#so he is used to people reading to him

[monabee-draws]

WIP - How Pavellan + kid would be chilling if the world wasn't ending again

[poorly-drawn-mdzs]

News spreads fast.

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[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[x-amount-of-posts]

I NEEEEEEED Kurt shippers. or just Kurt insane people to know that the german word for tail is also german slang for penis

"You like my tail dont you" said in german ("Du magst meinen schwanz, oder?") will be read as "you like my dick dont you" by a german

this isnt to discourage people from using the word Schwanz, the oposite, i want people to write Kurt saying that because he WOULD

[habken]

“two eight year olds in a trench coat” version of the fusion au was so good too

[sad-leon]

(good future) Finding Home Pride edition <3

Trans Leo pride is something I see a lot, but personally, FH Leo wouldn't celebrate his gender. He grew up around Gali, who went through a lot of gender struggles, especially in his younger years, and with the brothers being so accepting, it's just another part of his life

But his lack of romantic attraction? That's something that stands out to him. He sees the brothers with their own attractions and crushes and such and realizes he stands out. He's different. But that's okay because he's still him and he's still valid

anyways~ it's pride month, which means i get to be even more annoying about aro pride ^-^

that final shot without text:

[seventeendeer]

this isn't at all meant to be condescending or finger-waggy because 100% we all have blind spots like this, but I'm really, really hoping that the people who never found Gaiman's approach to his own fandom concerning in any way will take this all as a learning moment.

he was an older, hyper-famous author engaging directly and frequently with an online audience of largely vulnerable young marginalized people. he presented himself as cultured and worldly, and made himself approachable as someone to go to for advice, encouragement and "wisdom." his manner of speech was extremely pathos-heavy and clearly intended to be comforting and encouraging in exactly the way his target demographic needed it to be to swallow every word. the way he spoke about stories and creativity was designed to make young creative hopefuls feel special and important, while sweeping real analytical techniques under the rug - in hindsight, likely so no one would think too critically about the disturbing amount of patriarchal abuse played for cheap shock value and voyerism in his own body of works.

Gaiman saw a target demographic that was desperate for an older creative role model to tell them they were worth something, and he exploited that pain to twist a narrative around himself where he was king and any critique leveled at him or his works were the enemy.

to be clear, he could have been innocent. he could totally have been just an out-of-touch old man saying nice things to people because he wanted to be kind and he thought he was a lot smarter than he really was. red flags are warning signs, not a surefire way to tell if someone is actually "secretly shitty."

but if you used to look up to him, PLEASE take this moment to revisit the ideas you absorbed from him. did you take his words to heart because they seemed to have objective merit? or did you take them to heart because it felt good to believe what he said? do you still hold these values? does knowing he was intentionally manipulating his online audience make you less certain? do you need more information from a different source before deciding one way or another?

again, I'm just really, really hoping people on here will take a moment to reevaluate the ideas and opinions he's injected into tumblr fandom culture, because his reach is immense and he has absolutely been manipulating popular perception of relevant topics to gain further influence and control the narrative around both his own and Pratchett's legacy. please, please take this moment to notice what he's been doing - and next time someone tries to pull the same shit, hopefully we'll be able to apply what we've learned from experience.

[kingofpeacows]

A lot of the time when people bring up Bart Allen as being super autistic coded, they're bringing it up in conjuction with the rest of YJ (which, yes, I love autistic friendship) but sometimes I just wanna talk about Bart Allen.

I wanna talk about the kid who doesn't understand he's getting bullied and managed to be friends with everyone because of it. I wanna talk about the kid who is so bad at holding a conversation everyone thinks he's some sort of brooding asshole. I wanna talk about the kid who KNOWS that the older, more popular kids talk to him and dare him to do stupid stuff because "of course Bart will do it" and does it anyway because he likes making people laugh. I wanna talk about the kid who knows he's doing something wrong socially but he doesn't know what and wants nothing more than to fix it. I wanna talk about the kid who knows he's different but still thinks the rest of the world is the problem. I wanna talk about the kid who's so smart and so brave but everyone only sees him as some mess-up idiot. I wanna talk about the emotional kid who got bullied for being robotic and unemotional because allistic people can't grasp what his world looks like. I wanna talk about the kid who wouldn't know sarcasm from truth. I wanna talk about the kid who's low-empathy but does everything he can to be compassionate. I wanna talk about the kid who's surrounded by people, but still feels so alone because no one else understands his world.

Sometimes I just wanna talk about Bart Allen.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[m1d-45]

bloodletting

summary: a budding god needs a place to test their new powers, and childe was always a little too eager to lose a fight... a match made in heaven!

word count: 1.7k

-> warnings : minor AQ spoilers ? just like, general gi plot.. fairly graphic depiction of blood + other injuries (might be classed as body horror???). generally obsessive tendencies (childe <--> you). i cannot stress this enough, reader is 110% a sadist.

-> gn reader (you/yours)

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @ryuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk

< masterlist >

power was not something that came easy. it was fought over, stolen, defended with teeth and claw, tides of blood shed just so one could have power over another. social, physical, financial; no matter the leverage it provided, power was hard won. to give someone power was to admit defeat, a certain death that tartaglia had learned and taught more than his fair share of times. nobody undeserving of power ever held onto it for long; it was an acknowledgement that you were better, that you deserved it, that you’d won. power was a fickle resource that childe would kill to keep, only ever laying down his blade for a precious few.

the tsaritsa, of course. his fellow harbingers, skilled both on and off-field, who themselves could rival the archons. his family, for whom he’d happily give the world.

and naturally, who would be more worthy to hold power than you?

you, not just a god but the, the highest authority across all of teyvat. you bore a hundred names and a thousand monikers, your worship the one thing the world could agree on. granted, nobody could quite agree on how, but that was fine. childe did not need external powers to tell him what to do. he knew, in his deepest heart, that he had gotten it right.

he knew—and, on occasion, flaunted—that he was your favorite. of all the vessels you had chosen, you returned to him time and time again, wishing on his stars until his vision gleamed. his bow shone with power, even his weakest weapon more than enough to push his strength to new heights. part of him wondered what he could do if you’d granted him swords, or a claymore… but that was speculation for another time. didn’t it say something that you had still chosen him at his weakest?

the thought always made him smile. thick in the heat of puppeteered battle, before the sun to after dark, your presence was a constant in his life. at every altar, with every offering, when his hands stung from the rash of leather and his blade was covered in rust, your name a prayer behind blood-soaked teeth. he could not remember a time when his pocket was not weighted with a charm.

his devotion was no secret. he wore your bow with pride, entirely phasing out his other weapons. it didn’t matter that he was technically more controlled with them, for you had chosen this path for him. your word was his guide, a polar star through bitter nights.

he did not doubt when your presence ebbed or flowed. who was he to dictate when or where you spent your attention? no, his faith did not waver. it had no reason to. he waited patiently, going about his regular duties, lingering in snezhnaya for no other reason that he just felt like he had to.

who was he to question to buzzing in the back of his head? who was he to decline when he felt an instinct to leave, to go for a trip far past the city gates? who was he to think himself better than the guiding light that had never led him astray?

for you, he was whatever you needed. and so he went, armed with a thick coat and snowboots, hands shoved deep in the pockets to hide the slight shake. down the main road, an arbitrary turn into an alley and down an abandoned path, into a part of the city he’d never traveled. but a golden thread had tied itself around his heart, pulling without hesitation. he easily hopped over the fence gate, not bothering with hauling it open through the snow. the path beyond was covered in a thick layer of powder, his foot crunching through a foot of it before hitting solid ground. still, he continued.

snezhnayan winters were not warm. they bit and dug into every gap in your clothes, stealing away the precious warmth within. and yet, with his half-done coat and incomplete guard, he was not cold. or, rather, he couldn’t feel it. his hands were pink with frost, stiff at the knuckles, but he couldn’t feel the resistance. his body was not important, not now.

the snow began to thin. it fell from his knees to his shins to his ankles to his toes, until he was face to face with a thick wall of bramble, impossibly overgrown. he was beginning to overheat in his jacket. twin blades made quick work of the wall, and the sight behind it easily dispelled any breath left in his lungs.

the air that washed out of the bubble was thick and heavy, like a humid spring instead of snezhnayan woods. his breath came in short gasps, a shameful wheeze that he hoped was missed beneath the howling snow. he didn’t want you to see him as weak, as someone so easily tired by a short trip to a falling star; he didn’t want you to think of him as anything other than his best.

but you didn’t push him away. you helped him up—his head was buzzing with delusion, he could hardly see, when had he fallen to his knees?—and brushed the snow off his hair, not pushing him away when he leaned into your touch. he couldn’t think, couldn’t breathe, could barely collect himself enough to recognize that he needed to get you inside, away from the wilds.

that was power. to so effortlessly take over every thought in his head, to hold his mind in your hands and pull it into your liking, that was the power he adored you for. gods were figureheads of power, a physical incarnation of their dominion. a god of the entire world would only naturally have power to manipulate that world to their liking. how blessed was he, that he could be the first you made yours.

he was with you when you first stepped into zapolyarny palace, looking around at the chandeliers and fine tile. he opened the door for you to her majesty’s throne room, sucking in a sharp breath as you brushed by. he was by your side when the tsaritsa swore you her fealty, delicately placing the gnoses in your hands.

and oh, how he’d fallen to the floor right then and there, dizzy from the wash of power that rolled off you in waves, an ocean that he willingly dove into. the floor was cool beneath his forehead, his hair sticking to his skin as sweat quickly began to bead. he didn’t bother pushing himself up on his hands, teeth sinking deep into his lip again to control his panting breath. copper bloomed over his tongue, filling his mouth and clogging what remained of his senses.

dimly, he was aware that he was being pathetic, that this would surely change your mind about him. he heard your voice, faint through the fog of his mind, your wisdom lost to his own inadequacy. and yet, despite his weakness, every part of him was tuned into you. he knew it was your hand whispering across his shoulders, he knew it was your influence that stole the breath from his lungs. he knew it was you, because it was always you. you were all he could think of, and now you were finally able to leverage your full power over his self.

he’d woken up in a hospital bed. saline dripped into his arm and the lights pierced his eyes, his head full of snow and iced over. and yet, the moment he was cleared for release, he found himself desperate to be back to your side, racing through the tiled halls of the palace and following the urgent burn in his chest. you would have been right to turn him away, to deem him too weak to stay by your side, but you didn’t. you smiled when he lost his breath and laughed when he wavered, brushing off his concern. you invited him with you—his lungs burned with the need for oxygen—as you twirled the gnoses between your fingers, as if they were toys or paperweights rather than objects of divine power.

divine to him. child’s play to you. a courtyard of snow was cleared in an instant, ripples of pyro melting permafrost while keeping the flora beneath intact, a lazy show of power that pulled little more than a slight hum from you in response.

he wasn’t so much a fool as to think he could teach you everything, or even something, about being divine. and yet he clung to your side like a sailor in a storm, watching as you grew familiar with the elements. he watched, stubborn and weak, as you stopped hesitating.

flowers bloomed as you walked by, crumbling to ash with the slightest look. electro jumped from your skin to his, a painful spark that drew his mind from his head, finally seeing your amused eyes instead of just mindlessly staring. you could—should—have just left him behind, but you didn’t. you instead asked for his help, taking his hand in yours and leading him to a quieter hallway of the palace. you didn’t comment on his thundering pulse despite the fact that you could certainly feel it, tracing a finger along the crease of his palm.

“i wonder…”

a claw of geo cut across his skin, a sharp sting that quickly welled with blood. he barely felt it, watching with detached awe as it filled up his hand, sliding over the edge and dripping to the floor. you didn’t show any emotion, just… watching. his heart beat in his hands, a pool collecting on the floor, and still, you just watched. your other hand moved over the surface, barely an inch away, the blood collecting in a bubble beneath it. with a hum, your fist tightened, pain lighting up his arm. a strained grunt slipped between his teeth, hand flinching closed, brushing against the ball of his blood you had pulled from his veins. his hand was stained red, shaking in your grasp, minutes stretched into hours.

all at once, it dropped, forced back into his body as forcefully as it was removed. with a snap, the skin stitched itself shut, and you were again dragging him along like a child did their favorite toy.

you did that a lot. pull him aside and experiment with whatever new reaction you had discovered that month, week, day, hour, watching his reactions with unabashed delight. and he let you. every time, without fail, he eagerly followed, knowing full well he’d end up rigid with lightning or with ice crystals studding his throat. it was worth it, though. you always fixed him up, squeezing his hand with a whispered ‘good job’ that never failed to make him dizzy.

it didn’t matter what you did to him. it never did. even when his mind was hazy with pain and he couldn’t quite stand on his own, he never regretted it. unconsciousness licked at the edges of his vision, burning black stains that lingered even after you stopped, but he never once hesitated.

if you asked him to jump, he’d ask how high. if you felt like holding him underwater, he’d cherish every bruise. to be kept as a toy was still to be kept.

[poorly-drawn-mdzs]

Good Morning, World.

[First] Prev <–-> Next

[fluffyartbl0g]

Someone get this man a younger sibling that ISNT like. Twice his height.

[ahalliance]

antoine + étoiles insane moments, p.2. aka the ass saga. p1 here

transcript + context for some of the clips below

[Video Transcript:

[First clip plays.]

Rivenzi: You want to see Etoiles’ ass, of course…

Antoine: Yeah, I’m gonna stare at your ass, Etoiles…

Etoiles: Fuck, what dread, during Popcorn [a talkshow Etoiles had been invited on the previous week], when I went up to the map and you said that, and I thought ‘whoa—‘

Antoine: Sorry

[Second clip plays: the moment during Popcorn]

PA/Domingo: Antoine Daniel has posted a tweet for us: ‘I wanted to look at this map of Africa, but Etoiles’ ass in the shape of a standing bell is driving me crazy. Smiley face with eyes in the shape of hearts.’

[Third clip plays: a continuation of the first clip.]

Antoine: Sorry, bro…

Ponce: Oh but that tweet, besides

Rivenzi: A standing bell…

Antoine: What’s more is that I never tweet and when I do it’s to tweet this sort of shit

Ponce: That’s exactly what I told myself. When PA read the tweet, I thought to myself, ‘but he never tweets!’ And he tweets to talk about Etoiles’ ass

Antoine: There needs to be a good reason, you see

[Fourth clip plays: a clip from the Team du Lundi’s minecraft server.]

JDG: Someone (in chat) said, ‘I can’t tell whether the atmosphere is good tonight or—‘

Antoine: It sucks, it sucks

Florence: You don’t need to ask every time, it always sucks

Baghera: Always sucks. Especially when Etoiles talks about ass [which had been a previous topic of discussion for him that night]

Antoine: Stooop, I enjoy it

Mynthos: You enjoy it?

JDG: It’s true tonight that it’s more weird than bad

Antoine: I like it when Etoiles talks about ass….

[Fifth clip plays: a second and different clip from Popcorn.]

Etoiles: —you’re not allowed to tell me that [Xari claimed to not know much about cinema]. I know you, I studied, because you’re my rival [in pop culture]. I really enjoy what you do in life, Xari, and you’re really knowledgeable about cinema

Antoine: What do you mean he’s your rival? And I’m just shit?

Etoiles: You, you’re my lover

Antoine: Oh yeah, sorry, my bad

PA/Domingo: One of the three is gonna die soon. There’s a whole situation, there’s a whole lore

[Sixth clip plays: a clip from the QSMP.]

Antoine: Don’t you want to get married, dude?

Etoiles: Well, I don’t have the time to fuck

Antoine: What the fuck?!

Etoiles: I don’t have time to fuck, dude. I just need to kill everyone

Antoine: No but just a marriage, you see. You’ve watched Game of Thrones— you haven’t watched Game of Thrones, you can’t know how marriages work in that series

Etoiles: I’ve watched it, but I’m married to the street, dude. I can’t give out my heart that quickly

Antoine: Yeah but you can give out your ass quickly, no?

Etoiles: No, frankly, my ass—

Antoine: What the fuck?!

Etoiles: Giving out your ass takes time, dude

Antoine: What the fuck…

Etoiles: Then again, I need to think about it. I’ll give you my answer. I need to discuss, and everything

Antoine: I’m tired of getting betrayed. You get married with someone else—

Etoiles: Never in a million years!

Antoine: —it’s like yesterday. Apparently Maximus got the mic from his ass removed while I wasn’t there. I was supposed to be the one to do it

Etoiles: Oh okay, so I’m your second choice?

[Overlapping]

Antoine: No! It was just to help him—

Etoiles: No, but, okay

Antoine: He got— listen—

Etoiles: There’s no problem!

Antoine: Fuck, nevermind

Etoiles: There’s no issue! Oh, so you’re opening my chest and stealing?

Antoine: I was just looking! Out of curiosity

Etoiles: Yeah, that’s it

Antoine: I don’t even understand what’s in it

Etoiles: Yeah, out of curiosity. Dude, your opinion on my cave?

Antoine: Well frankly it’s big

end Video Transcript.]

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo