#so i gave into that desire

[awesome-shoes-with-wings]

@hedgehodgy, this is my attempt at a Triton first sketch for your fic 'Mercy Upon Ourselves'! I hope he looks similar enough to your vision of him!?? I'm open to ideas so if you have an actor face-claim or something similar, I'd love to see it!

Happy writing! I really love your fic!!

[tomwambsgays]

SUGGESTION — The lieutenant looks like he needs a kiss.

[elifinchsart]

ring kiss

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[buttercup-barf]

Yes, this is an Open Season poster reference. No, I won't be elaborating.

[avocado62524]

[foldingfittedsheets]

I’m in the little store today and every time I think I’m gonna have downtime I pull out my laptop and every time I pull out my laptop we get a bunch of customers.

I feel like I’m just gonna post up on a bed with my kindle instead of chancing fate a third time.

[lethality-of-dual-strike]

hey look it's the title card from the original series

personally hc Peri as nonbinary and Irep as genderfluid. also dev is transmasc but fairy godparents is what this is about

[starleska]

can we talk about the brilliant execution of Dot and Bubble's big reveal!!!

i am still absolutely gobsmacked by what a well-written episode Dot and Bubble is. startling, disarming, confrontational, and tremendously impactful. and holy shit i really really want to talk about how excellent the 'twist' (which really should've been obvious in retrospect 😭 was done):

as a white person it took me about ten minutes to clock that Lindy's friend group were a nightmare Aryan Tupperware Party collective: all white, all blue-eyed, and even Gothic Paul was dressed in blues and whites, with no black at all. but you know how i responded to that? mentally i went 'oh i'm sure it's nothing!' and shoved it aside. and i think it is exactly that insidious tendency to ignore, normalise, and validate overt and covert racism that the episode does such a tremendous job of tackling! everything in the episode gives us the lore we need to understand Lindy and the people of Finetime are white supremacists. Lindy's disgusted face and immediate blocking of The Doctor versus the amount of time she spends with Ruby. Lindy's shock at the Doctor and Ruby occupying the same room implying segregation on the Homeworld. Lindy calling the Doctor and Ruby 'criminals' not for being in the Bubble, but for breaking segregation. Lindy using Ricky September, a white influencer, to calm herself down not just from the monsters, but from interacting with a Black person. the tradwife aesthetic of the Finetime residents making a comeback in real-life right-wing racist circles. ugh, there's so much and it was all right in our faces!! yet many of us who aren't POC had the privilege of going through the episode baffled and uncomfortable, without being able to put a finger on why until the final bit of the episode. doesn't that tell us how quickly and easily we've all taken to ignoring both micro and macroaggressions? that we needed talk of being 'contaminated', improper use of the word 'voodoo', and Lindy straight up telling the Doctor that face-to-face contact was unacceptable, to understand they're white supremacists? oh my God 😭😭 what a genius play, to make Lindy so detestable from the start. she's an arrogant, vain, self-absorbed, moronic, uncompromising, traitorous bitch...and by layering that abhorrent personality and then giving us the reveal of her white supremacy, there is no argument even the most wishy-washy of people could have re: their awful views. Lindy and her friends are revolting racists who are so wrapped up in their own echo-chamber 'bubble' that they would genuinely rather be devoured alive than challenge their own narrow, bigoted views. i'm still blown away by the power of Ncuti's final scene. the disbelief, the frustration, the sadness and the fury...and yet the Doctor still tries to save them against all odds. i think the most common response to this episode was 'The Doctor should have gone all Time Lord Victorious on them', and you're right - he should have! but doing that would've affirmed the beliefs of the real-life racists viewers. the Doctor responding not with violence or righteous vengeance is a very deliberate writing choice: we are supposed to come away feeling revolted that he needed to behave that way, to almost be supplicant to the white supremacists. because that is the real-life view of so many people who don't even view themselves as racist: Black people need to 'perform' to a higher standard, than white people just to be considered worthy of respect. the more i watch it, the more i'm convinced this is the best episode of the whole season, and one of the best Doctor Who episodes we've ever had. we were taken off-guard by having an episode overtly about racism set in the future rather than the past, because our tendency is to assume equality is a natural consequence of becoming technologically advanced. this clearly isn't the case, and Dot and Bubble is a masterclass in confronting racism head-on rather than dancing around it for the comfort of white viewers. just. aaargh!!!! absolutely amazing 🔥🔥🔥

[quannaix]

Helllloooooooooo

[ambrosiabloodd]

﹒ IRL yandere, continue if you want.

﹒ ☆ minor, nonbinary. mascneu terms.

﹒ ☆ my posts are directed to and about my love.

﹒ ☆ devotional.

﹒ ☆ basic dni + i'll block if i wanna <3

﹒ ☆ my love has my account information!!! yes he monitors this account!!!

﹒ ☆ i condone everything i write about, if that scares you, i suggest not sticking around!

[wildsaltair]

on my knees begging this man to save me from the clutches of desire

[strryhaze]

bobby paused on the stairs and forlornly asked, “aren’t you glad to see me?”

bobby kennedy if i had been your family …

[themissingmango]

Top Gun: Stamps!

[dykedvonte]

(abt my last ask) thank you for the answer, your understanding of charas is trully stellar!

I wanted to ask, what's your take on recovery!au (unless you intend to cover it in your fic)? In the universe, where Jimmy happens, but the crew somehow survives. Everyone is traumatised, Anya is pregnant, Curly is disabled (could he even be able to afford disability aids? Pony express in no more, would they even be paid a sufficient compensation?). There is also a question of p*lice investigation (or whatever agency is responsible for space crimes), even more trauma... Man, it's bleak.

-💀

I like them sad but for emotional and physical recovery reason rather than all the actual legal stuff that would ensue.

I like when Swansea relapsing is explored and Daisuke losing a little bit of his light. I am clearly a big supporter of Anya and Curly remaining close friend after but I think exploring the unhealthy dynamics of the trauma bond they’d develop should be played with way more. I think it’s a bit annoying when people are on the nose about Anya telling Curly he should’ve done more, especially when he’s struggling through recovery.

I feel like people really want her to be a character to rub salt into wounds, just to give her something cathartic, but it’s just OOC for me. It’s not a kindness thing but I don’t think she wants that sort of guilt to stay with him like that? He did not do what Jimmy did, he could’ve done more to stop it but she would not intentionally try to direct what she can never take out towards Jimmy at Curly. At least when they all make it out. This is not to say she doesn’t think he shouldn’t have any remorse but she understands that no one else could have foreseen Jimmy crashing the ship or getting that bad.

I like when it gets psychoanalytic in fics with the crew. Talk about Curly finally opening up on details on how he and Jimmy were friends, have the others realize how bad Jimmy was to even Curly, not a lot of people realize that they don’t know how Jimmy was to him. Have Anya be angry and snippy, have her worry she’s becoming like Jimmy even though she could never be like him, it’s that fear though, that she is owed that cathartic release and may take it out on others in some selfish subconscious desire to reclaim control for herself. Have her actualize-herself, is med school the only option? What does she want now? Does Swansea divorce his wife, give up on the life he created because he was just following the path of a good man, one he didn’t believe? Or does he stay and use the time he has left to make it something he believes in. How is Daisuke? Is he more mature or does he lose a little light? What are his new aspirations if any? His relationship with his parents?

Ultimately, I think a recover au should really focus on just them actually getting to know each other and filling themselves. So much of their interactions were likely based on coworker dynamics first. With that out the window they are now people who can’t really move on from each other but need to move on in life.

[dreadfuldevotee]

I didn't mean to go down this rabbit-hole but now I need to exhume Anne Rice and shake her until she tells me if Armand is based on Tadzio/Bjorn Andreson because I swear to god these are the same story. A teenaged boy being pursued and taken advantaged of by older men who do not care about his mental or physical well-being? Objectified and reduced to this ideal, androgynous beauty that infantilizes them and strips them of their burgeoning manhood? That youthful beauty being immortalized forever, against their will? The Venice and Paris of it all???? There is too much going on here for it to be a coincidence