#so i try to go soft on characters

[umblrspectrum]

i got lazy in the second panel

[hinamie]

I could've been a better man, but I'm not

more lmhs megu bc i love him. he is here fr ur lunch money :>

jjk atla!au with @philosophiums

[aroaceleovaldez]

underappreciated Nico detail that I like - he seems to be an angry crier! very frequently he's angry when he cries and he cries when he's extremely angry. very AuDHD of him. emotional regulation sucks my guy and he's just going through it.

[puppyeared]

Been LOVING your lil magician folks recently please continue they're beautiful and very cute and cool and also very well-designed!! 🥺❤️

thank you for the kind words !!! im not much of a writer, but i do have some sort of story in mind for them.. theyre bitter rivals who end up as roommates bc of their scatterbrained elderly landlord lol

[thetrinitytest]

if ianto jones (NOT gareth david-lloyd. actual ianto jones) walked through your door and said he wasnt dead and he needed a kidney and you were the only match what would you do

i am holding his face in my hands, kissing that man on the forehead, and asking him if he wants the left or right one

[aurorangen]

Vincent has not been replying to Renee's texts, usually, he responds quickly. Waiting a few minutes turned into hours, then hours turned into a day, 2 days, 3...and still nothing. Renee has been dwelling on all sorts of emotions. Is he avoiding her because of what she told him about her parents' trust? She was looking forward to going to the romance festival with him. Veronica came to check on her and Renee vented her frustrations. She comforted her saying he would reply soon and maybe the festival later on would cheer her up. Going with your friends is just as much fun as with your boyfriend, right?

[criscura]

I want to get to the good part of this blastvoid thing I'm writing but i do NOT want to write the part before it and I'm procrastinating so fucking hard

Like i know what i want and it'll be satisfying but it's like the reverse of eating beef jerky, where this is the tough gross part you just need to swallow before getting to the fucking SPPIUCCE

[t8oo]

there is some symbolism iv never considered in that one episod of pt5 where zenigata rescues fujiko before she kills lupin

[creachiergh]

anyways. WHAT THE FUCK WAS THAT.

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[non-un-topo]

Biggest fear is that the long-awaited old guard 2 is going to be really disappointing because we've built up years of fandom and headcanons and whatnot, and that a week or so after it's released the fandom just dies

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[lususnatura]

so, like, although blamore and one of my other characters are VERY different ofc ( and this other character in particular would be barton ) ... there is one thing that they have in common + that is that they believe in the fact that no one should be killing kids. though there is an important distinction between blamore and him whenever it comes to this and this is that, it IS willing to try to scare younger vigilantes like robin for example into thinking that it would hurt them with threats and stuff. which isn't right either OFC but blamore, in his mind, thinks that it's far better than the alternative. so he would do thing's like point the sharp end of his tail towards a vital point of theirs and threaten them if they were a vigilante / hero, but he wouldn't dare actually pierce their skin and is ALWAYS going to aim for incapacitating them rather than doing any serious harm to them.

( think of like handcuffing them to something with a bone or just with their hands + feet restrained with one because there ain't no WAY that he's taking the risk of leaving them being able to move their feet JSJSJ or, if he has to and since he does carry them around with it, just kind of... using the powder form of anaesthetic herbs to disable them through skin contact and/or inhalation 🫠 because no matter what way you look at it, even though there are some chokes used in martial arts that are viewed as 'safe,' they could go wrong somehow and cause someone grievous harm to blamore. thus, even though it's still arguably pretty morally questionable at the very least to force someone to be dazed and/or in a sleep-like state, he isn't going to do CHOKES on a dang kid. )

and whenever i say 'kids,' it also considers anyone that is 21 and under to be one because of it's background in psychology + the fact that your brain isn't fully developed until you're about 25 comes into play here too. so blamore's nature as an herbalist also does come into play during fights sometimes. but yeah, so he would go ' WTF ' if someone tried to seriously hurt or kill a kid in front of him because even blamore has lines that he is not willing to cross despite seemingly being this ruthless person who wants to restart EVERYTHING. and he will falter whenever it comes to some things. and it would tell them to get behind it if someone was trying to hurt them and actually isn't a bad caretaker if one were to somehow get stuck with it for a time, because blamore is VERY capable of being like a guard dog guys, ngl ☠️ LOL

[jamiethebeeart]

:D (I ramble in my tags about this)

[bonefall]

Please tell me you still have Fire permanently kill Darkstripe in BC though. That's one of the best parts.

WELL sorta. It's not going to be Firestar-- he's had enough badass cameos and someone else needs a turn.

I'm thinking it's Hawkfrost, actually

I want to turn him into a sort of... half-faded creature. Cheshire Cat of the Dark Forest. In the Great Battle he turned against Tigerstar and was mauled for it, but was able to get dragged back to the DF just in time.

But instead of respawning like the other DF spirits, when he double-died, it was partially permanent.

So he exists in this bizarre half-alive half-gone demon form, only existing for short periods of time. Enough to come save his apprentice Ivypool's daughter's mate, but not long enough to mount a resistance to the impostor.

And, importantly, enough to still enjoy the Dark Forest he had come to truly love, with its evil horses and blood-sap. A ghost among ghosts.

[candied-cae]

S2E2 Ed's plot my beloved-

I ADORE THIS EPISODE IN HOW IT PORTRAYS ED'S MENTAL HEALTH!!!

TW, this post is going to discuss Ed's suicidal behavior and attempt in depth. It will not be heartwarming, I am agonizing over the details. Please don't open if that reading is going to be damaging at all to you. Protect yourself first, y'all! Anyway...

Every little detail from his time on screen is spent sending hints to the viewer that it's Ed's last day alive.

The first time we see him that morning, he looks refreshed. He's decidedly sober and cleaning up his cabin and he's joking and almost... bright again. He's talkative and seems so calm. And it's because he's finally decided to kill himself.

It's been a long observed point for folks with suicidal thoughts/actions that once they've decided on doing it, there's a certain kind of peace that comes with that. Because it's going to be over soon, you know you'll be able to rest. There's an expiry approaching, and there's a comfort in knowing you've almost reached the end, like getting close to the end of a long work shift.

And so he's cleaning up, so he'd doesn't leave as much of a mess behind (Also something that is well documented from people who attempt). At least, assumably that was the idea, like he hadn't originally planned to take the whole ship down with him, it seems like he was planning to do something smaller for just him as of that morning. So he’s tidying up for the rest of them.

It's both a gesture of kindness to make sure they aren't left with as much of a "hassle" once they find him dead, but it's also a point of "pride" in a way. So when it's all over, they will sweep through a cleaner room and remember him better in that last day, than so much of the mess and stress of the earlier ones.

The second time we see him is when he's figured out Frenchie didn't finish off Izzy. And not only does he offer for Izzy to do it, he tells him that it'd be a good thing for him to do. Like it was a favor, killing him would've been "just what the doctor ordered" to make him feel better.

But Izzy doesn't do it, and he assumes Izzy ends himself after he's left the room.

The third hint is that he's so forgiving with everyone. He doesn't hold a grudge against Frenchie for lying to him and hiding Izzy in the secret room, he doesn't yell at anyone (like Jim or Archie) for conspiring with him, he even tells Frenchie to take the day off and thanks him for the closure.

Again, it's following that motion of peace and contentment, he doesn't have to go into death mad, he can do it calmly. He can let it all go, because soon enough it won't be a problem and he knows he's now decided to take them all down with him. So he might as well let them enjoy their last few hours as much as they can.

And he instead resides to sit at the wheel, turning them sharply right into a dark storm, all the while he wears the softest smile. Because he is calm, he is clear headed, and he is done waiting for something else to kill him. And that's a very common thing for people to want in those last moments. To go clean and sober and content and in peace.

They hit a lot of the MAJOR signs they teach you that someone is about to take their live, the only one I can think of off the top of my head that wasn't explicitly included would've been the giving away of personal possessions.

(But, perhaps even following the idea that originally he was going to go alone, he was going to be leaving everything including the boat to his crew, so maybe that idea was kind of hidden in there. It's just not as direct as personally going to people and handing over things.)

Anyway, I'm sure a lot of these clues were well picked up by the fandom, I'm sure a lot of us have learned about these stages of suicidal action for various reasons ourselves. I just wanted to point out that timeline and how perfectly it seems to fit across the whole episode as this singular, unspoken intent behind every single one of Ed's actions until it comes to a head and the crew on deck can't ignore how drastic everything had turned.