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starry-bi-sky · 7 months ago

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Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well:

He’s adopted.

He can’t remember anything else before that.

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.

It is a fast dream.

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods.

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)

—---

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom.

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #danyal al ghul au #amnesiac danyal al ghul au #songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart #musician danny has my heart and soul #yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks #implied good mom talia al ghul #danyal is a momma's boy send tweet #dpxdc ficlet #dpxdc prompts #dp x dc au #dp x dc fanfic #danyal is sTILL five years older than damian in this au #no beta no edits we die like danny fenton #poc danny fentons #i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense #ugh im gonna have forgotten to include things and im gonna be kicking myself later #morally ambiguous danny whoo! we love to see it #since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous #phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe #not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him

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linghxr · 19 days ago

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Why you should watch 乘风破浪 and 披荆斩棘 to learn Chinese

What are these shows?

Both 披荆斩棘 and 乘风破浪 follow the same basic format: 30+ celebrity contestants, mostly actors and singers ages 30+, form teams and compete in singing and dancing over several rounds. Viewers vote on their favorite performances and contestants, and 1-3 contestants are eliminated each round. The top contestants form a temporary "group" and appear on a follow-up reality show.

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Why you should watch

1. Exposure to different accents

Contestants come from all over the Chinese-speaking world: Dongbei, Sichuan, Taiwan, Hong Kong, and even Malaysia. I can personally say that watching these shows has vastly improved my ability to understand the Hong Kong Mandarin accent.

2. Pop culture knowledge

Because the contestants are celebrities, you'll be introduced to dozens of famous actors, singers, etc. Also, you'll hear the many iconic songs that they cover. I've impressed several native speakers with my with knowledge of pop culture and music.

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3. Branch out to new media

These shows serve as a gateway to Chinese music, movies, and TV. if you really like the contestants who are actors, you can check out their shows and movies. If you enjoy a certain song or like a contestant who's a singer, you can explore more music.

4. Casual and formal registers

You’ll get to hear casual, unscripted speech while watching the behind-the-scenes and rehearsal clips. But you’ll also get to hear more formal speech when they’re announcing rules and also from the MC who hosts the actual live performances.

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5. Incredible talent

Also, you should watch for the awesome performances and general fun. I love seeing the contestants' friendships, and I’m also obsessed with the amazing sets. There are some incredibly talented performers on these shows, and I love getting to see them shine.

Where to watch

All seasons are free to watch on YouTube! Sometimes clips may be muted or missing, probably due to YouTube's restrictions. But the vast, vast majority is available, and when a clip is missing, you can usually do a separate search and find it. I also pay for a Mango TV subscription, which is $1.99 USD/month.

乘风破浪 full episode playlist links:

乘风破浪的姐姐1

乘风破浪的姐姐2

乘风破浪3

乘风2023

乘风2024

披荆斩棘 full episode playlist links:

披荆斩棘的哥哥1

披荆斩棘2

披荆斩棘3

披荆斩棘4

To help you get started, below is a YouTube playlist of my some of my favorite performances (5 per season, except for the most recent season of each). Cause why not! Also, below the cut I'll put more details along with direct links to my favorite performances.

And if you're a fellow fan emotionally preparing for the 披荆斩棘4 finale 🥲, feel free to message me and commiserate!

See similar posts: I watched all the Chinese idol survival shows so you don’t have to (but you should anyway) Tips for finding Chinese-language media you like

Sisters Who Make Waves

Chinese title: 乘风破浪的姐姐 (S1-2) / 乘风破浪 (S3) / 乘风 (S4-5) English title: Sisters Who Make Waves (S1-3) / Ride the Wind (S4-5) *I call it Sisters for short

This series is the original, having started in 2020. The focus was on female empowerment, particularly of women 30+. A lot of the celebrities had slowed down in their careers, and the show served as their reintroduction to audiences. While female empowerment is still a theme today, I do feel it has lessened in prominence.

Season 1

The original, iconic season. You can tell they had a limited budget and not a ton of space, but it doesn't detract at all thanks to the incredible talent and energy of the contestants. And they had no idea what a phenomenon the show was going to be! Many of my most rewatched performances come from the season.

得不到的爱情

大碗宽面

相爱后动物感伤

FLOW

新物种

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Season 2

This season has a special place in my heart as the first one I watched! It's the only one I've seen twice (when it originally aired and rewatched with friends). Compared to season 1, you can definitely tell they had a bigger budget and started to refine the format. Also, some of my all-time favorite contestants are from this season.

现在不跳舞要干嘛

归零

快乐宝贝

给自己的歌

我

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Season 3

This season was the first with the show's "modern" and fully-developed format, which remains to this day. For example, they started to include more complex sets and recruited more diverse contestants, such as dancers, an athlete, etc. Also, my favorite performance of the entire series, 雾里, is from this season.

雾里

梦中人

山海

孤独颂歌

有吗炒面

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Season 4

This season was the first time I felt there wasn’t improvement over the previous season. I think the stage design took a step backward, and I didn't love the international focus. It was hard to identify my favorite performances because I didn't feel strongly about many. That being said, my friends and I still enjoyed this season.

从头

千里万里

下个，路口，见

归途有风

I'm Not Yours

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Season 5

Though this season has already ended, I'm not done yet. I watch with friends, so we move at a slower pace. So far, it seems largely in line with season 4. I'll update this post after we finish.

Call Me By Fire

Chinese title: 披荆斩棘的哥哥 (S1) / 披荆斩棘 (S2-3) English title: Call Me By Fire *I call it Brothers as a nickname

A show about female empowerment gets a male spin off? Out of skepticism, I did not plan to check out this show when it premiered in 2021 (after Sisters S2). But at some point I changed my mind, mostly because I had to run out of other shows. Little did I know I would arguably become a more devoted fan of this show than the original!

Season 1

This season had too many iconic performances to count, and in particular, the Hong Kong contestants really took the world by storm. Due to scandals, they edited out 2 contestants (Huo Zun and Li Yundi), which admittedly does make for an awkward viewing experience at times, but you should totally watch anyway.

凄美地

MMA

飞云之下

达拉崩吧

如果还有明天

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Season 2

Looking back, season 2 did not have as many stand out performances as season 1, but it does boast my favorite performances of the entire series, 新地球. It also features a fantastic group of contestants, probably my favorite overall cohort of the show.

新地球

袖手旁观

私人生活

理想

凤毛麟角

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Season 3

This was the first season to air after I started watching, though I didn't watch it live because I was still on season 2. While it's probably impossible to top the iconic status of season 1, I think season 3 was an improvement over season 2 in terms of memorable performances. We also got the iconic 0713 (2007快乐男声全国13强) contestants.

行走的鱼

爱人错过

Joker

走麦田

有没有一首歌会让你想起我

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Season 4

This season is sadly coming to an end, although I have not started the finale yet. I'll start this weekend and update this post in the future after I've had some time to gather my thoughts.

Now I have to go finish 披荆斩棘4 episode 11 so I can watch the finale. Bye!!!

#my watchlist #deciding what to include was soooo hard I was in pain #also sadly some really good ones are not available on youtube prob cause of the usage rights #if just 1 person checks out these shows it will be worth the inexcusable amount of time I invested in this post #to contextualize my obsession know that I have painstakingly translated and subtitled 20+ songs from Sisters #just so my friends who don’t know chinese could enjoy them #I think amber liu and xue zhiqian must have the same stylist cause so many of her outfits look like they could be his lol #sisters who make waves #ride the wind #乘风破浪的姐姐 #乘风破浪 #乘风 #chengfengpolang #call me by fire #披荆斩棘的哥哥 #披荆斩棘 #pijingzhanji #cvariety #chinese variety show

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akuma-tenshi · 5 months ago

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sometimes the solution to finishing a project you hate / were struggling with really is to just not fucking touch it for a bit and then come back when you're less annoyed with it. i struggled so hard with this when i first started it but when i came back tonight it was a breeze

song is sancta simplicitas by ennn w/ dex

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turtleblogatlast · 4 months ago

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“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt headcanons #rottmnt leo #rise leo #listen it’s morning now and I haven’t slept so bear with me for the sudden unwarranted lyric analysis haha #a lotttt of the lyrics work so well for him #not even just the overall theme the words just work great #first lyric is literally ‘I can’t help it if I make a scene’ which is one to one with ‘Leo’s makin a scene’ from the rottmnt opening like-#‘I’m turning heads and I’m stopping traffic’ -> Leo has not made it a secret that he values his looks a LOT #-not just his looks but also his ability to get people’s attention #‘when I pose they scream when I joke they laugh’ -> I feel like this speaks for itself #-posing and joking for the crowd and himself #‘I’ve got them dazzled like a stage magician’ -> works both with Leo’s canonical love of magicians and his aptitude with tricks in general #‘well everybody needs a friend and I’ve got you and you and you’ -> I just think it’d be cute to imagine his friends here just as his bros #‘I got you and you and you’ = ‘my brainy guy my smashing guy and eats peanut butter with his fingers guy’#‘haven’t you noticed that I’m a star?’ -> Leo loves attention and especially loves when his feats and efforts are acknowledged #+ he loves glam rock and sci-fi and being a champ and - listen he has a LOT of star symbolism with him #‘haven’t you noticed I made it this far’ - Leo is well aware of how dangerous situations get and thinks himself only a part of a whole #-so hey it’s notable that he’s survived this long yeah?#‘now everyone can see me burning’ -> self-sacrificing with his family bearing witness + all his star and flame symbolism in general #+ how attention naturally goes to him - including bad attention where his mistakes are highlighted and burn bright #also even the limo lyric-#obviously this boy has never and will never own a limo but one of his main secondary colors IS pink so even that #okay that one is just a joke but he would #(on that note though I think the other colors the boys gravitate to outside THEIR color are fun to notice)#I don’t actually know too much about Steven universe beyond the songs and some eps but I like the music #and this just came to my tired mind so here you go anyone who’s interested #may draw something with these lyrics dunno yet #it’s a good song in any case even though it’s super short

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elderwisp · 5 months ago

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On Repeat - an oc tag

rules are pretty simple, pick as many (or as little) oc's as you'd like and find a song that you relate to them the most! feel free to mention why too! o and tag some more ppl too! that would be cool! i tag: @goldenwaves @acidheaddd @dejasenti99 @earthmoonz @moonfromearth @stinkrascal @matchalovertrait @lynzishell @sirianasims @vicciouxs @gvaudoiin-tricou @smulie @living-undead @pralinesims @lucidicer @literalite @nepotisim @mattodore @madebycoffee @daniigh0ul @changingplumbob @yukikocloud @cinamun @moonwoodhollow @youredreamingofroo @acuar-io @raiiny-bay

deep dive below ⇣

Frances Dubois:

Something about the whimsical instrumentals backed up with the haunting vocals almost reminds me of someone stuck in a loop. There's repetition in the chorus that solidifies that feeling. I also like the juxtaposition of the French lyrics, like the second singer is aware and has a desire to change. When I think of Frances, I envision someone in limbo and part of that is the inability to make a decision. She finds herself stuck, in a way, her anxiety makes the decision for her because doing nothing is something. Whilst Icarus has helped nudge her into making decisions such as aiding her in graduating, speaking to Atlas, and supporting her in her audition. there's still this internal desire to make that move on her own. The first time we see her do that is when she decides to kiss Icarus, which in a way, pushed her back into her loop as it didn't end well. As of current events, she's avoided him since.

↬ sometimes - mattyeux and princess chelsea

Daniella Álvarez:

This song to me encapsulates someone who has had to be independent at a very young age. The beginning opens with spoken lyrics, "She asked me who's taking care of me, I said, 'I take care of me'" and whilst incredibly empowering, there's always that question of how did we get here? Dan is the eldest of two younger siblings. In fact, there's quite the age gap between her siblings and if we look at Valeria, she also looks just as youthful. Dan is the product of an unplanned pregnancy as well as a bit of a narcissistic mother. The disorderly environment in which she's been given, learning to be a caretaker of her siblings and the constant pressure of success has lead her to have self-sufficient character. Whenever I think about her dynamic with her friends, I'm reminded of this scene, and she's the glue that is trying to hold the chaos together.

↬ taken care of - suzi wu

Kai Castillo:

Christ this song is so good. The instrumentals backed up by the vocals, feels a bit somber. Throughout Tessellate, Kai hides behind the fact that he has these feelings towards Atlas and they've started to bubble over into jealousy as Atlas's relationship grows with Kai's sister, Taryn. I also love that there are a lot of comparisons here to Lucifer Morningstar and religious elements. Kai's relationship with his religion is somewhat of a paradox as he is a closeted gay man to his parents, his sister and church. In fact, he does a lot of things that would bring quite a bit disapproval. He's unforthcoming, somewhat suspicious because his secrets have given him a reason to be. His story is of one that falls from grace.

↬ i am the antichrist to you - kishi bashi

Atlas Dubois:

While Paul Julian Banks narrates a song about struggling with addiction, I noticed there's a bit of a different beat in comparison to the rest of Interpol's songs. The tempo is much slower, as if exhaustion has set in and we're barely moving along. When we meet Atlas, it's at the beginning of a fresh start, not really knowing what has happened prior. Slowly throughout, we pull back minor details that entail his complex struggles with addiction. What initially started out as a bit of fun, became all consuming, allowing any given opportunity to be a reason why he should use. The bridge of this song also discuss the contrast between himself and his partner discovering his addiction for the first time. There's also a change in his tone during that that I find to be so neat! It does remind me a bit of his relationship with Taryn. I do know that addiction lasts a lifetime, and that love doesn't solve it all, but I also know that right support is the most important.

↬ rest my chemistry - interpol

#u guys remember those ipod commercials where there was a black silhouette and a really colorful background? ah good times #that was the inspo for this but in reverse #also kai looking like a happy lil guy but his song being so SAD LMAOOOO lore accurate #i tried to include as many ppl as possible from the original post or ppl i notice enjoy deep dives with their ocs #AH OK #oc: frances #oc: dan #oc: kai #oc: atlas #tag thingy #tessellate: extras #ts4 #simblr #my sims #show us your sims

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mrtequilasunset · 1 year ago

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He's a king dust demon with an ice pick smile

#disco elysium #harry du bois #disco elysium art #for those of you who don't want to click the link the song is Mustache Man (wasted) by Cake #you shoudl totally click the link though because the song is good asf #other harrycore lines include #His music fills your feathers as you feel your passions fly #With the mustache man on the carpet of his van #You can feel your fatty tissues giving way to sweaty hands #Anyways lighting/coloring isn't really my forte so I'm trying something out bc ive had this song in mind for him for months #my art

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tangents-within-tangents · 2 months ago

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Thinking about the song "Ship in Port" by Radical Face and clones

Thinking about the line "Farewell to the chains we were born into" and what that can mean for the clones

Thinking about how "But I have always stayed in place/Under that old illusion that it's safe" could equally describe Hunter, Echo, and (s1+2) Crosshair's complete opposite approaches to the Empire and post-war life.

The way Crosshair clings to his identity as a soldier of the Empire

And Echo as a soldier of the Republic

But Hunter puts his identity as a soldier behind him

Crosshair fights for the Empire to gain purpose

Echo fights against the Empire to save his brothers

And Hunter decides the Empire is too strong to even try to oppose

"A ship in port is a safer one"

"but it's not the reason it was made"

"So forgive me if I wander off"

"And forgive me more if I just stay"

Thinking about what The Bad Batch could have been if it had more fully explored the differences between those ideologies

(Thinking about what The Bad Batch could have been if it had dedicated more screen time to the 'reg' clones within the Empire and the underground network's fight to free them , instead of just sidelining Echo and Rex for a hypothetical clone rebellion show we might never get)

#i have lots of thoughts and many draft posts in which i've been struggling to figure out how to word those thoughts #tbb had SO much potential #it was so close!#it really could have been on par with Andor if it has just tried #i feel like i'm projecting these themes that aren't really there #the pieces are there the show just didn't focus on them #i considered saying hunter 'hides from the empire to protect his family' but that never included crosshair just omega #so that felt like giving him too much credit #ignore the music video i just really love the acoustic version bc MMM that viol!#the rest of the lyrics totally fit for clones of this era too btw #like SO WELL ugh #if i had the time resources and attention span I'd make a music video #maybe someday...#(lol i have waay too many projects stuck in my brain and also the new semester started and i'm already so behind rip)#while we're on the subject of radical face and clones #“always gold” is THE perfect heartbreaking Kix song!#tbb #tbb analysis #sw tcw #tbb echo #tbb hunter #tbb crosshair #arc trooper echo #the clones #radical face #bardic musings #sorry i didn't credit the gifs #this has been in my drafts since long before i knew people care about that and i can't find where i found them from #just know the shitty ones are the ones i made lol

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victorie552 · 10 months ago

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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).

It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.

Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.

And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!

So, Point 1: Many, Many Parts, basically Maglor's FA WIP

My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.

(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)

Archived.

My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.

Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.

(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)

(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)

(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)

So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.

(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)

Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included

This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.

But the Siege started. And the Noldor kept dying.

It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.

Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.

The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.

(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)

Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.

It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.

After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.

Lament for Maedhros was sung repeatedly. There was no one to hear it.

Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.

#silm #silmarillion #noldolante #maglor #yet another post that went in different direction than I planned #started with meta went into headcannon and ended with fanfic angst #I wanted to end it with crack!!!#I mean. I mean #it all makes kind of some sense if we're talking about elves here #but guys Noldor had Men and Dwarves as allies #Maglor would want them in his Historical Record song #I think with Dwarves they would mainly refuse when he asked them if they wanted a part in Noldolante #so maybe he would only get some allies and personal friends of Maedhros in #but Men #guys Men. they would agree and they would make lists and it would become Clown City so fast #but Sons of Feanor aren't known for their ability of knowing when to quit #so Maglor has a Noldolante 3.0 Standard Version with 254 Parts that has Elves and an Occasional Dwarf Only #and Special Version Noldolante Deluxe Extra Edition with 547398134 Parts that includes Men #everyone is included you don't have to die in battle #all common causes of death have a dedicated jingle to them #to the point you know a man's cause of death after 3 notes #these parts of Noldolante well the music bit actually survived into the Fourth Age #the words are gone but the music is played at funerals in some places #The Noldolante Main survived only in parodies though #actually Finished Noldolante is a very good thing huh #as in no more Fall of The Noldor #they can finally catch some break #I believe that during Maglor's Regency Era all Noldor did was Processing. and breeding horses.#Noldolante? more like Maglor Finally Discovers Shame: A Story #I think some personal revelations on legacy and connections between children and life's works would be made

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