#so i... have to...... make decisions here abt what is more important.

[kegareki]

woke up today with a migraine that made me puke multiple times but i am ending the night looking up youtube videos of what seoul line 3 looks like for my orv au

[sophie-frm-mars]

I'm not sure how much people are talking about Aaron Bushnell having engaged with online leftist media, but the records show that they were a viewer of a bunch of different twitch streams, including mine, and subscribed to a bunch of patreons, including mine. I'm not going to inflate my importance here, the livestream link was sent directly to Talia Jane and Anark, so those are probably the voices Bushnell felt the most connected to and followed the most directly, like idk if they also subscribed to someone's patreon after watching a video abt Cars 2 or whatever, I'm not trying to examine whether social media drove the self immolation because I think that's disrespectful to the memory of someone who literally died screaming Free Palestine. I don't personally know of any leftist creators who directly advocate political suicide, and I know that we all share in the political understanding that underscored Bushnell's decision.

I've already made a point of telling my patreon server that my politics are about growing into each other and supporting one another and that if anyone asked me if I thought they should do what Bushnell did I would say no absolutely not.

I'm ruminating a bit on the nature and meaning of the protest, because a lot of people are engaging with the image of a man in fatigues on fire, standing proud and declaring "FREE PALESTINE", while I've seen others talking about the fact Bushnell's username on several platforms was LillyAnarKitty, mourning the loss of a potential trans sister, talking in depressive terms about the act of suicide, to which I think the people who are engaging in the more macho interpretation of the protest are saying "no it was cool and masculine, it wasn't suicide in the conventional sense it was about principle!" I think there's room for plenty of both. For the record LillyAnarKitty used he and she pronouns in discord servers.

Andreas Malm's approach to self-sacrifice and self-endangerment is that we as subjects of the imperial core are in a sense, precious. Valuable. We are supposedly what it is all for. The imperialist project must be doing it for the citizens of the imperialist nations because if it isn't, then it has to nakedly admit that it is doing it all for the intense power and wealth consolidation of a tiny tiny number of soulless ghouls. Therefore when we put ourselves in harm's way in a way that says you would have to destroy me to get to the thing I care about, we leverage the implicit value of ourselves for our principles. A planned protest by Palestine Action against the London Stock Exchange was allegedly going to involve locking the actionists' necks onto the mechanism of the door into the LSE making it impossible to enter or leave without probably killing them, for example. I think that Bushnell's self immolation sits on a sort of dissonance, my life is precious and my life is worthless. My life is precious and so you should care about the obvious tragedy that I am enacting and my life is worthless if thousands upon thousands of Palestinians are killed as part of the project that enables the life that I lead.

There is also the way that people have debated the meaning of "complicit in genocide" - Bushnell worked in USAF Intelligence and the US has active troops in Palestine, it's possible that they were already culpable in an unknowable number of deaths without having set foot there.

In one sense it's a little pointless to debate the fine details of the meaning of Bushnell's protest in the same way that it's pointless to pick over any feelings of responsibility that I and I know other people that we know they watched are feeling. When I first saw the video I was struck by the language, by their concise and astute analysis and I knew, without knowing just how closely that they were plugged into the same intellectual and political milieu as us. In that same sense I think that they already described what they did the best that any of us are going to be able to:

“My name is Aaron Bushnell. I am an active-duty member of the United States Air Force, and I will no longer be complicit in genocide.”

“I’m about to engage in an extreme act of protest. But compared to what people have been experiencing in Palestine at the hands of their colonizers, it’s not extreme at all. This is what our ruling class has decided will be normal.”

"Free Palestine."

[tatiejosie]

Look imma be real with you, Invincible fandom... I know that we were blessed with not just one or two, but three milfication of our favourite meow meows,, And I'm forever grateful for that

But,, I'm so sad about the charadesign for Cecil and Donald's female counterparts... They really went for the girly girl/north american type shit here

like

w h y ??

Bestie, the whole concept of a genderbend is that the character stays the same and just has the opposite sex - while Cecil could probably have a bit of a stylish thing going on, Donald is a soldier in a suit. Everything about that man's appearance is that he is as blank as can be.

He's supposed to blend in with his surroundings, to be easily forgotten about. His haircut is a practical, military-grade one. The lack of any accessories (outside of the glasses) is a practical decision as well. He was built in a way that makes him look like a disposable item to the GDA. He doesn't have a complex character design for a reason - because he's not his own person anymore, he's not meant to last. His blankness, both in attitude and in appearance, is a mirror to what he is - an asset to the GDA, and Cecil's shadow.

So why is his genderbend version wearing fucking jewerlly?? Why is she wearing a bright pink jacket???? Is fem!Donald not a cyborg? What is her past like? She seems as protective and jumpy as male!Donald, so I would assume that they're actual counterparts.

It's important to note that neither Cecil nor Donald have any kind of coquettish side to them. They dress for their job and don't care for their appearance, as long as it's professional and practical. So I don't understand why they just dumped that on their genderbends for no reason.

Donald is always up and ready to throw hands and he looks like he would do so - is that the case for his female counterpart? No. Her outfit is more of an inactive office-worker attire than a trained soldier. The jewellry would not be comfortable either, so would the hair (not even tied up) getting into her face.

,, All I'm offering is a soft butch Donna with a similarly short haircut. Maybe not a buzzcut because women of that age still want a little bit of feminity going on. NO jewerly outside of maybe a tiny, discreet tungsten earring.

I'm so sorry i'm 2AM i should go to sleep but i hadvd so much to say abt the potential of genderbending charadesign in media

one last thing: Cecil is a gender neutral name. diversity wins

[soupthatistohot]

Character Study: Chuuya Nakahara's Stubborn Refusal to Give Up

Guys its time for me to get back on my little soapbox... and of course it's gotta be Chuuya that I talk abt after being basically inactive in the BSD fandom since the summer.

I haven't read any of it yet, but I'm aware that a Stormbringer manga is currently releasing chapters, and as such, I felt it appropriate to share my thoughts on Chuuya and the story that takes place in the LN, which was one of the major things that made me fall in love both with BSD and Chuuya as a character. So, needless to say, Stormbringer spoilers ahead!!

I will also preface this by saying that I originally read Stormbringer in April of 2022, so it's been a hot minute! If I get things wrong or leave something important out, please let me know!

Put simply, Stormbringer is Chuuya's personal hell. The people he cares most about gets murdered by this guy claiming to be his brother, his entire identity is brought into question by said guy, he's losing control of his ability (which I'll remind you was what he previously centered his identity around when with the Sheep), and all the while Dazai is being Dazai (AKA really annoying).

And Chuuya is only sixteen years old.

Speaking of Dazai, can we marvel for a second that Chuuya hasn't turned out more like him? Given everything we know about his backstory, it would make perfect sense if Chuuya were cynical in the way that led him down a path of self-destruction. And I'm not saying that he's not above such tendencies, but he's not actively suicidal in the way Dazai is. In fact, he resents Dazai's outlook on things and actively tries to differentiate himself, even if deep-down, he knows there's a part of him that might be a bit... depressed.

I'll bring up here the scene in SB where he hallucinates Dazai teasing him whilst being tortured -- Dazai, in a sense, reflects Chuuya's inner thoughts at that point. Internally, he harbors the insecurity that he and Dazai are similar (inhuman), which he cannot allow himself to truly entertain. But he feels it sometimes, that hopelessness, that depression. Chuuya is certainly a cynic, a kid who has seen the worst of the world, but the main difference between him and Dazai is that he refuses to give in, and that's actually a pretty big difference.

(I will note here that I'm primarily using the description of Dazai as he existed in the Port Mafia. In the present day, things are quite different, as that version Dazai is characterized by his choice at least try to live, if not only to fulfill his promise to Oda. Yet, even in the present, he still regularly attempts to kill himself, so he's not fully on the "continue living in spite of it all" bandwagon, but rather, he's kinda tied to the back of it being, dragged in the dirt, even though he could untie the knot at any moment and plunge into oblivion. (Sorry got carried away with that metaphor.))

But back to Chuuya! As previously stated, he quite frankly has every reason to just not care -- about the people around him, about Yokohama, even about the world -- and yet, he does care, and very deeply, even if he's not always overt about it.

After the Sheep betray him, he effectively has nobody. Rather than join the PM, he could've gone off to die in a ditch, and no one would have really cared all that much. And even when he joins the PM he asked them to protect the Sheep when he could have easily left them to their own devices. He cares about them, even when all logic says he really shouldn't, and there's really something rebellious about that. I will say that this example is the most wishy-washy, as Chuuya was very much manipulated by Dazai and Mori into joining the PM, to the point where he basically had no choice.

But that informs a lot of his decisions in SB, as the story basically kicks off with him acting outside of Mori's jurisdiction. He knows that he shouldn't be looking into his past, and that Mori wouldn't be happy with his attempts to do so. But he's determined to not let the system get the best of him. Despite the odds, he finds a group of friends (arguably, a family) who are willing to help him with this and is determined to go forward with it. He's not really loyal to the PM at this time, either, acting on his own despite the danger.

And yeah, it was dangerous, because then the Flags all die. Even then, he doesn't give up, though. He's tempted by Verlaine on multiple occassions to basically forfeit his reason for being, accept that he's lines of code and not actually a human being. It's enticing, and Chuuya certainly entertains the idea, because wouldn't it just be so easy to just give into futility? If he's not a person, then why have qualms about morality? People? Life? He could become an unstoppable storm, destroy everything in his path, not care.

But that he refuses to do, as well. Even when given the ultimatum by Dazai to find out for sure if he's human or try to stop Verlaine from destroying Yokohama, he confidently chooses the latter. He realizes that the circumstances of his existence don't matter, and what does matter is what he does with this life he's been given. So he chooses to fight.

And he chooses to fight over and over again, even (and especially) when things are at their worst. Things will never be easy for Chuuya -- very often he and others he cares about are put in danger -- but what makes him Chuuya is that he will always push back against the forces that be, even if it means risking his life or partnering up with his god-awful ex-partner. To him, it is better to have tried and failed than to have not tried at all.

And here is where I'll bring up my favorite way of analyzing BSD: absurdism!

Everything I've described about Chuuya fits the absurdist philosophy, which this post provides a more in-depth description of. The long and short of it is that 1) life has no inherent meaning but 2) we must not give in, but instead revolt against absurdity. It is Chuuya's stubborn refusal to give in (whether thru suicide or becoming part of the system) that characterizes him as an absurdist to me.

Anyways, that's what I've got! I think I need to re-read Stormbringer (or keep up with the manga as it releases) because writing this made me realize that I really don't remember it as much as I thought.

Also, please respond with your own thoughts and ideas! I always want my posts to be a space for discussion, as I love engaging in conversation about this type of thing!

[musicalmoritz]

Thoughts on TBHK 120 :D ?

*deep sigh*

Fine, I’ll talk about chapter 120

How are we all doing tonight? Have you all eaten? Gotten those homework assignments in? Anyone else dealing with a massive headache? Anyone else drowning in sibling angst?

When I say this chapter destroyed me I do not mean standard TBHK angst. I mean life-altering fandom angst in which you can never be the same after that point. I’m talking The Death Cure page 250. I’m talking “I swear, Bill.” This chapter…holyyyy shit I need a drink

For a day, I thought it was time for my TBHK hyperfixation to peacefully fade away. I thought I could hop off the train and board the next trip, in which Wicked would take over my brain. Or maybe Interview with the Vampire would be my next stop. Would it finally be time for me to have a full blown Jujutsu Kaisen phase?? Apparently not

This chapter revamped my already thriving TBHK obsession and I am both living for it and dreading it because WHYYYYYYY did they have to come for the one thing that gets me more than anything???? Not the younger sibling dying, I can’t do this. Every post I see abt it feels like getting shot in the stomach. It’s the good kind of angst of course but omgggg it’s so painful. Teru has dedicated his entire life, arguably thrown his life away, to protect Kou. He has ruined his own future because he adores his younger siblings so much. And then he has to be the one to kill Kou in the end (yes I know Kou was already dead but shhhh still). He has to see his baby brother’s corpse at the bottom of a well, that image burned into his mind forever

Throughout every meal they had together, every walk to school in the morning, every mindless rant, every movie night, every petty argument, every trip to the store…do you think Teru ever thought it would come to this?? That one day his little brother would be no more and he would be the one to deliver the finishing blow?? Ughhh it pains me to talk about it. At least we got Aoi being an overprotective girlfriend to Nene. Yuri saves lives

I also love Akane’s development, how he made such a major decision and it had absolutely nothing to do with Aoi. I love how his social awareness has expanded throughout the manga, how he’s come to care about more than the girl he loves. He’s grown so much and I really wish more fans could look past their first impressions to see that…but it’s the rule of stubbornness, if you don’t want to see his growth then you won’t

Anyways the dynamic between the Minamoto siblings is my favorite part of the manga, and Teru and Kou are my favorite characters. It is so important to me to see a healthy, loving sibling dynamic portrayed in media, but I knew that couldn’t come without its share of conflict. It wouldn’t be realistic if things were perfect between them, and in a manga with high stakes like TBHK it wouldn’t be realistic if there weren’t a handful of fakeout deaths. Did not need to see the face Teru would make if he saw Kou’s dead body, but here we are. I am simultaneously eating this chapter up and suffering horribly. What a great day to be a masochist…

Thank you for the ask, I needed a place to dump all these thoughts out that wasn't limited to memes

[thelesbianluthor]

Saw people talk about the fact that the trio knows every single threat they have to face before they have to confront them in the show vs in the books they actually fall into traps and then have to find a way to escape it.

This is one of the main issues i have too honestly. I understand the choice of making annabeth pick up on the statues and the name of the place and obviously guess "oh that is medusa". It works bc medusa is important and connected to her mother and like the context clues are staggering.

But comparing that moment to the start of episode 7 (which i actually really enjoyed especially compared to ep6) makes the show lose most of the tension they could have.

Like why make it an immediate exposition dump on "oh you are this and you do that and we are here for this and that" i don't mind the change of making the shop the entrance of hell but why can't they just for once fall into a trap like? They are 12 years old trying to avoid a war and fix a situation way bigger than them, they are smart and quick witted but let them make mistakes and NOT KNOW some things.

I feel like a lot of the potential of the first scene went out of the window and it just became a "here's an exposition of a scene that happened in the book" and that way even if you cut it you don't lose anything really.

Changes are a GOOD thing and that is not my issue with the show at all! I have already said that I mostly enjoy the changes that were made and I am not expecting nor want a scene for scene copy but it does make it a lot less interesting imo if they go into EVERY SINGLE SITUATION knowing what they are up against for no real reason.

You can have them know some things and guess who they are up against but like if it happens every time the tension of the danger gets lost a lot and it becomes repetitive imo.

On the good side of things tho I think you can see in general that the trio has gotten a lot more comfortable in the characters and the improvement it's very visible. I already said how I really love the casting and I only expect them to get better at portraying the characters that is a no brainer.

The flash backs were probably my favorite part of the episode along with the way they decided to visually represent Hell.

I love that we get to see a peak of Sally and Poseidon's dynamic and how hard it was for Sally to raise Percy, not only bc of the risks his godly heritage brings but also bc she was a single mother and society in general tends to give up on people that don't fit the mold.

Small Percy thinking his mom wanted to get rid of him and saying "I would never do that to you" even tho she has spent every moment doing her best to protect him vs an older Percy having to choose to leave his mom behind so he can do the right thing even tho everything he has done has been fueled by the desire to save her. That was beautiful and tragic.

Casting in general is incredible bc even with the little we saw of Poseidon (I knew the actor from black sails so I knew he would be great) I think he really nailed it.

Hades is maybe a BIT too silly but I can live with it honestly. Like we'll have time to explore and make other characters deeper later on so i don't see this as an issue.

The decision to make them aware of Kronos and tell Hades is interesting and I do like that he offered to protect Percy if he believed to be at risk.

I understand that with how things are now you never know if a show will be renewed and if you'll get to actually finish your story so I don't mind them making certain stuff known sooner and sprinkling references to future events or call backs (MOA percabeth reference I am talking abt you).

Overall I think that the strongest suit of the show right now is the cast and the way they show characters dynamics and their potential.

Like I have said before my criticism stems from my love for the material and my wish for it to do well. I have opinions that maybe will not match with others and it's okay! Not everyone has to like something! I WANT the show to keep going and grow and evolve into a better adaptation with each step because I really love the basis they laid down, the story and the characters and I see the potential most of all. I can't wait for the last episode.

[astronomical-bagel]

I wanna hear you talk about chilchuck the most that sure is a guy ever

YAY I GET TO TALK ABOUT MY GUY THANK YOU BELOVED MUTUAL KYSOOT 

(Warning for lots of spoilers from chapter 30 of the manga (right after the red dragon))

Anyways fun fact! The thing that made chilchuck my favorite character was actually when he was trying to convince senshi to lie to the Laios and Marcille in order to get them to turn back and give up on finding falin. I made a whole post about it too, i LOVE cowards. I was reading in my car waiting my twin to get off work and i was screaming my head off the whole time because it was such a good revelation about his character.

And it’s not that i love scared guys (i do, absolutely, but chilchuck doesnt apply here), and its not that i love disloyal people (i also do, but once again, not the point), its the whole character arc where it goes:

1. Once he reaches a limit for how much danger he is willing to be in he will break any moral code of his to keep himself safe. He will lie, he will abandon his friends, whatever, so long as he makes it out alive. 

2. But THEN, he realizes that his want for safety isn’t just for himself, this time. He realizes that he wants his friends to survive as well. (and that he has gotten way more attached than what was in his job description)

(look how fond he is!!!! Look how fond he is!!!!!! Im banging my head on the wall AWUGHH!!!!)

So 3. He is forced to go against his own nature of secrecy and being reserved and has to tell the team outright that he doesn’t want them to die.there is just something sooo *vague waving of hands* about a guy who absolutely hates talking about his feelings being forced to do so auughhhh. And he did it to convince Laios to not be reckless and get himself killed!!!!

That entire chapter had such a good journey through chilchuck’s emotional state. From him beign 100% ready to trick them in order to turn around (even contemplating breaking marcille’s staff!), then reminiscing on the fun or brave moments that theyd just had, then remembering that he was mad at them for being idiots and doubling down on his decision. When talking to that orc woman (Leed), he was trying to convince himself that his actions were justified, not just her. 

And I also quite like the moment when Leed realizes that Chilchuck isn’t angry at the others for putting him in danger, but for putting themselves in danger. Chilchuck didn’t realize this himself yet! Him saying that he wished the others would give up, even when he was removed from the equation, makes Leed realize that he is unselfishly wanting them to turn back so that they would be safe.

And when she points this out, Chilchuck is absolutely gobsmacked and barely even talks for the rest of the trip because he’s too busy thinking over this revelation. Love a guy who keeps to himself being forced to reconcile with the fact that he has actual friends he cares about now. Look at him!! Hes so shocked he doesn't even know what do to with himself !!! I love him!!!

And also, another part i really liked abt this chapter is when chilchuck is trying to convince Laios to go back and he’s like “LISTEN i know you are absolutely terrified for your sister but I have THREE PEOPLE TO WORRY ABOUT AND IM NOT USED TO THAT IM GOING TO VOMIT” its just so silly and endearing to me because he really isn’t used to caring about so many people at once – he’s a reserved guy who has been living alone for multiple years! – and its just so important to me because he’s been forced to acknowledge that he cares about his team so hes like “if you guys put yourself in mORE danger im going to scream and cry and throw up SO YOU BETTER TURN BACK NOW PLEEEAASEE”

Anyways, chapter 30 was so well done and was an absolutely fascinating insight into his character and I was instantly obsessed. There’s a lot of other reasons why I like Chilchuck, but this chapter is the definitive reason why he’s my favorite. (I also just like seeing a guy when he’s terrified, sue me.)

[abrahamvanhelsings]

if you would ever like to elaborate further on the mountain dog/hunting dog joplittle dynamic you mentioned in the tags of that “Blanky about to lose his leg” gifset…. inquiring minds are simply piqued 👀

hi sorry that this took me. FOREVER. i didn't have time to answer the ask at first then i did it halfway and didn't have time again and i promise you this ask has been hounding me (hah hah) since the day it appeared in my inbox but i never seemed to be able to make the time to reply to it asfjdfjfd anyway! here it is now :')

ok im basing the idea of hunting dog = jopson and mountain/working dog = little on their respective personalities, the way they seem to think and how they react to specific circumstances. and slightly on their physiques as presented in the series but that's of minor importance. ofc both of them are loyal and listen well to superiors - to one man in particular, which is fairly common among dog breeds as well (i.e. whoever trained them), so that's not necessarily distinctive, but it does ofc make them dog-coded in general. but there are many many ways in which to be dog-coded and they're very different abt it so!

why i think jopson is more hunting dog coded is bc he is extremely competent, but quietly so, not noticeable until it becomes necessary. he's very skilled at providing specific information about the crew and the general goings-on around terror to crozier, and he becomes more focused in highly tense situations - in fact these are moments where he specifically stands out for how well-suited he seems to the task. and he is not aggressive, but there is definitely a sharpness to him that he can and does direct to those who threaten him or crozier first and foremost.

and all that really does remind me of hunting dogs - a good hunting dog is extremely well-trained, knows exactly what he is supposed to do, listens to commands, and stays at his master's side. im thinking especially of pointing dogs, i.e. dogs that point a hunter in the direction of prey that they have sensed:

these are of course very precarious situations wherein a hunter relies on his dog to steer him, and if hunter or dog make a wrong sound or movement, they may alert prey to their presence. there's a a correspondence here between dogs trained for these moments of focus to jopson, who is crozier's silent aid but also excels in such tense situations, and who is decisive, swift and capable. and i think it's really funny that being 'birdy' is a wanted trait in these dog types, bc 'i've shot smaller hawks than you' the comparison literally writes itself. also, pointers/setters tend to be lean dogs, which i think coincides well with jopson's natural elegance and grace

edward on the other hand is supposed to be sturdy, good-natured and broadly dependable. he appears increasingly anxious in the series, but that is because he is shouldering a lot of responsibility throughout it all. he'll take the insults and he'll take the extra tasks and he'll do it with barely a complaint. in fact it makes me think of the fact that dogs treated badly can come to exhibit traits that are not desirable in the breed at all. imo edward in ep 1 displays what i would call the desirable traits of, say, the bernese mountain dog, but events and crozier change that very rapidly.

you can fuck up any dog if you treat it badly for long enough, and edward is an abused dog to me.

id also say that edward is generally amiable, though he will make a point when he feels it is absolutely necessary, and he does have an innate want to protect what or whom he finds important, though he is seldom if ever very aggressive about it. he has an intense feeling of responsibility for the crew and the expedition as a whole, set against his feelings of loyalty towards crozier, who he wants to please almost at any cost as well. and then of course he also has a large family.

'search and rescue work'. yeah. and then of course mountain dogs are generally of a sturdy build. obviously matthew mcnulty is no absolute unit but by god the series tried their hardest to make edward appear like a well-built countryside boy. and by god does he try to carry every burden ever on those shoulders, like a dog pulling a cart bc that's what it was trained to do and it was enjoyable once. and he seems practically immune to scurvy and fares well in the cold, which, again, very mountain dog of him.

additionally, newfoundlands (neptune!) aren't mountain dogs, but they're big, sturdy, excellent swimmers, and therefore often used for rescue, so that's also a breed i associate with ned.

[spiderpussinc]

who you mind sharing some spiderdads headcanons you have, or do "the explain your otp in 5 minutes" meme? no pressure though! i love your art and fic too

im soooooo bad at this kind of question bc i kinda love thinking about a bunch of different/concurrent options like. you know how every fic is its own universe and you watch the same steps happen with little alterations so the same guys fall in love 101 times that's my brain... HOWEVER I've been thinking a LOT about ITSV Peter/Miguel lately --

Either comic-canon based settings where he's the usual single hero in his natural habitat OR directly /before/ ITSV itself; divorced midlife crisis spider-man who's always struggling to make rent is SUCH a good spot for Peter's stakes, and it sucks how people just want to make him rich or magically the avengers solve all his problems to basically erase what makes him compelling. I think its a good choice the spidey movies do -- to make it all a lot more ground-level, without outside interference -- so he has to make the tiny decisions.

Miguel getting stranded in the past!! HOW COME THERE'S SO LITTLE STUFF ABOUT MIGUEL AND PETER MEETING IN THE PAST? Doesn't need to be ATSV plotline compliant. A macguffin gets him there, or sends him to Peter's universe, come on! The important part is having them on a ground level sandbox.

THE REAL FUN STUFF: The cheesiest stupidest meetcutes you could ever imagine. Endless possibility. Spitballing: Peter/Miguel being unaware of each other's identities and renting the same apartment because neither of them has the funds to fly solo. Peter being suddenly spooked by the appearance of a brand new edgy spider-man in the vicinity. After all these years. Miguel not knowing how much he can say because Peter's sort of convinced this is a villain ploy of some sort to fuck up his public persona.

REAL-LIFE, both of them are suspicious about the other as a Weird Fidgety Roommate type. Neither can complain much because, again, it's rent on NY. You mind or business. or not.

Maybe Alchemax doesn't even exist in this universe, tipping Miguel off that this is an alternate timeline and he's really on his own. Maybe the ruling company here is Roxxon or Future labs or whatever; there's a lot of those in comics. He kind of HAS to eventually come clean about being universe-displaced to this world's Spider-man -- Peter begrudgingly accepting that there's a second spider-guy around on the condition that Miguel isn't gonna do anything catastrophic while he's here to completely blow up Peter's image, or give J.J. Jameson fodder to attack him.

Maybe they start working together. Maybe it's a casual partnerships thing where they happen to be tracking the same shady incident and decide to wrap it up as a duo; maybe they just agree to patrol the neighborhood together on busy weeks since they just.. suspiciously... seem to be around at the same place... at the same time... overly concerned abt the same shit....

Miguel has a superhuman investment in Not Letting This World Turn into a Future Dystopic Hellhole; Peter just kind of wants to live and solve problems as they come by but these two motivations really synergize. Peter doesn't even need to ask why, just damn okay dude!!!!!!!!!!!!!! Respect!!!!!!!!!!!!!!!!!1!1!!1!

Secret Identity investigations. Secret Identity mishaps. Secret Identity fumbles. Lyla accidentally busting out that Peter Parker is Spider-man via advanced facebook voice recognition fuckery. (LOL) Hell, maybe in THIS Miguel's version of 2099 it was already revealed Peter is spider-man, after he died. How'd he die? Maybe it was a bad end. How does Miguel feel about that? About meeting with a ghost? Endless possibility.

EVEN MORE FUN STUFF: both of these guys are *SO* intensely defined by a lack of support system around their secret identities. WALLOWING in guilt. Spider-man always seems to ruin their lives, in the worst ways. They're too proud to let normal people intervene, or the ppl themselves deeply resent the fact Spider-man exists. It's fun to think of a reversal scenario where Peter/Miguel have each other's backs, can help the other dress wounds, can show up in a pinch to prevent disaster from occurring with some supervillain 10 blocks away while Peter is trying to land a new job interview as a highschool teacher or science columnist. IDK It doesn't have to be constant uphill battle to get someone else to understand why they do what they do and what the stakes are; they're the same kind of crazy.

And okay, maybe you don't want the spidersonas falling in love before their real identities do..... still VERY ripe options around for Miguel sneaking home with a limp or a really fucked up arm and his healing factor isn't nearly as good as Spider-man Prime's, so Peter is like 'WHAT the FUCK happened to you?' And even though he can tell Miguel is lying. He is not going to bust him out for it. Because he's been lying for 20+ years. Instead, Peter just takes it upon himself to teach him how to get his shit fixed. Temporary armslings and icepacks and sprays and current-time medication that is different to what Miguel is used to in the future; friendly neighborhood Peter Parker who minds his business and will not ask you if you're secretly Daredevil for Reasons but that will, however, tell you to stop blocking attacks with your fucking head. He learned this lesson earlier than most superheroes.

(The reverse scenario is still sweet! Peter's taciturn roommate who wears sunglasses indoors and is weirdly secretive about everything seeing him come home with a busted out eye and hes like damn. Do you want to split a pizza or whatever. You look like shit)

Miguel is not actually as experienced as Peter! He /could/ use the tips!!! Peter has been Spider-man ever since he was 15 years old. Miguel became Spider-man due to a freak accident at MAXIMUM 4ish years ago. Probably less. Figuring out how to do it not alone would be genuinely a good experience for him.

Miguel moe x1000 as the future man who kinda doesn't get the weird counterintuitive way things work present-time 💔 flipside; Miguel seeing the beginnings of bad future patterns like musk trying to buy twitter and deciding to take matters into his own hands. sorry this is just hilarious to me. Even if he's not beating these guys up its still awesome to imagine him as an insane ranting tech essayist who goes on hour-long takedowns of NFTs on youtube or being like GOD WE NEED VACCINES TO BE COOL AGAIN FUCKKKK

Among all of this though, I think one of the most appealing aspects of having them as an unit is that they don't have to lone-wolf shit anymore. (and they Have been lonewolfing it for SO long.) Feels good feels organic

I could go on but I need to actually write and I just... think they can be so entertaining. We don't have to be so dependent on the movie here pulling from regular superhero shenanigans Really works. They sort of complete each other. Immediate productive boost on both of their morales. Get Peter/Miguel pilled with me rn

[justagirlwhowritesss]

Lost in Time- A Kenji Kishimoto series

Summary: Kenji Kishimoto and Leyla Demir, a time-manupilator, are accidentally transported decades into the past during a mission gone wrong. As they navigate a pre-Reestablishment world, their growing bond is challenged by the decision to alter history or return to their own time, facing the risks of changing the future.

A/n: Had this idea for a while and decided to just write it out bcs I couldn’t stop thinking abt it. But idk if I should make it into a whole series tho. Anywaysss, Hope you enioy and do leave comments if you wish to write your thoughts on this:)

"Absolutely not."

"But Warner-"

"I said 'no', Castle and I won't be risking Juliette's life for it either."

Castle let out a frustrated sigh as he shook his head, leaning forward on the table "You are clearly not hearing me! I am telling you that this is a life or death matter Warner-"

"I don't care-"

"What the hell is happening here?" Kenji came strolling into the small room with an annoyed expression on his face.

He heard Warner mutter something along the lines of "Great, another imbecile." but decided to ignore it and looked at Castle for an explanation.

The older man sighed and stood up from the small chair and crossed his arms. Warner too, got up, saying "It is none of your business."

Kenji just rolled his eyes and pointed to the exit hissing "None of my business? Excusez-moi but your whole little 'argument' can be heard on every part of the base which is why Nouria even SENT me to come check on you guys."

Warner stared indifferently at Kenji. "Well you can go back and tell her that everything is fine-"

"Nothing's fine, Warner, and you know it. The mission-"

"Is not happening." The boy snapped as he glared back at Castle before continuing "I have had enough with this pointless conversation. I am not risking my and Juliette's happiness by doing that right after we got married and while we are all repairing a broken world."

Kenji furrowed his brows as he looked between the two men. "Uhhh....what exactly are you guys talking about? What is Warner going to do?"

Castle shook his head slightly as he said, "I got intel that the Nexus Device is still out there which is why I called upon Warner to inform him on the matter."

"And try to send me on that mission of yours to get it back. Over a meaningless rumor." Warner finished for him.

Kenji just put up his hands, feeling more confused than ever. "Wait a second, what the hell is a Nex-blabla device?"

Aaron sighed out frustratedly as Castle crossed his arms "A Nexus Device. And what it is, is an important relic that was kept very well hidden within the Reestablishment. It is rumoured to have the power to manipulate time which is why, we need to retrieve it before someone else gets to it-"

"You said it yourself, Castle, it is a rumor and I won't be risking my wife's or my life to go on a mission over a something that is only a rumor, a lie."

Castle glared back at the blond boy as he said, "That doesn't mean anything, Warner. You should know better than anyone else that during a war, all possibilities must be taken into account-"

"This isn't war. Therefore, we do not have to take all possibilities, all cases into account-"

"IT IS A WAR!"

Castles angry shout seemingly shocked not only Kenji but also Warner as his eyes slightly widened before becoming cold once more.

Castle gave neither of them a chance to talk as he opened his mouth once again. "Do you know how many people are still out there, still angry with us for taking out the old supreme leaders of The Reestablishment? Do you know how many of them are out there planning coups, assasination attempts and so on, on your, Juliette's and the rest of our lives? Just because we took out the big guys doesn't mean everything's over."

Kenji saw how Warner was clearly about to retort with something cruel so quickly intercepted their argument. " Maybe- maybe you could send me? I mean Warner and Juliette are busy with being leaders and all that shit, everyone else is also busy with the whole aftershocks of a war and I....well, I wouldn't mind doing something exciting."

Aaron slowly turned his head sideways to look at him as he deadpanned, "Exciting? You call this pointless, imbecile plan to go after something that may not even exist....exciting? Of course I should have expected to hear something like this from you, Kishimoto."

Kenji shrugged his shoulders. "Well sorry mr. 'I find everything and everyone except my wife boring and have no joy in life' but some of us want to go on missions and do something EVEN those that may or may not be real."

"Your not even fit for it."

Kenji's eyes widened before he scoffed "I'm sorry? You are telling me that I am not fit for the mission?"

Warner stood fully straight, scanned Kenji from head to toe, looked back at him, letting his emotionless eyes convey the message.

Kenji balled his hands into fists. "You-"

"Actually Kenji, you are right. You may be even more suited for this mission than Warner or Juliette."

They both turned to look back at Castle who has been analyzing them both this whole time.

Warner replied with a "You have gone mad." at the same time as Kenji said "Hell yeah, I am."

Castle sat back down, still seemingly assesing Kenji. "Why not? I didn't realize it when I called you here, Warner, but your and Kenji's skills are incomparable. I think you would be easily caught. Kenji, however, has been trained like a true soldier. I believe he would be able to move, attack and do the job sharply, stealthily, and to the point. Of course his invisibility power is a whole other advantage. Look how well he did when I sent him to take Juliette out of the jail Warner built the first time around."

Kenji smirked and nudged Warner who roughly pushed him away. But then his smirk fell as confusion overtook his features. "Wait, doesn't Warner also have the ability to be invisible."

Warner rolled his eyes. "I do, but I can only do it if someone else does it near me and I take in their power. Do you really think that there is someone in The Reestablishment with powers? Really?"

"Ohhhh right, right. Totally forgot about your whole copying people-"

"It is not copying, it is just mirroring. You idiot."

"Same thing-"

Castles stern voice stopped them both from another argument as he said, "Alright that will be enough you two. Warner, you may leave. Kenji, stay."

Warner looked at him and then at Kenji before heading towards the door "Can't wait to tell Juliette about your death, Kishimoto."

Kenji just laughed and sat down on the creaky stool opposite of Castles desk. "Love you too, bro."

Castles got up and took two steps to reach the small, wooden cabinet near the window. He took out some papers before coming to sit back down, putting the papers on the table and spreading them out.

Kenji took one and began eyeing it. "This is a map."

Castle nodded as he said "Yes, a map of both the insides and the outsides of the whole area where some supporters of the old Reestablishment have taken refuge. Thanks to Sam, I was able to locate this place and get a proper detailed map on their residence. You will be breaking in here."

Kenji looked back at his friend "Quick question, how does this...whatever device look like?"

Castle sighed, "Nexus Device, Kenji. From what I know, It is supposed to look like a small, sleek and advanced piece of technology, almost like a wristwatch or a handheld gadget. You'll know it when you see it."

Kenji looked suspiciously at him "Aha....so just look for small things while also trying not to be killed or discovered, putting the whole resistance in jeopardy."

Castle smiles knowingly. "That is where you're wrong. You won't be going on this mission alone."

Kenji's rolled his eyes. "Please don't send me with anyone from here, God, especially not with Adam."

That caused his friend to chuckle before he regained his composure. "Actually, you have not met her. None of you have. You could say that she is a....good friend of mine."

Kenji's eyes widened. "Wait, what? You have friends?"

Castle gave him a stern look but that didn't stop him from slipping op and smiling slightly as he watched his close friend chuckle.

But then, as if realizing, Kenji's smile dropped as his eyes widened in horror. "Wait wait wait- A she? And none of us know her or ever met her? And you're sending her with me? Who the hell is she?"

"Leyla Demir, she is Turkish and the best trained killer I know with the most unique power. Time-manipulation."

Kenji leaned back with crossed arms, a confused expression overtaking his face. "Time-manipulation? You mean, she can stop time or some shit?"

"Language."

"Sorry, yeah, I mean- she can stop time or stuff?"

Castle smiled while slightly shaking his head. "It means, she can do anything that is time-related. Stop it, blink in to the future, the past, and even reverse it."

Kenji's eyes widened, mouth hanging wide open. "Jesus Christ. How can someone have such kind of power?"

Castle leaned back in his seat and regarded him with a knowing look. "You'll just have to see her for yourself. But do be careful, she is usually deathly quite and her answers are often short, straight to the point and cold. You won't be making much conversation with her but I believe that is what makes her so great at her job. She just comes, does what she is assigned to do, and then leaves."

Kenji scoffed, stood up and took the papers. "Oh I'll make her talk, alright. No one can ever resist the Kenji Kishimoto, after all."

He turned around, intending to head for the door before Castle stopped him. "Don't you want to know when you'll be heading out?"

He turned around with a sheepish smile. "Right, yeah. Uhh when do I need to leave?"

"This night, at eleven sharp. That is usually the time twenty-five minutes before the guards do their shift change which leaves the area unguarded for exactly three whole minutes."

Kenji nodded and turned around to leave but stopped once more when he heard Castle get up and look at him, worry slightly evident in his tone as he said, "Be careful, Kenji. I trust you and your skills very much but-"

Kenji smiled softly before saying, "I'll try my best not to die and if I do, tell Warner I will be coming back to haunt the shi- stuff out of him."

***********

It had been a while since Kenji felt this amount of excitement. Before it was all about them fighting and figuring out how to bring down The Reestablishment and then, once they did that, they had a broken world to deal with. And while it was tiring but great how they were restoring and creating a better, more brighter world, Kenji admittedly felt very useless.

These past few months it was almost always "Do this Kenji" or "Don't do this Kenji" or "Maybe you shouldn't do that" or "Just go ask Juliette" or "I don't know, Kenji, you kinda mess things up. Just stick to easy day to day work."

So what he destroyed a building that had Juliette's wedding dress inside? So what if his attempts at organizing things ended in chaos? So what if he accidentally threw away a stash of documents Haider sent? It was all accidental, okay? Atleast he was trying his best.

"Useless, you're useless." Kenji scoffed to himself as he put on his weapons, attempting to cheer himself up with the mission ahead. Finally, some action. Something to distract himself from.

He has been analyzing and constantly checking the maps for the past couple of hours, planning the area from which he would sneak in, which room the Nexus device could be in. Honestly? The place doesn't even look big at all. Well, he will see it soon for himself anyway. Kenji looked at the electronic clock,

10:58 pm

Time to leave on a little suicide mission.

With a final look in the mirror at himself, his black tactical gear, and all his weapons, visible and not-visible, Kenii left the house.

Twenty minutes later, he had managed to arrive at the location, turning off his invisibility and immediately hiding behind a large bush. Where is this Leyla? They only have four minutes left before the shift change. Whatever, if she doesn't show up, he is going in alone. He doesn't need a nanny to track along with him-

A sound came from behind him.

Kenji quickly took the small knife hidden in his boot and turned around, intending to land a shot at whoever or whatever is behind him but stopped when he saw the person.

He couldn't see her properly at all because it quite dark and she is wearing dark gear similar to his but from what he can see, atleast due to the faint light coming from the broken tall lamp beside them, if this woman is Leyla.....she is absolutely gorgeous.

An elegant yet strong build, warm, slightly tanned complexion, seemingly dark hair but what stood out the most....those otherworldly emerald eyes that could hypnotize you and look absolutely lethal as they stare back at him.

Kenji's trance came to a stop when she said with a slight hint of an accent, "I guess you're the idiot Castle told me about."

He didn't have the chance to reply as she wordlessly crouched beside him and looked through a small opening at the base.

Kenji collected himself and looked at her, asking "I-I am Kenji, this is the first time we meet."

She looked down at her watch, muttering a "One minute left."

He scoffed looking at the guards "Rude."

She still ignored him.

"Um anyways, how did you get to know Castle? I mean, we are like this close with him so I thought I would know about yo-"

She silenced him with a hiss.

"We have nearly twenty seconds before the shift change and I would very much appreciate it if you could just shut the hell up so we can get this over with and then go our separate ways."

He furrowed his brows in frustration. "What's wrong with you? I was just trying to be civil but I guess you wouldn't understand that since you are acting like a cranky old bit-"

She clearly either heard him and chose to ignore him or was too focused on the time because she quickly cut his rant off "It's time. Get up."

Kenji scoffed but got up, refocusing his attention back on the main goal. Get the device and get the hell out. It can't fall into the wrong hands. It can't.

He held his hand out for her to take, causing her to look at him with a raised eyebrow.

"How do you expect to get in there? Just walk in? I can make us turn invisible, just hold my hand."

She clearly didn't want to but looked at the base and then back at him before sighing and taking ahold of his wrist instead of his hand. He found it weird but just kept his mouth shut as they both turned invisible.

Kenji felt her hold on his wrist tighten as she adjusted into the feeling. He whispered silently as they began to walk, "Are you ok-"

"Shhh, guards."

Kenji didn't need any more explanation as he saw three guards in the distance seemingly talking with one another. Seems like an awful lot of guards for a small area. That could only mean that they do have something important to protect.

They began silently heading towards an open back door when a woman dressed in a black shirt and loose pants stepped out, standing right in front of the entryway with her head bowed down, looking at a....notepad?

Shit. How the hell are they supposed to move past her and get inside? It's not like they can just walk through her. Kenji felt Leyla's body stand closer to him as they both stopped and just stared at the woman.

Please, for the love of God, can she just-

"Mrs.Pierson, we have a report."

The woman lifted her head to look back at a bulky man who came from behind her.

"I don't have the time, Michael. Tell them if they are going to try and once again just prolong the matter-"

"No, mrs.Pierson trust me, we made it very clear to them that we don't have the patience for their games no more. And by very clear I mean....we used other methods to make them understand."

The woman--mrs.Pierson, apparently--smiled and said a simple "Good" and moved past the man.

What were they talking about? It sure as hell seemed quite crucial. Kenji really felt like he needed to follow them and it seemed like Leyla was thinking the same because she just gripped his wrist tighter with her gloved hand, and made him follow her as she took the lead, entering through the door and following the two strangers.

The hallway was extremely narrow and the walls looked like they are about to crumble down any second now. Kenji barely managed to not trip over something or make noise as he followed Leyla through the tight hallway. Honestly, it seems like she doesn't even have a problem with this. Not once has Leyla made a sound, moving so quietly making Kenji think that if she weren't holding his wrist right now, he wouldn't even be sure if she is still there.

Has she done this before? Of course she has, you idiot. Has she seen worse? What could possible be worse than the war they had? He wonders what she did during that time.

Stop it. Idiot. Why the hell do you care? Why do you even wonder?

Finally, they reached a small opening with only an open door in the center. The wallpaper's here were piss yellow and almost fully ripped off the walls. God, it's not like Kenji is currently staying in a luxury plaza but...what the hell is this shithole? And who the hell are these people?

They quietly came to stand in the entryway as they both took in the room and the people inside it. The woman and the man from earlier were here as well as two more people whom Kenji didn't know about. They were holding what looked like a medium sized, black, shiny box.

He felt Leyla about to step inside the room so he pulled her back immediately, getting the point across that they can stand here and listen. Surprisingly, Leyla listened as he felt her body freeze in one place.

Kenji and Leyla pressed against the wall, their breaths shallow as they listened to the muffled conversation inside the room. The two unknown figures were standing beside a table, the black box placed in the center. The woman—Mrs. Pierson—was now engaged in a conversation with a very short and fidgety man.

"We've had issues with the security systems," Mrs. Pierson was saying, her tone clipped. "Do you have the new codes?"

The man nodded, reaching into his jacket and pulling out a small, metal key. He placed it on the table next to the box. "This is the key to the main vault. It’s the last piece we need to complete the upgrades."

Mrs. Pierson’s eyes narrowed as she examined the key. "Good. The Nexus Device must be secured before the operation begins."

Kenji’s eyes widened slightly. The mention of the Nexus Device caught his attention. So it is something important. Hah! Kenji couldn't wait to see the look on Warner's face when he tells him that he was wrong.

The second man, who had been silent until now, finally spoke up. "The vault's security is tight, but if we can get this device out, it will be worth the risk. The information we’ve received suggests it's an invaluable asset."

Mrs. Pierson nodded, a grim smile on her face. "Indeed. Make sure it's kept in a secure location until the time is right. We wouldn’t want anyone else discovering it."

Kenji felt Leyla’s grip tighten on his wrist. She was clearly assessing the situation, trying to plan their next move. He could sense her tension; she was used to dealing with high-stakes situations, and this one seemed to be no different.

As the conversation continued, Kenji’s attention shifted to the black box. It seemed to be the central focus of their discussion, and if it contained the Nexus Device, they were very close to their objective.

Leyla and Kenji slipped into the room, moving with the practiced stealth that Leyla had demonstrated earlier. Kenji's heart raced, but he kept his focus on the black box, which now lay tantalizingly close. Leyla quickly assessed the room, noting the positions of the two men and the security measures in place.

As they approached the black box, their movements were swift but not without tension. He quickly but carefully as to not touch anything and cause alert, dragged Leyla towards a corner of the room, far from the four people and the three guards currently discussing something in low tones.

"Let's go through the left side of the table, no one is standing there." He whispered so quietly, he thought maybe she hadn't even heard him. But Leyla's confirming squeeze to his wrist told him that she agreed.

Kenji crept closer to the box, his heart racing with anticipation. As he reached for it, he felt a sudden jolt in his power, a flicker of instability.

In that instant, Kenji’s invisibility wavered. He was momentarily visible—a ghostly outline against the darkness—before he could re-stabilize his power. It was enough. Mrs. Pierson’s eyes snapped to his position, her expression shifting from confusion to alarm.

“There’s someone there!” Mrs. Pierson shouted, her voice echoing through the room.

The men turned sharply, their eyes scanning the space. Kenji and Leyla’s invisibility wavered again as they scrambled to adjust their powers. Kenji’s face was now partially visible, caught in the beam of a flickering overhead light. The guards’ alarms were triggered.

“Get them!” one of the men yelled, rushing toward Kenji and Leyla.

The room erupted into chaos. Leyla moved quickly, drawing her weapons and engaging the guards with precise, fluid motions. Kenji, trying to regain full control of his invisibility, grabbed the box and fumbled with it, struggling to keep his powers stable.

Mrs. Pierson lunged for the box, trying to reclaim it from Kenji. He fought back, his movements erratic as he fought to maintain his invisibility. The struggle was fierce, and the room became a whirlwind of combat.

Leyla managed to fend off the attacking guards, her movements a blur of skill and precision. She glanced over at Kenji, who was wrestling with Mrs. Pierson and another man for control of the box.

“Kenji, let’s go!” Leyla shouted, urgency in her voice.

Gunshots were heard everywhere as Kenji managed to regain control over his body and become invisible, quickly runing and appearing behind one of the guards and snapping his neck, then moving on to the man named Michael and using one of the knives strapped to his body to stab his back, causing the man to crumble on the floor with a cry.

Leyla seemingly swiftly took care of the other two guards, her swift and fluid motions knocking out mrs.Pierson in the process. She wanted to kill her but the shouts from the outside confirmed Kenji's thoughts that there are more guards coming and they needed to get the hell out....like right now. He quickly grabbed Leyla and ran.

With the box secured, Kenji and Leyla made a break for the back door, their path now clear thanks to Leyla’s skilled combat. They dashed down the narrow hallway, the sounds of pursuit growing louder behind them.

Outside, they sprinted through the darkness, Kenji still trying to stabilize his powers. As they reached a corner of the building, Kenji glanced back to see guards pouring out, their shouts growing fainter.

Leyla skidded to a halt, pulling Kenji into a shadowed alcove. “We need to get out of here before they catch up.”

Kenji nodded, his breath coming in ragged gasps. “I think... I think I’m losing my powers.”

"No you are not. I think its the effects of being this close to the device that are affecting our powers. It's too strong! Even I feel my own powers waning."

Leyla, her breath steadying, glanced at the device. “We need to figure out what this thing actually does. There might be a way to use it to our advantage.”

Kenji nodded, looking equally determined and exhausted. “Alright, let’s see what we’ve got.”

They moved to a small, dusty and broken chair in the alcove. Kenji placed the box on it, and Leyla began to carefully pry it open. Tension was high, and they both felt the urgency of their situation.

As Leyla worked on the box, Kenji’s impatience got the better of him. He reached over to help, but his movements were rushed and clumsy. “Come on, hurry up! We don’t have all night.”

Leyla shot him a sharp look. “Slow down, Kenji. We don’t know what we’re dealing with.”

Kenji’s frustration boiled over. “I know! But we need to get out of here before—”

He accidentally knocked the box off the table with a jolt. The device tumbled to the ground, and the lid popped open. A strange, pulsating glow emanated from within, filling the room with a blinding light.

“What did you do?” Leyla shouted as she tried to grab the device, but the light grew intense, enveloping them both.

Kenji reached for the device, but it slipped from his grasp. As he tried to stabilize it, he and Leyla were both caught in the expanding radiance. The light grew brighter and brighter until everything around them was engulfed in a blinding flash.

When the light finally faded, Kenji and Leyla found themselves in an entirely different setting. The warehouse was gone, replaced by a landscape that was completely unfamiliar. They were surrounded by a complete and vast greenery, the sun was high and shining brightly, there were cows and sheep on the grass, large trees covering the area.

“What the hell just happened?” Kenji asked, his voice tinged with panic.

Leyla was looking around, her face pale with horror.

"Where- where the hell are we?!"

"In the past....or the future, I don't even know."

Kenji came closer to Leyla, eyes wide with shock and frustration.

"What the hell did you do, Leyla? This wasn't a part of the plan!"

The moment Leyla turned around to look at him, Kenji felt the air get knocked out of his lungs. He was wrong, her hair wasn't dark at all. The sunlight casted it's soft glows over them, allowing him to see her clearly. Her hair was a very light brown, seemingly slightly curly, her eyes were even more breathtaking under the light, and that face...her soft face that currently held an ice cold expression on it as she stared daggers at him.

".....so you are the one to blame, not me! don't you dare blame me!" Kenji realized then, that she had been shouting at him for the past minute but he completely drowned her words out as his eyes admired every inch of her uncovered body, which wasn't much really, just her face. But it was more than enough because....dear God he had never seen anyone look so beautifully innocent and yet be so cold and hurtful.

"What?" Kenji said with a soft smile, his eyes never leaving her face as his mind was still in his own world. She pinched his ear with her gloved hand, causing him to finally come back to reality as he hissed an "Ow! Why the hell did you do that?!"

She crossed her arms. "Listen, Kishimoto, we need to know the date for us to even know where the hell we ended up in. Time travel, anything having to do with time in general, isn't simple at all. One wrong move and you could end up in a place where you can't even get out of."

"Kishimoto, huh? So we are absolutely formal now?"

She sighed and looked skywards. "Out of all the things I said, this is what you are stuck on? And we were never informal to begin with."

Kenji smirked. "We could be informal too, if you only say the word--"

"Hey! What the hell are you doing on my lawn?"

They both turned around to see a man, presumably in his fifties, striding towards them.

Kenji pushed Leyla behind him as a serious expression overtook his face, readying to strike at any sign of danger. Leyla just scoffed and moved past him coming to stand beside him when the man reached them. Kenji was about to say something but she intercepted quickly.

"What is todays date, old man?"

The man looked at her and threw his arms in the air. "Old man? Old man?! I am only 58! And who the hell d'you think you are, heh? Coming into my lawn, my goddamn property unnanounced-"

Kenji heard Leyla's voice turn even icier, if it was possible, as she asked- no, stated in a threatening voice, "What date is it."

The man too, clearly got the memo as he quickly stopped rambling and looked between them, his hands fidgeting.

The moment he said the date, Kenji wanted to tear his hair off. They were in the fucking past! With no way out! or...

That's right, Leyla had her time powers! she could get them out, right?....right?

Leyla seemingly also understood what timeline they were in as she quickly dragged him away without saying another word to the old man, who was still muttering something under his breath but was too scared of Leyla to shoo them away. Once they were in the other side of the lawn, behind a large farmhouse, Kenji looked at her wide eyed, "We are in the past! Are you kidding me?! Is this actually happening?! What the-"

"Will you shut the hell up, Kishimoto? Yes, we are in the past, but....this past is different."

"How different?"

Leyla's eyes drifted behind him, seemingly lost in thought. "This is thirty years before the Reestablishment took over. I have been in thousands of timelines but never this, never this one."

Kenji's eyes widened as his mouth hanged open. He whisper-shouted "What?! So, you mean to tell me that there is no Reestablishment?1 No wonder this place is so vibrant and alive. Why didn't you ever come to this timeline?"

Leyla crossed her arms, her expression becoming indifferent once more. "That is none of your business."

Kenji sighed. She wasn't an easy one, that much was clear about her. "Whatever, now can you please use your little time traveling powers to get us back to our rightful timeline?"

"No, I can't."

Kenji felt the hope drain out of him. "No? What the hell do you mean, no?! Aren't you supposed to have these time-manipulating powers or whatever-"

"I do, alright? I do. It's just that they are absolutely depleted at the moment. The Nexus Device- it seemingly affected me more than anyone else because we both have the power of time. Like calls to like, it seems. We drained each others powers. I need a couple of days to recharge even half of what that stupid device took from me."

This was madness. Absolute madness. Kenji prayed that maybe this was some sort of a nightmare that he was in, that he would wake up soon and go about his day. But, alas, it was all very much real.

Kenji leaned against the wall, his eyes wide in horror and realization.

"Holy shit."

------------------------------------------------------------------------------

[bonnvivre]

more thoughts abt ch 479-480 !!

posted abt it on twitter but i just have to talk abt it here: GUN DIDN’T LOOK AT GOO ONCE DURING THIS WHOLE EXCHANGE.

i feel like there’s many ways to interpret this and i’d love to hear everyone’s thoughts but here’s my take.

goo spared him a glance at least, probably couldn’t resist himself to a glimpse at gun’s expression, to gauge what he might be thinking, might be feeling. it’s a big decision after all. the status of their relationship rides on gun’s decision.

not once did gun look back but that doesn’t mean he didn’t care enough to; in fact, he cared a lot, enough to share a drink even when he didn’t like it, enough to even apologize to goo for already making a tie to someone else. this was just as important to him as it was to the other. i’d like to think that he’s aware of the mask goo puts up to shield his vulnerability. he knew that goo was at his most genuine, in an unguarded state, so he refused to look at him as a courtesy. or maybe he couldn’t bring himself to because HE HIMSELF was vulnerable. because the sheer weight of having to be the one to end his closest friend is affecting him greatly and he wouldn’t be able to take it if he looked at him.

either way, it’ll end tragically and it’s 1000% goo-over and they’re doomed :[

[the-pea-and-the-sun]

Ummm two of your favorite sitcoms I should check out

& what’s a card game that would be fun to get into. Or how do you play blackjack/count cards

MALCOLM IN THE MIDDLE its genuinely so good an super foundational to post 2000s sitcoms it kinda shook up the established sitcom format w some unconventional directing and also by portraying a low-class family where most sitcoms up to that point portrayed upper-middle class families. its also um. funny. one of the few shows where i feel like im really fond of every main character

THE NANNY childhood favorite of mine very classic comforting sitcom I LOVE FRAN DRESCHERR shes amazing.

UM HONESTLY. I KINDA ONLY KNOW ABT BLACKJACK but i hear baccarat is fun for ppl who like skill based card games.. also u can do tarot readings w regular card decks which i think is very cool 👍

ILL TELL U HOW TO COUNT CARDS im so glad ppl r reading my abt me page AND I LOVE TALKING ABT IT ITS ACTUALLY VERY COOL OK SO

BASICALLY rules 4 black jack are easy. ur ignoring colors and shapes on ur cards (this isnt easy i know..) those are all numbers now. the ones that have numbers on them r the number they are and the ace is either 1 or 11 depending on which is better for u (or the dealer) and all the other cards without numbers (king queen jack) are 10. ur goal is to get a higher number than the dealer without going over 21. u and the dealer both start with two cards and u can only see one of the dealers cards and u make ur decisions based on that. dealer has the advantage (except when they dont. ill explain this later) because since the dealer doesnt do anything until u bust or stand it makes it so that ur at risk of busting first (since u cant bust with just two cards). u can hit (ask for another card) or stand (no more cards im all done) or u can double (ask for another card AND double ur bet bcz ur so sure this next card is gonna be a good one) AND u can also split if both ur cards are the same. then u have two hands, which means u can bust on one and keep playing on the other. also sometimes u can get a natural blackjack. this is awesome and important but u dont do anything to make it happen exactly it just happens when u get an ace and a 10 as ur first two cards and then u get a 3:2 payout 👍

OK SO THATS JUST REGULAR BLACKJACK most ppl when playing regular blackjack are just following their heart when they make choices so their odds are dogshit but for every hand u have and card the dealer has there's actually a right answer. heres a link to a chart with all the right answers. memorizing this is called basic strategy 👍 and its actually a lot harder than actually counting cards but counting cards is useless without it. there are some cool little lines and phrases that make memorizing it easier. it isnt terribly hard though i think, they still make some middle schoolers memorize the periodic table and this is basically just like. three of those. ppl who play blackjack for funzies regularly are looking at absolutely trash odds like a lot of the time only slightly better than a slot machine but if ur playing with perfect basic strategy ur odds go up to abt 49.5 percent. but ur STILL losing more than ur winning so thats where actual card counting comes in. so theres more than one card counting method but the one i know is hi-lo where u just keep a "running count" of ur current odds for winning by looking at the cards that are coming out of the deck (its actually a shoe, bcz its more than one deck) and using that to determine what kind of cards are left. 10 and ace decrease the count by 1, 6 and below increase the count by one, and 7 8 and 9 dont change the count. a high number means theres more good cards in the deck (because more bad cards have already been dealt) and a low number means theres more bad cards in the deck bcz the good cards have already been dealt. there are some variants to basic strategy based on the current count (and also based on a few rule variants and shoe size) but basically. higher count = bet more. lower count = get outta there. if ur playing w more ppl at ur table ur seeing more cards per turn an ur count will be more accurate 👍whats pretty interesting is that the thing thats giving u the advantage over the dealer despite the dealer not being able to bust before you is that you get 3:2 on natural blackjacks. so ur basically relying on the fact that youll just win automatically sometimes to have ur advantage over the dealer and are just mitigating loses the rest of the time when this doesnt happen.

SO THATS IT its actually not super hard u could probably get pretty good at it in just a few months or even weeks. the only thing is that when ur using basic strategy perfectly and counting cards perfectly ur odds only go up to 50.5 percent which. GREAT ur beating the house and playing for long enough should eventually mean more money over time but ur still only averaging more money over time. and just like how ppl working with dogshit odds occasionally win big, u working with slightly better than 50/50 odds can occasionally lose big and a lot. also if ur betting small, ur winning small. so in order to really make a worthwhile profit playing blackjack u kinda already have to have a lotta money. like if ur making $100 worth of bets an hour ur only averaging abt a dollar profit per hour. to be averaging (not making. AVERAGING) california minimum wage you'd have to be betting like $1600 an hour. so it isnt quite the get rich quick scheme that a lotta people think it is but it IS pretty fun and is kind of the only part of gambling i enjoy. probability is cool 👍

[mazzystar24]

Okay for context look at this first and the link inside it^^^

Then this was part two here of the video

And now imma rant:

STOP THE HETERONORMATIVITY AND CONSERVATIVE ASS VIEW OF HOW FAMILIES FUNCTION

Thats point one I’m not elaborating on that one again but fr what coparent role entails differs family to family so without recognising that every single point you make abt what we should see happening is moot and a title being “reserved by Eddie” is a bullshit concept so that’s just getting ignored before I rant abt it again

But for real she’s like I think people don’t understand what coparenting is- brother in Christ the hypocrisy like coparenting plain and simple is two or more people parenting a child together regardless of romantic status

So let me ask you parenting itself? Is it about financial contribution or the shit on your list? Because

1. No it goes beyond that it’s being there for your kid it’s making decisions for your kid it’s helping them it’s childcare it’s being there for the hard stuff it’s doing annoying tasks, supporting the other parents decisions and a bunch of stuff that go beyond financial contribution or whatever

And this is stuff we’ve seen buck do such as their heart to hearts, being a safe space for him, making decisions abt where he should stay while Eddie was in the hospital, preparing food for his class, the implications of that one Eddie technophobia scene where Chris asks to go to buck and Eddie does a face implying that buck COULD agree but Eddie seeks him to back him up, and a billion other things that both @lenaboskow and @warpedpuppeteer said

Like there is also the debate of instrumental vs expressive role but that’s gonnna get me carried away in a sociology lesson but lemme explain briefly- instrumental role is monetary contribution it’s discipline it’s making the decisions for the child and family whereas expressive role is physical and emotional care of the child and their socialisation and other responsibilities

It makes sense that since buck isn’t legally a parent to Chris he leans more on the expressive role but also plenty of parents who are biological or legally parents of their kids will still take an expressive role and their partner will take an instrumental role like it’s just down to personal preference really even if it’s more common now for the roles to be split equally, because originally it was from the idea that women should be in the expressive role and men in the instrumental but for obvious reasons more people split or invert the roles nowadays but again it’s down to preference

2. THIS IS A TV SHOW not everything will be explicitly stated until it comes up

Chris hasn’t had a medical thing or an emergency or allergy thing yet so why would those things have come up as buck knowing them

Butttt it’s a safe assumption to say he does because not only are they firefighters and know the risks and how important medical history is but also because in canon Eddie pestered some poor mom with a bunch of info FOR A BIRTHDAY PARTY CHRIS WAS GOING TO so you’re telling me the guy who cares for Chris constantly isn’t gonna know the necessary info???? Where is the logic

3. By that logic of oh have we seen this or have we seen that then Athena, Bobby, Michael, henren, madney and even Eddie HIMSELF are apparently not parents either cos all of them have a few things on that list that aren’t explicitly stated or even implied

4. it’s an undisputed fact that Bobby is a dad to buck or Maddie was a mom to buck or bobby a dad to may

And because I can see the “father figure vs dad” defence a mile away let’s go with most relevantly the last two points

Maddie raised buck plain and simple- she was also a teenager so did she financially contribute did she know his past doctors did she make decisions abt where he should go to school etc etc? No because raising someone goes beyond that

Bobby is May’s dad- does she call him dad regularly? No she’s done it once and it was quite late into it but she considered him a dad before that

And also he came into her life when she was older than Chris so again moot point

Does he make decisions abt her or financially contribute? No

In fact a lot of the parenting moments for him in relation to her or Harry has been similar circumstances to buck and Chris

I’m gonna shut up now but like I beg some of y’all to think before you speak because the teeny tiny boxes y’all try to shove stuff into is so weird

Like this stuff is legit canon

On a final note I wanna give a heartbreaking reminder that the decision to have buck jump back into the water eventhough it had practically no chance of survival was based on asking one of the crew (directors?) if it was their kid would they jump and they said they would without hesitation so that’s why they had buck jump in without hesitation (tehe guys I love giving you guys heartbreaking reminders🤭🤭🤭)

[doostyaudi]

this is a masterpost for my Rave-n AU for madness combat! information is below the cut cuz theres so much! '^^

what is the Rave-N AU?

its a madcom au where people fight to the beat of music, and what music they use depends on what genre of music they're assigned. basically its just madness combat but if it was a rhythm game lol. the lore is different in many aspects, but in general things play out exactly to how it plays in the canon series.

where did you get the idea?

it originally started at Rave-N Hank (rnank), my hanksona. he was just a standalone hanksona before i decided to expand his universe a bit, and here we are now! rnank is STILL my hanksona btw

what can and cant we do?

well, im very lax with this au, i dont have many restrictions other than to just be mindful of the lore and be respectful of my decisions when it comes to the story and characters, thank you!

oh, btw, do NOT treat these characters like their canon counterparts, treat them like u would treat someone's oc as that is what they are. All canon characters within this au are my ocs.

and yes you can put ur ocs into this, as well as making ocs that are exclusively within the au. the only thing to keep in mind when adding an oc to this universe is that if theyre an official citizen of Nevada, they NEED a spiked collar (employers and higher powers are the only ones who are exempt from this rule), doesnt matter how it looks at all, they just need one!

also yes you can ship characters together (oc x canon is welcome and encouraged!!) idc who u ship with who (maybe i will in the future but rn idc)

if you have any additional questions, feel free to ask in my inbox! ill be more than happy to answer! if i find it important enough, ill update this segment with that question added!

characters

main cast: sanford, deimos, doc, tricky, auditor, sheriff, jeb, and phobos

why isnt hank included? he is my hanksona, he is a completely different guy lol. if you want to get a could reference pic of him, look at his artfight page (sorry if you dont have an artfight acc, ill make a new ref for him soon enough!)

literally everyone else: the machine (redesign needed), the maker, conductor, deliberator, stygian, skinner (redesign needed), the sun, torture, white hank, happy hank (skittles), dr.crackpot

misc: aahw guys, alternate rnaudi design, alternate rnaudi design 2, moon (idk if i should keep her in or not..)

my ocs (not canon btw): yara, 04, charlie, maudi, yara but in a different timeline, bank (old old old hanksona), manager

honorable mentions (other ppls ocs/own rave-n designs): redge, explorer

any characters you want to see in the au? my inbox is always open! :3

random assortment of information abt/relating to the au

rnackpot's odd music taste , how music works during fighting (part 1), why are there 2 keystone fragments?, rambles abt rnaudi (part 1), madcom hc that applies here, polyamory? in my madcom? more likely than you think, rnygian hates rnank but cant do anything abt it :(

that is everything, for now! ill try to update it as things go on! feel free to ask me any questions u have!! thank you for reading!

Have the entire twilight movie in a stamp, as a treat!

[tricksterkisses]

I’ve decided that I will no longer actively engage with discourse or social justice conversations on this website.

This decision comes down to a simple but frustrating realization: this platform seems to prioritize syntax and performative correctness over actual, tangible change. The energy I’d need to expend being Perfect for the people who (wrongly, in my opinion) claim to be my allies is better spent continuing the work I already do in real life: outreach, mutual aid, and community care. That’s where I can make a difference ngl, where my efforts are about action and impact, not linguistic perfection.

Recently, I made a post abt the oppression I face and how people like me are treated. To be honest, I expected pushback from people who disagree with me or the existence of trans-androphobia as a concept. But that’s not what happened. Instead, I was condescended to by people who call themselves my allies—because I made the apparent mistake of not using one word in a sentence. A single, ultimately irrelevant word.

Let me be clear: I wasn’t raised in the U.S. English is my third language. I don’t think in English, and I’m not going to pour endless time and energy into perfectly tailoring my words in a language that’s not even my own, just to appease people who are ostensibly on my side. This experience has taught me that this platform and many of the people on it, cares more about sounding right than about being right, about effect or praxis; thats not a value I share. I’d rather hear someone use imperfect language to say something important than see someone tear another person down because their linguistics weren’t pristine enough to pass an arbitrary standard.

In the real-world spaces where I do mutual aid, outreach, and harm reduction, this isn’t an issue. We’re too busy helping people to nitpick language. No one there questions whether someone deserves solidarity based on how “correctly” they phrase their sentences. That’s why I’ve decided that while I’d love to discuss the oppression and casual dismissal people like me face, I will not be doing it heree. This space rly just isn’t built for it. If you care more about the performance of words than about the reality of harm reduction, then you’re not my ally, and I don’t want to try to talk in spaces where that’s the standard.

I’m likely going to turn reblogs off on my one post about trans-androphobia and edit it to direct people here. I understand that some of the people who ‘corrected’ me probably thought they were helping, but their impact speaks louder than the intent. And the impact is this: it’s taught me that I cannot trust even my supposed allies in these spaces to care about the Movement as much as they care about the Words.

It was my wife, in fact, who had to sit me down and explain that what was happening wasn’t just frustrating and that it was punitive. I was being punished over semantics. That realization was rly eye-opening.

For those of you who are here because you want to see more of my thoughts about oppression, trans-androphobia, or other issues, I’m sorry to disappoint, but I won’t be using my own words to talk about these things on this website moving forward. I’ll still reblog pieces that resonate with me, and of course, @/velvetvexations is welcome to continue sharing thoughts I’ve expressed in private conversations. But as far as direct engagement goes, this is where it ends for me on Tumblr.

I’m genuinely glad that some people here have the comfort to focus so heavily on language. But I live on the brink of homelessness every month. I struggle to feed my family. I simply can’t afford to use the little energy I have navigating the minefield of linguistic perfection to avoid being torn down by “my own side.” If that’s something you can understand, I hope you’ll respect my decision. If not, I wish you well anyway.

srry.

[northoftheroad]

I know I just gave you an ask and you must be super busy, but what do you think abt Dickory vs Dickbabs?? Personally, I think Dickory is way better but in Tom Taylor’s run and the current runs, Dickbabs is the main ship. Anyways, I just wanted your opinion on it :D

Also thoughts on Tom Taylor’s run? I thought about it and I kinda have mixed feelings. On one hand, it’s great for fanservice and has some super cute and funny moments. On the other hand, the characters and their relationships are kinda one dimensional. Thoughts?? Take your time and thanks if you answer! <3

Hi, As I've said before (and I'm going to quote myself from older posts here quite a lot, if you happen to come across them 😉 ), I'm fine with both pairings as long as it's well written. I guess a lot of fans lean towards preferring what they grew up with and such like. I'm old enough to have started reading Batman when the idea of another Robin than Dick Grayson was ludicrous, and read the NTT in my slightly older teens. So I definitely have a nostalgic feeling for Dick/Kory.

I think they worked well because they were so different; they each learned from the other and grew as people. Being with Kory helped Dick become more emotionally open after some ten years of growing up with Bruce and Alfred. In NTT # 26, he talks about how he is too introspective and that Batman taught him to be guided by his head, not his heart. And in turn, I'd say Kory learned not always to be ruled by her emotions, and Dick helped to ground her on Earth. They had their fair share of problems, one obstacle was their different approach to relationships and sex. While Starfire is fine with being married to another guy, for reasons of state, but live with Dick, it takes Dick quite some time to come to terms with that he loves Kory enough to get over that. Dick and Kory were one of the most stable and loving couples in DC for over ten years. Now, in superhero comics, writers and/or editoral make the rules. There were plans to let them get married, but as far as I remember a change of editorial led to that being scrapped. We got Dick being raped by Mirage instead, and eventually, the couple split up. Disregarding that, I think you could very well see them growing apart. They were young when they started dating. I guess they were a couple for two-three years? At that age, it's not unreasonable to think they developed in ways that made them decide to go their separate ways.

If Dick and Kory were good because they were poles apart, I'd say Dick and Barbara are more alike. They have both worked with Batman; they are originally street-level detectives and athletes; they are used to work in similar ways. I could see them as a slightly more mature couple than Dick and Kory, being more in sync and relaxed with each other because they have similar backgrounds and shared experiences. (Which, of course, could make them a more boring couple in fiction…) I'm not a fan of the retcon that they've been friends since school, but they did work occasionally together as youngsters, so it can still make sense to write them as really good friends, imo. I honestly think Dick and Kory have been written as a good couple more than Dick and Barbara. Maybe things had been different if Devin Grayson had got the chance to tie up her long arc with Dick in Nightwing vol 2. Not that I think her run was without its problems, but it would presumably have been better if she had got the opportunity to finish what she started. The ending (or rather the absence of a decent ending) of her run, and the fact that the first Nightwing stories after Infinite Crisis were downright cringeworthy, has soured my impression of her writing of Dick/Babs. So I guess editorial decisions have ruined both Dick's most important relationships…?

I don't know if you're new to the debate about Dick/Kory vs. Dick/Barbara? Because it's sometimes a heated discussion, with people claiming he doesn't deserve either of them, he mistreated one or the other etc.

(Here's what Barbara herself had to say about Dick, by the way. In Birds of Prey # 71. By Gail Simone, art Ron Adrian and Rob Lea.)

I can definitely work myself up too much about fictional characters myself, but there are a few things I try to keep in mind… Fictional characters have no agency. Creators and editoral use them to tell stories (and sell stuff…). Don't get angry at fictional characters or, even worse, real people who love them. Also, reading comics is a lot about filling in the blanks between panels, and different readers can put a book down with very different pictures of what has happened. You can absolutely find examples where Dick has been written as behaving badly against both of them. Sometimes, it's a reasonable part of the writer's long game, sometimes it actually is bad and out-of-character writing. (And if you look, you can find examples where the women have been written as behaving badly against Dick too.)

Honestly, the most important thing for me when it comes to Dick and relationships is that he takes them very seriously indeed. Dick has not had a lot of one-night stands and is on record as saying he's not comfortable with casual sex. When he had one with Helena/Huntress, he wanted to talk about starting a relationship just because of that. When he (fake) married a girl to try to expose her as a murderer, he still avoided to sleep with her, and then he offered to stay with her when the case was closed, because he felt bad for deceiving her. Outside the blasted annual, I don't know of any time he was written as (knowingly) having sex with someone while he's in a relationship with another. Girls tend to break up with him, not the other way around. I'm sure other people have different ideas, and it can vary between writers and eras, but I think you can read Dick as someone who likes to be in a relationship, to be intimate with someone – but who's not into casual sex.

When it comes to Tom Taylor's run, I pretty much agree with you. I don't hate it, as some people seem to do, but I think the art has been the best part. It's mostly been pretty meh, TT has at several times spoken about how Nightwing is an A-lister among DC superheroes, but I don't think he shows it. And here and there he produces some really nice panels/pages (sometimes it's up to debate whether the characters are out of character or not). We're heading towards the end of his and Bruno Redondon's run and they've hinted he's going to stop being Nightwing. As if we need a third period of Dick not being Nightwing in ten years… 🙄 The best writer of Nightwing vol 4 was Sam Humphries, in my opinion. Unfortunately, it was very short.

Ok, this post has definitely gone on long enough... but if you want to go deeper into the rabbit hole, here are some earlier posts.