#so if a chapter you like isn't here that might be why

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[abigail-pent]

Thoughts on HTN Act Four on my ??th reread:

- Harrow says "You cannot build in the River. It is a dimension of perpetual flux. Defined space is nonsense here. You might as well try to wall off Time with bricks and mortar." Which hits VERY DIFFERENT after Nona when we physically see a Tower rising from the River - this is way more like bricks and mortar than Pal's bubble even! IS THIS A CHEEKY LITTLE FORESHADOW OF WHAT THE TOWER IS???

- I think it's so fucking funny that Harrow tells her lobotomized self to silence Judith, like she knew Judith was going to speak her inconvenient mind no matter what

- There are 24 total letters. One for Harrow, one for Ianthe, one for Ianthe to give to Gideon Nav if met, one for Cam, one in case Harrow met Judith, one in case Harrow met Corona .... so like most of the letters went unopened. What happened to them? They went into the River but did anyone pick them up?

- Teacher says: "When the work was done, when I was finished and so were they, and the new Lyctors found out the price, they bade him kill the saltwater creature before she could do them harm." This still makes no sense.

We know (from Chapter 37) that "the price" is one of a set of John's lies - that the RBs would chase them and destroy them for the indelible sin of Lyctorhood. But that only explains why they thought Alecto would harm them if they knew Alecto was an RB (truth), and they thought RBs hunt Lyctors (lie). Throughout HTN, Augustine and Mercy both appear to know a lot more about John's motives than John tells Harrow, but we don't actually know if they learned this, or the history of the ten billion, from John or from BoE. When they had Alecto locked into the Tomb, they certainly didn't know that Alecto is John's cavalier, or else the big reveal about Alecto's and John's eyes would not have been such a big deal ten thousand years later. What did John tell them at the time? "Oh hey RBs kill Lyctors and we've been hanging out with one this whole time?" I don't think so! Did they just randomly guess there was an RB in their midst? Seems unlikely! So why did they suddenly turn on Alecto?

- When Augustine says Harrow's call sign is H, just H - is that him taking pity on her (knowing what her cavalier's name should be and choosing not to use the initial G), or him condescending to her because she is not a complete Lyctor?

- When Alecto learns that Varun is coming and she's astonished that it's happening... this is very interesting. She shouldn't be surprised if she already knows the RBs are chasing her and trying to get to her, but her astonishment makes it seem like she doesn't actually know this.

- the way Harrow prays that Ianthe isn't the traitor.... hmmmmmmm

- Cytherea tried to bodily go to the surface of an RB and failed, having gone "mad for weeks"

- Cyrus died before Ulysses and Cassiopeia. When he drove the corpus into a black hole, Ulysses drove the brain through the stoma and Cassy dropped the body into the River alongside the brain; which means Cyrus was the first to go. (Though obviously Cassy's death was faked.)

- The way Mercy describes the RBs: #2 sounds like Mercury (quicksilver), #6 sounds like Uranus (sphincters), #4 sounds like Venus (a humanoid creature with a beautiful face) #1 sounds like ... I don't know, maybe Mars (looked to Mercy like a great and incoherent machine, with a great tail and a thousand broken pillars on its back; looked to Cassy like a mechanical monster with swords for wings and great horns, tesselated over with graves; both of these say "war machine" to me), #8 sounds like either Jupiter or Neptune (a giant head, finned like a fish, teeth protruding from its own skull - fish suggests ocean/Neptune; red with a big green eye - eye suggests Jupiter), #7 looks like Neptune because it's blue but I think it's actually Saturn (who is classed as a Varunian god, who ate his children, and of course we know from NTN that #7 is named Varun the Eater), whatever number Alecto is is Earth, and that leaves Pluto and either Jupiter or Neptune unnumbered and undescribed. I'd guess Alecto is #9, which leaves #3 and #5.

- Augustine says Mercy's House "suckles at the stoma like a damned teat." We know the Second House drains thanergy to turn it into thalergy and the Eighth House is the opposite of the Second in that way; so it drains - or sucks - thalergy. Which is hella fucking curious because it suggests that the power on the other side of the stoma may actually be **thalergy**. But when you think about it, that actually starts to make sense. John says that the other side of the stoma is "a genuinely chaotic space," "a portal to the place I cannot touch, somewhere I don't fully comprehend, where my power and my authority are utterly meaningless," and that "no ghosts venture deeper than the bathyrhoic layer." What could be more chaotic than a fount of pure life energy - afterlife energy, even? What could take the wind out of John's sails more, or contradict his power more, than a source of actual, eternal life? We know from GTN that death has to connect to life, and life to death; death can't be linked up to death like that, the opposites call to one another. And we know for certain that the force on the other side of the stoma calls to John, who is a great conduit of thanergy, and the Resurrection Beasts, who are massive, planet sized pools of thanergy. I think the stoma opens for them because they're Big Thanergy and the stoma is the gate to Big Thalergy.

Also: we don't actually know that no ghosts get all the way down to the bottom of the River except if they're like really evil, which is what John posits. We know we do not see ghosts at the bottom of the River. It doesn't follow that ghosts just choose not to go there. This fact could also be explained if the Big Thalergy on the other side of the stoma is pulling all the nearby ghosts through. Classic causal inference fail - John has the direction of the causal relationship backwards.

- John can't project his soul into the River and enter the "senseless state" because then Alecto would come to the fore and take over his body.

- Harrowhark has never had a father figure - or a figure who wanted to be her father - except he tried to kill her.

- Harrow saying she's not a person because she's a chimera or a war crime... ohh... 😭😭😭

- John says he designed the Tomb *with* Anastasia and never wanted it opened from either end, yet at the end of NTN we find Anastasia's body in there with Alecto... so either the Tomb was always openable by Anastasia or John knew she would die in there.

[coffeetailor]

"Small Matters Extras" Chapter 4: The Superior Father

Summary: What do you do when someone who turns out to be the creator god of the universe calls you his son?

More importantly, what do you do when you pick up on how much they're actually a lot like you?

Luo Binghe wasn't sure he remembered the An Ding disciples being nearly so bold when he'd been a student. They might have done their share of glaring, but typically behind someone's back. And typically not directly at someone they knew to be a demon lord. That didn't mean they were particularly eager to actually approach, of course, just that they didn't bother hiding the fact that they drew straws to pick who had to approach him. "What do you want?" a yellow robed outer disciple asked after losing the draw. "Shen-shibo isn't here." "This lord is looking for Shang-shishu, actually," he said, doing his best to remain polite. No matter the way it was impossible to ignore the sudden spike in hostility. "Might someone direct me to his office?" "Why do you need to talk to him?" the disciple demanded. If they'd been a cat, they'd have puffed up and hissed, Binghe was sure. It was almost cute, seeing them stand up for their shizun like a bunch of wild kittens protecting their mother. But just almost, because that protectiveness was getting in his way.

[voraciousvore]

Vore Writing/ Art Mega Compilation

Happy Vore Day!~

I decided to make a collection of some of my favorite vore scenes I've written, as well as throw in some art both new and old! Keep in mind these are chapters from larger stories, not oneshots, so they may be diminished by lack of context or build-up, and contain massive spoilers for plot events. I tried to include a decent variety, except for giantess vore as I have a separate compilation for that here. Also scenes that I label "NSFW" contain overt sexual elements and are 18+ only.

If you haven't read any of my writing, now's your chance to browse, sample some, and suffer through it!

The Giant, Ch. 3 - My first full vore scene in my first full story that remains one of my best (soft, unwilling, nonfatal); I would also recommend continuing into Ch. 4 for a great semi-willing mouthplay/ foodplay scene!

Big Corp Inc, Ch. 17: Cake - Tiny lady covered in cake frosting. What more could a big guy want? (romantic mouthplay, NSFW)

In the Belly of the Giant, Ch. 12 - A kidnapped woman learns just how horrible her giant captor is (soft, unwilling, nonfatal)

Giganterra, Ch. 10: A Full Belly - The giant king enjoys his tribute of small young ladies, devouring them one by one (soft, unwilling, nonfatal, NSFW non-con)

Bucky's, Ch. 9: Business Lunch - A party of high-ranking executives visit Bucky's, a restaurant that serves humans as food (unwilling pred, mouthplay, soft safe vore)

The Half-Blood Giant, Ch. 38: Unhealthy Obsession - A miserable, unhinged giant obsessed with a girl he can't have decides to forcibly keep her for himself (soft, safe, unwilling); Bonus, if you want to read the scene that precedes this one with him betraying and consuming his romantic rival: Ch. 36: Cat and Mouse (soft, fatal, unwilling)

The Half-Blood Giant, Ch. 40: Full Tour - Very messed up chapter where Hannah gets a full trip through Hunter's entrails (full tour but not explicit at the end, soft/ safe with some threat of digestion, somewhat NSFW since he handles her naked)

Boarding School for Giants, Ch. 4 - Giant student bullies his tiny classmate. To be honest, I included this scene more for the poignant emotional impact than the actual vore scene itself (unwilling mouthplay)

Big Corp Inc, Ch. 11: Cold and Hot - A gentle giant unwittingly eats his coworker in a sandwich (double unaware vore, soft, nonfatal, vomiting)

In the Belly of the Giant, Ch. 5 - Gastroscopy with an intrepid, tiny male doctor (willing, soft, safe)

Bucky's, Ch. 39: Eat or Be Eaten - The CEO of Big Corp decides to eliminate a disloyal employee (soft, unwilling, ambiguous ending)

Big Corp Inc, Ch. 34: Manager Meeting - The sole human employee of Big Corp is coerced into participating in a "product demonstration" with her boss (soft, safe, unwilling)

Giganterra, Prologue: Saturn Devouring His Son - The giant king shrinks and devours his defiant heir (soft, fatal, unwilling)

In the Belly of the Giant, Ch. 34 - Giant cop is tied up and forced to ingest his tiny girlfriend (soft, safe, unwilling pred, NSFW non-con)

I know there's a lot of great scenes that I excluded, but this list is getting too long as it is. It was very difficult to narrow it down!

Anyways, here's a bunch of vore art:

[franeridan]

this might just be an unpopular opinion in the jjk fandom but i love how little seriously things happen for the most part since the culling game started, like i miss being seriously emotionally invested in it a little bit ngl but i love the way the newer characters will just open their mouths and say things so much, they were all forced in this game against their will and the only ones that survived long enough to make it in the cast are the unhinged ones that makes so much sense to me. maybe I liked the plot until the shibuya incident a little more but tbh some of my favourite characters in the whole manga have been introduced or have been made relevant during the culling game, some of these guys are just pure gold on legs

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 35: Threads

Summary: Pack bonds are made up of delicate threads, small fibers webbing together the dynamics and relationships that make up each individual pack. The omega stands in the middle, holding the pieces together, keeping the pack from crumbling by clinging to those threads like a strongman holds pillars up with chains.

Pairings: Poly 141 x reader

Word Count: 11,740 words

Warnings: Alpha/Beta/Omega dynamics, Alternate Universe, angst, descriptions of physical pain, brief description of drowning, medical stuff, panic, crying, panic attacks, nightmares, PTSD, very heavy emotions, alcohol and brief mention of alcoholism, language, fighting (not physically), Kyle being the best boy, aftermath of trauma, brief mentions of the events of the previous chapter, guilt and shame, angst, and finally some comfort after the hurt (but not quite what you'd expect)

A/N: So I may have been slightly wrong, the angst isn't over, but it's not quite as intense as it has been. There are little tidbits of comfort in this one, though it's not like "okay it's over, let me wrap you in this blanket and everything is fine and happy now". It's...you'll see. If you're waiting for the fine and happy comfort then...you might want to wait a few chapters still. The comfort will come on slowly, but it has officially started.

MASTERLIST | <- Previous | Next ->

Screaming. 

Someone is screaming. 

It hurts your ears, high-pitched and ringing. Your hands cover them, but even that can’t block out the sound. 

It’s ringing in your own head. 

Your body hurts, every joint and muscle aching and throbbing. They’ve been locked in place too long, frozen in one position, a safe position. Safety. That’s what you’re seeking, that’s what you’re trying to find. That’s why you’re here. 

This isn’t a safe space anymore. 

The walls are crumbling, the darkness is fading. There’s light seeping in, threatening to pull you out, make you face whatever is waiting on the other side. It’s not a comforting light, it’s bright and piercing and threatening. You don’t want to leave the darkness. You don’t want to face the light. You want to stay there, stay frozen, stay safe. 

Your throat burns, raw and painful with every breath. 

It’s you. 

You’re screaming. 

Hands are flying, mouth open in a scream. It’s a horrible sound, grating and feral sounding. Your body twists and turns as they try to hold you down. No restraints. You’ll just hurt yourself more. 

Blood is flying, splattering on the gurney, the floor, the walls. Yours or someone else’s? It’s hard to tell. 

Simon. 

“Simon!” 

He snaps out of his daze, his eyes darting up to look at Dr. Keller across the gurney. Her hand is around his wrist, your elbow knocking against his forearm as you try to fight whatever it is you think you’re seeing. Maybe you’re seeing nothing at all. 

“I know.” Dr. Keller’s voice is soft despite the chaos of the moment. Her gaze is firm but comforting. She knows. “I need you to hold her still. She’s going to hurt herself further if she can’t calm down.” 

She’s going to hurt someone else too. 

The monitors are beeping and screaming. They managed to get a blood pressure cuff around your arm before you snapped out of the daze he’d put you in and started fighting. You’re like a wild animal, cornered and fighting for your life again with a renewed vigor. Renewed for now. If you don’t calm down again, something will give out. 

There won’t be any coming back from that. 

“Don’t be afraid if you hurt her.” Dr. Keller says, squeezing his wrist. “Bones can be fixed.” 

He catches your wrists in his hand, pinning them down against your chest. He uses his weight to his advantage, pushing his arm into you as he leans down so you’re face to face. You let out another scream, fighting against him but he has you beat. He’s bigger, stronger, calmer. 

“Look at me.” He says, his alpha rumbling low in his chest. It has even the beta nurses stopping in their tracks to look at him. The only one unaffected is Dr. Keller as she uses this moment to her advantage. 

You stop fighting him, breathing in heavy gasps as you stare right up into his eyes. Wild and untamed, pupils dilated in your aggressive state. Dilated out of aggression or dilated out of fear? Perhaps both. Beads of sweat slide down your face, your body hot under his. It mixes with the blood on your skin, blood from your own injuries and from the Shadows you killed. Your cheek is bruised, discolored from broken blood vessels. Your left eye will swell shut soon. He needs to get you calm before then. 

It’s almost cute, the way you bare your teeth up at him. He might have thought it cute in a different setting, if your life wasn’t dangling over a ledge right now. A low growl rumbles in your chest, a warning that has his own hackles raising. He bares his teeth back, an answering growl, deeper and angrier, rumbles in his own chest. The nurses take a step back. Even Dr. Keller pauses at the sound. 

Yet, despite the threat in his growl, it doesn’t deter you one bit. Your knee drives into his side, making him grunt from the impact, but he doesn’t let up. You’re fighting him again, trying to wiggle your way out of his hold. If he pushes any harder, he might break a rib. You’re going to break something if you don’t stop. 

You’re too far gone to recognize anything but fear and danger. You’re only going to fight, only going to attack anything you perceive as a threat. You won’t even recognise him. He has to get you to calm down before you have a heart attack. He considers getting one of the nurses to bring Johnny in, but there’s no guarantee that will work. You’ll just perceive him as another threat, another danger. More people in the room will only make you more aggressive...make your omega more aggressive. 

He’s not dealing with you. He’s dealing with your omega in her raw form, the animal deep underneath forced out of her hiding place. Whoever said omegas are weak never had to face one in this state. 

He stares down at you as you fight and scream, battering his side with your knees but he can hardly feel the pain. His arm is still throbbing where you bit him, but he can hardly see the blood streaked on his skin. 

He has to save you. 

He can’t let all of this go to waste. 

They’ll never recover if they lose you now. 

He moves almost seamlessly, time seeming to slow as he lets you go. He unclips his vest and rips it over his head in one movement, uncaring as it hits the floor with a heavy thud. You lunge up at him but he’s ready, catching you before your lower body can leave the gurney. It’s a risk. A huge risk, but it’s all he can think of doing. It’s hardly the worst place to be if things go wrong, if this fails. If he does fail, at least he’ll know he tried. 

He pushes his mask up to his chin, pressing your face right into his neck. 

Your nose pushes against his scent gland as he cups the back of your head, holding you there. He projects his scent as strong as he can, hoping it can reach some deep part of your mind, some glimmer of you that’s left in there. 

If this goes wrong, you’ll rip out skin and veins with your teeth. He’ll bleed out on the floor before they can even get him on a gurney. 

He wraps his other arm around you, holding you as still as he can. Tears prick his eyes as he holds you, shoving away the beeping machines, the panic still thrumming inside of him. Scruffing you was only round one of this fight. He should have held it longer, should have been brave enough to do it a second time. 

He can still feel it, your neck in his hand, the way you gave in so easily. You had no choice, he gave you none. It was necessary, it was vital that he did it. You wouldn’t have made it this far if he hadn’t. 

He should do it again. It would be easy, just slip his hand down and squeeze and you’ll be gone, lost in your head again and under his control. Maybe then he’d get you to calm down, get you out of this state and free from the danger looming closer and closer. 

Heart attack, stroke, organ failure. 

Why couldn’t Price be the one to go after you? Why couldn’t it be Price standing here making this decision. 

“I’m sorry.” He whispers before slipping his hand down, wrapping it around the back of your neck again. 

Pain. 

You’re in pain. 

You try to fade away again, try to push yourself back into the darkness to avoid the pain, but you can’t. 

There’s no escaping it. 

Your body hurts, every joint and muscle throbbing. Fire licks at your very cells, burning hot through your veins, scorching your skin. Safety. You want safety again. You want to retreat back into yourself, back into the comfort only the darkness can offer you. 

Nowhere is safe anymore. 

Tears are rolling down your cheeks, the light pressing closer and closer. It’s somewhere above you, shining down in offending shades of white. You can see it behind your eyelids no matter how hard you try to squeeze them together. There’s no escaping this light. There’s no retreating back into safety. There’s no safety anymore. 

You’re underwater, slowly rising to the surface. There’s sounds around you, muffled and dampened by the water. You need to breathe, you need to inhale precious oxygen but you can’t get to the surface fast enough. Lungs burning, your fingers claw at the water but you can’t reach it, you can’t swim fast enough. 

Your hands curl into soft fabric as you cough, choking on imaginary water. There’s warmth surrounding you, pressed in on all sides. You’re leaning against something, something hard and solid and warm. The sounds are louder now, mixing into a convoluted cocktail of constant noise. You hate it. 

Pain ripples through your throat as you let out a groan, the sound catching and cracking on the rough edges of your vocal chords. Another choked sound leaves your lips, pain rippling through your very nerves. The skin on your face is burning, simmering ashes being fanned by every tear sliding down your cheeks. 

You’re crying. 

There’s a deep sound coming from under you. It’s vibrating against your body, your pulsing ears focusing on that sound. It’s familiar. You’ve heard it before, somewhere back in the recesses of your mind. 

Your mind. 

It’s there. You can feel it beginning to take shape, thoughts beginning to form out of the fractured darkness. You’re not in your mind anymore, your mind is in you. You’re a being inside of a body, a body wracked with pain. The urge to retreat back is strong, but you can’t. That part of you has been closed off, sealed away by the light. 

Fingers and toes twitch, tingling and throbbing with the cold despite the fire blazing its way through your veins. It is cold, your hand pulling at the softness you’re clinging to. The low vibration begins again, rumbling through you, igniting something in the back of your mind. 

You know it. It’s familiar. 

Something tingles in the back of your mind, starting to come to life. Despite the agony there’s something in there, something warm and comforting. There’s no name for it, no thought flashing through the swirling mass of neurons slowly taking shape. It’s soft and warm and whispering to you. 

Wake up. 

Wake up. 

Wake up! 

Your eyes open before you can stop them. You’re immediately blinded, eyes throbbing from the bright white light above you, a high pitched whine leaving your lips. It rattles through your throat, broken and squeaking through your shredded trachea. You clench your eyes shut again, wincing away from the intrusive light, the movement sending a bolt of pain through your body like an electric shock. You let out another garbled sound, your fist tugging on the fabric it’s clenching. 

“I know, I’m sorry sweetie.” A voice says, the light disappearing before another takes its place, softer and lighter and less painful. 

Your eyes crack open again, still throbbing despite the light being removed. Your entire body is throbbing, pulsing like an exposed nerve. You feel like an exposed nerve, weak and vulnerable. It triggers something deep in your brain, the light starting to dim. Something is rising, something is coming. You want to lay back, let it take over, let it take control. You want to sink into the darkness again. The darkness is safe, the darkness is secure. 

The beeping is getting louder. Beeping, that’s what that sound is. There’s something beeping. It’s getting faster and faster. You’re starting to go numb, the tingling in your fingers and toes fading away. It’s not so cold anymore, the ache in your limbs fading into oblivion. You’re fading into oblivion. 

“Oi! None of that.” 

You’re awake. You let out a disgruntled sound as the warmth and comfort leaves you, deserting you in favor of retreating into the recesses of your mind again. A shiver runs down your spine, your very skin tingling with pinpricks of pain as it goes. 

“Open your eyes again for me, love.” 

Your body moves before you can tell it not to, your eyes fluttering open again. You’re squinting despite the bright light being gone. Any light is too much, your mind seeking out the comforting darkness once more. 

Darkness makes you vulnerable. 

In the dark, you’re blind to things that may be hiding there. 

No. 

No more darkness. 

You want the light. 

Scents flood your brain as your eyes fully open, slamming into you like a wave. It’s too much, nearly choking you again as you try to register everything. The burning scent of sterilizer, the soft scent of clean linens, the harsh scent of chemicals. There’s a soft scent mixing in with the others, something easing the turmoil in your mind just slightly. Above all else, though, is the intense smell of leather and something soft and fresh. It overpowers almost all of them, standing out distinctly. It makes your nose throb, something tickling in the back of your mind. You’re afraid of the scent, yet...there’s something else. Something...familiar. 

“Back with us yet?” The sound rumbles under you again. 

“Nearly there.” Another voice says. “Heart rate is coming down again. Still feverish, though.” 

You’re suddenly aware of your body again, the pains, the aches, the burning, the cold. You’re trembling, your skin prickling from how cold it is. You try to press forward against the warmth in front of you, but the movement has pain slashing through your very cells. Another pathetic whine tears through your throat, every movement sending stabbing pain through your very being. 

“C...C-Cold.” You manage to croak out, the word forming clumsily on your tongue. It feels heavy, like you’re relearning how to speak. 

“I know.” The softer voice says, something dragging across your skin. “We’re trying our best.” 

Something moves against your back, dragging against your skin. Whatever it is, it’s warm, but it’s rough. You push into it, something telling you to get closer, to wrap yourself in it and let it suffocate you. Somehow it’s comforting to you, somehow it’s familiar. 

Slowly thoughts and sensations begin to return to you, your mind dragging itself from the depths it had sunk into. 

It was purposeful. 

You did it to save yourself. 

You’re shaking for a different reason now, suddenly aware of the parts of your body that ache the most. Your shoulder, your cheek, your throat, your wrists. There’s a deep chill that has settled in your bones, sinking past the fever and the pain, past the memories beginning to resurface, past the hopelessness and the anger and the fear. 

“Simon?” You croak out, the name burning its way through your dry throat. You desperately want something to drink, anything to ease the burning desert in your mouth. 

“It’s me, love.” The sound rumbles under you again. 

Leather. Eucalyptus. Warmth. Alpha. 

You groan, trying to shift closer but the tensing of your muscles has pain screaming through your body. A shuddering breath leaves your lips, your body tensing until it passes. 

“Try not to move too much.” The other voice says, a hand coming to rest on your arm. You’re still clutching Simon’s sweatshirt in your hand like it’s the only thing keeping you tethered to this earthly plane. 

It might be. 

“Dr. Keller?” You croak out, recognizing that voice. 

“I’m here too sweetie.” She says somewhere behind you. “Take it easy, you’ve had a rough go of it.” 

She’s not wrong. 

The memories are coming back slowly, each one playing through your head like an episode of some fucked up television show. Except, it isn’t a television show. It’s your life. 

You hate it. 

“John?” You ask, trying to get your tongue to work, but you desperately need water. 

“Probably yelling at every person who crosses his path.” Simon says. “He was blazing a path to hell and back earlier trying to get ahold of anyone he could yell at involved in this.” He rubs your back. “He’ll be here as soon as he’s calmed down. Kyle and Johnny are working overtime trying to help restrain him.” 

You'll always be a second thought. 

“You?” You ask, unable to form the whole question you want to ask. Why are you here and not with your pack? 

He's quiet for a moment. “We got here before John and Kyle did.” His hand stills against your back, palm pressing below your shoulder blades. “You wouldn't let anyone close to you. The doc said it's normal, coming out of that state. I had to help keep you calm so you could get patched up. Then you wouldn't let me leave.” 

Your fingers ache from how hard they're gripping his sweatshirt. He stayed. He's the one here with you, not your alpha. 

You let out a groan, the pain starting to intensify. There’s a throbbing in your calf, and a deep ache starting to pulse in your joints. You’re almost glad for it, the turmoil in your mind starting to twist and fog your thoughts pushed aside in favor of the pain screaming at the forefront of your brain. 

“Time for more pain medicine.” Dr. Keller says somewhere behind you. “You’ll probably get sleepy, but rest is what you need right now.” 

You let out another groan, pressing your face back against Simon’s chest. Despite the pain in your body, there’s an even deeper ache in your chest. It’s not a physical one. Your alpha isn’t here. He’s left you again, abandoned you in favor of something else, something he deems more important. 

Tears are brimming in your eyes as they slip closed, the exhaustion and the drowsiness from the pain medicine taking over. 

It’s not quite so cold when you wake up next. It’s brighter in the room, the light not quite so artificial as it had been the first time. There’s no body against yours, no warmth seeping into your skin or scent in your nose. Your fingers twitch, almost like they want to seek it out again. 

You’re alone. 

You let out a quiet breath, your brows furrowing. Your shoulder aches, throbbing in time with the beep of the heart monitor. It hurts less to move as you shift your arm to itch the other. It’s horribly itchy, but your fingers meet gauze instead. 

Right. Phil had cut you there. Not very deep, but still deep enough to hurt. Just another injury to add to the list. 

You try to lift your arm but burning pain shoots through your shoulder. You wince, letting out a quiet moan of pain as you drop it back into the bed. You breathe as the pain shoots through you, swirling through your veins before it begins to settle. 

“You shouldn’t try to move too much.” A voice cuts through the silence. 

Your head whips to the side, your arm shooting out to grip the side rail as pain burns through your body like lava. It seeps slowly from your left shoulder down to your toes and into your very hair follicles. You let out another groan of pain, your eyes squeezing closed as you wait for it to pass. 

“Sorry.” The voice says softly. “I suppose that didn’t help any.” 

You open your eyes, still breathing heavily as the pain begins to fade. Your hand is still wrapped around the side rail as you stare at John. He’s seated next to the bed, his elbows on his knees as he stares at you. He looks tired, eyes puffy with dark circles around them. He’s in a simple green shirt and cargo pants, yet he’s not quite as put together as he normally is. His hair is sticking up in different directions, his beard scruffier than normal. There’s a faint pink line of what was probably once a cut on his cheek. 

It’s the first time you’ve seen him in weeks. 

You should be happy. 

You should be ecstatic. 

You should be relieved. 

Yet, all you can feel is pain and anger and betrayal. 

“There’s nothing I can say that will make this better.” He says, his voice rougher than usual, even after returning from a deployment. His eyes shine with emotion. You hate it. “There’s nothing I can say that will undo what happened.” He runs a hand over his mouth, letting out a breath through his nose. “This shouldn’t have happened in the first place. We should have known better, we should have questioned it.” He shakes his head. “We put too much trust in those above us, and we were all fooled.” 

Tears blur your eyes as you stare at him. He’s not just talking about Shepherd and the initiative. He’s talking about you too. 

“I regret it more than any decision I’ve ever made. I’ll regret it for the rest of my life,” He continues. “You put your trust in me, and I failed you. I let this happen to you because I got too caught up thinking about the greater good of the pack and I ignored what was right in front of me. You’re here because of me, because of the decisions I made. I had one job, and now you’re paying for my failure.” 

He pauses for a moment, tears shining in his own eyes. You should feel surprise, sympathy, something. All you can feel is hatred. He doesn’t deserve to cry over you. He doesn’t deserve this chance to try and explain himself to you, to try and give excuses for his actions. He made his choice. He made it very clear where his loyalties lie, where they’ve always been, where that line was laid before he even claimed you. It was never about you. Nothing was ever about you. It was always the initiative, and then when the initiative turned out to be false, it was about the ‘greater good’. You should have been the greater good. You should have been their focus. Instead they all betrayed you. 

They betrayed you in the end. 

“I made a bad call.” He continues on. “I shouldn’t have left you there. I shouldn’t have made that decision. It never would have played out how I thought it would in my head at that moment. Now you’re here, like this, because I made a stupid mistake.” 

He stares at you for a long moment, as if he’s waiting for you to say something, as if you  should have something to say in response. He’s waiting for an acceptance to his half-assed apology, as if his words can somehow undo the pain, the burning in your wrists, the throbbing in your shoulder, the agony every time you simply move a limb. As if his half-assed apology can somehow undo the weeks of depression and anguish and the worry and the fear. As if his half-assed apology can make up for the way they all cut you off, treating you like a traitor before abandoning you. As if his half-assed apology can undo the hours and hours of torment and pain the man you once thought of as a family friend unleashed on you all because of them. 

The hatred burns almost as hot as the lava in your veins, so hot you’re surprised the tear that slides down your cheek doesn’t start steaming. Your heart rate is picking up again, the monitor beeping with the sound of the anger simmering inside of you. The blood pressure cuff squeezes around your arm, a grunt of pain cracking in your throat. 

“Yeah,” You say, your voice hardly more than a whisper. You turn your head away from him, wincing as an electric shock of pain jolts through you from the motion. You drop your hand from the side rail before he can touch you, tucking your arm back under the rough blanket. “You did.” 

You have nothing more to say to him. 

John enters the room solemnly, the silence nearly palpable as they all wait in anticipation. They’re all looking at him, waiting patiently for their captain, their alpha, to speak. They always look to him, they always rely on him, they always trust him and now look where he’s led them. So rarely does he make the wrong decision, so rarely does he lead them astray. 

What happened this time? 

Why did he so easily turn them away from you? Why did he so easily turn his back on you? 

What words are there to say? He knew his words would do little to calm the raging storm inside of you, the hurt and the pain and the betrayal they put you through all because of him. 

The rejection still hurts, but it should. They all rejected you as soon as they left you behind. 

It’s only a fraction of the pain you must be feeling. 

“How is she?” Kyle asks, breaking the tense silence. 

“Upset.” He sighs, sinking down in a chair. 

“Fuckin’ sure she is.” Johnny snaps, anger radiating off of him in steaming waves. He’s been on edge, they all have, since the four of them were reunited. He had been there, stuck in the hall as you screamed and fought. He thought the worst when your screams cut off until he was finally updated by one of the nurses leaving the room. “Of course she doesnae want to see any of us! We just fucking left her, just like that, and it was your fuckin’ fault!” 

Simon grabs his beta before he can throw a fist at John, holding him back. Johnny lets out a string of curses none of them understand, fighting against his alpha. Simon holds him tightly, the image of your bloody form fighting against him still at the forefront of his mind. He grips Johnny tightly, muscles straining. Johnny is bigger. Johnny is stronger. 

He has half a mind to let him go. 

John doesn’t move, doesn’t even flinch as Johnny yells and rages. He’d welcome a good beating right now. He could use some physical pain to distract from the ache in his chest. 

“Calm down,” Kyle says, getting in Johnny’s face. “I said calm down!” Kyle yells, Johnny stilling for a moment. It’s not often Kyle raises his voice at one of them. “We’re not doing any good being upset with each other. We all made mistakes over these last few weeks, especially these past few days. None of us are guilt free in this. We all have our omega’s blood on our hands. Fighting amongst ourselves will only fray the bonds more than they already have been.” 

Johnny deflates with a sigh, standing there in Simon’s arms for a moment. Kyle is right. They all can feel it, the way their bonds are fraying. Their pack is resting on a dangerous ledge, tipping back and forth with every strong emotion, every argument, every sour feeling. They’re all holding onto that bond, trying to pull it back to keep it from falling into the abyss. As angry as they are with each other, just one of them letting go will be the end of the pack. 

“There’s nothing we can do to change what happened.” John says, looking up at the other three. “Kyle’s right. I led us all in the wrong direction, but we can’t go back and change it. We can’t undo what happened to us, we can’t undo what we did, we can’t undo what we...” He lets out a breath. “What I let happen to our omega.” 

“She won’t trust us again.” Simon says, his hands still shaking as he releases Johnny. They haven’t stopped shaking since he scruffed you a second time. 

“She won’t.” John affirms, no matter how badly it hurts him. “She won’t forgive us either. The best we can do is to give her what she needs, what she wants. Right now that’s space. Dr. Keller will keep us updated as things develop.” He pushes himself up to stand, looking at each member of his team, of his pack. They all share the same guilty look on their faces, they all hold the same anger at themselves deep inside. “This may be the hardest mission we’ve ever had. No matter what we feel...none of that matters anymore. What matters is keeping our pack together. What matters is that we keep those bonds from fraying. We lose ourselves, we lose everything.” 

“Still sore?”

You nod, wincing as it sends a bolt of pain through your body. 

“I know.” Dr. Keller says, adjusting the ice pack on your shoulder. “Hurts like a bitch, but luckily it won’t cause any lasting damage.” 

You blink at Dr. Keller, staring at her for a beat. You don’t think you’ve ever heard her curse before. You’re not sure she was ever capable of it. 

“What? I use swear words. Sometimes.” She says, almost like she can read your thoughts. “Sometimes expletives fit the moment better than any flouncy, sophisticated words do. This feels like the proper situation to use some.” She lets out a sigh. “Your shoulder will be the worst of the pain, at least physically. The mental pain...well, that’s not something I can treat with pain medicine. Shouldn’t, would be the proper wording there.” 

Some people do use it to numb the pain. 

“We all made a lot of bad decisions these last few days. Your support system, those you were supposed to be able to trust, failed you.” She stares down at you, emotion shining in her eyes. It’s a mirror of John’s own stare when he’d looked at you, but this time there’s no anger burning inside of you. Dr. Keller didn’t betray you. Dr. Keller will mean her apology, because you know that’s what’s coming. “I know you’ve probably heard this a lot over the last few hours, but I am sorry too. I shouldn’t have left you alone like that. I shouldn’t have fallen for that phone call...I should have been there.” 

You stare up at her, tears pooling in your eyes. If she had stayed, things would have been worse. It was almost better she left you. You can’t lose her. You need her now more than you ever did. 

Tears streak a flaming path down your face, a choked sob tearing its way through your trachea up through your lips. It burns your throat, no amount of water you’ve had in the last few hours has been able to ease the ache that’s taken up permanent residence there. 

Graves choked you. It’s the bruising from his hand squeezing your windpipe making you ache. Your voice may never recover, may never go back to normal. Crying hurts, hurts more than just your mind, your chest. It hurts your whole body, yet you can’t stop. 

“I know, I know.” She says, petting your hair as you sob. “I’m not going anywhere this time. We’ll get through this, okay? It’ll be a long road, but you won’t be walking it alone. You’ve got me, and you’ve got your pack.” 

Your gaze hardens at the mention of your pack, the sob in your throat coming out almost as an angry grunt. The thought of them makes your chest ache, the pain of their betrayal burning hot in you. “I don’t want them.” You whisper. 

“I don’t blame you.” Dr. Keller says, leaning against the side rail of your bed. “They let you down. The betrayed your trust in a lot of ways. They made you feel abandoned, and then abandoned you when you needed them most, even if they thought they were doing the right thing at the time. You have every right to be angry at them, upset with them. They hurt you in the worst way they could.” She pulls the blanket higher over you, tucking you in. “You’ve gone through a lot these last few days. Some very traumatic events, on top of being injured and your body going through extreme stress. You’re exhausted in every way you can be. Rest first. Worry about everything else later. Doctor’s orders.” 

“I did it to myself.” You say before she can walk away. 

She turns back to look at you. “What?” 

“I made myself distress.” You say. “I made my omega come out.” 

“That was very brave of you.” She says, giving you a soft smile. “Sometimes we have to take drastic measures even knowing the risks. You did what you had to in the moment and I think it was the right choice. You didn’t know what was going to happen, what was happening. Things worked out and you’re still here. That’s all that matters.” 

You think about her words for a moment. You did make it out. The fact you’re here means someone found you, someone saved you. Someone scruffed you. 

“It was Simon, wasn’t it?” You ask, even though you already know the answer to that. 

You wouldn’t let him leave. 

“You’ll have to ask him for the whole story, but yes. He’s the one that rescued you.” She adjusts the blanket around you again. “Get some rest.” She moves the call button closer. “I’m on the other end of that button if you need me.” 

You stare up at the ceiling after she leaves, counting the tiles above you. It looks like every other ceiling you’ve ever seen in a doctor's office or clinic or hospital. It’s not all that different from the ceiling in the med center on base. 

Base. 

You don’t ever want to see that place again. You don’t want to step foot in the barracks, you don’t even want to think about the clinical sterility of the buildings and the cold comfortless spaces meant for nothing more than to serve their purpose. Just like you. You served your purpose. You proved their point, even if it was never the true point of the initiative. Packs will get stronger with an omega, but it will come at the detriment of that omega. 

The job always comes first. 

There was a time you thought perhaps it wouldn’t. Maybe they could put it all behind them  and put themselves first, put you first. Then they proved they can’t. They won’t even put you first when you’re at the threat of being tortured. You were hurt because they wouldn’t put you first. You are hurt because they wouldn’t put you first. 

You don’t care about them. You don’t care about their excuses. You don’t care about the bonds or the claims or the emotions. 

You’d be happy if they left you here. Just a few days ago you were panicking about them leaving you, about them deciding you weren’t enough and abandoning you. 

Now you wish they would. 

“Has she said anything?” 

“Not much.” He sighs. “She won’t see any of us. I can hardly blame her.” 

“You made a choice, John.” Kate says, hands wrapped around her cup of coffee. “Choices have consequences.” 

“You were right. Then again, you usually are.” He sips at his tea. Bitter without milk, but then again, he’d prefer a glass of whiskey right now over tea. “I don’t know how to fix this.” 

“I don’t think you can.” Kate takes a sip of her coffee. “She’s going to decide when she wants you to fix this, if she wants you to fix it.” 

John lets out a sigh. “We’re her pack, it’s our job-” 

“You’ve failed at your job.” Kate says, her gaze hardening as she stares at him. “You’re good at being a soldier, you’re good at being a leader, you’re good at saving the world, but that’s not your only job. You have a responsibility to take care of your omega, and you failed. You made your choice, and you turned your back on her. She’s not a soldier, John. She’s never been tortured, she’s never been left for dead, she’s never taken a life before and here she’s been through all of that in the span of two days. You made a choice, John. You made a choice knowing damn well what the consequences would be.” 

He sits in silence, staring at Kate. It’s not often she gets mad at him, the frustration evident on her face. It’s a mirror of the anger and disappointment on the faces of his packmates. They’re all feeling the weight of his decision, of his mistakes. They’re all feeling the weight of their rapidly fraying bonds. 

“You have a choice to make now, John.” She stares at him pointedly. “You pick up the pieces from this, you all take the time to recover and heal. Then what? Things aren’t as simple as we thought they were, John. None of us knew what was going to happen. We were all so focused on the potential benefits that we all overlooked just how much of a detriment this would be. Your omega hasn’t had a choice in anything in her entire life. Every decision has been made for her, whether or not she wanted it. She has had no say in any of this. She’s been nothing more than a variable in an experiment, a statistic, a number, a list of pros and cons. She’s been reduced down to nothing more than an object.” 

John winces at her words, the weight on his shoulders growing heavier and heavier. He’s treated you as nothing more than an object, even if not directly. Leaving you so easily, yelling at you when you made an innocent mistake, letting you be tortured because he couldn’t get his head out of his own arse. 

“We all know she’s more than that. Far more than that. But she will never have any say in anything, unless you let her. Outside of your pack, she has nothing. In your pack? She should have the loudest voice.” Kate leans her arms on the table, shifting closer to him. “Right now she has no voice because you’ve proven where your loyalties lie, and they’re not with her. You have one more decision to make, John. Do you keep standing where you are, put the job first and wear your omega down until she’s nothing but an empty shell? Or, do you take this chance while you have it and finally put her first?” 

Kate pushes herself up to stand, grabbing her cup of coffee. John’s not used to feeling small. He’s used to being in charge, being the captain, being in control. People look to him, they listen to him, he’s the one everyone turns to when things go to shit to lead them out. 

He’s not even capable of doing that anymore. 

“Your life as you knew it ended as soon as she was placed in your pack. It’s up to you to decide how it continues.” Kate leaves with those heavy parting words, the door clicking shut behind her. 

John stares down at his cup of tea, the cup half full, or perhaps half empty depending on how one looks at it. It feels more than half empty now, spilling slowly through some microscopic hole in the side. It’ll only be so long before that hole will widen, worn down by the weak paper the cup is made of, the liquid eating away at the cup until there’s nothing but a puddle of tea on the table, slowly rolling towards the edge to dip onto the floor. 

That microscopic hole started as soon as they left you alone for the first time, and none of them were aware enough to even notice it. 

That hole is a gaping wound now. The contents inside turned acidic as soon as he cut you off in his disappointment, as soon as he started digging into the belly of the initiative. That acid has been eating away slowly at the fragile bonds that were in place. Fragile. They really were. No matter how strong they all thought those bonds were growing to be, they were built with fear and anxiety and uncertainty. Uncertainty of the future and what it may hold, anxiety towards a new pack and an entirely new shift in lifestyle, and fear of one day losing a pack member. 

Bonds built upon such frailty can hold no weight should one piece fall. 

How strong can bonds really be when you live with that knowledge, that constant fear that someone could die at any time? Someone in the pack, someone you’ve bonded with, someone you’ve grown a relationship with, might leave and never return because of the risks of their job. How strong can those bonds be? Was that the point of the experiments all along, the 141 and the initiative? Testing the limits a pack could be pushed to, testing if bonds could be formed in such a high stress environment and if so, how strong they’d be? What limits would they have gone to, to test that theory? Would they have gone to the point of sacrificing one of them to test those theories, had the truth not come out when it did? One wrong decision, one wrong step in the field and everything can crumble. Would they have gone to that length to test just how a bonded pack would react, if they could still function after everything? 

The sacrifice was you. 

Kate is right. You’re not part of their world. You’re not a soldier, you haven’t been conditioned to live with that fear, you can’t be conditioned to live with that fear. You shouldn’t have to be conditioned to live with that fear. You had no choice in this. None of it. From the moment you presented, nothing in your life would be yours. From the moment you presented, you would never make a choice for yourself again. 

The sacrifice was you. 

And he played right into their hands. 

The cup is blurring as he stares at it, his eyes blinking rapidly. 

They say an omega is the balance that holds a pack together. It’s a delicate bond, a single thread coiled around the structure of the pack. Wear that thread down until it snaps and everything crumbles. How long have you been fraying? How long have you been silently screaming for help, desperately trying to hold the pieces of the pack together like a strongman holds two pillars up by chains? You never had chains, you’ve been holding everything together with sewing thread, fighting desperately to keep the pieces from crumbling at the risk of being torn in half. 

How long have you been silently screaming? 

It’s all his fault. He’s been wearing you down, he’s been fraying that bond fiber by fiber. He’s been standing there watching you fight to hold the pack together while screaming at him to help, screaming at him to take one of those threads and hold at least half of the weight for you. 

That’s what he’s supposed to do. 

The threads have snapped. You were torn in half by the weight and those threads are gone. They’re crumbling, the bonds coming undone, unraveling minute by minute, second by second. They’re losing each other because they lost you. 

He covers his face with his hands, not even bothering to try and silence his sobs. 

Something has pulled you from the sweet arms of sleep. 

It’s dark in the room, the only light coming from the one behind the bed. The curtains are drawn over the window, keeping you hidden from the darkness outside the window. It’s late, or at least you think it is. You can’t quite see the clock in the darkness with your one good eye. It’s fuzzy in the darkness, too far away for you to truly find where the hands lie. 

Shadows fill the corners of the room, oppressive and claustrophobic. The longer you stare, the bigger they seem to grow as if they might suck the light right out of the room and swallow you in darkness. The longer you stare, the more it seems like there’s something there, something hidden in the darkness. 

Something is staring at you from the shadows. There’s eyes on you, your skin prickling from the uncomfortable feeling of being watched. The more you stare into the darkness, the more the shadows begin to take shape, forming monstrous beasts just being held at bay by the light. 

“Hi, darlin’.” 

No. No, no, no, no. 

“Miss me? It’s been a long time.” 

You shake your head, your heart monitor starting to beep rapidly as your heart pounds in your chest. “N-No.” 

Phil sits forward in the chair in the corner, his face coming into the light. It is him, blonde hair, blue eyes, that disarming grin on his face. He can’t be here...unless he escaped before your pack could catch him. Did they manage to catch him? You don’t know. You hadn’t even thought to ask about Phil or his whereabouts. No one informed you either. 

“No? You didn’t miss me?” He tilts his head, his eyes shining with faux hurt and disappointment. “That’s not very nice of you to say. I thought your father taught you your manners. Have you forgotten them in the time you’ve been away.” He tsks, shaking his head. “Those boys have been letting you get lazy.” 

Your breathing is picking up, panic starting to fill you as you stare at him. It’s impossible. He shouldn’t be here. He can’t be here. He couldn’t have just walked onto base and walked into the medical center, could he? Corporal McKinney fooled everyone for months and drove right off base with you in his car and no one said anything. How much would the guards at the front entrance of the base take as a bribe to let him in? 

Why isn’t your pack outside your door? Why would they let him in? 

They had to have put out a warning. Someone should have put Phil’s face everywhere, sent out a message, something. 

He lets out a sigh, pushing himself to stand. “I guess I’ll have to teach you some manners myself.” 

The glint of metal catches your eye, the icepick catching the light as he steps closer. 

“No, no,” You shake your head, your fingers scrambling for the call button.

Not again. Please, not again. 

Your fingers close around the call button, your thumb pushing it over and over and over again. Someone has to hear it. 

He lifts the ice pick, reaching out for you...

You’re being shaken. A scream tears from your lips as you struggle, trying to get away from whoever is holding you. Your body is alight with pain but you wait for more, for the ice pick to drive into your scent gland again, open the wound and light your body on fire once more. You expect it to come down again and again, filling your body with holes so you bleed out on the floor. 

Where is your pack?

“Easy, easy. You’re alright.” 

You know that voice. 

You’re sobbing, your brain slowly beginning to come back into consciousness. You had been asleep. You were dreaming. The light is on in the room, the harsh fluorescent a welcome presence for once. The shadows are gone, dissipated by the bright light overhead. Phil is gone, wiped away with the rest of the shadows. 

He’s nowhere to be seen because he wasn’t there in the first place. 

It was just a dream. It was just a nightmare. 

There’s a hand on yours, gently easing your fingers from the call button. You’re still trying to press it, your thumb moving almost automatically. You started pressing it in your sleep. 

“You’re okay. Breathe for me.” 

It’s Dr. Keller’s voice. It’s her arms wrapped around you, trying to stop you from moving as much. Your body is screaming in pain, but the panic flooding your body makes you almost numb to it. The pain in your chest is screaming with every rapid inhale, tightening and tightening the more until your fingers and toes start to go numb. 

“Deep breaths.” Dr. Keller says, her own breaths slow as she holds you. “In and out.” 

The inhale catches, the air shuddering into your lungs before you hold it, trying to force your body to calm down, just like the two of you practiced so many times. The heart monitor is beeping rapidly, another thing that must have translated in your state between wakefulness and sleep when Phil had shown up. Your heart is beating rapidly, thudding in your chest almost violently. It’s been through a lot these last few days. You wouldn’t be surprised if it just gave out suddenly. 

“Phil.” You gasp out, still trying to slow your breathing. “Phil was here.” 

“It was just a nightmare.” Dr. Keller says calmly, keeping her arms wrapped around you. “No one has come in or out of this room besides me. The guard outside won’t let anyone else in.” 

Guard. There’s someone outside the door. Your pack? No. She would have said so.

Where is your pack?

Phil was never here. It was just a nightmare. 

The last two thoughts repeat over and over in your head like a mantra as you start to cry, sobs wracking your body. You hate it, the fear, the terror, the anguish you felt as he lifted that ice pick, ready to stab you with it. 

“I hate it.” You croak out, voicing your thoughts for the first time in a few hours. 

“I know.” Dr. Keller says. “It’s normal to have nightmares after a traumatic event.” She adjusts her hold on you, tucking you against her chest. “It’s your brain trying to process what happened, trying to work its way through the trauma of the last few days. It’s cruel, but it’s a necessary part of healing.” 

Healing. 

Are you healing? Can you heal after everything? The pain is intense, not just outside but inside as well. The hurt, the anger, the fear, the anxiety, the panic, the depression, the rage, the betrayal. It’s too much. It’s so much all at once. You hate it. You hate that this happened in the first place. You hate that you have to go through this, have to heal, have to live through more nightmares. 

You hate your pack. That’s why they’re not here. 

For all you know they’ve left you. For all you know they’re on a plane back to the UK. 

Why would they want a broken, angry omega?

“I just want to be okay.” You sob, face pressed against her shoulder. 

“I know.” She says, cradling the back of your head, keeping you tight in her arms. “I'm so sorry this happened to you. I know words can't change that it happened, words can't make it all better, but we'll get you to where you're as okay as you can be again. I promise you I’ll do everything I can to get you there.” She leans her chin on the top of your head, squeezing you against her chest. “We'll get there, no matter how long it takes.” 

How long will it take? How long will your pain and suffering drag on for? Your body will heal eventually, but will your mind? Are you going to be this way for the rest of your life? Will you ever know peace again? But...have you ever really known peace? Your home growing up certainly wasn’t peaceful. Your presentation wasn’t peaceful, and neither was life at the institute. Being chosen by the FBI for this initiative that never existed in the first place certainly wasn’t peaceful. Despite how happy you became with your pack, even that life wasn’t peaceful. What little peace you thought you had was upended in the blink of an eye. 

How easily everything crumbled. 

Will it be possible to put it all back together again? 

Do you want to put it back together again? 

Alcohol is easy to find in a place like this. Soldiers gravitate towards whatever crutch they can find to erase the nightmares they live in. It numbs the pain and the brain and keeps one sane, or at least that’s what his father used to say. 

Of course his father would drink himself into a stupor every Friday night, and he’d wake Saturday morning still in his chair with a full breakfast waiting for him. 

Much like his father, John has lost track of how many times he’s filled his glass. 

It’s been a long time since he’s gotten this drunk. He shook that habit after a shameful morning over ten years ago. He’d just gotten back from a bad deployment, one that gets labeled as a “mission gone wrong.” It failed under his command. He lost a lot of lives, not just his fellow soldiers. He’d drunk himself past a stupor and woke up passed out in a bush covered in vomit outside the gate with a rather angry CO over him. 

He shook the habit after that, easing himself to just a glass every so often on those days he needs to take the edge off, on those days he needs to numb the aches. 

Then Kyle came along. Kyle, his sweet beta with his ethical moral compass. His sweet beta who deserved a better life than what he was pulled into. Dutiful, loyal, principled. A good soldier, but a better man than John could ever be. He could fall into Kyle, bury himself under those soft touches, the soothing whispers, the comfort Kyle could offer him. The screaming in his head became less and less as he allowed Kyle to do what he was meant to do at his core. 

Comfort. 

Then you came along. 

He found himself turning to the liquid medicine less and less because he could bury himself in you. He had an omega, he had someone he could lean on, someone who understood without having to be told. The bond between alpha and omega is something so sacred and special, something to be cherished. 

And he threw it all away. 

He downs another glass, staring at the almost empty bottle. It had been sealed when he got it, brand new and fresh. He can feel it, the fogginess of alcohol clouding his brain. The world is swirling, melting together. He can’t feel much of anything anymore, yet that pain lingers deep in his chest. 

The bond. 

It’s like an open wound, gaping and pulsing. Eventually it’ll slow, eventually it’ll give out. That bond will be cut and everything will crumble. 

It’s all his fault. 

He ended things, he ended the pack, he ended the bond, he ended you. 

Would Graves have killed you? Would Shepherd have given those orders if they pushed onward, if they caught up to him? Graves would have done it slowly, taken his time, reveled in it. They would have gotten a video of it, hours long as you were tortured to death, zoomed in on your face as the life left your eyes. 

The thought makes his stomach churn. He wants to vomit at the mental picture of you laying there, covered in blood, those lifeless eyes staring at him. Eyes that once shone with life and happiness. Despite everything you had been happy. Despite everything that spark inside you was never extinguished. A fiery little thing that would give what they gave right back to them. 

Now you’re not even smoldering. 

You’ve been reduced to ashes, and it’s all his fault. It’s all his doing. 

He skips the glass this time, drinking straight from the bottle.

“Have you seen John recently?” Kyle asks, standing in the doorway to their temporary living quarters. It’s a single room with two bunk beds. Far too tight of a space for their quickly souring dynamics. 

“No, not recently.” Johnny says, lifting his head up from his pillow. He’s been crying again. “You, LT?”

LT. They argued earlier...more like yelled in each others’ faces until they had to be separated at the risk of things getting physical. Kyle’s not even sure what they had been arguing about in the first place. Probably something miniscule and unimportant. Everything seems to be setting them off like grenades. Pull the pin and watch them explode. They’re all on edge, all of them feeling the distance growing wider and wider despite their best efforts to stop it. 

“No.” Simon says simply, staring up at the bottom of the bunk over him. He’s flat on his back, hands folded on his stomach. He looks like a corpse, might have been mistaken for one if it hadn’t been for the slow rise and fall of his chest. He’s still in his mask. He hasn’t taken it off since he arrived in the field. 

It’s late, but none of them can sleep. None of them have been able to get much sleep since they arrived nearly two days ago. Weeks without good, decent sleep wears on the brain too. 

“If he comes back here, text me.” Kyle says before closing the door, resuming his search for their missing captain. 

John has been beating himself up for nearly two days now. Kyle’s never seen his captain quite so distraught and lost. He’s blaming himself, which in all fairness, he should be doing. It is his fault. Kyle will be the first to point blame in this situation, but none of them are truly blameless. None of them questioned it, none of them even argued with him on that decision. They followed blindly as they were supposed to for the first time in a long time. They didn’t question their captain, their alpha, their leader. 

He hates himself for it. 

Why didn’t he question it? Why didn’t he argue? Why didn’t he voice his opinion, fight back against that decision? He trusted his alpha when he shouldn’t have, and you paid for it. 

He’s glad he didn’t have to see you. He’s glad he didn’t have to face down the state Johnny and Simon found you in. He’s glad he didn’t have to see what you looked like even after the blood had been cleaned off and the true horror was revealed. 

He hasn’t gone to see you at all. 

He’s not sure he could handle it. You won’t care either way from the sound of it. You’ve been reduced to a shell, silent and empty. You’ve barely said a word since this morning, instead just lying there and staring at the ceiling according to the doctor when she’d updated them this afternoon.

Your body will heal slowly, but your mind will remain a battleground. 

He leaves the barracks, looking up at the dark sky. It’s clear tonight. He’d probably see the stars if there wasn’t constant light pollution around the base. What do the stars look like here? He’s stared up at the stars constantly in the last few weeks in places there was little light pollution. His only comfort about being away from you so long was the knowledge that you were under the same sky. Be it day or night, the stars were overhead. You wouldn’t be able to see them either way, but they were shining for you too. 

Now you’re both under the same stars, but you’re both still so far away.

He lets out a sigh, lowering his gaze. He has a job to do, a captain to find. 

“Where are you John?” He breathes, looking in all directions, trying to decide which way to go next. He had stopped in at the med center already, but he wasn’t there. No one had seen him, even the doctor. He’s searched everywhere he could think to search, but his captain is nowhere to be found. 

John will kill him if he requests a base-wide search. 

He walks around the side of the barracks, hoping maybe he’ll run into John coming back this way. Usually he wouldn’t bother searching for him, but with his mind how it has been, Kyle can’t help but be worried. Even with the bonds fraying between them, he still has that instinctual need to make sure his alpha is okay. Instincts can’t be ignored. No matter how much bonds between packs fray, instincts will always remain the same. 

That’s why he still feels that urge to go and see you. 

John will kill him if he requests a base-wide search. 

He knows how self-destructive John can be despite how composed he makes himself appear. He’s only seen his alpha in that state once, and he has a feeling he’s about to a second time. 

He leans against the wall with a sigh when he reaches the other side of the barracks. Nothing. No sign of him. No texts from Johnny or Simon either. He’d asked Dr. Keller to let him know if he shows up in the med center too, but there’s been nothing. No word. No signs. 

Maybe he should just give up looking. John will find his way back to the barracks eventually. Or he won’t. 

That could be tomorrow’s problem. A distraction, a mission, something to give them purpose and force them to unite again. 

Find their missing captain. Find their missing alpha.

He turns back around to follow the sidewalk back to the front of the barracks when he hears shuffling footsteps dragging on the concrete. He turns, squinting into the darkness between lamps as a figure stumbles through the shadows, muttering under its breath. He knows that voice, he knows that figure. 

John. 

John stumbles forward, nearly falling but Kyle reaches out, catching him. His mind is racing, silently checking for any blood, any sign of injury, but there’s nothing. 

Maybe everything is finally getting to him. Maybe his body has finally been pushed to the limit and it’s giving out. He’s having a medical emergency. 

“Easy, sir.” He says, trying to calm his panic as he fights to keep John upright despite John’s body wanting to fall the rest of the way onto the ground. Kyle takes a breath in, catching the sour scent of alcohol wafting off his captain. 

Not a medical emergency, then. 

He sought out some liquid comfort instead. 

The thought makes Kyle’s chest twinge still. 

“’S all over.” John slurs, his weight getting heavier and heavier. “Everything is over.” He turns his head, blinking slowly. “Kyle?” 

“It’s me, sir. I’ve got you.” He slings John’s arm over his shoulders, making his weight easier to hold. 

“Kyle.” He slurs again, the two syllables blurring together. “Too good to me, Kyle.” John pulls his arm free, stumbling forward. 

Kyle just manages to lessen his fall onto the concrete, making sure John doesn’t smack the back of his head at least. He’ll have some scrapes and bruises tomorrow, though. Right now he probably can’t even feel it. If he was responsible, he’d take John to the med center, let him sleep off the alcohol on the safety of a gurney, but that would probably just cause more problems for everyone. 

John would be pissed when he woke up. 

He lets out a sigh as he stands there, staring down at his captain. John’s on his back, eyes up and focused on the sky, hiccuping every so often. He’s never seen his captain quite this drunk before, though he has heard stories of when John was younger. 

“I’ve killed her.” John mumbles. “I’ve killed all of us.” 

Kyle drops to a knee beside John. “You haven’t killed anyone.” 

“She’s fading away. Soon she’ll be gone.” He murmurs. “We’ll go too.” John pushes himself up to sit. “It’s all over. Everything is over.” 

Kyle grips John’s arms before he can fall back again, holding him in place. “Nothing is over yet, sir. We can still do something. It’ll just take time.” 

John turns to look at him, his eyes hazy and far away. “Kyle.” John says his name softly, reaching out to brush his fingers across Kyle’s cheek. “Pretty boy.” He slumps against Kyle’s chest, his weight nearly making both of them topple over. “Too good to me, Kyle.” 

“I care about you a lot, sir.” Kyle says, rubbing his back. “More than I think you realize.” He murmurs the last bit more to himself than anything. Not that John will likely remember any of this in the morning. “We should get you in bed. We’ve got a long day tomorrow.” 

They do. They have to decide what to do next. 

“Come on.” He says, hauling John to his feet carefully. John lets him, letting Kyle wrap his arm around his shoulders. 

It’s slow going, Kyle half dragging John back to the barracks. He’s quiet at least, only the occasional scuffle of his footsteps as he stumbles breaking the quiet night. He gets John back to their room fairly easily, easing him into the other bottom bunk across from Simon. The room is still and silent aside from the occasional sniffle from one of the top bunks. 

He grabs the blanket from his own bunk, draping it across John instead. Maybe in his drunk state, the scent will bring him some comfort, help ease that ache inside of him.

He’s hoping John’s scent will do the same for him. 

“It’ll be alright, sir.” He says, making sure his captain is comfortable. He stands up, staring down at his Captain. “Everything will be fine.” 

He’s not sure who he’s trying to convince. 

John stares down into his tea as they sit around a table. His head is throbbing, pulsing heavily behind his eyes. It’s his own damn fault, going out and getting drunk like that. He hasn’t done it in years, yet he couldn’t stand the pain gnawing away at his chest. Alcohol hadn’t fixed it. It’s still there, still pulsing away. The alcohol had only numbed it at least for a few hours, and if anything, it made it worse. 

“Kate left this morning back to DC.” He says, glancing up at the other three members of his team. “They're still working on cleanup and helping Alex and Farah track Shepherd. I spoke with Dr. Keller this morning. We’ll be able to fly out soon.” 

The words hang heavy in the air. He hadn’t mentioned you at all, but he’s not sure he could without breaking down. You are improving slowly, Christine had said, giving him a sympathetic look as he squinted in the harsh fluorescents. She knew. She could tell just by looking at him. She’s that good at her job. 

He’s glad they have her. He’s glad you have her.  

“Where are we going tae go?” Johnny asks. 

“We can’t go back to base.” Simon says. 

“You’re right. Going back to base is too risky.” John says. “Shepherd could have eyes there already. And with her mind where it is...” Taking you back would be too much too soon, even without the risk. One of their own had already betrayed them once. They can’t trust anyone anymore. “We need somewhere secluded and quiet. Somewhere no one will know we’re going where we can lay low for a while.” Both out of necessity for their safety, but also for your sake. 

It falls silent between them. Shepherd knows all of their possible safehouses, all of the places they mind go to stay hidden. Those only they know off the record are hard to get to, requiring miles of hiking. You wouldn't be up for that even without the physical injuries, and they doubt you'd let one of them carry you. If they had to get out quickly...

“My parents have a place,” Kyle says, glancing up at them from his own cup of tea. “Out in Cornwall. A cottage near the cliffs. It’s quiet, secluded. No one knows about it but us. Tourist season is over too. There won't be many out there poking around this time of year.” Anyone wandering around out there that close would be suspicious.

“It’s a good option.” Johnny shrugs. 

“It’s our only option.” Simon says. 

“It’s exactly what we need.” Kyle says. “Trying to rent this time of year will only draw attention, and we can't trust we won't be ratted out. Shepherd likely still has allies. We were betrayed by one of our own before.” Kyle says. 

“You're sure no one else knows about it?” John asks, looking at his beta. 

“Just my parents and my siblings. They wouldn’t ask any questions if I told them it was being used.” Kyle shrugs. “It might be our best option.”

John looks around at them. It is their best option for now. He knows Kyle's family is just like the rest of theirs. They know they can't know and they won't ask questions. 

“We had a conversation once, months ago.” John says. “She told me she wanted to live next to the sea someday. She wants to be close enough that she can smell it and see it.” 

He pauses thinking back months ago after Simon left, after you were so affected by his absence. That conversation when you asked if he’d ever leave for you, when he told you if your life was ever in danger because of them he’d leave in a heartbeat. He’s made a liar out of himself. He broke his promise, so many promises, made not just to you. Not just to the pack. 

He glances at the other three, fighting back the lump in his throat, the endless threat of tears that has been rising like the tide and threatening to drown him at any moment. He’s made his decision, he’s made up his mind. 

You have to come first. 

His priorities have changed. There’s no initiative to follow, no orders to be given out. Kate was right. This is their moment to change things, this is his moment to change things. His pack will follow. Despite everything, they’ll trust him to make the right decision. They won’t hesitate to challenge him anymore, but there’s still that deeply ingrained trust in their alpha and captain. 

The alpha comes first. 

No, the omega comes first. 

He takes a sip of his tea, bitter without any milk, but it’ll do. “She wanted to be close to the sea.” He looks back up at the other three having made his decision. “Taking her there might just be what she needs.” 

NEXT ->

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[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[dalamjisung]

A muted shade of green ✧ Spencer Reid

genre: fluff, light angst

word count: 6339

pairing: reader x spencer reid

description: Dr. Spencer Reid is simply adorable. And you actually think he might be perfect. Until, that is, he isn't.

a muted shade of green masterlist // next chapter

His apartment is a muted shade of green and you always wonder why is it that he painted it so dark. The book covered walls never fail to impress you, making you smile into the ether that was this place with its shelves and shelves of worldly stories. His taste, you think, is more towards the classics and refined tales that carry significance and importance in the world of literature. Dostoyevski, Austen, Orwell, Doyle. Though here and there, in some corners of the living room or thrown haphazardly in the kitchen counter, you see peeks of contemporary names, the ones you’re sure you sold him a long, long time ago. Murakami, Zadie Smith, George. 

You met Spencer when you first moved into D.C., about a year or so ago, and sometimes, you really think that it was just yesterday when you first saw him with his purple scarf walking inside your store.

“Excuse me.” 

You have too many books in your arms to even see who is talking to you, but you apologise nonetheless; it’s the least you can do for your first customer. “I’ll be with you in a moment, apologies for the mess, we literally just opened.” In your defence, you had been so busy unpacking all the new orders and organising things into shelves that you absolutely forgot to put the plaque with your opening hours by the door. You can hear his shoes clicking and clacking around the place, and a wave of anxiety washes through you. If he leaves with a book– luckily two– you will have made your first sell and that just might remind you that of the reason why you decided to do this in the first place.

Carefully putting the pile of Maggie Nelson’s on the counter, you finally turn to face him, tired smile from ear to ear when you see him holding two books already. “You found something you like?” You gently ask, voice calm and fingers fidgeting while you wait for an answer. “Many things, actually. I’m quite glad to see a wide variety of books here, it’s been hard finding something new to read lately.” 

His voice is pointed and it echoes in the empty store. The clock on the walls says it’s 7:58AM and you suck in a breath; it’s definitely too early for someone to be looking for books, but maybe he wants entertainment for his commute, maybe he needs a distraction for the way, or maybe he is odd like that. 

It must be cold outside. The man is wearing a purple scarf  inside what looks like a wool coat, and somehow, he fits in there, in your store. He looks like the kind of person who would be buying books as early as 8 in the morning and you’re not sure if that is adorable or unhinged. 

“Just these, thank you,” The loud thump of the pile of books he deposits by the cashier makes you gasp. “You have a great selection here, I was lucky you open early!” The twinkle in his eyes is what keeps you from telling him that that, in fact, was a big mistake. In the middle of rushing to get the keys from the landlord in time, get the deliveries, get everything sorted and organised, you had completely forgotten to put out the hours for the shop. 

“I am glad you found us here! Do you live nearby?” At this point, you’re just trying to make conversation as you bagged his items, smiling at the titles and happy to see your favourite book in the midst. “I live just across the street, actually,” He said, giving you his card. “You’ll see me a lot, I’m afraid.”

“And what should I call my most loyal customer, then?” One look down at his card and you would know, but you wanted him to tell you himself. 

“Spencer Reid.”

There is not really a sound reason as to why you walk so freely into his apartment. The first time he asked you to do this, he was going on a case and needed someone to water his plants. As it turn out, your store is quite literally across the street from his building and you don’t really mind the mindless task, so you tell him to not worry, you’ll take care of it. It had been a few months since you two met, five or so, and despite taking you some time to truly understand, you got used to the fact that Spencer created a routine for both of you, knocking on your shop’s door every Monday at precisely 8 in the morning. With time, you stopped questioning him even when you had many, many questions– was he even reading all these books? If yes, how?! Every visit, he left with three books or more, and unless he pulled all nighters every night, those were simply sitting on his desk. 

Instead, you start putting a few titles aside whenever you spot them. You start it with ‘A Gentleman From Peru’ by André Aciman, short and sweet. Next week it was ‘A Little Paris Bookshop’ by Nina George. Then ‘Cultish’ by Amanda Montell. And just like this, you two form your own little book club, his visits extending beyond their usual thirty minutes into the better part of the hour to talk about the plot, the characters, the arcs. You know there is quite a lot you don’t know about Spencer, of course there is, but you learn more and more with every little debate you two have. You learn about his morals through the character he likes, and his dreams through the plots he enjoy. You learn about his photographic memory that allows him to quote his favourite sections to you, and you learn that he is a very logical man through his hatred for the inaccuracy of investigative books. You learn and you learn and you learn and you find out that you like learning about Spencer. More than you like learning about anyone else, that is, and now, every time he walks in, you can’t help but get excited, smiling as you only imagine what you would learn that day. 

Sometimes, you did notice the absence of your favourite customer. He would disappear for weeks on end and then act like nothing happened, and you get it; he doesn’t owe you anything, you’re just the lady that sells him books, but you feel like there is something that is starting to bloom when, every time he comes back, he brings you a book. “I thought you’d like it,” Is all he says before leaving with his bag of new reads. For a moment, it’s like an exchange, but Spencer never demands anything of you; never asks for anything more than new books and recommendations. 

It’s quite rewarding finding the books you sold him scattered through the apartment. There are a couple in the kitchen, open split on the counter and you smile fondly at the clumsy way he marks his books. There is no folded page, no book marker, no random picture; just his book, cover facing up, open and splitting the spine in half enough to crease. You shake your head, smiling like he’s done this just to rile you up.

“Oh my god, don’t!”

You don’t mean to shout but it’s too late. His eyes widen in shock and he immediately freezes, mouth stuck in a little ‘o’ shape that makes you blush. “What did I do?” 

The wince in your expression is as visible as the light of day when you speak. Your hands hover in the air, unsure of what to do now, but still trying to do something. “The book, Spencer,” The words come out like a whine, and if you start stomping your feet you might as well look like a child. “The spine. The book. The– oh my god, the noise!”

The way he laughs at you is contagious, and you start laughing with him, face hidden behind your hands in embarrassment. Owning a bookshop doesn’t come for free. Your particularities when it comes to your literary treasures are enough to scare any sane person away. “You know, there are worse sounds than a book’s spine breaking,” He mused, closing the book before walking to your counter. His nimble fingers drum a soft rhythm as he waits for you to go around and charge him for the book. It’s a symphony, almost; so loud in your quiet store that, for a second, your heart is tuning in, thumping as his fingers do, beating to the song he creates. 

“You don’t have to buy it,” It’s a little ridiculous how airy your voice sounds then. Aren’t you a little too old to have a crush? “It’s okay if–“ But he doesn’t even let you finish, rattling off some facts about the writer. Most of the time, actually, he is rattling off some fact about something, and some you know, some you don’t, but you never interrupt him. You like hearing him talk. 

You miss hearing him talk. Whenever Spencer leaves, you miss him. You miss the knock on your shop’s door at 8AM. You miss the shy little chuckles. You miss the purple– the constant, always there purple. A wave of sadness hits you then, looking around the apartment with a longing expression. 

The first time he calls you over, it’s not really an invitation. A week before it happens, he doesn’t show up for your Tuesday unboxing and you have to carry all the new orders inside by yourself. It takes double the time and despite the effort it takes you, it’s the absence of his coy chuckles and snarky commentary that leaves you breathless. When you open the boxes, checking inventory to make sure there had been no issues with your order, you find the book Spencer asked you to get him. It’s one of those special books, so old and unique that you could only get your hands on it because you had contacts in the space. “Huh,” You frown at that– it isn’t like Spencer to forget something. Hell, it isn’t like Spencer to forget anything. Before you can cower away from doing it, you send him a text. You have his number saved in the system, and this feels wrong, it really does. Using his personal information that he gave to you as a client felt wrong. But for a second, it makes you stop biting your nails in anxiety. 

Your book is here. 

It’s Y/N, by the way. 

He doesn’t answer right away and you wallow in your regret for as long as you can. Your shoulders hunch forward as you line up the new arrivals in the shelves. Your frown sits on your forehead all day while you help other passing customers. Your hands brush against the book, all ready and wrapped up and sitting on top of the counter. You hate waiting; you hate waiting for someone or for something to happen as if you’re praying for a miracle. Literature has taught you many lessons in life. It has shown you countless of love stories that could’ve been resolved with a simple conversation. It has told you about people that waited and waited and waited until time passed them away. It has taught you that waiting is simply delaying the inevitable. 

But what literature has not taught you is that, sometimes, waiting truly is all you can do. 

That day, you don’t get a message back. 

You get a call instead. 

“Y/N?” The familiar voice on the other side speaks before you can and your shoulders tense up. Something is wrong. He sounds hoarser than usual, airier, too. 

“Spencer,” You say back, clearing your throat of any remnants or indicators of how nervous you are. “Spencer, are you okay? You sound rough.”

Even his laugh sounds weak and a zap of worry rushes through you. “I’m fine,” He mumbles, and you know he’s saying it out of politeness. “I just got sick. I think I have a cold, it’s nothing much, really.”

The relief that washed over you in crashing waves is almost embarrassing. Even though he is not there to witness it, your face still flushes in a dramatic red. “Oh. I see. Sorry, I didn’t mean to bother you–“

“It’s not a bother,” The way his voice interrupts you, so strong and concise, makes you chuckle. “You’re not a bother. I uh, I’m glad to hear my book arrived.”

For a moment, you both stay quiet. You, on your end of the line, are nodding like he can see you. Except he can’t. Except he is waiting, probably, for you to say something. Do something. “I can bring it to you. If you want.”

This time, there is no pause. “Yes. I mean, yes, please. I– I don’t have anything new to read and–” Spencer pauses to cough and you start moving immediately. There is no one in the store and you quickly change the sign to ‘closed’, grabbing his book and your bag before locking the door behind you. There is a pharmacy at the end of the block and you keep your cellphone balanced between your shoulder and ear while your hands make sure you have your wallet with you. “Sorry.”

“No problem at all,” You cross the street in such a hurry that you don’t notice the traffic, getting a symphony of horns calling you out as you run to the other side of the street. “Shit…”

“Are you okay?”

“I’m fine,” You tease, laughing a little and entering the pharmacy with purpose. “So just a cold, right?”

“Y/N, where are you?”

“Out,” There is no need to be vague, but you don’t want to give him a chance to protest. “I should be at yours in fifteen minutes with the book.”

“Just the book?” He asks in such a suspicious tone that you can’t hold back a laugher. 

“What else?” Thank god for automatic cashiers speeding up this entire process. You are in an out in less than five minutes and before he can even answer, you are almost at his door. Admittedly, you are speed walking, almost running, in a futile attempt to get there sooner. “Which apartment do I buzz?”

“Apartment 23.” And that is the end of the call. 

By the time you make it to his floor, panting just as you hike the last step upwards, he is already waiting for you, and you can’t say you’re terribly bothered to have a man like Spencer Reid waiting for you by the door. “Spencer,” You still admonish, a small smile playing on your lips. “You shouldn’t be out and about like this.” 

“Then who would let you in?” The mischief in his expression, much like that of a child making an innocent joke, makes you giggle, nodding in agreement. “Do you want to come inside? I promise everything is clean, I’m not a slob or anything.”

“Yeah, let me come in so I can give you your stuff.” 

“I knew it wasn’t just the book,” The coughing fit that followed has you rushing your hands, pulling things out of your bag in a desperate attempt to get him the medicine you bought. This had always been your curse, the flustering anxiety of wanting to help but being unable to take your time. Shaky hands push the book towards him, with the medication and some old receipts stuck to it. 

“Oh shit, sorry!” You squeak, grabbing the receipts and shoving it back in your bag. One of these days, you’d have to close the store early to clean this thing. “But uh, yeah, I got you some cold medicine and your book. I’m sure you know this with your big brain and all, but you need to take this before bed, cause it makes you drowsy, and this other one in the morning since it has caffeine! And you should be good in no time… hopefully!”

In life, a pause is not always a bad thing. It’s a time to think. A time to appreciate, to enjoy. It’s a time to be. A pause, however, from the man whose brain worked a thousand miles an hour, doesn’t feel like something to be thankful for. “Is… Do you not like that brand? I didn’t want to get the generic thing, I don’t know why, I–“

“Thank you.”

At first, you barely hear it. For someone whose voice is so rough and hoarse, you’re surprised he can still sound so smooth and airy. Your reaction is obvious; he can see the blush in your cheeks and the way you bite back a smile. “Y/N, thank you, I really appreciate it,” He says it again and now you think he just wants to get a rise of you. “You didn’t have to.”

“I know,” You shrug, faking humbleness while you keen at his praise. “I wanted to.”

“I know.” 

There is a dance that happens after that, one that you find yourself enjoying quite a bit. Spencer is more present than ever, and you’re getting used to having him around. It’s like you two broke the glass wall the kept you at a safe distance, and now is when you two discover each other a bit better. Like how you find out that, when Spencer’s hand lays on the cashier counter, just an inch or less away from yours, you feel the heath that it emanates. Like how your fingers curl and your palms itch at the sight of his shaggy curls falling on top of his beautiful eyes. Like how his laughter is deep when it’s true and dry when it’s forced. Like how he can read 20,000 words per minute, but he chooses to read 183 instead just so he can read you passages out loud.

You are not sure what he has learned about you, or if he even cares to learn something about you, but the thought still makes you smile. “What’s gotten you so smiley so early in the morning?” 

Ah, yes; another thing you’ve learned about Spencer Reid– he is as quiet as mouse when he wants, and as loud as an elephant when he doesn’t. “My god!” You jump, hand immediately going to your heart to try and keep it from beating our of your chest from the shock. “Spence! You scared me!”

“I’m so sorry,” He laughs, raising his hands in the air, shaking the two cups of coffee he is holding. “I come in peace.”

“And with bribery, I like your style.” 

His style doesn’t change, still haven’t. For ages, you think he buys you coffee at the nearby cafe. You don’t really know the name of the place, some cliche Cafe something something, but the one time you’ve been in there the coffee was terrible and the music too loud. It’s hard picturing your shy, smiley book-lover in there, trying to order something without raising his voice. It’s only when you see the go-to paper cups on his counter, on the fourth or fifth time you come around, that you realise Spencer has never gone to that cafe to begin with. 

The cups are still there. You make a point in spotting them every time you come over– next to the microwave, close to the paper towels. The reminder that this man has, in fact, been making you coffee most mornings validates the fluttery feeling you have whenever you think of it. It makes it somewhat logical. “I must be spending too much time with him,” You mumble to yourself, pushing your sleeves up and getting to work. You are there for a reason, and if those wilting plants die on you, you fear that you might just never be invited back. “Why does he even have plants?” 

You don’t know much about Spencer’s job. He hasn’t told you anything about it except that he travels a lot for it, but you can imagine it is something of importance– a man like Spencer was someone of importance, after all. In your mind, you can imagine him walking into an office down by the Financial District, working with big corporations as an advisor. Yes, you can absolutely see him as some sort of advisor or consultant, but something about him working in finances doesn’t sit right with you– he is yet to talk to you about crypto investments and how to better implement a payment system into the store. Shaking your head, you switch it up. Financial services, aren’t quite right, but maybe an editor, working in a publishing house. With the way he devours books and how well-rounded his personal library was, you could see him as a Publishing Director instead, reading manuscript after manuscript. 

The thought of him reading brings a smile to your face. In his living room, there is an armchair that sits next to the large window on the west wall of his apartment– he says he likes how the sunset hits and makes the pages look warm and golden, turning words into a burning fire of knowledge– and you can practically see him there, blanket over his legs, books and books pilled next to it. It’s your own little secret, how every time you come over, you grab a book, any book, and you sit there for thirty minutes, forty, fifty, an hour; until the sun has completely set and you have to get up to turn the lights on. 

Today, when you sit down, when you bring your knees up, when you drape the blanket over you, something feels incredibly right and incredibly wrong. On the pile of books next to you, right at the top, lays a copy of Gulliver’s Travels. If you remember correctly, which you usually do, last time you sat down at that spot you managed to read up to chapter five before the sun was gone. When you grab the book and you see the bookmark you gave Spencer the second time he visited the store, and you frown– usually, he’d pick up from where you left off. “How long has it been since you last came home, Spencer?” You muttered out loud, grabbing the book regardless. Because even when it breaks your heart to know something has been keeping him away from his precious nook, it fuels your heart to know he leaves your book where you can easily pick it up. To know he doesn’t mind you sitting on his armchair, to know he doesn’t mind you reading his books, to know he doesn’t mind you settling, somehow, in his house. 

A knock on his door, however, breaks you away from your precious moment of rest and relaxation. For a moment, you can’t move, frozen in place light a kid that has been caught doing something wrong. It’s only when they knock again that you move, shuffling to the door to look through the peephole. “Who is it?” You ask, voice weak and shaky. 

“I have a delivery for Spencer Reid.”

How silly you feel in that moment, hand over your heart as you take a deep breath in relief. Unlocking the door, you smile to the USPS guy. “Sorry, he isn’t home right now. I can take it for him.” All you have to do is sign it and close the door, but once you put the package on the counter and your eyes catch sight of a note scribbled on top of the box, all those butterflies inside of you slow down. And find perch. And for a second, make you miss them just like you miss him. 

The first time you think Spencer might have a girlfriend is when he comes into the store with a certain look in his face. He is practically glowing and his eyes don’t leave his phone for a second. “What has you smiling like that?” You two are close enough to ask these kind of things now, making jokes about each other as if you have been friends for ages. “Or uh, who?” Even though you started the conversation, you want to end it now. There is a sour aftertaste in your mouth when you suggest another person to be cause of his happiness, and you know, right there and then, that that is just your jealousy speaking. At this point, you’ve been harbouring a crush on Spencer for the almost two months and there’s only so much a girl can take before exploding. 

“Oh, it’s just a friend.” Somehow, this answer doesn’t settle you as much as you hoped it would. 

The second time is when he brings a woman around. She is blonde, and loud, and colourful, and you eye her carefully. They are matching costumes, and for a second, without even saying, you already feel left out. It’s stupid, being this green over someone so pink. If Spencer was purple, and if you are green, than that woman was pink– she is happy and light and exciting. Next to her, you… well, you are as muted as his green walls. “Y/N!” He calls for you with such a big smile and you just don’t have it in you to pretend to be busy anymore. 

“Hey Spencer,” It comes out quiet and a bit distant, but he doesn’t seem to notice, not with the way he is going back and forth on the ball of his heels. “And hello, ma’am. Welcome, I’m Y/N Y/L/N, the owner. Please let me know if you need any help.”

That day, you two barely talk, but that’s okay, because Penelope, as she introduced herself to you after you help her find a specific book on coding, speaks for both of you. She says that it’s lovely to finally meet you, and mentions how much she has heard about you, and you think this is a very cruel thing to do to your poor, squeezing heart. But you push through. You pretend you’re tired, you apologise for the distance, and you lie about a cough. It’s better if they stay away, you say, but Spencer doesn’t buy it. Instead, he buys Penelope her book and leaves with promises of coming back the next day with your usual coffee. 

After that, you don’t see Spencer for two weeks.

It’s a bittersweet feeling when you get the text that he is back. After almost a week and a half without seeing him, you miss Spencer. He created a space for himself in your life and in your store, and when he is gone, it’s just not the same. But just like how he did, you created a space for yourself in his apartment. Suddenly, the muted green walls aren’t claustrophobic or smothering, but comforting. They are safe. Familiar. They are Spencer. And just like you said, you miss Spencer.

“Y/N!” 

You should be happier to hear his voice, but it’s not the same. The fluttering in your stomach is still there, like a slow buzz trying to come alive, but it’s not the same. Not when the note on the box, flashing like neon signs behind your close lids, has been tormenting you and your poor heart ever since you made the mistake of opening the door. “Y/N? Are you here? The door says open…” At one point or another, you have to come out of hiding and face him. Delaying the moment, though, is the best defence plan you’re able to come up with– if you look into Spencer’s eyes, if you see that pretty smile he has every time he comes back from a work trip… you’re fucked. 

“Y/N, I need you to tell me if you’re here!” It’s not the same. 

His voice. It’s not the same.

Usually mellow and undulating, Spencer sounds stiff, like he’s holding something back. Something new. Something… heavy. There is an edge to him right now, so sharp and cutting that it has you stepping out from behind the Science shelf in pure curiosity. And just like people say, curiosity killed the cat. In this case, however, it almost kills you. 

When you turn the corner to find him by the door, the first thing you see is a man. He is tall and handsome and oddly serious. The way his brows are pulled together make you falter, steps slowing down and mouth opening to ask if he needs help.

That’s when you see it. 

More like you catch a quick glimpse of it, the shinning spark of metal to your side, and you do a double take. You have to do a double take. It’s like your brain doesn’t believe what you’re seeing, and you move your head so fast you feel your neck tensing up in that way that makes your eyes water. “WHAT THE FU– OH MY GOD!” There is no way to throw yourself against a wall graciously, arms over your head and fear written all over face. You land in an awkward angle and your shoulder takes the brunt of the shock, making you gasp in pain while your legs give our under you. 

Of all the ways you’ve imagined Spencer, him holding a gun up to your head was never one of them. “Y/N!”

“Oh my god!” You think you might pass out– you’re breathing too fast and your chest is squeezing, squeezing, squeezing to the point of physical pain. There is a ringing in your ears, muffling the entire conversation between Spencer and the other man and even though you try, you can’t look up; you’re frozen in a state of distress. For the first time since you met him, you’re scared of Spencer Reid. “I– I– Oh my god, I c-can’t– I can’t b-breathe, I can’t–“

“Y/N, look at me! Look at me, you’re okay, I’m so sorry, I’m sorry,” The moment his hand touches your shoulder, you’re shrinking away. 

“Who are you?!” You manage to gasp enough air into your lungs to scream at him. One shake hand moves to the back of your neck, pressing down on the sore nape as you finally move to look at him, crying and all. “Spencer, who are you? Who is he? What is happening? Why do you have a gun in my bookshop, why–“

“Ma’am, I need you to take deep breaths,” The other man quickly holsters his gun and you actually think you might be going insane when flashes you a badge. “I’m SSA Derek Morgan, I work with Spencer. We are with the FBI.”

Federal Bureau of Investigation. Spencer is a fed. And he never told you. 

“The FBI…?” You whisper, eyes going wide and breath hiccuped in your throat. “S-Spencer, you work for the FBI?” Nothing about this makes sense to you. The gun, forgotten in his left hand and now pointing down and away from you, is all you can look at. The gun that looked heavy and cold. The gun that those hands hold– the same hands you’ve wished and, admittedly, dreamed of holding yours instead. The gun, the gun, the gun.

The gun. You’ve never seen a gun before, not this close. In museums, of course, and in movies and shows, but never in real life. You don’t have interest in it either, having voted, without fail, for anti-gun laws and representatives. Anything and everything about this, about seeing him with that deadly weapon, feels wrong, and you really think you might be sick soon.

“Kid, put it away, you’re freaking her out.” 

Then is when you catch sight of the Spencer you know. It’s the clumsy actions, looking almost freaked out himself– his hands fumble with the holster and it takes him a couple of tries to fit the gun properly. That’s when you know for sure– you are going to be sick. “Trash,” You mumble, trying to get up but falling again and again. “Trash, pass me the–“ But there is no time and you throw up right there and then, between the cashier and the nonfiction section. 

“What just happened?” 

“Morgan, get her some water– there, over the counter,” The rapid successions of words make you feel a bit better, a cadence of tone and rhythm that has your hands finally stabilising. “Y/N, you’re in shock. Adrenaline kicked in and left, and you pressured crashed, which is what made you nauseous. You need water, and to come sit by the counter.”

It’s funny, how in any other circumstance, you’d be ashamed and embarrassed to have gotten ill in front of him. As far as you know, Spencer is a germaphobe and this surely counts as germs. But as he grabs your hands, gentler than you’ve ever seen him grab any book in your store, and brings you to your chair behind the counter, you wonder if he forgot or simply doesn’t care. Both options don’t make sense. “Spence, what is going on?” Your voice comes out winey and rough, and there is no way to hold back the pained wince when you feel the sting spreading through your throat. Sip by sip, you try your best to drink the water and soothe yourself, but nothing seems to help. 

Nothing until you hear him next to you, small and quiet and, dare you say, meek. “I’m sorry.”

As much as you’d like to tell him he has nothing to be sorry for, he does. “I see…”

“It was just… it was new, having someone not know I’m FBI,” His thumbs play with each other and you’ve known him long enough to recognise that Spencer is nervous. “And we started getting closer and I just didn’t find an opportunity to tell you.”

“There were plenty,” You clarify, feeling a bit of a bitch for the bite in your voice making him gulp. “But it’s okay. I’m not… I’m not anything of yours, I guess, so it’s okay. You don’t owe me anything.”

“Don’t say that. You’re my friend.” That hurt.

“Do you point a gun at all your friends or am I just special, Spence?” It is supposed to be a joke, but the memory makes your bottom lip start wobbling again and you feel stupid. You feel so, so incredibly stupid right now that you can’t even begin to explain why. “Sorry, I’m just– I’m not okay.”

“I know, and we’re sorry,” There is such raw honesty in his words and he manages to make you smile a little. Your hand is still shaking, but you stretch it out towards him regardless. It’s a conscious decision to hold onto his wrist, covered by his jacket, than to reach out for his palm, and from the way he looks at you, you know he recognises the effort. “But you need to come with us.”

“Why?” You cry out, a single tear coming out of the corner of your eye. At this point, the shock is going away and you’re more overwhelmed than anything else. You’re scared and confused and overwhelmed and it’s his pulse, beating again and again, that brings you back to Earth. “Why do I need to go with you? What is going on?”

“Y/N, when you were housesitting for me, you received a package, right?”

In the midst of everything, the memory of that day, that box, that note, all fade. Frowning, you shrugged. “The delivery man knocked and said he had a package for you… I’m sorry, I didn’t mean to intrude, I–“

“No, no, no, you didn’t, you didn’t. Please.”

“Ma’am, when you signed for the package, did you use your name?” The man, Morgan, ask, and all you do is nod. Of course you signed with your name. “Kid, we need to take her to the office now.”

“I am not going anywhere until you tell me what’s going on!”

Finally, some energy in you. Some strength. Your voice echoes in the empty shop, and the chair tips back when you stand up on stiff legs. Looking at Spencer is hard, when you feel the burning of your rage inside, but you still do; you still meet those pretty brown eyes, you still stare him down until you practically force the answers off of him. “The package… did you see who it was from?” 

“Spencer, are you insinuating you’ve pointed a gun at me because I read a message your girlfriend wrote on the package she sent you?! Because I didn’t mean to– I didn’t! It just… It was there, right at the top and I–“

“She is not my girlfriend,” He immediately cut you off, hands waving in front of him in a visual demonstration of desperate denial. “Not at all! I don’t have a girlfriend! I was–“

“We can deal with this later,” Morgan is quick to interrupt, sighing as he looked at you. “Y/N, we re really sorry to disrupt you like this, but this is for your own protection. Please lock the store and let’s go.”

It takes time for you to gather everything you need. You are not a disorganised person by any means, but suddenly, you can’t remember where you put what. Your bag is thrown under the cashier, and your keys are, for some reason, in the Fiction shelf. Your glasses are in your head the entire time, and Morgan has to point that out to you. The more you look, the more flustered you get, yet somehow, you make it to the car. Morgan is driving and Spencer is on the passenger seat, and the way they keep talking to each other using words that make no sense to you make you want to scream. “Spencer.”

The heaviness of his name, said with such emotion,, lingered in the air. His eyes meet yours through the rearview mirror, and he nods. “Yeah?"

“Spencer,” You whisper again, eyes wide in shock as reality starts to dawn. “Spencer, if she’s not your girlfriend, then who the fuck is Cat Adams?”

------------------------------------------------------------------------------

AAAAAhhhhh I'm trying something new >.< I've been a massive criminal minds fan for a long, long time and Dr. Spencer Reid has my heart <3

Please let me know what you think, this is my first Spencer fic and I'd love if it got to turn into a series!

[oddinary4bts]

Chasing Cars | Masterpost (jjk)

☆summary: when your brother goes to study on a semester abroad, your life collides with his best friend Jeon Jungkook, who's coincidentally your roommate. Will you survive the collision, or will you crumble into dust?

☆status: on-going (next update: August 30, 2024)

☆pairings: brother's best friend!Jungkook x younger sister!female reader, Hoseok x female reader, Namjoon x OC, Jin x OC, Jimin x OC, Taehyung x OC and others.

☆rating: 18+ (minors DNI, some chapters have mature content)

☆genre: forbidden love?au, college!au, slice of life!au, smut, angst (as usual a lot of it), fluff

☆total word count: 218.5k (lmao my fingers slipped)

☆a/n: I got the idea for this fic just a little over a year ago, following a power outage that lasted for a few days where I live and Jungkook's live where he kept coming back with different outfits (the white dress shirt hit me right in the gut). It took me a long time to write, as I was working on multiple other projects at the same time, but I am so so happy to be ready to share this baby with you guys <3

☆Thank you to @moonleeai and @jessikahathaway for beta-ing this monster <3 (and for all your encouragement and support)

☆And a special thank you to @wintaerbaer and @btsborahaee for encouraging me and supporting me whenever I screamed to you about this fic

☆add yourself to the taglist here!

☆discord server link here!

☆☆☆☆☆

If I lay here If I just lay here Would you lie with me and just forget the world?

Chasing Cars, Snow Patrol

☆☆☆☆☆

➳Teaser (Jungkook pov): the day he met you (1.1k)

You fucking touch her, you're dead.

➳Chapter one: when the Incident happens (11.8k)

Jungkook is Tae's best friend.

➳Chapter two: when Jungkook teases you (10.2k)

You know I hate that nickname.

➳Chapter three: when Valentine's Day happens (13.1k)

You know, Taehyung doesn’t have to know everything.

➳Chapter four: when you and Jeon Jungkook clash (9.5k)

I was just going to say that we should keep this between us.

➳Chapter five: when you have to go back to reality (12.1k)

We just pretend nothing happened, no?

➳Chapter six: when Jungkook hosts his friends over (9.6k)

I really want to kiss you right now.

➳Chapter seven: when doubt makes you question everything (15k)

Why do you want to believe the worst of me so bad?

➳Chapter eight: when secrets are unveiled in New York (13.5k)

I want you.

➳Chapter nine: when a party makes Jungkook jealous (11.2k)

You make me insane.

➳Chapter ten: when time slips through your fingers (10.1k)

I don’t want to lose you, peach.

➳Chapter eleven: when Jungkook visits Taehyung in Paris (8.4k)

Can’t wait for you to be back.

➳Chapter twelve: when it breaks (7.3k)

I can’t be with you.

➳Chapter thirteen: when it's too late (8.9k)

I have to talk to him.

➳Chapter fourteen: when the truth comes out (12.2k)

We never told each other how we felt.

➳Chapter fifteen: when you find your way back to Jungkook (7.4k)

You came?

➳Chapter sixteen: when Jungkook takes you out on a date (8.9k)

I think I was waiting for you my whole life.

➳Chapter seventeen: when forever awaits you (9k)

Getting to love you is the most beautiful thing that’s ever happened to me.

Drabbles in Jungkook's pov (might add more as the story goes on)

➳Chapter 1.5: the first party (1.6k)

Then why are you bringing him home, peach?

➳Chapter 3.5: Valentine's Day (1.1k)

We should have hung out like this before.

➳Chapter 4.5: a walk through campus (852)

You love it, peach.

➳Chapter 5.5: the return to reality (2k)

You wanted to talk?

➳Chapter 6.5: hosting his friends at the apartment (4.4k)

What the fuck is wrong with you?

➳Chapter 7.5: when he realizes (2.5k)

Isn't she Taehyung's sister?

➳Chapter 8.5: the engagement party (6.6k)

Have fun while it lasts.

➳Chapter 9.5: jealous jungkook (3k)

Shouldn’t I prove to you that you’ve got nothing to worry about?

➳Chapter 10.5: the morning before Paris (1.7k)

I promise I'll come back to you and make it work.

➳Chapter 11.5: the kiss (1.2k)

Just this once.

➳Chapter 12.5: after losing you (4.6k)

Fuck, fuck, fuck.

➳Chapter 13.5: returning home (4k)

What am I supposed to do?

➳ Chapter 14.5: losing you again (3k)

I can't believe you've been wearing the necklace

➳Chapter 15.5: a conversation with Taehyung, and his reunion with you (2.6k)

It’s never been like that with her.

☆☆☆☆☆

All rights reserved to @/oddinary4bts, 2024. Do not copy, repost or translate.

[tofixtheshadows]

Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.

[gotham-daydreams]

Not Here

[Yandere! Platonic! Neglectful Batfam × Gender Neutral! Sibling Reader]

[Warnings: Mentions of neglect, Mild Yandere Behavior, Batfam being hella stupid.]

(Not really proofread. The birds and bats seeing that y'know- maybe not paying attention to people and neglecting them isn't a good thing. Chaos ensues. More of a development thing. Might be a little ooc?)

Tags: @bigcandlesmolbrain

Chapter 2 of this post. Chapter 3 Pt. 1, Pt. 2. [Series Masterlist]

๑۩۞۩๑—————————————————————๑۩۞۩๑

Bruce liked to think he was a good father, for anything that was worth. Or at the very least, a decent one.

He wasn't perfect by any means, but he felt like he raised his children the best he could, and had made them into responsible and diligent adults. Dick was a great example of this, and even if Damian was still growing up, Bruce had hope that he'd turn out to be good as well. The hardships his current Robin had to face would pay off in the end, Bruce was almost too sure of that.

Those he decided to take under his wing had their flaws, yes, but even if he didn't say it out loud or point it out often. He did believe that they were good at what they do, or at least were on the right path to becoming good vigilantes. Bruce couldn't help but be proud and prideful of where his children and sidekicks were, and could only look forward to how they would continue to develop as time went on. Despite their feelings towards him, and his own faults, mistakes, paranoia, and so on. Along with how he felt about them, and their flaws — he couldn't help but respect the people those in his little mess of a family where becoming, and turning out to be.

Or maybe he was both overestimating and underestimating himself, and the true effects he had on those he decided to look after.

Since, for a few days now, he felt like something was... off.

The Manor seemed quieter these days, and even if he couldn't remember a time where it was particularly loud, the detail felt misplaced to him. Sure, he hasn't hosted a gala or party in a while, but that didn't feel like it was the reason why the silence suddenly bothered him.

Bruce tried to think of all possible reasons, a little surprised himself that this feeling of his was bothering him so much, but the more he thought about it the more confused he became. There didn't seem to be a particular reason for this... and yet, just as he was about to put this feeling aside, he heard it.

["I, um, I was just wondering..."]

["Oh, uhh, that's quite alright! Oh, one moment please... oh! Second chorus... T'was brilling, and the slithy toves, did gyre and gimble in the wade..."]

It sounded like some sort of... play? Bruce wasn't too sure, but still decided to check it out regardless, wondering why something like that was playing in the first place.

So, allowing the sounds of the play to guide him, he continued on.

["Why- why you're a cat!"]

The voices grew louder as Bruce drew closer, interest peaked as he tried to recall and see of he knew this play. The lines sounding familiar, now that he was really listening to them.

["A Cheshire Cat. All mimsy were the borogoves..."]

Once Bruce rounded the corner he saw a... familiar face on the screen.

A student play was being filmed, and the play itself was Alice in Wonderland.

Whereas Bruce didn't recognize the actor for Alice, he did recognize the actor for the Cheshire Cat, but couldn't quite put his finger on it...

Was... was that...?

"Y/n?" He whispered your name, voice barely above a whisper.

No, it couldn't be. You didn't participate in any plays, and surely if you did he would've known about it. Even then, that didn't explain why he was seeing this now. The play itself had to have been a recording, since you looked so young...

How long ago did this take place?

["Oh, wait! Don't go, please!"]

["Very well. Third chorus..."]

["Oh no, no, no... thank you, but- but I just wanted to ask you which way I ought to go."]

["Well, that depends on where you want to get to."]

["Oh, it really doesn't matter... as long as I g-"]

["Then it really doesn't matter which way you go! Ah-hmm.... and the momeraths outgrabe..."]

Bruce was staring so intensely at the screen that he hardly noticed how the lines and voices faded into the background. His focus centered on you, disbelief gnawing at the back of his head.

He had never seen you smile like that before, not during all the times he's seen you anyway. Even if those moments themselves were small and short from what he could remember, the smile you wore during your performance felt... new in a way. Like something he hadn't seen before — not on your face anyway. Though that wasn't the only thing that made Bruce feel weird as he watched the play.

It wasn't anything to do with your acting skills. They were fine for the most part — and honestly considering the age you probably were during the time of the play, they might've been above average, or even a little higher than that. Not even the girl who played Alice, who also did relatively well, was the source of this odd feeling.

It wasn't the costumes or the set up, or even the lighting, and how he could faintly see the silhouette of other actors and such just behind the curtain, because of the camera angle. No, it hardly had anything to do with anything like that, but, how should he put this...

... How come he didn't know about this? How come he wasn't aware of this play before? Let alone that they had a recording of it, and that you were even a part of it... but Bruce still felt bothered by this whole realization because, well.

Why didn't you tell him about this?

"Master Bruce?"

The sudden voice snapped Bruce out of whatever trance he was stuck in, as he whipped his head around to face the source of it.

He huffed softly, "Oh, hey Alfred." Bruce greeted calmly, acting as if the butler hadn't caught him off guard.

Alred couldn't help but raise a brow at that.

Almost in a silent, embarrassed way, Bruce glanced off to the side only to notice that the recording was still playing, and so he decided to ask about it. Since, if someone knew anything about anyone in this Manor, it would be Alfred.

"Say... what's this playing on the TV?"

"It's a recording of one of Master Y/n's plays, Master Bruce." Alfred answered simply, almost as if it was common knowledge. "Apologies if it's too loud, I decided to play it while cleaning. I can change it or turn it down if you'd like."

"No, no it's fine... but since when has Y/n acted in plays? I don't remember hearing about this." Bruce stated, confusion growing as another emotion began to swell in his chest. One he was all too familiar with, but ignored for the moment.

"Since middle school, if I recall correctly, but it was only while they were younger. Having only been in three school plays in total, I believe." Alfred moved closer to Bruce as he looked at the screen, eyes softening for a moment as he watched you move along the stage. You had grown up so much since then, and the stage fright you used to have felt like nothing more but a faint memory now.

You wouldn't believe how incredibly proud of you he is.

"It's a shame they didn't do any more afterwards, since it would've been nice to have a few more recordings of their performances, but I suppose that's what happens when you find a new passion." He looked back at Bruce. That previous softness in his gaze nowhere to be found.

There was a certain way how his eyes looked at the billionaire, as if expecting something. As if expecting this.

Alfred had higher hopes, but you had left for a reason. Even if he knew what that reason was, it was only now did he see it more clearly. Especially as he witnessed Bruce's face shift into one of shock and surprise.

"They've always told you, Master Bruce, but you're schedule has just always been too full." Alfred handed Bruce a piece of paper, and Bruce took it wordlessly, looking it over.

It was a flyer promoting a play — the Alice in Wonderland play that was still going in the background — with the dates and times listed below, along with some of the cast members. Your name stuck out like a sour thumb compared to the rest.

Bruce did remember seeing this before, but one thing did still confuse him as he looked back at Alfred.

"I'm pretty sure you gave this to me at the time, not Y/n."

"That I did, sir, but that was only because Master Y/n was having some trouble with catching you attention, because they had wanted to give you the flyer themself. So I offered to give it to you for them." Alfred replied truthfully, cleaning up a little more while he was at it, and leaving Bruce to his thoughts for the moment.

He didn't remember you trying to catch his attention... but if what Alfred says is true then that makes sense, even if it made Bruce feel bad in a way. The feeling growing a little more when he realized something Alfred had said.

"And this happened all three times?"

"You sound surprised, Master Bruce."

Bruce ran a hand through his hair, eyes pinned on the flyer as he pressed his pursed into a thin line. Countless thoughts floated around in his head, all of them jumbled up and messy as he just didn't know what to make of this. Missing one was probably fine, and maybe two at a push, but all three? How could he have missed every single one?

Sure he was busy, but he didn't think it was this bad. Did he just forget? How did he not notice such a thing had slipped right past him?

All Bruce could do was sigh. There was nothing he could do about it now, and even if there was a way to make it up to you, he didn't know where to start, or if that would change anything to begin with. Besides, he didn't even know how long it's been since these performances had happened.

...

Wait a minute-

"Alfred, how long ago was this?"

Alfred just looked at Bruce, brows just barely creased before he took a breath of his own.

"A few years ago, sir."

What?

At the look of disbelief on Bruce's face, Alfred could only stand and straighten himself out as he calmly asked, "How old do you think Master Y/n is, sir?"

"Oh, well, they're..."

... Bruce couldn't even think of an answer.

Obviously you had to be in highschool since it had been years since you've performed in a play, with the Alice in Wonderland play being one of them, but how old were you exactly? What year were you in? Were you a sophomore? Junior? Surely you weren't a freshman, but even then — what high school did you even go to? Bruce didn't think you were home schooled, or else he'd definitely notice that... or would he?

Oh no.

What if you already graduated? What if you already had gone and done something that not even Alfred knew about? Did you have a job? Where would you even work? Were you already in college? What college would you even go to? Did you manage to get a scholarship? What would be you major? Where would you be studying? Would you even stay in Gotham? Were you even old enough to be out on your own? Could you even drink yet? Could you drive? Did you own a car? Or even a motor bike? When was your birthday? Did it already pass? What's the month? The day? The year?

How old are you?

"I... I think I'm going to go and just check up on them." Bruce couldn't answer, and while he had a vauge idea. That's all it was, an idea. So he moved the subject along, and made his way up the stairs, leaving Alfred behind. Just watching as the world's greatest detective left the room, all because he couldn't figure out the age of one of his own kids. One he had chosen to take in and watch over like all the rest, and yet left behind all the same in the process.

Alfred could only sigh to himself as he paused the recording of the play. Ejecting the disc and putting it in its respective case, and placing it in its usual spot.

This was the only way, he decided. This was the only way.

--------------

Bruce didn't feel much better by the time he reached your room. It took him mistakenly stumbling into two guest rooms before he finally reached it, and honestly he felt more regret over that alone.

Most of this time he hardly remembered that the room before him now was even occupied, let alone that you had claimed it as yours. What didn't help was that it was only now that he remembered introducing this space as your own, and yet he had forgotten that small detail so quickly.

Regardless, Bruce just pushed that all to the side as he knocked on the door, taking in a breath.

"Y/n?" He called out, only to get no respose. So he tried knocking again, but he still got nothing.

Sure, he was getting a little confused, but just pushed that to the side with everything else, as he stared down at the door knob.

... Should he?

He had to talk with you eventually, especially considering what he just figured out and how little he actually knew about you. He needed to talk with you. He couldn't just let this slide, not with what he knew now. He couldn't. He wouldn't.

So, be tried the knob, and was kind of surprised that it was unlocked. Though besides that little strange detail, he gently pushed the door open, and took a peak inside.

Oh. You weren't even here...

Bruce didn't know how to feel about that.

Regardless of that, however, he opened up the door a little wider, and stepped inside. What he saw only made him more confused, but also feel so much worse when he looked all over the room. How could this be...?

Various things were on your desk, shelves, and hung on the walls. Your room looked surprisingly clean, but honestly Bruce doesn't know what he was expecting. After all, he didn't even know your exact age or hardly anything about you, and even then — by the looks of things, he had missed out on so much more than he originally thought.

Trophies, awards, medals, and certificates were littered about your room. The very sight of them made the paper in Bruce's hands feel so much heavier, and yet he still held onto it as he further inspected the awards, and few pictures hung on your walls.

Every color was here, from bronze to silver to gold, and at some point it seemed you were able to get a consistent amount of silvers and gold. The awards themselves were from various events and activities that barely corresponded with each other. From fencing to swimming, and dance to pottery. From track and field to literacy, and gymnastics to cooking.

It was like you had tried to do so much of everything, and were trying to collect all of these awards from all of these different activities, rather than earn them because you deserved it for all your hard work and dedication to do that particular activity, but Bruce just couldn't understand why. Why go through all of the effort just to move on to the next thing? It... didn't make sense.

Right next to you black belt for martial arts, you had hung up the few medals you had gotten from track, and right below that were some awards you had for gymnastics. Beside your soccer trophies you had some kind of art award, and beside that was more awards and things you had received from playing and participating in other sports and activities. Bruce had no idea you were even into some of these things, but just from looking at your room, he could tell you weren't all that into or interested in some of the activities you did. Seeing as some activities and such had more awards when compared to others, but one thing in particular seemed to really catch your interest.

Music.

Not only did you have a whole wall and section of your room dedicated to it, but it felt more organized, and the placement of awards and such seemed more thought out in a way.

Countless awards littered the wall, and from the placement alone he knew you were proud of them. The pictures hung on the wall showed you shaking someone's hand as you either held up an award or album cover. You smiled, and Bruce could see how genuine it was as he felt like he could feel your happiness radiate off the photo itself. The people you were shaking hands with looked pretty happy themselves, and Bruce was a little surprised that he recognized them, but that made him feel more conflicted.

The people in those photos with you, were famous, and you had gotten those opportunities to meet them and shake their hand all by yourself.

All of these awards — they were only the finishing products of what you had spent all of your time doing. They were only small glimpses into the person you truly were, and as Bruce looked at the records you had hung on the wall, he could feel his own regret spilling out of his bleeding heart.

He wish he was there with you.

He wish that he had been there to see you even get half of these rewards that you undoubtedly deserved. He wish he got to hear the music you played, and what kind of songs you wrote. He wish he had been there to see you go on, and work your way up, with him being there as your support, and yet...

He had missed everything.

From the plays, to the matches you had, to the games you played in and competitions you participated in, and how could he forget your performances that even earned you such big, important awards. Awards that probably meant so much to you, because of how far it showed you had grown.

Bruce missed it all. Every little thing.

... He had to find you.

No if's or but's this time. No more excuses. He had to find you. Bruce needed to.

So he did a more thorough search of your room. Finally placing the flyer down on your desk as he looked around. He checked your closet, your bed, even under the picture frames, and moved some of the awards around, in order to better check and search for anything. Any hint that could point to where you had gone, and or where you might be. Any clue, any thing that could tell him about you.

He even made sure to take a mental note of the people in the photos, just in case he had to reach out to them and ask if they knew where you were by some off chance. Though that was only if Bruce was convinced that you weren't even in the Manor, and getting some extra information on you never hurt anyway. Seeing as he had a lot of catching up to do.

As he searched, he ran into various things. From equipment, art pieces — most of which were unfinished — and old notes, to other random items. Like an airsoft gun, some glass beakers, various ties, a pair of shades, a glasses frame, and a sewing kit next to a first-aid kit? Bruce didn't want to think about how the first-aid kit both looked used, and was empty.

Bruce even stumbled upon a fancy looking tuxedo he didn't remember buying you at all, but a small tag caught his eye and-

Oh, it was a gift from someone else, and with the note you left behind the tag — most likely with the intention of giving the tuxedo back — it was safe to assume that you and this person knew each other quite well...

Bruce just put the tux back. He would've gotten you a better one anyway if you had just asked, or if he even knew you needed one in the first place. Though regardless of that, he kept looking.

Eventually, he looked under your bed, and found a single box under there. Undisturbed... sitting innocently in the darkness.

Bruce didn't waste much time as he reached out and grabbed it, and placed it on your bed. There was a thin layer of dust on top of it, which Bruce found a little strange but kept in mind as he opened the box and looked inside. There, he saw a variety of notebooks and papers, and from the looks of things, the items in here had been collecting a bit of dust too...

When was the last time you touched these?

It seemed a little strange that these were tucked away from everything else, and clearly you didn't want other people going through it or even seeing them since you kept it so out of view. Were they diaries? Bruce would rather learn anything personal about you from yourself, he didn't want to go through your things like this, but considering the situation...

He sighed, and just picked up a random notebook. If this could help him find you, then so be it. He didn't want to do this but he couldn't leave you alone either. Not again.

Yet, he was so focused on looking through your things that he didn't even realize that someone had passed by, and noticed the odd room Bruce was in. A room that they themselves haven't seen before.

"Woah, what's this place? An old childhood room or something?" Dick asked as he invited himself into the room, mindlessly looking around, not really paying attention to anything in particular as he waltzed around.

"It's Y/n's room." Bruce stated bluntly, still looking over the dusty notebooks in the box. Some simply labeled 'Notes' or 'Practice', while one in particular was called 'Ideas/List & Progress' with little drawn sparkles around it. Another two weren't labeled with titles or words, and instead with small music notes doodled onto the cover in your favorite color. Though Bruce didn't know the color was your favorite.

Nevertheless, Bruce decided to look through one of the notebooks with music notes on it, completely missing how Dick had froze, and turned to look at him as if he was crazy.

"What? You've got to be kidding, right?" Bruce just gestured to one of the records on the wall, flipping through the notebook in his hand as he read through it quickly but carefully.

Dick, still not entirely convinced and honestly just really confused, looked at one of the records Bruce had gestured towards, and felt like he had just gotten ran over by a truck with how hard reality hit him. There your name was, signed and everything, with a well-known producer listened as well.

His eyes even darted to the other records, only to find the same thing, and for just one final check, he looked at one of the awards on the wall.

Your name was engraved on it.

"Holy-" He covered his mouth, more than shocked as he looked around the room again, hand falling from his face, "but that means-" Now Dick was paying more attention to the room, moving from one thing to another as he looked over everything now.

"How did they- there's no way they did all of this? And- what. They even did gymnastics?!" To say that Dick was in absolute disbelief and shock was an understatement. Yet he hardly had any time to recover or process anything as another person popped into the room, albeit only temporarily.

"I'm afraid it is quite possible, Master Dick." Alfred spoke up, catching the attention of the oldest sibling as he moved into the room, and set a stack of papers on your desk, right next to the flyer Bruce had set down.

Confused and curious, Dick looked at the stack once Alfred had pulled away from it, and picked up the first paper.

It was another flyer, but this time for some kind of solo event or concert you'd be doing. The date written down was a few days ago... a week or so having already passed since then, but how could this be?

Dick hesitated, but took another one as he looked it over. Again, it was for some kind of concert or performance, but the date and time was further away. Three weeks to a month having passed since, but how did they not notice? Didn't you say anything? Why didn't you tell them?

"This doesn't make any sense... why didn't Y/n tell us about any of these things?" He asked, mostly to himself as he continued to look through the various flyers.

"Why don't you tell me, Master Dick?" Alfred quipped, looking at Dick in a knowing way before stepping out of the room, "Now, I'll be heading off, but I do trust that both of you make the right choice this time around." With that, he simply left. Leaving Dick confused but feeling worse at the same time as he looked back at the flyers, mind racing until he spotted something.

Carfully, Dick pulled out another flyer out of the pile as he placed the others to the side. He recognized this one, but where had he seen it before? Was it...

... Oh god.

Dick whipped out his phone and checked his messages. He had to scroll down a bit, but he quickly found your contact and tapped on it. He flipped through your messages, hundreds upon thousands of which he never responded to, and even if that alone made he feel bad. When he found what he was looking for, he felt even worse.

He found a message of you sending him a photo of the flyer, and said how you hoped you'd see him there. The message itself had been sent almost a year ago, and as he looked back at the flyer, he didn't know how to feel. Yet he kept looking, especially as he spotted another familiar poster.

Some of them he was able to connect back to another message you had sent, and the further back he went the more he responded... but it wasn't much, and he seemed to leave you on read more times than not. He had made an effort, but clearly it wasn't enough.

Dick couldn't imagine how that must've felt for you, and he almost didn't want to. Yet he still continued to search through the flyers, and came across one he had an odd memory of. He did remember seeing a text for it, but also remembered hearing about it somehow? He wasn't too sure, but just incase he did decide to look through his voicemail. He didn't know what he'd find, but he decided to just have a little look, even if he wasn't sure he'd even find anything.

So, he matched the date of the message and scrolled until he found it.

The voicemail innocently stared at him, and Dick couldn't help but hesitate before he tapped on it, and let it play. Heart already heavy as he stared down at the flyer. The kind of look someone gave when they already knew it was too late, and Dick didn't know what was worse. The fact that he basically missed out on your entire life at this point, or that he had nothing to say for it besides that he was sorry, and had just forgotten about these things one too many times.

["Hey, Dick! I, um, I hope everything is going well and that patrol hasn't been too bad." Your voice wavered as you spoke. You were clearly nervous but you tried to push on anyway, and cleared your throat before you tried again.]

["How are you, though? I heard that you had a rough night the other day- and I know I'm not really into all this crime-fighting stuff like everyone else but... I just hope you're okay, y'know?" You chuckled nervously before you cleared your throat again, "An-anyway, um, yeah. I just- hope you're okay." The sound of a paper being fiddled with could be heard, and you took in a small breath.]

["So... I have this performance I'll be doing next Saturday- it's more of a competition really, since other musicians and stuff will be there too. It's at 7 o'clock, and I know you guys mostly work at night and everything- but if you could drop by or even just quickly come around at 8:15 that would be great! Since, um, that's when I'll be performing..."]

Dick looked at awards you hung on the wall as the voicemall continued to play. Based on the date of the performance he was able to find the award. You had gotten second place.

["It's um, it's a piece I wrote that's a tribute to your family- the Flying Graysons, that is, since we're allowed to play songs we wrote if they were approved beforehand, and it was! So, um, I really hope you don't mind. Your family is cool! Not that Bruce and everyone else isn't or anything- um, I'm going to stop talking about that before I say something stupid. But! I couldn't help but feel inspired so I, y'know-" you cleared your throat again. Clearly nervous.]

["Sorry for my rambling- but, yeah. You can pass by if you want or have the time, and it's right by that one place Bruce had that whole charity announcement on Monday. You can't miss it, there will be lights and all this other stuff- not to mention that it'll probably be loud considering things, but uh, yeah."]

["So if you think you can make it or pass by, it's at 7! Next Saturday! And if you can't make it by then, I play at 8:15! So, yeah. Remember that! If- if you want to. Hope to see you there! And if I don't, that's okay. I just hope you enjoy the piece if you hear it. Have a good night! Or-! Or day! Whenever you listen this- um, bye!"]

What? You had wrote a song for him? For his parents? For them?

Dick's heart swelled. He didn't even get to hear it either, he wasn't able to. He didn't have time, and he forgot, but that didn't make things better, did it?

You had gone through all of that effort, and not only made a song for him but even played it during a competition and got second place. Yet he couldn't even put a few minutes to the side to listen to it. He didn't.

Now Dick definitely felt awful.

However, he did notice that there was another voicemail left by you just a few minutes after the last one. So, he decided to play that too before his guilt and regret could fully settle in, as if it'd make him feel better somehow.

["8:45! IT'S 8:45! THAT'S WHEN I PLAY! NOT- Not 8:15, sorry! I mixed up the times- that's when a friend of mine plays, not me! Sorry! Uh, but yeah. I play at 8:45- stop by if you can! I hope to see you then! Buh-bye!"]

Okay, well, Dick officially felt worse now. So much worse.

You had all this character and personality, and yet he was never able to fully see it — to hear it like he has now. Not like this, not while he was paying attention.

Your voice was so much different than what he remembered, and despite your nerves you really tried to tell him because you hoped he'd be there. You tried to tell him in hopes he'd actually show up, and he never did. Even as he listened to your other voice messages, he could hear how his own actions, or lack thereof, were affecting you.

The messages grew shorter, more to the point, and while you did still sound enthusiastic — it's like he could hear the hope dying in your voice. The hope that'd he show up. That any effort would be made, but that didn't happen, and it didn't help that Dick was listening to some of the voicemails he was going through right now, for the first time.

He could only imagine the pain he caused you, and Bruce was thinking the same thing.

Bruce was still looking through your notebooks as Dick was regretting everything he had done to you in the past.

The notebook Bruce was reading now was one where you had written down majority of your more recent song ideas, along with things you wanted to try and melodies you were trying to mix together. It was mostly full of lyrics and small notes to yourself about certain things you wanted to keep in mind, and though there was a lot of things crossed out, Bruce couldn't help but be... charmed in a strange way.

How you talked to yourself was adorable, and seeing your excitement for your own performances and such through each word you wrote, just made Bruce feel so happy for you. He could almost picture your smile and how giddy you felt when you were writing some of these things down, or how focused you were when trying to figure out how to continue the chorus of a song you were making — or if there should even be lyrics to begin with. Along with how you wanted the song itself to sound, and what emotions you wanted to capture in it.

With each page turned it's like he could see the entire process you went through when it came to your song composition. Like he was almost there with you in the moment, watching you do your thing, and honestly? Just by that alone he couldn't help but grow... softer.

Bruce loved seeing how your mind worked when it came to music, and your thought process behind each and every little thing. He just... he felt like through each line and little note he read and looked over, he was falling in love. The kind of love that he couldn't quite describe, besides just the love only a father could feel when they really see their child for who they are for the first time. The kind of love Bruce hadn't felt in a long while, nor this intensely.

You were so creative and passionate, so driven to achieve your dream and do what you loved. You were just so... you, and there was just something about the way you expressed that in the notebook that felt charming. The deeper Bruce got into the notebook, the harder it was to not love you, and each time he saw one of your little notes, he could feel himself smiling. You were so precious, how could he not see that before?

Though, besides all of that, he did notice a small pattern.

Every performance you had, you mentioned in the notebook and would express your feelings about it, and every time you did — you'd write something beneath it. Just a small paragraph about certain hopes you had. Hopes that made Bruce's heart squeeze tighter.

It was you hoping that they'd get to see you perform, that they'd show up, and suddenly Bruce was reminded of why he was doing this in the first place. So, he started to flip through your book, shaking out of whatever trance he was in.

With each performance that passed, the little paragraph got shorter, smaller, simpler. Like a quiet prayer that was dying down, as the believer slowly lost their hope and faith. It even came to a point where only one sentence was written for a while.

"I hope I see one of them."

Bruce's heart broke a little more each and every time he saw it, but the page that really got to him was when the sentence was smudged, small wrinkles and creases were on the page, and you couldn’t even finish writing the sentence as the end of the 'e' in 'them' dragged out.

What didn't help was when he flipped a few more pages, and found the last performance you had written about. It was a few months ago, but the date didn't immediately catch Bruce's eye. No, no, no, what caught his attention at first was the change of that single sentence.

"I hope the audience enjoys it."

His heart shattered at that, smile fading as he took in a breath. A moment passed, with Bruce just stating at the writing. Wishing for the impossible, and to change things that had already been done. It was too late, but he somehow refused to believe that now.

Finally, he noticed the date and paused.

That... couldn't be right. You used to write in this notebook all the time from what he could tell, why did you stop? Did something happen that day?

If months really have passed... then that would explain all the dust on the box and contents within it, but still, it didn't make sense. Weren't you still here in the Manor? Bruce honestly couldn't think of why'd you would stop writing unless you somehow couldn't reach the notebook, but you couldn’t have left, right? Surely, above everything else, he would've notice that, right?

...

Bruce finally looked at Dick, seeing the oldest just staring at old flyers from various events and such you had participated in throughout your life. A life they never got to see.

"When was Y/n's last performance?" He asked bluntly, getting straight to the point.

Dick glanced at Bruce for a moment before looking back down at your desk. He moved some of the papers around before he found the most recent one and looked over to his father with a raised brow.

"About a week ago, why?"

Bruce looked back down at the notebook in his hand, eyes scanning over the date again before he closed it. Looking back at Dick, he asked another question.

"Have you seen Y/n around?"

Dick grew quiet at that, and after a moment he just sighed and shook his head.

"No, I can't say I have." It was only then did he catch what Bruce may have been thinking, "You don't think they-"

"It's a possibility. We can't be too sure just yet," Bruce just wanted to hold onto his hope that you were still here, and even if the chance was small he was willing to take it. He didn't want to believe that they had pushed you so far away that you would not only consider leaving, but actually went ahead and did it. He wanted to be doubtful, but he couldn't rule out anything. Not yet.

"Just keep looking, I'll go ask the others." Bruce stated as he placed the notebook back in the box and headed out the room.

"Keep looking? For what?! Other events we missed? More ways we ignored them? Things they did without us?!"

To say Dick's guilt was eating away at him would be an understatement. It was practically devouring him at this point, and he could just barely take it.

Bruce paused at the doorframe, sighing as he looked back at Dick, "Any hints or clues to where they could be. Favorite spots they might frequent, places where their lessons were held, people they know, anything." He left him with that, causing Dick to just run a stressed hand through his hair as he took a breath.

Worry and regret heavily weighed down on him, but all he could do was carry it for now. He'd make it up to you somehow. He would, and he'd finally get to hear that song one way or another.

As Dick started his search, so did Bruce.

Bruce did a general search around the house, looking for anyone he came across while also trying to look for you. He thought that if he was lucky, he'd run into you. Even if the possibility was small, it could still happen — or he hoped so anyway.

Just this once, Bruce really hoped for the best.

Though, he did end up running into someone, even if it wasn't who he was looking for.

"Woah, someone looks serious. What's got your bat panties in a twist?" Jason asked, amused, "Actually, wait, don't tell me. I don't c-"

"Have you seen Y/n?" Bruce cut Jason off, getting straight to the point.

The sudden question confused Jason as he gave Bruce a weird look, some of his amusment still remaining but it began to die down a bit.

"No... why?"

Bruce took a breath, fingers twitching, "Do you know where they could be?"

"How the hell am I supposed to know?" Jason's own confusion began to take over, his amusement continuing to die down, "Seriously, did something happen? Why are you suddenly looking for them?"

Bruce took a moment, just looking at Jason before he sighed.

"When was the last time you saw them?"

"... A few days ago..." Jason glanced off to the side.

"Jason."

"Okay, okay! Fine. I don't fucking know! A few weeks ago? Maybe?!" He answered, getting agitated already. "I'm barely here enough as it is, how am I supposed to know where they are!"

Again, Bruce took in another breath, but there was something about it that Jason didn't like. Maybe he inhaled too sharply or deeply — Jason wasn't sure, but all he knew was that he wasn't going to like what Bruce was about to say.

"Dick hasn't seen them either."

"And that's supposed to be a surprise, how? He lives all the way in Bludhaven, of course he isn't going to see Y/n. 'Cause they live here-"

"I haven't seen them."

"..." That was a little more surprising, but just a little more. It still couldn’t mean anything... right?

"With all the shit you do, I would be surprised if you even saw them on a semi-regular basis." Jason crossed his arms, still not convinced — not entirely anyway. Yet Bruce could only exhale softly, the action bothering Jason even more.

"It's just a possibility. I'm trying to find them. Think you can help out?" Bruce clarified before asking. Additional help would definitely be great, especially because it meant that they could find you faster. He could find you faster.

"What makes you think I'm gonna do that?"

"Did know that Y/n wrote a song that's a tributed to you?"

"... What."

Bruce sighed, "You don't have to do it because I asked you to, or even because I want to find them. You can do it for yourself, Jason. But I'll leave that decision to you." Then, he just walked off to continue his search for you, and the other occupants of the Manor. Leaving Jason by himself, alone...

"That bitch-" Jason cursed under his breath as he walked off, deciding that he'll help look. Though only so he could ask you if Bruce was bullshiting him or not, and not for any other reason...

... Wait, you wrote songs? Like, actually?

Jason just shook his head, already upset enough as he shoved the thought to the side. When he found you he could ask, and how hard could that be? The Manor was only so big, and besides, you were just one person. He could probably find you before Bruce if he just looked in the right places, but the only thing now was finding those places...

Okay, so maybe he saw the problem, but still. This couldn't be too hard. You were the only one in the whole family who wasn't a vigilante, and so it was only about a matter of time.

Nevertheless, Jason began looking around as well, trying to figure out where he should look as he mindlessly checked every other room he came across. Where would you even go anyway? He'd probably check your room first but he figured that Bruce had already checked there, and it wasn't like Jason knew where your room even was. Though he just chalked that up to how infrequent his incredibly short visits were.

Still, he didn't even know where to start, and would rather avoid searching the entire Manor if he could. He tried to scratch his brain for anything but he just... had no idea.

Well, okay, he had one idea, but that was only because of one night. Even then he's still not sure it was you who he saw on the-

["Master Y/n? Are you alright?"]

Jason's thought process was cut off by a sudden voice. He immediately recognized it as Alfred's, and a realization hit him. Right! He should look for Alfred first, he'd know where you are. Alfred practically knew everything about everyone in the Manor, so he'd lnow something for sure.

So, he followed the sound until he stood in the doorway of one of the lounges. The television was on and playing some kind of recording, but Jason paid no mind to it.

Confused, Jason called out, "Alfred?"

When he didn't receive a response, he huffed as his eyes drifted to the television. What was playing, anyway?

You — a smaller, younger version of you — stood in a door way, looking out in the hall before turning back to the camera. Big, innocent eyes looking up. Looking at Jason.

You couldn't have been no older than eight or nine.

[You gave a little nod with a small hum, "I'm okay, Alfred. Just... waiting, like you said."]

A small, soft huff could be heard from the other end of the camera, and the camera moved to be placed down a counter of some kind. Which revealed Alfred to be the one having been recording everything so far.

["Yes, well. How about we do a little something while we wait, hm?" Alfred asked, moving a stool closer to the counter — moving the camera again to be placed on the kitchen isle this time.]

Ingredients and tools used for baking could be seem on the counter. The stool Alfred had place was next to where he was standing, and a good distance away from the stove.

[You looked at Alfred curiously, "What are we going to do?"]

["Oh, nothing too much, Master Y/n. But... I do require a bit of assistance baking this cake, that is if you'd like to help, of course." Alfred patted the top of the stool as he spoke, "Though you can always just watch, if you'd like."]

[You perked up at what Alfred said, climbing up onto the stool enthusiastically with a smile. "I wanna help!" You exclaimed, looking over the ingredients before looking back at Alfred, "But... what cake are we making?"]

[Alfred hummed, pretending to think before be looked back down at you, "Well, what kind of cake would you like, Master Y/n? It is your birthday after all."]

["Really?" When Alfred nodded, you gasped excitedly before suggesting your favorite flavor at the time.]

["Well then, let's get started, shall we?"]

From there, the rest of the recording was of you and Alfred baking. With Alfred helping you when he had to, and laughing lightly when you would inevitably make a mess.

Laughs and jokes were exchanged, and it was probably the happiest Jason has ever seen you... which made him feel weird in a way. He didn't like it, not one bit, and yet he continued to watch the old, wholesome memory play out before him.

Jason watched as you got a bit of flour on your nose and how Alfred wiped it off. He watched as while Alfred was deciding on the shape of the cake, you gathered all the different colors and types of sprinkles you could find, and was looking at a particular color of food coloring. How you nearly fell trying to grab the food coloring, and how Alfred just narrowly managed to catch you. How after that, Alfred visibly recovered from the near heart attack he had gotten from watching you fall, and just watched you add the food coloring to the frosting after you had thanked him for catching you, and apologized for falling.

... It got Jason thinking, if only a little bit.

He didn't know much about you, not really anyway. Even if his visits were few and far inbetween, not to mention incredibly short, someone would think that he'd catch onto a few things about you, or just generally have more interactions with you, but he didn't. All he really knew was that you knew how to play the violin really well, but that was assuming that who he saw that night really was you. Even if he doesn't know who else it'd be.

Jason still remembered that one occurrence despite how long it's been since then... but that was for a different time. He had to focus now, but he still couldn't help but watch the little version of you trying to frost the cake without being too messy, but failing miserably.

It did get him thinking about how many small moments he had missed with you, and just... how little time he had actually spent around you.

Obviously, you weren't a little kid anymore. After all, the last time he remembered seeing you — you were already a teenager. Though was that really a good thing? Jason did remember having some kind of interaction with you in the past... but it wasn't much of anything, and even then he probably forgot half of those moments. What definitely didn't help is that you both didn't have each other's phone numbers, and the only form of communication you had was seeing each other in person.

.... Okay, maybe this whole 'finding you' thing was definitely a lot harder than Jason had originally thought.

["... Are they going to come, Alfred?" You asked, sitting in front of the cake you and Alfred had just made together, looking up at the camera that Alfred was holding once again.]

[Alfred didn't respond right away, but did eventually say, "I'm afraid not, Master Y/n, but if you'd like we could wait a little longer."]

[You shook your head, looking at the cake before looking back at the camera, "It's okay. We can blow out the candles now, but..." you hesitated, looking down at the table, "could you... stay with me? Please?" You looked away, embrassed for asking but didn't take back what you said.]

[Again, a soft huff came from the other end of the camera. "Of course, Master Y/n."]

After a short happy birthday song, the camera was placed down on the table as Alfred cut the cake. It was only after Alfred had given both you and himself a slice did the footage cut out.

Nothing could describe the face you made when Alfred said that no one was coming. Just like how Jason couldn't even begin to describe what it made him feel.

Even when a new recording started, he could hardly pay attention to it as all he saw was your face staring up at the camera. Expression not necessarily sad or upset, but it was easily the most heartbreaking thing Jason had ever seen. A kid shouldn't have a face like that. You shouldn't have a face like that.

Jason was so lost in his thoughts that he didn't even notice Cassandra trying to get his attention, nor did he feel her even pull on his sleeve. All he could think of was you, sitting at that table all by yourself. Alone.

He just turned the other way, practically stomping down the hall as he looked straight ahead, glaring.

He had to find you. Now.

Cass, on the other hand, was just confused. Watching as Jason stormed off before looking back at the recording that was playing on the television. What about it had made Jason sp upset? She didn't know, but she was a bit curious.

Bruce had already confronted her and asked her where you were, and of course she didn't know either. He did mention something about how Damian was trying to help a little, which was a surprise in itself, and how Jason might be trying to search for you too, and had asked her if she could do the same. She agreed, of course, just wanting to help out, but having run into Jason just now? That was... odd. Especially when he suddenly stormed off like that, but that wasn't her main focus right now. She still had to-

["Are you still trying to record this, Alfred?"]

Wait... was that your voice?

Cassandra turned back to the television, only to see the camera pointed towards the floor.

["Of course, Master Y/n. Just give me one moment, I almost have the camera set up."]

Oh, Alfred was there too? What was going on?

[Light laughter was heard before you spoke again, "Here, let me help you."]

The camera began to move, and as it paned up, there you were. A soft smile on your face, shining colored hues looking at the camera as you made a few more adjustments before stepping away.

Now, you definitely looked like a teenager or young adult. Voice more matured and settled, almost calm in a way.

["There. That should be good, what do you think?" You asked Alfred, tilting your head to the side a bit, most likely looking at the butler.]

["I have to agree, Master Y/n. Everything should be working properly." Alfred then came into frame, moving towards the counter as you moved around the kitchen isle to follow him. "Now, what is it that you wanted to make this year?"]

["Oh! Right, well..." and you told him, already grabbing a few necessarily ingredients from around the kitchen.]

It wasn't long before the two of you started baking again, but this time around you were clearly more experienced than your younger self — not that Cass was aware of that anyway. You both did your own parts, working exceedingly well together as the conversation between the two of you was nothing but natural.

Cass never saw you talk so naturally, or even knew you could bake, but there were a lot of things she didn't know about you.

She could see that in the footage, you were really relaxed and happy. Almost at ease as you skillfully moved about, as if knowing the necessary steps to make what you were hoping to bake by heart, and how you navigated the kitchen made it look as if you almost knew it as well as Alfred did. It was almost refreshing to see you just be so... in tune with your surroundings, and Cass almost wished she had been there to see you bake for herself. Though she could settle watching footage of you bake for now.

Even if she didn't know why you were even baking in the first place until Alfred mentioned something about a gift for your Birthday, and how that led you to talking about some of the things your friends had given you.

This was... your birthday? Just you and Alfred?

That didn't feel right... but then again, she didn't even know when your birthday was to begin with — and now that she thinks about, had you ever celebrated Christmas with everyone? As a whole family?

... She wasn't sure.

["Are you certain that you don't want to wait, Master Y/n? You never know, someone could show up this time." Alfred asked, looking at you with slight concern.]

[You only smiled, "I'm sure. Besides, even if any of them did come, we both know that it'd be on accident." You laughed lightly to yourself, looking down at the pastry both you and Alfred had made together. "I doubt they even know when my birthday is, but that's okay." You looked back at Alfred, your smile still happy but... there was something off with it.]

["I've told you before, haven't I? You're all the company I need in this house. I'm happy just spending my birthdays like this with you." You took a piece of the pastry and ripped it off before holding it in the air, as if doing a toast, and held it toward Alfred. "So, happy birthday to me?"]

[Alfred sighed softly, but could only smile as he took his own piece of the pastry, copying your actions as he held the piece toward you, "Happy birthday, Master Y/n."]

The footage cut right after, and suddenly Cass found herself in a similar position that Jason had been in just a few moments ago. Just staring at the screen, unsure what to do with this new information, the weight on her chest growing.

Had you really spent every birthday like that? If so... then why didn't you tell anyone? Or had you tried, only for nothing to come of it?

The thought alone hurt, strangely enough, and all Cass wanted to do was... well. She wasn't sure.

She wanted to do so many things, and yet she didn't know if anything would work. Or if anything she could do would fix... well, anything at all.

She wanted to try your baking and... and celebrate a birthday with you. Or maybe she just felt obligated to do so after having seen the recording, but a big part of her did mean it. Especially because she didn't want you to feel alone or anything ever again, not after seeing the extent it went to. Though perhaps there was some irony in that thought that Cass failed to realize.

Regardless, Cass found herself walking off too. Completely missing the figure who turned off the television, and unplugged the camera from it that held all of the footage both her and Jason were shown.

Cass was practically speed walking as she checked the library — remembering have seen glimpses of you in there before — while Jason checked the music room, only for both to turn up equally empty. Yet they kept looking. Everyone did.

Dick tried calling and texting you while trying to see if there was anywhere you could be outside of the Manor. Tim ended up helping as he ran into Dick, and was basically locating and tracking down all the places you've been to with the help of your notebooks and awards in your room. All the while listening to some very earlier pieces you've wrote and played on the mp3 player he found in your box.

Bruce was still looking all over the Manor for you, each minute that passed making him more paranoid and worried. What started as a small possibility was growing into a certainty and he did not enjoy that at all. Damian had decided to search for Alfred, since it seemed like the smartest choice if they wanted to end this quickly. Yet when he did find Alfred and asked him where you were, it turned out that Alfred didn't know where you were either.

While yes, he did know some of the teachers and coaches you've had in the past, he didn't know where you were at this exact moment. How could that be? It was simple, really.

Alfred hadn't seen you in a while either, and once that little piece of information spread around the family... what followed after could only be described as chaos.

The Manor was practically flipped upside down as Bruce, Damian, Jason, and Cass searched for you. Not a single room went unchecked, and when they still came out empty handed, their own worries began to fuel each others.

Dick was the first one to suit up and head out, already calling Barbara as night fell on Gotham, with Tim beginning to suit up — yet Jason had beat him to the punch and was out the second the Manor was cleared. Cass was next to follow, with Bruce and Damian not following too far behind. Tim only left after informing Stephanie — and after downloading some of your songs — and telling Alfred to keep a look out just in case you came back home.

In just a few hours, what started as an unusually uneventful and calm, quiet day for the family, quickly turned into one of the most panicked induced searches and painful night of their lives.

All because of you.

---------

You were tuning your guitar calmly, tapping your foot to the melody playing in your head as you hummed. The silence surrounding you was peaceful for a chance, and didn't feel suffocating or as unnerving as the silence in the Manor did.

Honestly, it took a bit of getting used to but after a few weeks you had grown to love it. Waking up everyday and having someone there to not only greet you, but actually acknowledge you also took a bit of getting used to, but you managed much more easily with that.

Sure, there were other things as well, but you eased into it and had come to accept these small things as just parts of your new life. Yet, you still found yourself appreciating and noticing the smallest things, and almost crying over them too.

It had been a few months since you had left the Manor, and honestly you couldn't be happier.

You now shared an apartment with one of your closets friends, and your career helped you cover your half of the rent, as well as other expenses. You had truly found comfort with this new lifestyle, and even if you'd like to move out of Gotham one day — you could settle for this for now.

This, you believed, was what peace truly felt like.

Even when your phone started to go off like crazy — you just took one look at who it was and rolled your eyes, putting your phone on silent as you placed it face down on the table in front of you. You didn't know what Dick and Tim needed so badly, but you were sure they'd be able to figure it out themselves. After all, they were the sons of the world's greatest detective, right? They could handle themselves.

So you just leaned back into your couch, sighing softly as you mindlessly strummed away at your guitar, smiling a little to yourself when the tune was just right. Creating a melody came all too naturally to you, and all you did was carry it on — humming softly as countless ideas filled your head. A small song beginning to form, even if unintentionally.

A song that went on — with the suffering of Gotham going on in the background. The city being cleared out and searched by the vigilantes that dared to protect it, all of it being done just to look for one person. You.

The shouts and screams served as the base, with the shattering of glass and bones being the lower kick, perhaps. The heart beat serving as the tempo, and so on.

So, just as you had years ago, you played on. Calm and happy in your own little world, unaware of the horrors to come — and destruction being made in your name.

–––––

Well, that's long, isn't it?

Might be making a another post that kind of details what some of the others did before everything went to hell? We'll see. Maybe.

Sorry again for any mistakes, especially towards the halfway point/end there.

[prael]

Not Quite Home

Kinktember Day 15: Stand & Carry

Kepler Youngeun x male reader smut

words: 1,495 Kinktember Masterlist

She is everything you're not. Everything you hate. How can someone refuse to have a place to call home?

All this about being a free spirit and experiencing everything that the world has to offer all sounds well and good but how is a tree supposed to grow if it has no roots? But Youngeun insists that is exactly what she is after, the constant thrill, the constant novelty, the rush and urgency. In every interaction, she seems to have been in search of the next big adventure.

And you think you do her a disservice by not understanding.

Perhaps if you had met each other under other circumstances, things might have gone better for the two of you. But now, you resent how she feels like a stranger whenever you're together. She once brought an element of excitement and risk to a routine, drab life, but that grew exhausting and more than once made you feel like you were suffocating. You grew to loathe her carelessness.

"Your parents?" You ask as she stands in your bedroom for the third night in a row, "Have you even told them you're back in town?"

She shakes her head in lieu of an answer, "You know how they are."

"You're going to blame them for wanting their daughter to visit for once?"

Youngeun laughs. It's one of your least favourite traits—her incapability to take anything seriously. "Not your business. Besides, seven nights, remember?"

Yes. Seven nights. This is what she told you, another expiry date on another chapter of whatever the fuck this is between you. Another unspoken contract was signed for the hell of it. A time limit, for something that isn't even real.

"Just think about it," you continue, hopelessly, "talking with your family. It'll clear your mind."

"Know what clears my mind? The wind in my hair, sun on my skin, music in my ears," Youngeun runs her hand through her silky hair, "Landing in some new town, finding a new local hang out to try something exotic and then exploring whatever is hidden in that town's history, picking up a new person, hooking up with them, letting the excitement course through my veins, knowing there's always something else waiting on the horizon."

Another insufferable thing that she does. It's been maybe fifteen minutes since you tangled limbs in the bed and now she's standing across the room naked making no secret of the fact that she picks up guys and girls wherever she goes. Youngeun looks down at you on the mattress and runs her eyes up and down your body, her fingers resting lightly over her collarbone.

You follow the line of her fingers, nails cut short with traces of peeled black nail paint. A callus on her finger is a reminder of how often she played the guitar. She runs them down her chest, thumb catching a nipple in the process of doing so.

"Look at you. You get hotter every time I come back." And just like that, Youngeun drops a compliment, casual and effortless and you question who's benefiting from this relationship because it clearly isn't you.

You're gonna fuck her again tonight. Tomorrow too, and another three nights after that. After which she'll be gone for another six months to a year. There's a weird emotional emptiness to this routine—you give and she takes and this is all she asks.

"Come here, will you? Pin me to this wall already. Make me feel you." Her hand cups her breast and another traces its way down her abs, a clear intention.

You should hate her, really. Like how you hate the idea that she left home for no reason or how she wasted her potential, hate her for her indifference, for her recklessness and her cold detachment, or hate the fact that it's just meaningless sex. 

She doesn't like strings, it makes no sense to her how people commit. If she was the type of person who asked to be understood, you would probably try to, but that's never something she ever expressed. 

For all of that, you don't hate her. It's why you're still walking towards her and she's backing up into the wall.

So, what does she ask for? Her answer is pleasure and pain.

She kisses like a raging fire. Everywhere her hands roam leaves marks on your skin; she scratches deep in your back as you hook her thigh up around your waist. A hand between her legs, sliding in without any sort of preamble. She's still dripping wet, though some of that may well be your last load. She tastes of salty, sweaty sex and you relish it. She kisses and she gasps as your fingers work at her entrance; crooking them upward so you can press them into her and rub right against the sensitive spot inside her.

Her tongue slides past yours, hot and wet as she grinds up into your hand, claws digging into your lower back. Your hand fucks into her roughly with reckless abandon and her breathing gets shallow as your fingers bring her closer and closer.

It doesn't take long, she's close, you know that when she throws her head back against the wall. "Stop���wait, fuck—wait," Youngeun barely gasps and then with your name in her throat, the friction of your fingers sends her over the edge. A moan escapes as her mouth falls open, eyes clamp shut as you finger her to orgasm.

It's always been easy to make Youngeun cum, but it never loses its magic. There's something particularly thrilling to the way she moans your name in that honey-laced rasp, to the way her entire body arches upwards as the pleasure mounts. A sharp gasp cuts the air.

Her limbs slacken. She leans her head against the wall. She's struggling to catch her breath.

And this is the fucking problem. For every reason to hate her, there are so many more reasons to enjoy her.

That's when you lift her, hooking up the other thigh and holding her by her tight little ass. Youngeun hisses and she's staring daggers and that's always a part of the fun. She'll give you these looks that could kill a lesser man, but you know the only solution is to pound her into submission.

"Be rough with me. Hard," Youngeun pants, sucking air in, breath ragged. Her skin's hot to the touch.

"Like last time?" Your voice comes low, thick and gruff as you hook her legs higher.

"No, harder, faster," Youngeun replies between rapid, short breaths, she grips your arms, rolls her hips and wraps her body tighter around you, "Want me to stay? Fuck me until I can't walk out."

You're incensed and sliding your length over her slick, warm, inviting heat, before slamming her back into the wall, entering her in one long hard motion and enjoying the way her lips fall apart; enjoying the way her hot and messy, fucked-out body arches upward as you hit deeper and the way her cries pitch. You don't even wait for her to catch her breath before snapping your hips over and over and giving Youngeun exactly the type of pounding that she wants.

There's a sharp gasp. A second of silence and then a choked-back scream. You feel a palm on the nape of your neck and a sting on your shoulders as her nails dig deep and scratch. She rakes them over the broad expanse of your upper back and it fucking hurts. It fucking stings and it's delicious. You bury yourself deep inside her, stretch and fuck her all open on your dick.

"Like that. Yes! Like that! Fucking ruin me."

"Since you asked so nicely."

Her moans become a struggle now that you've run a hand roughly up her body and planted it around her neck. Squeezing, not too hard, not to cut her airflow, not to bruise, but firmly enough that she will feel it and feel that she is being held. She loves to feel hopeless. And there, that's what you like: her hot, sweaty body locked between you and the wall and helpless against you as you sink into her.

And as much as she says it doesn't mean anything. Youngeun cries out your name like it means something.

The ever-familiar suffocating grip of her wet cunt grips you as she cums again. Bodies flushed together, grinding and sweaty.

"I can't breathe—" Youngeun whimpers in that cracked, vulnerable and submissive way and you snarl. Fuck her up as promised. Hurt her like she begs for. And Youngeun loves it like nothing else, absolutely nothing, her eyes rolling to the back of her head and a strangled groan as you reach another climax and fill up her pussy again. You pound yet another load into her tight hole.

As much as she would hate to ever admit it, this is as close to a home as she has in her life.

[writersdrug]

no thoughts just waitress!reader showing up for shifts like nothings wrong after the date situation

just keeping it calm and professional. working her shifts efficiently and no longer bantering/flirting with ghost, who would rather reader melt down and tear into him than putting up the walls around herself hehe

Ok I'm combining some asks here that had some different ideas - I got so many of you guys demanding reparation for making reader cry 😭 here's the comfort chapter! (Still a tad angsty at the beginning)

Ghost had finished your tips for you that night. He had half a mind to slide a hundred in your payout folder as an apology for ruining your date... but what good would that do? That would make you quit for good, if you hadn't already.

He lays in his bed, eyes stuck to the ceiling, still in his jeans and black shirt. He wishes he could snuff out the guilt that sits heavily in his gut. He wonders what you're doing - probably crying, possibly making a half-assed voodoo doll of himself and stabbing his chest with a dull steak knife, because that's all he feels right now.

He gets up early the next day after a rough three hours of sleep. He lumbers down the stairs to the office - Price is there, sorting out cash and working on the next supply order. He looks at Simon, who's rubbing his eyes and looking worse for wear.

"Mornin'." Price says, turning back to the monitor. Ghost grunts in response, dropping himself onto the couch behind Price. His head aches from the lack of sleep, thoughts circling in his mind about how to apologize to you. He can imagine you won't want to talk to him - or, if you do, it'll most likely be profanities wedged between insults. He'd love for you to berate him right now, and make him feel like he got what he deserved.

Price sighs. "You sleep alright?"

"I've had better."

"Nightmare?"

"... yea, somethin' like that."

Price huffs. "I'm workin' front of house today." He says, grabbing the bag of tips and standing up. "Goin' down to drop these in the safe, then I'll help you stock up."

Simon opens his eyes, looking at Price with confusion. "You?"

Price nods. "Dove called out sick. Sounded like she's got the lurgy."

That delivers the final blow to Simon. He knows you're not sick - you're avoiding him now. All plans to apologize are now out the window, and the more time passes, the harder it'll be to do it.

"You've only got yourself to blame, Simon." Price says, heading down to the restaurant floor.

He curses under his breath as Price leaves. How he heard about what happened - he could only assume it had been from Soap. He drops his arm over his face and groans. He wants to call out himself, but then they might as well shut down the entire pub for the day.

Should he try phoning you? Would you answer, let alone allow him to get more than five words out? What would he say? "Sorry I ruined your date, I was jealous tha' ya got a life outside of the pub." There is no variation of an apology that feels like it would be enough. He made you cry, for fucks sake. That was a punishment in and of itself, but he still had to own up to what he'd done.

He sighs loudly; his body feels heavy as he drags himself off the couch, trudging down the stairs. He still has a bar to run.

It had to have been the longest shift of Simon's life, and he even wrapped things up a bit earlier than usual. He didn't have the gift of your incessant chatting or being able to tease you to make the time pass. Price was a solid companion in front of house, but there was hardly a conversation to be held - even with the usual bar crowd. The patrons had a look of confusion for the majority of the night, wondering why Soap wasn't popping his head out of the kitchen to chat every once in a while - and why the hell the owner was serving tables, and not the chipper, spunky waitress.

When Simon had locked up for the night, he noticed your bike was no longer in the alley. Johnny must have dropped it off on the way back to his place.

Today isn't much different - at least, not for Simon. He's still suffering from a lack of sleep, he's irritable (he had a spat with Johnny in the morning, over something he can't even remember), and his work ethic is suffering. He's not worried about slicing bar fruit; it'll give him something to do later, when he needs it. Maybe the rush will kick him back into shape.

He stares at the dishes on the edge of the bar - they're all in need of a good polish, but he finds himself stuck on staring at the bar fridge. There's nothing else he needs to stock up on - it's packed completely full with wine, champagne, and cans of beer. He gently kicks the side of it with his boot. He should be checking the to-go boxes, helping Soap with setting up the condiments and soups, making sure the tables all had full salt and pepper shakers. That's what you would be doing. But, you're not here, and neither is Price. He can only hope tonight isn't as busy as the previous night, otherwise he'll have to close some tables. Which would make customers mad. Which would make Price mad. Which would-

Suddenly, he hears three loud bangs against the back door. He freezes, the sound triggering a Pavlovian response. He immediately looks up to the kitchen window - Soap opens the door, and you come jogging inside. You greet him with a smile. He asks how you're feeling, and you say "much better".

He doesn't know what to do with himself, but he just stands there like an idiot as you hang your bag and jacket on a hook. Stands there as you push your way into the restaurant, barely sparing him a glance as you scurry by him. Stands there as you run up the stairs, two at a time, diving nose-first into your chores so you can avoid Simon.

He can't speak. Should he? What can he say? "I'm sorry," for starters, but it isn't that simple. He thought you might have quit, and was preparing his heart for the worst. But now, here you are, running back and forth through the pub and setting up your tables - and it feels like you've never been farther away from him.

In all honesty, you can't bring yourself to talk to him either. You're feeling just as ashamed with your behavior two nights ago as he is about his own. Why the fuck would you expect someone - let alone your boss - to do your chores so that you could run off and have fun on a date? Not only that, but you'd made a scene; you felt like you had half-assed the ice bins in your scramble to get them cleaned, and then you sobbed in the middle of the restaurant. The cherry on top, however, was when you called Price yesterday and told him you had a cold, calling out of your shift. It was a cowardly thing to do, and you could tell he wasn't buying your story.

But: bills need to be paid, rent is due, and you can't lose this job. So you sucked it up and came in today - Simon is easy enough to ignore, separated from you by the bar.

At first, the quiet bartender was relieved that you had showed up for your shift - he wouldn't have searched for a new waitress if you had quit, instead choosing to deal with the consequences of his actions. But he's quickly getting more and more irritated with the silent treatment you're serving. You only talk to him when necessary: a simple "thanks" when you grab your drinks and run them to your tables. You busy yourself between rolling silverware, (over)stocking napkins and condiments, and even going so far as to spray the menus down and scrub them with a rag. You spend more time in the kitchen with Soap; each peal of laughter shared between the two of you is another arrow in Simon's chest. He's stuck behind the bar, listening to woes spilling from drunken lips, forced to watch you flit around and pretend he doesn't exist.

You can't keep this up forever.

Still, you do for most of the night. Even when your shift is coming to an end, the kitchen closed while you close the tabs for your remaining tables, you don't cave and sit at the bar with Simon. You sit at the farthest table from him, the farthest chair, in fact, skimming over your tip receipts - and talking to Soap (who was only able to sit with you since you had helped him knock out his tasks).

Simon's never been as angry with Soap as he is now - and the worst part is he knows it's not justified. He's watching from behind the bar, polishing glasses so hard they might wane into cups. He wants to talk to you. He will talk to you before the night is over. He doesn't expect forgiveness, but he expects that you'll at least let him offer an apology.

One of the regulars at the bar looks to whatever Simon is glaring at, chuckling quietly when he sees you. "Trouble in paradise?"

"Stuff it, Mike." Simon grumbles.

Meanwhile, you walk back from closing out your last table, plopping back in the booth with Soap. "What are you doing after this?"

"Sleepin'." he replies instantly, tossing back an onion ring. "Been dealin' with a grumpy bawbag since early this mornin', and I'm beat."

You glance over at the bar; Simon's back is facing you as he organizes the beer glasses. You really should apologize to him... you just couldn't figure out when the right time would be. He'd still be working by the time your shift ends, and you don't even know if he wants to speak to you at this point.

"Is he mad at me?" you ask, tapping your pen on the table.

Soap sighs. "I'm not goin' t' be the middle man, Bonnie." he says, looking at you intently. "If ye feel like somethin' needs to be said, go talk to 'im."

You groan, leaning back against the seat. "It's not that simple."

"Why not?"

"It just isn't! He's already pissed at me, and he probably thinks I'm a slacker. What good is an apology?"

"Ye won't know 'til ye talk to 'im, hmm?"

"What if he fires me?"

Johnny barks with laughter, and you frown. "I'm being serious."

"He'd never fire ye." he says, getting up out of the booth. He stretches both arms above his head and lets out a grunt. "In fact, he was throwin' a fit yesterday n' today 'fore ye came in. Bitch took it out on me."

You winced. "I'm sorry-"

"Save it fer 'im." Soap interjected. He left you at the booth with the onion rings and your tips, disappearing into the kitchen. You huff, hunching back over your tips and scribbling through them.

Deep down, you know Soap is right. If anything, you could just apologize to Simon. If he chooses to be grumpy about it, so be it. You've got tough skin... still, you can't stand the thought of him being upset with you - not because of your work ethic, but because you liked him. A lot. And you wanted him to like you back, even if it was in the most platonic way.

But that didn't change anything. An apology was due, and you were going to give him one before you left tonight.

You grabbed an onion ring and popped it in your mouth, grimacing when you realized they were cold. Out of the corner of your eye, you saw Simon making his was across the floor to your booth.

Great. Guess the apology is coming now.

He stops at the edge of the table, wiping his hands in a rag. You pretend to punch numbers into your phone's calculator, but they're all random - you just want to look like you're busy.

"May I sit?" he asks, tucking the rag into his back pocket.

You mumble out a "sure", still not looking at him. You hear his large frame slide into the seat across from you, polyester squeaking underneath his weight. You continue to do random equations on your calculator, letting a thick blanket of tension settle between the two of you. You can feel his stare burning into your head, his arms folded over his chest... and you notice that his mask is in his hand. You finally look up at him.

It's not the first time you've seen his face - you've caught glimpses of it when he smokes in the alley, or when he eats whatever Soap throws under the warmer for you and Simon. But this time, he's not taking it off to be convenient. And, dear god, you're just now paying attention to how scarred, rugged, and handsome he is - but now's not the time for those kinds of thoughts. You feel like he's reaching out an olive branch, showing a possible vulnerable side to himself. So, you place your pen on the table and lean back.

He stays quiet for a moment longer, trying to figure out how to start this. He wants to make sure that you know he's here to apologize, not to ask for forgiveness. From his silence, you assume he's waiting for you to go first.

"I'm sorry about Tuesday night." you say, eyes dropping to the table. Simon's astounded that you're the one apologizing, but you continue. "I shouldn't have reacted the way I did, and I'm sorry for trying to dump my job on you."

He feels worse, now. Was that even possible? He was expecting anger, insults - a detailed, frustrated explanation of what you did last night since you did not go on that date. But you're the one saying sorry? You think you're to blame for all of this unspoken aggression? Oh, you really do confuse him, sometimes...

"You don't need t' be sorry, luv." he says, gazing at you with a softness you'd never seen before, not in his brown eyes, at least.

"No, I do." you say, nearly pleading with him to let you be apologetic. "I was being a brat, and whether you usually do the ice bins or not, I shouldn't have expected you would do them without asking." You push your pen on the table, doing your best to convey your feelings. "And yeah, I was late for my date, but... well, he sounded like a dick, anyways."

Simon chuckles, watching you stare at the table. "Well, I owe you an apology, too. I jus'..." he sighed heavily, running a hand down his jaw. "I don' even know. Guess I was bein' lazy, or... I got jealous tha' you've got a life outside of this pub. Feels like you belong here."

He immediately regrets saying that - it sounds way too possessive and... just straight up weird. But you smile, taking comfort in the fact that he still wants you here. That this was the whole reason behind the mess.

"Soap called you a bitch. Said you were an asshole all day."

Simon scoffs. "Yea... 'm pretty sure Price would tell ya the same. And he wants ya back, too. Couldn't stand waitin' on tables, he was tryin' t' trade places with me all night."

You laugh. The world seems alright again - not perfect, but good enough. It might take a night of sleeping the tension away before you're fully back to your normal self, but this is a leap in the right direction. You look at Simon, into his brown, steady eyes, as they stare right back at you.

He breaks the silence. "I really am sorry for ruinin' your date."

You smile softly. "Thank you, Simon. I forgive you."

And just like that, the weight of his guilt is lifted away. The lingering sourness remains, a reminder that he had made you cry. But you had forgiven him, which was more than he was hoping to get tonight.

"Are we better?" you ask timidly.

He nods once. "Better."

You smile - you slowly slide your stack of receipts to him, biting your lip. "Cool - can I have my money?"

Just like that, his smirk drops - but you know it's all in good humor. He huffs, snatching the stack from the table and scoots his way out of the booth. "Always got money on the mind, eh?"

"I've always got rent on my mind." you retort, following after him with the bowl of onion rings. You plant yourself at your usual spot on the end of the bar, right near the POS where Simon cashes out your tips. He tries to hurry up, assuming you want to dip and go home after such an intense conversation. He slides the mask back over his face and punches his code in, trying to edit your tips into the system as quickly as he can.

"Simon?"

"Hm?" his response is instant, turning around to look back at you. You've got your phone on the bartop, and your back and jacket on the unoccupied seat next to you.

"Can I stay for a drink?"

He's melting on the inside, only held together by his own skin. He sets your receipts down and opts to do them later, right before whenever you decide to leave. He won't miss on an opportunity to have you stay longer.

"Course, luv. What's it gonna be?"

"You know how to make a cosmo?"

He chuckles, grabbing a glass from the shelf behind him. "Sure do."

[burntoutdaydreamer]

Questions I Ask My Beta Readers

"Did you like it?" just doesn't cut it when you're trying to get useful feedback, so here's some questions that get your reader really thinking about your work:

What are your general impressions after reading? How did you feel when the book ended? 

(For fantasy/sci-fi) What did you find most confusing about the world? What did you find the most interesting? What do you want to know more about? 

Were there any scenes that broke your suspension of disbelief? Which ones? Why?

Which chapters were the hardest to get through? Did you find yourself skimming the text at any point in the story? 

Which character was your favorite? Which was your least favorite? Why? (Note that this question is best when asking multiple readers. If one person really dislikes a character, it could be personal preference. If multiple people can't stand a character for the same reason.... well, that's a problem you need to fix. Unless, of course, you want your readers to hate that character. Just make sure that their hatred enhances the reading experience instead of ruining it).

Did you get any characters confused or mixed up? If so, did this make the story hard to follow?

What was the most suspenseful moment in the book? What was your favorite moment of the story? What was your least favorite moment in the story? Why?

Which setting in the book was clearest to you as you were reading it? Which setting was the most difficult to envision?

Did you feel there was a lot of info dumping at any point? If so, where?

How do you feel about the plot? Were there any parts that confused you or seemed nonsensical/ illogical?

Did you feel any part of the story was predictable? Do you have any predictions for the next book(s)? If so, what are they? (Again, another question that's best when asking multiple readers. Be aware of your audience here. Some people, especially those who read a lot, are really good at predicting where stories are going to go. If those people are able to guess what happens next, that might actually be a good thing, because it could indicate that your story is progressing logically. Too much predictability is a problem, but a little isn't bad. This question is just to make sure the plot twists/progression aren't painfully obvious to most readers).

What plot holes did you find in the story so far? 

Were you invested in the story? If so, at what point did you become invested? Did you lose this interest at any point? (The second point here is really good for determining whether you have a slow beginning. Sometimes readers might really like your story overall, but would not have gotten past the first few chapters if they were reading it for fun instead of as a favor for you. This happened to me last time I asked someone to read my work, and it made it clear how much of the beginning I needed to rewrite entirely).

Any other questions or comments? 

[iamred-iamyellow]

⋆ ˚｡⋆౨ৎ˚ Something That I Want

♥ masterlist | request rules

♥ pairing: prince!lando norris x fem!princess!reader

♥ series synopsis: you are the princess of monaco and your ex, lando, is prince of england. your family has been into f1 for a very long time, turning you quickly into a fan. this prompts lando to buy mclaren after your break up, just to spite you. you weren’t even able watch your favorite sport without seeing him, causing you to match his pettiness and buy a team of your own. 

♥ chapter synopsis: life is short. buy an f1 team.

♥ smau - fc: women on pinterest - as always none of the pictures are mine <3

♥ warnings: swearing !!!

♥ a/n: fun fact! this was originally going to be a sleeping beauty related fic (hence the pink) but I decided that this plot was a better idea.

-December 18, 2023-

liked by landonorris, mclarenracingf1, f1, and 4,932,753 more BBCNews After a messy breakup with Monegasque Princess Y/n L/n, Prince Lando has rebounded in a way no one would expect: buying an F1 team.

view comments

oscarpiastri oh?

mclarenracingf1 we are absolutely honored to have him as a part of the papaya team 🧡

user7 the difference between Oscars and the McLaren admin's comments 😭

user1 isn't he younger than half the drivers on the grid?

user8 I need him I'm afraid

user5 righttt he looks so fine 😩

user6 his jawline >>>

user12 y/n response when

user22 what an asshole

user19 ?

user10 why would he buy an f1 team that's so random

user7 I'm going to make a thread!!

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

You rolled your eyes as you saw all the posts you were tagged in about Lando. You knew he was going to be petty, but you didn’t think he’d take it to this degree. If he was going to act this way, you might as well play along. 

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

-December 24, 2023-

liked by charles_leclerc, carlossainz55, f1, and 6,924,842 more

scuderiaferrari we are absolutely honored to announce that the Princess of Monaco Y/n L/n will be the new CEO of our team Scuderia Ferrari F1 affective immediately.

view comments

charles_leclerc @/yourusername nous avons la chance de vous avoir - (we’re lucky to have you)

yourusername merci charles ❤️

user2 oh shit 🫣

user7 NO WAY

user1 😨

user4 CHECKMATE @/landonorris

user6 the woman ever

user3 the revenge plan is eating

user5 the CHAOS. the DRAMA. 🤭

user8 silly season is already sillying

liked by charles_leclerc, carlossainz55, scuderiaferrari, and 5,832,940 more

yourusername I’ll see you in the paddock 😘

view comments

carlossainz55 es un honor tenerte en el equipo - (it’s an honor to have you on the team)

yourusername gracias carlitos ❤️

lewishamilton it’s been a while. I can’t wait to see you again

yourusername see you soon lewis 🥰

user2 she didn’t even have to tag him 😩🙏

user6 he knows who he is

user12 lately she’s been dressing for revenge

user1 charles casually being here

user7 hes picked his side and I don’t blame him dhsbsidj

user4 he has to support his girl

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

end notes: im HYPED to start this series. I have a lot of fun things planned <3 shoutout to anyone who noticed the title of this series is based on the end credits song from tangled. I’ll be posting the masterlist soon!