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mariclerc · 1 month ago

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Student's secret | cl16

Summary: what happens in Vegas, stays in Vegas... or in a pole dance club.

Warnings: mental health issues, toxic work environment, mentions of drugs and sex, uni student reader, denigrating comments, angst and a little fluff at the end.

Living or spending a few days in the city of sin is a dream come true for many people, it is the place where everything is possible, where anything can happen: Luxuries and eccentricities are the order of the day throughout the year and rules and formalities are something banal and outdated for many.

For you it is like being in a cage, many people are forced to lead a double life, one where during the day they do their routine things but at night they try to do something to survive... Just like your case... Being a uni student, it is a bit difficult to bear the expenses of tutors, food, clothes, rent and other things, especially being exposed to the city of luxuries at such a young age, most of the time you find it difficult to make ends meet, so you decided to look for a job during the holidays to, at least, have enough money to make it to the end of the year without any problems... But you didn't think that what started as a temporary job would become a permanent job.

That's why you find yourself touching up your makeup backstage at a pole dance club, this has been your night life for 4 months straight, today is different because you have to work an extra day due to a special show.

Lila, your boss, enters backstage, drawing everyone's attention. “Listen up ladies, tonight we will have a special show because the F1 action in Las Vegas starts on Wednesday, so we will only be open today - Tuesday night, and tomorrow.” she said with a cocky smile on her face. “Plus we have some special people in the audience tonight, so get your shit together or else... You'll be dealing with me.” she said.

Most of the time when there is a big event that paralyzes the city you work only 3 days and the other days you use to rest, but this is enough because you assume from what Lila says, that the drivers will be making an appearance at the club tonight. Plus your shift is only supposed to be Thursday through Sunday, not Tuesday.

You sighed. “I don't want to do this Lila...” you say softly.

She stops and turns her gaze to you. “What do you mean? You know you have a contract, right?” she spats.

“But this is not my shift and I feel too uncomfortable and exposed.” you say. “This was supposed to be a summer-only job, and...” you were going to continue but she interrupted you.

“But anyway, you signed the contract and besides, you need money for your stupid shit, right?” she said and you blinked multiple times. “So you're gonna put on a good show tonight or else I'll make you spend the night with one of the patrons, was it clear to you?”

The patrons are the ones who keep the club afloat, they invest a lot of money in you and in drinks, drugs and so on. In the few months you've been there you've witnessed some pretty... nasty stuff, drugged up coworkers forced to have sex with one of these guys so they can give them some extra money. Luckily for you, you haven't been forced to do anything similar, you just dance and do the occasional VIP service, extra tip and that's it, but seeing the consequences of not wanting to work today, you have to put up with it.

“Okay miss...” you murmured shyly.

Lila smiled. “Everyone, be ready for our customers tonight.” she said and continued walking, you sighed.

You take a deep breath, wiping away a tear that came out of your eyes, smudging lightly your mascara, before stepping into the spotlight. You and your other companions go out on stage, you notice how the patrons are sitting up front with their drinks and cigarettes, as usual, but you notice new faces; most of the drivers are sitting in the VIP booth, each one sitting alone or with his colleagues. The music starts, and you begin your routine, trying to mask your emotions with your performance. As you dance, you catch glimpses of a driver who's watching you intently, his expression shifting from amusement to concern.

After finishing your routine, you watch as your boss motions for you to go the VIP booth number 16, you walk over there, your heart pounding in your chest. The driver is smiling, but there’s a hint of worry in his eyes.

He's smiles gently. “Hey there, that was an incredible performance up there.” he says softly.

“Thanks, I... I appreciate it.” you say while forcing a smile.

You notice the way he studies you, his gaze lingering on the redness in your eyes and the light smudge under it. He hesitates for a moment before speaking again... “Are you okay? You seem… a bit upset.” he asks you softly.

You sighed. “It’s just been a long night... Nothing to worry about.” you whispered as you lied.

He nodded. “I can imagine, this place looks so intense.”

You look around the club, feeling the weight of the atmosphere pressing down on you.

“It can be... Overwhelming at times.” you say quietly.

The music shifts to a slower tempo, creating a more intimate atmosphere around your conversation. You stand before Charles and you take a deep breath, trying to steady your nerves. Charles watches you with a mix of excitement, care and curiosity, his coloured eyes sparkling under the dim lights.

He smiles gently. “So, what do you say, little star? Just a little private dance to lighten the mood?” he says softly while calling you by your stage name.

“I mean... If that's what you want...” you say a little hesitant.

He nods reassuringly. “Trust me, it’ll be fun... Just be yourself.”

You feel a rush of adrenaline at his words. You’ve performed many times before, you've even done private dances several times with not so nice customers, but this feels different—more personal and somewhat intimate. You nod slowly, trying to shake off your nerves.

“Okay... I'll do it.” you say softly.

Charles grins, and you can see the excitement in his eyes. You step back slightly to create some space, allowing yourself to get into the right headspace... The music shifts to a sultry tune, and you begin to move to the rhythm.

As you dance, you focus on Charles, letting the music guide your movements. You sway your hips and let your body flow with the beat, feeling the tension ease away with each step. Charles leans back against the plush booth, watching you intently.

“You're incredible...” he whispers.

His words send a thrill through you, and you find yourself getting lost in the moment... You let go of any lingering doubts and worries and you just embrace the performance. You glide closer to him, allowing your body to move in sync with his gaze.

You continue your dance, incorporating playful movements that make him laugh and smile. The connection between you feels electric, and you find yourself enjoying this more than you anticipated.

“How's this for a private dance?” you asked him playfully, using your confident facade.

He grins. “It's perfect... More than I expected...”

You lock eyes with him, and for a moment, it feels like the rest of the world fades away. The laughter and chatter from other tables become a distant hum as you focus solely on him. As you move closer again, you notice how he leans forward, captivated by your performance. You playfully run your fingers along his shoulder, feeling the warmth of his skin beneath your touch. You continue dancing, letting your body express what words cannot. You swirl around him, feeling free and alive as you lose yourself in the rhythm. The music pulses through your veins, and you can see the admiration in Charles' eyes as he watches you.

“You're amazing... This is better than I imagined.” he says with a low voice.

You smile at his compliment, feeling a rush of confidence surge through you, customers rarely compliment you or the girls. You step closer again, brushing against him as you dance, feeling the warmth radiating from his body.

As the last notes of the song fade away, you take a deep breath and step back, allowing yourself to bask in the moment.

He clapped softly to you. “That was incredible! You really know how to put on a show.”

You can’t help but smile at his enthusiasm. The energy between you is palpable as he leans forward slightly.

“I think that deserves a special tip...” he says while grinning. He reaches into his pocket and pulls out a crisp stack of bills, holding them up with a playful glint in his eye. “What do you think? Is this enough? Or do you need more than that?” he says softly.

Your heart races as he counts out a hefty amount of cash that was wrapped in a paper before handing it to you with an appreciative smile. You wouldn't believe it, it was a big tip.

“Wow! Are... Are you serious?” you said surprised. “I can't take it, I'm...” you were about to say but he gently stopped you.

He smiled. “Don't say that, you deserve it! You deserve every bit of it for that amazing performance.”

You take the money from him, feeling a mix of gratitude and disbelief. It’s more than you expected for just one dance. “Tha... Thank you so much! This really means a lot to me.” you say softly.

“You earned it. And I hope this helps with whatever you're working towards.” He said sweetly and that made you stop.

“How... How do you know that...” you said in a low voice.

He looked around the club and then looked at you before slowly approaching you.

“There's no need to say anything, little star... Your gaze, those lost little eyes told me everything I need to know.” he said softly in a whisper. “Sometimes a look is enough to know a little bit about a person.” he said softly and you were shocked, you never thought that an F1 driver would be so empathetic and deeper.

“Wow, that was... Yeah...” you murmured. “Thank you again...” you say and pause, you still don't know his name.

“Oh, I'm Charles Leclerc.” he said formally. “But just call me Charles.” he smiled.

“Y/n” You answered him by giving him your name. You were going to tell him something else, but the bell indicating that you and the girls had to go backstage ruined the moment.

He smiled. “Well, I think they need you in there.” he said softly. “I really enjoyed this evening, the dancing was spectacular.” he said and you blushed.

“Y/n! Get your fucking slutty ass here!” your boss yelled harshly and you shook your head.

“I have to go, but thanks again Charles.” you said softly.

“It was nothing. Take care y/n, I hope to see you soon.” he said softly and you walked backstage.

As you entered your small dressing room you looked at the amount of money Charles had given you and a tear ran down your cheeks. You had never received such good treatment from a customer, the warmth and security of his person contrasting with the coldness and toxicity of the place. You sighed and put the money in your briefcase, thankful that someone had noticed your tearful gaze despite not saying anything about the anxiety and fear that constantly fill your life.

***

The weeks following your encounter with Charles unfold in a blur of routine and reflection. You find yourself back in the familiar rhythm of your daily life, but the vibrant energy of that night lingers in your mind like a bittersweet memory. The club’s atmosphere has shifted, and the pressures of your job weigh heavily on you.

You're sitting on your bed, surrounded by textbooks and notes from your psychology classes. The sunlight filters through the window, but it feels dimmer than usual, you flip through your notes absentmindedly, thoughts drifting back to that night.

“It was just one night… why can’t I stop thinking about it?” you say to yourself, while flipping through your notebook.

You recall Charles’s laughter, the way he looked at you with genuine interest and care, and the way he made you feel seen. But as days turn into weeks, that memory becomes a painful reminder of what you’re missing in your life.

You shake your head, trying to focus on your studies. But the thoughts keep creeping back in—what if you had exchanged numbers? What if you opened up to him and told him what you were going through at that very moment it didn't matter if he was a complete stranger? The “what ifs” swirl around like a storm in your mind... You couldn't fall in love with a stranger, much less an F1 driver, you're not supposed to let anyone into your life.

A few nights later, you’re back at work, but the energy feels different. The once vibrant atmosphere has turned toxic—patrons are more aggressive, and the laughter that used to fill the air is replaced with tension and judgment.

You stand behind the bar, pouring drinks for a group of rowdy customers who seem to take pleasure in belittling the staff. You try to brush off their nasty comments, but each jab feels like a weight added to your already heavy heart.

One of the customers spoke. “Hey you, why don’t you dance for us? We paid good money for this place! You little bratty bitch.” he said in a slurring way.

You force a smile, but inside, you feel a surge of anxiety, you want to disappear. The memory of Charles’s encouragement clashes with the reality of your current situation. You glance around, noticing how other staff members are also feeling the pressure from the patrons, they're demanding lately.

“May... Maybe later! Right now, let me get you another round of drinks.” you say while you attempt to light the mood.

As you turn away, you catch a glimpse of a co-worker, Sarah, who looks equally drained. She gives you a sympathetic nod, and you can tell she’s feeling the strain too. It is causing a lot of damage to all the girls, especially mentally, you have already seen several of them taking drugs in the bathrooms and backstage.

Sarah approaches you. “It’s getting worse here girl… I don’t know how much longer I can do this.” she says quietly while taking a cigarette out of her pocket.

You sigh, knowing exactly what she means. The club that once felt like an escape is now suffocating. Every night drags on, filled with rude customers and an overwhelming sense of dread. Your mental health begins to deteriorate as the pressure mounts.

Days turn into weeks, and you find yourself dealing with the weight of your job and studies because it feels unbearable. You spend more nights lying awake in bed, staring at the ceiling as thoughts spiral out of control. Obviously, in the midst of all the chaos, you became a bit of a F1 fan, especially keeping an eye on the green-eyed boy who had been so nice to you that night at the club, somehow, even though he was a complete stranger to you at the time, you felt so happy to see him shine in what he likes — something you wish would happen to you too.

One particularly rough night at work, a big fight breaks out between two patrons. The chaos erupts around you as glasses shatter and voices rise in anger, you feel frozen in place, overwhelmed by your anxiety and nerves.

Weeks pass, and the club continues to drain you. But you find solace in small moments—watching sunsets, reading books—but they’re fleeting against the backdrop of your reality. Your mental health spirals further as feelings of isolation creep in.

Tears well up in your eyes as frustration boils over. You wipe them away angrily, feeling trapped between the joy of the memory shared that night with Charles and the pain of your current life. And it shouldn't be affecting you so much, he was just a costumer...

***

The atmosphere is electric as the club transforms for the Christmas season, twinkling lights adorn the bar, and festive decorations create a warm ambiance amidst the usual chaos. You stand in the backstage, heart racing, preparing for one last performance before your well deserved break from the club and your classes. The familiar sounds of laughter and chatter filter through the curtains, but today, they feel different.

You are in the backstage, pacing nervously as you go over your routine in your mind. The stage is set, and the crowd buzzes with excitement. You take a deep breath, trying to calm your racing heart.

You take a deep breath. “Just one last performance… You can do this.” you say in a whisper to you.

As the music starts and the spotlight shines on you, you step onto the stage. The audience erupts in applause, but your eyes scan the crowd anxiously. You catch glimpses of familiar faces—some co-workers, and regular patrons, nothing new—but then your heart skips a beat. There he is—Charles, standing near the front, his smile bright against the dim lighting.

Your breath hitches in your throat as a flood of emotions washes over you. Memories of that night come rushing back—the laughter, the slight connection, the promise of something more. But doubt creeps in, and you feel a knot of anxiety forming in your stomach...

“Why is he here? Is this just a fleeting visit? Or is it for something else?” you think, you can't help but wonder that.

You force yourself to focus on the performance, pouring your heart into every movement. As you dance, you try to ignore the whirlwind of thoughts swirling in your mind... But each time you glance at Charles, you feel an overwhelming mix of hope and fear.

The performance reaches its climax, and the crowd cheers enthusiastically. You finish with a flourish, feeling a rush of adrenaline as you take your final bow. The applause reverberates in your ears, but your gaze remains fixed on Charles.

As you step offstage, adrenaline still coursing through your veins, you navigate through the backstage area toward the bar. You can feel Charles’s presence behind you, and a mix of excitement and dread builds within you.

“Whoa! That was incredible! I’ve missed seeing you perform, little star.” he says as he approaches you with a smile on his face.

His voice sends a shiver down your spine, and for a moment, you’re speechless. You take a moment to absorb his presence—his familiar warmth, his genuine admiration.

“Tha... Thanks... It's been a while since I felt that good on stage.” you say shyly.

You glance around nervously as other staff members and Sarah pass by, some offering nods of recognition to Charles. You can’t help but feel exposed under their scrutiny.

“Do you want to talk somewhere quieter?” he says softly while noticing your discomfort.

You hesitate for a bit. “Yeah... I guess that would be nice.”

You lead him to a small break room at the back of the club—a space filled with mismatched furniture and remnants of holiday treats. The atmosphere feels intimate compared to the bustling club outside.

Once inside, the door closes behind you, muffling the noise from the main area. You lean against the counter, arms crossed defensively as you try to gauge his intentions.

“So, ehm... What brings you back to Vegas? I thought you were busy with racing and all that stuff...” you asked him cautiously.

“Yeah, well, I was busy... but I couldn’t stop thinking about you, I wanted to see how you’re doing—like, really doing.” he sighed and smiled at you.

His sincerity strikes a chord within you, but doubt still lingers. You remember how hard it is to open up before and how vulnerable it made you feel.

“Well... Things have been tough lately… work has been overwhelming...” you say while biting your lip.

Suddenly everything you have experienced in the last few months comes to your head, the humiliation, the mockery, the objectification, anxiety, the sacrifices you make to make ends meet and have enough money for everything you need and, without expecting it, your eyes fill with tears. A part of you longs for validation and support, but another part fears being let down again.

“Oh, don't cry little star, it's okay...” he says while he holds you in his arms and caresses your hair. “It's so okay, let it out.”

You sniffled. “It’s just that… I don’t know if I can trust anyone right now... Everything feels so chaotic; my life feels so chaotic and messier.”

Charles looks down at you, his expression earnest and understanding. “I get that... Trust takes time, but I’m here for you if you want to talk about it, I want to help.” he wipes a tear form your cheek.

You feel a flicker of hope ignite within you at his words. The vulnerability in his voice reminds you of that connection you shared—the one that felt so real yet so distant now.

“It’s hard for me to open up…” you say in a whisper.

“You don’t have to share everything all at once with me. Just know that I’m here to listen whenever you're ready, okay?” he says softly.

His patience reassures you, but fear still grips your heart. You remember how easily things can change—how quickly trust can be broken.

“I’ve been feeling lost… like I’m stuck in this cycle that I can’t escape.” you say while looking down.

He nodded. “And it’s so okay to feel that way, we all go through rough patches. What matters is that we can still find a way out... together.” he smiles at you.

You meet his gaze again, searching for sincerity in his eyes. There’s no judgment there—only care, understanding and compassion... Something you've been needing to find for a long time and now a stranger is giving it to you.

***

As the days rolled on, the festive spirit of Las Vegas enveloped you both. The city transformed into a dazzling wonderland, with sparkling lights adorning every corner and the joyous sounds of holiday celebrations filling the air. You and Charles made the most of your time together, exploring the vibrant culture and indulging in the culinary delights that the city had to offer.

On Christmas Eve, you found yourselves in a cozy café nestled within one of the extravagant hotels. The aroma of freshly brewed coffee mingled with the scent of baked goods, creating an inviting atmosphere. You sat across from each other, warm mugs cradled in your hands, and the soft glow of fairy lights twinkling around you.

As you sipped your drink, you couldn’t help but feel a sense of comfort in his presence... Charles had a way of making everything feel lighter, as if the burdens you carried were shared between you. But there was still a part of you that hesitated to delve deeper into your past, to reveal the struggles that lay beneath your cheerful façade.

“So, do you have any special traditions for Christmas?” he asked, his eyes sparkling with curiosity.

You smiled softly, feeling a pang of nostalgia. “Ehm... Not really, to be honest.” you admitted, looking down at your mug. “My family doesn’t celebrate much anymore... It’s just… complicated.”

He leaned in slightly, his expression encouraging. “Complicated how? If I may know.”

You took a deep breath, feeling the weight of his gaze on you. “Well, my family never really supported my choice to study psychology.” you began hesitantly. “They always thought it was a waste of time, they wanted me to pursue something more… practical.”

Charles nodded, his face reflecting understanding. “That must have been hard for you.” he said gently.

“It was.” you continued, your voice barely above a whisper. “I’ve always wanted to help people, to understand their emotions and struggles. But when the people closest to you don’t believe in your dreams… it’s hard not to feel like you’re on the wrong path.” you say softly.

He reached across the table, his hand brushing against yours in a reassuring gesture. “You’re not on the wrong path, little star. You’re doing something incredibly important.”

You appreciated his support, but the doubt still lingered in your mind. “It’s just… I didn’t have their financial support either.” you confessed, feeling vulnerable. “I’ve had to work multiple jobs to pay for school, including the job at the pole dance club... It’s so exhausting.”

Charles listened intently, his brow furrowing slightly as he absorbed your words. “That sounds really tough, I can’t imagine how isolating that must feel.”

You nodded, grateful for his empathy. “It is isolating.” you admitted, your voice trembling slightly. “I’ve lost touch with friends who didn’t understand my commitment to my studies. It’s like I’m in this bubble where no one else really gets what I’m going through.”

He squeezed your hand gently, grounding you in that moment. “You’re not alone now.” he reassured you. “I’m here for you, and I want to understand what you’re experiencing.”

His sincerity washed over you like a warm wave, encouraging you to share more.

“Sometimes I feel like I’m stuck in this cycle of loneliness.” you confessed, tears welling up in your eyes. “I want to connect with others, but it’s hard when I feel so different from everyone else.”

Charles leaned closer, his voice soft and steady. “You’re not different in a bad way; you’re pursuing something meaningful. And those who truly care about you will see that...”

You looked into his eyes, searching for reassurance. “Do you really think so?”

“I know so.” he replied firmly. “You have so much passion and drive. That’s something to be proud of.”

As the conversation continued, you found yourself opening up more than you had anticipated. You shared stories of late nights spent studying, the moments of self-doubt that crept in during exams, and the fleeting joy of helping others during your internships.

His belief in you sparked something deep within—a flicker of hope that perhaps you weren’t as alone as you had felt for so long... The more you talked, the more liberated you felt from the weight of isolation that had clung to you for years.

***

The week leading up to New Year’s was always a time of reflection, a time when the world seemed to pause and take stock of the year gone by. The air was crisp, and the city sparkled with festive lights, but inside your cozy apartment, it was just the two of you—Charles and you—wrapped in a bubble of warmth and anticipation.

You had decided to spend the week together, a decision that felt both thrilling and terrifying. You could feel the chemistry bubbling between you—an electric charge that seemed to hum in the air whenever he was near, but with that chemistry came the fear of what it would mean if you let yourself fall for him.

As the sun began to set on the last day of the year, you and Charles found yourselves sprawled on the couch, surrounded by snacks and half-watched Christmas movies. The soft glow of fairy lights twinkled around the room, creating an intimate atmosphere that made your heart race, you glanced sideways at him, his profile illuminated by the flickering light from the TV. He looked so relaxed, his hair slightly tousled and a hint of a smile playing on his lips as he focused on the screen.

“Do you ever think about New Year’s resolutions?” Charles asked suddenly, breaking the comfortable silence.

You turned your head to look at him fully. “Sometimes.” you admitted. “But I’m not very good at keeping them.” you giggled.

He chuckled softly. “Same here, I usually start strong, but by February, I’ve forgotten all about them.”

“What do you think this year’s should be?” you asked playfully, trying to keep the conversation light.

He pondered for a moment, his brow furrowing adorably. “Maybe something like… be more spontaneous? Or try to embrace change?”

You raised an eyebrow, intrigued. “Embrace change? That sounds deep!”

“Yeah, well.” he said with a shrug. “I think it’s important to be open to new experiences, you never know what could happen.”

His words struck a chord within you. You couldn’t help but wonder if he was hinting at something more—something between the two of you. The thought sent a shiver down your spine.

“What about you?” he asked, turning the question back to you. “What do you want for this coming year?”

You hesitated, your heart racing as you considered your answer. Part of you wanted to say something lighthearted, but another part yearned for honesty.

“I guess… I want to be braver.” you finally said, your voice barely above a whisper.

“Braver?” he echoed, his gaze intense as he studied your face. “In what way?”

You swallowed hard, feeling exposed under his scrutiny. “In life… in love.” you admitted, your heart pounding in your chest. “I’ve always been scared of getting hurt, so I hold back.”

He nodded slowly, understanding washing over his features. “That makes sense.” he said softly. “It’s hard to let someone in when you’re afraid of what might happen.”

You felt a connection deepen between you in that moment—a shared understanding of vulnerability that made your heart ache with longing.

“Exactly.” you said, your voice trembling slightly. “But I think… maybe I want to try.”

Charles’s expression softened as he leaned closer to you, his eyes searching yours for something unspoken. “Try what?” he asked gently.

You took a deep breath, feeling the weight of your words hang in the air between you. “Try to let myself feel more… to let someone in.” Your heart raced as you said it, the truth spilling from your lips before you could stop yourself.

He held your gaze steadily, and for a moment, time seemed to stand still. The world outside faded away until it was just the two of you—two souls intertwined in a moment of raw honesty.

“I’d like that.” he said finally, his voice low and sincere. “I’d like to be that person for you.”

A rush of warmth flooded through you at his words, but with it came a wave of fear... What if this was too much? What if falling for him meant risking everything? You pulled back slightly, breaking eye contact as uncertainty clouded your mind.

“Charles…” you started, but he interrupted gently.

“Hey.” he said softly, reaching out to tuck a loose strand of hair behind your ear. His touch sent sparks through your skin, and you shivered involuntarily at his closeness. “We don’t have to rush into anything, I just want you to know that I’m here.”

His sincerity made your heart swell and ache all at once. You wanted so desperately to lean into him—to let yourself fall into this beautiful connection—but fear held you back like an anchor.

“Can we just… take it slow?” you asked quietly, your voice trembling with vulnerability.

“Of course we can do that.” he replied without hesitation. “I’d never want to push you into something you’re not ready for.”

You smiled gratefully at him, feeling a weight lift off your shoulders. Maybe this was enough for now—just being here together, exploring this slow burn without any pressure or expectations.

As the evening wore on and the clock ticked closer to midnight, you found yourselves lost in conversation—sharing stories about childhood dreams and future aspirations, laughter punctuating each moment as the bond between you deepened.

At one point, Charles reached for your hand, intertwining his fingers with yours as if it were the most natural thing in the world. The warmth of his touch sent butterflies fluttering in your stomach, and for a moment, all your fears faded away.

As midnight approached, the anticipation in the air grew thick with excitement. You settled back against the couch, feeling giddy as Charles pulled out his phone to check the time.

“Just a few minutes left!” he exclaimed with a grin.

You couldn’t help but smile back at him; his enthusiasm was infectious. He glanced at you then, his expression softening as he leaned closer again.

“Are you ready?” he asked softly, his eyes locked onto yours.

“For what?” you asked teasingly.

“For whatever comes next.” he replied earnestly.

Your breath caught in your throat at his words—so simple yet so profound. In that moment, everything felt possible. You nodded slowly, feeling a rush of courage wash over you.

“Yes...” you whispered.

As the countdown began on TV, excitement bubbled between you like champagne ready to overflow. With each passing second, your heart raced faster until finally…

“Three! Two! One! Happy New Year!”

The room erupted in cheers from the television as confetti fell on-screen and fireworks lit up the sky outside your window. But all that mattered was Charles—his eyes sparkling with joy as he turned to face you.

And then it happened: he leaned in closer and pressed his lips against yours—a soft yet electrifying kiss that sent shivers down your spine. It was tentative yet filled with promise; a beautiful beginning wrapped in hope and possibility.

Time seemed to stand still as you kissed him back, savoring the sweet taste of new beginnings and uncharted territory. In that moment, all your fears melted away as if they had never existed at all.

When you finally pulled away, breathless and wide-eyed, Charles smiled at you—a smile that lit up his entire face and made your heart soar.

“Happy New Year, petite étoile.” he murmured softly. (little star)

“Happy New Year charlie.” you echoed, feeling lighter than air as hope blossomed within you—a hope for what this year might bring and for the journey ahead with him by your side.

And as fireworks exploded outside your window, illuminating the night sky with vibrant colors, you couldn’t help but feel that maybe—just maybe—you were ready to embrace whatever came next together.

***

The days turned into weeks, and your bond with Charles deepened in ways you hadn’t anticipated. Each moment spent together felt like a new adventure, filled with laughter, shared secrets, and the warmth of companionship.

One evening, after a delightful dinner at a cozy restaurant, you found yourselves walking along the waterfront, the moonlight shimmering on the water's surface. The air was warm and fragrant with the scent of blooming jasmine, you felt a sense of peace wash over you as you strolled side by side, your fingers intertwined.

As you walked, Charles suddenly stopped, turning to face you with a serious expression that caught you off guard. “Can we talk about something?” he asked, his voice low and earnest.

Your heart raced slightly as you nodded. “Of course babe! What’s on your mind?”

He took a deep breath, searching for the right words. “I’ve been thinking a lot about us—about how much I care for you. You mean more to me than I can express.” he said, his eyes locking onto yours with an intensity that made your breath hitch. “I want to take care of you in every way possible.”

You felt a flutter in your chest, unsure where this conversation was leading but intrigued nonetheless. “What do you mean?” you asked softly.

Charles stepped closer, his gaze unwavering. “I want to be your sugar daddy.” he said, his voice steady yet filled with emotion. “And I know it sounds weird, but it's not in a bad way, I mean, I want to support you while you study psychology, to help you leave behind all the stress and worries that weigh you down.”

Your mind raced as you processed his words. The idea of having someone like Charles in your life—someone who wanted to provide for you, who believed in your dreams and aspirations—was both exhilarating and daunting.

“Are you serious?” you managed to ask, your heart pounding.

“Absolutely!” he replied without hesitation. “I want us to build a life together. I’ve been thinking about it a lot, and I believe we could be so much more than what we are now.” He paused, gauging your reaction before continuing. “I want you to move out of Las Vegas and come with me to Monaco.”

The mention of Monaco sent a thrill through you. The thought of leaving behind the familiar chaos of city life for a place known for its beauty and luxury was intoxicating, but it also brought a wave of uncertainty.

“Monaco? That’s such a big step, Charles.” you said, trying to process everything. “But... What about my studies?” you asked softly.

Charles smiled gently, brushing a strand of hair behind your ear. “Of course you can continue your studies there! They have excellent universities, and I’ll make sure you have everything you need to succeed.” he said softly at you.

His words resonated deep within you, igniting a spark of hope and excitement that had long been dormant. The idea of pursuing your passion for psychology without the burden of financial stress felt like a dream come true.

“But what if it doesn’t work out?” you asked, vulnerability creeping into your voice. “What if I can’t adjust?”

Charles cupped your face in his hands, his gaze steady and reassuring. “Life is about taking risks, isn't it? And I believe in us—more than anything else in this world! I promise to be there every step of the way, you won’t be alone; we’ll figure it out together.”

His sincerity washed over you like a warm wave, and for the first time, you felt the weight of your worries begin to lift. The thought of embarking on this journey with him filled you with a sense of possibility.

“Okay.” you said finally, your voice barely above a whisper. “I’m willing to try.”

A radiant smile broke across Charles’s face as he pulled you into his arms, enveloping you in warmth and safety. “You won’t regret this, mon amour.” he whispered against your hair. (my love)

In that moment, everything felt so right to you... The world around you faded away as he held you close, and all that mattered was the connection between the two of you—a bond that had grown from two strangers into something deeper and more profound...

As the stars twinkled above like diamonds scattered across the night sky, you knew that this was just the beginning of an incredible journey together—one filled with love, adventure, and the promise of a brighter future.

***

The soft hum of the city outside your window filled the room as the moonlight spilled in, casting a silvery glow over your study room. You had been immersed in your psychology textbooks, determined to master the material before your upcoming class. However, fatigue had crept in, and before you knew it, you had succumbed to sleep, your head resting on your notes, surrounded by the comforting chaos of your studies.

Charles had just returned from a long day of meetings with sponsors, his mind still buzzing with the events of the day. He was looking forward to spending time with you, but as he stepped into your study room, he was met with a scene that made his heart swell... There you were, curled up on the desk, your little stuffed bear nestled beside you, as if it were standing guard while you slept.

A soft smile spread across his face at the sight. “Well, well, if it isn’t my little Sleepy Scholar.” he whispered affectionately, approaching you with quiet steps. He couldn’t help but chuckle softly as he began to pick up the scattered books, papers and highlighters on the table. “You really should consider changing your name to ‘Overworked Wonder.'” he teased gently, glancing down at your peaceful expression.

As he organized your notes, he found himself admiring how well you had adapted to life in Monaco. You had embraced the city with open arms, exploring its beauty and charm while pursuing your studies with unwavering determination. It filled him with pride and love to see you thriving after everything you had faced back in Vegas.

His fingers brushed against the plush bear, and he couldn’t resist giving it a gentle squeeze. “And look who’s here to protect my precious girl, hm?” he said with a playful grin. “You’re doing a fantastic job, Mr. Bear!”

With everything neatly arranged, he turned his attention back to you. The sight of you sleeping so soundly tugged at his heartstrings. He knew how hard you had been working and how much this new chapter meant to you, he wanted nothing more than to take care of you, to ensure that you felt safe and loved in this new place.

Gently, he slipped his arms under your body, lifting you effortlessly from the desk. You stirred slightly but didn’t wake as he cradled you against him. “Time for bed, my little scholar.” he murmured softly, the warmth of your body against his bringing him a sense of peace. “You need a deserved rest in a comfy bed.”

He carried you to the bedroom, the soft sound of his footsteps barely audible over the gentle lapping of waves outside. As he laid you down on the bed, he carefully tucked the covers around you, ensuring that you were warm and comfortable. The plush bear found its place beside you once more, as if it were keeping watch over you in your dreams.

Charles took a moment to admire you—your features relaxed in sleep, a serene expression gracing your face. The love he felt for you swelled within him as he brushed a stray hair away from your forehead. “Sweet dreams, my love.” he whispered softly before slipping into bed beside you.

As he settled in next to you, the day’s exhaustion caught up with him. He turned onto his side, propping his head up on his hand and watching you sleep for a moment longer. The way you breathed peacefully filled him with an overwhelming sense of contentment, It felt like everything was right in the world.

But soon enough, the weight of fatigue pulled at him too. He closed his eyes, allowing himself to sink into the warmth of the bed and the comfort of your presence. As sleep enveloped him, dreams began to weave their way into his mind—visions of laughter-filled days exploring Monaco’s stunning coastline together, quiet evenings spent sharing stories under starlit skies, and a future filled with love and promise.

In that shared moment of tranquility, two hearts beat as one—connected by love and trust, embracing the beauty of their journey together. The world outside faded away as they drifted into a peaceful slumber, knowing that they would face whatever challenges lay ahead side by side.

As the night wore on, Charles found himself wrapped in dreams filled with laughter and light—a reflection of the joy you brought into his life. And in that serene space, both of you slept soundly, cocooned in warmth and love in your new home in Monaco.

#formula one x reader #charles leclerc x uni student reader #charles leclerc x yn #uni student reader #charles x uni student reader #pole dancer reader #charles leclerc x reader #f1 x you #charles leclerc imagine #charles leclerc fluff #charles x reader #charles leclerc #charles x you #charles leclerc angst #mariclerc fics

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sepherinaspoppies · 3 months ago

Text

Temporary Fix- Martin x Reader

summary: Martin is desperate to feel something. Anything. Rest? Relief? Sleep? Pleasure? Then he meets you, who can assure him that he will feel all of what he seeks.

warnings: drug use, hair pulling, handjob, ball play?, face riding, sub martin, dom reader, clit piercing stimulation, praise, orgasm denial, unprotected p in v, (please don’t be silly wrap that willy), surprise at the end!

wc: 4,675

general taglist

divider by @saradika-graphics

masterlist

notes: im so sorry this took a long ass time, family problems and I just moved back to Mexico so ive been busy lol.

For weeks, perhaps months, his body was aching. Tension had built up around his lower back, feeling like pins and needles stabbing the muscles of his back. Soon after, those aches and pains shifted over to his chest, and it felt like a heavy weight that couldn’t be shaken away, making it difficult for him to breathe.

Especially late at night.

Which prompted him to consume one of his mum’s low dosage of Ibuprofen. While the effects of the pill worked, it only lasted about an hour or two the most. Eventually his mum caught on the missing pills, but luckily his mum believed the little white lie he told, excusing it as his sister’s behavior.

With nothing to dull the never-ending sensation, he needed desperately to find relief elsewhere.

And that’s how he met you.

Out of all the places in town, he’d never assumed to meet a drug dealer in an open field, sitting by the train tracks, staring into the distance, with a cigarette in one hand and a lollipop in the other.

“I have hypoglycemia.” You informed as you turned around.

It is then when he took in the rest of your appearance. Your eyes were dark, smudged by black eyeliner and eyeshadow. Silver glitter cascading down your cheeks, giving the illusion of tears. On top of your left brow, two little studs of a piercing decorated your skin. And below that piercing were two other piercings, a septum and a lip ring.

He tried to picture you without the dark makeup and piercings, somehow he couldn’t. It suited you.

You wore a t-shirt of one of his favorite bands, Black Sabbath. Paired up with a black tennis skirt and fishnets that accentuated the length of your legs. Truly, you were beautiful.

“What’s that?” He asked you, off topic, taking a few steps towards you.

You exhaled a cloud of smoke, then dragged your tongue around the sweet. “Low blood sugar. When my sugar levels drop below a certain level, I faint.” He nods his head, noticing another silver piercing on the tip of your tongue.

Hot.

He wondered what other piercings you hid underneath your clothes, he had a feeling the facial piercings were not the only piercings you had.

His ocean blue eyes continued to stare at you, assessing if you were who his mate had referred him to. “You’re Tommy?” He asked.

You threw your head back in a laugh. “No, that’s my brother’s name. I strictly use it for business.” You kicked the grass that stuck to your boots as you stood up, getting ready for the usual business exchange. “Most people don’t buy drugs from girls.” Though, you didn’t know why. You were great at not getting caught. No one had suspected a thing when you had done a deal next to a policeman.

“Would you have come if you knew I was a girl?” You questioned.

“Fair point.” His lips pulled into a faint smirk. “So, what’s your name?”

You placed your cherry flavored lollipop back into your mouth, hiding the amusement from his view. There was no denying that the guy in front of you was attractive. Judging by his looks alone, he fit right into the description of guys whom you considered your type.

His long black hair reminded you of Eric Draven, from the Crow. He was tall and lean, similar to the fictional character you had posters on your bedroom walls. But it was his eyes that pulled you in. Which was a shame, you strictly forbade yourself to not date any of your clients. If you’d call them that.

The last time you did, he left you panicked and traumatized. You have learned your lesson since then.

“Will, said you need some sedatives. I have some bars; aka Xanax.” You shake the translucent orange bottle of white bars from your pocket. “They’re legit. They work. But it’ll cost you two hundred quid.”

His eyes almost bulged out of their sockets at the said price. He carried only a hundred in his wallet and a fifty that his mum gave him for groceries.

Fuck!

His reaction caused you to narrow your eyes, “Fine, one-eighty quid.” You negotiated, putting on your best serious and business face.

That, however, doesn’t deter him. “One-twenty.”

You scoff loudly. You were generous by giving him a twenty percent discount, and he wants more?

The nerve of this guy!

“One-sixty.” You counteroffer.

“One-fifty.”

“Done.” You reply as you both are quick to exchange goods. Immediately so, you begin to count the money in case of any scams the dark brunette might throw your way. After all, you barely met the guy.

“Is this…chocolate?” Martin asked, a little taken back that you managed to slip a small Butterfingers next to the translucent bottle.

Is it normal for drug dealers to provide chocolate to their clients?

He wouldn’t know. Though, the last time Martin bought drugs was with one of his mates, behind a very smelly bin next to a seafood restaurant. Not once did that sketchy, and yet very creepy, dealer gave them a sweet after their transaction.

He hears you chuckle, a playful look on your pretty face. “I carry candy with me wherever I go. That’s for you. You look like you could use it.”

“What if you faint?” He stops before you have the chance to walk away.

“Don't worry, I won’t.” You smile, using the heart shaped lollipop to wave him goodbye.

His eyes watch you walk away, and his breath hitches when a small breeze lifts the back of your skirt, giving him a delicious eyeful of what was underneath.

As soon as his bedroom door closes, Martin begins to inspect the bottle you’d given him. He wondered how many of the little bars he could take. He knew, of course, not the whole thing. His mum would scream at his overdosed corpse and probably descend into madness.

So it was safe to say, he only took one.

It dissolved on his tongue almost instantly, and about an hour later or so the effects started to kick in.

The waves of anxiety and the aches and pains Martin usually got during this hour never came. He felt at peace; calm as he stared into the silver glow of moonlight out of his window.

A heavy weight had been lifted from his shoulders and for the first time in months Martin finally fell asleep quite comfortably.

This exchange between you and Martin went on for about two more months, meeting at the field exchanging goods and Martin usually attempting to ask you out, only for you to deny him every time.

Eventually, Martin got the hint and no longer hit on you, much to your disappointment. Not only that, you started seeing him less and less as he only met you once every two weeks. Regularly seeing you every week.

Maybe you were a little harsh for not giving him a chance.

But you reckon that wasn’t the case as he would’ve completely cut ties with you.

There must have been something else on his mind or perhaps his work life got the best of him; which was good.

You wished nothing but the best.

After contemplating on whether to call or not call Martin, you decided to instead shoot a message to your shared friend, Will. He informed you that he hadn’t seen him around or heard from him in some days. Which was odd since they were best mates, often talking about random shit (including you but Will would never tell you).

Will you make sure he’s alright? You texted.

Can’t. I’m staying over at my girlfriend’s. But since you care about your best customer, go ahead and pay him a visit ;)

You scoff, rolling your eyes as you could hear Will’s tantalizing voice inside your head.

Stupid wanker. You thought as you typed Martin’s address on your phone.

It wasn’t that far from your apartment, only a couple of streets over that was doable by walking.

Though, Will mentioned for you to sneak through the upstair’s window as he lived with his parents. You were thankful you wore good shoes fit for the climb but not a good enough outfit as you reckon anyone passing by would get an eyeful of your ass.

Martin laid on his bed, playing with what looked to be a miniature helicopter. Although you couldn’t hear what he was saying you still found the act a little funny.

“Martin!” You knocked through the window, not too loud and just for him to hear. You watch as he jolts a little, his face showing a mixture of fear and confusion once his eyes settle on you.

Instantly, he sets his toy aside and runs to you, opening the window and helping you up. You mutter a breathless ‘thanks’ which makes Martin nod. “What are you doing here?” He asks, a bit surprised by your random presence in his room.

“Oh, I- wait, what happened to your face?!” You exclaimed, panic rooting deep in your stomach. Martin turned his head away but you weren’t having that. You softly placed your hands to the sides of his cheeks, examining the markings on his face.

The bruises on his nose and lip were fresh, probably from a few hours or so ago.

“It’s nothing, really.” Martin murmured, attempting yet again to push your grasp. “It doesn’t look like it!” You say, keeping a firm hold on both sides of his cheeks. If you weren’t so concerned about the cuts and bruises, you would’ve taken your time in appreciating how soft and smooth his cheeks were.

“Why do you care?” He murmured very quietly under his breath as his eyes no longer met yours.

It was a good question, why did you care? You weren’t this… caring for your other clients. You had your regulars, most of them coming and going. Not once did you bother to think about them, caring only for the cash that kept you well-fed and alive.

You knew something about Martin was different from the others. Yet, you had a hard time deciphering the answer to his question.

Why did you care?

“I don’t know. I just know I do.” You sighed, taking a seat right next to him. A long comfortable silence followed between you two, and you took your time to inspect the details around the perimeter of his bedroom.

A few posters were scattered on his walls, some of them were a few bands such as Nirvana, The Smiths, and one of your personal favorites: Oasis. The other posters seemed to be art pieces done by himself as the various kinds of paint brushes and the smeared paint on the surface of his desk proved it.

He was an artist.

Far left towards a desk sat a large terrarium made for a reptile that you couldn’t see. You wanted to giggle at the miniature couch and bed Martin made for the little fellow, it was cute and you could tell how much he cared about his pet.

“Why did you come?” Martin finally spoke, although faint.

“Honestly?” You clear your throat as you shift your feet awkwardly, “I hadn’t seen you in a while; I wanted to make sure you were okay.”

“Not because of the drugs?” He asks.

You tried to conceal a smile at the mirthful tone of his voice. “No…”

His eyes narrow at you and you swore you saw a hint of something playful in his features before he shifted his body to face you. “You’re a terrible liar.”

“Fine. Yes, also because of the drugs but mostly because… I- I cared for your well being.”

Oh God.

Heat expands around Martin’s face, and he was glad that there was barely any light for you to see. “I’m sort of alright,” he shrugs. Martin has been better, definitely when the drugs did their job.

Your head tilts to the side at the ‘sort of’. “Sort of? Are you not taking them anymore?” Martin shakes his head.

“I don’t like ‘em anymore. Couldn’t feel anything. Nothing.” Martin did not understand why. The first couple of weeks went fine without any trouble or problems. He had become more productive than he’d ever been, from helping his mum and his little sister with chores and homework to picking up extra shifts (which was totally unlike him).

Then about two weeks ago, everything changed. Martin walked to a new coffee shop when someone— his ex-girlfriend of two years— had accidentally bumped into him as she walked out, spilling hot coffee on his chest and hands.

Normally, one would wince and possibly shriek at the burning sensation, but not him. He smiled at Lydia as she stammered apologies, not feeling the harsh burns on his skin.

As an apology, Lydia had agreed to go out for dinner at their favorite restaurant when they were still together.

They had a good time, catching up about their work, family, and friends. Martin learned new things about her he didn’t even know when they dated. After a few pints and cigarettes, Lydia brought him over to her apartment, where they both stripped each other’s clothes off instantly.

But along the good, comes bad.

Martin had her on all fours, her cunt glistening with so much of her arousal, needy and ready for him. To his horror, Martin’s dick couldn’t seem to get hard. No matter how many times he fisted himself, his dick was unresponsive.

Discomfited, Martin practically ran out without an explanation. Dick move, he knows.

Since then, Martin figured the drug was the cause for his insensitivity. So he stopped altogether.

“Glad to know I wasn’t the only one,” you slump down Martin’s bed once he finishes explaining. Martin furrows his brows in confusion but soon begins to puzzle the pieces. “So those were your pills?” He recalled that moment when he saw faint letters of a name, your name, printed on the bottle. It was a prescription. Your prescription.

“Yea, it was to help with my panic attacks,” you explain. Though, carefully not to give too much of your personal information. “While it helped, it also made me insensitive.” At that, Martin sat up straighter attentively listening to you.

“That’s why I got all these tattoos and piercings, I hoped I could feel the pain of the needle as it went right in.” You could still recall the piercer’s shocked expression when you exhibited no look of pain. You confirmed that you weren’t intoxicated and signed a waiver that everyone signs. Yet the piercer had counted to three with every piercing, and not once did you flinch.

Martin glanced up at the piercings on your face, “Did you?” He asked. You shook your head, moving your arms around, to show Martin the many tattoos. He thought of you brave for not even flinching at something so painful. As much as he appreciated tattoos, he would never get one on himself. The thought of needles made Martin a bit light headed.

“Are these the only tattoos you have?”

“No, I have more.” If your parents were still alive, they’d go crazy at the amount of tattoos you had.

“May I see?”

Your other tattoos and piercings were located in a more private area on your body, and you would’ve said no. But it was the ‘may I’ that made you agree.

Your fingers lifted the hem of your oversized t-shirt, neatly placing it next to you on the bed. You move your hair to the side, granting him more access and the art that took hours to create on your body.

Martin sat amazed, especially at one tattoo in particular. A long branch of wild flowers started between your clothed breasts, going down your hip and finally wrapping around your thigh. It was beautiful that he did not notice the belly button piercing just sitting below it.

The art piece was precise, fully detailed as possible that Martin knew it must've taken you multiple sessions to finish.

Inadvertently, Martin’s fingers start to trace one of the flowers, following the pattern down and down causing you to hitch your breath at the near proximity of where they were going.

“Beautiful,” Martin compliments under his breath. Your skin was so soft that he had no desire to take his hands away.

And you didn’t want him to either. You wanted Martin to continue exploring every inch of your body for his touch was feather-like and gentle, sparking something within you.

Martin looks at you and your eyes are warm and relaxed. His fingers suddenly halt at your inner thigh, right where the branch ends. “You want me to keep going?” He whispers, moving closer towards you, his hands ready to remove the unnecessary clothing until you said that one word of consent.

You licked your lips, feeling the heat from his body coming closer and forward. His lips were only a breath away from yours, awaiting an answer from you.

“Yes,” you whispered back, your head tilting upwards as you brushed your lips with his. The hand that he used earlier, grabbed the back of your neck, pulling you swiftly to close the small gap.

Your lips were just as he imagined them to be, perhaps even better as he pulled you by your underarms and sat you right on his lap, where you gasped at the hardness of his length pressing against your abdomen, feeling every solid inch of himself.

And there was plenty of him.

You continued to chase his lips, never once pausing for required air. The kiss was full of want and need that made you feel like a puddle on his arms. Shivers went down Martin’s back at the cooling sensation of your tongue piercing colliding with his own. Only then, he began to imagine what that piercing would feel like on his cock, resting right there on the bulbous tip where you would swallow every single drop of his come.

In his desperation, Martin’s hands went to unclasp your bra, only for you to tut at him, placing his hands on back on his sides. “No touching, I call the shots here.” You scolded him as if he were a little boy.

Martin’s jaw dropped at your dominant tone, not that he was complaining.

“Do you wanna feel with me?” You whispered, trailing your hands up and down his chest, now that you got rid of his shirt, admiring the light brown sprinkles of hair. His pectoral muscles flexing against your delicate touch.

He nodded vehemently— desperately, blue eyes staring at your cherry pink lips. “I wanna feel everything with you.” It was a want and a need right now.

“Take off your shorts,” he did as you commanded and you swore your insides clenched at the mouth watering view, “d-do not move or come until I tell you to. Understand?” You asked, keeping composure.

You sat behind him immediately after he said yes. A part of Martin was a bit confused on what you had planned for him but another part of him found the mystery of it all quite exciting. And he was right, his hips jolted forward as soon as your hand wrapped around the base of his cock, squeezing so wonderfully.

Martin moaned as you gave open mouthed kisses all around his neck before your teeth grazed around the sensitive skin, marking what was yours. You did the same to the other side until you were satisfied and skin covered with love bites you wanted everyone to see outside his bedroom walls.

With the same hand, you slowly began to stroke his cock, pulling the foreskin up and down, your thumb resting at his baby pink tip, admiring the way it twitched with more of his arousal. Your other hand, reached to cup his balls, giving them a good squeeze. Combined, made Martin see stars.

“Oh…fuck,” he stuttered, feeling his end approaching.

You smirked, stroking his pretty cock faster. “If you come, I’ll punish you. And you won’t like it when I do, baby. I won’t show you any mercy.” The last guy you punished ended up passing out within seconds, and as much as you wanted to punish Martin, you needed him. Needed his cock inside you.

A part of him was intrigued at what you’d do, but Martin chose not to awaken that side of you. He wanted to be good so that he’d earn his reward. His release.

You watched as Martin kept control of his breathing, his hands fisting the sheets impossibly tight. Meanwhile you found yourself growing wetter and wetter at the little whines he let out.

This went about a few more minutes until Martin ran out of things to think about to not come. From his grandmother to his best mate, Will. While it worked, the need to release screamed louder with each fast stroke.

“Oh fuck, fuck, fuck! Please, I can't-can't hold it much longer!" Martin whined, as heat settled in his gut with each involuntary thrust up.

You grabbed his jaw to face you, noticing a few tears streaming down his flushed cheeks. You slowly swirled your thumb at the wet slit, causing Martin to sob loudly. “Aw, you wanna come?” You cooed, biting his earlobe not too harshly.

“Yes! Yes! Please! I beg you, I- I- need it!” Any more of your teasing, Martin was sure his dick would fall right off. “Please!” He begged yet again, his pretty blue eyes full of want and need.

When you finally were going to grant his release, he did the unexpected and touched you. Using your hand to stroke his cock at a much faster pace. Then Martin released a long moan of your name as ropes of his come gushed on his lower belly and your hand.

Finally, he came.

Just as he relaxed in your arms, he sat back up frozen in fear over what he had done.

“Did I say you could come?” You questioned, with an angry and dangerous tone. “I’m sorry–” Martin tried to apologize, holding your hand to prevent you from leaving. But you weren’t having it. Those sweet puppy eyes wouldn’t work on you anymore.

“Only good boys deserve to come. And since you were bad, you don’t get to come anymore–”

“But I am your good boy. I won’t do it again, I promise.” The dark haired brunette pleaded, caressing his head with your hand. “Please, I'll be so good to you.”

“Then prove to me how much of a good boy you really are, Martin.” His hands automatically shift you down the bed, ripping your fishnets right down the center of where he truly wanted to show you how good he was.

“No, I wanna sit on your face.” You briefly told him and Martin’s eyes widened with interest.

“Can you keep this on?” Martin pointed at your fishnets.

You agreed.

With great enthusiasm, Martin lays on the bed, ready to use his tongue on you. He hoped he wouldn’t disappoint you, never once did he receive a complaint about his head game. However, in those experiences he was the one in charge. Now, Martin was about to unlock a new experience he was set on trying for years.

After you rid yourself of your bra, you hurriedly crawled your way to Martin’s face, setting your knees on both sides of his face. Martin’s eyes darkened, not only at your heart shaped nipple piercings on both of your breasts, but the piercing over the small hood on top of your sex.

A clit piercing.

“Be a good boy,” you instructed before you lowered yourself on his mouth. Your hands gripped the metal bed frame for leverage as you slowly grind your cunt, back and forth.

Martin hummed, in total bliss at the taste of your sweet slick that was coating his face. You moan loudly as he moves his nose against your piercing, sending shocks of pleasure to your spine. His tongue feasts on you, licking the seam of your folds with each of your grinds.

You press your core closer to his face, unconcerned if Martin could breathe; not that he minded. It was a good way to die, though. And your jaw drops open with multiple breathless moans, once his tongue made its way inside your entrance, licking inside your quivering walls.

Martin’s eyes stared at you as you were lost in complete pleasure, you truly looked devine sitting on his face. He could come on just this alone, but he didn’t want to risk another punishment from you. Martin was set on being your good boy, so for now he had to follow your instructions.

“Yes, that’s it!” You rip one of your hands from the headboard and dig them into his hair, guiding him where you want him, as you are getting closer to that cliff of euphoria. Martin happily goes where you want him.

When you guide his head towards your bud, Martin moves his nose at a much faster speed. When you guide his head lower, Martin sucks and licks at your entrance vigorously.

“S-so good!” You praise and it took everything in Martin to not come.

Martin moans. The vibrations alone cause your thighs to shake and release multiple broken moans as that tight coil at the pit of your stomach finally snapped, triggering your release.

“Oh fuck, Martin!” You shout, pinching your hardened nipple for extra stimulation.

Martin laps every gush of your sweetness, licking you clean through your orgasm. He watches as the apple of your cheeks flush bright red, and your eyes flutter rapidly in what he thinks is bliss.

“I’m too sensitive now,” you whined as you laid down next to Martin, basking in the aftershocks of your orgasm.

Martin frowns, he wanted to make you come another round, this time–with your permission– he’d use his fingers.

“Did I do good?” Martin asks as he lays on his side to face you.

“Perfect.”

“Do I get a reward?”

You throw your head back and laugh. “No.” You say as you straddle his hips, and Martin hisses when you grip the base of his cock, running the swollen head around your pussy, gathering wetness before you slid down.

Martin’s eyes roll in the back of his head over the smugness and warmth of your tight walls clamping down at him. The feeling of you was indescribable, heavenly; and he couldn’t do anything but groan and grip tightly at his sheets, desperately wanting you to move.

Once you adjusted to his overly girthy length, you began to grind your hips at an angle where you could feel the head of his cock kissing your cervix and hitting that special spot inside of you that had you cross-eyed.

Fuck he was big.

“I won’t be able to last much longer,” Martin warns, gasping at every clench you give.

“Don’t you fucking dare, Martin.” You snaked your fingers down your bud, circling your pierced clit before you came once again with a loud whine so unlike you.

However your eyes, in which you didn’t realize were closed, shot open as you felt Martin’s cock pulsate and instantly separated yourself from him causing him to whimper over the loss of contact.

“Please! I need-want to come inside of you!” He cried, chasing his hips towards your pussy.

You denied him that and started again.

Every round Martin was close to coming, you detach yourself from him. Until your hips became somewhat sluggish, Martin took you by surprise and threw you at the end of his bed, mounting you from behind. You were at a loss for words as he slid inside of you without warning, giving hard, fast, and needy thrusts.

“Be a good girl and take what I give you,” Martin mumbles as he grips the roots of your hair, forcing your head to look at him. “You don’t get to come anymore. Do you understand?”

You have no choice but to oblige.

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#Ewan Mitchell #martin x reader #idk how to tag this #martin (in the modern world) x reader #ewan nation #pls dont come for me over these tagz #in the modern world #filthy smut #so be nice to me

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alpaca-clouds · 1 year ago

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The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

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gatheredfates · 6 months ago

Text

How To Win Friends and Influence People: Dawntrail Edition ☀️

I swear the title is a joke.

Listen, we all know I'm one to furiously and viscously encourage people to venture outside their box and meet people, and today is no different! With the launch of Dawntrail, we're likely to see a lot of cool new people in the community, so these are a couple of affirmations I employ to myself when reaching out. Feel free to use them to your benefit!

That little voice telling you the person will think you're annoying is probably a liar. In all the time I have reached out to people in this community, I have never once heard a complaint about being annoying, overbearing or too much. As long as you're not inappropriate, respect boundaries and go in with pure intentions, it is likely to be reciprocated.

If people don't want to interact with you, that is their loss. Rejection sucks, but you cannot let the fear of it rule your intentions. Don't hyper-fixate on the loss; simply block (if needed) and move on. Not only will you foster healthy relationships with people who reciprocate your efforts, you will avoid drama by respecting and enacting your own boundaries. Trust me when I say this will improve your whole experience.

You don't need to message people right away! Start by leaving nice tags on their gposes, writing, etc.; make conversation and comment on their posts. Work up to a message first if you're shy.

I don't know what kind of comment to leave, you say? Easy! Find one thing about what they've done that you like. For example, I'm often like 'wow the x colouring in this is amazing! i love how it makes the character pop'! It shows engagement with their work beyond the superficial. Trust me, when i get these kinds of tags, it makes my day.

Remember you get out of a community what you put into it. If you have a cool idea for a space/event/roleplay concept, promote it! If you think your character's story would bolster another persons', offer to write with them! Reach out to other places with similar or adjacent concepts and see if you can work together. You catch more flies with honey than with vinegar, so they say.

If it's within your blog's scope, reblogging other people's outreach posts/commissions/gposes/etc is a great way to engage with the community in a low-stakes way. If you need to make a sideblog for promotional stuff, do it! I prefer tags, personally, but you do you. The more approachable you look, the more people are going to contact you first.

Befriend people because you earnestly want to get to know them. "Popularity" is a farce. There are amazingly talented people who have a small group of friends because they're shy.

Eat food, drink water and take your medication before you do any of the aforementioned. Actually, just cover all those basis before you do anything. If you start dooming and glooming your efforts, have a nap (trust me, it worked for me last night!).

A couple of things to keep in mind on the other side:

You are not obligated to reciprocate someone's efforts.

"No." Is a full sentence. It's always preferable to be kind, but know your worth.

If that shit don't stick, hit da bricks!! You can leave!!

Always try to assume the best intentions of people.

Tools of moderation are not drama-mongering or nasty; they simply tailor your experience to what you want to see/experience. You don't need to justify your reasonings, you don't need to explain yourself to anyone; block and move on!! You don't need to make a big deal about it.

If anyone has anything else they want to add, please do! But this how I operate and it's never done me a disservice. ✨

#｡･ﾟﾟ･ — sea speaks

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dedalvs · 2 months ago

Note

I was studying up on SLIPA and I'm kind of curious how one would go about performing sound changes (hand position changes?) with a signed language? Do the concepts translate over to SLs similarly? Like, how would you express assimilation or metathesis or umlaut through a SL? Or do they just have their own completely unique set of changes separate from spoken languages?

Remember that when we write things like C[-cont] > [+voice] / V_V that these are shorthands for descriptions, and they're not necessarily consistent across the discipline. There are absolutely changes that occur in sign languages—both synchronically and diachronically—and there are linguists who have studied them. For example, in the history of ASL, signs that were signed in the periphery have moved closer to the center; signs where two hands were doing non-parallel actions have switched to parallel; and two handed signs have shifted to one handed signs. These are long-term, general trends, but there'es plenty of assimilation that's quite explicable.

For example, consider the verb TEACH, signed up at the top of the forehead. In TEACHER, where TEACH is followe dby the two hand PERSON suffix, the hands rarely get so high as the top of the forehead. This makes sense, as the place of the TEACH sign is farther from the usual place where the PERSON suffix happens, and so its shift to be closer to the place of PERSON is a kind of anticipatory assimilation, akin to nasal place assimilation. You could describe this with SLIPA, or you could describe it in words, as I've just done, or you can describe it with video augmented by words, etc. The concepts are the same; only the articulators are different.

A lot of sound changes (synchronic or diachronic) boil down to two major factors:

While it is possible for human beings to be precise in their actions (to say the same word the same way every single time; to sign the same thing the same way every single time), it's not convenient, and so humans take shortcuts, where they can (i.e. where they can get away with it without sacrificing the whole enterprise, i.e. conveying a message).

While it is possible for humans to pay careful attention and decode a message precisely as it was intended—and even to inquire when there is confusion—it's not convenient. We will often make false assumptions about what we see and hear. Furthermore, we will often assume that when what we perceive doesn't square with what we expect, it is our expectations that were incorrect, not the sender of the message. If in replicating the error the message doesn't suffer, the error may propagate, leading to change (i.e. errors in perception that don't interfere with the transmission of a message can be replicated and become largescale language changes).

These two factors account for the majority of sound changes (not ALL of them, of course, but the lion's share). Notice that neither of them require that the language be either spoken or signed, because they deal exclusively with transmission and reception. Only the details are different when the medium changes. For example, there's nothing similar to a velum and how it works in sign languages. It's too specific an organ with too specific a function in spoken language. But that doesn't meant that some of what it's involved with (e.g. various assimilations, blocking, etc.) won't have analogs in manual languages.

To offer a more concrete analogy, I was born with six fingers and no thumbs (two index fingers on each hand). I had surgeries to turn one index finger on each hand into something that approximates a thumb, and it functions fairly well most of the time. When I learned ASL, I discovered there were certain things I simply could not do. In signing numbers, for example, 6 and 7 are very hard to form on my right hand, and impossible on my left. My new thumbs simply don't connect that way, and furthermore, there's some connection to my other fingers when I try to move the thumb, and so I can't raise my other fingers while I'm trying to make that connection. This is what the number 6 is supposed to look like (signed with my right hand):

You can see my thumb is making contact with my pinky with the other three fingers extended upward.

Now this is what happens when I try to make that sign with my left hand:

You can see my hand is basically forming a claw. If I thought about it, I could extend my index and middle fingers, but I cannot continue to stretch my thumb to my pinky while extending my ring finger. Furthermore, that is the very furthest I can stretch my thumb. It simply will not extend anymore. i can use my other hand and push it, but what I'm doing is pushing my pinky closer. That's the furthest my thumb will go.

As a result of this, the way I sign is always noticeably distinct. There are things I simply cannot do that the majority of signers accomplish with ease.

Even so, the way my hands are does not and has never interfered with my ability to speak any oral language. Why would it? It's not relevant to speech.

Having said that, what if instead of hands it were my tongue? Or velum? Or lips? Or teeth? If I'd been born without front teeth, for example, it would impact the way I sounded when I spoke English. Consider that [f], [v], [θ], and [ð] all crucially involve the front teeth.

So back to the original question, there is no direct analog for the way my hands work to speech, in that my hands will affect a sign language in the same way that some change in the mouth will affect an oral language. But the CONCEPT! That is analogous. That is, a change in your physiology can affect your ability to produce an oral language int he same way your physiology can affect your ability to produce a signed language. The concept is the same; the instantations will differ. That means the specifics will crucially differ, as well.

In other words, yes, sign languages do have their own specific sets of changes, but, no, the basic concepts are the same as spoken languages, because both of them are nothing more than human patterns of production and perception.

#asl #sign language #signed language #manual language #language #linguistics #sound change #historical linguistics #slipa

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mochalate · 8 months ago

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[intro] new notification!

msby!atsumu x reader || w/c: 560 Atsumu discovers that the only thing worse than online dating, is dating advice online. a/n: oh look at that, another atsumu fic!! this one is less stressful for me though. its pretty short, with a cute little plot that won't cause me planning paralysis. making edits for atsumu is always so fun <3 i hope you'll read it!!

[chapter 1->]

r/relationship_advice • 3 hours ago

u/fattytuna95

I want to ask out my twin brother's girlfriend.

It's not as bad as it sounds. She's not really his girlfriend.

I'll try to explain.

We're colleagues, sort of. (Me and her— I'd rather starve to death than work for my brother.)

Last month, someone took a picture of us leaving the office. I was only walking her to her car but the person who took the picture wanted to imply that we were dating.

And that wouldn't have been an easy rumour for her to handle, so I got my brother (identical twin) to post a picture with her on his socials.

Obviously, just one picture wouldn't work to convince anyone, so they've been meeting up a couple times a week (they have similar interests, so they were friends already) to be seen together.

Now here's the issue— I never saw her like that before, and I thought it was just fucking annoying to watch people be lovey dovey, fake or not... but one of my other colleagues said it sounded like I was jealous.

And fuck, I am.

Do you think she'd be mad if I asked her out? I reacted pretty badly to the original picture. And I'm worried my brother likes her for real (those photos they're posting are kind of convincing...)

Edit: for everyone asking, no, I can't ask my brother. he'll know why, and if he really does like her I don't want to mess with it. and if he doesn't he won't let me hear the fucking end of it. i can hear the best man speech already.

↑ 25 ↓ •••

u/unicornpoodle • 2 hours ago

lol dude (I'm assuming you're a dude, unless you're a girl who unfortunately is built exactly like your brother) are you sure you like her and aren't just jealous of your brother being happy? fake or not

↑ 50 ↓ •••

u/fattytuna95 • 2 hours ago yeah i'm sure. I cut out a picture of one of my teammates and pasted it over his ugly mug and it made me even angrier. ↑ 35 ↓ •••

u/msbygirlie_13 • 2 hours ago

Oh hey!! I recognise you from the atsumu miya subreddit!! That's so cool you have a twin just like him!! And his brother got a gf recently too!!! (I think they're fr tho lol.)

Okay hmmm this is a tough one. wdym when yuo said 'reacted badly'??? and what was so bad about the rumour in the first place if it's an option for you now???? this is kinda weird ngl.

↑ 42 ↓ •••

u/fattytuna95 • 2 hours ago do you really they're the real deal??? I kind of laughed. And now that I look back at it, I think I might have looked way too eager to put it out there that we weren't dating. like I was disgusted or something. :( I wasn't, I just didn't want her to have any trouble. :( :( I'm sorry, I can't explain the situation any more for privacy reasons. ↑ 20 ↓ •••

u/guiltyassassin_ • 1 hour ago

well you don't have to talk to either of them... you said someone took the original photo. maybe they're still stalking?? ask them what they think?

lmfao you guys are either celebrities or highschoolers with this kinda drama

(also you keep calling your brother ugly, but then say you guys are identical? huh????)

↑ 5 ↓ •••

u/fattytuna95 • 55 minutes ago This is kind of an insane idea, but it does make sense. Maybe I'll do it. (and you wouldn't get it.) ↑ 2 ↓ •••

first chapter tomorrow! please like/reblog/reply/send me an ask if you enjoyed it :) it keeps me going lol [my other fics->] divider: @/cafekitsune

#atsumu miya x reader #miya atsumu x reader #atsumu x reader #haikyuu x reader #hq x reader #fluff #my fic

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adrift-in-thyme · 8 months ago

Note

Can I hear your thoughts on this panel?

I feel that Hyrule looking at Legend as Four says that is important somehow... What do you think?

Hmmm

Well one thing I’ve noticed in the last couple of updates is Hyrule and Legend have been around each other A LOT

Practically ever since Hyrule finished healing Twilight and helping Four they’ve been hanging around each other. In close proximity too. Which, given that Legend usually only stands close to the people he trusts (principally Sky) is a big deal.

If Dawn pt. 5 is any indication, it seems that Hyrule is mostly initiating this lol

But Legend is letting him

Excuse me while I fangirl over the downfall duo for a moment. ALDNDLSDJSLDNSL THE BROTHERS EVER

Ahem ok let’s continue

Now, I’m overdue for a LU reread so correct me if I’m wrong BUT I seem to recall that they’ve never stayed this close to each other before. Could just be that they take comfort in one another’s presence. Seeing the panel you shared, though, I’m gonna say it’s more than that.

Idk if they’ve figured out their place in the timeline yet (I’m assuming not due to how everyone acted in Timeline Talk pt. 1). That doesn’t mean, however, that they haven’t begun to guess. Jojo has hinted at many interactions that the Links have had offscreen. Plus, Legend and Hyrule met up before they ran into the others. They’ve had time to get to know each other. I guarantee they’ve got suspicions about their places in time.

Which leads me to believe Hyrule is afraid of losing Legend. He must have figured out that Legend was a hero sometime before his journey began. Meaning, somewhere along the way he perished and the darkness he struggled so hard against spread over Hyrule anew. With Twilight just having escaped death (plus the cryptic comments he continues to make regarding Time’s fate), I’m sure untimely demises are on Hyrule’s mind.

I don’t think he knows Legend’s fate (unless there’s something in his games that hints toward the previous hero’s fate). But I believe he wants to. I can’t be the only one who sees the striking similarities between Legend and Time. He likely came to the realization that a guy like Legend will most likely die a wanderer or a warrior (doesn’t mean he did. I don’t like to think he did. One blorbo with a tragic end is enough XD But still). And being a hero and Legend’s friend he’s wondering if maybe, just maybe he can change that.

If it’s possible to know a future occurrence, it could be possible to transform it, right?

All image credits to @linkeduniverse

#also the ability or inability to change a person’s fate #seems to be a theme in lu #wild has to deal with the fate of his kingdom #twi is trying to save time from his regrets #trin answers #lovely littlelightfish #asks #linked universe #linkeduniverse #lu hyrule #lu legend #lu update spoilers #lu analysis

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bbyboybucket · 10 months ago

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Okay besties, today I’m giving you the run down of Buckys finances and networth. Because as I’ve said multiple times, he’s obscenely wealthy despite the fact you’d never know by looking at him.

Now first off, MatPat (my fav YouTuber who I’m so sad is retiring, literally adore him) did a mini theory a few years ago, calculating Bucky’s compound interest in previously earned money from WWII in his frozen bank account while he was presumed dead. It totaled out to $51,143. This is just the money that he earned in the 30s/40s and has grown interest on. This is assuming the money wasn’t given to his family and for the purpose of this post, we’ll go with that it wasn’t. However, MatPat didn’t account back pay, for disability pay, and other military pay/benefits.

So as a starter point, we’ll use $51,143. Next, I’m going to calculate his back pay from being MIA/POW because he would have been considered active duty. A MIA/POW is given back pay of 50% of the average per diem rate, for each day held in captivity. The 2023 rate is $157 per day, and I assume that would be similar for him because TFATWS takes place in early 2024. So that means Bucky would get $78.50 per day. There is no time limit on how far back pay can date to, so the entire span of Bucky’s capture is accounted for. As per the Smithsonian memorial in CA:TWS, Bucky was captured in 1944, making it exactly 70 years of capture. So, the back pay for those 70 years, is $2,005,675.

Next, we’ll look at the different forms of disability pay he would receive. I’m only going to look at canonical, confirmed disabilities for this. Bucky would be classified under SMC-N 1/2, where one arm was amputated above the elbow and/or was amputated so close to the shoulder that a prosthetic cannot be worn. Now obviously, Bucky does have a prosthetic but it is implanted into his body, as a majority of his left shoulder seems to have been amputated. Since he is single and has no dependents, aka has no children and is not taking care of any family, and he is still able to work, he would be receiving $6,182 a month.

He also has PTSD, which he would most likely get a 70% percent disability rating for, as 100% is very rare to receive for mental and is considered to be extreme impairment in daily functioning. (He could recieve 80 or 90% but I’m being generous here and trying to give the most realistic assessment). All this means, his mental illness pay for PTSD would be $1716 a month.

It’s also canonical that he has brain damage via The Wakanda Files book. We know in that book, he’s described to have pretty severe TBI. However, we don’t know anything of his symptoms and the book only describes of the brain scan looks bad and that the serum is keeping him from being more impaired. The VA uses 10 areas of impairment as criteria to rate the severity of TBI disability. The only canonically confirmed area that we know Bucky deals with is memory. Since we know no other symptoms and we know he’s not extremely impaired, I’m going to estimate he’d be rated at 50%. Which would give him a compensation of $1075 a month.

Now, we can assume Bucky is retired from the military. From being a retired sergeant, we can assume his monthly pension is around $5,482.

Reminder, all VA pay is untaxed. All of these together, his monthly salary is $14,455. However, this is not including disability back pay. The VA sometimes will pay a lump sum from back from when the diagnosis was made. Assuming the Wakandans were involved in Bucky’s trial and pardon, I’d assume some of his medical records were brought in as well. Back dating to when he was being treated in Wakanda, that’s 7 years, however we don’t know if the blip would count so for that reason, I’ll say 2 years. So, his lump sum would be around $215,352.

Now, endgame was in October, six months before TFATWS, meaning it took place around March/April. Within, the span of October to March, Bucky woulda have accumulated $86,730. Because even if his pardon wasn’t official yet in October, he would still receive payment for that month.

Finally, in grand total, all of this is $2,358,900. His networth would be in a similar, slightly lower range. Meaning: yes, Bucky Barnes is a millionaire and nobody would ever guess.

#I really felt like MatPat when doing all this #bucky barnes #meta #bucky Barnes meta #james buchanan barnes #the winter soldier #TFATWS #CA:TWS

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thyrinea · 9 months ago

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Till - An Alien Stage analysis

Vivinos just dropped the teaser for Round 6. And after watching it a couple of times, I feel like I can finally understand why people were telling that this round is potentially the most emotional one yet. So here are my thought about Till as a character, and what we might expect from him in the upcoming Round. But before you go on and start reading, I want to make two quick disclaimers:

My native language is not english and sometimes I might make some mistakes, and I'm sorry for that. I'll try to make everything as cohesive as possible on this post so we don't have any miscommunication.

In the analysis, there will be a small mention of suicidal thoughts and a whole section on human experiments. If you're uncomfortable with those topics, please don't continue.

If you're ok with everything, thank you for continuing and I hope you have a good read! (Also, if you want to add something please feel free to chat with me! I love to see more theories and takes on everything)

Let's start this analysis from the very beginning, or at least the first event that we know of in regard of Till: his time at the adoption center.

(Timestamp: 00:22 - 00:24 - Teaser)

From what I gathered, this scene was first seen as a sneak peek from Vivinos' patreon and it's most likely one of, if not the very first time both of them - Till and Ivan - has seen each other. As a "troubled" kid, it's dificult to catch the eyes of someone and make them willing to have you, and seeing the discounts placed on his captivity window, we can only assume that he stayed in the adoption center for quite a while now. It's no wonder that Till is watching with awe as Ivan is being escorted away: he probably got adopted and is leaving the establishment to live somewhere else, leaving the rest only to hope to be the next chosen one. We all know that in reality, being adopted by the aliens is not a synonym to having a good life in this scenario. But for a child who has been locked in this tiny room for possibly weeks, still not knowing how society works for them, it's a dream to finally be able to get out and possibly be loved by their adopted "family". So imagine Till finally getting out of this place, after all he went through there - being rejected, seen as an unwanted individual - only to get trapped in an even worse scenario: Being used as a human experiment.

(Timestamp: 00:06, 00:11, 00:16, 00:19 - Teaser)

We can see those images are depicting something that happened after the adoption center because he's older now. We don't know how much time he had to experience those events, but if we go back to Round 2, there are some instances where he is far younger and can be seen with green stickers similar to the ones on his neck shown in the 4th image. Not only that, even on his performance on Round 2, we can see them on display. So there is a chance that he had to deal with all of this for years. Yes, he was not alone during everything, but we don't know what happened to everyone who was in this same scenario. All we know is that the faces seen on the panel during the teaser, was never once seen again.

(Timestamp: 00:19 - Teaser)

It even seems that one has perished in one of the images shown in the teaser. For all we know, everyone but Till might be dead by the time Alien Stage begins for the main cast... And living in fear not knowing if you're going to be the next one to die during an experiment is a really terrifying reality he probably had to face. And yet, during all that, he even had to go to Anakt garden to train to become a singer, and possibly go to Alien stage.

(Timestamp: 00:57 - Round 2)

At least, somewhere around his time on Anakt garden, he found something worth living for: Mizi. She became his beacon of light. We don't know what happened but knowing Mizi's character, she has probably shown him what happiness looks like, maybe became the first one to interact with him and show him he's someone. Not a product, not an experiment, but an individual. And he really wanted to continue having this feeling again. To be happy, just like her, with her. This admiration that flourished from him is most likely what made this crush Till has for her blossom. It's kind of an unhealthy dependancy if we put the spotlight on this relationship, he would even go as far as refuse to escape from everything with ivan - who is shown to be the only other person who interacts with him, that he considers a friend - and have freedom if she's not present. It's as if he doesn't know if he can truly be happy if she's not around. I'll make another analysis on Ivan and Till's relationship on the kindergarden once Round 6 goes live. Trust me, if I start talking about them here, I would literally not shut up and the analysis would have another 1000 words. But for now I really want to emphasize how both are seen as "weirdos", and started talking more because they really only had each other. Despite the differences and the bickering, Till holds Ivan close to him as well.

(Timestamp: 00:19 - Teaser)

And now, We're on Round 6: Where Till has nothing to fight for. His whole life was purely a tragedy - he had seen and experienced some of the worst things that a human could go through in this world, and despite trying his best to fight against all odds, he's back on square one. He's been defeated. Mizi is missing, and in his eyes, possibly dead. And now he is going against his childhood friend, literally the only person he has left, on a battle where he knows and only one will get out alive. I won't be surprised if in the beginning he'll be willing to sacrifice himself for Ivan to win and live. Through the whole teaser, the voice singing in the background is muffled. Till is so out of it that he's not able to realize what's going on, even the shots he's in is in pure black, as if nothing around him matters anymore to him. That is, until the voice in the end gets clearer and we can finally see the stage for the Round. Can't wait to see what we have in store on April 5th. My theory is that this might be a 2 pov video, and later we'll get to know more about Ivan's take on everything. Specially because finally he might be able to make Till see him for once. Who's going to die? I hope no one. But we're talking about Vivinos... We can expect anything on this project. All I know is that I might die if we get some parallel to the meteor shower scene shown in black sorrow.

#alien stage #alien stage till #alien stage ivan #alien stage mizi #vivinos #I am so normal about Till yall #I might die of anticipation before round 6 airs

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dementedspeedster · 8 months ago

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I realized I've never compiled all of my Twin Verse images into one place, so I'm doing that now. (The last one is a new addition.)

Twin Verse Summary:

Twin Verse: A universe in which Thad accepted Max’s offer to live with him, Helen, and Bart and learns to become a hero, though not without difficulties. Thad and Bart share the role of Kid Flash / Flash in this universe.

General History:

The history/events within this verse follow the events of Impulse and basically Bart’s life. Thad lives with Max and Bart in Manchester, Alabama during the events of Impulse. He begins to learn about becoming a hero under Max’s tutelage and very slowly develops a bond and rivalry with Bart. They’re not immediately brothers, but just learning how to live with each other and both of them want to make Max proud the best way they can though they still but heads with each other. When Max’s body is taken over by the Rival he moves in with Jay and Joan along with Bart. Max’s disappearance is what solidifies a bond between them. They’re the ones who are concerned and care about Max. Who refuse to let him be forgotten and for some time try to find him. Max is important to both of them and through their mutual love of Max as a parental-like figure they bond and stick together as each other’s most trusted person in their life because they know what the other is going through. When they grow older they both take up the role of Flash. (Which is quite helpful for their personal lives, but also keeping their identity hidden as they can use the other to keep the idea that the Flash and their civilian identity are separate. Ex: They’ve both been seen with the Flash on separate occasions, therefore neither of them could be the Flash!)

Additional Notes:

'Two Flashes?' I hear you ask? Yes, two Flashes working at the same time. Now as for why (other than the fact I think it's a fun idea)?

1. Because as I mentioned it's incredibly helpful in keeping up the illusion that neither Bart nor Thad is the Flash when it is initial assumed that there's only one Flash.

2. I like the idea of how it messes with villains outside of Keystone or Central City. I think the Rogues and local villains would definitely know/figure

3. I didn't want them to fight over the mantle. They both deserve the mantle in a scenario where they wanted to take on the mantle of Flash and give it their own spin rather than it being a contentious point between them and their growth.

4. It could keep up an even more solid illusion of the Flash can be everywhere at once.

I also think the local public would either know that there are two of them or have theories. When the Flash is out though you just don't know who you're getting. It makes for the potential for them to have different fighting styles, strategies, and how they deal with villains. But also the similarities between them. They might handle press different. Other heroes differently. Have different relations with other heroes and villains, etc.

Ex: Neither Bart nor Thad pulls their punches, but Thad is definitely softer on younger villains and tries to steer them toward reform/just steer them in a direction that doesn't lead them to a life he had in his youth.

#V: Twin Verse #Thad Thawne #Thaddeus Thawne #Inertia #Bart Allen #Barry Allen #Kid Flash #Flashfam #Flash family #my edits #my edit #also just made the last one so that one s new #DC let me write twin flashes this an idea I can get behind.#look i really liked the headcanon i put n my notes so i stuck it in here too.#long post #Reblogs are allowed!

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seeingteacupsindragons · 10 months ago

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Aro Week 2024: Let's Talk About the Limits of Representation

A lot of the discussion around writing marginalized identities comes down to one thing: representation. Representation in the books versus the authors, what the representation looks like, the variety of representation, what representation is present and allowed, what diversity is there and what isn’t.

For aro week, I want to talk about how limited that is for aro (and ace) people. Because the thing about representation is that to be exist beyond Word of God, it’s got to be discussed in the text. And that means romance (or sex, for ace people, but while I’m ace, and most of this is going to cross-apply, this post is for aro week so this is just a global note) has to be discussed in the text.

But a lot of time what I want as an aro person is to just not have to think about it. I think in general I’ve seen similar sentiments expressed across marginalized groups: we always have to think about our differences, and it’s a mental load and burden that other people don’t have to deal with. And as an aro writer and reader, a lot of the time what I want, and what most allows me to lay down that burden is to just not have romance in the damn thing. It’s hard to figure out how to write sometimes, it’s something I have to mentally keep in mind while I read.

While I go through life in general, I often just…forget it’s a thing. I forget when Valentine’s Day is often. I forget that people are normally dating. I forget people want to discuss with their romantic partners when making plans with friends. I forget they want to go everywhere as a group. I forget things look like dates. My life is one in which romance is rarely a factor unless imposed on it by outside forces. It’s not relevant.

But if I write that for characters, or for readers, a place where romance is not just imposed on their mind, the characters aren’t actually…aro. A story in which romance, romantic attraction, or interest in such things never comes up is one in which no character is canonically disinterested in or not in possession of such thing. It’s one which has no moments of obvious recognition of the aro experience or joyous bursts.

It’s a story in which, “Eh, they could or couldn’t be attracted. It never came up, so anything is valid because nothing is canon.”

The definition of being aro might lie in not experiencing romantic attraction. And sure, the character might not. But this is fiction. Not reality. And in reality, aro people’s experiences are more than the dictionary. People have relationships to romance and attraction and interactions with the concept are often recognizable and definitional. No real person can live without interacting with romance and attraction, and those relationships to it are as definitional and important to being aro or being gay or being straight or bi or whatever as the dictionary definition is.

Characters don’t have to interact with it. I’ve said romance isn’t relevant to my life as an aro person much of the time. If romance isn’t relevant to a character’s story—well, lots of things aren’t relevant to stories we assume are happening, like…most bathroom trips, or meals, or menstruation. A character isn’t representing an eating disorder because they’re never shown eating: it’s more complicated than that.

Being aro is more complicated than that.

A story in which character relationships wholly rely on and depend on something other than romance, a story where character relationships are undefinable and not attempted to be defined but only described and developed, a story in which characters and societies and people exist outside the omnipresent framework of romance inherently comes from a place of aroness and the aro experience. It speaks most to that place.

Most people who experience romantic attraction are often thinking about it. A story without such things is one which is lacking something they’re looking for and expecting, not a story where everything proceeds as usual without being interrupted by Oh, Yeah, That.

So, then, if alloromantic people will notice something is Different and aro people might seek it out, this way of writing around romance because it’s not relevant to the story the way it is not relevant to my life needs to be framed in the metatext so people, aro and alloro alike, know what to expect and what they’re getting into.

But when all talk about marginalized stories comes down to “What Types of Characters Are Here?” and “What Culture Is This World Based On?” there’s this empty space to explain stories like mine.

There’s so many things to the aro experience that don’t revolve around rejecting romance. But if you ever look for an aro story about something else, how can you even find it? It’s so difficult to talk about an aro story that isn’t Representative and exists in a way you don’t even have to think about it and there are no smooth bumps to remind you of yourself so you can immerse into it that…I think people forget stories like that can even exist.

#writing #aromantic #arotag #actually aromantic #aro #aromanticism #Aro Week #Aromantic Awareness Week #Aromantic Week #Aro week 2024

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bella-goths-wife · 2 months ago

Note

What if the Vees accidentally killed Pet during one of their punishments? I know only angelic weapons can kill them, but this is a “What if” scenario. Maybe make them hellborn?

What if the Vees accidentally killed pet (not canon)

Warnings: usual abuse, violence, death, drug use, Vs don’t grieve normally at all, character deaths, descriptions of corpse

Vox:

If we’re using human logic that sinners can die instead of canon logic that sinners ain’t killed but are just temporarily gone unless angelic weapons are used, then we’ll assume that sinners can be killed in similar ways to humans but maybe higher power levels required to kill

With this logic in place, I think that Vox would probably accidentally kill you during a punishment out of his jealousy of yours and alastors past connection with alastor almost purchasing your soul before Vox

Most likely he’d be using his usual punishment method of using his electrical abilities and the soul deal the two of you have to send electric shocks down the soul chain

Only the jealousy would heighten the amount of electricity used and in this case would kill you

Vox wouldn’t notice you were dead for a good few hours, assuming it was one of your usual blackout spells that you usually got after electrical punishments

It’s only he tries to shock you awake and you don’t respond that he realises you’ve died

Voxs mind would be split into two halves

One half thinks about the fact that he’s murdered you, the person he views as his daughter and the person he wanted to keep hidden away and protected more than anything

The other thinks about how angry he is that you had the nerve to die, how dare you? You were meant to be a loyal pet and now you’ve abandoned him like this?

Vox holds your dead body close in his arms as he debates in his mind what he should do

He carries your corpse to your bedroom and lays you down in your bed and treats you almost childishly as he tucks you in and hums you a song

Your room would become your grave as the vs leave you in it to be able to visit your corpse in an attempt to deny that you’ve passed away all together

They’d leave your corpse to slowly decompose and wouldn’t let it deter them from visiting, even in death you weren’t gifted dignity

It’s only due to his powerful position within the vees that Vox is allowed to live after killing you

Valentino and velvette still hold resentment though and have many plans to overthrow him and change the power dynamics

Valentino:

Valentino would have probably been most likely to kill you during a drugging punishment

He would have miscalculated the amount he gave you, causing you to overdose painfully

His first thoughts would be how to cover up your death so that no one knows it was him, selfish as ever

He grieves in his own way I suppose

He was never really obsessed with you as a person like the other two were, he was obsessed with the forbidden aspect of you and your emotional reactions and he more so grieves the loss of those two pleasures rather than grieve you as a person

He’d make quick work of having your body disposed of, paying some lower level demons to hide it away somewhere before killing them after your body’s gone

If your body was ever discovered, he’d instantly set it up to make it seem like Alastor was the one to kill you by desecrating your corpse to match alastors other victims, an act that had him feeling a small amount of guilt but it was quickly washed away by the need to cover his own back

He knows that fuelling voxs hatred of alastor would have him distracted enough to never find out the truth

He can’t help but feel small amounts of guilt for how your death effects velvette and Vox though, with both of them being anger filled bitter people

They both notice how he’s more attentive to them during this time but brush it off

If it were ever discovered that Valentino was the one who murdered you, Vox would kill him

It would take some internal debate considering Valentino is his lover, but his obsession for you outweighs his care for Valentino

Granted Valentino’s death would be quicker then your own, which is quite ironic really

Even In death you were still lesser than him

Velvette:

Velvette would accidentally kill you by taking it too far in a beating and pushing you down only for you to break your neck on some furniture

Velvette is not a feelings person, but I believe her killing you could make her feel so much so soon that she just shuts it down completely

She’ll push the idea of your death so far down within herself that she’ll convince herself that your still alive

She’ll be so far in denial that she’ll even think she hears your voice talking to her

She’ll carry your body around with her, dressing you up like a doll and doing makeup on your decomposed corpse to make it look less noticeable

She’ll take you everywhere with her, talking to you as if you were still alive and even scolding you when she thinks your ‘ignoring her’

Of course Vox and Valentino notice very quickly

Vox is outraged that she’s killed you, Valentino not so much but still relatively angry

But then they notice how velvette had driven herself mad in her guilt and grief

When confronted and forced into acknowledging the truth, velvette would break as she’d clutch your body and sob angry tears

Vox and Valentino decide that she has to die

Partly out of revenge for you, but also partly to put her out of her madness and misery

Velvette would be killed quickly while clutching your body and what’s left of the vees would put the two of you in your room and treat it as your graves

This was a depressing one to make ngl 😭

This is deffo not my best work but oh well

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runnning-outof-time · 2 years ago

Text

“Darling” | Tommy Shelby x Reader

Request: yes by @raincoffeeandfandoms

Pairing: Tommy Shelby x reader

Summary: Tommy and (Y/N) have a lot of explaining to do to the rest of the family when Tommy lets a term of endearment he doesn't normally use slip one night at the Garrison.

Warnings: language, drinking, implication/brief mention of stalker-like behavior

Word Count: 2857

A/N: I really loved this request, Flor! There’s something about Tommy using terms of endearment that just get to me. I hope you like it. Enjoy! :)

Let me know if you want to be tagged in future stories similar to this one!

(Y/N) (Y/L/N) was the only person Tommy Shelby called "Darling".

What started off as "I'll take my chances by myself, darling," — said in a rather snarky tone — after she'd offered her help one night at the Garrison, had now turned into the main term of endearment he used when addressing her. (Y/N) liked hearing him say it as much as he did...it reminded her of the journey that they'd gone on to get where they were now.

(Y/N) was hired at the Garrison by Harry, who owned the pub before the Shelby family took it over. She was kept on the staff by Arthur, who assumed the 'owner' position, although he didn't do much work behind the scenes. She met Tommy one night when he was having trouble working out what she now knew was a plot to sell the stolen guns that he had in his possession. She offered her help, but was only given "I'll take my chances by myself, darling," as a response, a curt way to get her out of his sight.

But then he started coming to her. It wasn't for things that had to deal with the guns, but rather just business in general. (Y/N) had some ideas on how to run the pub better and Tommy was, surprisingly, all ears. The more times they found each other, the more a different type of feelings developed between them.

The night that everything changed was when Tommy managed to save (Y/N) from two men he saw watching her at the Garrison that evening. He trailed them as they trailed her back to her home and was able to deal with them before they could do what they'd set out to do. (Y/N)'s question of "why did you care so much to follow me and make sure that I was ok?" gave Tommy the opportunity to tell her what he'd been wanting to do for the last several weeks. And unlike he'd been done in the past, he took that opportunity and explained to her how he felt. Thankfully, she felt the same.

And so they started seeing each other. (Y/N) stayed longer on nights Tommy was there so that he could walk her home, and then stay the night at her place. They made time to do things together around Small Heath, but always had to make sure that they'd go unnoticed. It wasn't because they were worried about the town gossip. No...someone would be dumb to spread rumors (that weren't really rumors) about Tommy Shelby and his lady. But instead they were worried about his family, who were the people she oftentimes waited on, finding out.

They both thought that it would be better to keep the other Shelbys out of it. It was all so new, and they were content with where they were at that moment, so why ruin a good thing? That's why Tommy checked in all directions and made sure that they were alone before he called her "darling". Him doing so only made the giddy feeling that coursed through her stronger.

(Y/N) was behind the bar, dealing with some customers one evening. She was pouring out some gin when the door to the pub opened. From a slight glance in that direction, she was able to see Tommy remove his peaked cap and stuff it into the pocket of his jacket. He made his way over to the bar, moving behind it just as (Y/N) was finished pouring a drink.

"We're out of mild, (Y/N), can you go and get some from the stockroom?" Harry asked as he came around the bar from the other side. He then noticed Tommy and sent a nod as a greeting in his direction.

"I can," (Y/N) answered him, setting the bottle she was using back on the shelf before she made her way through the door on the same wall and into the small stockroom. She went about looking for what Harry had asked for, hearing the sound of someone walking into the room seconds later. She already had an idea of who it could be, but a quick look taken just in case confirmed that Tommy had followed her into the room. He glanced behind him to make sure nobody had trailed him before he made his way over to (Y/N).

"When's your shift finished, darling?" he asked her, his voice low.

(Y/N) smiled as she grabbed what Harry needed before she turned to face Tommy. "Shouldn't you know when?" she teasingly asked him, her one eyebrow quirking upward as she posed the question. Tommy pursed his lips and shook his head slightly as a response to her question, making her laugh softly. "I've only got a half hour left," she then provided him with the information he was looking for.

"Good. Come into the snug when you're finished," he told her, nodding his head in the direction of the mentioned room as he spoke. It was (Y/N)'s turn to purse her lips, thinking over the suggestion that he made. Tommy, who always needed to know a person's answer immediately after he posed a question, was beginning to become impatient with each silent second that passed. "Will you?" he asked her, leaning in closer to her as he awaited her response.

A smile formed on (Y/N)'s face as she sensed his urgency to hear her answer. She always loved to make him wait; to see him become impatient, and she made sure to do so at every chance she got. There was something about seeing cracks form in Tommy Shelby's composure that scratched an itch she didn't even know she had.

"I will," she finally answered him, a beaming smile on her face as Tommy chuckled. He knew what she was doing...he'd caught onto her little game rather quickly. But he let her do it for the sake of seeing her smile.

"Good," he gave the same response that he had previously. He then stole a glance behind him, making sure that no one was in the room with them before he leaned in and kissed her lips quickly. "I'll see you in a half hour," he mumbled against her lips, feeling her smile against him.

"You will," she agreed with him, kissing him one last time before she pulled back, "I've got to take this out to Harry before he gets to wondering what we actually came in here to do," she said to him then, holding the jug up between them to assert her point.

"Go on, darling," he obliged to her statement, stepping out of her way then so that she could make her way out of the stockroom and back to the bar. He watched her go, eyeing her body over as she disappeared through the doorway. He waited for a few moments then, making it seem like he actually had a purpose for coming in here. When that time passed, he too exited the stockroom and walked back into the pub's main area. He stole a glance at (Y/N), who was still working the bar, before he made his way to the snug.

Arthur was the only person in there when Tommy entered the side room, but he quickly announced that Polly, John and Esme would be joining the group once they finished their duties back at the shop. Tommy nodded upon hearing this information, and he sat down in his usual chair, accepting the glass that Arthur slid his way once he was sitting.

They got into talking about the business then, and although Tommy would have rathered to leave that conversation rest for a later time, he took part in it. Doing so would pass the time quicker than just sitting in silence, and right now all he wanted was for thirty minutes to go by.

—

Tommy didn't know why he was anxiously counting down the seconds for (Y/N) to be finished with her shift. It wasn't like he could do anything overtly to her while in a room that was full of his family. But yet as the new hour came around, he found himself trying to suppress the smile that was threatening to appear on his lips. His family would never let him live it down.

About five minutes before her shift was due to be finished, (Y/N) opened the door to the snug. There was cheers exclaimed as a greeting from the packed room, and she sent everyone a smile before going about asking what she intended to: "is there anything I could get anyone before my shift's finished?" she asked no one in particular, looking at each person after she spoke. She tried hard not to let her eyes linger on Tommy, who had been shamelessly looking at her because he was technically allowed to...that was what you did when someone was speaking, right?

"Nah, love, we're good in here," Arthur answered for the rest of the group, "but why don't you come in after you're all finished up? 'S been a while since we've seen you properly," he suggested then, and (Y/N) had to wonder for a moment whether Tommy had told him about the two of them.

"If you all would be fine with me joining then sure, I'll come in," she answered, unable to shake the feeling of Tommy's eyes still on her.

"Of course we'd be fine! Go on and finish your shift so you can get back in here!" John hollered at her, waving her out of the room with his signature grin plastered on his face. (Y/N) shook her head and laughed at his words, saying goodbye to them so that she could go and finish her shift's final minutes behind the bar.

Five minutes later, like she agreed on doing, (Y/N) re-entered the snug. More cheers sounded off as she greeted everyone again. She then clasped her hands together over her waist and looked around, trying to figure out the seating arrangement and how she'd fit into it.

"Care to make some room for her, Pol? Bring another chair into the room?" Tommy spoke up, addressing his aunt, who was sitting on the end of the booth that was furthest away from him.

(Y/N) looked over to the older woman, who was now in the process of standing from the booth. "You don't have to be the one to move, Polly, I can..."

"No need to worry, (Y/N). I was about to get up and get another drink anyway," Polly stopped (Y/N) midway through her sentence, brushing the younger woman's statement off as she stood and moved towards the door.

(Y/N) stayed frozen in her spot though. She then turned to Tommy, her brows furrowed slightly. "Tommy are you sure about me taking Polly's seat, I can just go and..."

"Yes, I'm sure, darling...have a seat," Tommy cut her off this time, his words rolling off of his tongue without a second thought. (Y/N) nodded, not giving much thought to his response either as she went and sat down.

Everyone else in the room stopped what they were doing the second they heard what Tommy said. Sets of eyes were going between the two for a few moments before either of them caught on.

Noticing the sudden shift, Tommy broke the silence, "alright, what? What's happened?" he addressed the room, his eyebrows raised as he looked at each of his family members.

"I believe you should be telling us what's happened, brother," John answered, his gaze still shifting between Tommy and (Y/N).

"What?" Tommy asked again, confusion apparent in the single word statement.

"When have you taken to calling (Y/N) 'darling', Thomas?" Polly asked from where she was standing at the door, her brows raised.

"I don't know what you're talking about," he continued to play it off as if it was nothing, looking over to (Y/N) to see if she was still in his corner. The second he saw her wide eyes, he knew that he was on his own.

"'Yes, I'm sure, darling, have a seat' doesn't ring a bell to you?" Arthur joined in, quoting what Tommy had said just moments ago.

"That's what I said..." Tommy trailed off, not denying that those were the words that left his mouth. He looked between all of the people in the room then before his eyes settled on (Y/N). She immediately began giving him one of those 'will you speak first, or should I?' looks, hoping that he'd choose the first of the two.

Polly was the one to break the silence before either of the two could speak up. "Spill it," she insisted, crossing her arms over her chest as she looked at the guilty couple with pursed lips. She was a spitting image of a principal who was asking a child to own up to something they did; right down to the aura she was exuding.

Tommy held his gaze on (Y/N) for a moment longer before he exhaled a sigh and ran his hand along the back of his neck. "(Y/N) and I are seeing each other," he told the room their secret. He looked over at (Y/N) again to see that she was sitting in a rigid manner as she waited to hear how they'd react. Inside she was panicking, holding her breath and hoping that she wouldn't combust from the anticipation that was building.

"For how long?" Esme questioned from (Y/N)'s right. She took that opportunity to finally look away from Tommy, although his eyes burning into the side of her face reminded her that he was still very much present.

"A few weeks now," she mustered up the ability to answer the question, still waiting in limbo to see how they'd react. These Shelbys were good at withholding their emotions and reactions, and that really wasn't helping her case at the moment.

"A few weeks and you didn't think to tell us?" John chimed in, leaning out past Esme so that he could look at (Y/N) more properly.

(Y/N) opened her mouth to speak before she had a clear answer, so she said nothing, which made her eyes widen slightly. She was crashing hard here. Thankfully Tommy stepped in to cover her as she continued to draw a blank. "We didn't want it to become a big deal. Neither of us felt there was a reason to tell you, so we chose not to," he explained to them, really trying to downplay the importance of it all.

"It's not that we didn't want to tell you guys, it's just that it was...new," (Y/N) added on, making sure to let them know that this choice wasn't made solely because of them.

The room fell silent then after (Y/N) finished speaking. To her, it felt like the air was thick enough with tension that she could cut it with a knife. It made her ring her hands together and stare over at Tommy with a pleading look in her eyes. She hated the anticipation of what would be said next.

"Well in that case..." Arthur started as he stood up from his end of the booth. He didn't say anything as he made his way to the empty area of the room and turned to face the family again. Just finish your sentence already! (Y/N) was screaming at him in her mind, her nerves kicking into overdrive. Time seemed to move slow until a smile spread across the eldest Shelby sibling's face. "Welcome to the family, (Y/N)," he finished his statement, his eyes focused on the woman he was addressing, "next round's on me!" he then announced to the rest of the people in the room.

"Let's fucking celebrate!" John exclaimed, a wide grin spread across his face.

(Y/N) smiled as she looked around at the rest of the Shelby family. She couldn't help but giggle as her eyes focused on Tommy, who was in the middle of getting affectionately slapped on the back by Arthur, who John then followed with the same gesture. Her heart swelled as she saw his smile.

She kept her eyes on him until she felt a set of arms wrap around her. "Welcome to the family, (Y/N)," Esme offered her own kind words as she hugged the woman sitting to her left.

"Thanks, Esme," (Y/N) responded, pulling away to smile at her.

"Wait until Ada finds out," she said with a grin then, "she's going to be thrilled to have another woman in the family." (Y/N) smiled at her statement.

She couldn't deny the giddiness that she felt bubbling up inside of her. This moment had gone the way that she hoped it would, and it would be another that she would remember for a long time...part of the reason being because it was another instance when Tommy called her "darling".

Tagged: @mgcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21 @mrsalwayswrite @julkaamazing @evita-shelby @lilyrachelcassidy @notyour-valentine @shelbydelrey @december16-1991 @onlydeadcells @peakyswritings @just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry @captivatedbycillianmurphy @yummycastiel @dark-academia-slut @tommystargirl @stevie75 @lyarr24 @signorellisantichrist @zablife @anotherblinder @midnightmagpiemama @cillmequick @rangerelik @lovemissyhoneybee @dandelionprints @letal-y-poetica @raincoffeeandfandoms @itscheybaby @gypsy-girl-08 @lora21 @insanitybyanothername @depxiety @dragons-are-my-favorite @sunsetbeachesandwriting @forgottenpeakywriter @cilliansangel

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