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slytherinslut0 · 18 hours ago

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quiet reckoning. chapter two

summary: its winter. you begin to accept the solace, until on a random night in january; you dream.

warnings: 18+, smut MDNI, mind manipulation, tom riddle is a fucking god (sorry), oral f!rec, PIV, so much angstttt, tom riddle is broken and he’s tired of fighting, outdoor sex, ooc tom for some but remember there are decades of history between these two.

masterlist and other chapters.

It's winter. The first of the season is a soft, unassuming thing, nothing like the hard decay of fall. Snow blankets life and covers old memories of summer fading to fallen leaves—and you've always marvelled at it, the way frost clings to the pines—how the crystals dance in sunlight like they're celebrating.

Warmth lies dormant, hidden under the cold, yet nature still finds a way to make the quiet beautiful.

This, you think, reminds you of Tom.

In the early days of winter you spend as much time outside as you can manage, but the cold seeps in eventually—a bitter thing with the edges of frozen steel—so you give yourself grace for the rest. There's a satisfaction in the easy routine you fall into—no garden, no yard work, just stoking the fire and chopping wood, eating and reading and going down to the market when you decide an apple pie sounds nice.

Sometimes, late at night, you sit by the fire and think about all the things that have changed—sometimes, you sit by the fire and think about the things that haven't.

You try not to hate yourself for how small the latter list seems to be.

Mattheo doesn't come in December. He writes only twice—once to tell you about his wedding, and again to say he won't be able to visit after all. You try to ignore the hollow feeling in your gut as you read that last letter, but when he sends you your favourite sweets for Christmas, you decide to forgive him.

You begin to accept the solace. The kind of quiet that fills the cracks of a life left behind.

Until, on a random night in January, you dream.

It's one of those dreams that feels hyper-real—you're outside, somewhere that feels both unfamiliar and inescapably known. It's dark and snowing, your breath leaving plumes in the air, and everything—the scenery, the chill, the silence—washes over you like something you feel more than witness.

You turn slowly, looking around—your senses stretching to the stillness of the trees, the soft fall of snowflakes, the ring of silence pressing in on your ears. Then you start walking, guided by something you can't name but instinctively trust. It doesn't take long before you hear it—the steady flow of water—so you push through a stand of snow-covered trees and find a narrow creek, its edges crusted with ice that glints under the moonlight.

The feeling of familiarity hits harder, and when you look up, that's when you see it—like a ghost that is your memories—the orphanage, sitting in the distance, rising from the shadows of the night.

This is your childhood. And for a strange, suffocating moment—you feel like you're home.

But there's hardly any time to process any of this before you're moving again and find yourself kneeling at the waters edge—snow sticking to your jeans, peering down through the frozen surface into its depths. You think of Tom. You think of Mattheo. You think of the memories rippling past.

And then, as if summoned by the sheer magnitude of your longing, Tom is beside you.

"Cold, isn't it?" His voice is soft, low, as if the silence around you demands reverence.

You don't startle; you know this is a dream. You're half-aware of it even as he settles by your side, his knees brushing snow like yours, hands tucked into his jacket pockets. Instead, you exhale slowly, your breath turning to mist in the night.

Dreams don't need logic, and this one would never work if it made sense. So you give in to it, the way you'd always given in to his whims when you were children.

"It always is." Your voice echoes like a memory.

He hums in acknowledgment.

You don't look at him, not yet, but you feel him lean back—palms pressed into the snow, long legs stretched out in front of him and his head tilted up towards the sky. For a moment, you're both quiet, watching the frost turn the trees around you into statues of silver and ice.

It's then that you realize you're not cold. You're not anything, in fact. There's no ache, no heaviness, only the soft stillness of a moment suspended outside of time.

That's how you know it's a dream—because if it were real, you'd feel everything.

"You always loved the cold." He tells you quietly. You don't take your eyes off the trees. "I've yet to decipher why that is."

"It's the constant that life has never been." There's a quiet honesty in the words, the kind you'd never have dared to say when awake. But here, like this, you think you're allowed to speak the truths you bury. "Winter has never been anything but what it promised to be."

You hear him make another sound of agreement. You want to look at him, to see what might rest in the hollow of his cheek and the curve of his jaw, but something stops you.

Some instinct warns that if you do, you'll lose him.

"Winter reminds me of you." He whispers. You close your eyes at the need the words stir. "You've always been my constant."

In the silence following that, a part of you whispers; I wish you'd never said that. But this is a dream, and for a time you give in to the part of you that says; I wish you said that more.

"You've always been mine."

It feels like a memory that was never real. Like a lie. He's never been yours in the way you wished he was, but he has definitely been a constant.

Either way, you don't elaborate, regardless of how much you want to—this just makes sense to you in ways you're sure he already knows. Tom has always been your winter—soft like snow but not quite as pure. Cold like frost, the type that burns. He's the still in the chill that wraps around you, that sticks to your skin long after the warmth has crept back in. He's the devastation, the beauty. He's always been your winter.

He doesn't respond to that, and for a time, silence is the companion of the night. You wonder, faintly, if this is all dreams ever are—fragments of memory, shards of longing, the reflection of your heart's deepest corners.

You wonder, faintly, why you're dreaming of him now.

"Are you really here, Tom?" You ask without thinking, without knowing. It’s the part of you that knows he’s capable of anything. “Is this your way of visiting me without the commitment?"

From the corner of your eye, you see him smile. It's sad without being entirely tragic, somehow. "Have you dreamt of me before?"

What a question, you think. When haven't I?

"In pieces, in fragments. I dream of youth. Of memory. I feel you in every dream." You answer, thinking of the times you'd wake and feel him from your childhood. But you haven't felt him like this. Alive and real and lucid. "Never like this."

He's silent for a long time. You know without looking that his eyes are still turned to the sky. That's when you realize the truth of it: you've answered your own question.

If this were only a dream, if this were merely a version of him conjured by your mind, he wouldn't be so quiet. He'd be saying all the things you've always wanted him to say. This is a visitation.

After a moment, you feel him look at you, and that's when you cave—something desperate in you seeking his eyes, those onyx fucking eyes you've missed so much—and once you find them, you see the stars and snow reflected in the glass of them and your breath catches somewhere between your lungs and your heart.

He's beautiful like this—older, aged, weathered—he's so fucking beautiful it hurts.

"This might be the most transparent you've ever been with me," you choke out, attempting to lighten the moment, to push down the ache that's rising in your chest. But your voice wavers, betraying you. You've loved this man for so long, you've forgotten how to pretend you don't. "You look like you've seen all the things I've been too afraid to say."

He studies you then, his face bathed in moonlight that paints his skin in shades of frost and shadow. He looks like something out of a dream, like an angel of winter under the guise of a devil.

He's always been both, you think, in a way only Tom could accomplish.

"You make a habit of not saying the things you want to," he says quietly, as soft as the falling snow. You look back at the creek, trying not to get lost in this feeling that's almost like the first time he'd kissed you. "I thought coming to you like this would help you break it."

You know this isn't real, not in the way you wish it was. This is manipulation—a spell, a trick of his mind and yours, something he's managed to do through magic that's lost on you and a dream you can't control. But your mind isn't the master here, not in this realm—so when Tom puts a hand on your cheek that is as warm as summer in the dead of winter itself and turns your face to look at him, all you can think—all you can want—is to lean into the touch.

You try to pretend it doesn't make you want everything. "Tom—"

His knuckles brush your cheek and you lose your tongue. The feeling of it, real and fucking steady, makes your skin burn where he's touching you, clawing its way back into your chest like it never left.

He says, softly, "say the things you've been afraid to say."

You exhale slowly, like the words stuck in your throat are too hot to hold. Your mind is racing, a million moments in memory where you wished you would have said what you felt. His eyes are searching yours, and you're half-terrified of what he'll find in them—

"I'm in love with you." You whisper, before you have the sense to stop yourself. "I've been in love with you, for as long as I can remember."

You watch his eyes and the way his jaw works when he hesitates. You'll remember this moment forever, you think, even if the things before and after it are lost to time.

"Keep going," he finally says, running the pad of his thumb across your cheekbone. "I'm not going anywhere."

You close your eyes against his touch, trying to hold onto the sound of his voice. You've fought so fucking hard, for years, to ignore it but fuck—you've missed him—you've missed the way he makes you feel. You've missed this, even the ache it makes between your heart and your throat.

"I think of you all the time," you say, timidly, opening your eyes again. "There hasn't been a moment since I left where I wasn't missing you. I dream of you—of us—I dream of your voice and your hands and the things you've done to me." You see him breathe out, very slightly, and it makes you feel braver. "I dream of the way you used to kiss me. I dream of who you were, who you could have been. I dream of the way you looked at me in final year before you broke my heart. I hate you for it still."

He's still watching you, and his eyes seem even darker and more intense in the shadow. His hand drops from your face, landing on your knee because you're practically in his lap—you hadn't realized you'd been leaning into him, seeking out the warmth of his skin like you'd been starved for it.

The ache in your chest is so strong it makes you dizzy and you're half-terrified that he won't say anything to that.

Until finally, he murmurs, "I'm sorry."

There’s a pause. It's perplexing that somehow he looks both like the eighteen-year-old you've loved all your life, and the twenty-five-year-old stranger he's become in that time. You think, faintly, that it's not fair.

You exhale, and the sound of it hurts. "You say that like you don't exactly know what you did wrong."

You can feel the heat from his skin through your jeans—he's too close yet too far away, and the part of you that loves him and the part of you that hates him seem to be tangled tightly in the space between.

"I never knew how to love you," it’s an admission, and his voice is soft and broken enough to make the pain in your chest subside. "I never gave you the chance to teach me."

There's a million things you could say to that, a million ways you could react to those words. You don't really have the strength to say all of it, and you certainly don't have the mental to service all the grief that comes along with it.

"You did." You whisper, trying to hide the crack in your voice. "You've known."

You shift, angling your body closer to him. He's still watching you, and for the first time since that final night at his manor, you sense that familiar trace of softness in his eyes—that part of him that's been gentle for you since you were children.

"Not the way you deserved."

You take his hand, trying to ignore the way your fingers fit against his like they were carved from the same tree; his skin is rough, scarred and calloused, but it still feels like it always had, despite the years.

Safe.

"You've seen my life now." You look at his fingers as you say it, "do you think that is what I deserve?"

There's a moment of stillness between you—in which you wonder if this is the part where he wakes up out of guilt—but then you feel his fingers press harder against yours, like confirmation.

"You deserve to be happy." He says.

You're so hot you're not sure how the snow isn't melting beneath you. You're sure that's something in his control.

"And what do you know about being happy?" You say, looking up.

The moonlight is catching in his eyes and they're soft in the corners just as they were when you were young. So much has changed and so much hasn't. Part of you feels like crying, but instead you shiver when his hand runs up your arm, following the shape of your shoulder and the side of your neck, and you feel all the nerve endings in your body light up like a matchstick against the friction.

You think, faintly, that you'd forgotten this—how he could touch you without ever really touching you.

He exhales. "Only what I learned from you."

There's a part of you that wants to scream at that, at the way he can say those things and look at you and make you believe it, even if just for a moment.

"I haven't been happy in years, Tom," you say quietly. "Have you?"

His eyes flick to yours, and for a long while, the only sound you can hear is the cracking of the ice filled creek, and both of your exhales.

"No," he finally whispers, and you feel his thumb brush against the skin of your cheek. "I haven't."

You turn, angling your face into his palm. There's something heartbreakingly honest in his voice—something in the way he says it that makes you question the years you've spent wondering if he'd felt anything about you leaving, about the way he made you go.

Your eyes flutter shut for a heartbeat. It's easier to imagine it's real like this, like everything else.

And then, when you decide to open them again, the scenery around you has changed—it's bright, it's summer—there's fireflies and warmth and whitetails running through the field past the creek toward the orphanage. Tom's hand falls to rest in the grass, and you turn to look at him—

He's watching the fireflies with a look on his face, soft and wistful like he's never quite managed to be before in his life. You watch the insects hover around his hair and for just a second, you think he looks more alive than any version of him you've seen before.

"Tom." You whisper, your own voice scaring you.

He turns to look at you when you say his name, and the expression in his eyes is something completely foreign to you. You've seen him hungry, and arrogant, selfish and even angry—but here, awake in a summer childhood memory dreamworld of his own making—he looks fucking vulnerable.

"Hm?" He raises an eyebrow.

Your breath catches before you can answer, like the feeling of seeing him like this—unguarded and unburdened—is catching up to you. He's beautiful under the moon and snow and he's beautiful under the sun and summer grass. It's unfair, you think, just how fucking beautiful he is.

"Will you ever come see me?" You force the words out before you choke on them. "For real, I mean."

He's silent, but you feel the air around you go incredibly still when you say it—like those few syllables had just caused the whole world to go quiet. Tom blinks, and for a moment you're afraid he'll say no.

Actually, a part of you is praying he'll say no—while the other part of you is praying he'll say yes.

Finally, he shakes his head. "If I did, I'd never leave."

You suppose he might not have realized what he's said, that it's just something that had come out of his mouth without thought. But somehow, it sounds more like the truth than anything he's ever said to you in a very long time. You're lost, suddenly, in the fantasy of him staying with you, of having him by your side to watch the summer nights and the winter mornings and anything and everything in between.

A part of you wants to break down at the thought. A part of you wants to yell at him, to make him see how selfish it is to offer you that.

You open your mouth to say something, but before you can find words for anything, you feel his hand on your cheek again, and your brain suddenly goes incredibly blank. He's leaning in closer to you—close enough that you can feel the heat from his lips and you're aware of how your own heart is racing—

"The next time I come to you," he murmurs, eyes on your mouth. "I'm never leaving you again."

The words make you almost dizzy, but before you can react to them, his mouth is on yours, and fireworks go off behind your eyes. He fits against you like he always has, like the two of you had been built to always have your bodies slot into eachother. You bring your arms up, grabbing fistfuls of his shirt and pulling him selfishly closer.

He inhales against your mouth and his fingers grip harder, his teeth catching your bottom lip with a bite that makes your whole body shudder. He kisses you like he's afraid you're going to disappear, his tongue hot against yours, his hand twisting into the hair at the base of your neck, pulling your head back until he can kiss your throat in the way he used to when he was aiming to leave you mindless.

His touch makes you feel like you're burning. You're so fucking disarmed from his lips on your neck and his skin on yours that you can't think—can't speak when he urges you back in the grass and moves between your thighs—one warm hand snaking up under your shirt, leaning slightly to watch the way your chest heaves with each ragged breath; and when his fingers skim your breasts you let out an involuntary gasp, arching into his touch.

"God, you're still the most beautiful thing I've ever seen," he murmurs drawing down to drag his mouth over your collarbone. "Time has been so good to you."

He keeps your body trapped against the grass beneath you, the sky going dark overhead. He's taking his time, you realize, with his lips on the hollow of your collarbone and his fingers tracing the curve of your hip, taking his time to worship you in the way he'd done hundreds of other nights before all this time between.

"Tom," you manage when he moves to run his tongue along your lower stomach. "You—" you can't even say it, not like this, not with his lips warm against your flesh. "This isn't real—"

He looks up from where he's working to mark a bruise at the edge of your jeans—something dangerous and dark lighting up his eyes in the moonlight.

"Does it feel real?" He rasps. "Can you feel this?" His tongue skims your belly again before he sinks his teeth in, and you gasp. "Can you feel me, sweetheart?"

Your mind can't find any words. You'd forgotten how he'd reduced you like this, how he makes it feel like you can't fucking think.

"Yes," you gasp, but the word is mostly air. "Fuck—god, Tom—"

You can't say more than that, not with his mouth where it is, so close to where you're aching for him. He huffs against your skin, not mocking, but low and satisfied and smug like it's always been.

You're going to die like this—you think faintly, when his fingers finally undo the buttons of your jeans and the summer air hits the skin of your thighs.

"Do you want me to stop?"

What a terrible, devastating question.

"I—" you gasp, arching off the grass as he tugs your jeans off your legs. "No. Please—"

He laughs, and when he does it makes your whole body shiver.

"That's my girl," the words muttered into your inner thigh. "I've missed you like this."

His tongue skims over the edge of your underwear and you're lost at the feel of it—vaguely aware of the fact that you're making far too many noises and you think you look obscene—half-undone and writhing beneath his touch, but you don’t fucking care, not even slightly.

"Please," you gasp again when his tongue dips further down, a word you're half-sure you've been saying for ages. "Please, please—"

He's torturously slow with every single little movement, kissing over your pelvis and between the creases of your thighs, taking his time to taste every inch of you like he's savouring it. You're shivering and shuddering and begging for him, you're so out of your mind you're half-sure you're going to cry.

Until finally—finally, he brings his mouth to the place where you'd wanted it to be, tugging your panties to the side and lapping up your slit—and you let out a sound that's barely even human.

"I've missed you like this," he repeats against your swollen clit. "Fuck, how I missed this."

You're half-aware that you're probably pulling his hair and making noises that aren't fit to be spoken, but god fucking dammit—you're burning up with every touch, and every movement of his tongue sends sparks to your eyes. You think you're delirious, half-sure that you've been reduced to gasps and whimpers and "please, please, please—" but it's all you can do to keep his name in your mouth, the way you're sure he'd always wanted it.

"Tom," you gasp, as he laps up your slit until his tongue swirls over your clit again, as he seals his lips around it. "Fuck! Oh—"

A part of you thinks that you would like to stay like this forever—half-undone and out of your mind in some weird dream-like state of his creation with him between your thighs and his hands holding you as his, surrounded by the fireflies and the summer in the grass where you first kissed as kids.

"You taste so good," he growls against you. "I never stopped wanting this—"

You're close now. So close you think you'll burn up in a fire and engulf the grass and the trees and the fucking air itself—but Tom seems to be able to sense that, too. He presses a hand on your pelvis, holding you steady, reminding you that he's catching you as you fall.

"So good—so, so good—" he murmurs, lapping up your slick. "Let go for me.”

You think you would have, either way—but when he tells you in that voice, when he's looking at you like that in this state of his making—you let go for him without a shred of hesitation, because you'd always known, if nothing else, that you don't own this.

The summer, the grass on the hill, the pleasure coursing through you—it's all his. It's always all been his.

You come back to yourself in pieces—first, the sound of his voice, dangerously rough, then the feeling of him pulling away and shifting until he's hovering above you again—your vision clears enough to take him in, and you think he's impossibly holy like this—with the fireflies lighting up behind his hair, with the look in his eyes and the taste of your need for him on his mouth.

"I love you," he murmurs, running a hand over your jaw. "More than what's in this heart."

He leans down, kissing you again, and you have never been so out of breath in your life. You don't have air in you to kiss him back, nor have you even the strength to try—you can't believe what he just said—this can't be—

"I love you." He repeats it, as if he heard your doubts. You know he did. "Hand to a god you know I don't believe in. I'll die trying to prove it to you."

Something breaks apart in your chest. You raise a trembling hand to his face, trying to take him in— his eyes, his jaw and his mouth, his body tense between your thighs. You want very badly to be sure this is real—that he means what he's saying, even if it's only for tonight, even if he'll forget it as soon as it's over.

"You'll remember this when you wake up?" You don’t know what to say first. "You'll still—"

The look in his eyes goes sharper, his own hand coming up to take yours and press it against his chest—right above where his heart is. You can feel it beating, impossibly fast, like he'd just run a whole marathon.

"Does it feel like I'd forget?" He asks. "Does it feel like this is not real?"

God, it's so close to real—him on top of you and his heart beating against your hand and the feel of his skin against yours and even the taste of yourself on his mouth—it's so fucking real—real enough to make you half-sure you're going to burst into tears.

"Tell me you mean it," you whisper, voice broken into fractions. "Please, please—just say—"

"I'll remember it when I wake up," he cuts you off, leaning down to kiss the skin below your ear. "There are very few things in this world I forget." He drags his mouth down to your neck, his teeth leaving a bruise you're sure will be there in the light of morning, his hands finding the sides of your hips again. "I forget even fewer of the things involving you."

You gasp out a sound that's half a sob, half a whimper because you cannot believe him and you want to believe him so badly you don't know what to do with yourself.

"Why now?" You manage when you've found your voice again. "Why now—why couldn't you have said this before—"

He lets out a dry, broken laugh against your skin, and you can feel it when his chest shudders against you.

That's when you realize he's afraid, too.

"I was a coward with all the wrong aspirations," he admits, pressing the words into your collarbone, your jaw, as if he's trying to get as close to you as humanly possible. You're still acutely aware of the fact your lower half is bare against his. "And every time I've come to realize that I'm still in love with you, I've always run away from it."

You're still trying to remember how to breathe when he moves, shifting his weight and rolling over so that you're on top of him, straddling his hips. It takes you a moment to process it—you're suddenly so dizzy again now that you can feel him, hard and solid beneath you.

Every inch of your body suddenly feels like it's aching for more of him.

"Tom—" you gasp, the words sticking somewhere in your throat. "I—"

"You're too good for me," he murmurs, his long fingers skirting over the hollow of your spine, making your whole body tremble. "You've never been anything but the only good thing in my life." He rolls his hips up against yours, his eyes fluttering when you moan. "I'm tired of fighting. I'm yours if you'll have me. I'm yours if you won't."

You think this is the most he's ever spoken. You think back to when he told you to say all the things you've always been afraid of saying.

You wonder if he's doing that now.

"You're an idiot," you manage to say, finding your voice again, the breathless words coming out as a half-sob. "You really are an idiot—"

You gasp when he jerks his hips up against you again, and you can feel how much he wants you in the grunt that slips out of his mouth.

"I know I am," he says through grit teeth. "I'm cowardly and foolish and idiotic all because I'm in love with you." Another jerk of his hips, harder this time, pulling you closer. "And I cannot, for the love of god, figure out why you don't hate me more for it."

You gasp out a broken sound that's half a laugh, half a whimper, arching involuntarily against his touch in a way that makes you sound unhinged.

"Does it ever occur to you," you manage through the aching need for him, "that I fucking love you despite it all?"

He makes a sound against your skin that's so rough and broken and aching that you'd think you're killing him—

"Perhaps I did," he grunts, shifting as you finally decide you've had enough of this and move to undo his trousers, tugging them down and freeing him. You fucking sob at how real he is—how real he feels in your hand. "I just—mmf—assumed you'd realize better one day."

Your brain feels very much like it's short-circuiting now as you wrap your fingers around his dick and give him a light squeeze, trying to get used to the feeling of him again and the way he twitches against your palm. He lets out a strangled sound as you do, one hand coming up to bite his knuckles to drown it out, and you can't believe you have that kind of power over him.

It's a thought you'll need to consider later.

"Looks like we're both idiots, then," you murmur, and you're not sure you have the strength to form any other words as crawl back up, guiding him to your greedy aching cunt, and sink down.

You think he'd probably let you drown him right here and now without even blinking, with the way he lets out a sound that's almost animal, his breath coming out in shuddering gasps against your shoulder as you take him in. It takes you a moment to adjust to him, his ego made flesh—and as you start to slowly ride you realize you'd half forgotten that anything in this world could feel so fucking good.

"Fuck—" he gasps, and you think he's never sounded like that before. "That's it. That's good—"

You've never seen him look this way—not like a man hiding oceans behind his eyes or a god about to smite his creation—but an entirely mortal man falling to pieces beneath you. Everything about the way he touches you screams I need this, I need you—and he's always been the better one at speaking through his body.

You find your pace after a moment, slow and steady, trying to give yourself time to adjust to him while also trying to find that angle that makes you go just a little out of your mind.

"Tom—" you moan, head falling back as you bounce—looking up at the night sky. "Fuck—make it winter—"

You've forgotten how it feels to be so full. Your eyes are half-open to the night sky, where Tom's magic had crafted the summer around you—and you're not sure where the words came from, but they're half-sobbed and a thought you're not sure you should've said out loud—you wonder for a moment if he'd even heard you over his own moans and the feeling of you around him—

But then you feel it.

The first snow. A light fluttering of white snowflakes, falling from some place you can't see or find. The fireflies fade out with the falling flakes that cover the sky and you can see your breath but you don't feel the cold. You just see the beauty of it. You'd be stunned if you weren't so sure that this looks like what you've always known him to be—winter made flesh.

"You'll have everything," he grits out, jutting his hips up to slam into you deeper. "Anything you want—"

You're not sure you can put together the words to say anything in return to that—everything and anything, he'd give you, and you'd like to know when exactly he broke that carefully crafted part of himself that's supposed to not love—or when you broke that part of yourself that tried to stop loving too much.

You're not quite sure how you can say this will be enough when you're already so sure you'll never get enough of this, of the way it feels when he's this deep.

But amidst all of this, your brain has gone blissfully, blissfully silent—the only thing that's going through your head is his name. Every thought you've ever had, you're sure, is just a synonym of his name—every letter that's ever been made, somehow leading back to his name—every word and every story and every language and every poem somehow all trying to say; Tom, Tom, Tom. I am fucking in love with him.

"Harder," you gasp, and he complies like he'd die if he didn't—flipping you over so you're on your back beneath him.

You're a broken, moaning mess in the snow as his dick splits you open—half-dazed by the way he's looking at you now, as if he's still somehow in disbelief that you're in this position—that you're under him and you can still love him, that you've seen every side of him and you want more.

"This—fuck," he moans, his snow covered lashes flutter. "This never left my mind. You—never—"

You think you're drowning in him. You're certain you're drowning. He’s everywhere—the snowfall and the trees and the sky—surrounding you in an a world carved out of himself and you're met by the thought of how much it doesn't surprise you.

"Tom, oh, god, I don't—I need—"

"I know," he gasps. "I know, I know, I know—"

You moan and clench and think again how he's never sounded this broken. He's never sound this desperate. He's always been so stoic in every single god damn way and you think now, as he's buried in you and over you and all around you within the winter dreamland of his fucking creation—you think you finally understand that he knows he's broken.

"You have me." He says.

You think it's a promise, and you think it's a declaration. One he's never made with as much conviction behind his eyes as he had right then. You think you've never been this certain of anything in your entire life—that there's snowflakes on your lashes and clinging to your hair and he's never looked this beautiful and you've never been this sure of it when he says he's yours.

"I love you," your words broken on a moan as he slams deep, teeth digging into your shoulder. "I need to cum—Tom—fuck—"

"Say it again," he gasps, his voice rough and raw and guttural as he slips his hand down to your clit, fingers swirling over it. "Say it again, I need to hear you say it—"

Your hands grab at the snow and at his shoulders—you're not sure you're ever going to remember how to say anything else ever again—

"Tom—Tom, I love you, I love you, I love you—"

You can see the moment you say it that he breaks, and you love it—you love being the reason why, having some of the power over him for this one single second, seeing the look in his eyes that tells you he'll give you anything you ask for, no matter how much he's ever tried to deny it before, how much he's ever tried to be anything else to you but someone to love you back.

You say it again—I love you, I love you—and it's the only spell that's ever broken him.

He cums with your name in his mouth and you marvel at it because fucking hell he's different—like a man falling apart, like a man who's been holding back for so long it aches—you think this is the only piece of him that no one else in the whole world has ever seen or gotten to touch, and it's yours, all yours—so with that, you're cumming too, climax shattering the both of you at the same time, and it's a long moment before either of you move or breathe or blink. You just lay there connected until the clarity starts creeping in, and you realize this place is crafted by his subconscious.

"You can control your dreams," you finally whisper, after a long moment of nothing but the distant sound of snowfall and the occasional night creature. You're still breathless, still dizzy, your eyes still half-opened and unseeing as he's still buried inside of you, his hair tousled and still sticking with snowflakes.

He makes a sound that's half a laugh and half a gasp at that. Probably because he can’t believe, after everything that just happened, that that is the first thing you choose to say.

"I can." He says, slowly pulling out of you.

Now it's your turn to laugh. "And do you always lure girls to your dreams to have sex with them?"

"No," he murmurs, and you think it's a simple enough answer, before it's followed by a pause. "Just you, I suppose," he adds a beat later, and you can almost hear the smirk in his voice.

You try and shove him off of you, but it's half-hearted—you've forgotten how to move your arms.

"Prat," you murmur, no real venom behind it, because you like his smirk, and you like the way he laughs. "So this is all...a product of your subconscious, then? You conjured me into it?”

"Yes and no." He says, and you feel him pull you closer to him, your body half draped over his as he stares up at the sky above you. "I'll explain when I come to you."

"And when will that be?" You ask, your head dropping against his shoulder, your eyes already fluttering in exhaustion.

"Soon," his lips find the top of your head. "As soon as I can."

You're drifting to sleep—you can feel it in the edges of your mind, but everything is blissfully quiet there, and you like the feel of his fingers in your hair.

"When you come, bring me a plant.”

He makes another sound that's half a laugh and half a chuckle at that, as if he's more fascinated by your request than anything.

"Any plant will do?" He asks.

"Preferably a flower." You manage to murmur as your eyes slip closed. "Something that can withstand winter. That will revive come spring."

You can hear the smile in his voice before you completely surrender to the sleep that overtakes you.

"You'll have it."

And you know, in between the edges of consciousness and sleep—that no one else has ever seen him this way, and no one else ever will. And that's the thought that you wake with, even when you find yourself alone, in your cabin, snow falling outside your window.

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starrycassi · 2 days ago

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VERY old and uncooked au I have where Viktor (and eventually jayce) end up working for Silco.

PART 1 - VIKTOR (childhood, adolescence, survival)

Singed actually takes the child in. Yeah I know Viktor technically HAS parents but we've never seen em in the show so I'm ignoring them

So Viktor now lives + works for singed. He gets over his morals real quick when faced with a fully equipped laboratory. He's a child, okay? He gets excited and is eventually groomed (I don't mean romantically, just like molded) by singed into agreeing + obeying all the things the older man tells him. Silco joins in on the part later and toys with his brain as best as he can

Singed uses him as a bargaining chip with Silco. An investment, if you will.

A bit of a "future promise" thing. Viktor actually agrees to this because he knows it's the best shot he's got. All the years living alongside Singed have made him into a more cynical/realistic person. He's 13 and already grumbles at "kids these days"

And Silco is an opportunistic man. He looks at this young, blooming genius and goes "yeah, why not? He is your problem, though. Have some money and make me a bomb"

Viktor also gets a pretty decent gun and shooting lessons. His aim is decent enough. He also hangs around sevika A LOT. He recognizes her as the strongest, safest individual if a fight breaks out and tells her ad much. She won't admit it but the praise feels good. She allows him to hover around and he helps her with small things like lighting hee cigarettes or refilling her flask. It's a symbiotic relationship where they both look at each other dead in the eye when someone is saying stupid shit.

So Viktor is like 15 and suddenly faced with even MORE power and recognition, even MORE fundings and accomodations.

This boy pours his life and time into making weapons. His dreams of being a scientist are slowly forgotten as both Singed and Silco effectively turn him into their perfect little genius.

They turn his desire to help against himself, telling him that the only way the under city will ever get better is if they go against piltover and win (which yeah I mean it kinda makes sense) and just general promises and such

Silco is genuinely surprised by how inventive the kid can be, and in return Viktor appreciates the man's offers and words for what it is: a trap he's wilfully walking in.

Silco does NOT feel any affection for the kid. At least not a lot more than he does for sevika or any other loyal worker. He is amused by his intelligence and somewhat entertained by his ideas. He seems Viktor as more of a small dog he's raising, expecting him to develop sharper and sharper fangs. He does care for Viktor in the "one of my youngest workers is more efficient and savvy than five of yours" way

Viktor doesn't feel any affection for Silco, either. He's a really down-to-earth kid, has lived in the fissures all his life and has been coached by singed into how to navigate the under city. He knows singed doesn't really trust the man and doesn't plan on doing so himself. He does love the opportunity he's given, but knows damn well that it's all done for a higher reason.

He does feel a connection with singed, though. It's mutual in a way. More of a mentor-mentee thing than any paternal/familiar relationship, but they're both satisfied with it. Singed respects Viktor and treats him as an equal, which also means he can a bit too harsh on what is essentially still a fragile teen.

They are protective of Viktor only in the way one is protective of their own gun

PART 2 - VIKTOR (last of his teen years, young adulthood, rage)

EVENTUALLY Viktor manages to worm his way into the academy (in the same way he did in canon) while hiding from Silco, Singed and Sevika, and is, instead, rejected. Heimerdinger is too weary of Viktor and his general attitude (for a good reason) and plans on having him interrogated. When he tries to get Viktor to walk alone into a room with him, Viktor panics and starts stuttering out explanations. He knows his position in the under city is conditional. Knows the leash that Silco has around him. The academy could be his safe haven and now he's losing it.

Heimerdinger does his best to try and calm him down, however, every word he says makes the situation worse. He's so clearly out of touch, promising things that could never be done.

Viktor is under a lot of pressure and just starts spiraling. Everything the yordle says makes things worse and worse. The commotion calls the school guards attention and Viktor gets almost thrown in jail, all while heimerdinger tries to tell the guards to let him go. Viktor eventually manages to sneak out but fucks his leg up even more in the process.

He returns "home" and, refusing to cry for such a thing, turns his sadness into bright, burning indignation. Silco might be an idiot, he realizes, but he's right about some things. He burns down the uniform after ripping it into shreds.

After all of this, he abandons any dream of ever getting out. Singed looks at him knowingly, tells him that sneaking around is a fine art he hasn't mastered yet, and leaves. Silco welcomes him back with a satisfied smile, and a "see, boy? I was right"

Silco isn't killing Viktor for his betrayal because he smells the heartbreak and KNOWS that this is the time to attack if he wants that boy to be on his side for the rest of his life. Sevika isn't even mad. Just kinda disappointed.

And it WORKS. Viktor is devastated and isolated, and Silco effectively positions himself as the only current logical option. Viktor knows that this is all a shit show but decides that there's nothing to lose by working for the biggest kingpin on the city

Years go by, Viktor becomes part of silco's inner gang. He develops what could be seen as a friendship with sevika. They drink together every so often, trash-talking the rest of the henchmen in hushed whispers in between assignments. She tries to give him life advice in cryptic ways. He kinda gets it. Most of the time.

He's also a bit of a slut. I mean he's young, hot, kinda part of Zaun's elite, smart... yeah he's getting around. This part is important I swear. No it's not I just want Viktor to get it on. He's constantly sneaking pretty boys in and out of wherever he's staying at that week (idk where the fuck sevika sleeps. Do silco's henchmen just sleep in his house??? Does he provide apartments?? I need to know)

People in the under city actually start *talking* to Viktor as he gets older, realizing that he's a bit less violent than the rest of silco's thugs. This is always weird to him but he endures it for the sake of staying on top of what's being said in the city.

He buys from benzo frequently, and Benzo tolerates him because once, very slowly and in a hushes tone, he heard Viktor tell Ekko to never work for anyone with a shark aquarium.

PART THREE - MEETING JAYCE.

He's in the very same shop when he meets jayce.

He goes "yeah I could get him to suck me off probably" and tries to approach

And then jayce pays in GOLD and DOESN'T HAGGLE

And he realizes that this idiot is a piltie. He also realizes that whatever the fuck he just bought could've been useful for him and silco will not like it if a PILTIE out of everyone takes them. He literally gets in between him and the door with absolutely no idea of what he's going to do (there is absolutely no way he's upping that payment sorry silco you are no match for the Kirammans)

There is no time and he defaults to "oh this is my bedroom" mode.

Cue him saying something like "I've never seen such a pretty face in this store. Are you from around here, darling?"

Ekko is gagging in the background.

They flirt yada yada I have the scene but it's too long to write here. U get the idea. I'd anyone wants to read that ask me but for now just use your imagination

Viktor offers Jayce to come back with him to his house. Ask this is happening the kids are staging the heist.

They make out a bit, Jayce tells Viktor all about his theory (which is arguably hotter for Viktor) and shows him his notes (because obviously he carries his journal with him)

Viktor is BLOWN AWAY by this. He gets all worked up. Never felt this horny before. They discuss for a while, and Viktor decides that THIS is something he can stand behind. Actual discoveries, not just drawing blueprints after blueprint of the same fucking thing

Really how many ways can one design a weapon in

Anyways

Viktor sort of mildly drugs jayce and steals three of the shiny orbs and then wakes Jayce up and tells him that this was delightful and such.

PART FOUR - Hey Silco Can We Adopt This Boy. For Science

The heist happens the very same way. Viktor hears about it, about the trial, and decides that all these years of work should get him some privileges

He has his very first actual fight with Silco and Singed about it, but they eventually and very reluctantly agreed to give him two bodyguards so he can go play prince and break jayce out of jail.

Silco knows that even a worm will turn. If Jayce does agree to work for them, then they get another good worker. If not, they can always kill him. He's never heard Viktor this adamant about someone before, and damn he's seen the boy walk around with some pretty faces. Maybe this Jayce fella truly is smart.

Viktor breaks jayce out do NOT ask me how #thepoweroflove or whatever. The henchmen get to punch enforcers so they're happy about it.

The "am I interrupting?" Scene happens. It's also too long so.

It takes Viktor a while to convince Jayce to, yk, betray his country and leave everything he's ever known behind, but Jayce was literally about to kill himself and Viktor is talking about change and help and people who actually need it (lies) and he looks so beautiful under the moonlight and he remembered him. So. Really what can one realistically do in this situation if not agree.

They rush back, Jayce leaves a hasty suicide note and says he will drown himself in the river, they break into heimerdinger's room via breaking down the fucking door, steal all the equipment they can carry (henchmen & co brought some bags okay??)

When Mel arrives they're gone. She calls for the guards to come but they're long gone (there might be a motorcycle involved. Cyclists Viktor... Yeah)

PART FIVE - JINX AND JAYCE

Viktor shows up and finds out that silco has adopted a child. Also Sevika doesn't have an arm. Also Vander is dead. So is Benzo. Which is a bummer.

Jayce hates everything that's going on around him buts this man is SUICIDAL he's just kinda going with the flow. Having him gives Viktor his backbone and morals back. Slowly. Ver slowly.

Hextech develops WAY slower. Like they're working in a drug den there's absolutely no way there's the same conditions. They're doing their best though.

Jayce Is actually really impressed by shimmer and how it can "help" people. He's gaslighting himself ATP and everyone else is enabling him.

Also eventually Silco also gives Viktor a laced brace that makes him mildly addicted to shimmer. Viktor is clever enough to realize what's going on but also experienced enough to know that refusal would be seen as an offense. He takes the brace on and off with his own prototypes. Sevika and him both know they're just digging themselves into a deeper hole.

Silco actually tries to kill jayce one because he was getting too fucking annoying, but Jinx steps in. He reminds him of claggor (in a way). She claims that they're both her friends and silco just seethes in silence.

They help raise her. Kinda.

I wrote all of this so I could successfully say that they have a tea party with jer

THEY LOVE LIL JINX OKAAY. Specially jayce. He takes all his emptiness and tries to fill it with love for her and Viktor, the only two people he feels are kind of honest to him

Also Jayce being jealous of the fact that Viktor got around, specially when he has the audacity to give powder boy's advice (sevika is a STONE TOP LESBIAN you can NOT tell me anything else) right in Jayce's face. Yeah. Miscommunication. Falling in love. Devotion and guilt. Feelings of owing. Hesitant kisses and never said words. YEEES. I know it's a bit tropey but I like it so. Yeah.

Also both Jayce and Vik have long hair. Jinx insisted they let it grow like hers. Jayce's actually reaches his shoulder plates/mid back while Viktor keeps it shoulder length, just long enough to tie it. I think. Still haven't decided since long hair Jayce is too hard to mentally picture but I know he would look GOOD

Yes this also means that Jayce and Vi meet even earlier. They take a look at each other as they both try to calm down jinx and Become Best Friends™

Caitlyn always has a heart attack because YOU ARE SUPPOSED TO BE DEAD. She, like Vi, goes "yeah silco is definitely keeping my sister/brother captive" and they're both like You Will Not Believe This.

Viktor doesn't join them in their adventures because he is Not jumping around the roofs. He uses a cane. Leave him alone jinx no he can't climb the stupid ass tower.

Jinx and Jayce become a sort of "ground control" thing. Jayce is BUFFED that man can stand his own in a fight. He's not as quick or flexible but he makes up for it in pure absolute brawn. They're not actually doing anything useful they're just entertaining Jinx every so often.

Idk guys this au is consuming my brain.

I have more ideas but this was way too long already

If u read this far u can actually ask for a small scene on the au or add an idea and I'll write it for u

#jayce talis #jayvik #jayce x viktor #arcane au #jayvik au #jinx arcane #arcane silco #silco and jinx #sevika arcane #Arcane #please don't flop #i wish my mind was this talkative in the middle of essays #DOES ANYONE SEE THE VISION #yes this is technically a corruption au ig #i have no idea how s2 would fit in here #i just want jayvik to be actual mad scientists yk. like yes I need to commit Several Crimes

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queer-geordie-nerd · 1 day ago

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I no longer talk about being Jewish online, let alone Israeli; hence the anonymity. But I've always felt keenly that part of Jewish culture is to remember and acknowledge those who do well by us. Alexander the Great was good to Jews, we name our children after him to this day. Kashimir the Great was good to Jews, my family does not let the actions of our 20th-century Polish neighbors tarnish that. Bayezid II was good to Jews: we enriched his kingdom; we do not forget. And it is true for small things as well, individual acts. My great-aunt and her family were hidden by a farmer. He was not kind by disposition, but that did not matter: he saved all their lives at risk of his and his family's own. You aren't at risk of your life, maybe, but for the sake of our human dignity you've spoken out, and knowingly drawn the hateful shouting at yourself, and that's exhausting and never-ending and it hurts. We know. We don't forget.

sorry for sounding so dramatic but you should have your courage recognized.

I truly don't know what to say, except thank you for the trust you've shown in me here. I have had a lot of abuse thrown at me, it's true, but I feel that what I say on my blog is such basic empathy for other human beings that to not do so would go against everything I've ever believed in. I hope profoundly that if in my real, offline life it should be necessary for me to show the courage you speak of, that I would be up to the task. As it is, any courage I have doesn't compare to the courage it takes for you and every Jewish and Israeli person to live your everyday lives surrounded by so much hatred. The dignity and strength you show is unimaginable.

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raguma1002 · 2 days ago

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i have some thoughts about what would happen if bojack and mr peanutbutter got together before the start of the show. @fandomfreakstudios have a wonderful post on this topic and i like their au very much. i just want to speculate on this from a slightly different angle.

i agree with freak's vision in many ways, but thinking about it, i've always found their relationship in such a scenario to be more messy and extremely ambiguous. ambiguous in terms of the fact that they themselves do not know who they are to each other… okay i'll try to explain

they meet for the first time at some event: an award ceremony, a party, whatever. then they see each other again, again, again, and in the end bojack reluctantly gets closer to pb - out of boredom, maybe - they drink together, chat about everything, discuss acting and so on. gradually they grow closer, their relationship becomes more trusting and intimate.

and before they knew it, they suddenly started spending nights at each other's places; mr peanutbutter recently divorced katrina, and he doesn't want to feel lonely, so all his attention is now focused on bojack. he became attached like a faithful dog (literally) and it will be almost impossible for him to let this man go, no matter what a jerk he actually is.

and bojack, who completely destroyed his previous relationship with herb, sees this. he doesn't reject pb when he becomes more intrusive for two reasons: firstly, he is afraid to ruin everything again, to lose a loved one, and therefore he tries to play a good friend; secondly, he likes this attention. he craves it. he longs to be wanted, to be admired, to be needed no matter what.

so, yes, their relationship is growing, and so is codependency. bojack tries to be kind, fair, supportive, but when he discovers how difficult it is - and most importantly, when he sees that his efforts don't matter, because pb won't leave him anyway - he stops. and, when there is not only an agent who will get you out of any trouble, but also a close person who is ready to love you no matter what disgusting things you do, and justify your behavior in any way, you stop not only growing, you become much worse than you were already.

nevertheless, he still has bright sides, some kind of concept of morality, and he is literally eaten up by guilt for what he is doing with their relationship. he, from time to time, makes some attempts to fix it - with well-known grand gestures - but it doesn't last long. then he gets tired again, realizes that everything he does is pointless, and turns to alcohol, drugs - everything, just to calm the pain and guilt consuming him from the inside.

mr peanutbutter also tries hard at first. he genuinely believes that if he makes enough effort, their relationship will be as happy and trouble-free as it was in his family, as it was on his native peninsula. he keeps ignoring all the red flags until everything turns into a real disaster. he still doesn't want to leave bojack because a) he is afraid to be alone, b) he is attached to him, he actually likes him very much; c) he feels sorry for boj.

we have seen how mr peanutbutter can behave in a relationship if he is really displeased or upset about something. eventually even his patience comes to an end, and maybe he makes the first attempt to leave, but quickly returns - either on his own initiative, or because of bojack's conviction that he will change. then everything repeats again.

this time, pb stops ignoring the bad attitude and goes on the offensive - he responds to manipulation with manipulation, to neglect with neglect etc. as a result, he becomes little better than his partner. they start quarreling constantly, it exhausts both of them. but that's all they have left when they just can't let each other go.

if we draw analogies, then this is something between bodiane, pb/diane and bojack/pc relationships, but i hope you understand the course of my thoughts.

bojack's career is still a failure, but at the same time pb's one is much less successful than in the original, obviously because of his personal life. well, now he has much more time to, for example, fight with his life partner again and eventually drive off to the other side of the united states together. for some unknown reason. they're sick to death of each other and yet still codependent. well. you know how it is

i could write more, but it seems like i've got a cold and i also want to sleep (whimpering whimpering) and the post already came out kinda long. so yeah. but maybe i'll talk about it later again

oh and i almost forgot

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xxgoldie · 2 days ago

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The more I see of Lighter, the more I get convinced that he is a huge bottom. His head is NOT leaving that pillow when someone fucks him

ok ur SO right but real talk I think he's a massive switch. I think he's more comfortable topping, especially if it's just casual sex - its the kind of role he plays in everyday life, and he does enjoy it. but with someone he trusts, letting them take control just hits different for him. finds it so hot when his partner is dominant w him and teases him, loves a soft dom / service top even tho he doesn't rlly know what to do with himself while ur making him feel good (tie his hands up so he can't touch you back and watch him squirm)

oh also I'd peg him within an inch of his life if given a single chance

#body worship with lighter while he's tied to the bed when #oh what i wouldn't give #i have several filthy ideas abt him now thank u for the indirect food anon #goldie thirsts ♡#lighter #lighter lorenz #zenless zone zero #zzz lighter #zzz lighter lorenz #zzz lighter x reader #ns/fw #thirst post #x reader

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ray935sworld · 24 hours ago

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Hello, hope you are doing well

I just read your child of divorce fic for the 100th time (i love it so so much) and i had a funny idea for the future, when the marc-cheating-allegations aren't new anymore and i'd love to hear your thoughts on this

So picture this: there is an interview or a podcast or whatever and some messy rider or journalist/interviewer/whatever is like "yeah maybe who knows, maybe rossi is self projecting with all the accusations of infidelity because HE is the one that cheated and tries to cover it up by throwing mud at his ex bc he can't handle the fact that the he ruined such a beautiful thing and that it is his fault alone, just like he can't handel the fact that 2015 was all his fault and needs a scapegoat that isn't him and Marc is too nice to ruin his reputation bc he still loves him?

Oh anon, my love! That was wonderful. I laughed so hard when I read this.

You definitely nailed it! (pls if you ever have another idea feel free to sent it!) That so happened!

I will definitely write a snippet about that (I'm hoping you're okay with that cause... PLEASE PLEASE PLEASE PLEASE) but I can't 100% promise that it's going to be in the main story.

But it sounds very real. After a consolation with @calia23 we agreed that it was definitely Casey who dropped that. Our little Australian hater would NEVER accept Vale talking like that about his own kid. He is giving him a taste of his own medicine.

Like imagine Casey metaphorically slowly sitting down infront of a mic like "Okay... My fucking turn" and then he just spills that because why is cheating the first thing on Vale's mind? Rossi? Wanna tell us something?

And OOOOH the conspiracies that would follow - everyone is reviewing the 2015 materials to figure out who the possible mistress of rossi was (he denies it btw but nothing else was expected) and the rumors about David's possible real father resurface.

Now if we put this in 2017/18, David would be around 4-5 years old, so he'd be more conscious about what's happening. So imagine he's overhearing his grandparents or his uncles talking with his papa about that. He's hearing them say that his father (Vale) might betrayed his papa. But his papa is denying it all.

And he just doesn't know what to believe. He was told his father had listened to bad people who didn't had the best in mind for him and he fell for it. That's why he left. But he had always loved David. He was just currently being too stupid to see it. Like Marc had always been civil since he doesn't want David to grow up with resentment. But now they are suddenly openly talking about real betray?

A part of David's view definitely shatters. Like it's maybe the first time the golden view of his father really takes a blow. Of course he heard his grandparents curse Vale but Marc had always had a good explanation why they were wrong. And his papa always talks so lovingly about his father and sometimes even shows him pictures about their time. There is still a picture if Vale and Marc holding baby David on a shelf. But now there was no explanation for David. So he thinks there's no excuse, no explanation. He never asks. He's too afraid to get the confirmation from his papa that it's true.

The discussion about Vale were never done in secret too. Alex was more careful about his words but still... And now suddenly they are discussing the betray in silence? In secret? And in the Marquez house, there are no secret. So does that mean that there is some truth in the words? That's why David is kept away from it all and isn't supposed to know?

I can imagine David being very confused about his families behavior. Maybe he somehow hears about the accusation but he's too young to really understand them. He doesn't understand how deep the accusations actually run. He just understands that his father apparently broke his papa's trust in a horrible way.

And mind you, David is a child. He's taught to never lie and never hurt anyone. He is never allowed to break someone's trust, so he understands that this is bad.

Honestly I can't see Marc honestly believing the rumors. Like, at least at the till mid 2015/ Sepang 2015 they were a happy loving family, Vale very much involved and completly in love with Marc. So an affair seems too out of character. And Marc tries to be a good example for David (unlike Vale) so he doesn't want to participate in that mudd war Vale started.

Okay so those are just own quick thoughts on the matter. I hoped you like it and pls, anon - or literally anyone - what do you think?

And OMG I am so happy you like the AU so far that means SOOOOO much to me :)

#motogp #marc marquez #valentino rossi #david alonso #motogp rpf #Child of divorce AU #I feel like those are just some messy thoughts but thats literally how most of my writing thoughts are written #If it's not an excevt scene in my head #Hi anon #I REALLY hope you like it #I thought I play a little witb Davids reaction #But I have some thoughts on Vale's and Marc's reaction too #Hehe....

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respectthepetty · 1 year ago

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Kang's Trust Issues

All roads lead to my wild ass theory

Kang's dad told him that dogs must be punished to be controlled.

Both times Sailom has unknowingly approached the subject of Kang's dad, it has allowed Kang to be honest about his failing relationship with his father.

Yet Kang immediately stops himself and deflects.

Almost as if he was trained to belittle what he is saying, so someone else doesn't have to.

Because Kang's dad trained him to not trust himself.

And Sailom has fed into that.

Kang doesn't believe in anything, so Sailom gave him something to believe in - Sailom himself, but with that, Sailom also gave Kang someone he could trust since he can't trust himself.

So even though Kang is going about his relationship with his tutor in the queerest and most dominant way possible, he doesn't believe they are friends, so he wouldn't even be able to imagine he loves Sailom.

Because what Kang's dad really trained him to do was to lie to himself.

But he knows he can trust Sailom.

Because Sailom never lies.

And Sailom only acknowledges Kang when he is being honest.

Sailom has never eaten expensive steak. Sailom has never played with VR. Sailom likes free shit. Sailom got Kang's birthday cake from Kang's own fridge. Sailom was at that restaurant with a client. Sailom gets beaten up by debt collectors. Sailom told Kanghan all of this without hesitation. He never lies to Kanghan.

So how would Kang react if he thinks Sailom is lying to him?

Like . . . hypothetically helping his brother plan to rob Kang's house while he is out with Kang?

Especially if Kang, a boy who can't trust himself, trusts Sailom completely and starts to trust his feelings for him. How would a boy who has been tamed like a dog react?

And now it makes sense why Kang is not a boy of words, thoughts, or feelings, but actions. Kang has trust issues with himself. This is why he likes Sailom's approval because unlike his father who spins his desires into a negative (you don't want to do it), Sailom makes him feel positive (you can do it).

But it also shows why Kanghan's reactions are so out-of-control with Sailom (aggressive) compared to his reactions with his father (passive). With his dad, if Kang doesn't have options, he doesn't have to think, and if Kang doesn't think for himself, he can't act. But with Sailom . . .

Kang's trust in his father is based on control. His father made a deal with him only to break it. His father got Kang a motorcycle that he picked out for him. His father expects Kang to take over the family business. His father isn't controlling, but he doesn't need to be when he is already in control of Kang's future unlike Sailom who puts no pressure on Kang to pass his tests even though his job depended on it. Sailom trusts Kang will make the best decision for himself. Just like with his brother, Sailom has faith Kang will do the right thing.

So, once again, when Saifah breaks into Kang's house, will Kang trust the boy who never lies to him? Will Kang trust his tutor who demands honesty of him? Will Kang trust the friend who keeps his promises? And, more importantly, will Kang trust himself enough to know that he is more than dollar signs to Sailom?

Or will he lie to himself like he was trained to do?

Blue Boys are known for their honesty and trustworthiness.

So I have faith that he'll know the truth in his heart.

Don't disappoint me, kid.

#dangerous romance #my entire personality #kanghan and his trust issues #he doesn't trust himself #so he doesn't trust that his feelings are real #he trusts Sailom #but what will he do when he has to trust his instincts about Sailom?#believe in yourself!#believe Sailom #the angst can come from something else #wild theory is alive and well

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silverwhittlingknife · 2 years ago

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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake. He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life. This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth. But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent. He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way. He’s not like David Cain or Arthur Brown, who are abusive monsters. Jack’s not a monster! He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset. He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot. Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!).

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in. Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay! So first: Jack’s a character who IMO is pretty up for interpretation. You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in! I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area. Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away. He's just...not great. Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values. Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic. It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play;

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance;

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...);

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism. Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever. Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot. And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do. When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV. If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really. So what do you do? Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around? Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?

Again: a bit similar to the extracurricular analogy. Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out. How would you react? Well, maybe kind of in some of the ways Bruce reacts. You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him. You’re upset with his dad. But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son. But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it. When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.

This is bad behavior! It is Not Good!

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either. Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust. When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified. When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem. Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious. And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person. So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations. When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies). When Tim disappears or runs away, Jack’s genuinely worried about him. So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!). It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy). Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

#tim drake #jack drake #ask tag #i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333 #anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO #for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick #and i never stop turning it over in my head #he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was #and early!tim makes a BIG POINT of how bruce is not his dad #and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all #(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers #because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life #if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission #which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close #but in their civilian lives no one would assume they're anything in particular to each other #anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone #and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible

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