#fun fact: when i was in this fandom i randomly went around and drew fanart for fics and gave them to the authors anonymously and then ran

[avocado62524]

[soyouareandrewdobson]

100 followers special post: KorraSami Book 1

Today’s entry (sort of a little extra for 100 followers) is rather short and admittedly just the tip of an iceberg I want to tackle later on, as it relates to a certain issue with Dobson in general when it comes to his “support” of the LGBT community. In addition it is not a comic I want to talk about, but rather a picture. To be more precise this one:

Titled “Out of our way” and released around summer of 2015, this picture is obviously fanart in relation to KorraSami, the ship of Avatar Korra and Asami Sato, which unlike other ships in certain fandoms became even canon according to “Word of God” and some post tv series material. Now personally my opinion on KorraSami is a bit “complicated”. I do not hate it nor do I really think it is as “groundbreaking” as many, including Dobson, make it out to be. Reasons for that I am willing one day to discuss in detail, but not now.

And like with KorraSami, my opinion on the picture is also a bit complicated. To paraphrase John Cleese from a famous sketch: I may not know much about art, but I know what I like. So when it comes to things such as posture and linework I can not give too many critical details.

However, even I see from a technical point a few irksome details. Like how Asami’s hips move a bit too much perspective wise to the left, making it look like she would soon slip off the wheelchair, the sparks on the ground looking more like someone inserted shitty fries via MS Paint in the picture and Korra’s face looking like it was hit with a frying pan at least once. But honestly, I think it does not look that terrible and it is at least colorful.

That said, I think it highlights a certain issue with how Dobson perceives the ship.

Independent of my thoughts on the ship, I think Korra and Asami are pretty neat characters personality wise. They are both not flawless (in fact, Korra at the start of season 2 felt like any character development from last season was missing and don’t get me even started on how she would have almost started a world war because she was a whinny ass) but they are pretty strong and independent characters who went through a lot both as friends and as individuals over the course of the show. Well, that and they boned the same guy.

The thing with Dobson is, any time I see him do something with those two, that sort of badassery is not really on display. Instead his KorraSami fanart tends to be just whimsical fluff as seen e.g. here

And don’t get me wrong, I do not think fluff is bad. I like cute pics too and hey, the following two pics in regard of KorraSami by Dobson count for me as decent fluff, even if from a technical drawing point there are likely still flaws in the pic. Mostly because they are also related as pics to the world of the show they are part of, with the first one even showing interaction with someone other than the ship.

 But I also think that just because you ship two or multiple characters, doesn’t mean you can’t also draw something of such characters as a power couple so to speak. In case of those two, perhaps something like fighting a group of Equalists, showing Asami building and working on something with Korra at her side metal binding something according to Asami’s instructions etc. You know, something that is both “cute” because in a way they do stuff as a couple, but also badass because it is about two characters doing something they were born for. Or not even necessarily badass. Just something that shows them in a situation that isn’t just mindless fluff or feels like you just randomly insert the characters into whatever you can think of, thinking that in itself makes it already shipping art.

 Bottomline, Dobson when tackling KorraSami only focuses mostly on the mindless fluff of the ship. Which in my opinion is in so far an issue, as that it reduces this so called “groundbreaking LGBT representation in animation” just further down into something cute and rather shallow Dobson can adore. The characters are not appreciated for their personality, but fo their looks and how cute they look together. And frankly, can something be considered “good representation” when it is just pretty shallow on closer look?

This at least is one of multiple issues I have with KorraSami in general, but also in relation with Dobson. Others I can address later on someday. I also bring it up here mostly, because this “shallowness” is indirectly on display in “Out of our way” once you know a bit about why Dobson drew this and how it may even be a bit insensitive. Not for any living creature, but the character of Korra actually.

See, here is the thing: The inspiration for the pic was two things: A clip from an anime called Gekijouban To Aru Majutsu no Railgun (which I admittedly never saw in my life and do not necessarily intend to) as seen here

 And the fact that Korra spends some time in a wheelchair over the course of the show. And considering that the scene from the anime is actually meant to be funny (as it actually ends with both characters crashing in the gras in a hilarious position), what sort of cartoonish antics resulted in Korra temporarily being in a wheelchair? Did she slip on water during waterbending? Break her leg in some heroic fight but took it in strife and even made fun of her situation? You want to know?

Korra was kidnapped, tortured, poisoned with mercury and almost killed by a group of four terrorists, resulting in her being physically crippled for a long time and suffering from mental trauma, depression and PTSD.

……..ehhhhhhhh….. Funny?

 Yeah, on a technical level I do not think the picture is the worst, but as “fanart” when you consider any canon context involving wheelchairs and Korra… yaiks. I mean, tone deaf is a bit of an understatement.

 And I am not making this up. The plot of season 3 of Legend of Korra involved a group of four elemental benders trying to kill Korra, because their leader thinks that if he kills her he can break the Avatar cycle and that in turn will bring in a new era where people take their lives as a whole in their own hands, instead of the fate of the world depending on a few chosen ones like the Avatar. To do so they kidnap Korra and poison her with mercury, which they forcefully bend into her body. This results in her going full avatar mode and fighting the main villain Zaheer, only to get her ass handed by him thanks to the poison and him almost suffocating her by bending the air out of her lungs. Korra was in fact closer to death than any other character I have seen in the show, including Aang. And the aftermath of Zaheer’s actions were horrible. Season 3 ended with Korra still recovering from the poison (which had been bended out of her body again), by being stuck in a wheelchair and it being obvious she needs to get through rehabilitation. And while she did put on a brave face in front of everyone, the final shot of the episode is her at a ceremony celebrating the air nations rebirth, a single tear going down her cheek, indicating that in a way she is broken. The hotheaded and overall determined Korra at her lowest point.

 I will openly admit, when I first saw that scene, I was taken aback a bit how bittersweet if not outright depressing the ending was. Begging the question, how by the time season 4 would roll in, Korra would have recovered. Turned out, not well. Not only was season 4 set three years after the events of the last one, but the first two episodes showed among other things how Korra went through rehabilitation in those years, how she was on more than one occasion on the brink of giving up and how she essentially went into hiding, not wanting to meet her friends again, abandoning her duties as the Avatar. She was not a sobbing mess, but she was broken. Not considering herself worthy of the title of avatar for the longest time and still suffering from physical and mental trauma because of what had happened to her. In fact, one of the better aspects of season 4 is how Korra tries to overcome her own trauma, in order to be strong enough to take on the fight against Kuvira before she can turn the Earth Kingdom completely into the Third Reich and take Republic City over.

 In short, the picture of Korra in a wheelchair has a pretty significant and dramatic meaning for the character and the show as a whole. It is an important aspect of te shows storytelling and Korra’s final part of her character arc. Something with gravitas a lot of fans acknowledge. But Dobson sees it supposedly as something that gives way for a “badass and fun” pic with his favorite ship. And again, in my opinion, that is just tone deaf.I am not saying you can’t make a KorraSami pic with the wheelchair, but I think something with that motive should out of respect for the actual canon and its characters also be more somber than what we got here.

Which brings me back to how Dobson handles the couple in a shallower manner than it needs to be. Cause if he wasn’t just out for whimsical fun and fluff with his two favorite lesbians from Nickelodeon and would Korra and Asami consider more than just something to fawn upon based on looks, he could have drawn something more meaningful that genuinely showed how both are a decent representation of an LGBT-couple and interesting individuals. Cause being a couple when everything is fun and sunshine is one thing. Being there for each other when things are hard? THAT is the challenge and shows how much you really love someone.