#so i’m interested in watching the show

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[raeofgayshine]

Thinking again about the fact that when Eddie and Dustin finally convince Steve to play DnD with the party, all of them, but especially Eddie, quickly become exasperated with Steve who has extremely high charisma, and decides that he can fix almost any situation by flirting with whoever they were in conflict with. Especially the fucking monsters, this man is bound and determined to himself a monster boyfriend and until it happens, he will make every single person they come across fall in love with him. So naturally, this happens a lot:

Steve: I’m going to flirt with them

Eddie, exasperated: Steve, you can’t date this monster, he’s trying to kill you-

Steve: Hot.

Steve: I’ll flirt with them harder then

[ceilidho]

thinking of this price today…….

I saw a preview of a show awhile back where the premise is that this woman is keeping her former kidnapper locked up in her basement and using him to help her solve crimes, and in one scene he tells her he’ll only give her information if she tells him that she loves him. ……I don’t need to know anything more about this show, that made me GASP

[juniperhillpatient]

hate it when there’s already enough characters & they bring in a new one to take up all the attention from the already interesting characters. like ok. no one asked

[kagoutiss]

green beetle black beetle

[peteytheparrot]

Ok but only A Series of Unfortunate Events could open with such a good quote every episode like ‘Darling, Dearest, Dead’ goes SO hard wtf…

[tender-emotional-music]

Netflix needs to stop promoting ST as a teen show for season 5

[iwritenarrativesandstuff]

literally the easiest way to make someone care about a character and make them feel well-rounded beyond basic traits like personality, sexuality, ethnicity, etc, is to give them an actual character arc, and it’s shocking how many people do not seem to fully realize this

you cannot just cram a bunch of tropes. tropes are not the main event, they are tools to tell the story you wish to tell. emotional impact comes from the lead up, so you can’t just jump ahead and expect the payoff to work. “I want this character to just ___ already!” but they’re not there yet. that’s where the arc comes in - how do they get there?

and! most importantly, and this is something I really want people to think about when writing - the most important relationship your character should have, always, is with the world and society around them. defining your character purely through their interactions with other characters are, I find, how a lot of female characters end up feeling flat or not engaging with the themes as much as the male characters, and also how queer and non-white characters wind up as devices for other characters’ development instead of being more fleshed out

[royaltea000]

Guys here’s a link list of that old Hetalia Nordics cosplay series that I was reminiscing about a while back ago - a classic from my time… 🚬_(TwT ) original cosplays by FabrorEstersPojkar - we salute our soldiers o7

It’s my favorite cosplay series ever and you can really feel the passion and care put into this project - they got translators so every country spoke their own language throughout and everythin dude, that’s effort! If you do check it out lemme know how you liked it! :)

Intro/world meeting parody- 【[APH] [COS] Hetalia 北 區欠 1-哔哩哔哩】 https://b23.tv/jkOFrN3

Starts getting into history- 【 [APH][COS]Hetalia的北區欠2維/京/海/盜時代 part 1-哔哩哔哩】 https://b23.tv/jpuNeTR

【[APH][COS]Hetalia的北區欠維/京/海/盜時代2-part 2-哔哩哔哩】 https://b23.tv/Yc1CDMd

【 [APH][COS] Hetalia北區欠3 -卡/爾/馬/聯/盟part 1-哔哩哔哩】 https://b23.tv/IBytvwu

【[APH][COS] Hetalia北區欠3 -卡/爾/馬/聯/盟part 2-哔哩哔哩】 https://b23.tv/TgREPxM

【 [APH][COS]Hetalia北區欠4波/羅/的/海/戰/役part 1-哔哩哔哩】 https://b23.tv/5F5EK3n

【[APH][COS]Hetalia北區欠4波/羅/的/海/戰/役part 2-哔哩哔哩】 https://b23.tv/wU84HYl

Bloopers/BTS:

【 [APH][COS] Hetalia北區欠系列作品的花絮-哔哩哔哩】 https://b23.tv/Ie1HBr4

(Bloopers 1,2,3 included in a row in description)

[messiahzzz]

while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.

bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:

Fear of abandonment

Unstable or changing relationships

Unstable self-image; struggles with identity or sense of self

Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).

Suicidal behavior or self-injury

Varied or random mood swings

Constant feelings of worthlessness or sadness

Problems with anger, including frequent loss of temper or physical fights

Stress-related paranoia or loss of contact with reality

source: [x]

i highlighted the criteria that do apply to gale in one way or another in a pretty purple.

i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.

gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.

gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.

gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.

gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.

he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.

gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.

gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?

gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]

the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.

gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.

neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.

gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.

(taken from tumblr user galedekarios's post.)

there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.

player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.

this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.

gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.

player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.

gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.

gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.

gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.

there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.

i personally believe that part of the beauty of gale’s story is him realizing just how “little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.

gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.

even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.

devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.

to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]

gale may be many things to many people, but he is no entitled narcissist.

[shellyseashell]

honestly it’s kinda disappointing i don’t like glasshearts more because it’s so rare i’m in a fandom where the main ship is a sapphic one. i’ve been in plenty where i’m one of the only ones making content for them, but as soon as it’s the main ship i either don’t like it or leave the fandom.

glasshearts is just bland to me i guess? i’m used to shipping characters that rarely or don’t interact in canon but nothing about red or chloe is all that interesting to me tbh. i feel like we barely get to know them or why they might like each other. i think if the lore was more consistent with the first three movies i could like it more, but there’s so much i don’t like about ror it’s hard to get attached to glasshearts and it’s really, really disappointing.

[doctorsiren]

i wanna do doodle requests again, but specifically mob psycho ones tonight 👀 /nf

[aurabora]

so viserys is a neglectful father that never showed any interest in aegon, but is also simultaneously the only reason for aegon being a rapist and drunkard? not yknow…the primary parent (alicent) raising aegon, which in it of itself is false seeing as there’d be a legion of nursemaids and servants that’d tend to the royal children. queens didn’t do that kind of thing despite condal trying to portray alicent as some poor girl pulling all nighters with a job and kids.

alicent, who enabled her son and had routines her place to silence aegon’s victims instead of yknow…punishing or curbing aegon’s ways, is not held responsible?? its only viserys’ fault? not the one raising and instilling such values into aegon??

[ravelights]

As someone whose read the high republic novels and knows about the general vibe of those stories. I feel I must say that there is actually a high chance that our main characters will die in the end of the acolyte. Like people are joking or raging about how they would have to die for the prequel to be a thing, but I’m serious that’s actually a very real possibility. One of my favourite things about the high republic is that plot armour doesn’t exist, unless you’re Yoda, and even then it shaky. Considering the dude straight up vanishes at one point presumed dead.

All this to say the Acolyte doesn’t owe anyone a happy ending.

[lilidawnonthemoon]