#so im crossing my fingers for this one
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365 Days of Writing Prompts: Day 274
Adjective: Deceptive
Noun: Spiral
Definitions for those who need/want them:
Deceptive: giving an appearance or impression different from the true one, or misleading
Spiral: a spiral curve, shape, or pattern; a spiral spring; (astronomy) short for spiral galaxy; a progressive rise or fall of prices, wages, etc., each responding to an upward or downward stimulus provided by a previous one; a process of deterioration through the continuous increase or decrease of a specified feature; (American football) a pass or kick that moves smoothly through the air while spinning on its long axis
#just a smidge late this time#lowkey cos my girlfriend and i were busy#speaking of which we continued birthday celebrations for her and went out and did some small things#we honestly had another fun and relaxing day#also cant believe its october#halloween is right around the corner (my girlfriend and i are trying to work out costumes rn)#and we are both attempting inktober again#ive never finished an inktober (including the year in which i tried to write poems instead of making drawings)#so im crossing my fingers for this one#anyway this prompt screams the 'spiral' from the magnus archives#so im obviously going to do something with that in the poem i end up writing#i cant get over how 'deceptive' and 'spiral' are so perfect for a piece about the spiral#also i fell asleep while writing these tags and now im more than a smidge late#so oops#the magnus archives#tma#the spiral#the spiral tma#thanks for reading#writing#writer#creative writing#writing prompt#writeblr#trying to be a writeblr at least
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i like the swords a lot
#im.back mononoke#haiii hiiii i missed you mononoke n i def didnt start a rewatch of the entire thing#ive only been in the mood for meme redraws lately tho 😭#...big things coming. crossing my fingers i finish this next one cus i love the idea#mononoke#mononoke karakasa#kon kusuriuri#my art#none of my friends r mononoke fans im so lonely 💔 my brother isnt either 💔 one day i will sit them down for a mononoke viewing#im rambling alone in the discord server abt shit only i care n know abt RAGHH#anyways the swords are genuinely so adorable im so obsessed. huge little guy energy on them
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in the unfathomable vastness of paradox space, a thrumming pulse tying all living together rings through
#homestuck#homestuck beyond canon#ultkri au#kankri vantas#posting it as a video and crossing my fingers it fucking works bc the gif version was ass#it should loop on mobile and stuff so i think im safe???? god#anyway this almost killed my laptop YAY#i need to buy a better one istg this old lady served me enough already
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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pairing: hoshina soushirou x gn!reader (no prns)
request: Hii im the anon who ask for the wips and i saw the blurbs you have. IM VERY MUCH HOOKED with the third ones where hoshina loves reader's smile🥹 relating to that maybe i would like to add(if you want, but feel free to do seperate if you want) soft moments with hoshina x reader who felt like she being the most pessimistic person regarding love(not anti but just felt like she doesn't deserve it) so she is on denial when hoshina make a move on her
notes: reader is usually rather energetic, talkative reader, hoshina thinks you are "beautiful" at some point, TYSM FOR THE REQ!! sorry it took so long omg
wc: 1300
Something was wrong— terribly wrong. There was no way someone would want you, let alone your vice-captain who could have anyone in the world. Not your vice-captain who did everything with such care and looked after everyone so preciously. And definitely never your vice-captain you were terribly in love with.
There must be some mistake. Or else he wouldn’t have just said what you thought he said.
“Pardon me?” you asked.
He looked a little flustered and you had never seen such an expression on him, confusing you further. “I love you,” he said again, softly. “I’d love to know if you’re in a relationship.”
The way he spoke so carefully added to how nervous it made you feel— it was so different from how he usually talked to you. Now, you were lost to say the least, because you couldn’t think of one reason why he would like you, let alone romantically. Under normal circumstances, you’d assume you were being played with or that this was a silly prank or dare, but you knew that Hoshina wasn’t one to do something so horrible. So what was happening?
“I am not…” you said, still confused, but the visible relief in his eyes made your heart tighten. Oh gosh, is he serious?
“I’m… thrilled,” he said, and he wished you goodnight and left. While you were terribly flustered to know he liked you back, there was a voice in your head that wouldn’t stop making you feel anxious. Something felt so odd to you— to be loved back. To be loved back by him. You enjoyed talking to people so you talked to him often, but never had you thought he'd think of you like that. Having a naturally talkative personality, it was true that both of you had fun talking to each other, but you had accepted that your love was unrequited ages ago. When would he have possibly fallen in love with you? The more you thought about it the more impossible it sounded. As thoughts of him circled your head, it’d be morning before you knew it.
It'd be hard for him to point out exactly when he fell in love with you, because he was in love before he knew it. Before he knew it, he'd catch himself following you with his eyes. He adored watching you work, because you made everything look exciting. Of course, he saw how you groaned at the paperwork you had to do, but he'd see how the little things would put a smile on your face.
He liked the work he did, he liked all of it quite frankly. From neutralizing kaiju all the way down to the research he had to do— rarely did he think something was a chore to do, but if you were around to laugh at something silly he found or mutter about the binders and binders of files that the 3rd division just doesn't have space for anymore, he'd start looking forward to these moments.
While he knew you were like this with everyone, he hoped that you were happiest with him. It would mean everything to him if you looked forward to doing seemingly mundane work with him too.
However, while he loved so much about you, there was one moment specifically that made him realize he wasn't moving on. His heart would be yours forever at this rate. You'd look so horribly tired after all this work, and yet, if someone needed help with anything at all, you'd still smile and ask them what's wrong. You'd find the energy and speak to them so kindly. You might not have the energy you usually had, but you'd be so happy to help. Even if they couldn't tell how exhausted you were, he could. He knew how much you did for everyone in the division, and he thought you were stunning when you did so. You were the most beautiful when you had that lovely smile on your face that seemed to light up his world.
He loved you so dearly.
You loved talking to people, so there always seemed to be something for you to talk about. A new finding you wanted to share or a terribly random thought that popped up in your head. While you naturally talked to most of the people in the division, you looked forward to talking to Hoshina the most. The way he'd always listen so intrigued at your dumbest thoughts and laugh at the smallest things you said meant more to you than one would probably think.
And if you shared your daily happenings with him, he'd share his with you too. To say you loved these moments would truly be an understatement. Nothing could possibly make you happier.
However, you knew he was like this with everyone. His laugh would always manage to keep the morale of the division up and he'd never miss potential problems in the condition of any of his officers. You knew he was a sweet person, but also the best one could ask for in a vice-captain. You weren't special— he was like this to everyone. You knew better than anyone else.
You couldn't imagine anyone falling for you, let alone the kindest person you'd ever meet in your life. Let alone the person you'd probably love for the rest of your life.
Yet, here you were, alone with him this afternoon working away through paperwork and it was quiet. Eerily quiet. He was the first to break the silence.
“I rather dislike the rain,” he said, looking out the window. “It’s been raining all day.”
You paused to look outside as well. “No, you’re right. I don’t mind the rain, but I hate how dark everything is.”
“Yeah,” he said. More silence.
“Sorry, I’m awkwardly nervous now,” he said, eyes fixed on his work. “I didn’t mean to make things… weird.”
You could tell he probably didn’t want you to, but you couldn’t help but look his way. Your eyes widened and your heart filled. You weren’t afraid to say much, but you were afraid to talk about this. However, you thought you’d be able to if you were talking to him.
“I just… can’t imagine that you’re… in love… with me,” you said, looking down at your paperwork. “Sounds too good to be true. I know... sounds unlike me, right?”
Immediately he looked up at you, shocked to say the least. You could tell he probably wanted to ask why, but he thought for a moment more.
“What… would I be able to do to show that I am?” he asked. “You’re the one I love… you always will be.”
Your eyes widened. “I just… don’t know why,” you said honestly. “Why me?”
“Because I love you,” he said. “I love a whole lot about you, but I love being with you. I enjoy spending time with you and watching you enjoy the life around you. Is that too simple?”
It took you a second to reply, but you felt a lot better. “No, not at all,” you said. “Because I feel exactly the same way.”
“You’re kidding”
“Absolutely not”
“I’m going to kill you if you’re lying,” he said.
That made you laugh. “You know I wouldn’t,” you said, and yes, he knew you wouldn’t.
“Hey, Hoshina,” you said, avoiding eye-contact. “If I get worried… will you tell me again?”
“I’d tell you until you get sick of my voice,” he said while getting up to kiss your forehead. “I love you so much.”
#hoshina x reader#hoshina soshiro x reader#soshiro x reader#hoshina soshiro#hoshina#kaiju no. 8 x reader#kaiju no 8 x reader#kn8 x reader#IM SO SORRY I HOPE IT WAS OK I WROTE THE READER THE WAY I WROTE THE READER....#MADE US ENERGETIC USUALLY#also i dont know if i did the last section correctly either i hope this was what u had in mind...#THANK U SO MUCH FOR THE REQUEST THOUGH I ENJOYED WRITING IT A LOT#THIS WAS REALLY REALLY SWEET#THANK U SM FOR READING TOO#I HOPE YOU ENJOYED#request#proofread this and now im like err#idk chat did anything happen in these 1300 words (NO)#truly JUST VIBES I FEAR SORRY#NEXT ONE WILL BE BETTER FINGERS CROSSED#omg i just looked at this for the first time on mobile and my read more was so far down i apologize... i moved it up a little
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💞☕️ Tweek Week - Day 2 - Sleep ☕️💞
craig wanted a sip of tweek's coffee and got a face full of steam for his troubles
I hc that craig has a sweet tooth and hates black coffee, but tweek will drink any kind of coffee, so he'll make black coffee just so craig won't steal it lol
#tweekweek2024#south park#tweek tweak#craig tucker#tweek week#i know this isnt exactly sleeping#its more like their usual mornings together♡#i hope i can finish the prompts#im almost done with the one for tomorrow#so hopefully ill be done in time#fingers crossed#♡♡♡♡♡#shitty#(< that's my art tag)
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Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god
#gravity falls#ford pines#stanford pines#self ship#self insert#si x canon#it me#doodles#I got a haircut! so my hair looks different now.. as haircuts tend to do lol#anyway… yeah… I LOVE HIM… GRAHHFJH#the confirmation that he rlly is just sad and lonely and insecure and craving attention and validation#OHH FORD BBY.. WE R THE SAME#like… ghghg i loved him already just w his prickly nerdy outer shell but knowing more about the vulnerable center is GREAT. ITS AWESOME#also hes a smart nerdy guy who can do science and expirements and shit which is ONE OF MY FAVORITE THINGS FOR A CHARACTER TO DO#u kno im all about scientists….#I couldn’t draw ship art back then 1 cuz I didn’t kno how to draw old men and 2 cuz I was like 13 lol… which would have been wierd#but I’m an ADULT NOW. GET OVER HERE FORD#also it didn’t even rlly cross my mind TO draw that stuff cuz even tho I did love ford#self ship and x reader sorta stuff was not NEARLY as popular back then.. like I specifically remember it like. booming in popularity#at some point. but being pretty rare before that. anyway. thank u passage of time and trends and new gravity falls book for introducing#me back to fictional man I love. so I can now draw myself smooching him and shit#hell yeah.#13 is probably not actually correct I do not remember exactly which year fords reveal was in…#but I was probably older then 13.. but still#the point remains lol.#also omg. the bit in the book w the goth moth. ‘ur probably into this sorta thing right?’#I AM INTO THAT SORTA THING FORD. thank u book of bill for being written specifically @ me. the immersion it’s great.#like ur so right ford I AM edgy and goth how’d u guess that tee hee. eyelash flutter#aLSO PLS IGNORE MY FINGER BEING IN FRAME IN THE LAST PIC. I was drawing in a tiny bound sketchbook#so I had to hold the paper down to keep it flat. and. I didn’t feel like censoring my fucking. pinkie finger out of the image
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sticker sheet wip -___-
#was gonna make a shuake / general persona 5 sheet#third sem goro akechi disease is terminal tho#still have to edit some designs and idk why the scarf is so big. but lets finish this#my art#is this too many on one sheet???? is the sizing ok??????????/ does anyone want a sticker of a toppled over glass and a crosshair symbol#the more i look at it the more im like man wtf /i/ wouldnt buy this. its ok. its just in the ugly phase rn fingers crossed it comes out ok.
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mob psycho log
Mob Psycho Rquests | Comms
#bkanvas' art#mob psycho 100#mp100#terumob#teruki hanazawa#shigeo kageyama#ritsu kageyama#momozo takenaka#takeritsu#Tsubomi Takane#Minori Asigiri#Tsubomino#sho suzuki#Shomob#Arataka Reigen#Tome Kurata#Minomob#mp100 mob#mp100 oc#yuzuki takenaka#Yuri Ichigo#commission#comms#art comms open#crossing my fingers no one yells in the tag when i post this#i dont think this is everything but also i draw super slow so im not sure myself#dumping all these in one long post mainly cause my mp stuff is usually for the bird app and the camera one#uh uh#idk#i like mob psycho still <3
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13 y/o delores doodles !! <3
omg thank you for asking!! yes, my brain is still rotting over delores and five!!
i can’t stop thinking about five discovering delores and them surviving the apocalypse together so these doodles are dedicated to apocalypse outfits B) i cannot get OVER the overalls. she looks adorable argue with the wall
@unicorninatophat and i absolutely yapped about her possibly looking like annesophia robb in bridge to terabithia??? and now i can’t stop picturing young delores with the short, messy blonde hair????? and i love it???? a lot actually?????
^ my main reference pic!!!!
anyways that’s all thank you for viewing my art. very kind of you to do that
#i hope literally anyone likes this one because i actually really like how it turned out#i LOVE the overalls one and i can’t explain why#i’m just really happy with how it turned out#also i used no reference for it at all. which is such a huge flex for me lmao#i’m learning how to draw clothing folds and i truly find it so fun now that im getting better (i think??? i hope????)#crossing my fingers that it doesn’t look terrible to everyone else!!! <3#i’ve been staring at this for way too long. time for bed i guess#laur says stuff#laur draws stuff#the umbrella academy#tua#umbrella academy#five hargreeves#hargreeves siblings#tua s4#number five#tua season 4#tua five#delores x five#five x delores#tua delores#delores tua#number five hargreeves#tua s1#tua season 1#my art#artists on tumblr#female artists
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chongyue !!! ☀️
#who up getting chongyue milk from the lawson collab💀💀⁉️⁉️#im sorry. i’ll stop💀#one of the better chongyue doodles.. still trying to figure out how to draw him#ft docsona sorry i needed to fill in the space so they r just.. there.#chongyue bean plush coming home this week fingers crossed i want my plushies of this man#head infested with chongyue disease recently#i love him oops ..#chongyue#arknights#art#dazai’s canvas 🫧
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Ngl, and I'm gonna piss some people off but I kind of wish the show didn't exist.
Idk it's creating an energy in this fandom that I'm not vibing with that wasn't there before.
#pjo#percy jackson#percy jackon and the olympians#percy jackson and the olympians#pjo show#pjo show crit#pjo tv show#pjo tv#pjo tv series#and people are being snipe-y toward old fans/people that have read and grown up with the books#and if you so much as question rick riordan's decisions you'll get surrounded by a firing squad of people telling you your reasons are not#valid or suspicious#like?? im sorry but the man got lost in his own sauce with this one.#and yet like a clown i keep tuning in every week crossing my fingers that it gets better#butlike... s1 is ending and it was just a trainwreck im sorry
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four unrecoverable hours down the drain ....
★ song : "Gehenna" – Nightcord at 25:00 cover
#hey guys . barely awake spooky here#uhm#sorry about the freakout i had last night over not being able to upload this – i think the tiredness was getting to me ahaha#anywho#i think it's almost poetic how these two complete one another#tony refuses to speak about his past to anyone . in fear that the events of his past would transpire once more . and leaves –#– the plethora of issues he has unaddressed . trying [and mostly failing] to power through them himself#while sketchbook is trying so hard to help tony feel better but . in the process . also hiding his own feelings and troubles –#– for . if he shared them with tony . the clock would only spiral further with worry and guilt#isn't it nice how they both want to take care of one another . but end up destroying each other and –#– more importantly . themselves more in the process#i . for one . think it is#im crazy over this cover guys – not lying when i say it might be my favorite N25 cover of ever ahaha#dhmis#dhmis art#dhmis au#high voltage au#dhmis tony#tony the talking clock#dhmis hv tony#dhmis sketchbook#dhmis hv sketchbook#tw flashing images#cw flashing images#tw flashing lights#cw flashing lights#attempt number 4 to post these crossing my fingers hope it goes well
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Frye Fest - Final Countdown
Start - Part 1 - Next ->
[1/20]
🍕Team Grub🍕
Splatfest 24-09-2022
[Master Post - coming soon]
#doing a little thing ive been wanting to do since i first got this game lol#well when i first fell in love with frye which was around the same time so whatever XD#anyway#lets hope i can keep on schedule#the plan is to draw ALL the splatfests we've had so far and post one every day until the grand fest....#as of making this post (which is 2 days prior to scheduling this lol) i only have this drawing done. with one sketch of the next done....#out of 19....#BUT HEY#im not backing down on thisa >:D#i will go insane but itll be worth it!#cross my fingers i can keep on schedule still fjsjkaa#also so wish i could schedule posts on instagram but the feature hasnt reached me yet#which means yall fellow tumblerinas will get to see my posts first XD#splatoon 3#splatfest#frye onaga#gear vs grub vs fun#team grub#my art#saltys art#frye fest
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GRAAAHHH SORRY THIS IS SUDDEN BUT OH MY GOD I FINALLY FOUND YOU. IM THE BENREY THAT RAN UP TO YOUR BOOTH AR AMW THIS YEAR AND MY FRIEND BOUGHT ME LIKE ALMOST ALL YOUR VALVE STUFF, I LITERALLY CRIED WHEN I GOT BACK TO THEIR ROOM CAUSE LIKE DUDE. THAT MEANT EVERYTHING FOR ME, I WAS GENUINELY SO SO SO HAPPY TO SEE THE FANDOM IS STILL ALIVE AND IVE BEEN LOOKING FOR FANS IN THE WILD FOR YEARS. THE EXPERIENCE WAS ENLIGHTENING TO SAY THE LEAST AND IM SO SO JOYOUS ABOUT IT. THANK YOU SO MUCH !1!11! :•3
:D !!!! HI!!! I REMEMBER YOU!!! THANK YOU FOR STOPPING BY, I'M SO HAPPY IT WAS MEMORABLE FOR YOU!!
people who are so enthusiastic about the things i make and the fandoms i rep at my booth are THE #1 coolest part of the experience 🥺 i feel like convention artist alleys these days are mostly filled with the same 4 popular anime/mobile games and it's really hard to find less popular anime, let alone things like video games and webseries. you would not believe how many comments I got that people never see things like Team Fortress 2 or Portal in AAs, let alone stuff like Infinity Train or HLVRAI 😭 the people who recognize them are always SO excited and then I'M excited and we are BOTH excited and nerding out together. it's fantastic!!!
the hlvrai fandom is definitely still going strong! i still see a lot of fanart and community posts and my sales on my few hlvrai things on my etsy have Not slowed down lmao. i'm sure if covid didn't happen there would have been so many benry cosplayers in 2020. we were ROBBED </3 i've seen You and one benry cosplayer at ACEN last year and that was IT </3 </3 </3
#ask#agoraphobiclemons#at anime central i had an admin for one of the radiotvsolutions folks stop by my booth. they were also very excited#to see my art prints i had of the science team!! they were also very nice :3 and a neopets fan. big W#hlvrai is one of those fandoms where you might not meet them super often but when you do they're the coolest people#anyway hearing from people who saw me at cons is so so so fun#im booked for the same con next year already and fingers crossed i can get into acen again#anyway. fellow artists. bring some merch for things that aren't the biggest thing in the world#if everyone's selling genshit midpact you have to split the attention of every attendee who plays it#if you're the only booth selling something thats only moderately popular though. you'll get all that attention to yourself#and everyone that recognizes it will be really really excited about it. and then its not a Transaction its an Interaction and its FUN#i am saying this as somebody who never watches popular anime or plays gacha games pleeeeeeease diversify your catalogues dhjbdsfbhj#i started attending cons in 2016 and the 2016 ~ 2019 cons were completely different from cons in 2022 ~ 2024#and 'oh well they're Anime Cons ofc they have an emphasis on anime' isnt even an excuse because before 2020 it wasnt like that#esp here in chicago where we have like. three pop culture cons total. and they all have Anime in the name. doesnt stop anybody#or at least it didnt used to#anyway i am mentally pinning this ask in my brain corkboard and i will look at it forever <3 fandom is beautiful#THANK YOU FOR THE MESSAGE !!!! <3
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lmao i feel like i should have been way more excited during the initial relaunch announcements
but it really speaks to how gatekeepy the loudest parts of fandom became and how mistreated certain characters (ie those not part of the chosen pet fav circlejerk on x-tw*tter, which would matter less if it weren’t a vacuum reinforced by the actual x-office) were under outgoing editorial these last five years that even a post-krakoa announcement of my girl finally:
-headlining a flagship
-with an incredible writer and artist team
-a SOUTHERN GOTHIC premise
-the possibility of rogue finally having enjoyable interactions with remy and kurt
-under new editorial (that hasn’t said inflammatory things about said character in interviews afaik)??
still kinda had me like
“cool!!…
…still not pre-ordering. i’ll see for myself in august” 👉👈
and then literally all it took was gail simone’s cbr mini q&a to alleviate everything i was paranoid about
(ie worried that rogue and gambit were only finally getting attention due to corporate knowing they sell/mcu synergy (cough r&g 2.0) while editorial themselves actively hates and sidelines them, that remy might be a punching bag joke once again, that dull - and mostly yt - sausage fest of a proposed line-up, r&g 2.0/uncanny avengers/duggan’s x-men/excalibur fatigue, general saltiness from the inferno exclusion and basic removal from her mothers’ lives)
and basically i now say
bring it!!!!
#like listen bitch ive been tricked before lmao#as long as cebulski san is running things from the top i remain wary#but#they had me at ‘southern gothic’ and the creative team#i want to hope this office won’t cater to twitter/podcast BNFs like the previous one did but….#the x-office needs to EARN my $ back this time 🕶️#x#fans of rogue and gambit and rogue/gambit truly ask for so little#we were spoiled by kelly thompson and im hoping we get just HALF of that energy and care w simone#fingers crossed just based on how badass her other characters have been#plus she’s all but confirmed monet is joining#monet and jubes and rogue???????#bless u gail simone
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