#so here's version 2 from me

[polinsated]

Colin, I can take care of myself. Then what good am I to you! for @polin-erospsyche

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[vynnyal]

I've been having a delightful time stumbling over my emojis being used in random servers, so here's more

[ratwithhands]

Hi, Viewer Discretion:

This AU is about a nonexistent fictional mental health condition. There is imagery of straitjackets and other restraints, as well as mention of discrimination based off of health conditions. If you are uncomfortable with this content then please feel free to click off and enjoy something else. Thank you.

Dressing Sketch

Uniform Sketches

League Party sketch

Sketch dump for Battle Addict! This art has been gathering dust for a few months 😭 only just remembered to post it here.

These sketches are from Ver. 3 of Battle Addict, aka Battle Addict Twins, where both of them get the HCCM diagnosis.

The base idea for Battle Addict is that while most people enjoy Pokémon battling, there comes a certain point where one's love/obsession for battle starts bleeding into the rest of their life and becoming detrimental to their everyday life. This is usually called Combative Mania (CM), which is present in a large part of the population (40%-60%) hence why battling is so popular and so many different forms of it are made to keep people satisfied. The extreme form is Hyper-Competitive Combative Mania (HCCM), wherein a person spends so much time and energy for battles that it starts to affect their physical/mental health as well as their social life, since they neglect them in favour of their obsession.

Often what divides CM patients from HCCM patients is what they're willing to give up for battling and the extent of their knowledge regarding battles. CM patients usually only have a casual interest in battling or just enjoy the thrill of battling, but operate normally and have other interests outside of battle. They have basic to intermediate knowledge of battling, and can often partake in research or battles.

HCCM patients will often forgo food, water, sleep, school, work, and relationships in favour of researching and competing in battles. It is the only thing they find interest in and they devote most of their time towards it. Patients often memorize entire charts of statistics and different strategies and counterstrategies for battle, with different patients often having a certain subject they specialize in. Most patients with HCCM are unaware that they have it, they either assume that they have CM or that they are completely normal and just enjoy Pokémon battles. They often go into fields that work directly with researching Pokémon or battles, such as professors, scientists, gym leaders, elite four members, league workers, battle facility operators, and so on.

Ingo and Emmet do not know they have HCCM. They engage with battle and researching battle in a way that they think is typical for a hobbyist. Ingo tends to read on academic papers, textbooks, and study guides regarding the statistics and capabilities of Pokémon, whereas Emmet takes a more hands-on approach in studying Pokémon anatomy and battle strategy. Ingo often charts and studies natures, EVs, IVs, stat spreads, abilities, moves, and their properties. Emmet sketches anatomical diagrams and studies of Pokémon, including skeletal structure, musculature, organ systems, and physical appearance, highlighting pressure points in the body for executing the most damage and for keeping his own Pokémon protected. He also tends to read into psychological studies as well as conducting his own long term tests to predict a person's strategy in different situations. The two feed into each other's interests, teaching the other of their own discoveries and celebrating breakthroughs together. As a result, their total knowledge of battling is immense, which led to them becoming Subway Bosses straight out of college.

The two lived and worked fairly normally; they were very passionate about their work and it provided a way to sate their need for fighting on a regular basis, as well as giving them the space to experiment with different fighting styles and analyze others' strategies. Of course they still continue their studying outside of work, which often leads to them trying different methods or revisiting recorded battles to see how they could improve. The twins still believe their hours long discussions, piles of notes, and stacks of study materials littered around their house are perfectly fine, only stopping to reconsider after a comment from a coworker highlights how they must be crazy or incredibly disciplined to have as huge of a win : loss ratio as they do.

They end up taking the issue to a psychiatrist after dwelling on the idea for a few days, which is where they get diagnosed after a few tests and a description of their lifestyle and interests. Their case is considered moderate but could easily escalate into severe if left unchecked, though the main concern is whether this would make them a threat to other people due to their work and prominence. Obviously they don't want to lose their jobs, but this kind of thing could get them removed from the League Council if it got out, so they have to consider whether they share this information with their employers or not. Ingo thinks it'd be best to keep it under wraps, but Emmet fears that this could be used as blackmail and argues that they need to release this information themselves before someone else ruins their lives with it. Eventually they do take the diagnosis to the League Council and it gets out to the public.

Emmet takes the fall for Ingo, claiming his case is severe whereas Ingo's is mild so that the League Council will be more distracted with him to bother Ingo. That ends up with Emmet getting a new restraining uniform because the League no longer trusts him to handle himself in public based off his diagnosis. Neither of them are particularly pleased about this, but Emmet tells Ingo to look on the bright side. Emmet actually starts to find the jacket to be more of a little challenge than a hindrance, as it adds an extra level of difficulty to battles that he's been looking for, but Ingo still thinks it would be better if he hadn't had to wear it at all. This unfortunately extends to League parties where he has to be restrained to even be allowed entry, which he is much less happy about.

This post is getting ungodly long as it is but there's also a branch off of this concept where Ingo and Emmet land in Hisui together and Emmet's uniform looks like this. He deconstructed the uniform he was given to modify his jacket since by that point he had a bit of a sentimental connection to it and didn't want to just swap it out.

(Bonus fun fact: Ingo and Emmet decided to pull the biggest gag on the Pearl Clan when they first land by pretending to be one person under the alias Eki. Ingo is the polite one in the dark coat by day, and Emmet is the energetic one in the white coat by night. "Day Eki" is more popular with other Wardens and older clan members, whereas "Night Eki" is more popular with the village children and insomniacs.

The whole Warden Eki concept is technically its own AU in the background but it did originate from Battle Addict. Also I already drew Emmet in the Pearl Strait I can't take that back)

Anyways uhhh there's more let me see if I can condense it:

The twins went to a University specifically focused on battle (Champion's University), where they ended up studying subjects in their specific interests. Emmet took psychology of battle and Pokémon anatomy to learn about the weak points in trainers and Pokémon, and Ingo took general statistics and study of moves which are exactly what they sound like

The twins use the Vs Recorder all the time, both to track their own progress and to observe how passengers fight. It's often stuck to the glass windows to catch the Pokémon in the middle of the car, though they have considered buying Rotom Drones expressly for this purpose

Emmet actually has a stack of different studies on weak points in the human body but he doesn't share that with anyone, not even Ingo

Emmet's study of trainer psych has led to him often predicting tactics before they happen and dodging/countering them with his Pokémon. He often challenges himself to predict a person's team, moveset, and strategy based on appearance, gait, and body language, sharing his guesses with Ingo in case he makes any useful observations

Ingo and Emmet are possibly the first instance of causing "learned HCCM" in their Pokémon because after the training that they do together, the Pokémon have developed their own independent bloodlust and have started memorizing the move strategies that the twins have them use

Sometimes to celebrate fully completing a study on a particular set of Pokémon, the twins will eat one. This is mostly as a treat and an inside joke, but they will research what's in season/allowed and go hunt for one. Ingo is usually the one to catch it, and Emmet is the one to cook it. There's some really goofy shitposts about them going after pseudo-legendaries overseas, or Palkia's leg in Hisui

The twins can perform full medical care on any Pokémon and can often grind for hours nonstop since they can heal their teams themselves. They also save a lot on healing items this way

After releasing their diagnosis, the perception of the twins have gone in wildly different directions. Some people treat them as subhuman or as monsters, some people don't care, some people call them psycho yandere boys on twitter. Emmet tends to get more of the negative connotations, Ingo tends to get the more "positive" ones. Emmet also tends to get a lot of stares due to his restraint and status as a crazed fighter, which he pretends doesn't get to him

I think that's everything, I'm going to go collapse. Hope you guys enjoy 👍

[dogmasquerade]

KILLER7 - HEAVEN SAYS [SMILE]

[breadmecoshy]

I drew myself a wallpaper with a morning Souda, because who, if not me

You also can use them as wallpaper on your phone if you want, I don't mind♡

The regular and slightly more vintage version is at your service

Tumbler greatly spoils the quality of the picture, so I uploaded them in their original quality to Google drive (sorry if this is inconvenient, I don't really understand such things)

[paintingskyblutf2]

happy halloween!

and happy scream fortress! make sure to complete your contracts before it ends!

[presiding]

a doctor turned serial killer turned doctor again, an actor who paints, a gang leader, a mining baron, and a vice overseer walk into the room.

oh yeah and they lead karnaca now.

dishonored 2 is my fav game but i think it's mid, story-wise. here's why dh1 works and why dh2's overarching story sorta misses

tl;dr: story integration is critical for gameplay that offers audience payoff, but emily's personal arc from dishonor to honor is inconsistently demonstrated in the story, and is not an interactive part of the gameplay.

essay/long version under cut >

recap: what's dishonored's deal

[skip if you want] dh1 is an underdog story: corvo is an honorable man swept up in the machinations of a callous city, so his canonical ending being 'this child will rule over an empire' isn't about the child's rule but rather about corvo's reputation being restored in a more hopeful city, due to his & the player's rejection of the violent connotations of the tagline 'revenge solves everything.'

similarly, in dh1 DLCs, daud's story arc is that of an anti-hero: a dishonorable man who realises too late he has done irreparable harm. he sees the error of his ways after a single monumental death, and eventually a single life redeems him when he/the player stepped in to circumvent a terrible fate for a child, enabling her to rule unfettered.

daud & corvo come to a satisfying conclusion within the extent of their narrative arcs. it doesn't matter that a child on a throne isn't really a fix for a decaying empire - the player's actions throughout the city of dunwall was what mattered - and these stories could be framed as parables. in that sense, young emily as a ruler is a metaphor for a hopeful future for the city & empire.

dishonored 1 & its DLCs are also great examples of storytelling with perfectly integrated gameplay - you, the player, worked towards the outcome that redeemed the protagonists.

in your efforts to save young emily, you either achieved a good outcome (corvo) or prevented a worse outcome (daud).

bringing us to dh2 -

what's emily's arc

emily's arc is a coming of age: we're introduced to a reigning empress who questions her role & skillset ("am i the empress my mother wanted me to be?"), then her titular fall from grace occurs. from there, she learns to reject the violent, selfish connotations in 'take back whats yours' tagline (a la daud & corvo!) while rediscovering why her rule is critical to the empire.

emily's rule is no longer metaphorical, but:

a literal thing for audience assessment (is emily a good ruler?) AND

the crux of her storyline.

at the beginning of dh2, emily is introduced as a disengaged leader ("i wish i could just run away from all this;" "i dont know if whether i should sail to the opposite side of the world, or have everyone around me executed"). the antihero has a precedent for the dishonored series in daud, so it's not at first glance an issue*, however, the fact that emily has ruled poorly reframes corvo & daud's endings as being less than ideal (a moralistic retcon) *we could talk here about how ready an audience was in 2016 for a flawed women as a protagonist, hell, even in 2023,,,

throwback to the beginning of this essay when i said:

'this child will rule over an empire' isn't about the child's rule but rather about corvo's reputation

emily's story arc, unlike for daud & corvo, is literally about the quality of her rule. we're no longer in metaphor territory (ironic phrase): a parable-style ending doesn't work.

does emily become a good ruler

we know she becomes a good ruler because the game says so. it is narrated to the audience via a (literal) word of god in the space of 30 seconds, after the final boss. the outsider tells us that emily becomes known as Just & Clever.

drawing a distinction here - this narration is not the same as the player actively being involved.

the player does not throughout the game become aware that emily has made political allies. during the game, she doesn't talk to these characters about saving karnaca or being a better ruler to the empire (there's a few lines might imply it, but you need to be actively looking and being careful to wait for every voice line. it's a far cry from daud & corvo's fight to save emily being unmissable - even though daud doesn't know at the beginning that's the goal).

how does the game show it

you can coincidentally not kill most of your subjects and never be aware that emily is looking to restore karnaca by means of instating a council - it's never brought up. it *couldn't* be brought up, because that council serves under the fake duke (armando), who is the last person she speaks to before she leaves for dunwall. its her suggestion that he rules karnaca, but armando's condition is that he will rule as he sees fit.

to back up a bit, emily's canonical method of restoring karnaca is by banding together key allies - hypatia, stilton, [byrne &or paolo], pastor, under a council beneath the duke's body double. they are passionate people who would each individually make worthwhile advisors, but if you think about those characters sitting at a table trying to reach an agreement, it feels like an assortment of people that emily didn't kill along the way and doesn't feel organic (up to interpretation). it's not stated if emily herself banded this council together, but logically she must have (worth a mention these are mostly characters that you as the player had reasonable rationale to kill during a high chaos run, except pastor). the underlying concept may be that karnaca's power is returned to its people - which is interesting given that the monarchy remains and armando's decision is final.

this overarching solution could also be taken as a critique to dh1's 'put your kid on the throne,' which is another reason its worthwhile looking at how emily was shown to be a better leader. obviously my point isn't that her solution was bad given the circumstance, but i mean she has very little agency here in all. if emily was shown to be more controlling as a leader, this could be interpreted as character growth, but that's not the case.

coming of age

how do you learn & grow when you can't specify your failings? emily doesn't really touch on her shortcomings as an empress. she non-specifically worries delilah makes a better empress than her. it's hard to argue her worries are meaningful when someone good at their job will still worry when lives are in the balance.

emily's best 'aha' moments (eg. crack in the slab comment about gaining perspective) are consistently undercut by a conversation with sokolov or meagan afterwards in which she demonstrates she hasn't learned anything (before the grand palace, emily condemns 'toadies sucking up to me' and is reminded by meagan that she's part of the problem). the story is confused about what it's trying to say about emily's progress, and when she's meant to show progress, if she was meant to show any progress at all. it could be argued that emily was never even a bad ruler, she had just been fed misinformation about the problems in karnaca and been the victim of slander by her political enemies. the game doesn't make this clear - it's easier to argue that the opposite is true given that her allies only have criticism.

worth a mention here that the heart quotes about armando - a fake ruler - interestingly mirror emily's character concerns. "see how he sighs? his life is a gilded cage." but this essay is already long.

while corvo & daud spend their games (and through the gameplay) 'earning' their redemption, emily is being led by the NPCs around her to a conclusion and a fix for the political mess in karnaca: meagan & sokolov guide emily to her missions, and there's no recurring quest for emily to investigate possible allies. she is able to gather the people she hasn't killed to herself by manner of... post-game narration. during the game, she's primarily concerned with getting her throne back.

an easy fix: if there had been less dialogue & narrative focus on emily's failings perhaps the ending would have felt more satisfying. it has the feel of cut content, but i don't know what was cut to be able to comment on it.

so what went wrong?

i can't help but wonder if arkane were worried they would lose a certain demographic if corvo wasn't playable (may have been deemed too much of a risk - 2013 was a different time), and so they had to take out story elements that were unique to emily's growth as a character/empress, because the usual storyline/gameplay integration had to work for both characters - in other words, gameplay that made sense for both corvo & emily was prioritised before emily's story & character development. which is a silly problem to have in a game that added character voices for the sake of improving characterisation - maybe emily's tale would have felt more akin to a parable if she had less lines that betrayed her ignorance (to the disdain of those around her).

i wish more care had been taken with emily's story. most players will never really notice the large variety of different endings - they're not particularly satisfying in and of themselves.

it's ironic that one of Emily's complaints is about her father/protector being overbearing, when his (parallel universe) presence in the gameplay may be one of the reasons her own narrative arc falls flat.

what are the upsides here

changing tune from what didn't work - don't you think the concept is fantastic? it's a great idea overall - can you imagine if the coming of age storyline was better integrated into the game?

it's valuable to talk about the integration of story and gameplay and characterisation from a craft perspective. dh2 genuinely is my favourite game - it's beautiful, the imm-sim design philosophy makes the world a delight to explore, the combat gives endless creative options for tackling any fight, there is a far greater diversity of cast in an in-text canonical way. there's loads to love!

i love emily as a dodgy leader, to me it adds interesting dimensionality to the outsider's narrations - of course in dunwall there's never a neat happily ever after! emily, like the outsider, both work well as characters who hold ultimate power but aren't necessarily worthy of it - and this makes perfect sense for the dishonored universe's morality & critiques of power. however, within this grey area there's still plenty of room for a satisfying ending, which isn't what we ended up with, whatever the true reason for that was. and also, damn, emily's a marked assassin empress, if she can't lead well then who can?

while dh1 was criticised for its narrative simplicity, dh2 in contrast and in hindsight shows us that simplicity isn't so bad - there's satisfaction in gameplay achieves a clear, simple narrative goal.

[lynxfrost13]

I need to make more human AUs of my replikas so far I’ve got:

Holt as a nurse in a hospital and Wanze having a serious injury and being her patient with the two of them eventually falling in love after Wanze recovers (they get to have more fun together here thanks to no Eusan Nation), only for Holt to later on get cancer and not be able to recover from it :(

Kosmos and Dorredt as astronauts on a space station going from reluctant coworkers to best friends with Kosmos being more data/science oriented and Dorredt taking care of maintenance and repairs

I also have one with Feuerkröte as a military dropout but I don’t have a whole lot else apart from she has fire tattoos on her arms because she thought they were badass (they are but she kinda sucks about it)

[icantalk710]

Wish the party loyalist "stop making Harris look bad bc Trump" people would realize that a) denying reality is exactly what the right does and b) it is on the candidate to win votes by not being a genocide enabling sellout moderate getting endorsed by the fucking Cheneys for her hawkishness on foreign policy while promising little for people at home, not on the voter disillusioned by said issues that the candidate could rectify

[vaguely-concerned]

margaret taunting york with the handkerchief dunked in rutland's blood as he's dying and then later protesting heartbrokenly that her son is just a boy as the york brothers kill him vs. richard genuinely seeming to be the most upset about what happened to rutland among the york brothers (he's the one who brings it up the most afterwards, the way he furiously calls clifford a child-killer), and then what he's going to go on to do in his own play........

they would be so drift compatible in a way they'd both despise lmao (with absolutely no shipping undertones whatsoever, to be clear, it's all about the recognition of the self through the (literal) Other (derogatory) here)

[balmungkriemhild]

my idea for a new clock studios ride. please signal boost this so that this ride can be at clock studios.

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[why-the-heck-not]

my thesis advisor asking me to send them my current draft, and me suddenly realizing I somehow haven’t written a single fucking sentence in 2 weeks, dudes it’s a pr nightmare (been hella unproductive the past weeks idk what tf happened)

[nonsensechemicals]

crying whenever i talk about Cookie9 because all my friends have these interesting and unique theories on them while i take everything too literally and they all just stare at me like “dude… uuugh we r TIRED” <-they dont actually say this they are very kind to me but i can Feel It