#so i finally watched her s1 episodes

[arojenniferwalters]

Canon AroAces 262/?: Lilith Clawthorne (Cissy Jones) in The Owl House (2020-2023)

[lisbonsteresa]

YEAH

[lenievi]

this moment was so unfair of him (his voice had no business getting so soft, and of course a girl's gonna get her hopes up if you look at her like that)

and this one too, when La'an told him that yes, he was a bit like the other him, and he smiled

[chooey]

common kendall L

[sergeantpixie]

tell me about whichever WIP isn't about elena gilbert if you can

Anon I know you're trying to be mean but a) I have no shame about how many Elena verses I have, that's my Girl, and b) I am so delighted to be able to talk about the one verse on that list that has nothing to do with Elena Gilbert, that's why I put it there! So thank you!

"I am willing to take more hurt if it's from you" is a project I've been working on for so long and I'm finally making some real progress on it which feels amazing! It's my Alison DiLaurentis/Aria Montgomery (Pretty Little Liars) fic that is supposed to be as canon based as possible, just using the subtext between the two characters to create a story where Alison and Aria were secretly hooking up before Alison disappeared.

Instead of giving you the full pitch on why they make sense as a ship (and why they are basically canon, or at least Alison having feelings for Aria is) I'll just refer to a post where I went off in the tags about them because it says pretty much everything I would say about it here: this post.

In summary: When Alison asked Aria if she knew why she picked her, the answer is: Ali's obsessed with Aria.

The premise of the story would be Alison and Aria's relationship being Rosewood's best kept secret, then when the liars discover Alison has been alive all this time, Aria feels compelled to confess what happened between them all those years ago in order to get ahead of Alison and prevent her from using that to alienate her from the other girls. (Alison is still Alison, I have no interest in changing that.) It's the girls' reaction to that as well as an exploration of Aria and Alison as characters. And maybe Ezra really is A but that might just be implied we'll see.

Between Jake, Ezra, and her first love’s girl-Jesus resurrection, Aria’s love life has never been more complicated, and that’s like, really saying something.

the tiniest excerpt :)

@randomestfandoms

[whatdidtheydotomygirljinx]

Jinx just never really liked Vander that much.

One of the things that, to me, seemed like a main theme in Jinx's arc in season 1 was the contrast between her two families, and how her switch from Vander's daughter to Silco's drastically changes the way her personality takes shape.

And I hate that the fandom, and now the show, too, has reduced Silco to an unhealthy influence in Jinx's life, pushing her towards her "bad" side (being Jinx) when, for all his flaws... he gives her a better childhood than she ever had with Vander. The first three episodes of the first season, to me, when I watched them, illustrate quite clearly that Powder feels unhappy in her family life. She is the most mal-adjusted of Vander's kids. Her older brother constantly berates her, and it's quite clearly having a big effect on her self-image. She later takes up the Jinx name and persona once she feels like she has become irredeemable as a person. Her other brother never defends her. Vi is the only one who is there for her, and they care for each other, but at the same time you can see there's still a little insecurity in their relationship. Vi is worried that maybe Powder is indeed too weak, and Powder worries that maybe Vi does indeed see her as a Jinx like her brother does.

And when it comes to Vander... he's just not really all that present in her life. And I don't blame him, the man has four kids to take care of, on top of keeping things running in the Undercity. It's clearly not his intention. But it doesn't change the fact that he's not there for Powder, not as much as she needs. To me, when I watched the first season, it seemed like Vander was a figure that felt far away to Powder, someone that she admired but also feared being completely herself around, and someone that she ultimately wished to be closer to than she actually was. It's worth mentioning that Jinx never says his name post time skip, and he is not a hallucination for her, not until Vi brings him up in the finale. Hell, Claggor is somehow a hallucination for her and he never even speaks. Vander was just not an influential figure in Jinx's life.

I always found the scene at the end of ep3 of s1 fascinating, because Powder never once mourns Vander. She never once cries for him and never once says his name. When she sees his dead body, she becomes shocked and starts crying, but it's not actually what breaks her. What breaks her is Vi's rejection. Had it just been that she accidentally caused the deaths of her brothers and adoptive father, she would not have crumbled mentally. It's Vi's rejection that destroys her. Now, of course, a little girl that cares more about her sister's affection towards her than the lives of her family members is kinda messed up, but that's what makes her character interesting. And we can see that that little girl doesn't go anywhere, as Jinx displays the exact same one-mindness about her sister. Because Jinx and Powder were never really that different, after all.

She is quite clearly placed with her back to Vander's body, that she never turns to, barely looks at, only enough to recognize him and see he's dead, and never says the name of. She's turned towards Vi, calling for Vi, crying because of Vi, and no one else. Heck, Vi had just been crying over his body a few moment ago. Vi is clearly distraught over his death. Vi is devastated, she literally punches her sister and curses her in the exact worst possible way she can, in the way she know it will hurt her sister the most. But Powder... she just honestly dgaf.

So to then hear Jinx say this line in season 2...

...is just straight up jarring. I was pulled out of the story when I heard this. This is Jinx saying this to Vi. This kinda makes it seem like it was Jinx who was most attached to Vander, or at least that she was just as attached to him as Vi was. Which is just not how things seemed in the story at literally any point until this one. And then season 2 continues this way, and somehow makes Jinx seem like the closest daughter to Vander. Flipping Warwick literally acts more attached to Jinx than Vander ever did to Powder. Like literally. Season 1 clearly sets up that Vi is the favorite daughter, and then they just... flip it?? Warwick cares more for Jinx and responds better to her than to Vi. It's actually insane. It's true they sanitized Jinx's character to hell and back this season, but this is a straight-up rewrite. I can't wrap my mind around why they did this. Plus, the entirety of act 2 they set up this weird and pointless arc of Jinx rekindling her relationship with Vander or something... and like literally her story was genuinely never about that.

(This COULD have been Vi's story. And that might have actually been cool, and made sense. Maybe Vi is the one who finds him, and she is the one who helps him calm down. And then she brings Jinx, and maybe Jinx is terrified because she was never that close to Vander, and then she literally killed him, so seeing him again is the last thing she wants. Maybe VI is the one who tells Jinx that "he was your dad, too", which would make A LOT more sense, and maybe that's the first time that Jinx thinks that oh, yeah, he was... And then maybe they have a cute moment where Vander forgives her. Or maybe she sees the state he's in right now and loses it completely. Or maybe they look at each other and they both see the monster each of them has become. And then maybe Vi looks down at the enforcer uniform she's wearing, and, privately, sees it too. Idk. The things we could have had.)

Silco was actually a good dad to Jinx, in all the ways that Vander wasn't. He gives her all the attention that she never had before. He not only listens to her, but actively asks for her side of the story. He never insults her, and he defends her against Sevika. He trusts her and gives her opportunities to prove she's capable. She goes from being one of four siblings, and getting lost in the shuffle and often ending up feeling forgotten and alone, to being the most important child, always taken into consideration and almost put on a pedestal by her dad (this, like, has to have cured some inner wounds, i think).

Silco understands Jinx better than any other character in the show, and I'm genuinely sad that we didn't get to see any flashback of Jinx growing up with him. Because their relationship was so unique, and so integral to Jinx's character and to the rest of the story, that the fact that we never get to see any other glimpse into their bond is just...

As a final note, I'd also like to add that I dislike when people say that Silco "groomed" Jinx. I think a much more realistic analysis is that he enabled her. And as for all the times he tells Jinx that Vi "betrayed her", that's just a reflection of his own trauma, and also because he fears that if Jinx knew Vi was alive, she would go back to her and leave him (which, considering what goes down in the s1 finale, not an unfounded fear). It's wrong that he does that, but it's not out of malicious intent (also tbh Jinx never really seems to believe him anyway).

And for all the people who say that Silco "turned Jinx into a terrorist" (dumbest people in this fandom fr, im sorry), that's just straight up not true. Powder was already like that. That is quite literally why Silco adopts her. Because he sees that she's like him. Silco would not have taken Powder in if he thought she was just a cute, innocent kid who was orphaned (to, what, raise her for years so that, MAYBE when she's older, she MIGHT be useful to him? when they meet he doesn't know she's the one that caused the explosion, he just knows that she's been abandoned by Vi). This is the kid who thought playing around with explosives was a fun hobby. This is the kid who giggled at the thought of hurting others. This is the kid who already suffered from explosive emotions. This is the kid who saw her father and her brothers dead, because of her, and all she cared about was whether her sister was mad at her because of it. This is the kid who throws herself at the first person she sees, someone who her sister hates, who is the cause of all this destruction, and with an anger that shocks most viewers, declares that Vi is not her sister anymore. She is livid in that one moment.

Powder already had it in her from the beginning. And it's also ok to like a character (and to write one) even if they are not 100% morally pure in every single way under the sun, cause that is quite literally what stories are for.

[sundrop-writes]

Precious Time Alone

Gar Logan x Fem!Powered!Reader

aka the fic where Gar has a knot

Summary:

Even with the ability to see the future, you never would have guessed that your life would lead you to falling in love with the perfect man - someone sweet, caring, funny, cute. Someone with the passion and fire to protect the ones that he loves no matter what. A precious guy with green hair who had the ability to transform into a tiger at will. And when you finally made love to him for the first time, you never could have guessed how that unique ability affected his sex life.

You weren't exactly complaining, but you wished you had seen this coming. At the end of the day, it was just another thing about him to love.

Or - Neither you nor Gar knew that he has the ability to knot, and you both find out for the first time when you have sex together.

Gar Logan x Fem!Powered!Reader. Established Relationship. Smut/PWP. Set during Season 2, Episode 9.

Word Count: 11,800

DC Titans Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, to make my masterlist for this fandom more complete, and to help new people discover my old fics.

Detailed warnings and author’s notes below the cut.

Important Note: for reference, this is not an A/B/O fic - I have nothing against A/B/O fics and I love them very much (it's one of my favourite genres, and I really need to write more A/B/O fics and post them) - the reader character is 100% human and does not have any traits that fall into the A/B/O category. This fic is based off the concept that Gar has a knot due to his animal traits/animal DNA, and it is something that happens to his body because of his ability to transform into an animal. This could be considered a hybrid fic, but Gar's knot is the only animal trait he possesses during sex. If this is your thing, I hope you enjoy. If not, come back later, and I might have something more your style. Or you can check out my masterlist in the meantime.

Warnings: the reader character has a vagina and uses she/her pronouns; this is an established relationship - Gar and the reader have been dating for a while now; mentions of canon events from S1 and S2 (so there is some spoilers from the show - if you haven't seen the show yet and you want to watch it unspoiled, be warned); mentions of canon level violence, including Gar being tortured at the asylum; this is set during 2x09 when Gar is 'home alone' (and the reader is there with him); the reader character suffers from insomnia; the reader character does have powers but they don't really have major involvement in the plot of this fic (idk if I should have even labelled this as 'powered!reader') - the reader character has psychic visions; mentions of clothes sharing - the reader is implied to be bigger/plus sized because Gar wears her clothing and it's 'oversized'; the reader is attracted to Gar's more 'animal' side - she admits to being attracted to him because he protected her with his powers; this fic does use Y/N (I am a proud Y/N truther); Gar and the reader have engaged in sexual acts before (handjobs, fingering, oral) but this fic features their first time having penis in vagina sex; Gar's knot is a surprise to both of them due to it being their first time having penetrative sex (his dick only swells up once it gets inside of her body); though this is both of their 'first times' with each other, I didn't put any big emphasis on virginity in this fic, especially because they have done other sexual acts before; this could be considered Crack Treated Seriously - but like I said, my brain just took the concept and ran with it; there is something in this fic that could be considered consensual somnophilia - the reader character starts performing oral sex on Gar in order to wake him up, but she's not specifically turned on by the fact that he's sleeping, and there is an unspoken consent due to them being in a relationship; this whole thing fluctuates from making love/passionate sex to rough, animalistic sex; slight praise kink - Gar verbally praises the reader and compliments her a lot; there isn't really defined roles here, but Gar is more dominant and the reader is more submissive; as mentioned before - penis in vagina sex; unprotected sex - they don't use a condom (the lore of knots and condoms bothers me anyway, like how would a condom not break under those circumstances??); possessive!Gar; biting kink/marking kink (Gar bites the reader - a lot); Gar cums inside the reader - a lot, because of his supernatural dick (though this doesn't quite make it to cum inflation levels); Gar knots the reader (if you don't know what that is, just stay away); creampie kink - NOT breeding kink; there is mentions of pregnancy in a discussion after the sex is over, but not in the breeding kink sense (Gar and the reader both want kids and there is no mentions of alternate forms of birth control, so if that gives you the ick then don't read this one); slight warning for VERY BRIEF painful sex/pain after sex - Gar tries to pull out not knowing what the knot is and accidentally hurts the reader's vagina because of it (the pain only lasts for a few seconds, and he stops trying to pull out once he is unsuccessful); scent kink - Gar loves the way you smell after being fucked by him; (I was not planning on adding a bonus scene when editing this fic, but it's Gar and I got carried away) more consensual somnophilia toward the end - Gar fingers the reader a bit while she is sleeping, and then he masturbates on top of her and cums over her thighs before cleaning her up (again, this is operating off the pre-existing consent in a relationship, or you can imagine that they had a consent conversation about this before the fic, idc); the ending of this fic is just pure fluff.

A/N: This is one that I wrote in 2022 and I had kind of forgotten about it? But I was going through my older fics on AO3 and I was like 'omg I love that fic, I forgot how much I love that fic'. And because I am trying to post some easy stuff before my move (which will be exhausting and it will mean that I will post pretty much nothing for a few months) - I realized that this fic was an easy re-post because it didn't need a lot of work before being re-posted. So - here ya go! If you haven't read this fic before and you don't know what a knot is (in terms of fanfiction/smut): run away. Run away now. I don't need to be the one to corrupt you lmao. But yeah - this fic was inspired by someone on Tumblr (I wish I could remember who it was and link the post) posing the theory that if Gar is 'part animal', then he might have a knot. And my brain felt the need to exorcise that idea once it entered my mind and literally possessed me, and thus, this fic was created. I think it is one of my better Gar fics - with a very straightforward concept. And if this is your thing, I hope you enjoy it!

...

It was entirely strange to wake up to the Tower actually being quiet. 

Well, quiet aside from the sound of Gar’s snores rumbling beside your head. But there was a lot less noise than usual. 

There was no distant beeping of the coffee machine where Dick had it pre-set to go off at an ungodly hour. No grunting of Jason training because he couldn’t sleep. No rumbling bass tones of Rachel’s music where she played it aloud, thinking no one else could hear. 

No arguing voices. 

Strangely, that was something you missed most of all. You had come to love the chaos of so many people living in your new home. And you had secretly hoped that Dawn, Hank, and Donna would stick around for a while, even if they insisted that they were just going to take care of the Dr. Light problem and leave once again. With them cooking meals and hogging the TV, it had started to feel like a real family. 

You had definitely not expected all of the Titans to barrel out faster than cockroaches fled from light when Dick told them of his past transgressions. But boy - they fucking ran. And naturally, when Gar volunteered to stay at the Tower with Conner in order to hold down the fort, you stayed with him. 

What else would a good girlfriend do? 

You had stuck by him through everything else, so of course you would stick by him through this. 

And even though you missed everyone dearly, and you worried about the long-term impact that Dick’s confession would have, you did see the appeal of The Tower now being completely empty. You would be lying if you said that it didn’t bring some salacious thoughts to your mind. 

Maybe it was that morning silence, truly reminding you of the lack of occupants in the house - or the burning hum between your thighs that had you awake at this hour in the first place. But you couldn’t sleep, and now your mind was brimming with better, hornier things that you could be doing with your time. (Things that you likely already would have started if Gar had been awake along with you.) 

You were sometimes jealous of his ability to sleep so well. Typically, sleep was an area that you did very poorly in. 

Usually, having Gar’s intense warmth curled up next to you did help. And you thanked that perfect human furnace for what little sleep you had gotten the night before. Especially after all the anxiety and the fighting, and the unexpected charge of everyone leaving so suddenly. 

You lifted your head from Gar’s rumbling chest as he snored and snorted away and you looked at the clock on his nightstand - 4:15am. You sighed deeply to yourself and decided to get out of bed. You knew from your experience with insomnia that it was no use trying to fall back asleep again. 

You untangled yourself from Gar’s grasp, careful not to wake him - and then you grabbed a piece of clothing off the floor to shield yourself from the morning chill. 

It was an oversized hoodie that you and Gar often shared. It had originally started off as yours, but now your things had migrated into Gar’s room and it seemed like your lives were easily blending into one. He found himself wearing one of your socks mix-matched with his own, and he often slept under a fuzzy throw blanket you had brought when you moved into The Tower. You used his body wash in the shower, and had some of his nerdy pins on your backpack. 

It always just felt right. 

The hoodie smelled delightfully like your boyfriend - and you couldn’t help but to press the fabric to your nose with a small contented sigh while you walked down the hallway to check on Conner. 

The young man was still deeply unconscious - not making a single movement or a flicker of acknowledgment toward you when you walked into the room. His vitals were stable, with his puppy asleep on his knees. The dog looked at you with curious eyes as you checked on the machines and even used a stethoscope to listen to Conner’s heart just to make sure that he was doing alright. Krypto made no moves to get off the bed, entirely protective of his half-human companion. You shut off the light and partially closed the door as you left (leaving enough room for Krypto to get out if he wanted to). 

Then, without much else to do, and feeling a slight grumble in your stomach, you went to the kitchen. You ate a bowl of cereal as you scrolled your phone, listened to music, and checked for messages from any of the other Titans. There were none. 

After you had eaten, you were still bored and the sun wasn’t even up yet - so you decided to take a shower. 

As the hot water poured over your body, you couldn’t help but think of Gar. 

The two of you had been together since your psychic powers led you to Scooter’s Roller Palace. 

Before that, you had lived a somewhat normal life, even with your visions. You had the very typical ‘loving family, suburban home, thriving at school’ type of life. 

You had been trying to achieve your goals while completely ignoring your visions. 

Visions that you had previously denied had even been able to predict the future - until a horrifying dream of your parents’ double murder came true. You were unaware at the time that the same doomsday cult that was attempting to track down Rachel was also looking for you. A group that had been watching your abilities carefully and wanted to use you to track Rachel and to perceive better outcomes for ‘their work’. 

So with the realization that you could see the future, you knew that you had to act. Especially with visions of the dark, crumbling end of the world plaguing you. You let your powers guide you to that roller rink in search of a purple haired girl who could save everyone and a green haired boy who could transform into a tiger. And since then, you hadn’t let him go. 

It was only when you had been captured at the asylum that you and Gar became truly close. The day that he had first come to your rescue. 

The ‘scientists’ there hadn’t been unable to taunt or shock him into his transformation like they had been planning to. But the moment he had heard your screams of torture and torment from down the hall, he had transformed into the tiger and ripped the cage’s door off its steel welded hinges with his teeth just to get to you. 

When he witnessed them torturing you in an attempt to demand predictions of the future out of you - Gar had snapped. And then, a bizarre vision that you’d had years ago came to life before your very eyes. A vision of a giant green tiger ripping apart a group of men in white lab coats, making them bloody in order to save you. 

He later told you, as you were traveling on the train, that he had never harmed another person before that. He had never used his powers to harm someone before that. But he also told you that he absolutely didn’t regret it. He had told you that if it meant that he got to save you, then he would do it a thousand times over. And that was something that warmed your heart and drew you to him like a moth to flame. 

If you had a schoolgirl crush on him before that, then in those moments, it grew into a heated, womanly lust. You started falling in love with him on that day. 

That animalistic strength, that passion, that courage was what had drawn you to Gar immediately. He claimed it was ‘hero syndrome’ - the thing that made you pull him close and kiss him on the train. The thing that made you call him your boyfriend. He claimed it was only because he was the one that saved you, and if it had been someone else, then you wouldn’t have ended up with him at all. 

But no - nobody else had the primal drive that he did. Nobody else had the same protective instincts that he had. Nobody else looked as good with blood dripping from their teeth. 

It was a dangerous thought to have. But it was one that got your clit throbbing every single time. 

Of course, you loved Gar for all of his soft parts. You loved him for his dorky smile, his smooth laugh, his shy gaze. He was a soft place to land when you were hurt, upset - when you needed comfort the most. But you also loved him for his sharpened edges - his undeniable passion, the way he wouldn’t hesitate to harm an enemy when it came to protecting the ones he loved. The way he bit down on your lip whenever you gripped his cock just the right way. 

You sighed hard through your nose as the water went cold around you. Had you really been in the shower for that long?

Disappointingly, you and Gar had never actually had sex before. 

You had done plenty of sexual things - but it always felt rushed, and it never quite scratched that itch in the way you needed it to. 

The fact that the two of you were pretty much never alone together meant you never had the time to indulge in each other, to properly touch each other the way that you really wanted to. Everything you did together was always quick and haste. Grabbing and groping each other through clothes, shoving your hands into each other’s pants, panting breaths down each other’s throats, desperate to cum as quickly and quietly as possible. 

You wanted nothing more than to feel every single inch of his naked skin against yours. You wanted to be able to spend hours worshiping his body, getting your tongue onto every perfect muscle you had seen when he trained shirtless. You spent far too long fantasizing about him laying you down in the middle of his bed and pounding into you, roughly and savagely - showing off that animal side you loved so much. 

As you wrapped a towel around yourself and wiped the steam off the mirror, you realized something absolutely wicked. The house was empty. This was the perfect opportunity to get exactly what you wanted - what you needed from Gar. 

You dried off your body, abandoning the fresh clothes you had brought into the bathroom with you and simply walking down the hallway naked. It was a strange feeling, to say the least. You were aware of the fact that there were cameras in literally every common area of the Tower (as Gar had pointed out to Rose a few days prior) but you took for granted that nobody would have to review this footage for any reason. 

You slipped into Gar’s room, where he was still fast asleep - splayed out on his back, his jaw wide open as he puffed out air and snorted loud snores. 

He was adorable, almost innocently so. He was so peaceful when he slept. He was wearing a tee shirt with a cartoon of Link from The Legend of Zelda on it - something you only knew about because he had explained it to you in great detail. His green hair was messy in a beautiful way that suited him, his limbs sticking out from the covers at odd angles. Even though you did have some idea of the not-so-innocent things he thought about you on a regular basis, you did feel slightly guilty for disrupting his sleep with your lustful corrupting force. 

(Just not guilty enough to stop what you were about to do.) 

With the morning sun rising at your back, just slightly orange through the curtains, you pulled up the covers and crawled in on top of Gar. Instantly, you were warmed by the natural heat radiating off his body. Apparently something about his ‘condition’ - that thing that made him half-animal, also made him incredibly warm. At any given time, his skin was near-burning, almost like a fever to the touch. It made him so pleasant to sleep beside, so nice to hug and cuddle up against. It was just one of the many, many things that made him the perfect boyfriend. 

With that heat gathered under his blanket like a sauna, it almost made you want to lay down on top of him and fall asleep again. But the prominent hum between your thighs was a bit more persistent - and you knew that there would be plenty of time to fall asleep with Gar later. His clothes did slightly irritate your sensitive, bare skin - you knew that you wouldn’t have to tolerate the feeling for long. 

Gar liked being naked more than you did. So he certainly wouldn’t mind you undressing him. You knew the only reason he even bothered to sleep with clothes on was because of the general pretense of others being around. 

You pressed yourself on top of Gar, not worried about your weight disturbing him - not after the many times he had told you how much he enjoyed the feeling of being cuddled with you laying fully on top of him. You pulled the covers up over your body as the chill of the room bit at your still somewhat damp skin, and you leaned in to kiss across Gar’s neck. He moaned quietly in his sleep and began to stir. 

You smiled to yourself, loving the feeling of his muscles so relaxed underneath you. It was something that had been too rare as of late - with all the intense training sessions, and the stress of Rose being brought into your home, Jason being kidnapped, and then Conner being shot. For the past few weeks, whenever you had hugged Gar or cuddled against him in bed, he had been nothing but a tense ball of stress. 

You certainly understood that stress. He was worried for his friends and wondering what would happen next. Even though you had the ability to see the future, you couldn’t simply predict what would happen on a dime. You had helped to secure Jason’s safety, but you had been nervous that the others wouldn’t be able to get to him in time. Even though everything had worked out in the end (debatable, seeing the emotional scars Jason had come away with), the stress had taken a toll on you and Gar. 

Life as a Titan was stressful. And you knew that you and Gar were both well deserving of a break. Even though Gar marked this as a tense fracturing of the group, something else to stress about, you knew that everyone simply needed a break. 

And you knew exactly what kind of relaxation Gar deserved now that you had the time on your hands. It was something you hadn’t been able to give him since a late night in the bathroom many weeks ago, when he had to muffle his moans into a hand towel for fear of being caught. You laid a few more gentle kisses against the skin of his neck, and then began to descend downward. 

You wiggled yourself completely under the blanket, loving the warm cave that it created around you - a pleasant fog of Gar’s body heat that easily made your cheeks scorch. It raised your body temperature more already, and made your cunt clench in anticipation. 

Of course, you were going to focus on him first. You pushed his shirt up his stomach, gathering the fabric lazily around his midsection, not really making an effort to take it off. You appreciated the skin that was revealed to you, especially seeing as every single part of him was beautiful. 

You had seen him naked before.

Gar was a smart person - but he wasn’t always clever. So he had unintentionally shown off his ‘goodies’ on more than one occasion when transforming into that mighty tiger that you loved so much. He didn’t always rush to cover himself if he thought that nobody was looking. It was a strange juxtaposition - the fact that you had made him cum before, but you had only seen him completely naked when he used his powers publicly. 

During the times when you had been intimate, you had both been forced to keep most of your clothes on - your trysts entirely secretive, shoving your hands down each other’s pants or dropping to your knees and taking his cock out, keeping everything haste and ready to easily redress in case someone came upon you. 

Now, you were more than ready to make love to him. You were fed him with never having enough time - never having enough of him. You so badly wanted to have your naked body pressed against him completely; to have him naked in bed for hours where there would be absolutely no disruptions. Your pussy throbbed with excitement at the very thought. 

(Perhaps Dick coming clean of his transgressions and pissing off all the Titans had been the best thing that had ever happened to you. Not that you would ever admit that out loud.) 

You kissed along the now exposed skin of Gar’s stomach, loving the little moans he let out as you did so. Clearly, he was still floating somewhere in sleep, his sounds still dull and adorably sleepy. Perhaps on his way to waking up as your wet mouth worked a trail down to the edge of his sweatpants. 

His stomach muscles flexed under your touch as your tongue darted out and traced the light trail of hair leading down from his belly button and dipping into his pants - definitely one of your favorite things about him. You laid a few more light kisses near his hip, causing more cute little jolts, before you lovingly eyed the outline you saw forming inside his pants. Even though the fabric, his cock looked perfect. 

You knew that Gar pretty much never wore underwear. 

It was something he had given up on because it was just another article of clothing to rip off, previously impeding his transformations. And then he simply never wore them in his off-time because once he had stopped, he found them too uncomfortable to wear casually. It was a dirty little secret of yours - but you absolutely loved his commando lifestyle. 

It always made the outline of his dick so obvious through his clothes (even when it was soft). You had never admitted that you ogled him on a regular basis. Especially when he trained - his movements when sparing causing his cock to bob around and move in a devilishly delicious way. 

Maybe you were a bit of a pervert. At least, that’s what some people might call the way your mind worked. But you couldn’t really help it. It probably had a lot to do with the fact that you had found the most gorgeous man ever and he had a sex drive that seemed just as potent as yours. (Though - as previously mentioned - you had been horrendously impeded by a barrage of housemates and multiple crises interrupting your alone time. Until now.) 

You were quick to undo the tie on his sweats, and from there, all it took was a firm tug to get his pants down. The fabric became slightly trapped between the plushness of his ass and the bed - thankfully he was still limp and pliant with sleep, and you didn’t have to put too much effort into getting the clothing down. You took the edge of his pants down to just past his hips, letting his cock free. 

This gave you a perfect view of his long, thick cock - freshly awakened from its slumber and easily half-way to hardness. It was as remarkable as always - pretty pink cockhead (just like the sweet pink of his lips), pale and seven inches long - about nine inches long when he was fully hard. Tugging the fabric of his pants down a bit more, you gently pet your fingers over his round, full balls - one of your favorite parts of him, even if you felt shy admitting it aloud. 

You also loved his so beautifully Gar, bright green pubes. The first time you had seen that his green hair was so entirely all natural (well, natural since the injection of Dr. Caulder’s serum) - you had been shocked and absolutely amused. 

You loved every inch of him, and you definitely loved how this was a solid reminder of exactly who your boyfriend was, even when you were making steady eye contact with his dick. 

You placed your hands on the tops of his thighs and leaned in, taking the head of his semi-hard cock into your mouth. You couldn’t help but to be pleased with yourself, knowing that this was how he was going to wake up. His skin was delightfully smooth under your tongue and he tasted slightly of a musk that was so uniquely Gar. 

You wrapped your hand around the base of his cock, thumbing down over his balls as you bobbed your head down - with your tongue loose and your mouth wide open, you gave a few good, greedy slurps on his cock, simply enjoying the feeling of him hot and thickening up in your mouth as he became harder. You couldn’t help but to moan around him, and he let out a startled snort, and then a deep groan. 

You felt movement above you as his tired arms grappled with the covers - he was definitely awake now. 

His dick throbbed under your tongue as he swelled to full hardness - and you held back laughter as he momentarily pushed on your head through the covers. Clearly, still not quite awake enough to know what was going on - just enjoying the feeling of a warm mouth on his cock. You squeezed your grip tighter around the base and prodded your tongue into the slit, gentle and exploring, lapping up the first bit of precum that he leaked out. 

He let out a perfect shuddering gasp. 

“Wha-? Hmm? Y/N?” He mumbled out, confused in that tired, dumbly adorable way. 

A moment later, the covers were ripped off your head, ruining that lovely cave of warmth you had going, causing a rush of cool air to prick at your skin. With your lips wrapped around his cock, bobbing down over the first few inches of the mighty, thick beast while gently pumping at the rest with a casual grip, you looked up at Gar through your eyelashes. You attempted to look sweet, knowing how sinful you looked with your lips stretched around the girth of his cock. 

You suppressed a moan of your own when you taste more salty precum and his jaw dropped open with a broken moan. 

“G-good morn-ning.” He said, voice tight and raspy, partially from the haze of sleepiness and partially from the lust coating his throat. 

He propped himself up on one elbow and stared down the length of his body at you. He moved to wipe the sleep from his eyes, clearly stunned and awed to be woken up this way. His gaze was hazy with that half-awake look and his chest moved in thick beats as he began to struggle for breath, partially holding back his moans in a practiced way due to your living situation. 

You simply continued your actions, widening your lips to suck more of him down. You bobbed your head slowly as you took the first half of his impressive length like a popsicle, swirling your tongue around it and using your hand on the base. Gar’s chest became tight with trapped sounds, and his hip muscles seized tight as the urge to fuck your mouth overtook his body - but he held back with intense self-discipline. 

“You - oh - you-you’re naked.” He quickly observed, struggling to speak through the pleasure of your tongue on his cock. 

His eyes scanned over your naked body with intense hunger, and he rushed to move the blanket back more, wanting to reveal your bare ass and thighs. When he managed to do this, you quickly felt the coolness of the room against your bare pussy and realized just how wet you were. 

Gar’s eyes went wide in an almost cartoonish way as he drank you in. 

He had only been able to get glances at your naked body before - when you were coming out of the shower and flashed him in an attempt to rile him up, or during your trysts when he had been able to pull off pieces of your clothing, but not everything all at once. Now, seeing you entirely bared to him, in the warm light of the early morning, something that made your skin glow - it caused his heart to speed up inside his chest, and made his dick throb. It was something you felt under your tongue that brought you another thrill. 

You popped off his perfect cock with a wet sound, much to Gar’s disappointment, so that your mouth would be free to speak. 

“I had a shower.” You told him, giving him a little smirk. “I didn’t feel like bothering with clothes afterwards.” 

You leaned back in and licked a broad stripe across Gar’s dick as you waited for his reply, causing a sharp breath to shake his chest before he could speak. 

“But what if someone-?” He glanced toward his bedroom door, thinking of the other Titans. Thinking about the possibility of being disrupted yet again. 

Perhaps he had forgotten of the debacle that happened the day previous. You were quick to remind him. 

“No one else is home. Remember?” You said, your breath fanning out over his cock before you gave a few kitten licks to the leaking, pretty pink cockhead. 

Gar shuddered with delight, gripping the sheets with tight fists. He hadn’t really forgotten, but he had been hoping that someone else would have come home by now. That they all would have gotten over the argument and just wanted to be Titans again. But he couldn’t find himself too upset about those hopes being dashed with your hand pumping his cock and your tongue swirling around him like that. 

“Fuck.” Gar breathed out, squeezing his eyes shut for a moment, desperate to compose himself. “What about - what about Conner?” 

“He’s still asleep.” You told Gar. “That lady - his Mom, guess? She said that he would be out for at least a few days.” 

You paused for a moment, and then, you gently confirmed:

“It’s just the two of us. We’re all alone.”  

You stopped your actions, simply holding his dick in your hand and looking up at him with a small grin, giving the words a moment to sink in. Gar stared down at you, letting it truly work through his brain.

The two of you were alone. You were naked. You were naked in his bed. You were holding his hard cock and you both wanted it to happen - very badly. 

There was nothing stopping the two of you. 

“This is so awesome!” Gar’s voice was pure enthusiasm as he grinned widely at you, his hands quickly moving to rip off his shirt. 

You sat back on your heels, giving Gar room to fully shed his clothing, knowing that he was likely just as excited to be fully naked and uninterrupted as you were. He was slightly clumsy in kicking off his pants - something that made you giggle as he got caught up in the fabric. After a moment of struggle, you reached out and helped him untangle the pant legs from around his ankles and toss the unwanted item to the floor. You were now both fully free and absolutely ready for each other. 

“C’mere,” You let out a joyous laugh, quick to pounce on Gar. 

The second that you were close enough, you got your mouth on his, engaging in hot, open-mouthed kisses while he wrapped his arms around you. He was quick to roll you onto your back, leaving you lying slightly awkwardly, diagonally on the bed with your ankles tangled in the sheets. Not that you cared about any of that for a moment - not with his whole body shadowing over yours, bringing more of that amazing warmth to cover you. 

Then, for the first time, you felt that ultimately satisfying press of pure skin on skin. The feeling made you both moan loudly into the other’s mouth as he leaned all of his weight onto you and pressed your bodies almost completely together, from knees to chests. You felt every single inch of him: his warm, muscled thighs pressing against your own, his hard cock up against your pelvis, creating a deep hunger that caused your pussy to throb hard between your legs, his smooth stomach and chiseled chest pressing against you - the beating of his heart racing in tandem with your own. It was topped off by the breath-taking sight of his big, brown eyes staring into yours as he looked down at you with utter adoration. 

It was so utterly perfect.

He leaned in for another long, hot kiss, and you moaned heavily into his mouth.  After a moment, he pulled away from the kiss with a nip on your bottom lip - something that made you whimper from the back of your throat. A hard, hot pain throbbed between your thighs as your pussy cried out for him, desperately needing him inside of you. 

You had waited far too long for this. His fingers had always felt good, but you knew that his cock would feel so much better. 

“So fucking perfect.” Gar told you, his voice taking on a deep, lustful rumble that had you clenching around nothing, yearning for the fullness of his cock inside of you. “You are a goddess, I swear.” 

As he said this, his eyes raked over your naked body with an intense heat that had you squirming. 

His voice caused even more heat across your skin - an intense tingling raking over you like goosebumps. You felt his words with the genuine intense passion that he intended them with, all the affection that boiled inside of him breaching out and spilling over you. It was something that made you feel more beautiful than any expensive dress or makeup ever could have. 

“You’re perfect too, Gar.” You echoed back, feeling lame and uncreative with the compliment, but absolutely believing it to be true. Every inch of him was something to love. Inside and out. 

Gar drowned any further words - perhaps afraid he would get too emotional - by shoving his tongue past your lips. He ran his hands up and down the sides of your body while yours settled on his gorgeous, plump ass. Your legs naturally fell open for him, your knees coming up to sit on either side of his thighs. 

You let out a moan as his tongue mingled with yours, his hips grinding into you, moving his cock against your mound and partially bumping against your swollen clit. It was a beautiful sharp shock that made you gasp and pull him closer into you. You wrapped your ankles around the backs of his knees, setting yourself in the perfect position to take his cock. 

You were dripping and needy, and you weren’t prepared to wait much longer. 

“Gar, please,” You moaned, pulling away from the kiss to puff the words out against his now wet lips. 

You angled your hips up in a way that directly dragged the wet folds of your pussy along his hardness, beginning to hump yourself against him, showing him the true depth of your desperation. This caused him to groan and buck into you. He echoed the movements right back, humping his cock along your pussy, rubbing across your clit again and sending sharp jolts through your whole body. 

This made you even needier. 

“Gar!” You gasped out in response. “Please!” 

Your voice was a lilting whine that you barely even recognized. Of course, only he could do that to you. 

“Yeah, yeah.” He mumbled back. 

His brow furrowed as he stared down between your bodies, clearly captivated by the sight of your pussy drooling wetness all over his cock. He was now very purposefully jutting his hips to slick that glossy wetness across his dick, to feel the essence of you covering him for the first time. 

“You want me to just-? You-? Are you ready?” He choked on his own words, his mind hazy with lust. 

“Yes.” You were becoming absolutely short on patience, your tone demanding. “Just get inside me. Please.” 

Gar simply grunted in affirmation, reaching down to use a hand on his dick to guide himself inside of you. You hitched a leg up over his hip, opening yourself up more to give him better access. It was only a single moment of staring at his concentrated face - something that was entirely arousing in the situation - before you felt it. 

The thick head of his cock breaching your slicked, needy hole. Your body was so prepared to take him, having taken his fingers (and your own thinking about this very moment) so many times before - you practically sucked him in. He let out a breathy, desperate sound as he let go of his cock and gently rolled his hips into yours, sinking home for the first time. 

It was something that made you dizzy. You were so fucking full. 

You knew how large his cock was - you had seen it, felt it in your hand - but having him fully inside of you for the first time - it knocked the air out of your lungs in the best possible way. The press of his pelvis fully against you, the slight coarseness of his pubic hairs up against your most sensitive skin, his heavy balls brushing your ass - all of it sent jolts across your skin and had your mind so beautifully blank. 

All you could do was grip onto him tightly, and let out a breathy moan of his name. 

“Gar.” 

“Y/N.” He moaned back, his voice absolutely thick with pleasure, lost in a deep haze as the feeling of your pussy clenching him for the first time. You were so perfect - so tight and hot around him, leaking wetness around the base of his dick. The feeling easily sent hot waves rolling over his body. “Fuck, so perfect.” 

He was absolutely smothered - the feeling of you gripping his cock like a vice driving him insane in the best way. His thighs quivered and he struggled for breath as he resisted the urge to pound into you - resisted the urge to selfishly chase his own pleasure inside the irresistible, velvety feeling of you. 

He didn’t want to hurt you. 

The last thing he ever wanted was to hurt you. 

There were the tiniest echoes of logic still chanting in his brain, screaming at him that he absolutely couldn’t risk hurting you. That he had to use self control. 

Even as he looked down at your gorgeous naked body, your tits heaving with your breaths, the slight gleam of sweat across your skin, your kiss-bitten lips, the gloss of lust that had come over your eyes. You were a sexy goddess; you were so perfect, and you made his cock ache, and he wanted to pound into you until you were screaming, and filled with his cum and dripping white around his cock. 

But he could never hurt you. 

“Move, please.” You begged. “Need you, Gar. Please make me cum.” 

With that perfect plea, how could he resist you? 

Any semblance of Gar’s scared self control flew out the window. 

And you became all too thankful for that. 

In seconds, it went from a feeling of perfect fullness to a blur of flesh, his hips pulling back and slamming into yours. His animalistic instincts kicked in, and absolutely took over. That thing in the back of his head chanting at him, telling him to fuck his cock into the perfect hot body beneath him without stopping. 

Don’t ever stop. 

That thing told him that he needed your pussy to live now - and he couldn’t find a lie anywhere in that feeling. 

He let out a growl that shook your chest - a sound that turned you on far more than you expected it to - causing you to let out a whimper in response. He gripped at your inner thigh, holding you open as he dug his knees into the mattress and pounded into you with impressive might. The thickness of his mighty cock splitting you opened caused sharp pleasure-pain shocks from your pussy that quickly stole your breath. You didn’t think that you would enjoy the slightly venomous bite of the pain so much, but mixing with the pleasure, it made you even more beautifully delirious. 

You knew that you would likely have difficulty walking after this, but you really couldn’t bring yourself to care. 

The pure force of Gar’s hips easily shook the whole bed. 

You were mildly aware of the headboard hitting the wall behind you - a sound that seemed so distant in your sex-hazy mind. It was easily drowned out by the wet, sloppy sounds of your pussy drowning his cock; the wicked slaps of flesh to flesh, and the whiny whimpers you let out. Followed by his near feral groans and deep growls that were absolutely programming a response into you that would likely get you untimely turned on the next time he transformed into the tiger. 

(But that was something you would have to mentally unpack later.) 

It was all so perfect. 

The hot, shocking tingles flowing from your pussy in waves, the perfect pain of his pelvis bruising you every time he slammed into you, splitting you open with his cock. But you needed one more thing. You reached a hand down, needing some form of touch on your throbbing clit. 

When your hand found its destination, Gar was quick to smack it away - something that surprised you. He had never been so rough with you during a sexual encounter before. You absolutely didn’t hate it, though. This new side of Gar sent dizzying waves through you. You fucking loved it. 

“No.” He said, his voice edging on a growl. 

He went so far as to grab your wrist and pin your hand down to the bed - and you let out another loud moan at the feeling. 

Before you could question him, he went on to answer the silent query - why didn’t he want you touching yourself? 

“Mine.” He grunted, his voice almost unrecognizable, coated hazy with lust. 

He moved his touch away from pinning your wrist down, and in a second, he had a thick thumb on your needy, swollen clit in place of your own touch. 

He was possessive - claiming your pussy entirely as his own. The action sent your spine into a sharp curve against the bed as you felt even more waves of white-hot pleasure shooting through you from the touch. He made quick, demanding circles against your clit in time with his hard thrusts, leaning down to dig his teeth into your neck as you desperately gripped at his upper arms for something to hold onto. 

“Mine.” He grunted again, the word solid and demanding against your neck. 

“Mine.” The second time, it became lost, a slur against his teeth as he bit down into your skin again. 

“Gar!” You gasped out. 

You already felt your orgasm coming to fruition, tight and hot in your belly. His touch was so perfect against you - he was so perfect. 

“All yours.” You murmured back, your throat tight and almost too weak to form words. You hoped he even heard and understood what you were saying. “Yours.” 

He sunk his teeth harder into your neck, a sharpness that stung in a delightful way, and then pulled back to lav his tongue over the blooming bite mark. 

“Mine.” He growled into your neck once more - a powerful, possessive statement that made you quiver. 

He pressed his thumb harder into your clit as he felt your pussy fluttering around his cock, as he felt your thighs jumping from pleasure, heard your needy whines. He knew you were tumbling over the edge. He gave a few good, hard slams of his hips - almost as if he was attempting to break your pelvic bone - but it was a roughness that had you gasping with delight, chugging air past your moans. It was a wonderful, harsh fullness that sent a perfect ache through your pussy. Gar played your body as well as played his favorite video games. 

He had you cumming around his cock with a strangled sound, digging your nails into his biceps so hard that you likely drew blood. 

“Fuck, Gar! Oh, oh!” 

It was a dizzying orgasm. Blood pumped through your ears, your whole body tingled - your pussy clenched down on his cock hard, as if determined to keep him inside of you. You felt like you were floating - the only feeling you had left being the hard throbbing where you were connected to him and the dryness of your mouth. Your tongue turned to sandpaper from being exposed to the open air by your slack-jawed moaning.  

You were beyond words. You couldn’t even get out the single syllable of his name, left gargling your own spit and gasping for breath as he fucked you through it and groaned into your neck at the wonderfully wet feeling of you cumming around him. 

He slowed his hips after a moment, still hard and throbbing inside of you, and moved his head up to lay gentle kisses across your hot cheeks and jaw as he finally moved his touch away from your almost numb clit.

“So perfect,” He murmured into your skin, clearly delirious with pleasure himself, his eyes closed as he leaned into your skin. “So beautiful. So good, Y/N. So good. I love you so much, baby. So much.” 

“I love you.” You breathed back. 

You were barely capable of speech, but you knew that you had to return it. Especially after something that spectacular. As you came down from your orgasm, you found yourself still hungry for him at the feeling of his thickness perfectly motionless and full inside of you. 

“Wanna make you cum,” You told him, your voice raspy and rough. 

He laid a gentle kiss on your mouth before he took a breath, gathering his words to make a request. He pressed his forehead gently into yours as he spoke. 

“Can you -?” He paused, attempting to think of the right words or gathering his breath to say it. “Can you turn around?” 

You were slightly confused by this. Fuck-drunk from your orgasm, feeling numb and positively unsure how to move - you had no clue what he meant. 

Gar saw this on your face and drew more words from his mind. 

“I wanna - I wanna see your pretty ass.” He spoke out, hot breath fanning across your cheeks. “Wanna grab it. Wanna fuck you from behind.” 

Those words sent a hazy wave of pleasure through you, and caused you to unconsciously squeeze around his cock - which drew a whiny groan from him. 

“Yeah.” You told him. “Yeah, okay.” 

Gar hesitantly pulled out of you, drawing a small gasp of disappointment at the empty feeling. This left you absolutely gaping from the absence of his large cock. But it was only for a moment as you situated yourself and got comfortable with a pillow under your chest and one under your hips at Gar’s insistence. 

Though that pillow did little to support you, seeing as a moment later, he was using his animal strength to man-handle your hips into the air. He positioned you with your knees bent and your ass high up, your chest and face pressed into his orange tiger striped pillow case. 

He didn’t hesitate this time before plunging his cock back inside of you - something that had you absolutely alight with pleasure, showing the animal inside of him shining through. Especially as he let out another sharp growl and didn’t waste any time before he began drilling himself into your tight, wet warmth. 

“Fuckin’ love you.” Gar grunted out, his words quiet compared to the loud slapping of his hips against your ass as he fucked his cock deep inside your wanting pussy. “Love how you feel on my cock.”

His filthy words had you clenching around him, moaning out so whiny that you barely recognized your own voice. You were so pliant to Gar, so needy for him. But you loved it, because you loved him. You couldn’t help but to love everything about him. You felt like you belonged with his cock inside of you. 

“Love you too.” You gasped back, barely able to summon words at all with the powerful fury of his hips fucking into you. 

Gar groaned out, his head tilting up to the ceiling in a moan as he grabbed a handful of your ass. Just as he had promised, he took a possessive hold on the flesh, tight enough that it would likely leave marks behind. He pistoned his hips into you with a mighty fury, fluctuating between staring at the space where his cock disappeared into your dripping, wanting pussy, soaking his cock with your wetness, and closing his eyes for fear of cumming too soon at the delicious sight. 

You gripped the pillow underneath you, desperate to hold onto something. Your face was half-shoved into the fabric with some drool leaking from your open mouth onto the pillow case as you struggled for breath and involuntarily let out an increasingly loud string of moans and whorish cries for Gar. His cock was so perfect inside of you - a perfect, hot length filling you up. 

Your pussy was dancing somewhere between pain and pleasure, well used by him and tingling with shocks every time he fucked back into you with the sharp movements of his hips. So you almost thought you were mistaken when you felt that thing. That extra bit of thickness prodding to fight its way inside of you. 

“Gonna cum.” He grunted, his voice garbled down to a broken mess of consonances by now. At this point, one word syllables was all he was working with. 

He was already so big, it seemed impossible that there was more of him. But you definitely felt it. That extra bit of something at the base, that extra girth of his already impossibly long cock that he was shoving inside of you with each pass. More and more of him with each time he fucked his hips forward. 

It felt so fucking impossible. 

“Gar!” 

Your voice was a whiny, high-pitched howl that you couldn’t even recognize, a plea for him to slow down, or give it to you - you weren’t entirely sure. Your pussy ached with a hot fire that you had never felt before and you wanted more. You really couldn’t imagine him stopping at this point. If this was going to break you - then so be it. 

“Take it.” 

He growled, shoving his hips so close to yours, spreading your pussy open with the impossible thickness of his cock, and that even thicker thing blooming at the base. It felt like it was going to split you in half, but it felt too fucking good to stop. 

“Take it, fucking take it-” 

His words dissolved off into a shuddering moan as he gripped your ass even tighter, pulling you back into his pelvis, shoving his cock impossibly deep inside of you as your pussy somehow accepted his gigantic size. 

His words had you faint and hazy, the sound of his voice like that making you more drunk than any booze ever could have. You knew that those words - his voice in that ravenous tone, it would echo inside of your mind forever. It would be something that you thought about every single time that you touched yourself from now on. 

He leaned down to drape his body over yours - creating a wonderful slick of sweat and damp skin on skin that warmed you in the coolness of the room as he pressed right up against you. 

He mouthed at the back of your neck and across your shoulders, leaving more sharp lines with his teeth, determined to mark you. Your pussy was almost numb with the pleasure, absolutely throbbing around him, but the feeling of him swelling even more inside of you was unmistakable. Somehow, his already large and impressive cock was growing larger. 

In your babbling haze of pleasure, you couldn’t find your voice to relay this strange feeling to Gar. So you were only able to lay there and clutch at the pillow as he dug his fingers into your hips - hard and possessive, as he shoved his cock even deeper inside of you and began spilling his cum inside of you in hot, thick waves. 

“Y/N, fuck - love you,” 

Somehow, his cock continued to expand inside of you. It was an entirely strange feeling, but not an unpleasant one. It was something your body began to take pleasure in. Something that had you letting out a strangled moan as he bit at the back of your neck and groaned into your skin, gently humping his hips into you as he rode out his orgasm. 

He was so swollen and thick inside of you that it felt as though your pussy might burst, the outer ring of your muscles almost stinging with pain, stretched to the limit where the base of his cock was lodged inside of you. He was slick with your wetness, but not a single drop of his cum had leaked out from where you were locked together - you could definitely feel that. 

Gar moved to pull back, seemingly unaware of the strangeness going on down below. When he did so, a sharp pain rocked you as he pulled at your most sensitive, stretched-out muscles. 

You loudly winced in pain and he immediately stopped his movements. 

“What’s wrong?” He asked, breath puffing out over your neck, his voice returning to its usual brightness as he was shaken from his pleasure haze by his worry for you. 

“Just stay still.” You instructed. 

Your legs were shaky, your muscles weak from the intensity of the sex. You were still high up on your knees where Gar had put you, tiredly trying to support your own body weight. Struggling with that task as your thighs quivered, so fucked out from his excellent job fucking you. You unconsciously squeezed yourself around him and he let out a groan - clearly still sensitive. 

He tried again to pull himself out, not yet understanding the situation, and you let out a sharp hiss of pain as the thickness of his cock tried to breach through you without success. He was stuck inside you. 

The realization flashed through your mind. Oddly enough, you knew exactly what was happening. One too many late nights plagued by nightmares (that had turned out to be glimpses of the future) had caused you to end up reading some… interesting fiction to fill your late night hours. So you knew what this was. At least, a fictional approximation of it. That’s what you get for dating a guy with animal DNA in his system, you guessed. 

“Gar.” You said, a warning in your voice. “Just. Stay. Still.” You gritted your teeth, praying he would listen this time. 

“What? What’s wrong?” He said, his voice quickly escalating with panic and worry. 

He raised his head up from your neck, moving to look down toward the space where you were joined, looking to inspect the problem. This was a movement that jostled things, and caused another a small jolt of pain. 

“Gar!” You gasped, voice warning him to stop once again. “Just - just lower us down so I can lay on the pillows, okay? Be gentle. Please.” 

“Why? I can just pull out, right? Did I hurt you? I didn’t mean to, I swear, Y/N-” Gar began a rambling panic, and you knew the news you had to tell him wouldn’t calm him down at all. 

“You’re stuck inside me.” You told him. 

“Stuck?!” Gar shrieked with shock, his voice sharp right next to your ear in a way that made you flinch. “Wh-what do you mean? Did I do it wrong? Fuck - I must be the only guy who messes up having sex, I am such a fa-!” 

“It’s not your fault, Gar.” You said, quickly cutting him off. Your legs shook more, and you yearned to rest against the bed. “Just lower me down to the bed, please.” 

He began to do so, easing your joint bodies down toward the bed, letting your legs untangle and stretch out - the soreness from how roughly he had fucked you was already setting in. 

“What the hell is happening, then? How did I get stuck? I’ve literally never heard of this happening to anyone ever.” Gar said, clearly exasperated. 

He settled in, laying against you. As he put his weight against your back, his cock sank somehow even deeper inside of you. This sent latent shocks through your overly sensitive, worn-out pussy, causing you to let out a quiet whimper. 

“Sorry.” Gar mumbled as he heard the quiet sound. 

You really didn’t need him to apologize. It had been the best sex of your life. 

“Just - just pass me my phone.” You said. 

The only way you could think to properly explain it to him would be to look up some diagrams and perhaps show him your AO3 history. It was strange to see, and feel some of those wild fictional concepts coming to life right between your legs, but hey - at least you weren’t as unknowing and freaked out as him. 

Gar glanced at both night stands flanking the bed and then sighed. 

“I don’t see it.” He told you. 

Right. You had left it in the kitchen before you went to shower. 

“Then… pass me your phone.” You said. 

He would end up with some very weird shit in his search history, but this was quite literally, his problem. Technically - it was both of your problem, considering it was currently between your legs. And he was your boyfriend, and you definitely weren’t going to break up with him over this. Especially with your reading history, you found it to be more of a turn-on than you were willing to admit. 

Gar reached out to the night table on the other end of the bed, something that caused more jostling and another sharp gasp of pain from you. He mumbled a chorus of ‘sorry, sorry, sorry’ as he grabbed the phone and then returned. He blanketed his body over yours once more, relaxing into his position on top of you as he passed the phone to you. 

It took you about an hour to fully explain the concept to Gar. There were a few diagrams available - ones that had been drawn by writers in the genre. But most of the explaining was done by your hand movements, showing him how it was possible to get ‘stuck’ because he had moved smoothly and pleasurably and first, and then essentially - based on biological instincts, and no purposeful intent of his own: he had knotted you. 

“So you know this from a story?” Gar asked, trying to confirm the source of the information. 

“A few stories.” You told him. 

You didn’t want to divulge just how many stories of the genre you had read and fantasized about before. You were glad that your face was half-buried in the pillow, and Gar couldn’t see the expression of partial guilt on your face as you tried in vain to hide your kinkier side from him. 

“So how do you know it’s true?” He asked. 

“Because you’re literally stuck inside me right now.” You said, voice dancing with a laugh. “And in fiction, it’s usually something that happens with characters who are half-human, half-animal. I think we know which part of you is doing this.” 

Gar sighed, leaning down to rest his head between your shoulders. Clearly he was frustrated at the lack of predictability. He was frustrated that this was just another aspect of his life that couldn’t be normal. 

“Fiction is the only good reference we have to go off.” You said. “Rachel can bring people back from the dead, Kory can literally shoot fire out of her hands, and you can turn into a giant tiger. I think we passed reality a long time ago.” 

“So… when does it stop?” Gar asked. “As much as I enjoy being this close to you, I don’t wanna hurt you.” He rubbed his hand lovingly along your bare side, a genuineness in his voice that made you absolutely thick with love. 

“In the stories I’ve read…” You were also hesitant to share this answer. “Anywhere from a few minutes to… several hours.” 

“Hours?!” Gar let out another indignant shriek, and your muscles tensed. “We’re gonna be stuck like this for hours? Wh-what if it doesn’t go down at all? What if we have to call 9-1-1 and get my dick surgically removed?” 

“It’s gonna be fine, Gar.” You told him, trying to be the soothing calm to his unnecessary panic. “It’s your body’s natural instinct. Your body knows what to do. Just relax. It’ll probably help.” 

“My body’s natural instinct?” Gar echoed back the words. “So what… the animal inside me wants to get you pregnant?” 

Your face burned at the words, and you wondered if Gar felt your pussy flutter around him. 

That did appear to be the truth. A large part of you had wondered why this had never happened to him before. His cock had reacted differently when it had just been your mouth or your hand, or when you had made him cum in his pants dry humping against each other. It was like some animal instinct inside him took over when his body felt your pussy around him - like that thing inside of him really was determined to get you pregnant. 

It was a thought that made your stomach roll with heat. The part of you that loved being Gar’s, the part of you that loved him and everything about him so dearly. Of course you wanted a family with him. Of course you wondered what your little green haired babies would look like. 

“That seems to be the case.” You said, slightly breathless in your reply. 

Gar wrapped his arms around you, tucking his strong grip between your stomach and the mattress to hold you tightly. 

“Would you wanna keep it?” He asked, voice quiet. It was something he did when he was afraid to know the answer. “If you did… end up pregnant?” 

He was leaving the choice entirely in your hands. As though he had no say in the two of you starting a family. But he was good like that - he knew that it was your body you would be sacrificing for those months, he knew it would be asking a lot from you. 

“I wouldn’t want it any other way.” You told him. “I’d wanna have your baby.” 

Gar moaned quietly at this realization. 

… 

You chatted about other things for a while - what you were gonna make for dinner, hopes of the other Titans to make-up and come home, wondering when Conner was going to wake up, wondering what Krypto would eat because you didn’t have any dog food in the house (wondering if you should go out and buy some dog food). Eventually, you dozed into sleep and Gar fell asleep on top of you. 

… 

Gar woke up before you did. 

His cock had slipped out of you while he had slept, and he felt an insane sense of relief to look down and see his usual soft member hanging out between his thighs, no longer stuck inside of you. 

Then - he became very distracted by something else. 

The sight of your pussy - fucked raw, slightly gaping, with white cum flowing out of you. So much cum. 

Gar bit his lip, suppressing a groan - he wanted to be quiet. It would be rude to wake you. 

His eyes flickered over to your sleeping face, wanting to check - and yes, you were in the middle of a deep, peaceful sleep. You had been worn out from the intense, rough fucking. You deserved to get all the sleep that your body needed now. 

Gar’s eyes went back to your pussy, and entirely against his will, his cock stirred to life between his thighs. He was still covered in the mixture of your wetness and his own cum, and god - the smell. He knew that his sense of smell was infinitely more sensitive due to that animal part of him, and fuck - this had to be his new favourite smell. 

The tang of your natural wetness mixed with his own cum. The undeniable scent of him just pouring out of you. The fact that he could smell how well he had claimed you. 

Gar itched to touch you more, and gripped a fist tightly, resisting the urge. 

It would be rude to wake you. 

But maybe - he didn’t have to. 

While sitting back on his heels, he inched his touch forward, and oh-so-gently eased two fingers into your pussy. He just needed to feel you - he needed to feel what he had done. Your pussy easily gave way to his touch, and more of his cum came gushing out around his fingers - he was met with another pungent burst of that perfect smell, and his cock ached between his thighs. 

He couldn’t help himself. 

He gently scooped through the mess, careful not to be too rough with your sensitive, fucked-out pussy as he gathered the mixture of your cum and his on his fingers - and then he brought this hand toward his hard cock, spreading the mess across himself. He choked down a loud moan, wanting to stay quiet for you. 

He wrapped a tight fist around himself, and began jerking off earnestly - he needed to cum. He needed to capture this moment in his mind forever. 

His eyes couldn’t race fast enough to take all of you in - your beautiful, peaceful sleeping face, the soft muscles of your back, the way your breasts were pressed against his pillows, showing off the gentlest peak of the side, round fat. The thickness of your spread thighs, slightly marked by his dull nails scratching you earlier, the perfect plumpness of your ass, and your perfect pussy leaking his cum - the ultimate mark of his claim on you. 

All of it had Gar fucking his own hips into his fist fast, biting down on his lip hard to conceal growls deep within his chest. 

Within a minute, he was overwhelmed - by your beauty, by the perfect smell, but the idea that he had you, perfect you, and he would get to have you forever - and all too soon, he was cumming again. Not nearly as much this time - a meager few stripes that leaked across his fist and sprayed out across your thighs and his own. 

Perfect. 

He felt much better now. 

He knew that it would be polite to clean you up, so that you wouldn’t have to wake up to the mess. The first thing he spotted was his own shirt that he had shed off in a haste earlier, and he wiped you down with that (and let out a growl when even more cum came spilling out of you the more he wiped) - before he went to the bathroom in order to get a warm cloth. 

Once you were as cleaned up as he could get you (he was partially impressed and partially embarrassed by just how much cum he had fucked into you) - he found a pair of your panties and slipped them onto you, leaving a small kiss on your ass through the fabric before he covered you up with a blanket. He could have spent all day in bed with you, but you had requested pasta for dinner. And he was nothing if not a servant of your every need. 

… 

You had dreams of a green haired little boy with your skin tone, and you wondered if it was purely fantasy, or your powers trying to tell you something. 

… 

You woke up feeling unpleasantly empty. 

You knew in a moment that Gar’s knot had gone down and he had successfully pulled out of you. It left your pussy sore, but not unpleasantly so. He had also managed to dress you while you were sleeping. Well, he had put a pair of panties on you. 

Your body must have really been exhausted from the sex for you to sleep so deeply, but it was something you were grateful for, considering how many nights you had laid awake sleepless due to your nightmare-like visions and the worry they caused you. 

With your upper half bare, you still felt a slight chill - you got up and grabbed an oversized, cotton band tee shirt that Gar often liked to steal from you and shoved it on. As you moved, you noticed that the modest cotton underwear he had put on you were slightly damp against your pussy. You didn’t think much about it. 

You continued on, shoving your feet into a pair of slippers you had left in Gar’s room to shield you against the coldness of the floors. You heard music coming from the kitchen and followed the sound, smiling widely when you saw Gar stirring a pot and swaying his hips, dancing to a Cardi B song. He was dressed in an oversized green hoodie that made him look delightfully cozy and a pair of sweatpants. The moment he saw you, he put down the spoon he was using and turned to pause the music. 

“You’re awake.” He gave you a small, lop-sided grin. “I tried to clean you up as best I could, but there was a lot… a lot of… cum.” 

His hesitance to say the words was entirely adorable - especially considering how filthy his mouth had been just hours before. His persona outside of sexual encounters shifted entirely, and it was one of those things you loved so much about him.

That would explain why your panties were damp. 

He cleared his throat, quickly shifting the tone of the conversation when you didn’t respond. 

“Look, I’m sorry about earlier, I kn-” He began to apologize, and you were quick to cut him off. 

“Don’t be sorry.” You said. 

Gar’s brows curled with confusion and you stepped closer to him, leaning your body against him, reaching up to smooth your hands over his arms and across his shoulders. You pressed your forehead into his and his hands took a natural place on your waist. His expression softened as he realized that you weren’t mad at him or upset with him in any way. 

“Don’t even think about apologizing, Gar.” You told him firmly. “You don’t have to apologize for what happened earlier, because I loved it. It was fucking amazing. That was the most amazing sex ever.” 

Of course, you had to start by assuring him of this fact. His skills were well pronounced and he had to know that he had made you feel a multitude of pleasure that you had never felt before. Something that you knew you wouldn’t be able to get with anyone else but him. 

“The ending… I know it was… weird. Neither of us really saw it coming. Which is strange, considering my powers.” You said, chuckling lightly as the joke flowed naturally from your lips. 

Gar let out a laugh at this. 

“But I love that side of you.” You declared, absolutely certain. “I love the animal part of you as much as I love that sweet, soft side of you.” 

You leaned in and gave him a gentle kiss, skimming your teeth along his bottom lip in a tentative bite as you pulled away, showing him a little roughness of your own. 

“I’ve never been afraid of the tiger, you know.” You added on, your thoughts on the matter absolutely final. 

Hearing you say that made Gar’s heart flutter. It was something you had told him before - after he had taken down your attackers at the asylum. But back then, he had been convinced that you were just trying to placate him. He had thought you were just trying to soothe his anxieties about hurting someone for the first time. Now he heard it for the genuine sentiment that it was: you saw his animal side, and rather than being afraid of it, you embraced it. 

“I love you so much.” He said, a heartfelt whisper that warmed you from the inside out. 

“I love you so, so very much.” You told him, and he kissed you again. 

“I made dinner.” He announced. “The pasta you wanted.” 

It was something you had discussed earlier, when you had still been locked together in that slightly uncomfortable position, a lovely food smell now filling your nose. He was a talented cook. Just another thing about him to love. 

Krypto wandered in, the padding of little doggy feet catching your attention. When you leaned down and began petting him, cooing at the dog with a sweet little baby-talk voice - Gar couldn’t help but imagine the two of you in your own family home, with your own pets, making dinner for your kids some day. Maybe it was a pipe dream to think a couple of super-powered freaks like the two of you could have the white picket fence dream, but Gar wanted it so badly, because he wanted it with you. 

“I also made cookies, but they turned out weirdly… flat.” Gar said, moving to the counter, and picking up a large plate that was covered in plastic wrap. 

He presented them to you, and you couldn’t help but giggle as you saw something that you easily recognized as an amateur baking mistake. He had either set the oven to too low of a temperature or neglected to refrigerate the cookie dough before baking them, causing the butter to melt before it actually started cooking. 

“I’m sure they’ll still taste good.” You assured him. And to make sure of this, he handed you one to sample. You tasted it - the mixture of sugar and butter and chocolate chips could never go wrong. “Delicious. Everything you do always turns out right.” 

It was a clear hint at what had happened earlier, and Gar grinned at you. 

“Everything I do for you always turns out right.” He corrected. “And I’m thankful for that.”

...

A/N: Please keep in mind - this fic is a oneshot, and there will not be a continuation or a 'part 2', so please do not ask for one. If you are going to comment, please comment about the body of work that has been written. Reblogs and comments are appreciated, and if you want to check out more of my Gar Logan fanfics, definitely check out my DC Titans masterlist!

[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[violettathepiratequeen]

How could the Shanshu Prophecy NOT have been about Spike in Chosen?

The Prophecy states that a vampire with a soul would play a pivotal role in the apocalypse, and would be rewarded with becoming human when that happened. This was introduced in S1 of AtS, where it was also explicitely stated that the vampire in question isn't named, just that it's one with a soul. And since Angel was unique in that way, naturally it's assumed that he's the one they're referring to (but then why not name him if he was the only one it could apply to hmmm?) Wolfram and Hart took the extra step of research to learn that it was unclear whether the vampire would play a pivotal role on the side of good, or the side of evil, so they tried their darndest to get Angel on the side of evil through all five seasons.

But, hello? Angel has had a soul for a hundred and something years. And he's been through an apocalypse or two, first with Buffy, then on his own show. What's he been doing all this time? Which apocalypse are we talking about here? Lindsey claims the apocalypse has been going on all around them in Season 5, but the Buffyverse has always had clearly marked events signalling the end of the world that had to be prevented. The world being a mess is NOT an apocalypse in and of itself.

And then another vampire gets himself a soul, that could only have been forseen in prophecy, because he decided on his own to go and fight for it. After getting said soul, the First Evil immediately latched onto Spike and started grooming him, manipulating him, and brainwashing him into killing people. Random bystanders at first, probably testing to see if it could work on Buffy and her friends.

So Spike could very well have been on the side of evil in S7, if he didn't work so hard to resist the First's influence, if he didn't ask Buffy to help him, if he didn't break through his trigger. Or hell, even if he'd left town.

And then Angel is handed a mystical amulet and some info meant to help with whatever is going on in Sunnydale. He hands it over to Buffy and offers to be the champion in question, but she says no, and chooses Spike instead.

I'm not gonna get into the whole Spuffy side of this, haha, but S7 was about Buffy choosing Spike, every single time, in every aspect of her life, in love, and in battle. And this universe did originate with her, so she ought to be the one to determine this, within the confines of the show, anyway.

Spike takes it willingly, they both know he's probably going to die, Buffy does try to get him out of there when she sees he IS dying, and he stays, giving his life so that she and everyone else can live. His soul powers the amulet, his love sets their hands aflame, and his heroic act bathes him in sunlight before he's destroyed.

In the battle against THE FIRST EVIL. If I was gonna pick which apocalypse the Shanshu was talking about, I would choose one that had a villain called THAT. Plus it's Spike's first apocalypse with a soul, so that would also make sense that it's the one the Prophecy is referring to. No resting on his laurels for THIS vampire.

Except, instead, he dies and shows up on Angel's show disoriented and alone and without Buffy and with a complete 180 personality, battling with Angel on who the Prophecy is about, and you'll notice the show never does answer that question. Because Spike objectively makes the most sense. But it's not like they could make Angel play second fiddle ON HIS OWN SHOW.

No, what they should have done, is let the finale of Buffy cross over with Angel properly. Not just a cameo, but bring the whole Angel crew in, so that anyone watching the show would be forced to watch that specific episode of Buffy just to keep up with the story.

And Spike should have Shanshued. And Angel would have been disappointed, sure, but hey, he's BEEN human before. And he didn't like it. He even got a ring that made him impervious to harm. And he didn't like it. He loved Cordy more deeply (and more recently) than he ever loved Buffy. So it's not like he's really waiting for her anymore. Plus Cordy is part demon now, so Angel doesn't have to worry about not being enough for her. (Oh yeah, they should have brought Cordy out of her coma for this ending, to make any kind of cohesive sense).

But Spike... Spike was always more human to begin with. He may not have ever thought becoming human was on his bucket list, but he didn't think that about a soul either, until the time came where he needed it. He would LOVE to take Buffy out in the sun, and grow old with her, and give her the family and white picket fence that she's always secretly wanted and didn't think she could ever have. He would have still died, the same way soulless Spike died the minute he got a soul, but without all the heartbreak the canon ending gave us.

I'm partial to the stories where the Shanshu means some vamp powers like extra strength and healing remain, but those are just semantics.

As a cherry on top it would prove to anyone who's ever called it into question, and I include Buffy and Spike themselves on this list, that it's not that Buffy wants normal, nor is it that she wants a demon. She loves Spike for who he is, demon or not, human or not, but the soul and humanity would have helped him be the best version of himself, a man worthy of loving her and living with her, and after all the battles they've fought in their relationship to get here, it feels like it would have been kind of a sign that someone out there gives their blessing on this pairing. And Buffy could have said she loved him and chosen him AGAIN, in front of everyone, including Angel, and that would have been our endgame ending. (Though... to be honest if the comics still happened after this and Spuffy broke up at any point I would have been betrayed in a whole different way.)

And that's how BtVS could have ended. Angel could have gone on to have another season more or less the same, without any Spike or Buffy or Shanshu to speak of. And it could have ended EXACTLY the same.

The writing was literally so perfect and set it up for Spike so beautifully and unexpectedly. It wouldn't have even had to be a slap in the face for Angel because a. neither show was afraid of disrespecting a character at any point, and b. if it had been done on Buffy's show, it would have been less of a blow and made more sense, that Angel went back to BtVS to watch this unfold, where he wasn't the main character anyway. The Prophecy introduced on his show was really intended to be in service to hers, as any spinoff show ought to be.

Plus the episode title Chosen is such a beautiful one that has so many double and triple and quadruple meanings that one more would have been awesome.

So yeah. Those are my thoughts on the Shanshu this fine evening. Obviously many, many Spuffy fics (including my own) have given it to Spike or Angel or neither, all with their own reasons. And of course there's lots and lots of opinions on whether we would even want that for Spike, or if Spike and Buffy would want it.

But I think it just needed to be spelled out that from a writing standpoint, this would have made the most sense, and why.

[felt-squirrels]

Watching Arcane s1 episode 3 is fucking wild. Benzo straight up dies. I’m dehydrated so I’m really shaky and watching this is not helping. Silco is my favorite character. I finally realized Jayce and Viktor are the two guys tumblr was talking about. They’re making fucking magic. Vi just highkey became Vander. My mom keeps reminding me to finish my Algebra packet. Powder just unknowingly almost killed her family. That scene was insane. Silco stabs Vander in the back quite literally and then Vander dies while trying to strangle Silco except he didn’t die now he’s the hulk and he’s throwing himself and Vi out a window. Mylo and Claggor are dead. There’s still ten minutes left.

[misty-caligula]

Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.

I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.

I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.

Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.

Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?

Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.

(Edit: Readmore added because honestly, LONG post)

You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)

And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.

Then Jackie dies and the glass gets a really big break.

It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...

Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.

Seriously, keep that in mind, we’re coming back to it. Cycles, you know...

Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...

No. They WEREN’T going to eat her.

Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.

Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.

The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.

But Shauna took it first.

Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.

The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.

And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.

Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.

Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls. 

When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.

When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.

And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.

How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.

Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.

Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.

Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.

Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.

Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.

What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.

Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.

So...

They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...

And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.

So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.

(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)

And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.

It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.

S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.

And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together,  with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.

*takes a deep breath*

Which brings us to THIS asshole.

Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.

Wait, Jackie? I mean coach. My bad.

Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.

Sorry I’m talking about Jackie again.... weird.

In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?

Hold on, I see my mistake. Let me backtrack.

Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.

So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.

In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks

Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.

And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.

(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)

Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.

Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.

It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.

And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.

At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.

And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.

Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.

This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.

Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...

They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.

They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...

They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.

I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).

But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.

[franzkafkagf]

I was reading through parts of Fire & Blood again when I stumbled upon this very interesting paragraph at the end of the dance, on the page Aegon's death is talked of:

I don't know how I hadn't realized this, but Aegon asked to be taken to the sept at the end of his life! Something that seemed to be out of character for this occasion, as hinted at in the text. This was so interesting to me— why did he decide to go there? Did he truly seek repentance as Septon Eustace suggests? He could have, but that's too easy of an answer.

I couldn't help but draw parallels between this and s1 e09 of the show. Specifically, I thought of the scene in the sept where they find him, hidden away under the very altar his mother used to pray at so often.

Of course, he didn't go there by his own will— Mysaria's henchmen were the ones to hide him there. But this is a work of fiction we are talking about, of course his presence in the sept still carries narrative weight. He immediately asks to be brought to his mother, did he feel close to her under those candles? Was he thinking of her? How often did she drag him to that very same altar as a child? How often has he knelt there, silently watching his mother pray?

There is also a very intriguing deleted scene from the episode (thank you @darksvster for providing the transcripts); Cole tells Alicent where they found Aegon, she is surprised— he had always hated going to the sept.

And then he admits it. He was afraid. This is Aegon at his most vulnerable and honest— explaining his presence in the sept simply by saying he was afraid. Does he see the sept as a place of comfort, as his mother does? Did he try to feel close to her, or to something else?

This is what it is about at the end of his life, it's not about seeking forgiveness for his sins— no, it's about comfort for him. Other passages on the page illustrate this very well.

"A cold wind was blowing [...] the king closed the curtains against the chill." I see this as yet another demonstration of Aegon seeking immediate physical comfort. He didn't get much comfort as a child— or as an adult, really. The Red Keep was a cold and hard place, not really made to nurture anybody. He makes do with what he has.

The flagon of Arbor Red in his litter, Aegon's favorite wine, underscores his need for familiar comforts even more. Wine acts as a symbol of his indulgences, indulgences that have followed him his entire life. A comfort he could never let go of— relying on the escape it provided, relying on it when he was happy, or sad, or angry.

However, this comfort would also be his ultimate undoing. It's kind of poetic, really. He survived dragonfire, he survived the dance, he survived his dragon and his sons. He didn't survive his wine.

Aegon's final moments were apparently spent in a relative tranquility, (as much tranquility you can have in his state, I suppose) closed off from the world in his litter, with his favorite wine by his side. Arbor Red, the same color as the blood on his lips.

[teamcavota]

50 milo murphy's law facts

5 not so fun and 45 fun!

Not so fun to start!

The only Milo Murphy's Law official merchandise is a notebook released in Japan for the MML X PNF crossover.

Disney actually apologized to Dan (and I assume Swampy) for the treatment of Milo Murphy's Law. Dan has expressed frustration at the MMLs treatment before, citing the Hiatus between s1 and s2 and the fact it did not air on the main Disney Channel.

Doof appears in more episodes than Cavendish and Dakota in s2 (this is the real reason we needed a s3). Also, while PNF/Doof stuff was planned from the start, Disney did push for more PNF.

When season 2 was airing, new episodes would randomly be released in other countries.

Milo was cut from CATU due to a feeling from Disney that audiences would not recognize his cameo.

ok LAME ones out of the way

On the first drawing of Milo there are three names beside it: Milo, Mikey, and...Monty. As you probably know the Mikey one got pretty far and is the name used in the pitch bible (and was referenced with "I am Mikey!".) The reason Mikey was changed to Milo was not a creative choice, but because there was a popular YouTuber named "Mikey Murphy."

Speaking of, Milo was also just going to be another character apart of a different pitch, but Dan kept thinking he should go into his own show. He went to Swampy and asked him what he thought of Milo (at the time Mikey) and the idea of a show about Murphys Law. it took them about an hour to come up with the concept pitch.

You can find several of MML song dubbings on YouTube and other platforms. Most notably the Japanese version (マイロ・マーフィーの法則) highly worth checking out. Fun fact in a fun fact, Doof and Dakota also share the same voice actor in this dubbing.

In re-airings of some of the first MML episodes, second versions were made that included Cavendish and Dakota in the background.

Yes, Melissa was originally going to feel the lasting effects of the pistachion uprising by remaining looking like one instead of Bradley having his arm turned into a vine. This would have been a source of conflict for her in season 2, but in the end they felt it was too much of a change. As far as Bradley's plant arm it was originally only going to come out sometimes before it was changed to being a constant thing. He does have feeling in this arm.

The Island of Lost Dakota's was going to include a scene with merman Dakota's ("merkotas"). There was also going to be "mutation" Dakotas, such as ones with multiple heads.

There exists a live action version of the Milo Murphy's Law theme song. well, sorta, watch it

Before Milo came out Dwampy made the song "we're gonna do it again."

MML was originally set to debut in early 2017.

Weird Al did not originally come to mind for Milo. One of the idea voices they had was Noah Z Jones (Fish Hooks). They auditioned hundreds of people for Milo, but many had issues such as sounding too nervous in their lines. It wasn't until Alex Hirsch (Gravity Falls) posted a photo with Weird Al that Dwampy realized he'd be perfect for the role.

Sara is based on a friend of Dwampy.

In tune with the popular headcanon/fan theory, it's possible they did actually consider making Cavendish a descendant of Milo. When Cavendish was going to agree he also liked Milo, he was going to say he was his descendant. *this may have also just been a joke line

Milo and Cavendish are meant to mirror eachother in the fact Milo deals with Murphy's Law and Cavendish is the "author of his own misery" in regards to things going wrong.

Another thing they considered was the possibility of Dakota and Cavendish being in a romantic relationship, but they ultimately decided they wanted them to have them represent a strong male friendship.

The Milo Murphys Law crew did keep up a fanart and concept art wall. Here, here, and here are some photos.

There was a baby Cavenpus cut from final productions.

There are no official ages for Dakota and Cavendish. Dan has said he believes Cavendish to be older, while Joshua Pruett has said he believes Dakota to be the older one and by a bit of a margin.

Pistachios came to be a thing in the show because a son of some of Dan's neighbors had been allergic to specifically pistachios. They needed an idea for the larger plot and somehow those two came together. (Swampy also notes it's a funny word).

Several of the scripts for MML storyboarders included just the words, "and Murphy's Law happened."

Dan has made at least one Vinnie Dakota dedicated Tiktok similar to his Doof ones.

The Doof and Dakota lines were recorded together, back and forth.

Melissa was going to have a hamster nemesis named Ham. In the Pitch Bible the name wasn't included, but it's explained it was a pet class hamster that would always escape and end up on her things.

The secret handshake Milo and Zack do in scream-a-tourium was intended to be longer.

The studio executive for MML originally thought The Island of Lost Dakota's was a joke idea until he read the script.

There was a MML kids menu at Disneyland circa 2016.

Dakota and Cavendish were originally not in the shows ideas, nor was any B-plot, but being used to it in PNF the writers room felt they "needed something to cut away to"

Joshua Pruett pitched for the MML x PNF crossover for where when Milo opened his backpack to pull out the thing he needed to save the world it'd be...Phineas and Ferb.

Dakota is the reason parking tickets exist, as he can be a bit careless about leaving time vehicles all over the place. Dakota is proud of this.

Melissa's likeness and name is based on Dan's daughter Meli, as to sorta "balance out" Isabella also being based on his other daughter.

They considered a twist where Bob Block would be an alien wearing a face mask.

"Cavendish Farms" is an episode that never came to be pitched by Pruett where in order to track Cavendish Dakota would try to duplicate Cavendish, though none of them would quite be Cavendish. One of the Cavendishs would have a heart to heart with Dakota, while Doof would ultimately call out Dakota for what he's doing and tell Dakota "you already know what he would do." dwampy rejected this idea because this was a bad idea, to which pruett felt that is exactly why Dakota would have tried it. if renewed, pruett would have tried to convince them more on it.

Chop Away at My Heart was originally called "Jump Jump Jump" and was made for another project by one of Dan's friends. After Dan have asked to transform it into something else for Milo, Joshua Pruett suggested a "Lumberjack themed boyband" in the script.

unfortunate split for character block limit

Dakotas voice was inspired by Elvis Costello. It's also the harder voice for Dan in comparison to Doof.

Mark Hamill originally auditioned to play a teacher on the show, but Dwampy liked his audition so much they decided he'd better fit Mr. Block.

In the MML pitch bible it is stated, "Mikey has a destiny to fulfill, something vital to the future of the planet." The goal of Cavendish and Dakota would be to make sure he stays on the right path.

There IS a full version of We're Going to the Zoo, which was played by Dan in this interview at 3:00:30. Several MML songs have had full versions leaked, implying this is probably the case for some other songs too.

Like several other characters, Sara in the MML pitch bible was different from her show counterpart, being "a hipster like Thora Butch in Ghost World."

The song "A World Without Milo" is based on the song "Happy Together" by "The Turtles"

Almost every character, including creatures or minor one-offs had a name in the script. An example is "Pia," the name of the poodle Diogee falls in love with.

In regards to when Dakota talks about cutting through the Mesozoic in First Impressions and the fact it is illogical, Dan says this is likely just Dakota being Dakota (aka, it was a mistake), and not every such line should be taken serious.

In a deleted "Snow Way Out" line it was confirmed that the raccoon in Going the Extra Milo and Fungus Among Us is recurring raccoon.

Brick and Savannah were going to have a role in the crossover.

Story ideas from the MML pitch bible that never came to include a beach episode, a Friday the 13 episode, and an episode where Cavendish and Dakota try convincing Milo to take a self defense class leading to conflict with a hidden ninja gang.

For unspecified characters (probably multiple different sets) Pruett wrote in hugs that were cut by (mostly) Dan. In response, he says he "put 4 in so at least 1 stays."

S3 would have likely included: A third Block (yes, still voiced by Mark Hamill and a Block "family meeting"), Milo creating the universe, Dakota and Cavendish getting the promotion they wanted but being unsatisfied, Elliot cleverly being connected to the overarching plot, AU exploration (akin to pnf) including an episode where Dr Zone is real, and a conclusion to the Prof Time arc. The overarching plot would have been the "biggest yet."

credits to: danvillecheese for suggestions + encouragement, cheetochild989 for facts the fact about going to the zoo and a world without milo, the 2nd dimension on YouTube, my hamsterward friends, and of course all the talented people who worked on MML :3

[love-byers]

one of the things that makes me so confident in byler is the sheer amount of byler scenes compared to mlvn. and ESPECIALLY the final byler scene

we get like 2 solo mlvn scenes

their fight in el's room

and their talk at surfer boy's pizza

now let's count byler:

rink o mania fight

talk in jonathan's room

talk in will's room

talk on top of the car

talk in the van

talk in the cabin

SIX. COMPARED TO TWO

the last big scene/interaction we see of a character/couple in a season is super important and says a lot about what's to come

like at the end of s1, the last interaction we see nancy have is kissing jonathan on the cheek and going back to steve. she ends the season with steve. HEAVILY foreshadowing that the story is not over between them and there is more to come, there will be a big plot point related to nancy and steve in s2.

in s2 the couples are together by the end, like literally together.

lumax are dancing, mlvn are dancing, nancy and jonathan are both volunteering at the snowball, and hopper and joyce are hugging.

and the last solo interaction we see dustin have is with steve, implying their friendship will continue and be important in what's to come, which it did in s3. 

it's the same at the end of s3. the last 4 solo interactions we see are will and mike, jonathan and nancy, el and mike, and el and joyce. 3 couples, and then the moment that begins hop's letter. all very important.

in s4 we get a solo jancy interaction, a solo byler interaction, and a solo el+ hopper interaction. the final scenes. the jancy scene isn't exactly happy, they're awkward and jonathan is still lying to her about college.

so in the same episode that mike confesses his supposed love to el, the last time we see them in the same room she doesn't even spare him a glance? the final time we see a couple together is important. and they give us nothing. not only do we not know if they're together anymore, it's making us lean towards them not being together at all.

then there's this:

in s2, jonathan and nancy take a big leap from friends to lovers. HUGE leap. but after that, it's not acknowledged at all. things continue as normal. i remember watching 2 for the first time and getting a teensy bit worried that no one was talking about it and more drama would happen.

but then we get that last look, and we know without a sliver of doubt that they are officially together, and in love.

this is more proof that the final scene together between a duo is very important. imagine if they hadn't give us that jancy moment, we would've been so confused and upset. we'd think they were together, i mean they legit smashed....but then they don't acknowledge each other? that would've implied trouble.

it's slightly different for mileven because mikes monolgue wasn't their leap from friends to lovers, it was supposed to be their leap from childish, puppy love to real love.

but it WASNT

after the monologue, we don't see them speak. and this may have been okay if they'd done something. something to let us know they're still together in love.

with jancy, we did see them have moments before the snow ball scene, like nancy comforting jonathan and jonathan seeking out her comfort (a hug) when he saw will unconscious. but the last scene was still so important. they didn't leave us with nothing

with mlvn, we aren't left with nothing, we're left with less than nothing. we get to see them in the same room, and el doesn't even spare him a glance. she even seems annoyed by mike. it leaves mileven unanswered.

the jancy snowball scene is living breathing proof that the writers know how to leave 0 doubt surrounding a couple. they know it doesn't take much. all it would've take. was one look, one smile, to let us know mlvn are okay. and they chose not to.

not only did they choose to have el not acknowledge mike, they chose to have his last scene be with will.

let me repeat that. after mike confessed his supposed undying love for his girlfriend, his last solo scene with another character, the last we'll see of him for years until s5 is him with will, the person who's in love with him.

and it's intimate. it's mike reassuring will during a moment of fear and weakness that they'll kill vecna and save hawkins, putting a comforting hand on his shoulder as sunlight cascades down on them.

and the final scene of s4 reinforces everything i've said.

this has always given me the vibe of, 'there'll be petty arguments, drama, little crushes and lies, but when the world is ending, who do you grab despite all of it?'

jonathan and nancy grab each other. joyce and hopper grab each other. mike and will grab each other.

once again i want you to imagine you confessed your supposed love to your girlfriend, and then a week later the apocalypse starts. wouldn't you go to her?? stand by her??

mike didn't. he stuck with will. because mlvn just aren't that kind of relationship. but byler is that kind of relationship.

[therainscene]

Stranger Things 4 is themed around A Nightmare on Elm Street -- Vecna is a child-killer-turned-demon who murders teenagers from within their own minds; his heavily scarred skin and clawed hand resemble that of Freddy Krueger; and the actor who played Freddy himself plays his father.

I think Stranger Things 5 is gearing up to do something similar with The Terminator. Linda Hamilton (Sarah Connor) is the upcoming guest star this season; Vecna's exposed skull and vine-covered neck resembles the T-800--

--and Will's speech at the end of S4 bears striking similarities to Kyle Reece's famous "it can't be reasoned with" speech.

If Vecna is the T-800... then the Mind Flayer is the perfect candidate for Skynet.

[And Hawkins National Laboratory is Cyberdyne Systems -- a military-funded lab that meddled with phenomena beyond its ability to control and paved the way for a sinister hive mind to enter the world.]

I'm pretty sure that the Mind Flayer lies at the heart of whatever timey-wimey stuff is going on. It's suspiciously linked to timeline inconsistencies -- Will is already able to sense it in his neck before his possession in S2, and young Henry in TFS is haunted by the spider monster he wasn't supposed to create for another 20 years.

I've already written a theory on how a causal loop could tie Will and Henry to the Mind Flayer -- whatever's going on is probably more complicated than this, since my theory doesn't explain why the Upside Down is frozen -- but it's worth a read, I think, as it's the same type of time paradox as the one in Terminator and could easily be at the core of ST's time shenanigans.

Will is Kyle Reece or Sarah Connor -- so does that mean he's going to be a gun-toting badass?

No.

This scene is Will coming full circle from that moment in the shed at the start of S1: backed into a corner and forced to resort to violence because he sees no other way out. He doesn't want to kill the monster; he has to.

But the difference is that he's not cornered anymore.

This time around, Will knows his enemy, and he has supportive friends and family at his side. He's just so beaten down -- by Vecna, by Hawkins, by perceived rejections from Mike -- that he's lost all confidence in his ability to stand up for himself on his own terms.

I know it seems at first glance that Will advocates the use of violence in desperate times, but consider the context of the episode in which the above scene appears:

Joyce is reminiscing about her missing son while dealing with Lonnie telling her what to do and feel about it. Shortly after, she realizes how manipulative he's being and permanently kicks him out of her life (and the show lol) -- no violence necessary.

Will's advice hadn't been about the value of violence, but about the value of refusing to play by abusers' rules -- a key lesson in Stranger Things, as we've been watching El learn it the hard way over the course of four seasons.

Will cannot self-actualize by "finally" pulling the trigger on an approach that symbolizes his homophobic father's macho expectations. S5 is going to be about him regaining his self-confidence and allowing his authentic, gentle nature to guide him to the real solution.

So, to return to the "he's not gonna stop" speech: the theme at play here is inevitability, and it's one of the central themes of The Terminator -- not simply because the titular assassin is unstoppable, but because of the love story that drives the plot:

If Skynet hadn't sent the T-800 back in time to kill Sarah Connor before she could give birth to the leader of the human resistance, then Kyle would have had no reason to go back in time and end up unknowingly fathering John. No matter how hard Skynet tried to snuff John Connor out of existence, the rebellious love that created him was just as inevitable as the T-800.

This, I think, is the message at the heart of both Terminator and Stranger Things, and is the reason why The Terminator would be the perfect choice for S5's theme movie:

Sometimes the horrors wrought by humanity are inescapable...

...but so too is the hopeful human drive to love each other and overcome them.

Read Brenner's role in creating Vecna as a metaphor for homophobic Reagan-era fear-mongering and it all clicks into place, I think.

[monophobix]

INITIAL THOUGHTS ON ARCANE SEASON 2 ACT 1 (EPISODES 1-3)

(i’m not good at putting my thoughts into words so feel free to give your own opinions, i rlly wanna hear them)

SPOILERS AHEAD///

ok so my biggest critique is the pacing. everything is very quick very fast and a lot is going on. i understand that this is immediately after a large event which of course caused a reaction however it was just very intense and a lot to keep up with especially considering the amount of new and confusing things introduced throughout the three episodes with minimal slow down. it was alittle difficult to keep up. the timeline of the show is confusing and i have no idea how long it has been between scenes. viktor was barely in that weird healing chamber for a few scenes before he was emerging as someone new. caitlyn and vi were going from loving to fighting to understanding to fighting again very quickly with little time to develop independently, their kiss and divorce weren’t even 30 minutes apart from each other. also, who the fuck is this kid hanging around with jinx?? why is she following her, why doesn’t she talk, what’s her name, how long has she been with her?? this lack of time to let things develop has caused these episodes to feel rushed.

with this introduction of many new things some have left me with a lot of questions. my biggest issue revolves around the arcane. i literally do not recall it being mentioned or being an important topic in s1 but all of a sudden jayce knows a fuck ton about it as well as heimerdinger? when did he learn this? i assume it’s from viktors notes and research but that still fails to cover the amount of knowledge jayce now possesses.

HOWEVER THE ARCANE IS VERY COOL AND IM VERY VERY INVESTED. i absolutely love the changes to viktor, his weird apathy and changes are definitely rushed but so interesting to see, his design and behaviour are so very compelling and im very excited to see the development. additionally, this group dynamic between jayce, ekko and heimerdinger is soooooo fun. it offers a break from the intensity with some silliness i think is desperately needed, plus it’s super satisfying to see the trio bounce off each other. that final scene of them in ep3 was visually incredible and i loved seeing the effects upon the hextech weapons during the jinx, sevika vs vi, caitlyn fight. the scene of viktor amongst the shimmer infected was very interesting and it was so cool to truly see the severe effects of shimmer and the inhumanity of viktor is making a clear route towards his glorious evolution which is am keen to watch.

that ambessa reveal at the end was INCREDIBLE. i genuinely didn’t see it coming and it made my jaw DROP. the quiet, smart suspicion from mel is always incredible to see, her political mind and morals conflicting is so very engaging and she’s really developing into herself in these episodes which was a joy to witness. the mystery of her brother is compelling and links well through s1 and s2 to make the storyline fun to follow. i also simply must compliment the designs revolving around the noxians and animal-esque (sorry idk what they’re called) people. the absolute variety and inspiration from real life cultures is beautiful to see. i am incredibly confused about the magic and that one lady (amara?) but i assume that’ll be answered in later episodes.

jinx is not looking good lmao. i love her design being so corpse-like and deathly, it really fits well and really embraces the differences between powder and jinx. but i do wish we saw more of her. i see her actions but i lack understanding for some of them, primarily revolving around the child (isha?) and why the kids even there but the newfound bond between sevika and jinx is refreshing to see. the scene of them in silcos old office brought a smile to my face and the design of that fucking arm is soooo cool i love the clownish purely jinx vibe to it.

caitlyn is probably the stand out character so far (plus maybe viktor). her absolute grief and seeing her facade break down throughout the episodes was heartbreaking, the tentative yet conflicting moments of softness with vi were beautiful yet had that perfect undercurrent of tragedy that arcane masters so well. her rage and break up with vi was easy to see coming yet so incredibly jarring to watch, that harsh and merciless behaviour is so different from s1, the development is well done and a morbid pleasure to see. and that final episode. oh my. the shock to acceptance of darkness was fantastic, ambessa truly is a master at manipulating weakness in even the strongest of people and seeing this duo is going to be so soul crushing that i’m itching for more.

vi felt very rushed to me and alittle dry? idk why tho i can’t really explain it. i understand her choices but it felt like something was missing until that final scene with cait. that was an absolute masterpiece. seeing her realising that the horrors of war is corrupting everyone around her and pleading for it to please not happen is so so SO fucking sad and my heart was breaking. i loved seeing her moral strength and solidity to her values which has always been a key part of her character so i appreciate the consistency. idk why something about her was just… different.

the opening scene was incredible. the absolute horror of it was so clear and i was literally shaking the entire time. 10/10 opening.

overall, i hope things slow down alittle but i greatly enjoyed season 2 and im very excited to see the characters develop and to see even more of this beautiful world.