#so he is used to people reading to him

[monabee-draws]

WIP - How Pavellan + kid would be chilling if the world wasn't ending again

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[poorly-drawn-mdzs]

News spreads fast.

[First] Prev <–-> Next

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[payasita]

Part of something, once (but in a practical sense, all that matters is whether theseus still recognizes the ship)

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[x-amount-of-posts]

I NEEEEEEED Kurt shippers. or just Kurt insane people to know that the german word for tail is also german slang for penis

"You like my tail dont you" said in german ("Du magst meinen schwanz, oder?") will be read as "you like my dick dont you" by a german

this isnt to discourage people from using the word Schwanz, the oposite, i want people to write Kurt saying that because he WOULD

[sad-leon]

(good future) Finding Home Pride edition <3

Trans Leo pride is something I see a lot, but personally, FH Leo wouldn't celebrate his gender. He grew up around Gali, who went through a lot of gender struggles, especially in his younger years, and with the brothers being so accepting, it's just another part of his life

But his lack of romantic attraction? That's something that stands out to him. He sees the brothers with their own attractions and crushes and such and realizes he stands out. He's different. But that's okay because he's still him and he's still valid

anyways~ it's pride month, which means i get to be even more annoying about aro pride ^-^

that final shot without text:

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[seventeendeer]

this isn't at all meant to be condescending or finger-waggy because 100% we all have blind spots like this, but I'm really, really hoping that the people who never found Gaiman's approach to his own fandom concerning in any way will take this all as a learning moment.

he was an older, hyper-famous author engaging directly and frequently with an online audience of largely vulnerable young marginalized people. he presented himself as cultured and worldly, and made himself approachable as someone to go to for advice, encouragement and "wisdom." his manner of speech was extremely pathos-heavy and clearly intended to be comforting and encouraging in exactly the way his target demographic needed it to be to swallow every word. the way he spoke about stories and creativity was designed to make young creative hopefuls feel special and important, while sweeping real analytical techniques under the rug - in hindsight, likely so no one would think too critically about the disturbing amount of patriarchal abuse played for cheap shock value and voyerism in his own body of works.

Gaiman saw a target demographic that was desperate for an older creative role model to tell them they were worth something, and he exploited that pain to twist a narrative around himself where he was king and any critique leveled at him or his works were the enemy.

to be clear, he could have been innocent. he could totally have been just an out-of-touch old man saying nice things to people because he wanted to be kind and he thought he was a lot smarter than he really was. red flags are warning signs, not a surefire way to tell if someone is actually "secretly shitty."

but if you used to look up to him, PLEASE take this moment to revisit the ideas you absorbed from him. did you take his words to heart because they seemed to have objective merit? or did you take them to heart because it felt good to believe what he said? do you still hold these values? does knowing he was intentionally manipulating his online audience make you less certain? do you need more information from a different source before deciding one way or another?

again, I'm just really, really hoping people on here will take a moment to reevaluate the ideas and opinions he's injected into tumblr fandom culture, because his reach is immense and he has absolutely been manipulating popular perception of relevant topics to gain further influence and control the narrative around both his own and Pratchett's legacy. please, please take this moment to notice what he's been doing - and next time someone tries to pull the same shit, hopefully we'll be able to apply what we've learned from experience.

[kingofpeacows]

A lot of the time when people bring up Bart Allen as being super autistic coded, they're bringing it up in conjuction with the rest of YJ (which, yes, I love autistic friendship) but sometimes I just wanna talk about Bart Allen.

I wanna talk about the kid who doesn't understand he's getting bullied and managed to be friends with everyone because of it. I wanna talk about the kid who is so bad at holding a conversation everyone thinks he's some sort of brooding asshole. I wanna talk about the kid who KNOWS that the older, more popular kids talk to him and dare him to do stupid stuff because "of course Bart will do it" and does it anyway because he likes making people laugh. I wanna talk about the kid who knows he's doing something wrong socially but he doesn't know what and wants nothing more than to fix it. I wanna talk about the kid who knows he's different but still thinks the rest of the world is the problem. I wanna talk about the kid who's so smart and so brave but everyone only sees him as some mess-up idiot. I wanna talk about the emotional kid who got bullied for being robotic and unemotional because allistic people can't grasp what his world looks like. I wanna talk about the kid who wouldn't know sarcasm from truth. I wanna talk about the kid who's low-empathy but does everything he can to be compassionate. I wanna talk about the kid who's surrounded by people, but still feels so alone because no one else understands his world.

Sometimes I just wanna talk about Bart Allen.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[poorly-drawn-mdzs]

Good Morning, World.

[First] Prev <–-> Next

[m1d-45]

bloodletting

summary: a budding god needs a place to test their new powers, and childe was always a little too eager to lose a fight... a match made in heaven!

word count: 1.7k

-> warnings : minor AQ spoilers ? just like, general gi plot.. fairly graphic depiction of blood + other injuries (might be classed as body horror???). generally obsessive tendencies (childe <--> you). i cannot stress this enough, reader is 110% a sadist.

-> gn reader (you/yours)

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @ryuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk

< masterlist >

power was not something that came easy. it was fought over, stolen, defended with teeth and claw, tides of blood shed just so one could have power over another. social, physical, financial; no matter the leverage it provided, power was hard won. to give someone power was to admit defeat, a certain death that tartaglia had learned and taught more than his fair share of times. nobody undeserving of power ever held onto it for long; it was an acknowledgement that you were better, that you deserved it, that you’d won. power was a fickle resource that childe would kill to keep, only ever laying down his blade for a precious few.

the tsaritsa, of course. his fellow harbingers, skilled both on and off-field, who themselves could rival the archons. his family, for whom he’d happily give the world.

and naturally, who would be more worthy to hold power than you?

you, not just a god but the, the highest authority across all of teyvat. you bore a hundred names and a thousand monikers, your worship the one thing the world could agree on. granted, nobody could quite agree on how, but that was fine. childe did not need external powers to tell him what to do. he knew, in his deepest heart, that he had gotten it right.

he knew—and, on occasion, flaunted—that he was your favorite. of all the vessels you had chosen, you returned to him time and time again, wishing on his stars until his vision gleamed. his bow shone with power, even his weakest weapon more than enough to push his strength to new heights. part of him wondered what he could do if you’d granted him swords, or a claymore… but that was speculation for another time. didn’t it say something that you had still chosen him at his weakest?

the thought always made him smile. thick in the heat of puppeteered battle, before the sun to after dark, your presence was a constant in his life. at every altar, with every offering, when his hands stung from the rash of leather and his blade was covered in rust, your name a prayer behind blood-soaked teeth. he could not remember a time when his pocket was not weighted with a charm.

his devotion was no secret. he wore your bow with pride, entirely phasing out his other weapons. it didn’t matter that he was technically more controlled with them, for you had chosen this path for him. your word was his guide, a polar star through bitter nights.

he did not doubt when your presence ebbed or flowed. who was he to dictate when or where you spent your attention? no, his faith did not waver. it had no reason to. he waited patiently, going about his regular duties, lingering in snezhnaya for no other reason that he just felt like he had to.

who was he to question to buzzing in the back of his head? who was he to decline when he felt an instinct to leave, to go for a trip far past the city gates? who was he to think himself better than the guiding light that had never led him astray?

for you, he was whatever you needed. and so he went, armed with a thick coat and snowboots, hands shoved deep in the pockets to hide the slight shake. down the main road, an arbitrary turn into an alley and down an abandoned path, into a part of the city he’d never traveled. but a golden thread had tied itself around his heart, pulling without hesitation. he easily hopped over the fence gate, not bothering with hauling it open through the snow. the path beyond was covered in a thick layer of powder, his foot crunching through a foot of it before hitting solid ground. still, he continued.

snezhnayan winters were not warm. they bit and dug into every gap in your clothes, stealing away the precious warmth within. and yet, with his half-done coat and incomplete guard, he was not cold. or, rather, he couldn’t feel it. his hands were pink with frost, stiff at the knuckles, but he couldn’t feel the resistance. his body was not important, not now.

the snow began to thin. it fell from his knees to his shins to his ankles to his toes, until he was face to face with a thick wall of bramble, impossibly overgrown. he was beginning to overheat in his jacket. twin blades made quick work of the wall, and the sight behind it easily dispelled any breath left in his lungs.

the air that washed out of the bubble was thick and heavy, like a humid spring instead of snezhnayan woods. his breath came in short gasps, a shameful wheeze that he hoped was missed beneath the howling snow. he didn’t want you to see him as weak, as someone so easily tired by a short trip to a falling star; he didn’t want you to think of him as anything other than his best.

but you didn’t push him away. you helped him up—his head was buzzing with delusion, he could hardly see, when had he fallen to his knees?—and brushed the snow off his hair, not pushing him away when he leaned into your touch. he couldn’t think, couldn’t breathe, could barely collect himself enough to recognize that he needed to get you inside, away from the wilds.

that was power. to so effortlessly take over every thought in his head, to hold his mind in your hands and pull it into your liking, that was the power he adored you for. gods were figureheads of power, a physical incarnation of their dominion. a god of the entire world would only naturally have power to manipulate that world to their liking. how blessed was he, that he could be the first you made yours.

he was with you when you first stepped into zapolyarny palace, looking around at the chandeliers and fine tile. he opened the door for you to her majesty’s throne room, sucking in a sharp breath as you brushed by. he was by your side when the tsaritsa swore you her fealty, delicately placing the gnoses in your hands.

and oh, how he’d fallen to the floor right then and there, dizzy from the wash of power that rolled off you in waves, an ocean that he willingly dove into. the floor was cool beneath his forehead, his hair sticking to his skin as sweat quickly began to bead. he didn’t bother pushing himself up on his hands, teeth sinking deep into his lip again to control his panting breath. copper bloomed over his tongue, filling his mouth and clogging what remained of his senses.

dimly, he was aware that he was being pathetic, that this would surely change your mind about him. he heard your voice, faint through the fog of his mind, your wisdom lost to his own inadequacy. and yet, despite his weakness, every part of him was tuned into you. he knew it was your hand whispering across his shoulders, he knew it was your influence that stole the breath from his lungs. he knew it was you, because it was always you. you were all he could think of, and now you were finally able to leverage your full power over his self.

he’d woken up in a hospital bed. saline dripped into his arm and the lights pierced his eyes, his head full of snow and iced over. and yet, the moment he was cleared for release, he found himself desperate to be back to your side, racing through the tiled halls of the palace and following the urgent burn in his chest. you would have been right to turn him away, to deem him too weak to stay by your side, but you didn’t. you smiled when he lost his breath and laughed when he wavered, brushing off his concern. you invited him with you—his lungs burned with the need for oxygen—as you twirled the gnoses between your fingers, as if they were toys or paperweights rather than objects of divine power.

divine to him. child’s play to you. a courtyard of snow was cleared in an instant, ripples of pyro melting permafrost while keeping the flora beneath intact, a lazy show of power that pulled little more than a slight hum from you in response.

he wasn’t so much a fool as to think he could teach you everything, or even something, about being divine. and yet he clung to your side like a sailor in a storm, watching as you grew familiar with the elements. he watched, stubborn and weak, as you stopped hesitating.

flowers bloomed as you walked by, crumbling to ash with the slightest look. electro jumped from your skin to his, a painful spark that drew his mind from his head, finally seeing your amused eyes instead of just mindlessly staring. you could—should—have just left him behind, but you didn’t. you instead asked for his help, taking his hand in yours and leading him to a quieter hallway of the palace. you didn’t comment on his thundering pulse despite the fact that you could certainly feel it, tracing a finger along the crease of his palm.

“i wonder…”

a claw of geo cut across his skin, a sharp sting that quickly welled with blood. he barely felt it, watching with detached awe as it filled up his hand, sliding over the edge and dripping to the floor. you didn’t show any emotion, just… watching. his heart beat in his hands, a pool collecting on the floor, and still, you just watched. your other hand moved over the surface, barely an inch away, the blood collecting in a bubble beneath it. with a hum, your fist tightened, pain lighting up his arm. a strained grunt slipped between his teeth, hand flinching closed, brushing against the ball of his blood you had pulled from his veins. his hand was stained red, shaking in your grasp, minutes stretched into hours.

all at once, it dropped, forced back into his body as forcefully as it was removed. with a snap, the skin stitched itself shut, and you were again dragging him along like a child did their favorite toy.

you did that a lot. pull him aside and experiment with whatever new reaction you had discovered that month, week, day, hour, watching his reactions with unabashed delight. and he let you. every time, without fail, he eagerly followed, knowing full well he’d end up rigid with lightning or with ice crystals studding his throat. it was worth it, though. you always fixed him up, squeezing his hand with a whispered ‘good job’ that never failed to make him dizzy.

it didn’t matter what you did to him. it never did. even when his mind was hazy with pain and he couldn’t quite stand on his own, he never regretted it. unconsciousness licked at the edges of his vision, burning black stains that lingered even after you stopped, but he never once hesitated.

if you asked him to jump, he’d ask how high. if you felt like holding him underwater, he’d cherish every bruise. to be kept as a toy was still to be kept.

[fluffyartbl0g]

Someone get this man a younger sibling that ISNT like. Twice his height.