Non con if you squint. But everyone ends up happy I promise. Not beta read yet, will do it later.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Friday, 20:37

“Doctor L/N! This is the last one. 30 year old beta male. Broken arm and concussion. BP is slightly elevated. O2 levels normal.”

“Thanks Sam. Please take him to med bay 5 and have Doctor Feldman to give him a full check up,” you call out from where you’re examining another patient, a fifteen year old female omega. She’s looking up at you in awe.

“What?” You give her a small smile as you finish looking over her reports.

“Nothing, its just that you’re an alpha and you’re so much in control when nobody lets unmated alphas near newly minted omegas.”

You laugh. “I have more self control than all the people in this entire building. And I don’t get that affected by omega scents. So, there’s that.”

You close the folder. “Well, good news. I’ll draw up a rough schedule of your medicine and you’ll be as good as new in a few weeks.” She smiles up at you. “Thank you doctor. Nobody took me seriously when I told them I wanted to be an omega athlete. They’re always telling me that its for betas and alphas. I hate it when people say that.”

“You know, I used to hate it when people used to tell me that I couldn’t be an surgeon because I was an alpha. Look who’s laughing now. Never let people tell you what you can and can’t do.” She nods determinedly as you take your leave.

You step outside for a breath of fresh air. Your thirty hour shift is about to be over in about an hour and you couldn’t wait to get home and prepare for your upcoming rut. You had been on your feet for what felt like days and all you wanted to do was curl up and sleep for hours.

You spy a haphazardly parked EMT van. Curious you make your way over, wrapping your white coat closer to your body. “Sam? Is this one yours?” You say yanking open the front side door of the ambulance. There is a figure slumped over the steering wheel, breathing heavily. Long dark hair falling over their face. You sniff. “Barnes?” The person in question turns slightly. “Ugh. Of all the people to find me here. It had to be you.” You roll your eyes at his irritated voice. “If its that much of a problem how about I walk away like I never saw you?” You move to close the door. “Wait, no. Stop. I need my meds. I ran out. And Sam left so can you please…?” Your doctor side took over, ignoring the previous and very mutual hostility between the two of you. 

You pull him back to the seat. His face is flushed and he’s sweating profusely. You take a deep breath, making him flinch slightly. “So, you’re an omega. Should’ve figured. I’m assuming you ran out of suppressants and now you’re about to go into heat?”

He presses his lips into a thin line. “Alright smarty pants, can I get them? Or do you need my doctor’s note?” Your mouth twitches, fighting a smirk. “How about I do you one better?”

You unclip his seat belt and rest your hand on his waist. He stares at you mouth ajar. “What’re -” “Relax, I’m not going to hate fuck you in an ambulance. I’m taking you to the Omega Ward. You’ll be safe there.” He looks taken aback, opening his mouth to protest. “Be quiet and get out.” He shakily climbs out, legs nearly giving away as his feet touch the ground. You catch him in your arms, alpha strength making you lift him up with ease. He’s trembling in your arms, eyes clouding as his body approaches the initial stages of going into heat. He buries his face into your neck. “I still hate you but you smell so good.” You snort as you carry him inside bridal style. “Dumbass.”

All eyes are on you as you walk in, your archenemy Barnes tucked in your arms. People literally stopping in their tracks to look at you.

“Has nobody ever seen an omega in heat? In a hospital of all places? I mean is it really that weird?” Your voice is sharp and cuts across the room like a knife. “Get back to work.” Doctors Feldman and Pravesh, your friends from the ER, give you a surprised look as you walk past them. You mouth ‘I’ll explain later’ at them, as you make your way to the lift.

Barnes looks up at you, eyes wide, pupils blown. The pretty blue of his eyes almost black now. You swallow as his rich, dark extremely familiar omega scent invades your senses.

“Thank you.”

“Its my duty.”

“Not everyone would do it. Especially if they hate the person in question.”

“I don’t hate you.”

“Could’ve fooled me.”

You open your mouth to object but are cut off as the lift open and a wayward hand makes it way towards Barnes. You take a quick step back. Another alpha stares at you, eyes filled with lust. His eyes move to the body in your arms. You feel him shift closer to you, fear mixing in his scent. You growl threateningly at the stranger who immediately runs out of the lift at the sound. You enter and use your elbow to hit the button to the basement where Omega Ward is.

Barnes looks up at you with glassy eyes and rubs his nose against the underside of your jaw. “That’s ticklish and wildly inappropriate Barnes.” “Bucky.” “What?” “Call me Bucky.” You clench your jaw as the top of his head moves along your neck. “Bucky. Stop. You’re going to be nesting in a very safe space soon. You won’t need an alpha.” “Say it again.” “Say what?” “Say my name.” You finally look down at him, dark hair spread across your shoulder, eyes glittering in the dim light. “Bucky.” You whisper in his ear. The omega throws his head back and lets out the most sinful moan you’ve ever heard. “Fuck,” you mutter to yourself and hoist him upright. Cradling him tightly you nearly run out of the lift as it opens.

You stop at the reception and check him in. One of the sweet smelling beta nurses leads you to a small room and you deposit Barnes, Bucky, on the bed and then dump a pile of blankets on top of him. “Nic will be taking care of you, for as long as you need. You guys are friends, right?” His gaze moves to the blonde nurse who just walked in to join you. “Hey, Buck. You tell me what you want, and I’ll get it for you. Anything at all.” He gives you a sad look as you turn away.

You give her a slight nod and walk out, shutting the door behind you. “You smell like him now,” Nic says from behind you. “Don’t remind me.” You sigh and go back to your floor, still about 40 minutes before you’re done with your shift. Conrad Hawkins, your best friend since high school, meets you as you step out. “So, Barnes, huh?” You roll your eyes. “Like the other betas here, who actually listen to me, why don’t you?” “Just saying. You hate him and you carried him to the OW. When there was a perfectly good gurney here.” He tilts his head towards the ER. “Oh my gawd, stop. I am an alpha taking advantage of an omega in heat. I think I scented him.” He snorts with laughter. “You think. When you growled at the guy in the lift, the entire floor heard it. And the dude pissed himself.” You grin. “Nice,” you nod appreciatively.

“I would love to continue this riveting dicussion about Barnes’ heat and Y/N’s idiocy but we have a surgery to get to,” Mina Okafor seems to pop out of nowhere and drags you away with Conrad still laughing behind you. “I don’t have any. My shift is about to get over.” “Too bad. Its a whipple and Doctor Austin wants you there.” You sigh for what feels like the millionth time that day. “There is somebody out there who hates me.” “One thing’s for sure.” “What?” “Its definitely not Barnes. You stink of him.” You give her an exasperated shove as you both begin your preparations for the surgery.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Saturday, 7:45

You dragged yourself out of the OR, pulling off the bloodstained garments off and throwing them away. You made your way to the Omega Ward to check up on Bucky Barnes. It felt weird to call him Bucky, you guys weren’t exactly enemies but had never gotten along for some reason. He was excellent when it came to disguising himself as an ordinary beta. But he wasn’t ordinary at all. And you knew it, felt it deep inside when you looked at him. Something special and so inherently Bucky about him. Even though the both of you never got along and rarely agreed on things, you couldn’t deny the feeling of protectiveness that rose within you when you saw him. With his soft brown hair and big blue eyes, the toothy smile, the razor sharp wit and general overall perfection it was impossible to not fall in love with him. You froze in your tracks at the sudden thought, stopping right outside the Ward. In love with Bucky Barnes? The salty EMT with whom you liked to butt heads? Thinking about all your encounters only added fuel to the fire that you loved him. And given the way he was looking at you with those soft, lust lidded, ocean coloured eyes and practically breathing in your scent, you were mostly sure he felt the same way.

You gave Nic a small grin, walking past her and pushing open the door of Bucky’s room only to be greeted with the overwhelming smell of an Omega in heat, strong enough to make even your knees weak. Taking in a deep breath, you walked inside to give his vitals a quick once over. He was huddled in a corner, tee shirt drenched with sweat and face flushed, eyes tightly shut, softly moaning your name as his hand pumped his length and brought him closer to the edge. Your eyes went wide as you saw him climax to the sound of your name, grateful that the rooms in the Omega Ward were soundproof. He hadn’t realised that you were in the room yet, you felt a bit relieved, inwardly knowing that his heat was distracting him from everything else around him. You finally knelt beside him, cupping his face in your hands, making him open his eyes and look at you. You gave him a genuine smile, brushing the sweat off his brow. His dazed expression slowly morphs into one of panic and absolute mortification.

“Oh my god, how long have you been here?”

“Long enough to know that you want me to help you through your heat.”

“This is humiliating.”

“Not really. I just had an epiphany and given the way you’re reacting to me touching you, I think you did too.”

“I’ve been in love with you the second I saw you.”

“I’m sorry I didn’t realise that I love you sooner, it would’ve saved us a bunch of heats and ruts spent alone.”

“Agreed. Now are you going to keep talking or take me back to your place before the next wave of my heat sets in?”

“I thought you’d be more comfortable in your place?”

“I want you to consume me. And your place, with all that is you is the best place for you to take me.”

“Are you sure?”

“Positive. I trust you.”

“Is that the heat talking?”

“Not at all.”

“Great. My place it is.”

You don’t even remember how you brought Bucky back to your place, swaddled in blankets and smelling so absolutely divine. You tucked him in bed, feeling the first onset of your rut come on as you tinkered in the kitchen, making sure you had enough for the next few days and joining him as fast as you could. You curled your fingers in his soft hair before pulling him into a deep kiss and straddling him. His hands were placed firmly on your hips, holding you so close and you felt a rush of delight at having him so close to you. He was nearly intoxicated by your presence, breathless as he pulled your shirt off hands touching everywhere. Feeling a soft laugh bubble up you grinned at him. “So perfect.” The tips of his ears turned scarlet at your words, making you coo softly and pinch his cheeks before kissing him again. Your rut was making you more sensitive to his touch and it felt so good. For a moment you just wanted to soak in everything but there would be time for that later. Right now, Bucky was the priority.

Pushing him back in bed and pulling off his uniform was easy. Taking the entirety of his massive length in your mouth was not. So you started slow, all the while maintaining eye contact as you teasingly, tantalizingly began to suck him off. His hands found their way to your hair, harshly tugging the roots, begging you to go faster and the moans escaping his perfect mouth were nearly a sensory overload. And he felt so good, so perfect and pliant under you. Achingly beautiful and you had no idea how you’d managed to leave him alone for so long. He was now only all yours and you weren’t going to let anyone near him. You were an alpha and nobody was going to even look at what was yours. He came shortly, much sooner than you’d anticipated as you licked your lips before trailing warm kisses up his chest, ignoring the exhaustion that was threatening to overwhelm your body. You sank your teeth into his neck, his warm blood filling your mouth and spilling down his chest as you marked him as yours. He looked at you wide eyed and you felt horror set in as you realised what you’d done, backing away.

“You marked me as your mate.”

“I’m sorry. I am so sorry. You look so beautiful and perfect and my rut is going to set in anytime-” You babbled away, frantically waving your hands.

“I’m not complaining. And why is my mate now so far away? I need my alpha.”

You stared at him in disbelief before throwing yourself at him and holding him tightly.

“I’ve wanted this for so long. Just waiting for you to have your way with me.” He admits, slightly shy now.

“And I will because I love you so much.”

“I love you too Y/N. You’re the best alpha I could ever ask for.”

You don’t say anything, finally letting the exhaustion set in knowing there would be enough time to talk things out later, now that you both belonged to each other forever. And sleeping in his arms felt like heaven. It would feel even better when you both were fully ready to take things as they come. Before you finally drifted off you felt him smile against your skin and could almost see your co – workers’ smug faces when you both showed up freshly mated and smelling like each other and looking like young idiots in love. And you wouldn’t give it up for the world.

[marlborodean]

spn quotes: season two

i’m collecting a bunch of quotes from the show! my favorite lines, good points of characterization, etc. all organized by episode and character, and with timestamps!

w/ncest shippers get lost

season one.

1. IN MY TIME OF DYING

Dean—

I’ve done everything you have ever asked me. Everything. I’ve given everything I’ve ever had. Now you’re just gonna sit there and you’re gonna watch me die? I mean, what the hell kind of father are you? (11:14)

So you’re okay with dying? [Tessa: No, of course not. I just think, whatever’s gonna happen is gonna happen. It’s out of my control. It’s just...fate.] Hm. That’s crap. You always have a choice. You can either roll over and die, or you can keep fighting no matter what. (18:48)

There’s no such thing as an honorable death. My corpse is gonna rot in the ground, and my family is gonna die. (30:38)

[John: You know, when, uh...when you were a kid, I’d come home from a hunt, and after what I’d seen, I’d be...I’d be wrecked. And you...you’d come up to me, and you’d put your hand on my shoulder, and you’d look me in the eye, and you’d...you’d say, “It’s okay, Dad.” Dean, I’m sorry.] Why? [You shouldn’t have had to say that to me, I should’ve been saying that to you. You know, I put...I put too much on your shoulders. I made you grow up too fast. You took care of Sammy, you took care of me. You did that. And you didn’t complain, not once.] (37:27)

Sam—

How is revenge gonna help him? You're not thinking about anybody but yourself. It's the same selfish obsession! (13:17)

I don't know how to help you. But I'll keep trying, alright? As long as you keep fighting. I mean, come on, you can't...you can't leave me here alone with Dad, we'll kill each other, you know that. Dean, you gotta hold on. You can't go, man, not now. We were just starting to be brothers again. (28:36)

Misc—

Tessa: You'll stay here for years—disembodied, scared. And over the decades, it'll probably drive you mad. Maybe you'll even get violent. [Dean: What are you saying?] Dean, how do you think angry spirits are born? They can't let go, and they can't move on. And you're about to become one: the same thing you hunt. (31:15)

Azazel: If only your boys knew how much their daddy loved them. (32:15)

2. EVERYBODY LOVES A CLOWN

Dean—

[Ellen: I’m so sorry.] It’s okay. We’re alright. [Really. I know how close you and your dad—] Really, lady, I’m fine. (11:37)

[Sam: You ever notice Dad had a falling-out with just about everybody? Don’t get all maudlin on me, man.] What do you mean? [I mean this strong, silent thing of yours. It’s crap, I’m over it.] Oh my God. [This isn’t just anyone we’re talking about, this is Dad. I know how you felt about the man.] You know what? Back off, alright? Just because I’m not caring and sharing like you want me to— [No no no, that’s not what this is about, Dean. I don’t care how you deal with this, but you have to deal with it, man! Listen, I’m your brother, alright? I just wanna make sure you’re okay.] Dude, I’m okay! I’m okay, okay? I swear, the next person who asks me if I’m okay, I’m gonna start throwing punches. These are your issues. Quit dumping them on me. [What are you talking about?] I just think it’s really interesting, this sudden obedience you have to Dad. It’s like, “Oh, what would Dad want me to do?” Sam, you spent your entire life slugging it out with that man. I mean, hell, you—you picked a fight with him the last time you ever saw him, and now that he’s dead, now you want to make it right? Well, I’m sorry, Sam, but you can’t. It’s too little, too late. [Why are you saying this to me?] Because I want you to be honest with yourself about this! I’m dealing with Dad’s death! Are you? (29:48)

Sam—

[Dean: This case was your idea. By the way, why is that? You were awfully quick to jump on this job.] So? [It's just not like you, that's all. I thought you were hell-bent for leather on the demon hunt.] I don't know, I just think taking this job, it's what Dad would have wanted us to do. (16:57)

[Mr. Cooper: You see, this place is a refuge for outcasts, always has been, for folks that don't fit in nowhere else. But you two...you should go to school, find a couple of girls, have 2.5 kids. Live regular.] Sir, we don't want to go school, and we don't want regular. We want this. (22:34)

[Dean: I thought that once the demon was dead and the fat lady sings that you were gonna take off, head back to wussy state.] I'm having second thoughts. [Really?] Yeah. I think Dad would have wanted me to stick with the job. [Since when do you give a damn what Dad wanted? You spent half your life doing what he didn't want, Sam.] Since he died, okay? You have a problem with that? (23:27)

I'm sorry that the last time I was with him, I tried to pick a fight. I'm sorry that I spent most of my life angry at him. I mean, for all I know, he died thinking that I hate him. So you're right. What I'm doing right now, it is too little. It's too late. I miss him, man. And I feel guilty as hell. And I'm not all right, not at all. But neither are you. That much I know. (39:04)

3. BLOODLUST

Dean—

So I picked up this crossbow, and I hit that ugly sucker—silver-tipped arrow, right in his heart. Sammy’s waiting in the car, and me and my dad take the thing into the woods, burn it to a crisp. I’m sitting there, and I’m looking into the fire, I’m thinking to myself, “I’m 16 years old. Kids my age are worried about pimples, prom dates. I’m seeing things that they’ll never even know, never even dream of.” So right then, I just sort of.... [Gordon: Embraced the life?] Yeah. (16:16)

You’re always saying to yourself, “He’s indestructible. He’ll always be around. Nothing can kill my dad.” And just like that, he’s gone. I can’t talk about this to Sammy. No, I got to keep my game face on. But, uh...truth is, I’m not handling it very well. I feel like I have this— [Gordon: Hole inside you? And it just gets bigger and bigger and darker and darker? Good. You can use it. Keeps you hungry. Trust me, there’s plenty out there needs killing, and this will help you do it. Dean, it’s not a crime to need your job.] (18:32)

[Gordon: It’s all black-and-white. There’s no maybe. You find the bad thing, kill it. See, most people spend their lives in shades of gray. Is this right? Is that wrong? Not us.] Not sure Sammy would agree with you, but, uh. [Doesn’t seem like your brother’s much like us. I’m not saying he’s wrong, just different. You and me, we were born to do this. It’s in our blood.] (20:22)

[Sam: You know what? You slap on this big smile, but I can see right through it, ‘cause I know how you feel, Dean. Dad’s dead. And he left a hole, and it hurts so bad you can’t take it. But you can’t just fill up that hole with whoever you want to.] (27:47)

[Gordon: You’re not like your brother. You’re a killer, like me.] (37:08)

I wish we never took this job. It just jacked everything up. [Sam: What do you mean?] Think about all the hunts we went on, Sammy, our whole lives. [Okay.] What if we killed things that didn’t deserve killing. You know? I mean, the way Dad raised us. [Dean, after what happened to Mom...Dad did the best he could.] I know he did. But maybe he wasn’t perfect. And the way he raised us, to hate those things—and man, I hate them. I do. When I killed that vampire at the mill, I didn’t even think about it. Hell, I even enjoyed it. [You didn’t kill Lenore.] No, but every instinct told me to. I was gonna kill her. I was gonna kill them all. (40:20)

Sam—

[Gordon: Well, lighten up a little, Sammy!] He's the only one that gets to call me that. (15:05)

4. CHILDREN SHOULDN’T PLAY WITH DEAD THINGS

Dean—

Going to visit Mom’s grave? She doesn’t even have a grave. There was no body left after the fire. [Sam: She has a headstone.] Yeah, put up by our uncle, a man that we’ve never even met. So you wanna go pay resects to a slab of granite put up by a stranger? Come on. [Dean, that’s not the point.] Well, them enlighten me, Sam. [It’s not about a body or a casket. It’s about her memory, okay? And after Dad, it just—it just feels like the right thing to do.] It’s irrational, is what it is. [Look, man, no one asked you to come.] Why don’t we swing by the roadhouse instead? I mean, we haven’t heard anything on the demon lately. We should be hunting that son-of-a-bitch down. [That’s a good idea! You should! Just drop me off, I’ll hitch a ride, and I’ll meet you there tomorrow.] Right. Stuck with those people, making awkward small talk until you show up. No thanks. (02:48)

[Sam: Look, maybe you’re imagining a hunt where there isn’t one, so you don’t have to think about Mom, or Dad. You wanna take another swing? Go ahead, if it’ll make you feel better.] I don’t need this crap. [Dean, where are you going?] I’m gonna go get a drink. Alone. (09:59)

Look, I get it. Okay? There are people that I would give anything to see again, but what gives you the right? [Sam: Dean.] [Dr. Mason: What are you talking about?] What’s dead should stay dead! (20:51)

[Sam: Dean, I don’t scare easy, but, man, you’re scaring the crap out of me.] Don’t be overdramatic, Sam. [You’re lucky this turned out to be a real case, ‘cause if it wasn’t, you would’ve just found something else to kill. You’re on edge, you’re erratic, except for when you’re hunting, ‘cause then you’re downright scary. You’re tailspinning, man! And you refuse to talk about it, and you won’t let me help you.] I can take care of myself, thanks. [No, you can’t! And you know what? You’re the only one who thinks you should have to. You don’t have to handle this on your own, Dean. No one can.] (21:44)

I’m sorry. [Sam: For what?] The way I’ve been acting. And for Dad. Well, he was your dad, too. It’s my fault that he’s gone. [What are you talking about?] I know you’ve been thinking it. So have I. Doesn’t take a genius to figure it out. Back at the hospital, I had a full recovery. It was a miracle. And five minutes later, Dad’s dead and the Colt’s gone. [Dean....] You can’t tell me there’s not a connection there. I don’t know how the demon was involved, I don’t know how the whole thing went down exactly, but Dad’s dead because of me, and that much I do know. [We don’t know that, not for sure.] Sam, you and Dad, you’re the most important people in my life. And now...I never should’ve come back, Sam, it wasn’t natural, and now look what’s come of it. I was dead, and I should’ve stayed dead. You wanted to know how I was feeling. So tell me, what could you possibly say to make that alright? (38:56)

Sam—

[Dean: Going to visit Mom's grave? She doesn't even have a grave. There was no body left after the fire.] She has a headstone. [Yeah, put up by our uncle, a man that we've never even met. So you wanna go pay your respects to a slab of granite put up by a stranger? Come on.] Dean, that's not the point. [Well, then, enlighten me, Sam.] It's not about a body or a casket. It's about her memory, okay? And after Dad, it just—it just feels like the right thing to do. (02:48)

You're tailspinning, man. And you refuse to talk about it, and you won't let me help you. [Dean: I can take care of myself, thanks.] No, you can't! And you know what? You're the only one who thinks you should have to. You don't have to handle this on your own, Dean. No one can. [Sam, if you bring up Dad's death one more time, I swear—] Please, Dean, it's killing you. Please. We've already lost Dad. We lost Mom. I've lost Jessica. And now I'm gonna lose you, too? (21:44)

5. SIMON SAID

Dean—

You know, one day I’d love to just sit down and eat something that I didn’t have to microwave at a minimart. (18:03)

[Sam: You know, I heard you before, Dean, when Andy made you tell the truth. You’re just as scared of this as I am.] That was mind control! It’s like—it’s like being roofied, man. That doesn’t count. [What?] No, I—I’m calling do-over. [What are you, 7?] Doesn’t matter. Look, we just gotta keep doing what we’re doing, find that evil son of a bitch and kill it. (36:06)

Sam—

[Dean: There's gonna be hunters there. I don't know if—if going in and announcing that you're some supernatural freak with a demonic connection is the best thing, okay?] So I'm a freak now? [You've always been a freak.] (04:14)

Demon came to them when they were kids. Now they're killing people. [Dean: We don't know what Andrew Gallagher is, okay? Could be innocent.] My visions haven't been wrong yet! [What's your point?] My point is, I'm one of them. [No, you're not.] Dean, the demon said he had plans for me and children like me. [Yeah?] Yeah, maybe this is his plan. Maybe we're all a bunch of psychic freaks. Maybe we're all supposed to be— [Killers?] Yeah. [So the demon wants you out there, killing with your minds, is that it? Oh, give me a break. You're not a murderer, Sam! You don't have it in your bones!] No? Last I checked, I kill all kinds of things. [Those things were asking for it. There's a difference.] (10:47)

Looks like I was right. [Dean: About what?] Andy. He's a killer after all. [No, he's a hero. He saved his girlfriend's life. He saved my life.] Bottom line, last night he wasted somebody. [Yeah, but he's not a foaming-at-the-mouth psycho. He was just—he was pushed into that.] Webber was pushed, too, in his own way. Max Miller was pushed. Hell, I was pushed by Jessica's death. [What's your point, Sam?] Right circumstances, everyone is capable of murder. Everyone. (35:28)

6. NO EXIT

Dean—

[Jo: You know, I’ve had it up to here with your crap.] Excuse me? [Your chauvinist crap. You think women can’t do the job.] Sweetheart, this ain’t gender studies. Women can do the job fine. Amateurs can’t. You got no experience! What you do have is a bunch of half-baked romantic notions that some barfly has put in your head. [And now you sound like my mother.] Oh, and that’s a bad thing? (09:56)

Jo, you got options. No on in their right mind chooses this life. My dad started me in this when I was so young. I wish I could do something else. [Jo: You love the job.] Yeah, but I’m a little twisted. [You don’t think I’m a little twisted, too?] Jo, you got a mother that worries about you, who wants something more for you. Those are good things. You don’t throw things like that away. They might be hard to find later. (10:24)

[Jo: What do you remember about your dad? I mean, what’s the first thing that pops into your head? Come on, tell me.] I was 6 or 7, and uh...he took me shooting for the first time. Bottles on a fence—that kind of things. I bull’s-eyed every one of them. And he would smile, like...I don’t know. [He must have been proud.] (16:13)

Sam—

Is this job as glamorous as you thought it would be? [Jo: Well, except for all the pee-your-pants terror, yeah. But that Theresa girl’s gonna live a life ‘cause of us. It’s worth it, isn’t it?] Yeah. Yeah, it is. (36:00)

Misc—

Ellen: I am your mother! I don't have to be reasonable! (03:06)

7. THE USUAL SUSPECTS

Dean—

My name is Dean Winchester. I’m an Aquarius. I enjoy sunsets, long walks on the beach, and frisky women. (21:59)

[Sam: Nice lady.] Yeah, for a cop. (41:19)

Sam—

[Diana: Then about a year ago, there was a fire in your apartment. One fatality—Jessica Moore, your girlfriend. After she died, you fell off the grid—left behind everything.] I needed some time off...to deal. So I’m taking a road trip with my brother. (03:49)

[Dean: What do you think, Scully?] I’m not Scully, you’re Scully. [No, I’m Mulder. You’re a red-headed woman.] (06:35)

8. CROSSROAD BLUES

Dean—

[Sam: We got to find out if anyone else struck any bargains around here.] Great. So we got to clean up these people’s mess for them? I mean, they’re not exactly squeaky clean. Nobody put a gun to their head and forced them to play “Let’s Make a Deal.” [So what, we should just leave them to die?] Somebody goes over Niagara in a barrel, you gonna jump in to try to save them? [Dean.] Alright. Fine. (14:44)

[Demon: You’d sacrifice your life for someone else’s. Like father, like son. (29:01) 

[Demon: I’m not gonna put you out of your misery.] Yeah? Why not? [’Cause your misery is the whole point. It’s too much to watch. Knowing how your daddy died for you, how he sold his soul—I mean, that’s got to hurt. He’s all you ever think about. You wake up and your first thought is, “I can’t do this anymore.” You’re all lit up with pain. I mean, you loved him so much. And it’s all your fault. You blew it, Dean! I could’ve given you what you need.] What do I need? [Your father.] (30:36)

How could he do it? [Sam: He did it for you.] Exactly. How am I supposed to live with that? (38:14)

Sam—

How many people do you think Dad saved total? [Dean: That's not the point, Sam.] Evan Hudson is safe because of what Dad taught us. That's his legacy, Dean. Now we're still here, man, so we got to keep going. For him. (38:48)

Misc—

George: Listen, I get that you boys want to help, but sometimes a person makes their bed and they just got to lie down in it. (17:38)

9. CROATOAN

Dean—

Hey, look, man, I’m not happy about this, okay? But it's a tough job, and you know that. [Sam: It's supposed to be tough, Dean. We're supposed to struggle with this. That's the whole point.] What does that buy us? [A clear conscience, for one.] Well, it's too late for that. [What the hell has happened to you?] What? [You might kill an innocent man, and you don't even care. You don't act like yourself anymore, Dean. Hell, you know what, you're acting like one of those things out there.] (25:40)

[Sam: Go with them. This is your only chance.] Ah, you're not gonna get rid of me that easy. (31:17)

[Sam: Dean, I'm sick. It's over for me. It doesn't have to be for you.] No—[No, you can keep going.] Who says I want to? [What?] I'm tired, Sam. I'm tired of this job, this life, this weight on my shoulders, man, I'm tired of it. [So what, so you're just gonna give up? I mean, you're just gonna lay down and die? Look, Dean, I know this stuff with Dad had—] You're wrong. It's not about Dad. I mean, part of it is, sure— [Then what is it about?] (32:54)

I just think we should take a break from all this. Why do we got to get stuck with all the responsibility, you know? Why can't we live life a little bit? [Why are you saying all this? No no no no no, Dean. You're my brother, alright? So whatever weight you're carrying, let me help a little bit.] I can't. I promised. [Who?] Dad. (39:23)

Sam—

[Dean: Hey, look, man, I'm not happy about this, okay? But it's a tough job, and you know that.] It's supposed to be tough, Dean. We're supposed to struggle with this. That's the whole point. [What does that buy us?] A clear conscience, for one. (25:40)

You're my brother, alright? So whatever weight you're carrying, let me help a little bit. (39:38)

10. HUNTED

Dean—

He said that he...wanted me to watch out for you. Take care of you. [Sam: He told you that a million times.] Well, this time was different. He said that I had to...save you. [Save me from what?] He just said that I had to save you, and nothing else mattered and that if I couldn't, I'd.... [You'd what, Dean?] I'd have to kill you. He said that I might have to kill you, Sammy. (04:10)

[Sam: How could you not have told me this?] Because it was Dad and he begged me not to. [Who cares? Take some responsibility for yourself Dean! You had no right to keep this from me!] You think I wanted this? Huh? I wish to God he'd never opened his mouth. Then I wouldn't have to walk around with this screaming in my head all day! (05:05)

And you're pissed at me, and I get it. That's fine, I deserve it. But we lay low until we figure out our next move, okay? [Sam: Forget it.] Sam, please, man. Hey, please. Just give me some time. Give me some time to think, okay? I'm begging you here. Please, please. (06:12)

Come on, Ellen, please. Something bad could be going on here, and I swore I'd look after that kid. [Ellen: They say you can't protect your loved ones forever. Well, I say screw that. What else is family for?] (17:27)

Come on, man. I know Sam, okay? Better than anyone. He's got more of a conscience than I do. I mean, the guy feels guilty surfing the internet for porn. [Gordon: Maybe you're right, but one day, he's gonna be a monster.] How? Huh? How's a guy like Sam become a monster? [Beats me, but he will.] No, you don't know that! [I'm surprised at you, Dean. Getting all emotional. I'd heard you were more of a professional than this.] (29:15)

[Gordon: Look, I'm sympathetic. He's your brother, you love the guy. This has got to hurt like hell for you. But here's the thing. It would've wrecked him, but your dad, if it really came right down to it, he would have had the stones to do the right thing here. So you're telling me, you're not the man he is?] (30:24)

Screw the job. Screw it, man. I'm sick of the job anyway. I mean, we don't get paid, we don't get thanked. The only thing we get's bad luck. [Well, come on, dude, you're a hunter. I mean, it's what you're meant to do.] Oh, I wasn't meant to do anything. I don't believe in that destiny crap. (39:00)

[Sam: You can't run from this, and you can't protect me.] I can try. (39:27)

Sam—

[Dean: He said that I might have to kill you, Sammy.] Kill me? What the hell is that supposed to mean? [I don't know.] I mean, he must've had some kind of reason for saying it, right? I mean, did he know the demon's plans for me? Am I supposed to go dark side or something? What else did he say, Dean? [That's it, I swear.] How could you not have told me this? [Because it was Dad and he begged me not to.] Who cares? Take some responsibility for yourself Dean! You had no right to keep this from me! (04:46)

[Ellen: I wish I could blame the hell out of you boys. It'd be easier. Truth is, it's not your fault. Sam, none of it is.] (10:27)

[Gordon: You wouldn't shoot me, would you, Sammy? 'Cause your brother, he thinks you're some kind of saint.] Yeah, well, I wouldn't be so sure. (33:46)

[Gordon: You're no better than the filthy things you hunt.] *They tussle, Sam points a gun at him.* [Do it. Do it! Show your brother the killer you really are, Sammy.] It's Sam. (34:22)

I'm not gonna just ditch the job. (39:00)

[Dean: Oh, I wasn't meant to do anything. I don't believe in that destiny crap.] You mean you don't believe in my destiny. [Whatever.] Look, Dean, I've tried running before. I mean, I ran all the way to California and look what happened. You can't run from this, and you can't protect me. [I can try.] Thanks for that. Look, Dean, I'm gonna keep hunting. I mean, whatever's coming, I'm taking it head on, so if you really want to watch my back, then I guess you're gonna have to stick around. (39:13)

11. PLAYTHINGS

Dean—

[Sam: We gotta save as many people as we can.] Wow. That attitude is just way too healthy for me. I'm officially uncomfortable now, thank you. (05:16)

[Sam: I need you to watch out for me.] Yeah, I always do. [No no no no, you have to watch out for me, all right? And if I ever turn into something that I'm not...you have to kill me.] Sam.... [Dean, Dad told you to do it. You have to.] Yeah, well, Dad's an ass. He never should've said anything. I mean, you don't do that, you don't—you don't lay that kind of crap on your kids. [No, he was right to say it. Who knows what I might become? Even now, everyone around me dies.] Yeah, well, I'm not dying. Okay? And neither are you. Come on, sit down. [No. Please. Dean, you're the only one who can do it. Promise.] Don't ask that of me. (16:18)

[Sherwin: Well, would you be [happy], leaving the only home you ever knew?] I don't know. I never really knew one. (19:06)

Sam—

I told Ellen we'd think about checking it out. [Dean: You did?] Yeah. You seem surprised. [Yeah, it's just, you know. Not the patented Sam Winchester way, is it?] What way is that? [Just figured after Ava, there'd be, uh, you know, more angst and droopy music and staring out the rainy windows. I'll shut up now.] (04:27)

So I'm not giving up on her, but I'm not gonna let other people die, either. We gotta save as many people as we can. (05:09)

That guy who hung himself...I couldn't save him. [Dean: What are you talking about? You didn't know. You couldn't have done anything.] That's an excuse, Dean. I should have found a way to save him. I should have saved Ava, too. [Yeah, well, you can't save everyone. Even you said that.] No, Dean, you don't understand, alright? The more people I save, the more I can change. [Change what?] My destiny, Dean. (15:46)

I need you to watch out for me. [Dean: Yeah, I always do.] No no no no, you have to watch out for me, alright? And if I ever turn into something that I'm not...you have to kill me. [Dean: Sam....] Dean, Dad told you to do it. You have to. [Yeah, well, Dad's an ass. He never should've said anything. I mean, you don't do that, you don't—you don't lay that kind of crap on your kids.] No, he was right to say it. Who knows what I might become? Even now, everyone around me dies. [Yeah, well, I'm not dying. Okay? And neither are you. Come on, sit down.] No. Please. Dean, you're the only one who can do it. Promise. [Don't ask that of me.] Dean, please. You have to promise me. [I promise.] Thanks. Thank you. (16:18)

12. NIGHTSHIFTER

Dean—

Freaking cops. [Sam: They were just doing their job.] No, they’re doing our job, only they don’t know it, so they suck at it. (03:36)

[Henriksen: I know about your dad.] You don't know crap about my dad. [Ex-Marine, raised his kids on the road, cheap motels, backwood cabins. Real paramilitary survivalist type. I just can't get a handle on what type of wacko he was— white supremist, Timmy McVeigh, tomato, tomahto.] You got no right talking about my dad like that. He was a hero. [Yeah, right. Sure sounds like it.] (31:18)

Sam—

[Dean: When you told that poor son of a bitch to—what did you say?—”remand” the tapes that he copied? “Classified evidence of an ongoing investigation”? That’s messed up.] What, are you pissed at me? [No, I just think it’s a little creepy how good of a Fed you are.] (08:51)

Better to stay in the dark and stay alive. (08:51)

13. HOUSES OF THE HOLY

Dean—

Odd, yes. Supernatural, maybe. But angels? I don't think so. [Sam: Why not?] 'Cause there's no such thing, Sam. [Dean, there's ten times as much lore about angels as there is about anything else we've ever hunted.] Hey, you know what, there's a ton of lore on unicorns, too. In fact, I hear that they ride on silver moonbeams and they shoot rainbows outta their ass. [Wait, there's no such thing as unicorns?] That's cute. I'm just saying, man, there's some legends that you just file under “bullcrap.” [And you got angels on the ”bullcrap” list.] Yep. [Why?] 'Cause I've never seen one. [So what?] So I believe in what I can see. [Dean, you and I have seen things most people couldn't even dream about.] Exactly. With our own eyes—that's hard proof, okay? But in all this time, I have never seen anything that looks like an angel. And don't you think that if they existed that we would've crossed paths with them, or at least know someone that crossed paths with them? (06:17)

You know what? I get it. You've got faith. That's—hey, good for you. I'm sure it makes things easier. I'll tell you who else had faith like that. Mom. She used to tell me when she tucked me in that angels were watching over us. In fact, that was the last thing she ever said to me. [You never told me that.] What's to tell? She was wrong. There was nothing protecting her. There's no higher power. There's no God. I mean, there's just chaos and violence and random, unpredictable evil that comes out of nowhere and rips you to shreds. You want me to believe in this stuff? I'm gonna need to see some hard proof. You got any? (23:09)

Sam—

[Dean: What's next? Are you gonna start praying everyday?] I do. [What?] I do pray every day. I have for a long time. (19:50)

I wanted to believe. So badly. It's so damn hard to do this, what we do, all alone, you know? There's so much evil out in the world, Dean, I feel like I could drown in it. And when I think about my destiny, when I think about how I could end up.... [Dean: Yeah, well, don't worry about that, alright? I'm watching out for you.] Yeah, I know you are. But you're just one person, Dean. And I needed to think that there was something else watching, too, you know? Some higher power, some greater good. And maybe.... [Maybe what?] Maybe I could be saved. But, you know, that just clouded my judgement. And you're right. I mean, we got to go with what we know, with what we can see, with what's right there in front of our own two eyes. (37:54)

14. BORN UNDER A BAD SIGN

Dean—

[Meg!Sam: Then how the hell did I get here, Dean? What happened to me?] I don't know, all right? But you're...you're okay, and that's what matters. Everything else we can deal with. (02:51)

Sam, go wait in the car. [Meg!Sam: But, Dean—] Go wait in the car! (06:40)

What's going on with you, Sam, hm? 'Cause smoking, throwing bottles at people, I mean that sounds more like me than you. (07:51)

You know, I've tried so hard to keep you safe. [Meg!Sam: I know.] I can't. I'd rather die. [No. You'll live.] (15:53)

[Meg!Sam: What the hell's wrong with you, Dean? Are you that scared of being alone that you'd rather let Jo die?] (25:53)

This is my fight. I'm not getting your blood on my hands. That's just how it's gonna be. (31:28)

[Meg!Sam: Dean. Back from the dead. Getting to be a regular thing for you, isn't it? Like a cockroach. (34:13)

[Meg!Sam: All that I had to hold onto was that I would climb out one day and that I was gonna torture you, nice and slow, like pulling the wings off an insect. But whatever I do to you, it's nothing compared to what you do to yourself, is it? I can see it in your eyes, Dean. You're worthless. You couldn't save your dad, and deep down, you know that you can't save your brother. They'd have been better off without you.] (37:21)

[Sam: No matter what I did, you wouldn't shoot.] It was the right move, Sam, it wasn't you. [Yeah, this time. What about next time?] Sam, when Dad told me that I might have to kill you, it was only if I couldn't save you. Now, if it's the last thing I do, I'm gonna save you. (41:01)

Sam—

For the last few weeks, I've been having...I've been having these feelings. [Dean: What feelings?] Rage. Hate. And I can't stop it. It just gets worse. Day by day, it gets worse. [You never told me this.] I didn't want to scare you. (13:52)

[Dean: No one can control you but you.] Sure doesn't seem like that, Dean. It feels like no matter what I do, slowly but surely, I'm—I'm just becoming— [What?] Who I'm meant to be. I mean, you said it once yourself, Dean, I got to face up to who I am. (14:29)

I don't want to hurt anyone else. I don't want to hurt you. [Dean: You won't. Whatever this is, you can fight it.] No. I can't. Not forever. (15:16)

My head feels like it's on fire, alright? (25:21)

Misc: 

Meg: Hell is like, uh...well, it's like hell. Even for demons. It's a prison made of bone and flesh and blood and fear. (36:42)

15. TALL TALES

Dean—

[Bobby: Come on, now, you're bickering like an old married couple.] No, see, married couples can get divorced. Me and him? We're like, uh, Siamese twins. [Sam: It's conjoined twins.] See what I mean? [Look, it...we've just been on the road for too long, tight quarters, all that.] (11:19) 

[Sam: Dude, you know something? I put up with a lot from you.] What are you talking about? I'm a joy to be around. [Yeah? Your dirty socks in the sink, your food in the fridge?] What's wrong with my food? [It's not food anymore, Dean! It's Darwinism!] I like it. [And you know what? All I ask from you, the one thing, is that you don't mess with my stuff!] You done? [You know, how would you feel if I screwed with the Impala?] It'd be the last thing you ever did. (21:15)

Sam—

Dude, you know something? I put up with a lot from you. [What are you talking about? I'm a joy to be around.] Yeah? Your dirty socks in the sink, your food in the fridge? [What's wrong with my food?] It's not food anymore, Dean! It's Darwinism! [I like it.] And you know what? All I ask from you, the one thing, is that you don't mess with my stuff! (21:15)

16. ROADKILL

Dean—

You know, just once I'd like to round the corner and see a nice house. (16:14)

Me? I don't like [spirits]. And I sure as hell ain't making apologies for 'em. (20:08)

[Molly: Oh, thank God.] Call me Dean. (28:46)

Sam—

Spirits like Greeley are, uh...like wounded animals. Lost, in so much pain, that they lash out. [Molly: Why? Why are they here?] Well, there's some part of them that...that's keeping them here, like their remains, or um...unfinished business. [Unfinished business....] Yeah, uh, could be revenge. Could be love. Or hate. Whatever it is, they just hold on too tight. Can't let go. So they're trapped, caught in the same loops. Replaying the same tragedies over and over. [You sound almost sorry for them.] Well, they weren't evil people, you know? A lot of them were good, just...something happened to them. Something they couldn't control. (18:52)

[Dean: You think she's really going to a better place?] I hope so. [I guess we'll never know. Not until we take the plunge ourselves, huh?] Doesn't really matter, Dean. Hope's kind of the whole point. (38:23)

17. HEART

Dean—

[Sam: Dean, could you be a bigger geek about this?] I'm sorry, man, but what about a human by day, a freak animal killing machine by moonlight don't you understand? I mean, werewolves are badass. We haven't seen one since we were kids. (04:39)

[Sam: You go. I'll stay.] Forget that. You go after the creepy ex. I'm gonna hang here with the hot chick. [Dude, why do you always get to hang out with the girls?] 'Cause I'm older. [No, screw that. We settle this the old-fashioned way.] *Dean throws scissors while Sam throws rock.* [Dean, always with the scissors!] Shut up, shut up. Two out of three. *Dean throws scissors while Sam throws rock.* God! [Bundle up out there, all right?] (11:11]

Sammy, I got this one. I'll do it. [Sam: She asked me to.] You don't have to. (38:56)

Sam—

I'm not putting a bullet through some girl's chest who has no idea what's happening. [Dean: Sam, she's a monster and you're feeling sorry for her?] Maybe I understand her. (21:26)

18. HOLLYWOOD BABYLON

Dean—

[Sam: You know, I thought you hated being a PA.] I don’t know, it’s not so bad. I kind of feel like part of the team, you know? It’s good. (19:22)

Hey, we got to go check out Johnny Ramone’s grave when we’re gone here. [Sam: You want to go dig him up, too?] Bite your tongue, heathen! (23:25)

[Marty: He wrote a wackjob screenplay. There’s no pace, there’s no love interest. It’s all wackadoo exposition. I had to cut, like, 90 percent of it to make it readable, another 10 percent to make it good.] ...Should have kept Walter’s original script. It’s actually pretty good. (31:15)

Sam—

[Dean: I just figured that, you know, after everything that happened with Madison, you could use a little R&R, that’s all.] Maybe I want to work, Dean. Maybe it keeps my mind off things. (05:38)

19. FOLSOM PRISON BLUES

Dean—

Innocent people are dead—four, so far. [Sam: Yeah, innocent.] What, are you from Texas all of a sudden? Just 'cause these people are in jail doesn't mean they deserve to die. And if we don't stop this thing, people are gonna continue to die. We do the job wherever it takes us. (11:30)

[Sam: You're doing this for Deacon?] Damn right. [We barely even know the guy.] We know he was in the Corps with Dad. We know he saved Dad's life. We know we owe him. [Yeah, all right, but don't you think he's asking a little much?] Doesn't matter. We may not be saints, but we're loyal and we pay our debts. Now, that means something to me, and it ought to to you. (11:47)

[Sam: Dean, does it bother you at all how easily you seem to fit in here?] No, not really. (28:07)

Sam—

I hate this plan, Dean. [Dean: yeah, I got that the first ten times I heard it.] (05:12)

This is, without a doubt, the dumbest, craziest thing we’ve ever done, and that’s in a long, storied career of dumb and crazy. (10:58)

20. WHAT IS AND WHAT SHOULD NEVER BE

Dean—

When I was a kid, what did you always tell me when you put me to bed? [Mary: Dean, I don't understand—] Just answer the question. [I told you angels were watching over you.] (07:05)

Who'd have thought, Baby? We're civilians. (11:42)

That lawn looks like it could use some mowing. [Mary: You want to mow the lawn?] You kidding me? I'd love to mow the lawn. [Knock yourself out. You'd think you've never mowed a lawn in your life.] (13:08)

[Sam: I mean this whole warm, fuzzy, ecstasy-trip thing.] I'm just happy for you, Sammy. [Yeah, right. That's another thing. Since when do you call me “Sammy?” Dean, come on. We don't talk outside of holidays.] We don't? Well, we should. I mean, you're my brother. [”You're my brother?”] Yeah! [You know, that's what you said when you snaked my ATM card, or when you bailed on my graduation, or when you hooked up with Rachel Nave.] Who? [My prom date, on prom night.] Yeah, that does kinda sound like me. Well, hey, man, I'm sorry about all that. [No, look, it's all right, man, I just...you know, I'm not asking you to change, I just.... I don't know, I guess we just don't really have anything in common. You know?] Wait, whoa whoa whoa, yes we do. Yes we do. [What?] Hunting. [Hunting? I've never been hunting in my life, Dean.] Yeah, well, then we should go sometime. I think you'd be great at it. (17:51)

I can fix things with Sam. I can make it up to him. To everyone. [Carmen: Okay. What's gotten into you lately?] This isn't gonna make a lick of sense to you...but I kind of feel like I've been given a second chance. And I don't want to waste it. (19:58)

And there's this woman that's haunting me, I don't know why. I don't know what the connection is—not yet, anyway. It's like my old life is coming after me or something, you know, like it doesn't want me to be happy. Of course, I know what you'd say. Well, not the you that played softball, but you'd say, "Go hunt the djinn. It put you here, it can put you back. Your happiness or all those people's lives, no contest." Right? But why? Why is it my job to save these people? Why do I have to be some kind of hero? What about us, huh? What, Mom's not supposed to live her life? Sammy's not supposed to get married? Why do we have to sacrifice everything, Dad? (23:14)

I'm sorry that we don't get along. And I wish to hell I could stay and fix it. But I gotta do this. People's lives depend on it. (26:07)

[Djinn!Sam: Why'd you have to keep digging? Why couldn't you have left well-enough alone? You were happy.] [Djinn!Mary: Put the knife down, honey.] You're not real. None of it is. [It doesn't matter. It's still better than anything you had.] What? [It's everything you want. We're a family again. Let's go home.] I'll die. The djinn will drain the life out of me in a couple days. [But in here, with us, it'll feel like years, like a lifetime. I promise. No more pain, no more fear. Just love and comfort and safety. Dean, stay with us. Get some rest.] [Djinn!Jessica: You don't have to worry about Sam anymore. You get to watch him live a full life.] [Djinn!Carmen: We can have a future together, have our own family. I love you, Dean. Please.] [Djinn!Sam: Why is it our job to save everyone? Haven't we done enough? I'm begging you. Give me the knife.] I'm sorry. (34:47)

I gotta tell you, though, man, you know, you had Jess. Mom was gonna have grandkids. [Sam: Yeah, but Dean, it wasn't real.] I know. But I wanted to stay. I wanted to stay so bad. I mean, ever since Dad....all I can—all I can think about it how much this job has cost us. We've lost so much. And we've sacrificed so much. (40:43)

Sam—

[Dean: Get out of the car.] I'm going with you. [You're just gonna slow me down.] Tough. [This is dangerous and you could get hurt.] Yeah, and so could you, Dean. [Sam—] Look, whatever stupid thing you're about to do, you're not doing it alone, and that's that. [I don't understand, why are you doing this?] Because you're still my brother. [Bitch.] What are you calling me a bitch for? [You're supposed to say jerk.] What? [Nevermind.] (27:07)

Well, I'm glad we do [get along]. And I'm glad you dug yourself out, Dean. Most people wouldn't have had the strength. They would've just stayed. (40:25)

[Dean: We've lost so much. And we've sacrificed so much.] But people are alive because of you, Dean. It's worth it, it is. It's not fair, and, you know, it hurts like hell, but it's worth it. (41:24)

21. ALL HELL BREAKS LOOSE, PART I

Dean—

I'm gonna take care of you. I'm gonna take care of you. I got you. That's my job, right? Watch out for my pain-in-the-ass little brother. (39:32)

Sam—

[Jake: By the way, I, uh, appreciate what you're doing here.] What am I doing? [Keeping calm, keeping them calm. Especially considering how freaked to hell you really are. I've been in some deep crap before myself. I know the look.] Want to know the truth? I got this brother, right? And he's always telling me how he's gonna watch out for me, how everything's gonna be okay, you know, kinda like I've been telling them. [Yeah.] I don't know if I believe it this time. (22:56)

22. ALL HELL BREAKS LOOSE, PART II

Dean—

[Bobby: Don't you think maybe it's time...we bury Sam?] No. [We could maybe....] What? Torch his corpse? Not yet. [I want you to come with me.] I'm not going anywhere. [Dean, please.] Would you cut me some slack? [I just don't think you should be alone, that's all. I gotta admit, I could use your help. Something big is going down—end-of-the-world big!] Well, then let it end! [You don't mean that.] You don't think so? Huh? You don't think I've given enough? You don't think I've paid enough? I'm done with it. All of it. (02:16)

You know, when we were little, when you couldn't have been more than five, you just started asking questions. How come we didn't have a mom, why do we always have to move around, where'd Dad go when he'd take off for days at a time? I remember I begged you, "Quit asking, Sammy. Man, you don't want to know." I just wanted you to be a kid, just for a little while longer. I always tried to protect you, keep you safe. Dad didn't even have to tell me. It was just always my responsibility, you know? It's like I have one job—I had one job. And I screwed it up. I blew it. And for that, I'm sorry. I guess that's what I do. I let down the people I love. I let Dad down. And now I guess I'm just supposed to let you down, too? How can I? How am I supposed to live with that? What am I supposed to do? Sammy. What am I supposed to do? (06:27)

That's the same deal you give everybody else. [Demon: You're not everybody else. Why would I want to give you anything? Keep your gutter soul. It's too tarnished, anyway.] (11:08)

You almost died in there. I mean, what would I have.... You just take care of yourself for a little bit, huh? Just for a little bit. (16:37)

Which is why we gotta find this yellow-eyed son of a bitch. That's why I'm gonna kill him myself. I mean, I got nothing to lose now, right? (19:00)

[Bobby: What is it with you Winchesters, huh? You, your dad—you're both just itching to throw yourselves down the pit.] (19:18)

Dad brought me back, Bobby, I'm not even supposed to be here. At least this way, something good could come out of it, you know? It's like my life can mean something. [Bobby: What? And it didn't before? Have you got that low an opinion of yourself? Are you that screwed in the head?] I couldn't let him die, Bobby. I couldn't. He's my brother. [How is your brother gonna feel when he knows you're going to Hell? How'd you feel when you knew your dad went for you?] You can't tell him. You take a shot at me, whatever you gotta do, but please don't tell him. (19:27)

[Azazel: You saw what your brother just did to Jake, right? That was pretty cold, wasn't it? How certain are you that what you brought back is 100% pure Sam? You of all people should know that's what dead should stay dead. Anyway, thanks a bunch. I knew I kept you alive for some reason. Until now, anyway. I couldn't have done it without your pathetic, self-loathing, self-destructive desire to sacrifice yourself for your family.] (32:23)

[Sam: You shouldn't have done that. How could you do that?] Don't get mad at me. Don't you do that. I had to. I had to look out for you. That's my job. (38:45)

Sam—

I kind of can't believe it, Dean. I mean... our whole lives, everything... has been prepping for this, and now I...I kind of don't know what to say. (36:35)

[Dean: I had to look out for you. That's my job.] And what do you think my job is? [What?] You saved my life over and over. I mean, you sacrifice everything for me. Don't you think I'd do the same for you? You're my big brother. There's nothing I wouldn't do for you. And I don't care what it takes, I'm gonna get you out of this. Guess I gotta save your ass for a change. (38:57)

[jumukus]

A3! Event: Trump the Phantom Thief Episode 8 Translation

Play time! A heads up on the characters' names:

Muku: King Yuki: Q Kazunari: Ace Juza: Jack Banri: Fox Sakyo: Club

Saionji: Muku-kun, how are you doing? Are you getting seasick?

Muku: I'm doing alright, thank you. Oh, and the room is so beautiful.

Saionji: I am glad it is to your liking. We purposely built the suite rooms in a place where you can't feel the ship's motion.

I am planning to take every possible measure for the theater venue as well, though do not hesitate to let me know if you are unsatisfied with anything.

Muku: I will. Thank you.

Kazunari: Dude, not only the suite rooms are superbs, but to think we also get a whole staff to ourselves…! We can even get the beverages here as many times we like!

Yuki: True. The service is just so good it surprised me.

Sakyo: Don't get too engrossed in these service or you'll be havin' a hard time once we return to Mankai Company.

Izumi: You have a point…

Banri: I don't wanna go back.

Juza: ...I'm thirsty.

Muku: Wanna get some beverages in our rooms?

Juza: No, it's fine. Our rooms are far from here.

Azami: There's a lot of vending machines there. I think they have your favorite strawberry milk.

Juza: I'll go get it.

Muku: …

Izumi: (Today is finally our opening show. I knew it. They all seem pretty nervous because we're going to perform in a different venue.)

Juza: …

Izumi: (Juza-kun looks stiff.)

Kazunari: OK, guys! We've gotta form a circle in times like this!

Banri: Be more specific. What d'you mean by "in times like this"?

Yuki: Bet you already thought of what kind of circle you wanna do.

Kazunari: Righty right! Since our play is about phantom thieves, we all should strike a phantom thief pose!

Sakyo: The heck is that?

Kazunari: No complaining! Just follow me!

Yuki: Fine. Fine.

Juza: ...Muku, do the chant.

Muku: First things first, I'm sorry for causing you guys troubles when I was at a loss of what to do.

I don't want to give up on all the things I want to do. I've decided to do everything I can in all of them.

I'll run through until the end. Follow me, guys!

Juza: Yeah!

Kazunari: Okie!

Banri: Yea.

Q: "It's as musty as always."

Ace: "Clean it up."

Q: "How about you do it?"

Ace: "No way. Geez. This place used to be clean, wonder what happened to it."

Q: "That's because we had a clean-freak before."

Ace: "Okay. Leader, you do the cleaning."

King: "I think it's pretty clean, though."

Q: "Seriously?"

Ace: "Should've known a messy room owner like Leader would say something like that."

Q: "Anyway. Since this is the first time we gathered here after a year, that means you've already set our next target, right? Let's cut to the chase already."

King: "Our next target will be "Mermaid's Tears", a 12-carat diamond."

"It's going to be sold during an auction held at the Royal Star cruise. It's one of the event's highlights and expected to sell for 6 billion."

Ace: "Woo-hoo."

Q: "Heh. Interesting."

King: "Royal Star is currently hiring staff. Q."

Q: "Got it. That means I have to sneak in as one of their staff members, right?"

King: "Ace, get close to the ship's captain and collect information."

Ace: "Roger."

Izumi: (I expect no less from Summer Troupe. They have great teamwork. I can totally feel it.)

(Not to mention Muku-kun's King is able to unite them as a leader.)

Q: "I'm in charge of the rooms in Block A… Laundry and… Ugh. What a hassle."

"This isn't my job in the first place, after all. If that person were here--."

Crew Member: "Are you new here? You seem lost."

Q: "Yes. I don't think I can get out of this place if I lose the map."

Crew Member: "You can ask anyone if there's anything you don't understand."

Q: "Thank you."

"?"

Crew Member: "What's wrong?"

Q: "I think I saw someone over there--."

Crew Member: "But there's only a garbage can over there. Is it a ghost or something?"

Q: "Hey. Stop. I don't like it."

"Hm? A letter?"

"Could this be--I have to report to King."

King: "I'll take the Mermaid's Tears--Jack."

Ace: "Can't believe he's aiming for the same thing."

Q: "Him and King sure are compatible in a strange way."

Ace: "Even though their personalities are the exact opposite of each other."

Q: "What are we going to do now?"

Ace: "Guess we're gonna have a change of pla--."

King: "We'll continue the operation."

Q: "Come again!?"

Ace: "So you mean we're gonna compete with Jack?"

King: "I will not send out this notice. Let's call it a direct confrontation between Trump and Jack."

Q: "Whaaaat!?"

Jack: "Weird. The cops aren't on the move."

"Hm? Where's my noti--."

"It's been a while. How about a reunion? At The Mermaid's Tears' chamber. Trump."

"King, huh… It's just so like him to do something like this. Fine. Let's have a showdown."

Fox: "Here. I got what you wanted, the Royal Star's blueprint."

King: "It is indeed the blueprint."

Fox: "I got you some addition as well. This one is a lil bit pricey."

King: "Figured as much."

Fox: "What are you going to do with this information, though?"

King: "It's prohibited to poke your nose into your client's private life."

Fox: "Oops. My bad. I was curious since you rarely asked for something like this. Oh, yeah. Your master said he wanted to see you."

King: "Club? I wonder why. I'll try contacting him."

Club: "I'm comin' in."

Fox: "Speak of the devil."

King: "Long time no see."

Club: "Perfect timing. Are you free now?"

***

Club: "I'm goin' to retire soon. Take whatever you need."

King: "Retire? Are you serious?"

Club: "My body is startin' to fall apart. It's an age thing. Tell this to Ja--Oh, right. I heard you two broke up."

King: "You made it sound like we're dating. Please don't do that. He just decided to quit my group on his own."

Club: "Y'all never change. Here I thought you'd keep workin' together. That's what you call youth, I guess."

King: "To be honest with you, I'd also never thought he would betray me."

Club: "Looking at that guy, I think he's in his rebellious phase rather than betrayal."

King: "Rebellious phase?"

Club: "He's got some strong sense of rivalry, y'know? Add that with the fact that he's never won against you."

"He must be jealous of you. You're a genius, while he can only do things in a crude way."

King: "Really? I like his way of doing things, though."

Club: "That's exactly why you're hated. Oh, well. You better make up before I die."

King: "Please tell that to him too. You're going to meet him after this anyway, right?"

Club: "You're right. Guess I'm also gonna tell him directly. Both of you are my most excellent apprentices, after all."

King: "Please take this as my present for your retirement. This one is 40 years old."

Club: "You sure are well prepared."

King: "I was actually planning to use it for the celebration party, though."

"--Oh, right. If you're going to retire, please give me that. You know, the 'Venus Ring'."

Club: "I refuse."

***

Fox: "Welcome. Man, I guess we've got a lot of 'speak of the devil' moment today."

Jack: "What are you saying?"

Fox: "Nope. Forget it. Anyway, this is your requested uniform and safe."

Jack: "Thanks."

Fox: "Oh, yea. Your master said he wanted to see you. Why don't you give him a call?"

***

Jack: "Long time no see."

Club: "Hey. Is it just me or did you lose some weight?"

Jack: "What do you want to talk about?"

Club: "I'm gonna retire soon. Take whatever you need."

Jack: "Whatever you need, huh. By the way, the 'Venus Ring'..."

Club: "Y'all really have the same taste. I ain't gonna give it out. I sent it to the right place."

Jack: "By y'all… Do you mean King?"

Club: "You should just go back and regroup with him."

Jack: "I'll never go back until I win against him."

Club: "What a pig-headed kid. So? You see any chance to accomplish that?"

Jack: "I have a feeling we're finally going to settle this soon."

Club: "Heh. You seem confident."

Jack: "Because I've made arrangements ahead of time."

Club: "That's so you. You still look as gloomy as ever, though. Why don't you go soaking up the sun in some warm places in the south once in a while?"

Jack: "No--But you have a point. Maybe I'll do that once this is over."

Club: "Do that. And make up with King."

Jack: "...It depends on him."

Guard A: "Wait there."

Guard B: "This place is restricted to authorized personnel."

***

Q: "'Mermaid's Tears' has been carried away."

King: "Got it. Looks like they put it at the expected place."

Q: "How about the security? Can you unlock it?"

King: "I've already made preparation for that. We just need to see how things will turn out."

Ace: "Hey, wait a sec. Please, King."

King: "Find out the schedule for the guards' lookout."

Q: "Ugh. What a pain. Why do I have to do this…"

***

Q: "The guard will change at 1 P.M. The key will only be handed over when a substitute comes."

King: "So we need that key and the password that the captain has to unlock the door."

Q: "Ace, gain some time for us."

Ace: "Roger. Leave it to me."

Q: "Don't screw up."

***

Ace: "Hey, good work."

Guard A: "You're here sooner than I thought."

Ace: "Boss said my shift would start 30 minutes earlier since I'm always late, you see. Today I got here on time, though."

"Oh. Don't tell me you're gonna get scolded if you end your shift early? Wanna have some chat for thirty minutes then? Man, being a guard sure is easy."

"I actually want to increase my shift more, you know. But I don't reall--."

Guard A: "No, it's fine. I'll end my shift now. Bye."

Ace: "Oh. Okay, then. Bye."

***

Ace: "Mission complete. It's your turn now, King."

King: "Let's see, now. This is unexpectedy such a hassle~."

Ace: "I'm glad you seem to be having fun but please hurry up."

***

Q: "It's almost been thirty minutes."

King: "Just a little bit more…"

Q: "The guard is coming."

King: "I'm counting on you, Ace."

***

Ace: "Hey.."

Guard B: "Hm?"

Ace: "Ouch ouch ouch…"

Guard B: "What's wrong?"

Ace: "Oh, are you the substitute? Thank God. I'm starting to panic since my stomach is killing me. Good bye!"

Guard B: "Hey, wait, the key--."

Ace: "Key? Oh, right. I've gotta hand it ove--ouch ouch ouch."

Guard B: "Hey, you okay?"

Ace: "Wait a minute. Just until I calm down. Ouch ouch ouch…"

Guard B: "F-For now, just go to the toilet first."

Ace: "Don't think that's possible. I feel like it's gonna come out once I move."

Guard B: "Whaaat!?"

Ace: "Do you have some medicine or anything?"

Guard B: "No, sorry…"

Ace: "Can you bring me one from the infirmary? I'm on the edge here."

Guard B: "O-Okay! Wait a little bit!"

Ace: "King, you better open it now."

***

King: "...Weird. We may not make it."

Ace: "Come again!?"

King: "Oh, I got it. This one."

"...Nice. It opens!"

"Q, carry it out. Let's retreat."

Q: "Got it."

***

Guard B: "Hey, I have the medicine!"

Ace: "Very thanks, man. Here, your key! I'll leave the rest to you."

Guard B: "Yeah. Hope you recover soon."

King: "...This is weird. Jack didn't come in the end."

Q: "Maybe he realized it's impossible to go against phantom thieves."

King: "No. That guy…"

Police: "Freeze! We're police!"

King: "--."

Q: "!?"

Ace: "Since when!?"

King: "We're being set up. Q, throw the 'Mermaid's Tears' to the sea."

Q: "Huh!? Do you hear yourself now!?"

King: "Do it now. We'll escape the moment the police look away."

Ace: "You're lying, right!?"

King: "Quick."

Q: "You're the one who told me to do it, alright!"

Police: "H-Hey! The jewel! Pick it up, quick!"

King: "Let's go!"

Police: "Wait!"

Q: "What do we do now!? All of our hardship went to waste!"

Ace: "Our 6 billion…"

King: "That was a fake jewel Jack had prepared."

Q: "What?"

King: "Jack had stolen 'Mermaid's Tears' in advance and replaced it with a fake one."

"He was the one who snitched on us."

***

Narration: "The day before…"

Guard A: "Hey, what's wrong?"

Jack: "No, it's just… the engine…"

Guard A: "Hold on, hold on. If there's any trouble, you better do something about it or else it'll get worse later on. If we're liable for the damages…"

Jack: "There's smoke coming out!"

Guard A: "Say what!?"

Jack: "Stay away from the car!"

Guard B: "Whoa!"

Guard A: "C-Call the fire station! Wait, we gotta get the safe first!"

Guard B: "Hey, is it okay?"

Jack: "Yeah. The smoke disappeared. I found no issues with the machine too."

Guard A: "That means the safe is alright, yeah? God. Give me a break. We almost carry it away ahead of time."

***

Q: "So that's why Jack didn't show up…"

Ace: "He really got us! I already thought it was weird for the police to appear at times like that!"

Q: "Ugh. Even if the police didn't appear, Jack still won since he already got the 'Mermaid's Tears' before us."

King: "I wonder about that."

***

King: "He hasn't made any changes in his base. Well, isn't he a little careless…"

"Even his security system is so weak."

"Hm? A card?"

"'Out of respect of Master's retirement, I will hand over the victory.'"

"Don't be satisfied with second place. You could have taken measures if you know there's a chance it'll get stolen. Oh, well. I'll accept your kind offer…"

***

Jack: "..."

"He really came…"

King: "Hey."

Jack: "--ugh. Why are you still here, King?"

King: "It's been a long time, I want to renew our friendship. I even brought alcohol with me."

Jack: "This is why you're hated."

King: "But you don't hate me, do you?"

Jack: "How did you find out?"

King: "I got some information about you from Fox. It helped me understand your strategy to some extent."

Jack: "In that case, why did you fall into the trap?"

King: "Because, otherwise, you won't move forward as planned. I'll be troubled if you're on your guard."

"I could narrow down your base thanks to the location device I planned on the alcohol I gave to Club. The rest is my intuition."

Jack: "I can never bring myself to like you in the end."

King: "Now, now. Let's have a toast for the 'Mermaid's Tears'. Q and Ace are waiting."

Izumi: (This is the only scene where Jack and King talk face to face. Even so, you can tell how close they are just by watching this scene alone.)

(Maybe because they are cousins, they can create a unique relationship between rivals who understand each other the most.)

***

Muku: Thank you so much!

Juza: Thank you.

Sakyo: Thank you.

Yuki: Thank you.

Kazunari: Thankies thankies~!

Banri: Thank you.

***

Sakyo: The audience's reaction on our first show is great.

Juza: King was so cool.

Muku: Jack was even cooler! The fact that he's active behind the scenes is just so Juchan!

Juza: I can also feel the gap between King, a sharp person with a gentle look, and you, Muku.

Muku: I-Is that so? Ehehe. But your Jack…

Azami: They're going to be like that forever at this rate.

Yuki: When are you going to stop?

Banri: But well, it was good overall. Right?

Kazunari: Totally! Their chemistry was just perfect on the stage, even the audience was pleased!

Izumi: Let's keep this energy until the closing show!

Muku: Yes!

< Episode 7 | Masterlist | Episode 9 >

[givemeonebreath]

A big, messy Linked Universe playlist

Link for Links

Heavy on the angst, because of who I am as a person. (At the same time, don’t take it too seriously, man.)

Influenced by canon, manga (TP Link is really Going Through It™ ), my personal perceptions, and popular fandom canon.

A pretty wide variety of genres, with a bias towards metal and prog rock.

I kept snippets of lyrics for most songs, also because of who I am as a person. (Some were particularly hard to narrow down to just one verse or chorus.) Those - and a little more rambling - are under the cut if you really want, in the order of the playlist. But. It’s long.

I didn’t initially make this with the intent to share, but hey. Throughout my past year+ of listening, I’ve been haphazardly adding songs to a playlist I very creatively named Links. If something reminded me of them, whether through the music or lyrics or both, I threw it on the playlist, so some songs might seem odd or vague. Some are really on the nose, as subtle as a sledgehammer. (Sky for Sky? Dude. Sorry.) Some are there because of a fitting line or two that stuck in my head. Ultimately, music - like any form of creative expression - can be interpreted in a multitude of ways. 

My listening habits and tastes are erratic, which is why this is one big, jumbled playlist and not separated for different Links. Not to mention if I did that, some (Wild, Legend) would have a lot and some (Wind, Four) would have none, both because of my own familiarity with them, and because of the general themes of the music I tend to listen to. Most songs are a general ‘hero’s spirit reborn’ mood, anyway - those are the first part of the playlist. The second half is more nuanced to specific Links, plus a few Ganon vibes.

1. Deep Purple - April (Koji Kondo, composer of the original Legend of Zelda theme, was into Deep Purple as a kid, and it shows.)

2. Kamelot - Regalis Apertura

3. Au4 - So Just Hang On, Beautiful One (I’ve posted this here before. I can’t hear it without thinking of LU now.) So I slipped in through the gate almost unknown. All my border stamps were late. Seven days old. Cold hand griped my shoulder blade, broke the bone. Bloody nose and turned away, all the way home.

4. FC Kahuna - Hayling Don’t think about all those things you fear, just be glad to be here

5. Glass Animals - Youth Boy, when I left you you were young I was gone, but not my love You were clearly meant for more Than a life lost in the war

6. Pain of Salvation - Restless Boy A restless boy in a world too slow A flame born into cinder, ash, and glow I've given everything I gave it all Yet find myself alone

7. Haken - The Endless Knot Our design shifted frame by frame! Across the line our cycle starts to fail. Our design shifted frame by frame! Across the line we die to live again.   We need a story to believe in. We need a hero to prevail. We need a challenge we can overcome, it takes a tragedy to make us one 

8. Kamelot - Memento Mori (I particularly associate this with Time and Twilight) I am the god in my own history The master of the game I may believe if she would come to me And whisper out my name Sometimes I wonder where the wind has gone If life has ever been Sometimes I wonder how belief alone Can cut me free from sin

9. Katatonia - Fighters Look I told you so We never stop If we said that We'll back it up For sure You know We're fighters

10. Megadeth - This Day We Fight! (I mean, all Links, but particularly Warriors) For this I was chosen, because I fear nothing With confidence I tread through the dead of the night Off to another war-torn, faraway battlefield Wherein lies a demonic enemy horde

11. Moon Tooth - Igneous Well, the spirit took me And this old broken body leapt up and danced Settin’ out Settin' out with all my heroes in a bundle at my back Hawk am I More wings span in my shadow than overcast Yeah, you know what they say Always need something to look up to, ha

12. Samael - Moongate Destiny, tomorrow is today Destiny, without boundaries How many nights will we spend together traveling infinity back and forth and again How many times will we go together questioning eternity about us about our wonders...

13. TOOL- Parabola This body holding me reminds me of my own mortality Embrace this moment, remember We are eternal, all this pain is an illusion

14. Lunatic Soul - Blood on the Tightrope No matter how hard you try To shut down your feverish thoughts They hunt you down with no regret Cause you have to fix it all

15. Hybrid - Keep It In The Family

16. Soul Savers - Unbalanced Pieces Gone, now carry on Through violent seasons I call you mother, mother, mother In vain, absent chain The twilight's bleeding And the playing board has two unbalanced pieces

17. Steve Von Till - Valley of the Moon All she gives is a stone facade Like ill-given flowers at a dead man's wake Here we slave for the dreams of another And fight over scraps like wayward dogs

18. Ludovico Einaudi - Experience

19. Lunatic Soul - Summoning Dance Three stones on the right side Three stones on the left My vicious circle of life and death   “Oh you want it” I hear it again “Oh you want it” My burden Curse to break

20. Lunatic Soul - Through Shaded Woods Run through your shaded woods Run through your shaded mind Run through the night Run away Run through the darkness Run

21. Lunatic Soul - Naavie

22. David Bowie - Nature Boy There was a boy A very strange, enchanted boy They say he wandered very far Very far, over land and sea A little shy and sad of eye But very wise was he

23. The Dandy Warhols - Sleep Well, I could sleep forever But it's of her I dream If I could sleep forever I could forget about everything 

24. Au4 - Everyone is Everyone (and Everything is Everything) Tripping and tumbling, Flipping and fumbling. Flowing on the rivers of sadness That have been forever rumbling.   But from dawn until now Of all the paths that I could have gone down Of all the valleys That I could have been flowing through.   In spite of all the chaos And all that has come between us, How is it I still find myself Here with you. 

25. Kingcrow - Everything Goes Your hands again upon the ground Falling rain for hours and hours As you learn the game Time dispels the fog ... Ever been there? Ever felt like prey? Ever thought your mind was feeble? Lot of things that don’t make sense

26. Pain of Salvation - Icon As a child I felt too old And now when I'm grown-up I feel too young A different kind so I've been told Just slightly out of reach and out of time

27. Sophia Loizou - Divine Interference (I got spooky dungeon vibes. Also, the title.)

28. Carpenter Brut - Fab Tool Runnin Gunnin Forward in the phantom shatter so grand Splatter grand, arcanum fuel Wrought iron out of the sky Over me, tells no lie

29. Blue Stahli - Death Will Have to Run All on the open road Where none will ever grow A journey toward the known With countless miles to go

30. Gyroscope - Mistakes & Ladders I am the first? No I can't be the first A continuous nothing, destined for something Tell me who you are and why you trapped me here

31. Queens of the Stone Age - Run, Pig, Run Run, pig, run Here I come

32. Chali 2na & Krafty Kuts - Guard The Fort The swords are drawn and odds are stacked And we clash the impact's a thunderous clap Calm demeanor Even though we are under attack [...my turn to guard the fort ready for combat]

33. The Great Discord - Army of Me (lol)

34. Kongos - Terrified I think I'll start again and change my name You only live once or twice, what a shame Somebody fucked up when designing this game

35. Woodkid - Run Boy Run Run, boy, run! This ride is a journey to Run, boy, run! The secret inside of you Run, boy, run! This race is a prophecy Run, boy, run! And disappear in the trees

36. The Beta Machine - The End A million miles away from you this time I'll do what it takes I'm on my way If lines are in the sand I'll go under If I can make it in time I will bring you back with me

37. Devin Townsend Project - Gump When we last met who was I? I'm sorry we no longer see eye to eye The energy to keep you in while keeping myself out I'm sorry how you'll take this  But I just don't have the patience anymore 

38. Arrested Youth - Riot! I can't get much satisfaction living in this cave It's tough to breathe, I'm in the belly of the beast Can't sleep with all my rage With me and all my generations living in this cage Pick up your guns and tell your sons, tonight we break the cage

39. Led Zeppelin - Friends So anytime somebody needs you Don't let them down, although it grieves you Some day you'll need someone like they do Looking for what you knew

40. Faunts - M4, pt 2 (Wild) Fight your foes you're not alone Holy war is on the phone Asking to please stay on hold Bleeding loss of blood runs cold And I need you to recover   Because I can't make it on my own

41. Faith No More - Ashes to Ashes (Wild) I want them to know it's me, it's on my head I'll point the finger at me, it's on my head Smiling with the mouth of the ocean And I'll wave to you with the arms of the mountain

42. Devin Townsend - Jupiter (Wild) I know you At least I think I do Everything's changed But in the days that are so dark It's wonderful

43. Katatonia - Neon Epitaph (Wild) Shadow of my shadow Cling not to my grief I am long left behind now You are free

44. The Smashing Pumpkins - The Beginning is the End is the Beginning (Wild) Time has stopped before us The sky cannot ignore us No one can separate us For we are all that is left The echo bounces off me The shadow lost beside me There's no more need to pretend Cause now I can begin again 

45. Katatonia - Lacquer (Wild) My voice travelling Soaring bird above your head The house we lived in Ridden with disease ... The levee breaking I can't live to fight once more The road to the grave is straight as an arrow I'm just staying around to sing your song, baby

46. Eskimo Joe - This is Pressure (Wild) There is no romance in suffocation  The walls fall down like your expectations You want to scream  And you want to shout But you've built up steam  And you can't let it out This is pressure 

47. Portugal. The Man - 1000 Years (Wild) We'll wait 1000 years  Until the end of time We'll wait 1000 more Dressed up in gold and white We'll climb the mountain sides  To find what's in the sky We'll dig through mountain sides  To find what's deep inside

48. Au4 - An Ocean’s Measure of Sorrow (Wild) Forgot my name and who I was. Memories of nothing floating up. All of the sorrow we once knew, Colours the ocean's water blue.

49. Band of Skulls - Carnivorous (Twilight) I am corrosive and cohesive Like a chemical bond I'm all together undone I am the broken kingdom I'm just so, so, so  So carnivorous

50. Glass Animals - Flip (Twilight) I wanna go back with a club and attack I wanna take to my guns and break you I gotta make my little foe take his own

51. TV on the Radio - Wolf Like Me (Twilight) My mind has changed my body's frame, but, God, I like it My heart's aflame, my body's strained, but, God, I like it

52. Kamelot - The Spell (Twilight) All my demons cast a spell The souls of dusk rising from the ashes So the book of shadows tell The weak will always obey the master

53. OSI - Radiologue (Legend) I was dreaming I was heading west thirty days faster Had a fever woke up in a sweat bailing out the water  Can't go on Can't go back   Heard your voice coming through the noise wrote it in the radio log Hurt my head, wondering what you said so I threw it overboard  

54. Katatonia - Don’t Tell A Soul (Legend) I have been destroyed by the perfection that is a lie see I'm moving soon see my feet are already on the road and if you know where I’m going don’t tell a soul

55. Haken - The Mind’s Eye (Legend) The shape of things to come are closer than they seem Changing your design every time you disappear I'm planning my escape through portals of your mind Where people seem to drop like flies

56. Pain of Salvation - Species (Legend) Sometimes I hate my fucking species Yet most days I'll do anything to please it  My generation was fooled to pursue our dreams But it is not what it seems You never need what you want And you rarely want what you need

57. Euringer - Do You Kiss Your Mama with That Mouth? (Legend) All my life, misunderstood I'm fuckin' too smart, too smart for my own good The last question, before I go is "Hey motherfucka, do you kiss your mama with that mouth?"  Yes! I kiss your mama with this mouth

58. !!! - Pardon My Freedom (Legend) Like I give a fuck, like I give a shit Like I give a fuck about that shit Like I give a fuck about that motherfucking shit

59. Team Sleep - Ataraxia (Legend) Froze asleep Coma deep I dream I'm out with you Alone at sea

60. Oliver Tank - Embrace (Legend) You're in my dreams The world is torn apart at the seams And I don't wanna leave Wearing my heart on it's sleeve

61. Machine Gun Fellatio - The Girl of My Dreams (Is Giving Me Nightmares) (Legend) The girl of my dreams is giving me nightmares I don't know what it means but she's got multi-coloured hair When she stands in the sand I dream of peaches And I'm not sure what that means either

62. Earl Greyhound - Shotgun (Legend & Hyrule) I am nobody, nobody is who I am I am a traveler on this land And nothing, nothing, nothing in my hands

63. TV on the Radio - Staring at the Sun (Hyrule) You're staring at the sun You're standing in the sea Your mouth is open wide You're trying hard to breathe The water's at your neck There's lightning in your teeth Your body's over me

64. Echo & The Bunnymen - The Killing Moon (Time) Fate Up against your will Through the thick and thin He will wait until You give yourself to him

65. Sufjan Stevens - Sugar (Sky) Don’t break my heart, don’t break my flow now And all this rage has got to go now Let’s take up this lifeline Come on, baby, gimme some sugar Don’t make me wait Don’t make me wait too long Don’t make me sing the sad song Come on, baby, gimme some sugar

66. Obsydians - Ascension (Sky) Rise above the hardships you’ll face I will sign and keep on rising As long as you are giving me your soul and keep me awake Feel like home and spread your light around I will listen and just be there As long as you are giving me your love I’ll give you my soul

67. Sonique - Sky -_-

68. Enter Shikari - The King (Ganon) Watch your back, my friend I'm about to kickstart a cycle Of never ending revenge And this time it's primal, it's tribal

69. Saul Williams - WTF! (Ganon, Hylia) "You've been polluted, uprooted by time You have been muted, computed but I'm A living vessel of the one, of the moon, of the sun" Hey! You ain't as dead as you seem, what the fuck? Hey! But you keep living your lies

70. These New Puritans - We Want War (Ganon/ Dark Link/ any nemesis I guess) Shadows dance back up, it's happening again If you listen carefully you might hear them whisper: "We hold all the secrets, we hold all the words; But they're scrambled and broken so you'll never know" Can't you see them Floating like black ash? Can't you feel them Crawling down your back?

[opbackgrounds]

Hi there Sarc' ;) I am sorry if the question has already been asked but I thought it could be interesting to have your opinion about this. While I love most of the female characters in OP and think that most of them are well developed and can be truly good role models for girls I still feel that Oda sometimes has a sexist view on female characters (the jokes about the naked bath scenes for example or Kororo being considered ugly make me really uncomfortable). What do you think about it?

Ah, I wondered when I would get this question. 

When people talk about sexism in One Piece they typically are referring to two different things: How women are drawn, and how they’re treated within the narrative. While there’s some overlap here, there’s enough distinction that I want to address them as two separate points in two separate posts, because I guess I had Opinions, and by god there should be a limit to how much text one tumblr post can be expected to hold. Consider this an introduction.

Buckle up, kiddos. This is gonna be a long one. 

Nami Face Syndrome Isn’t the Problem...

An important thing to remember with Oda’s art and storytelling style is that almost everything is hyper exaggerated for effect. You don’t go into One Piece looking for realism. You don’t go into One Piece expecting the characters to act like normal people. Everything--from the art to the humor to the battles--is stretched and pulled to its absolute limit in hopes of garnering a particular reaction. When a character is sad they cry big bubbly tears with dribbles of snot coming from their nose. When they laugh their mouths take up half their face. 

And when a girl is hot, her tiddies are two great big watermelons stuck to the center of her chest.

What is often dubbed “Nami Face Syndrome” within the fandom is somewhat misleading. After all, why was Wanda, who is a literal dog that walks on two legs, decried as yet another Nami clone at her introduction? I would postulate it’s less to do with her face and more to do with the fact that from the neck down they are virtually identical, something that’s made more obvious because Wanda is literally wearing Nami’s clothes

What makes this frustrating for a lot of people, myself included, is that it’s not that Oda is incapable of drawing more diverse body types, but that he often chooses not to. Take for example the Kuja tribe

or the Charlotte family daughters (thanks to Arthur at Library of Ohara for the resource). It’s pretty clear Oda has the chops to make his women as weird as the men, and he often does! For important characters, even. And yes, as the Kokoro example given above sometimes the gonkness is brought attention to, but for others like Lola and Chiffon it’s...not. 

(more on mermaids later)

But Sarcasticles, one might protest, even Oda’s “ugly” characters have ginormous boobs! Where is my itty bitty titty committee representation >:(

To which I can only shrug. For Oda, boobs on a woman are like abs on men. It doesn’t matter if it makes sense, they’re gonna have ‘em

Seriously, Oda. What the fuck.

...So What Is?

I have a theory that’s impossible to prove, and that the problem isn’t so much Oda’s character design so much as the ratio of his male to female characters in general. It’s not that every female character is a Nami clone, but Oda has a template he uses for attractive female characters ages 16-25, the same way he uses Robin as a template for attractive women ages 26-35, which is how you get cases of mistaken identity like Viola for Robin or scenes during Reverie where one could be forgiven for thinking Nami’s supposed to be an identical triplet

 Oda does this for his men, too. It’s not as obvious because 1) Even men with similar facial features can have a wider variety body types due to Oda having a sliding scale of buffness he’s willing to attach to a pretty face and 2) There are more men. 

There are a lot more men.

In groups where the male to female ratio is more or less equal (Baroque Works, Big Mom’s kids) you get a wide variety of designs. But there’s only one female Supernova. There’s one female Warlord. CP9 only has one female agent. Only one of the Revolutionary Commanders is a woman. There are very few female background characters in crowd shots, especially among marines. Big Mom might be the only female Emperor, but she’s not young, In fact, when drawing her at age 28, Oda defaults to a much more generic “pretty girl” face before giving her much more striking, memorable features in her 40s

If you look at Oda’s male characters, the ones that are supposed to be hot are often given the same square jawline and the thin-bladed nose that at one point in time was reserved for Robin. Both Coby and Sabo had very distinctive noses before their glowups, while Ace must have had a laser treatment done on his eyebrows sometime between Alabasta and Marineford. 

But the biggest difference on the men has got to be muscle mass. The overgrown noodles of early One Piece are lost to the annals of time. Shanks alone must have gained 30 pounds of pure muscle from the time Luffy got his first bounty to his appearance at Marineford. 

Now, I will acknowledge that there is a difference between the increasing sexualization of female characters and the male power fantasy of giving Zoro bara tiddies post-timeskip. While I do think there are certain male characters specifically designed to be the Hot Dude, what I’m trying to emphasize here is that Oda works with templates for both men and women, and both of those templates have been exaggerated over time. Bigger boobs for women, more muscles for men. And when you’re only slotting for one girl in any given group, and that one girl has to be The Hot One then you’re going to have a lot of ladies that end up looking the same. 

My love for Otohime on this blog is well known, and I want to use her as an example of what Oda can do when he works beyond this template, because it’s really freaking good  

Otohime is neither conventionally attractive nor gonk. She’s dressed in very conservative, traditional clothing and has a narrow waist and small chest. 

There are no sharp edges on Otohime. Not her eyebrows, not her jaw, and most of the time not even her hands, emphasizing her gentle nature. You don’t see it as well in this panel, but Otohime’s head is often drawn wider than her shoulders, emphasizing her frailty. Oda gives her a longer neck to compensate, and the overall effect is a very soft, willowy figure. 

Her headpiece looks like a sunburst. The audience never sees her fins, so Oda gives her a scale patterned kimono-dress-thingy (my knowledge of Japanese clothing is, uh, not good) as a visual reminder that she’s not human. The sash that circles around her head harkens back to Japanese mythology as a symbol of divinity, similar to a halo in Western culture. And fun fact: Otohime is named after a god, just like Neptune, while her goals and ideals are pure enough to be heaven-sent. 

I’m not an artist, but this is a really damn good character design. A lot of Oda’s older female characters are. Dandan, Tsuru, O-Tsuru, Shakky, Kureha, Big Mom, and Nyon are all instantly recognizable and have strong designs, even if a few of them fall into the hourglass figure that Oda often defaults to. It’s just...there aren’t that many of them.

So the question becomes why aren’t there more women, and I think the answer is because, ultimately, One Piece is a series geared at boys. While I wish there were a few more important ladies, I can understand why there aren’t. 

Note, that doesn’t mean I think it’s right or that Oda is obligated to include more women. It’s just one of the facts of the shonen manga industry at this point in time. 

A more important question, I think, is why does every younger woman have to be attractive? And why do the attractive ladies have to wear outfits that are blatant fanservice? This is something I don’t have an answer for. Oda has said on more than one occasion that he writes One Piece with his twelve year old self in mind. It could be that it’s a calculated move to appeal to his audience, in which case it’s certainly worked because said Hot Ladies are constantly used in marketing and merchandising. It’s the Hot Ladies that top the popularity charts (although, to be fair, who’s there for competition?). In the most recent chapter a new Hot Lady was introduced, and the fandom went batshit crazy for her.

Even the fans who are very vocal about how Oda sucks at drawing women. It’s interesting how that works out sometimes.

Or maybe I’m giving Oda too much credit, and he’s just horny. Not having direct access to Oda’s mind, I don’t have an answer. If I had to guess I’d say it’s a little of Column A, a little of Column B, because that’s usually how life is. 

But in a vacuum big tiddies are just a design choice. An exaggerated aesthetic, in a series full of exaggerated aesthetics. It’s when that design choice is paired with in-story comments, actions, and decisions where things really start to get heated. But that’s a whole other ball of wax, and there should be a limit to how much one tumblr post can be expected to hold. I promise I’ll get to the meat of your question next time.

Thank you so much for your patience. I really do think it’s important to start here before diving into everything else, if only because it helps keep my thoughts organized. I hope you’ve found this helpful, and if not, I hope to do better next time. 

[jess-rewatches-prodigalson]

Exit Strategy (S2, E10)

My time-stamped thoughts for this episode are below. As always I reference Malcolm’s mental health. A lot. So if that’s going to be a trigger for you, don’t keep reading.

SPOILERS AHEAD:

0:40 - Oh it’s Capshaw’s dream. Well. That’s upsetting. 

1:10 - .....she was performing surgery on herself?!!? WTF?

1:37 - The fact that Jessica broke into her adult child’s home to steal Martin memorabilia is hilarious to me. Also deeply upsetting. Because - dysfunctional. 

1:40 - “In my loft? Where I live?” hahahahahahaha sassy!Malcolm for the win! Also - there is something so so cute about the way Tom delivers this line. <3 It’s precious. 

1:46 - “I don’t always wake up screaming.” ....so historically we know this is true. Malcolm didn’t wake up screaming at the beginning of 1x15 when Eve was in his loft....but still... Malcolm’s mental health has been in tatters. I find it highly unlikely that he wouldn’t be waking up screaming. Especially since he was hallucinating last episode!!!!

1:55 - The Never. Ever. Room?!?!?! I’m shook. I’m amused. I’m horrified. I can’t believe that Jessica would let Malcolm keep that stuff in his loft. Why isn’t it locked up in a storage container or something? Jessica let Malcolm - the boy that Martin traumatized - sleep in the same building as all of Martin’s belongings?!?! Nah. Jessica is so overbearing .... I just don’t buy it. 

2:21 - “I am ignoring the Surgeon altogether.” Awww look at how proud Malcolm is to tell Jessica about his serial killer cleanse. He’s like, “I finally have news that will make Mom happy!!” <3 <3 Precious. 

2:36 - “He’s been calling. Non-stop.” annnnnnnd there’s are sad profiler. He’s putting on a good act for Jessica but he’s still clearly in a lot of emotional pain. 

3:15 - Really? The writers have Jessica riding the Brightwell train now? For real? I’m here for it but it feels kind of fast? Forced? Out of left field? I mean Jessica’s totally the type of mom who meddles in her kid’s love life (remember Eve?) but in the middle of the whole Ainsley-Endicott fiasco? Jessica should be more concerned about Malcolm’s mental state and less concerned with his relationship status. 

3:17 - Did Malcolm really just admit (sort of abstractly, but still) that he’s interested in Dani romantically? Doesn’t he realize that Jessica will try to interfere?!? He’s basically given her his blessing!!! 

3:25 - awwwww....the pic of baby!Malcolm and baby!Ainsley is so cute. <3

3:40 - UGH. I want to know more about that key and what it unlocks so badly!!!

3:46 - “Oh great. Detective Mom.” <3 I love it when he calls Jessica “Mom” instead of “Mother”. <3

4:36 - ......Mr.David and Martin have such an interesting dynamic. Martin listens to Mr. David without showing any signs of anger, resentment, or his usual psychopathic manipulation. Mr. David controls Martin much the way a parent controls their well-behaved child. I just find it so fascinating that Martin treats Mr. David with respect. That’s not Martin’s usual reaction when things don’t go his way.

5:00 - I’m so happy we keep getting more screen time with Hector. <3 This dude’s great. 

6:05 - soooo the fact that Jessica stabbed Daryl in the neck is probably going to inhibit Daryl’s ability to speak right? Making Daryl a useless source of information regarding the breakout?

6:24 - I love everything about this scene with Gil’s new car. I love that Malcolm’s “wow, the Coronet’s looking good.” is said with this little smile. As though Malcolm doesn’t really care about the car, but he knows mentioning it will make Gil happy. I love Gil’s rant about “No more Whitly’s around my car.” and Gil’s glare when JT asks about Tarmel’s around the car. I love Dani’s “boys and toys” line. UGh. It was just the little dose of found family that I craved. <3 BUT I do have one small complaint/concern. Gil. He said, “No more Whitly’s around my car.” Whitly’s. Why did he refer to Malcolm as a Whitly? 

6:54 - “Some major Japan-y vibes.”.....I’m sorry the word you’re looking for is “Japanese”?!?! Anyone else get super distracted by this line?!? 

7:56 - “Old people” HA. OMG. I love this so much. <3 <3

9:11 - As someone with severe social and general anxiety that has at times bordered on a form agoraphobia - Dani’s dismissive tone when she says “he’s afraid to leave the house.” hurts. Especially since it feels really out of character for Dani. She doesn’t usually dismiss people so quickly. Maybe there’s a story there? She had an agoraphobic family member? 

10:14 - “NYPD. Adjacent.” Why isn’t Malcolm a member of the NYPD yet? He trained with the FBI. He’s clearly capable of being employed as a detective for the NYPD. Is it because he doesn’t want to carry a gun? Is it because Gil doesn’t want Malcolm to carry a gun? Is it bureaucracy (probably)?

10:44 - Malcolm explaining why the antique pistol won’t fire is adorable. 

10:57 - This dude hasn’t left the house since March of 1997. Martin was arrested in 1998. Is this supposed to have some sort of double meaning? Like maybe Malcolm discovered that Martin was killing people in 1997 but the chloroform confused him for a while and he didn’t call the cops until 98′? Is this supposed to be a metaphor for the fact that Malcolm hasn’t been truly alive since 1997? He’s just been in survival mode - he hasn’t been living.

11:22 - “I’m not too good around people.” This dude is Malcolm. Malcolm lives in a state of constant fear and anxiety. Malcolm isn’t so good with relationships or casual human interactions. 

11:30 - It makes perfect sense to me that Dani is the detective that Malcolm brings in to talk to Gerald. Forget the Brightwell agenda. Gerald is a scared old man. JT and Gil are authoritative men (they’re teddy bears but they can also be scary). Dani is a woman. Women are typically seen as less of a threat. Though Dani could totally kick just about anyone’s ass. But it makes sense to me that a scared witness would feel more comfortable around the smaller female detective than the large male ones. 

12:03 - Ugh. I feel so bad for Gerald. The dude is clearly experiencing some sensory overload on top of his anxiety. :( 

12:15 - hahahaha the absolute best part of this little Brightwell moment is Gerald’s reaction. This old man just connected the dots and you can see it ALL over his face.  ....but also, it’s a really cute moment. <3

12:38 - “Too late if you ask me.” Is it just me or does Gerald seem protective of Rosalie here? Almost paternal? 

13:03 - “You still think like a grand master” Is this supposed to be an illusion to the way that Malcolm thinks about cases? He thinks like the killer in order to solve the case?

13:13 - WHY DOES MALCOLM KNOW SO MUCH ABOUT A CHESS LEGEND FROM THE 70s and 80s?!? Did baby!Malcolm have a chess phase? I want details.

13:22 - I love Gerald. He’s such a cute little old man. He’s scared but you can tell that he has a good heart and that he’s extremely smart. Look at how impressed he is with Malcolm. <3 He’s a lot like Malcolm. 

13:27 -”Memory was always my gift.” Memory is Gerald’s gift but it’s been Malcolm’s curse.

15:04 - Malcolm is so close to snapping. Look at this poor boy. He’s at the end of his rope. :( 

15:14 - “Looks like you got some sleep.” Awwww proud!Gil <3 

15:40 - “Agoraphobia often comes from trauma.” Yep. Malcolm identifies with Gerald. I wonder if Malcolm ever went through a period of agoraphobia? Maybe as a teen? 

15:48 - .....is this foreshadowing? When the truth about Endicott comes out is Malcolm going to be deemed an ‘unreliable witness’? Or maybe that’s how Ainsley is going to try and pin the murder on Malcolm?

15:58 - annnnnd we finally got a good shot of concerned!Gil. There’s no way that Gil isn’t reading between the lines here. He knows Malcolm identifies with Gerald and he knows Malcolm is having issues with his mental health, identity, and self-worth. SOMEONE CONFRONT HIM. WHERE IS THE MALCOLM INTERVENTION?!!?

16:20 - “Are you alright? Don’t answer that.”.....because Martin doesn’t actually care about Malcolm’s mental or physical health. Martin is a narcissist who has a story to tell. 

16:27 - “No. Me first.” I’m. So. Proud. Of. Malcolm. <3 <3 

16:56 - “That felt good.” :) Awwww... <3 I’m proud of Malcolm for this but Martin is totally going to hold it against him in later episodes. It’s going to fuel some sort of anger. Just wait for it. 

17:05 - Again. Mr. David acts like Martin’s dad. If Martin were 8 years old. 

17:40 - Chrisitan Brole is a treasure. His acting is incredible. Friar Pete is creepy, likeable, funny, and terrifying. Honestly. Give him an Emmy. 

20:00 - “*sigh* kid.” This breaks my heart. You can see Gil’s doubt and concern all over his face. He’s doubting Malcolm’s ability to make an accurate profile of Gerald because he knows how much Malcolm identifies and sympathizes with Gerald. He’s concerned about Malcolm because....I mean have you seen him lately? The boy is spiralling and it hurts to watch. But Gil is scared for Malcolm right now. Gil is now worried that the cases aren’t enough to distract Malcolm. That Malcolm can’t work on cases anymore. That Malcolm’s mental health has compromised his ability to work effectively. 

20:50 - “We’re friends. Partners” Listen to the longing in Malcolm’s voice when he says “partners”. He wants to be romantic partners with Dani - not just work partners. It’s obvious. This boy is an open book when it comes to how he feels about Dani. 

21:08 - “And she never will.” there is something about the way Tom delivers this line. How he sort of trips over the words. I can’t tell if it’s intentional or not but it works. It somehow makes it more raw and emotional. Malcolm wants so so badly to tell Dani how he feels but he’s convinced that he’s a monster. That she deserves someone more stable than him. Someone with less trauma. Malcolm is convinced that he’s not safe for anyone to love. Malcolm is convinced he’s going to snap and become Martin. 

21:17 - “Sounds lonely.” I love the way Malcolm immediately dismisses this as ‘tactical empathy’. Malcolm has accepted that he will be alone forever. He’s convinced himself he deserves it. I’m willing to bet that Malcolm rarely (if ever) actually feels lonely. Between coping mechanisms, hallucinations, and trauma - I doubt his mind is ever quiet enough for him to notice loneliness. 

21:27 - “You’ve spent your life mastering a game. I’ve spent mine mastering how people think.” .....ok but chess is basically about predicting your opponents moves and then Gerald graduated to people watching soooooo they’re really not that different. 

22:06 - I love this. I love how Malcolm turns on Gerald only for Gerald to emphatically explain how he lives through that window. Because - isn’t Malcolm the same? How many people have accused Malcolm of being a murderer when really he’s just a man who only feels alive when he’s solving murders and putting away killers?

22:50 - Rosalie helped Gerald much like Dani helps Malcolm. But Gerald couldn’t help Rosalie because he was trapped in his trauma. .....sooooo what’s going to happen to Dani? Or is this just supposed to be a reference to the fact that Dani can’t trust Malcolm because he’s keeping Endicott a secret and she knows something is up?

22:51 - ummmmm 60bpm??!?!? That’s a borderline athletic resting heart rate for a man in his 50s. There’s no way Martin’s in that great of shape. He’s trapped in his cell most of the day. 

24:28 - oooookkkkkayyyy so maybe Capshaw isn’t as smart as I thought she was. Martin is playing her like a fiddle. Although that dream sequence from the intro did make it seem like she was only interested in Martin because she craved medical power and respect. 

25:22 - Martin didn’t call Jessica his wife to screw with Capshaw. He genuinely still thinks of Jessica as his wife.....this is not good for the future. This tracks with the dreams Martin’s had throughout this season of going back home to his family. 

25:44 - Oh yeah. Jessica knows that woman is into Martin. 

26:41 - “Isn’t it obvious? It’s the key to my heart.” LMAO holy shit. 

26:56 - “I can tell when you’re lying.” “Not historically.”......Martin has a point. 

28:27 - This counts as my “someone confronts Malcolm about his mental health” bingo square for the episode right? 

28:35 - Look at Gil. He knows Malcolm is lying through his teeth and he’s so so tired of it. He looks so sad and annoyed. Gil loves Malcolm so much and he’s clearly concerned about Malcolm but I honestly think Gil just feels helpless right now. Malcolm is spiralling and Gil can’t help because Malcolm won’t open up. 

29:15 - “When she didn’t give up Clayton he killed her. Brave girl.”.....does this mean there’s going to be an attempt on someone’s life this season? Maybe Martin tries to kill Ainsley because she’s going to pin Endicott’s murder on Malcolm? Or Malcolm tries to kill Ainsley because she doesn’t give up Martin’s location? Or Ainsley/Martin try to kill Malcolm because he tries to come clean about everything?

29:26 - “If anyone can get through to this guy it’s you.” THANK YOU. Malcolm really needed that assurance. This dude is so full of negative emotions, self doubt, and pain. Every moment he feels supported, believed in, or loved is immensely treasured. 

30:26 - Oh Capshaw. You dumb dumb dumb woman. Look at Martin’s face. Capshaw has freed a monster. That’s Martin’s “I’m a raging serial killer” expression. 

30:29 - Holy shit. Look at how quickly Martin put the “I’m a harmless doctor” mask. In the span of about 1 second he went from killer to angel. Michael Sheen is incredible. 

31:04 - “You don’t have to be trapped in here.” It breaks my heart to hear Malcolm encourage Gerald to break free from his trauma when Malcolm is still a prisoner to his own. 

31:10 - “This is your next move” “No. It’s not”. THIS. This sums up anxiety disorders. Everyone tells you to ‘move on’ or ‘take a deep breath’. They all tell you that ‘everything will be fine’. They ask you ‘what’s the worst thing that could happen.” The problem: most people with anxiety disorders know the majority of their fears (or at least the severity of them) is irrational. Most people with anxiety disorders have tried therapy, drugs, coping mechanisms, breathing techniques, ect. Anxiety doesn’t go away because you want it to. Telling someone to move on - just makes it worse. Especially someone who has lived with severe anxiety so long that it feels like a crucial part of their personality. I’ve had a severe anxiety disorder for as long as I can remember - I don’t want to heal. I don’t know who I’d be without severe anxiety. I’m scared to find out. 

32:10 - “Family comes first”........soooo is Martin escaping to groom Ainsley for the family business (murder)? For Malcolm (to save him from Ainsley)? To protect Malcolm from a new Surgeon related skeleton (akin to Endicott)? WHY? 

32:33 - ahhhh Papa!Gil. I’ve missed you. 

33:25 - I have this headcannon that baby!Malcolm had pet rats at some point (he’d had snakes so I feel like rats would be in his wheelhouse). One day while Malcolm was at school the rats escaped from their cage and scared the crap out of Jessica. Jessica demands that the rats be removed from the home. That’s it. That’s the scene that plays in my head. 

33:39 -.....Jessica is wearing a ring on her left ring finger. Why? 

34:03 - “Jess it’s good to hear from you but -” They’re dating again now. Right? <3 

34:06 - “What?!” Fear and confusion. That’s the look on Gil’s face. We love to see it. 

 34:25 - “Martin is escaping.” Look at Gil’s face. He’s terrified. He’s staying calm and acting like he’s in control but this dude is terrified that the people he loves most in the world (Jessica and Malcolm) are in serious and immediate danger. 

34:50 - .....last I checked Malcolm was claustrophobic with specific closet-related trauma......

35:40 - “There’s only one play for a pawn.”.....does this mean Malcolm considers himself a pawn in Martin’s game? Disposable. Limited options. Replaceable. Of little worth? :( 

35:57 - “What would you know about it Judas.” Huh. Pete is pissed at Martin. Is it because Pete views Martin’s nasty relationship with Capshaw as a betrayal akin to Judas’ betrayal of Jesus?

36:36 - Jessica using her heels as a weapon is honestly such a mood. hahaha

36:54 - Poor Jessica. The moment she realizes that she’s trapped with a killer who not only hates Martin but also has an hallucinatory friend is haunting. This woman goes from terrified to petrified. But look at her poker face. She’s brave. She tries to talk her way out of it. She tries to think her way out of it. She’s like Malcolm.

37:42 - Jessica firmly telling Daryl not to take another step right before she stabs him in the neck with a high heel is everything. Listen to her terrified screaming. She can’t believe she just stabbed the man (even if it was self-defence). This woman did the impossible while scared to death. She is a badass. She’s my hero. I love her. 

38:12 - “All she had to do was tell me where my brother was. Except they were in love”.....does this mean Ainsley or Martin is going to try and kill Dani?

39:32 - “Don’t you think that’s what Rosalie would’ve wanted for you? This time make the right choice.” Wow. Malcolm is really metaphorically berating himself. What I heard was “Don’t you think Dani would want you to live without fear and guilt? This time - tell her your secret. Come clean. You’ll feel better.”

40:12 - ....so did Dani steal Gil’s keys or did he give them to her? Can we see how mad Gil is about this? Please? .....also the not-so-subtle “Dani is going to be a part of the Whitly family because she hurt Gil’s car” is not lost on me. I’m just more interested in Gil’s reaction to Dani hurting his baby. 

40:21 - “I see why you like her.” hahaha Gerald is all of us. Whether or not you ship Brightwell, you can’t deny that Dani is a badass and a good friend to Malcolm. That’s reason enough for Malcolm to like her - not necessarily in a romantic way. 

40:30 - Where the hell did Daryl go? If Jessica was trapped where did the man with a high heel in his neck go?!!?! 

40:33 - “It’s okay. It’s okay. You’re okay.” <3 <3 The whump whore in me is in love. Forget Gillica. I’ll listen to Gil comforting a traumatized member of the team or Jessica any time, any day. <3 

40:50 - I have so many questions about this escape. Are the guys sticking together? If not - do they know where the other guys plan to go/do? Where will they be getting the post-escape change of clothes (you know the ones that aren’t property of Claremont)? 

40:55 - I’ll be honest, I’m shocked. They’ve been teasing Martin’s escape all season but I really thought he wasn’t going to escape until the finale. Now I’m so excited for the finale. If it’s not a Martin-Ainsley-Malcolm showdown or a Gil-Martin showdown I’m going to be sad. 

41:13. - Martin and Gerald both just took their first breath of fresh air as ‘free’ men after 23-24 years. The symmetry of this episode’s two main plot lines is more obvious than usual. 

41:44 - Look at Gerald being Malcolm’s wingman. hahaha it’s so cute. He’s self-appointed himself as Malcolm’s grandpa and I’m here for it. 

41:51 - REALLY MALCOLM?!!? YOU CHOOSE TO LISTEN TO A VOICEMAIL FROM THE SURGEON NOW?!?! #MORON

42:29 - Martin’s entire message for Malcolm is haunting. Even now, he’s trying to manipulate Malcolm. “I’m not the man I used to be”. I’ll promise you right now - Martin will be killing at least one person in the next 3 episodes. He’s addicted to killing. End of story. 

“I’m doing this for you” ....Is Martin going after Ainsley? I’m genuinely concerned that Martin thinks Ainsley is going to try and kill Malcolm or pin the Endicott murder on Malcolm. I think Martin caught wind of it and is planning on ‘taking care of the problem’ (Ainsley). 

42:35 - Look at Dani. She’s terrified. For Malcolm. For Gil. For New York. For herself. She knows how bad this is and she’s scared. 

42:44 - “You fath-. The Surgeon.” THIS. Dani realized that Malcolm doesn’t need to be reminded that his father is a serial killer. Dani realized that family is more than blood. The Surgeon escaped. Malcolm is in danger. But Malcolm’s father didn’t escape. Malcolm’s father has been dead since 1997/1998 when Malcolm found out he was a serial killer. 

42:55 - Malcolm. :( Look at our baby. :( He’s done. Absolute horror and terror. He looks like he’s going into shock. I honestly thought (*cough* hoped *cough*) he was going to pass out. THIS is what’s going to remove Malcolm as a suspect for ‘aiding/knowing that Martin was planning on escaping’. Same with Jessica. Ainsley doesn’t have a terror driven alibi though. At least - not that we’ve seen. 

AHHHHHHHH this was such an intense episode. I can’t wait for Tuesday. <3

If Malcolm doesn’t have a full on mental breakdown soon I’m going to have a stress-induced breakdown for him. Seriously. 

 Thanks for hanging out.