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#so he doesn't really get why murder is bad
hkruu · 3 days
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Can you write a cold and distant yandere CEO with everyone but a total puppy to the reader?
“NOTICE ME.” — hkr
\\ yan ceo , loser behavior behind doors lmfao , implied favoritism , stalking , mention of murder and violence , slightly sadistic (?) , not my usual style of writing but I tried !! //
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Keith was loosing his mind, do these worms that work under him not understand English? He swears that anyone could drop dead and he wouldn't care except for that worker (you) that he always seemed to favor out of anyone.
Of course everyone that worked on the company was aware.
"Seriously, how do you even gain the favor of boss? I swear he's a tough ice." One of of your co-workers had asked, you could only shrug in response. You of all people didn't know why Keith favored you among the best, I mean just why? There was Kayla who was employe of the month, Seth who was his assistance so what could you offer?
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Keith who somehow gets jealous of everything and anything, you try to interact with the newbies? Huh, when did they become so busy with a lot of paper works? It's only their first day . . . If you want answers you might wanna turn to Seth.
Keith who really likes seeing you working hard, it reminds him the times where he watched you study hard for your degree during September 3 at 3:17 am — you're asking why he knows that? Well he's Keith, a normal guy trying to make business.
When Keith is alone, you might mistake him from another guy. Behind the doors of his office room, you're greeted with the warmth of his affection and a soft tone going “Good day".
Keith acts like a total puppy around you and he doesn't care, if you want to change your schedule it's already done in a swift! Want to be an air-conditioned room? Already done and dusted. You murmur wanting to be employee of the month? Oh would you look at that, you're employee of the month!
Of course, he'd always find a way where it's always related to him. He did want his name engraved into your head. . . .
Keith's love language is definitely act of service and gift giving. It's one of his strong suits since it came so naturally over him, he'd always remind you that he only shows this side to you because you are special to his eyes. Of course, some employee who overhead it will be the one who's flustered instead.
You two don't have a label in your point of view, but in Keith's? He practically thinks it's your 4th anniversary! He just loves you so much, why can't you just accept his love and let him trap you in his safe space? You won't have to work, do chores and even lift a finger. Keith would happily do anything you wanted, your needs mattered more than his.
Keith is the type to let the situation defuse by itself but when dealing with someone getting in his way to finally make you his — he's not above to resorting to violence. Even if Keith soft to you, he will never hesitate to resort to bad behavior just to make you stay by his side, like an actual loyal partner.
Murder wasn't a second choice, it was always the first choice. It didn't matter if it was a simple misunderstanding or a little trouble, there was no harm in ending lives when it came to you. Keith doesn't find blood dirty, he finds it fascinating. Blood keeps your heart pumping, blood runs through your veins at this very moment, it's something he likes feeling, touching.
That CEO is no psychopath, he calls it affection. Can't you see all the efforts he did just so that you could be in a higher position? Did you not acknowledge everything he did to you during highschool? During middle school? College? Do you not remember Keith? It was a shame, but this time he would make sure that you'd remember him for the rest of your life.
Even if you run away, quit your job, live in another country. Keith will always follow in any shape or form, he'll engrave the memories you spent together in your stupid brain, he'll carve his name into your skin and watch it bleed with your blood.
Keith is a normal guy. He's distant and cold, he keeps everything to himself, and he certainly doesn't like sharing.
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\\ sorry if it's short ><!! I thought I was free the whole day but uhhh my schedule said no and sent me to a writing frenzy irl again!!//
\\ grrr request now cus I AM SKIBIDI //
\\ tysm for requesting anon, I hope I didn't go ooc 😞 (I did) //
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gabessquishytum · 12 hours
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Chef Hob is catering Morpheus Endless's wedding to Alex Burgess and he's not really happy about it, but Dream is Hob's best friend and even if he won't listen to Hob that the marriage is a bad. idea!! Hob will do his part to make it a happy event. 😬
Dream won't even tell Hob why he has to go through with his parents dumb "arranged" marriage; Dream has never liked Alex Burgess (when they were kids, they never thought Alex was anything but lame; and it's not like Alex became scintillating as he grew up!).
And (in the privacy of an empty room) Hob will admit that he is in love with his best friend and that might have a little (🤏🏽) to do with his absolute aversion to Dream marrying anyone (else). But if he was happy or in love, Hob would be the first to be celebrating for and with his Dream (sad for himself, but so happy for Dream). But Dream is not!
Dream is miserable - he hates to suit he has to wear (if he was getting married to Ho the love of his life, he would be wearing a dress); he hates the venue; he hates all the people that are invited; he hates the decorations & colors; he hates the necessity of marrying Alex.
The only thing Dream got to choose was having Hob cater - Hob is a fantastic man chef. And was an "acceptable" choice for an Endless wedding, at least according to Dream's mother.
Everyone, Hob, everyone, is trying to get him to not go through with this wedding, but they don't know what Dream knows. He doesn't have a choice if he wants to keep the people he loves safe.
Maybe he can steal a moment with Hob before the wedding starts.
Listen. This is incredible. I have so many thoughts about this.
Hob knows that something is up (he's not as dumb as he looks, thanks very much Mrs Endless). There's not a whole lot he can do, sure, but being a chef does mean that he has access to certain dangerous weapons and, of course, poisonous substances. So when Dream does finally get a word with Hob at the very last moment, Hob is holding a steak knife and he's like "okay, okay. you might have to go through with the ceremony, but the reception? the reception is where this whole thing ends." Dream tries to persuade Hob that he can't murder Alex at the wedding reception for like, a billion reasons, but it's time for the wedding and Dream has to admit that he doesn't want to persuade Hob out of the murder plan all that much.
The wedding is awful. Hob knows how much Dream hates everything about it. But it's okay, it'll all be over soon and maybe some day Dream can have another wedding that he actually enjoys (Hob isn't planning that far ahead but he loves Dream SO much okay).
And yeah. It's a huge tragedy. First Alex starts choking on a bit of the wedding cake. People try to save him but it's already too late! How awful! And you wouldn't believe it but Roderick also chokes on a bit of cake too! Sadly he also passes away. It's so sad. And nobody can say that its foul play, because they just choked! And the chef (Hob) even tried the heimlich on Alex - of course it was a shame that he accidently broke his neck, but it is a very violent maneuver! These things happen!
Dream is naturally devastated, especially as he inherits the entire Burgess fortune (and all the fortunes of the people that the Burgesses were blackmailing, including Dream’s own entire family). It's such a burden that Dream donates it all to a Choking Awareness charity. In memory of his dear first husband.
He still can't work out how Hob did it. Maybe Hob will tell him, one day, when all the dust has settled and they've both moved overseas together, to start a new life. But Hob does say that the cake he makes for Dream’s second wedding will be much, much more palatable than the first <3
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puck-luck · 3 days
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new beginnings | july 8 - july 14
note: we are halfway! this is 29.5k. i hope you all enjoy it. we are in the meat of it now! things are getting angsty, but i loooove love love these pairings more than anything and i hope you guys are enjoying this series just as much as El Capitan (Cappy) and I are <3
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43:90 – TREVOR
do you smoke?
Trevor really likes Honey. He does. That's why he hasn't blocked Bea’s number yet. He never should have gone to see her at The Reading Nook in the first place. He could've won Honey on his own– and did– but Trevor has to deal with the nasty side effect of his own actions. The side effect is that Bea still texts him all the time, asking silly questions like this.
&! &! IF i brought weed to the house, would i be the victim of a murder?
You're going to be the victim of a murder right now if you don't stop texting me. Yes, we all smoke on occasion. You can come over if you bring Honey.
she’s not already there? ;)
Trevor narrows his eyes at his phone and doesn't reply. No, Honey isn’t already here, and Trevor wishes he could get her to stay over after they hook up. He’s stayed at her place twice now. He should be afforded the same luxury of having Honey in his bed rather than being the guest star in Honey’s bed. 
She needs to get used to sleeping in his bed anyway, since Scarlett has decided that they’re getting married. If the ladies know, then there’s a chance that everyone in Litchton knows. Trevor realizes that Sarah said the ladies loved Honey more than the chance to gossip– but you never know. All of their efforts to keep things secret could be in vain.
Even though it seems pointless, Trevor likes that Jack, Cole, and Luke are still in the dark. No matter how many times they tease him for being so down bad for Honey, Trevor won’t break. Each one of them ends their chirps with something about how Honey would never shack up with Trevor– even though Jack and Cole really want it to happen– and the knowledge that they’re wrong keeps Trevor strong.
Honey would shack up with him, actually, and regularly does so. When he sees her tonight, they’ll probably shack up again, especially if they’ve got some weed in their system. Trevor can’t wait to see what Honey’s like while she’s high– he’s only ever seen her drunk and she rarely ever loses her inhibitions.
Trevor hears the door open when the girls arrive. They never knock anymore. They haven’t since the first time they came over. They just walk right in because the boys always leave the doors unlocked during the day– it’s Litchton. There’s no crime in this town. The worst thing that happens in a day is that someone jaywalks from The Reading Nook to their car.
He hears the boys call to them from the basement and he hears them bounding down the stairs. He hears Bea present a bag of weed to the room and Cole’s loud cheer. He’s got time before they roll up the weed into something smokeable. While he waits, he changes into his sweatpants and a plain white t-shirt, knowing that he’s going to get cold when he smokes. He’ll bring his sweatshirt downstairs later. Trevor tries to fix his hair in the mirror. It’s getting a little long.
He busies himself until he hears the loud crash of Cole climbing the steps, probably having been sent to summon Trevor to the basement. 
“Let’s go, dude,” Cole calls, rapping on the door. “Weed! Downstairs.”
“I know, I’m coming,” Trevor says. He crosses his room and opens the door. Cole is already grinning dopily, like he’s consumed his own joint within the past few minutes and he’s already halfway to high.
Cole scampers down the hallway ahead of Trevor, practically bouncing off the walls. It’s rare that they get the chance to smoke at any point during the year. Weed isn’t banned in the league, but the boys are tested pretty regularly. Executives tend to frown on people that smoke weed, but– shockingly– don’t have much to say when it comes to alcohol abuse.
Still, the boys are able to risk it today. They’ve got half a summer left, which is plenty of time for the drug to get out of their system before their preseason tests.
They used to smoke over the summers before they joined the league. Cole always preferred smoking over drinking, so the times that they get to roll up a blunt, he’s all over it. Bea has no idea what she’s started.
They head down to the basement, with Cole crashing onto the loveseat face-first. He turns over onto his back. His knees bend over the edge of the couch and he places a pillow under his neck. “Hurry up,” Cole whines.
Honey frowns at him, raising the paper roll to her lips. She licks over the edge of the paper and seals it down like an envelope. “God, your highness,” she scoffs. “Impatient much?”
“Weed, please,” Cole says. He’s smiling extra-wide and pinches his fingers at Honey until she hands the completed joint his way.
Honey starts to roll a new one. She’s kneeling beside the coffee table, using a plastic sandwich bag like a rolling board. Jack is leaning over her shoulder, hooking his chin over her exposed skin. 
Trevor would get angry at Jack being so close to the girl, but Honey pats the side of Jack’s face and tells him something that Trevor doesn’t catch, and the boy leans back. He’s the next one to receive a joint, which he’s quick to light and take a drag from before sharing with Luke.
“Bea, where’d you get this shit?” Trevor asks, finally drawing attention to himself.
Honey scoffs, snorting under her breath. 
“Don’t laugh!” Bea exclaims, reaching forward and tugging Honey’s hair, hard. “I got it from this guy named Griffin.”
Trevor immediately thinks of his brother, who shares a name with Bea’s dealer. He should probably call him soon. 
“How do you know Griffin?” Honey asks.
Bea glares at the girl out of the side of her eye. “We dated.”
“What’s Griffin’s job?” Honey continues.
Bea whines, pouting slightly. She looks at Quinn for a second, but the boy shakes his head and grins. “He’s Litchton’s deputy sheriff,” Bea growls.
Trevor laughs to himself. Sometimes he forgets that Bea and Honey are more like sisters than friends and Honey loves to embarrass Bea when she can. Bea’s not really the kind to be embarrassed, but occasionally Honey hits the nail on the head and milks it for all her jokes are worth.
Of course Bea dated the deputy sheriff and of course he still gives her confiscated evidence. It just makes sense.
Honey goes silent and smiles down at the third joint that she’s rolling. The group chats around her, but she’s all that Trevor can focus on. 
She looks gorgeous today. Her hair is loose around her shoulders and keeps falling into her eyes, a little wet and stringy from the rain. Honey is wearing a tank top that ties in the front in a cute little bow– the thin string is so flimsy that Trevor might “accidentally” pull it loose once they’re alone. Her fingers are deft as she assembles and rolls the paper into a neat little cylinder. 
When she finishes that roll, she hands the joint to Bea, who puts the joint between her lips and waits for Quinn to spark the lighter, holding it to the other end of the joint so she doesn’t have to.
Trevor understands why Honey was glaring at them so much yesterday. They’re gross.
Honey rolls up the rest of the weed into a couple more joints. Trevor is surprised that the deputy sheriff handed all of this evidence off to Bea, considering it produced a good crop of roll-ups. Surely this guy would’ve liked to smoke some of the weed. Maybe he gets tested way more often than Trevor and can’t smoke. Poor Griffin.
Cole offers his joint to Trevor, who takes it and inhales. It’s been a minute since he smoked anything, so the smoke feels grainy when it makes its way down his throat and into his lungs. It takes everything in him not to cough. He’ll be damned if he’s the first one to cough this evening. 
He’s saved by Luke, luckily. The boy has to shift on the couch and bury his face in a throw pillow. 
Bea, who seems to have claimed the recliner with Quinn as their designated, unassigned-assigned seat, leans forward to pat the boy’s back. “Aw, Lukey,” she coos. “Let it out. You know, the more you cough, the higher you get.”
“That’s not true,” Honey says with an eye roll. 
“Anything can be true if you believe,” Bea replies, still rubbing Luke’s back. She allows Quinn to steal the joint from between her fingers and he inhales deep. Trevor half expects him to cough it out and take Bea’s attention from his younger brother, but he just holds the smoke in his chest for a moment before exhaling a dim cloud.
Honey climbs onto the loveseat, lifting Cole’s pillow and head so that she can slide underneath. Trevor takes the final seat on the couch between the two younger Hughes brothers, returning Cole’s joint to him. Trevor is now part of Jack and Luke’s blunt rotation.
Bea throws on the same trashy reality show that she got Cole hooked on a few weeks ago and they watch that for a while. It’s refreshing to see drama unfold on a television screen rather than in their own lives– Trevor remembers for the first time in a while that they originally came to Litchton because a group of girls were so interested in hanging out with the boys that they committed a crime to do so. 
Trevor didn’t realize how much he valued his anonymity until he came to Litchton and rediscovered it. The only thing that people are talking about in town, at least in regards to Trevor, is his love life. That’s not even confirmed– it’s just a bunch of old ladies assuming the correct thing as a coincidence. Maybe Trevor and Honey should be more careful. 
Nah.
Over the next half hour, the room starts to fill with smoke, so much so that Bea slides off of Quinn to open the glass sliding door and ‘increase air flow.’ When she returns, she settles down on his lap like it’s her throne. 
Trevor wants to roll his eyes, but he can’t. He keeps an eye on them for one stubborn reason that’s being repeated over and over in the back of his mind– that should be him and Honey.
Honey is sharing a joint with Cole, petting her fingers through his hair in a way that has Cole drifting off to sleep. She’s taken control of the joint, holding it lazily between her index and middle fingers. Her palm faces the sky as her elbow rests on the arm of the couch, wrist bending daintily. When she inhales, she looks at the person in the group who’s talking. When she exhales, she rolls her head back and blows the smoke towards the ceiling. She usually closes her eyes in relief when she does. 
It’s the prettiest thing Trevor has ever seen. He wishes he could take a picture of Honey right now, just so that he could freeze this moment forever. She’s so pretty. She could ask Trevor to do anything right now and he would– no questions asked. “Get me a beer, Trevor?” He’d be on his feet and upstairs in an instant, grabbing her three beers so that she doesn’t run out. “Trevor, it’s hot in here. Turn the thermostat down.” Yes, ma’am. 68ºF, just for you. 
“Come over here and eat me out.” 
Trevor wishes she would say that. He would do it. He’d tune out the things that the other boys would inevitably say and bury himself between Honey’s legs until she’s satisfied and then, only then, he’d stop.
He realizes he’s staring and that’s how he knows that the high has started to set in. His eyes are growing a little dry and it’s getting harder to follow the conversation. Trevor feels like he’s moving through caramel. 
He stares at Honey for another moment, then looks around the room. No one is watching him. He’s sandwiched between them, but Luke and Jack are talking around Trevor and debating one of the couples on this show. Cole is practically asleep on Honey’s lap, although Honey is currently holding the joint to his lips and he’s breathing in. Bea and Quinn– well, Bea and Quinn seem to be entangled. 
As Trevor watches, a little horrified by just how much the two are touching, Quinn inhales and holds the smoke in his mouth until Bea ghosts her lips over his. It’s then that he exhales, letting the smoke fill Bea’s mouth. They’re shotgunning. Trevor crinkles his nose and frowns, appalled by the blatant show that they’re putting on.
At least he kept his musings to himself. Bea and Quinn have commenced some detailed, lavish, public foreplay journey. Trevor is disgusted.
And, if he is being honest, a little turned on. He wants to shotgun with Honey. How unfair is it that Bea and Quinn can just do all of this shit, and Trevor has to sit on an entirely separate couch than Honey in the interest of preserving the secrecy of their relationship? Bullshit.
Acting on an impulse, Trevor digs his phone out of the pocket of his sweatpants and searches for Honey’s messages. He leans forward and turns his brightness down, tapping out an honest, blunt message and sending it. He pockets his phone and waits for Honey to check her messages. 
Wanna eat u out baby u look pretty today
She doesn’t react in a timely manner. Trevor frowns.
He tries again.
Maybe get my dick in u I know how much u like it when I fuck u
Still, nothing from Honey.
Trevor furrows his eyebrows and pulls his phone out for a third time. In his hazy mind, there’s some cloudy baseball metaphor floating about– if Honey doesn’t respond to this message, Trevor’s got his answer. Strike three. There it is– the metaphor makes it out of his high unscathed.
God, Trevor is lucky that everyone is caught up in their own thing. If the boys saw him smiling at his own joke while he types out a dirty message to a girl, they’d rag on him relentlessly. 
Will u sleep over tn?
“Honey, baby, your phone won’t stop buzzing and it’s annoying me,” Bea whines, tugging at the pocket of the sweatshirt she’s wearing until she produces Honey’s phone. “You’re distracting me from Quinn.”
“Text them back and tell them to stop annoying you,” Honey replies, nonchalant and laughing. She’s holding the joint just above Cole’s lips, but raising it out of reach each time he tries to capture it for another hit.
Trevor wants to interrupt and shout, “No! No, don’t!” but Bea is already tapping out Honey’s password. Even worse, Quinn adjusts the girl on his lap so that he can see Honey’s phone, too.
Trevor watches in petrified slow motion as Bea’s and Quinn’s eyes dance along the length of his messages. He watches as they, in sync, let their eyes double-check his name in Honey’s phone. Then, he watches a devilish and gleeful grin coat Bea’s face. Quinn’s smirk is much more predatory. When Quinn looks at Trevor, the look in his eye is just: “I know something you don’t want me to know. I’m going to milk the fuck out of this.”
Trevor presses his lips together in a grimace. He closes his eyes for just long enough to acknowledge the humiliation he’s experiencing now. He’s sure his face is brick-red. It might be the high, but he can feel the tips of his ears bristling with shame.
He sees Quinn fit his mouth next to Bea’s ear, whispering something that has her giggling and then squirming when he blows cool air over her neck.
“I think you’ll want to answer these,” Bea announces to Honey when she recovers, piquing the interest of the other boys. She tosses the phone across to Honey, who catches it, and the boys follow the throw like a dog about to fetch a ball. 
Honey turns the phone over in her hand and looks at the screen, brushing her hair out of her face with her pinkie, still holding the joint between her index and middle fingers. She had a smile on her face when her phone illuminated her features, but that dropped almost as soon as it appeared. 
Trevor braces for the worst. Honey looks shocked. Despite her expression, a pretty pink blush blooms across her cheeks. He gulps when her eyes find him. 
“What did it say?” Jack demands, bouncing a little bit in his seat. 
“It’s– nothing,” Honey says, waving her hand and shutting her phone off. 
She’s a terrible liar when she’s high. It just makes Jack more interested. Cole still isn’t that excited– he’s waking up from his weird limbo nap– and Trevor couldn’t be more glad. He’d be able to snatch Honey’s phone in an instant. Trevor can hear his heart beating way more rapidly than normal.
“What is it?” Jack asks, his voice growing more cartoonish. He looks like the fucking Cheshire Cat. He rests his elbows on his knees and leans forward. 
“A– guy,” Honey stammers out. 
Trevor can tell that she’s trying not to lie, because she’s so shit at it, but she doesn’t want to reveal the whole truth. She’s better than him– he would have run away by now. The boys would’ve chased him, but he still would’ve ran.
“You’ve been seeing a guy?” Jack says, sounding incredulous. His head turns to Trevor, meeting his eyes. 
For a second, Trevor thinks he’s been caught, but then Jack scoffs and claps him on the shoulder.
“Dude, I’m sorry,” Jack laughs. He sighs comically, then elbows Trevor in the ribs. Jack looks back at Honey. “What did this dude say that has you all bothered? Do we need to go beat him up, or is this a good look? I’m hoping it’s a good look by the little smile on your face.” He reaches forward, index finger waving over Honey’s face until it finds its mark at the corner of her mouth. He stumbles a little bit, almost falling forward off the couch when Honey bats him away.
“Nothing I haven’t heard before,” Honey tells Jack with a practiced, but fake smile. She’s turning on the charm. Trevor despises the way she grabs Jack’s finger and wiggles it affectionately. “Really, he’s nothing to write home about. That’s why I didn’t tell you guys.”
Nothing to write home about, Trevor seethes. Yuh-huh!
“What was it?” Jack presses.
“He asked me to sleep over,” Honey reveals, rolling her eyes a bit like she’s unimpressed. Trevor disagrees. That was a pretty impressive line.
“What are you going to say?” Cole demands, piping in for the first time. 
Now, Trevor’s heart freezes as Cole tries to feel for Honey’s phone. Partially because of the chance that he’ll find Honey’s phone, but also partially because Cole’s hand is getting awfully close to Honey’s tits, and those belong to Trevor.
Yes, he turns into a caveman when he’s high. He likes Honey. So what?
Honey just twists out from under him and stands, brushing her hands over the arm of the couch as she slinks away. “I was thinking,” she drawls. Her eyes slide over to meet Trevor’s and his heart starts again because she’s answering him in front of everyone. She licks her lower lip before continuing. He licks his subconsciously like he’s spellbound, following her every move. “That I’d tell him to come back to mine instead.” 
Fuck, Trevor’s hard. He bundles up his fists and shoves his hands in his pockets, trying to mask his bulge. He looks up to find that Bea noticed and she’s holding back a laugh. Quinn just smiles. Man, Trevor wishes he could wipe it off Quinn’s face.
“Good answer,” Jack says, nodding. “We approve.”
“Go get laid, bro,” Cole adds, offering a fist-bump to the girl. She’s upside down in his vision, so they don’t connect first try.
Honey laughs. “Thanks,” she says. “I’m hoping to.”
And then she disappears up the stairs.
The air is still for a minute. Trevor flashes a glare at Bea and Quinn before collapsing into the cushions of the couch, covering his face with his hands.
“Bro, don’t worry about it,” Jack says. He pats Trevor on the stomach. “This is why you’re on Raya, remember? Just find some other girl to hook up with.”
Trevor spreads his fingers wide enough to nail Jack with a glare. 
“Yeah, but that’s the difference between them,” Quinn says, jumping in where he’s not wanted. He’s still got that stupid, smug, knowing smirk on his face. “Trevor’s hooking up with other people because he has to. Honey’s hooking up with other people because she wants to.”
Bea frowns and flicks Quinn’s earlobe. “Be nice,” she chides, her words dripping with false pity. “Poor Trev just got his heart broken.” She turns to Trevor and quirks an eyebrow. “Will you be okay?” She mocks.
Quinn laughs quietly, splaying his fingers out over Bea’s stomach, his fingertips dipping beneath the fabric. He kisses her shoulder, then her neck. He’s still smirking. Trevor really wishes he could do something about it.
“I’ll be fine,” Trevor growls through his teeth. A lightbulb seems to turn on in his head– this is actually the perfect escape route. “Actually, I was thinking about inviting someone over. I’m waiting for her to text me back.”
“Atta boy!” Cole cheers.
Trevor stands, flashing his own smug smirk Quinn’s way. See, look how smart I am, he says to Quinn in his mind. The other boy is unbothered, which is annoying. “I’m going to go up to my room and get ready for her.”
“Make sure you put the nice sheets on,” Luke jokes dryly. “The 300-count.”
“Maybe after we’re done,” Trevor replies. He stumbles a bit while maneuvering around the coffee table, but he can’t be judged for that. None of them have stood up, except for Honey and Bea, since they started smoking. Trevor is brave for being the first. The first man to stand, technically, but that’s neither here nor there. He’s a warrior.
Honey seems to agree. She’s waiting for him by the front door, her arms crossed over her chest and leaning back against the wall. “You’re very brave for sending me those messages in a room full of all of our friends,” she teases, trying to hide a smile from him. When he gets close enough, she reaches out and pulls him in by his shirt, planting a kiss on his lips. 
“I didn’t know Bea would have your phone,” Trevor tells her sheepishly, almost apologetic in his tone. 
“It’s okay,” Honey says. She pulls him down for another kiss. “I think it’s cute when you’re all bold. You really just go for it, huh?”
“Go big or go home,” Trevor says, letting his hands make their way under the sides of her shirt. He fits his fingers along the curve of her waist on either side, moving slowly. She’s soft and warm and he really, really can’t imagine anything prettier. It could be the high talking. Or maybe Honey is that pretty, so pretty that the light from the bulb on the other side of the front door shines through the window and turns her golden.
“Speaking of home,” Honey says, pulling away from Trevor’s touch. She loops her pinkie with his index finger and reaches for the door with her other hand. “We have to move my car.”
“We can’t drive,” Trevor says, feeling suddenly alarmed. Surely she doesn’t expect him to get into a car with half a joint in his system.
“No, baby, we’re not going anywhere,” Honey corrects. “We just have to move it out of sight so the boys don’t know I’m here. I was thinking we’d go to the end of the driveway, then behind those trees. You can go up to your room if you want, or you can come with me.”
Honey could’ve said anything and Trevor would have agreed. All of his trepidation is gone. He’s melting into Honey’s touch and has been since the second she called him ‘baby.’ It was rushed and a little patronizing, and not at all like the way he says it to her, but it gave Trevor the same reaction.
He follows her through the front door and the beam from her smile at his decision is like a shot of adrenaline.
They’re careful not to slam her car doors or rev the engine too much as they creep up the driveway. They’re both being too slow and too careful and if anyone where to walk out of the house, they’d laugh and ask what the hell the couple was doing.
But they laugh like criminals getting away from a robbery scot-free. By the time Honey parks the car at the top of the driveway, sheltered from view, Trevor has lost his breath from how hard he’s laughing. He and Honey sigh at the same time, which sends them into a fresh fit of laughter.
Honey reaches into the waistband of her bottoms, where she was conveniently stashing a blunt. She holds it up to Trevor and wiggles a little in her seat, biting her lip to contain her excitement. “Got you a present,” she says. “Thought we could share.”
Trevor’s first thought is of Bea and Quinn passing smoke between them. His eyes drift down to Honey’s mouth, imagining doing the same thing. He doesn’t know if he could do it, hover there just millimeters from her lips. He’d be too eager. He’d want to kiss her too much to stay so, so close, but so far from her. It would be like torture. 
“Will you let me kiss you every time you hit it?” Trevor asks, staring at the way the bow of her lips curves when she smiles. 
“Only if you let me kiss you every time you hit it,” Honey replies, her tongue poking out as she laughs again.
Trevor groans, loving that answer. He leans forward to claim his prize, but Honey swerves him and his lips only catch the corner of hers. Trevor frowns. 
“Easy there, big boy,” Honey laughs, planting her hand on Trevor’s chest and pushing him back. “You haven’t even taken the roach yet.”
Trevor eyes her, then plucks the blunt from her fingertips. “How are we even going to light it?” Trevor asks, inspecting the wrapping. Not a wrinkle in sight.
“Cigarette lighter,” Honey says like it’s obvious. She reaches toward her console. She pushes a button and waits. “Perks of having an old car, Z.”
Trevor startles at the nickname. It’s what his friends call him. Honey shouldn’t be using it. “Don’t ‘Z’ me,” he deadpans. 
Honey raises her eyebrows at him. 
“Don’t!” Trevor repeats, wanting to stomp one foot like a child when he complains.
“Or what?” Honey asks, unfazed by Trevor’s annoyance. She seems thrilled, even, as she laughs.
“Or else!” Trevor announces, then looks away from Honey with a huff. He can’t stay in that position long, missing her too much when she’s out of view. 
She kisses him when he turns back, cradling his jaw in her hand with the most delicate touch of her fingertips. The pad of her index finger pets over the curve of Trevor’s jawline and he shivers. 
“You’re so stupid,” Honey whispers fondly. Trevor can feel the weight of her gaze after she pulls away. He basks in it.
Then, the cigarette lighter pops out of its spot and bounces. The hot end brushes Honey’s knuckle, burning her.
She jumps, gasping and pulling her hand up. She flexes it, pressing her lips together to hold in any noises of pain, and she looks up and to the side, blinking in surprise. She grinds her teeth and her face goes grim, almost angry. She doesn’t want to check it to see what it looks like. 
Trevor has her hand in his and his lips over the affected area in an instant, as if he can really kiss it better. “Oh, Honey,” he murmurs. 
Honey shudders. “Ugh, that was– overdramatic,” she sighs in a self-deprecating way. She shakes her hand out of Trevor’s grasp like the wound was nothing. She checks the spot and sees the red mark, but shakes it off again. She finds the cigarette lighter, right at the scene of the crime, and picks it up like an old friend. She lights the blunt and it burns and crackles between Trevor’s fingers, but he never lifts it.
“You got burnt,” Trevor says, sounding stupid. His eyes follow the branding on Honey’s skin. It has to hurt.
Honey leans in, getting into Trevor’s gaze. She blinks at him like she’s waving hello. “Baby, I got my nipples pierced,” she says. “A little burn isn’t going to hurt me.”
There it is. That ‘baby’ again.
Trevor goes from one trance to another, reminded of the silver bars adorning her chest. She gets so responsive when he sucks them. That’s why he likes them so much. She whines and curses and tugs on his hair and squirms when he nibbles on the accessories. It’s the only time she loses her composure completely, all because of Trevor. 
His eyes fix on the little bow keeping her shirt together. He considers it. Does he dare untie her now? This road is pretty secluded, and it’s getting late…
“You had better not try to untie this bow,” Honey threatens, sounding absolutely aghast. She clutches at the bow, covering the ties completely so that Trevor can’t even grab them. She inches away from him. 
“I wasn’t!” Trevor denies. He’s not very convincing.
“Oh, you’re so–” Honey cuts herself off, shaking her head. 
“I’m so what?” Trevor asks.
Honey, still covering the bow between her lovely tits, uses her free hand to crawl over the center console and into the back seat. “I have to get away from you,” she says. 
“What?” Trevor grabs her ankle. “You can’t get away from me at a time like this,” he says, using his other hand to unbuckle his seatbelt. He goes to follow Honey. “You’re injured!”
Honey collapses on the back seat, pulling her legs back and dragging Trevor along. She laughs as he stumbles a little and kneels half-on the seat and half-on the ground. His hand is still attached to her ankle, spreading her thighs.
They seem to realize the position they’re in at the same time. Honey’s jaw drops and Trevor just smiles. He palms over her calves, then up to her thighs, pushing them even further apart. It’s like his three texts were three wishes from a genie, or three Herculean feats he has to overcome before getting Honey into his bed for the whole night. 
I want to eat you out, Trevor had said then. And now, his wish is coming true.
Honey’s pants are in the way. Trevor’s too respectful to just rip them, so he just rubs over her clothed center with his thumb. He bites his lip. 
“Make you feel better?” Trevor jokes feebly, not sure what line will work on Honey. It might be too cheesy. 
It is.
Honey scoffs. “More like make it up to me,” she declares, shuffling around and pushing her waistband over her hips. Trevor takes over from there, getting his hands on her ass and helping her out. “Seem to remember that you didn’t make me come the other day.”
“Oh, are you ready to beg?” Trevor asks, perking up. He stops his movements, her lower half just short of exposed. 
She wasn’t expecting him to one-up her, but she recovers quickly. “I don’t beg for the things that I’ve earned.”
“Earned?” Trevor scoffs. He pulls away, securing her waistband above her hips and covering her. “Baby, you didn’t even try.” 
Now, it’s a game of wills. 
“I’ll remind you how to follow the rules,” Trevor adds. He finally brings the joint, which he steals from Honey, to his mouth, crawling up her body as he inhales. He sits back, spreading his legs a bit, and pats his thigh. With his other hand, he takes the blunt from his lips and exhales. “Come gimme a kiss,” he invites, tapping the corner of his mouth. 
“Don’t piss me off,” Honey replies like a warning. Still, despite the disapproving tilt of her mouth, she makes her way over to Trevor and crawls between his legs. 
Instead of sitting on his lap, she just sits in a little ball, knees pressed against her chest between his legs. Her back is against his front and she plucks the joint from his fingers, placing it between her lips. He has to shift on the seat, moving so they’re sitting along the row instead of facing forward. Trevor’s legs are outstretched toward the opposing window, through which he can see a few tree trunks and then utter blackness.
“It’s kind of freaky, how alone we are out here,” Trevor ponders. 
Honey crinkles her nose. “Sounds like something a serial killer would say.” She leans her head back on Trevor’s collarbone, blowing the smoke in the air like she did in the basement. It drifts right into Trevor’s space and he turns his head to avoid it. “Sorry.”
“S’okay,” Trevor says. “I don’t mind.”
Honey doesn’t reply to that. She scoffs a little and rolls her eyes, taking another hit of the joint. It’s a small one– probably the smallest one Honey rolled, but it’s plenty for them to share. 
“I’m serious, though. It gets so dark up here. I’m still not used to it,” Trevor continues. 
“You never get used to it,” Honey says. “But it’s nice, I think.”
“Yeah,” Trevor agrees. He bundles her up in his arms and presses a kiss to her temple. 
She breathes in again. On her exhale, she speaks. Her voice has grown quieter, more thoughtful. “When I came up here as a kid, all I ever wanted was someone to play with,” she says. “But I like the silence and darkness up here, now. Sometimes I feel like nothing that happens here is real. It doesn’t count.”
Trevor gets what she’s saying. Litchton is like a bubble– the only things that exist in the bubble are the things that are actually here. Everything else is other-worldly. They train all the time, but sometimes even hockey doesn’t feel real to Trevor. The realest thing he has in Litchton is the girl in his arms. 
“Is that why you came here?” Trevor asks. “After everything that happened?”
Honey shrugs, prodding Trevor’s hand with the blunt until he takes it back. “I just needed to get away.”
Trevor hums as he inhales. 
Honey continues. “I’ve been thinking about that year a lot more often than normal, lately.”
“Oh, you have?”
“Mhm. I was talking with Bea after I told you everything, you know, and it was just, like, a weird realization. I think about then and I think about now and I think I’m so different. I’m not, really, but I changed fundamentally that year.”
“How could you not?” Trevor asks. “It sounded like it was really hard.”
“It wasn’t just that, though,” Honey says. She’s a little louder now, a little more angry. She struggles to find her words. “It’s like– I look back at the person I was then and I know it’s me, and I know it all happened to me, but none of it feels real because that version of me doesn’t exist anymore. I got rid of her when I came here. She wasn’t– necessary.” Honey laughs to herself, burying her face in her hands. “God, I sound like a crazy person. Forget I said any of that.”
The only way Trevor will ever forget what Honey said is if this weed knocks him on his ass tomorrow morning. He agrees, not wanting to start a fight, but how could he forget this? That Honey feels like she left herself behind when she moved to Litchton, and that all of her past seems fabricated?
“I can feel you still thinking about it,” Honey interrupts, turning her head so her nose nudges Trevor’s neck. “Guess neither of us are good at following rules.”
Trevor takes another hit from the blunt before passing it back to Honey. “Guess not,” he murmurs. He wonders if she can feel his heartbeat. He’s, all of a sudden, very aware of his racing heart against Honey’s back, and he blames the high. He should really be done for the day. Honey’s presence is making him stiff and warm and the weed is making him tired and lazy. The combination is not ideal.
“How many have I missed?” Honey asks, twisting the joint between her fingers.
“Hm?” Trevor answers. She pulled him from his thoughts, so he barely heard what she said.
Honey chuckles quietly. “How many times did you take a hit,” Honey clarifies. She brings the joint to her lips and breathes in. “Need to know how many kisses I owe you,” she continues on her exhale.
Trevor perks up. “A million,” he quips. 
“Mm, wow,” Honey reacts sarcastically. She inspects the roll between her fingers, growing smaller by the second. “The never-ending joint. I didn’t know they made those.”
“Willy Wonka is opening a dispensary. Candy sales are going down and weed is a growing industry,” Trevor jokes. “He’s got the Oompa-Loompas in the greenhouse pruning the marijuana trees.”
Honey laughs, a loud one pulled from her chest. Trevor watches as her eyes squint shut and her throat moves with the sound. He brings a hand up to trace the line of her neck, just to feel her move. He doesn’t miss the shift of her breath when he makes contact, icy fingers skimming across warm skin. 
Trevor looks at Honey when her breath hitches, tearing his eyes away from his fingers contrasting her neck, really looks at her. He likes the way she blinks up at him with his hand here. He likes that she stopped everything to look up at him with wide, awe-inspired eyes. At least, that’s what he thinks he’s seeing. Maybe he just really likes when his hand is on Honey’s neck.
He leans down to kiss her slightly, using his touch to pull her up the rest of the way. She sighs into his mouth, practically breathing into his lungs. The movement isn’t enough. Trevor needs to hear her say that she likes this. He’s so close to hearing her beg. He pulls away, breaking the moment.
Honey frowns.
Trevor takes his hand away, albeit a little reluctantly. It falls to her shoulder before settling in her lap, right next to her hand. He touches her knuckle, on the burn. 
“Your hand okay?” He queries softly.
Honey frowns even more deeply. “My hand’s fine.”
“I feel bad that you burned yourself,” Trevor says.
“Nine hundred, ninety nine thousand, nine hundred ninety nine more kisses to go,” Honey implores impatiently.
It takes a minute for the number to comprehend in Trevor’s mind. He has to think over it five times before he is sure that he’s interpreting it right. One less than a million, he finally thinks. Got it.
Trevor laughs and pecks her mouth, quick as can be. He waits.
After a minute, Honey’s indignance increases. “999,998 more kisses to go,” she says. 
The number is a lot easier to comprehend the second time around. Trevor plops another kiss on her mouth. 
The more she pouts, the more he smiles. It’s an infinite loop that only breaks once Honey squirms in Trevor’s arms, twisting to face him. They lost the blunt in all of this. Trevor hopes Honey snuffed it out someplace. That would be bad if she didn’t. But she’s smart, so she probably did.
“I think we should go in the house,” Honey whispers conspiratorially. She leans to kiss Trevor, a little softer than the past few. It’s a ghost of her lips, really.
“999,997,” Trevor replies, pulling her down by the hem of her shirt. He steals another kiss before letting her pull away.
Honey makes herself all pretty in front of him– barely changing a thing, just looking at him through her lashes.
“What’s that look?” Trevor asks with a laugh, smearing his hand across her cheek to break her focus.
“Wanna go inside?” Honey invites, tilting her head. It’s a thinly veiled request.
It’s close enough to a plead, for now. Trevor nods, taking another kiss from the girl before she goes to the door on her side of the car. He has to roll a bit to exit on his side, rushing to get back to his spot near Honey. 
She grabs her keys and phone, leaving everything else in the car. Trevor’s keys are in his pocket, probably, just in case the boys locked the door. Trevor doubts that they did– they’re probably still downstairs, watching some movie that they happened upon on cable. Maybe Family Feud. Cole has been loving Family Feud lately.
They make it back in the house easily, tiptoeing a bit over the creaky wooden steps and floorboards. Honey holds Trevor’s hand.
He has her on the bed in moments, his lips on hers. Trevor lays her head across his pillows, hovering above her. He wants her spread out below him, falling apart because of him.
“Can I?” Trevor asks, touching the string of her bow, twisting the end between his pinched fingers but never pulling.
Honey nods, arching her back so her chest presses into his touch. She’s kissing him again. 
He tugs until her shirt is falling open. Her sternum appears, plus the curves along her breast, and Trevor jumps forward to mark the unblemished skin. 
Her fingers find his hair and guide him. He pushes the fabric out of his way, feeling for her jewelry. His fumbling fingertips find it and rest, lightly pinching the skin.
Honey moans softly, grinding against his bulge, pressed right against her spread legs. Even with the clothes, he knows that she can feel him… and that she likes it. He doesn’t need to be cocky, but where’s the fun in that?
“Let me get my mouth on you,” Trevor says, letting his kisses fall lower and lower.
“Your mouth– is on me,” Honey sasses, breath hitching weakly in the middle of her sentence. 
Trevor pauses and bites his lip to stop a laugh from escaping him. She’s really making him work for this. He rephrases. “Let me get my tongue in you.” He continues his path, kissing down Honey’s stomach. 
Honey’s hips jump when his lips find her abdomen. He kisses as close as he can near the waistband of her bottoms, dipping his fingers underneath the fabric. 
“Okay,” Honey breathes. She’s trembling a bit, trying to keep her hips still. Trevor can feel the effort. 
He smooths his hands over her skin, then under the fabric of her panties. He lets his palm find her tramp stamp before he pulls her clothing off to reveal her lower half. 
He can’t bear to wait any longer, but if he had more resolve, he’d kiss every inch of her again before finding her cunt. As much as Trevor wants to give her that reverence, he also wants to give her an orgasm.
He fits his mouth over her clit, licking over her bundle of nerves slowly. His index finger traces between her lips, spreading her folds and finding her entrance. This, Trevor takes his time with. He wants to taste her forever. He wants to touch her forever. If he could relive this moment over and over for the rest of time, he would. 
He pushes his finger inside, burying himself in the tight squeeze of her walls. He blinks like he’s in a dream, long and slow, not sure whether it’s worse to look away from her or lean into the drowsiness of the moment. He feels drugged on Honey, not just off the weed they smoked.
His middle finger prods at Honey, slipping into her cunt with a slight stretch. She reacts to it, but only seeks more. Trevor would give her everything. That’s why his tongue leaves her clit to fulfill his original goal– to get inside of her. She moans when he does and Trevor nearly combusts on the spot. 
Trevor laps at her wetness, fingers buried into her warm cunt almost lazily. He's pumping them in and out of her like it's nothing, like it's the natural instinct only-thing-he-can-do on an atomic level. Everything is amplified and red and pulsing because of the weed he consumed two hours prior and her warm, warm, and wet skin surrounding his fingers. 
He pauses to bite his lip, feeling the glue of his permanent retainer scrape against his chapped skin. Then, he returns to Honey's clit, flicking it with the flat of his tongue, mouth closing over her and worshiping her. His fingers beckon her forward, towards him, and she moves beneath him.
She rolls her hips with the press of his fingertips to her insides, a stuttered little gasp breaking her whine. 
Trevor's eyes flutter open and hazily, all clouded with lust, he finds her face. Her eyes are locked on his and her mouth is open. Her chest is heaving, smooth skin rising and falling in Trevor's view. The bars through her nipples catch the pale light from his lamplight in the corner of the room, glinting across his vision. 
“Take your shirt off,” Trevor says.
Honey blinks at him, but pulls at the fabric anyway. It’s a hassle, but she removes the top. She’s wearing nothing, completely naked in front of him. Trevor realizes he’s wearing all of his clothes and decides he has to remedy that immediately. 
He pulls back enough to shuffle his arm through the hole in his t-shirt. He can still kitten-lick over her clit, at least until his fingers are free again. He’s never able to part from her completely. It would just be cruel to derive her of his pleasure, if she’s feeling the same thing Trevor is feeling.
His fingers are inside her again and he uses the other hand to pull his shirt off and struggle with his sweatpants. Once his shirt is gone, he seals his lips over her clit again and sucks until she’s whining and lifting her hips off the bed. Her jewelry glints again.
"Touch your tits," Trevor mumbles, barely lifting his head from between her legs.
"What?" Honey asks, just barely audible to Trevor over the sound of her fingers running through his hair, clenching down behind his ear to lead his tongue across her clit again. 
Trevor groans, not wanting to part with her skin. "Touch your tits," he directs louder, diving back to gather the liquid that drips between his fingers with his tongue. It settles on his tongue and he hums, eyes closing. His eyes open again, lids heavier than before.
Honey's listening so intently, but the words aren't registering. She's too caught up in the feeling of Trevor's mouth against her, eager to please her. He's glad to know he's not the only one who is losing himself in the moment, feeling like no time is passing at all despite every second feeling so long.
Trevor's happy to help her out. He’s managed to get his pants down to his knees, along with his boxers now. He’s got an occupied hand. 
With his free hand, he reaches up from her thigh and feels out her body. He traces the curves of her hips and stomach to her waist and chest, slowing down as he nears her peaks. Carefully, even removing his mouth from her clit to make sure he isn’t distracted, Trevor sweeps a thumb over her pierced nipple. 
She springs to action, feeling it immediately. His pinch has her squeaking, both hands in his hair as she drags him up to her mouth.
He comes willingly, smiling until her mouth clashes against his. He's laughing a little bit at the ferocity, his fingers dancing inside her merrily, making the kiss all the more messy when Honey groans. Then she clenches down when his hand meets her other nipple. It's a vicious cycle, one that quickens when Honey starts grinding her hips. Trevor slows his movements and lets her sweat a little, working herself up with furious twitches of her hips.
"Trevor," Honey pouts, pulling him out of his trance. She insistently rolls her hips again, her bottom lip jetting out as she looks up at him.
Trevor pulls back, eyes widening a little as he comes back to himself. Honey's face clears in his sight like he's fixing a telescope. Her eyes are starry like the sky, too.
He's trying to identify the look on her face, blinking blankly. 
Her eyelashes are so dark, he realizes. She must have put on mascara today.
"Trevor," Honey whines again, her hips circling. 
He notices his fingers have stilled inside her and that she's whining at the loss.
Like she's begging for him.
She confirms it with one word. A beautiful, whispered “Please.”
Trevor's fingers are out and the tip of his cock is in without hesitation. His lips slide against hers as she breathes in and he breathes out. He presses further, fingers splayed across her back to pull her up, chest against chest.
They're touching everywhere and Trevor can do nothing but hope and pray that she's feeling the same way he is right now. Bea's church trips might actually be rubbing off on him.
There's no other way to describe it: Trevor must have earned a miracle, somehow. He only ever feels like he fits in the world when he's playing hockey and that pales in comparison to being inside Honey, to feeling her come while wrapped in his arms. 
Nothing has ever felt so right in his life. Something changes in Trevor in that instant– everything aligns. It’s like what Honey said before– about leaving her old self behind when she came to Litchton. Trevor understands now because he feels the same way. Now that he’s been here– now that he’s been with her, he knows he can never be without her again.
44:90 – HONEY
She wakes up with Trevor leaking out of her. He's still pressed against her, like the night before, but this time he's plastered against her back rather than pulling her up to his chest. He's still pulling. It's her hips this time, back so that his morning wood can slide between her dripping lips.
It's nice for a minute as her drowsy sleep wears off, the last remnants of her high trickling away like fairy dust into the night. She feels quite floaty with it, but allows the last wisp of her high to go on without her.
Her eyes register the light and she flinches, overcome with energy. She frantically finds the old alarm clock on Trevor's bedside table, the numbers flashing in the corner with each second. It's early, early enough for the sun to be a sliver on the horizon and a thought in a baker's head, but later than Honey intended to stay. She has to get out of here.
She goes to move, but Trevor's arm keeps her in place. He tilts his hips forward. “Baby,” he breathes in his slumber, like a dream. His nose nudges her ear. She melts back against him, then catches herself. She has to get out of this house before Quinn gets up to take a shower. 
Honey wakes Trevor when she escapes his grasp, leaving him to blink up sleepily as she gathers up her clothes: a shirt, bottoms and her underwear from the night before. She scrambles to get them on, sparing a glance at the dimly smiling Trevor, who is stretching under the covers. 
He's admiring her so intently, a daft and tiny smile on his face that distracts Honey and makes her shiver. He's always so– pleased. It's the moments like these that make Honey wonder if she's getting sucked too far into his world. She keeps chasing these looks like a drug, addicted to her next hit.
“I'll see you on Friday,” she whispers to him, bending down to smooth his hair out of his face. She’s pretty busy until then, with work and such. Today, she’s meant to go out with Quinn. 
Trevor tilts his head up and his nose pokes the corner of her lip. She catches his jaw in her hands and fixes his face so his lips are poised in front of her. She pecks his pursed, chapped bottom lip and pulls away so quick that it leaves him frowning.
He's thinking, hard, even as her touch leaves him and she tiptoes to the door. “Friday?” He asks. “That's not enough to tide me over until Friday,” he complains, pulling Honey's pillow down to hug against his chest. He presses the corner of the pillow to his lips, smiling at her when she sighs.
Honey comes back and kisses him once more, with tongue, just to leave him stupid enough to stay quiet until she's gone.
At least she's not covered in marks this time, since she's meeting Quinn in a few hours to shop for Bea's birthday gift. She doesn’t have to pull out her sleeveless turtleneck again. Realistically, she can go open The Reading Nook in this outfit and work until Bea appears. It’s then that she’ll switch places with the girl and plant herself in the passenger seat of Quinn’s car.
Honey decides to drive straight to the Nook. She and Bea stashed a box in one of the cabinets years ago with deodorant and toothpaste and the other essentials for life as a girl. 
Ada made fun of them, but once she got a paper cut and didn’t have a band-aid in her purse, so she dipped into their stash. The tables turned then– Honey and Bea gained the upper hand. They gifted Ada her own box the following week, smirking like they were acting smart. She nearly sent them running with her disapproving eye roll, but she thanked them afterward.
Honey unlocks the door and scoops up the magazine from the stoop. She nods and smiles at a man jogging by. He returns the look. The sun is nearly risen now and everything is pink. The brick wall of the Nook seems to glow. She locks the door behind her again.
The Nook has gathered more dust since they took such a long weekend. It takes Honey a little while longer than it normally does to sweep and dust the shelves. She opens the store as quickly as she can– but she still doesn’t have enough time to herself before the Founding Women come knocking.
Three minutes is all she has to brush her teeth, her hair, and throw on some deodorant. Honey rushes to do so, multitasking as best she can. With one hand, she’s brushing her teeth and with the other, she’s scrambling to find the handheld mirror that Bea set in the bin after checking her teeth for seeds the other day. 
“Damn it, where are you,” Honey asks aloud, as if the mirror can reply. 
Her hand brushes the handle and she pulls it out, catching the glare of the light and blinding herself for a second. She blinks to clear her vision, shaking her head a bit. She finally looks in the mirror, bracing herself for the likely appalling state of her hair. 
Oh. Okay. It’s not that bad.
She puts the mirror down and finishes brushing her teeth, spitting the toothpaste and applying deodorant before picking up the mirror again. She fluffs the hair on the back of her head, cocking her head to the side and pursing her lips at her own reflection. Her eyes go lower, to inspect her neck and make sure Trevor didn’t leave anything behind that she couldn’t see before in the dark. 
It’s then that she regrets driving straight to her place of work. In her fervor this morning to escape the rental house before Quinn woke up, Honey didn’t grab the right clothes. She grabbed her underwear and her favorite athletic skirt, but the shirt she threw on was not hers. It’s the second time she’s worn Trevor’s shirt after hooking up with him and Honey is starting to wonder if she’s accidentally-doing-it-on-purpose. 
It’s a plain white t-shirt, pretty much. There’s a logo on the front breastbone of a platypus-looking duck mask in the center of an upside-down triangle. Honey squints at it in the mirror, then looks down at her chest with her own two eyes. The shirt is big, sure, and she had absentmindedly tucked the back of it into the waistband of her shorts while she was dusting, so she should’ve known it wasn’t hers. She showed up to Trevor’s place yesterday in a shirt that ties in the front. Yes, that was on purpose.
This mishap was not. Now she’s having to scramble to make the shirt look natural and hers before Sacha comes knocking at the door. 
Honey uses the mirror to tuck and untuck the back of the top into something a person might see an influencer wearing at the gym. She doesn’t like the style, but it’s necessary. She can’t look as out of place as she feels, wearing Trevor’s clothing. People will really start to suspect something. She knows the ladies suspect– but she can’t have it getting out.
Honey frowns and whines at herself in the mirror, tossing her head back on her shoulders and feeling her face crumble. She places the mirror down and covers her face with both hands. 
She’s so stupid. This is exactly what Honey sought to avoid after Thomas. She knows herself. She knows that she gets caught up in what’s happening and she starts to neglect the other parts of her life. She came to Litchton to be independent and put-together, not like the child that sent her naked pictures out just for it to come back and bite her in the butt. Wearing Trevor’s shirt is not the same as that, but Honey can’t believe that she made this mistake. One mistake like this just leads to more, which leads to a snowball effect, which ends in Honey moving towns and starting over. She’s done this before and she refuses to do it again.
Honey is stuck in her head as she lets Sacha and Gillian in, mumbling some incoherent response and giving the half-hearted kisses on the cheek when they enter The Reading Nook. As Vera, Scarlett, and Rosalind make their way into the Nook, she greets them the same way. Then, she hides behind the cash register, reading her book. She’s still reading that romance book. 
Twenty minutes of flustered page-flipping and fake reading later, Bea walks in the door.
“Oh, thank God,” Honey sighs, hopping down from her stool and stashing her book underneath the counter. 
“Is that–” Bea starts, having barely let the door shut behind her.
“Don’t,” Honey interrupts, pointing a finger in Bea’s face as she passes her. She wrenches open the door, despising the cheerful, twinkling bell that she installed years ago. She stomps to Quinn’s car, throwing open the passenger door and climbing in. She slams the door behind her.
“Good morning, Honey,” Quinn greets quietly, his voice gruff like he’s still fighting off sleep. Honey doesn’t reply– he doesn’t need it, and she’s still feeling weird. He peels away from the curb, heading back down the mountain. They pass the rental house and Honey’s pulse spikes when they do.
She feels abnormally sick as they drive down the mountain, still stuck on the fact that she’s wearing Trevor’s shirt. Now, she’s worried about how it looks to be wearing Trevor’s shirt in front of Quinn, in public. 
It’s one thing in the comfort of her own home. That’s why she didn’t freak out last time she accidentally stole Trevor’s shirt– or, at least, not verbally. She barely spoke the whole time Trevor was there, humming occasionally to answer his questions and reading a sentence aloud of her book when he asked. He didn’t notice her discomfort. He doesn’t know that she took his shirt off as soon as he closed the front door behind him, shoving it deep in the back of her closet and hoping to forget about the incident entirely. 
Trevor also doesn’t know that she’s slept in his shirt twice since then. It’s supposed to be some form of exposure therapy, but Honey just feels icky each morning after.
And now, she doesn’t even have a change of clothes. At home, she can rip off his shirt and replace it with her own, but here? In the Nook? In Quinn’s car? There’s nothing. Honey just has to face it. It’s not going well.
She’s gone silent and she doesn’t think Quinn minds, but the silence is starting to suffocate her.
“Where are we going?” Honey asks, clearing her throat. There’s a lump in her throat that won’t disappear. 
“The mall in Charlotte,” Quinn replies.
“Charlotte,” Honey repeats, feeling light-headed all of a sudden. “Why Charlotte?”
“Because the store I googled was there,” Quinn says curtly. 
“I told you that there’s a store she’d like in Winston,” Honey says.
“I found something I thought she’d like,” Quinn says. 
“Then why am I here?” Honey snaps.
Quinn looks over at Honey, a perturbed side-eye that has her glowering. He raises his eyebrows, then faces the street again. “We can go to Winston. We’re not even on the highway yet. We have time.”
“Well, good, because we’re going to Winston,” Honey says in a huff. She crosses her arms over her chest and sits back in the passenger seat. It’s obvious that Bea sat there last because the seat is practically laying back. She must have tried to sleep on the short car ride over. How futile.
Quinn scoffs and laughs a bit, rolling his eyes. Honey takes the consolation, but she doesn’t like being laughed at. 
She cranks up the radio as loud as she can stand and rolls her window down. She lets the wind whip at her hair until it’s tangled, and gross, and she has to tie it up. Then, she rolls up her window and lays back in the seat, throwing her hands over her eyes.
Quinn is perfectly content to sit in silence during the drive to Winston-Salem. He sings along softly with the radio, just enough that Honey can hear him. At first, she wonders if he’s singing at all and if she’s just hearing the backup singers and harmonies like they’re 3D, but then she looks over and sees his lips moving and his thumbs tapping the wheel. 
He looks handsome. In this light, laying down in his passenger seat, Honey wishes life was as easy for her as it is for Bea. She knows that Bea has her own problems and her own sorrows, but Honey wishes that her life could be so simple. Bea was never traumatized by an evil ex and never had her nudes leaked. She’s able to wear Quinn’s clothes without overthinking it. Better yet, she’s able to have sex with anyone she wants, including her boyfriend’s brother. 
Honey realizes, in that moment, that she detests Bea. It’s not a permanent hatred. She’s just so jealous. Trevor would never take Bea out to go shopping for Honey’s birthday, and yet, here she is, wearing his shirt.
Honey breaks, tugging at the hem of the too-big shirt. 
“Can we stop somewhere and get me a new shirt while we’re out?” Honey asks.
Quinn draws his eyebrows together before he looks over. “Why?” He takes his eyes off the road for just a second to inspect Honey’s shirt. “Is it stained or something?” 
As soon as he looks away, he does a double-take, and Honey wishes she had never brought it up.
“Are you wearing–”
“Don’t,” Honey growls.
“Trevor’s shirt?” Quinn finishes, smirking evilly. “So I guess your relationship isn’t all that secret.”
“I’m not wearing it on purpose,” Honey hisses. “I accidentally grabbed it this morning.”
“This morning?” Quinn asks, a crooked smile overtaking his face. “Where were you this morning?”
Honey snarls in his direction, grinding her teeth. 
“I thought you were inviting your, uh, dating app guy over to your place. Don’t you have clothes at your place?” Quinn teases.
He means well, is the thing. Honey knows that he’s just joking with her like he would with any of his friends, but he doesn’t know that she’s seeing red.
“I don’t want to talk about it,” Honey tells him resolutely. 
Quinn shrugs. “Okay,” he says easily. Honey doesn’t believe that he’ll let it go, just based on the quirk of his lips as he continues to drive. 
Honey’s lucky because they’re only a few minutes outside of Winston now and Quinn can hold his tongue for a few minutes. Soon enough, they’ll be surrounded by jewelry and he’ll be so confused that he has to let it go, unless he doesn’t want Honey to help him.
When they pull into the parking lot and Honey lets herself out of the vehicle, Trevor’s shirt falls even more loosely around her. Or, maybe it doesn’t. Maybe it’s just Quinn’s laughter that makes her feel like she’s drowning in the fabric. Even Trevor’s scent around her isn’t comforting. It’s just making her feel worse, reminding her that this shirt is not hers and it does not belong on her body.
Honey tugs at the hem of the shirt almost constantly, untucking it and retucking it until she understands how foolish she must look. She stands more stiffly as Quinn talks to the sales associate, describing what he would like to buy. There’s a moment when the associate asks if the bracelet is for Honey, which leaves them both denying her in earnest. 
“Her shirt might be my size, but it’s not mine,” Quinn says, which throws Honey back into her silence and makes her frown. It’s not what he said, because that’s completely true, but it’s the disdain in his voice when she says it.
His words are an answer to the question that she rarely ever lets her ask herself. Honey is not desirable. Trevor is a fluke. Ordinarily, Honey would remind herself that Trevor’s leaving in six weeks anyway, so it doesn’t matter. 
Today, for some fucked up reason, Trevor’s opinion matters a lot to Honey. She’d be positively shattered if he’s only fucking her because he can. When he leaves at the end of the summer, he’ll probably move on and start fucking other girls, and he’ll completely forget about Honey and Litchton altogether.
Honey can’t let that happen. She can’t let herself fall apart for a second time over another fucking boy. She and Trevor are just hooking up– and if she can’t get that through her head, then it’ll have to stop. She’ll just have to stop seeing him before he stops seeing her.
Yeah, that’ll work. 
Honey is satisfied with the decision. She’ll stop seeing Trevor. She’ll get home, take this shirt off, and deliver it back to him later this week, along with the other one that she accidentally stole. It’ll be like when you give another child a gift at a birthday party, just so that they don’t feel left out. 
She feels better for a little while. She’s able to shop around with Quinn, looking at the bracelets he likes and telling him which ones Bea would certainly not like. She even identifies the ones that Bea would like… but wouldn’t wear.
Eventually, they settle on a tiny gold bracelet decorated with five equidistant pink heart-shaped charms. It’s more expensive than anything Honey has ever bought for Bea, but hey, she’s not Bea’s suitor. Nor is she a rich man, and Quinn is a premier athlete. He’s sitting on some big bucks and Honey knows it.
She ignores every time Quinn makes a comment about the shirt, which he does each chance he gets. He mentions it in the store, while they shop around, as Honey models bracelets to see how they would fit on Bea, when they get in the car, and even while he drives them back towards Litchton and towards Trevor, who is the source of all of Honey’s anxiety at the moment.
She knows that Quinn is just teasing. She knows that he’s poking fun at her the way an older brother would. She knows that it isn’t meant to hurt her feelings and that he doesn’t know that she’s freaking out, completely surrounded in her mind by evil doubts and nagging, gremlin-like voices.
She can’t hear it any longer. Honey physically cannot bear to hear another quip from Quinn about her borrowed t-shirt. She cannot hear another mention of Trevor’s name. It only makes her feel worse, reminding her that she has decided to end this for her own good. The look on Trevor’s face when she tells him that it has to be over– oh, Honey might be sick. Honey might be sick if Quinn keeps talking, too.
After a final mumbled, snorted comment from Quinn, Honey slams her fist down on the arm rest and lifts her eyes to the ceiling of his car. Her eyes are stinging and it takes everything in Honey not to burst into tears right there. 
“God, Quinn, would you quit it with the comments?” She demands. 
Her throat is tight and she has to talk through her teeth to keep herself from chattering. She hugs herself, rubbing over the goosebumps on her triceps. She has to reach under Trevor’s sleeve to get to her skin– that’s how big and wrong his shirt feels on her body. The fabric is too long and too baggy and the part that she tucked into her skirt is digging into the small of her back. Honey brings her thumb up to her mouth and bites the pad of the digit, pinching her skin together. She stares stubbornly out the window, glaring at the trees along the highway. She sees Quinn look at her in her reflection and Honey avoids eye contact, biting her skin even harder. It’s stopping her lip from wobbling. She couldn’t bear to cry in front of Quinn, but today has just been– really, really hard for her.
First, she woke up wearing Trevor’s clothes. Then, she had to be seen in public wearing Trevor’s clothes. Then, Quinn teased her for wearing Trevor’s clothes. Now, the shirt is digging into her back and she’s about to cry because she really, really doesn’t want to give it back. She really, really doesn’t want her relationships to be so hard, but she can’t stop herself. She’s still not patched back up from Thomas and that’s why she can’t be with Trevor. She wants so badly to be with Trevor the way that Bea is with Quinn, but she just can’t. 
Quinn stays silent for a few minutes. Honey hears the song on the radio change twice. 
The silence becomes too uncomfortable for her after Quinn checks in on her a second time, this time taking a hand off the steering wheel like he meant to touch her and comfort her. He lets it drop to the gearshift when he thinks better of touching her.
“And it smells in here,” Honey complains, voicing up about the thought that’s been running through her head since she got in the car outside of The Reading Nook this morning. She’s grumbling by the end of her sentiment. “I thought Trevor’s car was the equipment car.”
“Always thinking about Trevor, huh,” Quinn says quietly.
“Stop,” Honey says.
“Okay.” Quinn shrugs.
Silence.
Quinn looks her way again, less than thirty seconds later. “No. Not okay,” he decides. “What’s wrong with you? What did he do that has you so upset?”
“He didn’t do anything,” Honey mumbles, still facing the window.
“Honey, come on,” Quinn scoffs. “What’s the deal? You’re wearing his shirt and you look more uncomfortable than I’ve ever seen you. That’s not right.”
“Right,” Honey repeats. She finally turns to him, incredulous and fired up. He doesn’t know when to stop. He’s crossing all these lines and Honey can’t stand it. “What the fuck do you know about ‘right?’ Your girlfriend is fucking everyone else in that damn house.”
“You don’t know shit about our relationship,” Quinn replies, an edge in his voice. 
“And you don’t know shit about mine,” Honey snaps. She glares at him, grinding her teeth and fighting back a burning threat of tears at her waterline. 
“Well, fucking explain it to me,” Quinn snarls. “That’s why I asked in the first place.”
Honey is taken aback by his response. She hesitates. 
“Look, Bea won’t tell me anything about– what happened to you,” Quinn says, his tone disjointed and careful. “And I haven’t asked about it more than once, but I have to ask now. Why are you so– hesitant to like him? We can all tell that he likes you and you… feel something for him, but I can tell you’re not committing to this. Why not?”
“It’s complicated,” Honey deflects, voice hard.
“Honey.” 
Quinn’s voice is insistent. He pinches his lips together and tilts his head at her, imploring her with just a blink of his eyes.
“My last boyfriend sucked, okay?” Honey exclaims, turning to face the window again. She means to hide her tears, but her sniffle gives it away. She really should’ve considered that before she did it. “He sucked,” she says quieter. “And I really, really loved him. I really, really trusted him.”
Quinn stays quiet, letting Honey ruminate on her words.
“He–” Honey takes a sharp breath, shaking her head to herself. “He did everything he could to ruin my life.”
Honey can hear Quinn’s blinks and his consistent breath. He keeps taking deep inhales like he’s going to say something, then decides against it and lets the inhale go. 
“So I have trouble–” her voice breaks on the word, “–committing to Trevor. If that’s the word we’re using. Not that you know anything about commitment.”
“I’m committed,” Quinn replies, the first thing he’s said in minutes. He says it with a defensive edge. “I’m committed.”
The repetition rubs Honey the wrong way, just for a moment before Quinn interrupts the process of Honey forming a confused expression.
“So’s Trevor, by the way,” Quinn adds. “Don’t let his douchey texts fool you. He’s not ‘just fucking’ you. He’s just a moron that doesn’t know how to talk to a girl he really likes.”
“Trevor is leaving at the end of the summer,” Honey says carefully. “I can’t–” She shakes her head, cutting herself off. She takes a breath and picks right back up. “I can’t let myself get my hopes up. I’m not gonna– like some guy just to be left in the dirt again.”
“What is it with you guys and thinking we’d leave you?” Quinn asks, shaking his head like he’s in disbelief, eyes still on the road. The words come out of him in a rush and his subsequent sealed lips tell Honey everything she needs to know.
Honey pauses, mind seeming to clear for a split second. “You’ve talked about this with Bea,” she observes, feeling like her voice is far away. 
Quinn pinches the bridge of his nose, then moves his hair off of his forehead. “Yeah,” he says.
“What did…? She’s…?” Honey isn’t sure which question is the right one, so she gives up on both.
Quinn forces a little smile onto his face. Honey’s body turns cold because she knows that face. He’s picked up Bea’s idiosyncracy, where she tries to deliver terrible news in a positive way so she doesn’t hurt the other person’s feelings. “She won’t leave Litchton until she knows you’re okay,” Quinn tells Honey. 
“I’m okay,” Honey says.
“You’re not.” Quinn’s smile tilts with laughter, making it much more real. “She knows you’re not.”
Honey falters. “I’m– being in a new relationship after that is hard,” she insists. “But I’m doing it. I’m fine.”
Quinn nods at Honey in concession. When his eyes turn back to meet hers, Honey knows that he doesn’t blame her for this. It’s not something he has to tell her, which comforts her slightly. It calms her. He’s not angry or upset with her. He doesn’t think she’s doing anything wrong.
They fall silent for another few minutes.
“Whatever, um, he did to you,” Quinn says after a while, treading lightly with his words and clearing his throat when he’s not sure he’s saying the right thing. “It wasn’t– you didn’t deserve it. It wasn’t your fault.”
Honey breathes out a weak laugh. “I know.”
“I mean it,” Quinn says, reaching over and taking her hand, squeezing it when he talks again. “You didn’t– that never should’ve happened to you.”
Honey blinks, touched by how genuine and sincere he sounds. He’s still holding her hand. She shakes him free. “I know,” she repeats, her voice feeling strange in her mouth. She can practically feel the words forming and falling off her tongue. They’re so– tangible. 
Silence, again. This one is swifter. It’s Quinn who breaks it. Evidently, he feels as though the moment has passed and he can start teasing her again.
“Imagine how things would be if you weren’t all fucked up,” he says with a shit-eating smile.
Honey’s jaw drops and she starts to laugh, so thrown off by how blatant his statement is.
Quinn raises his pitch and speaks in a high voice, mocking Trevor. “‘Wanna eat u out baby’ and you would’ve let him! You would’ve run up those stairs with him in an instant!”
“Shut up!” Honey faux-gasps, reaching across the console to swat Quinn’s arm. “I would not have!”
“No, you’re right, you would’ve gone in the fucking closet!” Quinn shouts, pointing a finger in Honey’s direction. With his other hand, he clicks the turn signal on and takes the exit. Honey didn’t realize they’d been talking for so long. They’re almost home. “Don’t think I don’t know that you blew him in there!”
“I would never!” Honey shrieks, covering her mouth with her palm and squeezing her eyes shut from her laughter. Of course Bea told him about that.
Now that they’re laughing like real friends, Honey can’t stop. She also can’t bring herself to care that Quinn is teasing her. Now, she’s in on the joke. It’s– freeing.
“With the look on that fucker’s face?” Quinn tosses his thumb to the side like he’s pointing to an invisible Trevor. “It’s a miracle the other boys don’t know.”
Honey is able to reign in her giggles. “Thank you,” she says. “For not telling them, by the way. I don’t think Trevor or I have said that to you.”
Quinn’s laughter trails off, too. “You’re welcome,” he murmurs sincerely. The side of his lips tug up briefly before falling back into a serious line. He makes eye contact with Honey at the final light before home, ready to turn onto the main road that will carry them up the mountain. “I’m… happy for you guys.”
Honey smiles back, feeling her chest well up a little bit by how sweet he is. He deserves Bea, Honey thinks. She can’t think of anyone more deserving of her best friend. Quinn is special. Honey gets it. “I’m happy for you,” she replies. “You look really happy.”
Quinn blushes a bit, his gaze turning sheepish. He nods, a pout fighting and failing to obscure his smile. “She makes me happy.”
Honey nods. They don’t talk the rest of the way home.
45:90 – TREVOR
“I need you to go buy some stuff.”
Trevor looks up from his breakfast sandwich, still chewing his most recent bite. “What?” He asks, not sure if he heard Quinn correctly. 
“I need you to go buy some stuff,” Quinn repeats. He produces a handwritten list from his pocket, tossing the crumpled paper at Trevor.
“Why?” Trevor asks. 
“Because you can either go buy the supplies or you can decorate for the party,” Quinn says. “And I don’t think you want to decorate for the party.”
“What party?” Trevor takes another bite of his sandwich. This bite has an especially good amount of cheese in it. He hums in contentment.
Quinn furrows his eyebrows at Trevor. “Bea’s birthday party?” He reveals like it’s obvious.
“It’s Bea’s birthday?”
Quinn takes another pregnant pause before replying. “Yes.”
“Oh,” Trevor hums, taking another bite. “Cool.”
“Not today,” Quinn corrects. “Sunday. But the party is Friday.”
“Okay, well, it’s Wednesday. Why do I need to go shopping today?” Trevor asks.
Quinn scoffs and shakes his head. “Because I asked you to?”
Trevor makes a face. That’s not a good reason. He doesn’t want to buy anything for Bea’s party. He didn’t agree to throw a party for her. “Why do we have to throw?” Trevor questions. “She’s over here all the time anyway. Why do we have to decorate?”
Quinn clenches his jaw. “Because,” he explains through gritted teeth. “I want it to be special.”
Trevor looks at him for a moment, then shrugs. “Okay.” He returns to his sandwich, ignoring Quinn, who is still standing across from him. Over a minute later, Quinn is still there. Trevor shoves the last bite in his mouth and dusts off his hands, chewing harshly before speaking again.
“What else?” He asks.
“You need to dig out a suit,” Quinn says.
“A suit?” Trevor demands. “Why?”
“It’s the theme,” Quinn explains.
Trevor blanches. “It’s just the seven of us. Why do we need a theme?”
“What is this, twenty questions?” Quinn says, rolling his eyes. “I can play, too. Don’t you know that this will benefit you, too?”
“How?” Trevor asks.
“Trevor,” Quinn sighs, scrubbing his face with both of his hands. “It’s a black-tie event. Honey’s going to wear a tight, black dress. You are going to get to see her in this tight, black dress. She will wear high heels. She will do her makeup and her hair. You get to see her all done up.”
Oh.
Trevor can picture it now and he’s salivating. He’s already plotting all of the ways that he can take her dress off.
“So if you don’t mind,” Quinn continues. “I need you to go get the decorations and I need you to find your suit.”
“Yeah, no problem,” Trevor decides, still a little starry eyed at the idea of Honey in a pretty, fancy dress. “I’ll go grab the stuff before hockey later.” 
They’re going down to Charlotte for a late night practice at the arena, running with some of the Checkers’ players as a mid-summer treat for the members of the team that stayed in Charlotte for the summer. It should be fun– especially since they’re able to play a full-strength scrimmage for the first time all summer. Trevor’s been looking forward to it since last week.
“Thanks,” Quinn tells Trevor as the boy walks past him. His appreciation is dry, but it’s said with a quirk of a smile. “Hey, by the way.” He touches Trevor’s elbow as he passes. “Honey’s a little, well, concerned.”
Trevor stops in his tracks and furrows his brow. “What do you mean, she’s concerned? About what? When did you talk to her?”
“Yesterday. We went to Winston-Salem. She told me about her ex,” Quinn says. 
Thomas. Trevor’s face contorts. He feels disgusted every time he thinks of that guy. How could he take someone as perfect as Honey and make her feel so terrible that she left town? If he could get his hands on Thomas…
“She’s just nervous about it,” Quinn finishes, shrugging. “Being with you after all of that.”
“I know,” Trevor says, his lip curled. He doesn’t need Quinn to tell him all of this. He doesn’t need Quinn to explain Honey’s feelings to him. Quinn doesn’t even know her– not as well as Trevor does, at least. Honey already told him everything. They’re moving at her pace already. Trevor isn’t doing anything to pressure her, yet, here Quinn is, talking to Trevor like he’s scolding him. “I don’t need you to tell me anything about Honey. We’ve got it all figured out.”
Quinn laughs. “Really?”
“Yeah, really.”
“She cried in my car,” Quinn says. “She cried in my car, Trevor.”
Trevor swallows a comeback and sets his jaw. He stalks past Quinn and out the door, moving in lurching movements as he climbs into his car and drives off, towards town.
What do you mean she cried in your car? Trevor asks Quinn in his head. What did you say that made her cry? She was fine the other night. Things have been fine. There’s nothing for her to worry about.
While driving, Trevor calls Honey. She doesn’t pick up the first time, but he calls her again. And again. He has to ask her why she cried and why she’s worried. What won’t Honey tell him and why not?
She picks up on his fourth call. Before she can say hello, Trevor is talking. “Why did you cry in Quinn’s car yesterday?” He asks.
There’s a brief silence on the other end. “Good morning, Trevor,” Bea says. “Honey’s not able to come to the phone at the moment.”
“Why not?” Trevor demands. “And why do you always have her fucking phone when I’m trying to reach her?”
“You mean when you’re trying to sext her?” Bea replies. “She just doesn’t have pockets, bud. She’s out in the store right now.”
“I’m coming over.”
“I wouldn’t do that,” Bea says. 
Trevor laughs dryly. “Why not,” he asks, voice so despondent that the question presents as a statement.
“She’s…” Bea hums, trying to decide what to say. “She’s having a bad day, Trev. Quinn did what he could yesterday. Once she was alone again, she got back in her head. Don’t come to the store today. I’m trying to convince her not to break up with you.”
“Break up with me?” Trevor repeats, his jaw dropping. “No.” He outright refuses. She can’t break up with him.
“I know, okay?” Bea says, lowering her voice. “She went farther than she’s ready to, so she’s trying to overcorrect by backing off completely. I’m going to take care of it. I’m not going to let her break it off with you. I need you to, just, God, Trev– I have to go. Just don’t come to the store today. I’m handling it.”
Bea hangs up and leaves Trevor with more questions than he had before he called. 
Honey wants to break up with him? Does she consider them ‘together’ like… boyfriend-girlfriend? Not anymore, he guesses. He’ll stay away, even if he hates it. He’d like to be the one comforting her– not Bea or Quinn. He should be the one holding Honey and taking care of her, like that night that she first kissed him and he slept with her while she cried. Bea may think that she’s got things under control, but Honey was calm after Trevor slept in her bed. She was able to explain everything about Thomas without crying. She was soft and sweet and rational when she explained things to Trevor. He expects that she would act the same way if he could just talk to her.
Trevor’s at war with himself. He wants to go to the Nook, but he won’t. He won’t. He’ll listen to Bea because he wants Honey to be okay and Bea says she’s got it under control. Plus, he’d rather not get broken up with. If he sees Honey and she ends things, Trevor knows that she’ll commit herself to never seeing him again.
The idea of seeing Honey in the distance and having her turn away instead of smiling softly, like Trevor has grown used to, has his chest growing cold. He sags in his seat, chewing on the inside of his cheek like he always sees Honey do. Trevor won’t go. He’ll stay away so that he can be by her side for the rest of their lives. As determined as Honey would be to stay away from Trevor if they broke up– Trevor’s more determined to keep her by his side. 
Trevor’s preoccupied as he shops for Quinn. He spends probably hundreds of dollars on liquor and food and decorations for Bea’s party. He’s a little bit more content to splurge for Bea now that she’s trying to save his relationship. A pretty party seems like an apt way to repay her for the trouble.
Trevor’s also still banking on seeing Honey in a pretty dress on Friday. The party needs to be perfect.
46:90 – HONEY
Honey wakes up in Bea’s bed, snuggled up with the girl because she’s hogging all the blankets. Her head is a little foggy after yesterday. She thought she was fine after talking to Quinn in the car, but that was just a mirage. Wearing Trevor’s shirt in public was big, a disaster even, after Bea rolled into The Reading Nook yesterday and said that Honey looked cute in her soft launch. 
It turns out, Quinn had been tagged in something on an Instagram story on Tuesday. When he looked at it, it was a picture of him and Honey in Winston, shopping for Bea. The picture was harmless, but the speculation was not– and Honey didn’t like being back on social media without her permission. It made her think of– well. It made her think of her very short stint on that porn website.
It was really hard for her to breathe after seeing the picture. Quinn reported it and had it taken down after he had seen it, but he had taken a screenshot so that he could show Bea and they could laugh about it. Bea hadn’t expected for Honey to be so effected by the picture, considering you can’t even see her face, which is why she had brought it up. Honey feels a little guilty– Bea had wanted a laugh and instead, she had gotten one of Honey’s Category Four freakouts. 
By the time the store closed, Bea had calmed Honey down to a Category One, but she had asked Honey to stay the night with her just to make sure she was okay. Bea practically babysat Honey all night, which is probably not how she wanted her evening to go. She probably had plans to meet up with one of the boys, but she was relegated to hanging out with Honey instead. It’s another reason why Honey feels guilty.
Poor Bea. She didn’t sign up for such drama when she became friends with Honey in grade school. If she could go back, Honey wonders if she would change it.
Bea stirs when Honey tries to take back some of her covers. “No,” she whines, blinking blearily. “Don’t take my blankets.”
“You can’t have all of them,” Honey insists, able to secure a corner of the topsheet. She bundles herself in the thin linen. 
Bea squeezes her eyes shut and whines again, turning away from Honey and trying to fall back asleep.
“Hey,” Honey says.
“What,” Bea replies, her voice an annoyed grumble. She’s never been a morning person.
“Never mind,” Honey decides, thinking better of asking the question. It’s too early and Bea will think she’s still in a bad headspace. 
Bea tosses her head back and turns over, glaring at Honey before reaching up to rub the sleep out of one eye. “Say it. You can’t just start your sentence and then say ‘never mind.’”
Now it’s Honey’s turn to roll her eyes. “You do it all the time.”
“Well, it’s different when I do it.”
Honey scoffs. “It’s only different because you think you’re allowed to do whatever you want.”
“Because I’m special,” Bea brags.
“You think so.”
“Hey, it’s my birthday week, you have to listen to me.”
Honey sighs. “Fine. I was wondering if, if you could go back in time, you’d still choose to be my friend.”
Bea widens her eyes, an alarmed look taking over her features. “Why wouldn’t I?” 
“Well, ‘cause…” Honey shrugs. “Everything with Thomas? Everything with Trevor?”
Bea scoffs. “If I could go back in time and change anything, I’d stop you from dating Thomas in the first place. But, then we wouldn’t be here, and you wouldn’t have met Trevor. Who, by the way, you’re still not breaking up with.”
“I know,” Honey drawls, rolling her head back on her shoulders. Bea spent a good portion of yesterday trying to talk Honey down from making a ‘rash decision that she’ll regret.’
“Good, I’m glad we’re still on the same page about that,” Bea says. She brings her hands out from under the covers and stretches, then sits up. The sheets pool around her waist. “He’s our guest reader today.”
“What?” Honey asks. She sits up too. 
“He’s our guest reader for Story Time,” Bea says again. 
Honey’s mouth opens in surprise and a little bit of anger. “When did you organize that?”
“After you fell asleep last night,” Bea reveals with a shrug. 
“Why?” Honey demands.
Bea smiles. “He wanted to see you yesterday.”
Honey gestures for her to continue, not satisfied by that answer. 
“Don’t act like your boyfriend needs an excuse to see you,” Bea says.
Honey frowns. “He’s not my boyfriend.”
Bea rolls her eyes. “Whatever you say.”
“He’s not.”
“Okay.”
“Bea.”
“I said okay, Hon. If he’s not your boyfriend, then he’s not your boyfriend.”
“We’re just hooking up.”
“For now,” Bea mumbles.
“Yes, Bea, for now,” Honey says, practically pleading for the girl to understand what she’s explaining. “He leaves at the end of the summer.”
“You don’t have to remind me that they’re leaving,” Bea says, sighing.
“Well, they are, which is why he’s not my boyfriend. He’ll never be my boyfriend. He’s just– stress relief.” Honey has climbed out of the bed by now, gathering clothes from Bea’s dresser so that she can head to the Nook soon.
Bea laughs. “This is your way of not breaking up with him? Reducing him to ‘stress relief’ and pacing around my bedroom?”
“Bea!” Honey exclaims, halting her movements and facing the girl. “He’s not my boyfriend because he doesn’t deserve all of that pressure. You, of all people, know how much work it is to keep up with my constant mood swings and take care of me. It sucks, taking care of me. I ruined your night last night and the joke you wanted to make yesterday, and that’s just within the past twenty-four hours.”
“You’re not hard to take care of,” Bea says.
“You only say that because you’ve gotten used to it after the past five years,” Honey sneers. “Plus, you and I were friends for twelve years before Thomas, too. You’ve got experience. Trevor has no experience.”
Bea raises her eyebrows. “He might not have experience, but he has plenty of patience. Plus–”
“Look,” Honey interrupts. “I am not going to put a label on this. If he’s my boyfriend, then he’s partially responsible for me. It’s part of the package. He’s leaving at the end of the summer anyway and we both know, after last night, that I can’t handle being seen in public with an NHL player. He’s not my boyfriend because I don’t want him to resent me by the end of the summer.”
“Why would he resent you?” Bea asks.
Honey throws her hands up in exasperation. “Because I’m hard work and I can’t give him what he wants! I can’t even tell Jack and Cole and Luke about this relationship. That’s a shitty way to live.”
Bea leans forward, holding eye contact with Honey. “Honey, Trevor is obsessed with you,” she says, speaking clearly as if Honey can’t hear her. “He’s not going to leave you. He’s not going to resent you. He wants you.”
“Yeah, now,” Honey scoffs. “He won’t want me when–”
“All the time,” Bea insists. “He wanted to eat you out because you looked pretty on Monday. You looked like a fucking bum.”
“Hey!” Honey complains. “So did you,” she grumbles.
“That’s neither here nor there.” Bea waves her off. “The point is, Honey, he really likes you. Even Quinn says it and he’s always annoyed with Trevor. He never says anything nice about Z if he can help it.”
“Well, whatever,” Honey replies. “I’m going to the Nook.”
“Okay. I’ll be there in like fifteen,” Bea says, swinging her legs over the side of the bed and heading towards her bathroom. “I gotta tame this bedhead.”
It’s a wonder that Bea is late to work almost every day. She lives, like, a five minute walk from The Reading Nook, in a townhouse just off the main street. It’s the best piece of real estate that Litchton has seen in years, in Honey’s humble opinion. Her building was a repurposed government building and the apartments were split up by department. Bea lives on the second floor in the brick building, in the old Parks and Rec department. Now, the Parks and Rec department resides in the only real building in Litchton’s only park. 
Honey joins Ada in the Nook, busying herself with some of the opening tasks that she knows Ada hates. Sweeping under the shelves, mostly. Honey likes that she’s left alone to do her sweeping. She’s able to avoid Bea when she comes into the store and she’s able to sneak off before the start of Story Time.
She restocks the stacks until there are no books left. She’s searching high and low for a book out of place, but Honey can’t find any. The only other thing to do in the store is take up her spot behind the counter and listen to Story Time, waiting for the parents and kids to be done. No one buys anything during Story Time. They’re just there to listen. It’s afterward that they mingle and look around– maybe because school is starting in about two months, people will be doing summer reading, and they’ll need a book.
Honey is praying for something to intervene. She's praying. Honey doesn't pray. She also doesn’t want to see Trevor after everything she’s felt over the past few days. She’s still not sure what she wants to do. Does she want to hook up with him like everything’s normal? Does she want to end it now and save herself the hurt later?
Or, does she want to take the jump and do more, like Trevor is always asking? Dinner, drinks, wearing his shirt in public, shit like holding hands. Is Honey ready for that? Is Trevor the right person to trust with that?
As much as she’d like to avoid making a decision on that front, Honey’s distracted by Trevor’s voice as he reads The Giving Tree. Of course he chose to read The Giving Tree, too– it’s such a cliché book. Honey never liked it as a kid. She always thought that the boy was selfish and the tree gave up too much. She knows that the whole point of the giving tree is that the tree gives everything it can selflessly, but she just hated it. Her mom loved it, so they read it a lot. There’s probably a worn copy of the book in Honey’s home, come to think of it.
She doesn’t like the book, but Trevor’s making these silly voices for the tree and the boy… and Honey just wants to melt into a puddle. She’s able to make it over to the counter without looking at him. She’s able to pick up her book and skim the words on the page, not really reading them. She’s too distracted by Trevor’s voice and his conspiratorial whisper. 
“‘Come, boy,’ She whispered,” Trevor says. “‘Come and play.’” His voice changes to something deeper, more gruff. “‘I am too old and sad to play,’ said the boy. ‘I want a boat that will take me far away from here. Can you give me a boat?’”
Honey closes her eyes and bites the insides of her cheeks. She shakes her head to herself, pushing her tongue against the back of her top teeth.
“You okay?” Bea asks, touching Honey’s shoulder and making her jump. She could’ve sworn that a minute ago, Bea was loitering at the back of the group of parents, listening to Trevor speak. 
Honey forces a smile on her face. “Yeah, I’m fine,” she says. She nods at Bea, shooing her away. 
Bea watches her for a second longer, walking backwards to rejoin the group. She offers Honey a shaky thumbs-up on the walk back, waiting for Honey to give her a signal that she’s not fine. Honey refuses. She already caused enough problems for Bea lately. She doesn’t want to be the emotionally unstable friend that needs to be watched every minute of every day.
She catches a glimpse of Trevor behind Bea and through the parents. Like a car crash, she’s unable to look away. He’s wearing golf clothes, like he’s about to go on the greens with the boys after Story Time. His hair is tucked up into a cap and he’s smiling widely at the crowd gathered around his feet. There’s a little, baby girl using Trevor’s leg to pull herself into a standing position. He turns the page and shows her the illustration, mouth wide open in a showman-like gasp before he starts again. 
“‘Well,’” he reads. “‘Well, an old stump is good for sitting and resting. Come, Boy, sit down. Sit down and rest.’ And the boy did!” He exclaims, smiling at the little girl. She reaches up to try and touch his teeth.
Honey’s heart suddenly feels like it’s being thrown through a meat grinder. She’s taking deep breaths like it can level her head. She’s touched by Trevor’s dedication to the book and to his audience. She catches one of the moms whispering and pulling out her phone, taking a video and zooming in on the girl as she stomps a foot like she’s ready to walk. She doesn’t, but she’s standing. 
“She’s never done that before,” Honey catches as the mother starts to whisper again. 
Her eyes return to Trevor. He’s closing the book, placing it gently in his lap. Trevor’s eyes find Honey and his eyes soften. So do the edges of his lips, turning upward like an instinct. “And the tree was happy,” He says with that same soft smile. 
The parents break into applause, prompting their children to do the same. Trevor continues to look at Honey, but she can feel her frown deepen into something almost comical. She looks away and shakes her head again, biting her lower lip so hard that she wonders if she’ll leave a mark. She covers her face with both hands, then drops them. She shakes out her wrists and takes an unsteady breath.
Fuck. She’s going to cry right here behind the cash register.
In order to prevent the embarrassment and to save herself from further content that will make her emotional, Honey hops off her stool and ducks into the back room. She closes the door behind her, sitting down at the little wooden table where she and Bea normally eat lunch, folding her arms and cradling her forehead against the skin. Her nose is brushing the wooden tabletop, so Honey shifts lower until her arms are resting against the edge of the table. 
She takes a few breaths, swallowing hard as she winces and shakes her head some more. She feels like a fucking bobblehead. She hates that book. She hates that it always applies in every situation. 
She’s the boy. Trevor is the tree. She takes, he gives, and nothing will change for her except age and he’ll be left gutted and stoopy from all of her taking. 
Honey’s getting a migraine. This week has been too emotional and turbulent for her. 
The door opens and shuts. Honey doesn’t have to look up. He’s been following her around for weeks. Why would this be any different?
“I can’t do that to you,” Honey whispers. “And if you stay with me, I’m gonna do that to you. I don’t want you to give up everything because of me.” If her eyes were open, they’d be stinging with tears. She decides to brave it. Honey picks her head up and faces him.
The look on Trevor’s face is one of deep thought. He’s pouting just a tad, just enough that Honey can tell. He looks at her, takes his time examining every detail of her outfit and her body and her face. When he finally speaks, his words follow the same volume Honey used. 
“I’m not giving up anything,” Trevor says. “I’m– I’m getting you.”
Honey grimaces and looks away, sniffing and wiping under her nose.
Trevor walks closer. He crouches, then kneels next to her chair. “Baby,” he breathes, putting a hand on her knee. 
Honey fixes him with a miserable glare, a tear running down her cheek before she can stop it.
Trevor reaches up and wipes it away. “I’ll give everything I have,” he murmurs. He brushes her hair out of her face. “If you’re the company by my side at the end of the story.”
Honey crumples and cries. “I’m sorry,” she says through the tears. 
“Sorry for what, Honey?” Trevor prods, tilting his head at her and looking up through those sad puppy-dog eyes. “There’s nothing for you to be sorry for.”
Even though he’s right, Honey is still sorry for everything. She still feels like she’s weighing on him, like her past is weighing on them. She thought she was healing because she didn’t think about Thomas as much anymore at the beginning of the summer. It was just denial– five fat years of denial and repression that’s bubbling up now that she’s got this sweet, caring, and devoted boy at her feet. She wishes she could give him everything. Unfortunately, she’s never been the giving kind.
She’s hoping that can change. 
“I– I do like you,” Honey stammers out, trying to sound as convincing as she can through the tears. “You know I do.”
Trevor nods seriously. “The sex gave it away.”
Honey bursts into a fresh round of tears, spurred on by the sudden laughter that Trevor inspired. She wipes under her eyes. “I’m really trying,” she insists.
“I know you are,” Trevor says. 
“Sometimes I think it doesn’t seem like it, but I am,” Honey says again. “I know you’re not– him. He never tried this hard.”
“He didn’t know what he was missing,” Trevor says. “You are sweet, and smart, and quick, and you challenge me. I’ve never had to try so hard for someone.” He shrugs. “You’re just– worth it.”
“How do you– how do you know that?” Honey asks, feeling silly and embarrassed to ask such a stupid question. 
Trevor shrugs, touching her face down to her neck and shoulders. “I don’t know it. It’s just natural. Like, of course I’m trying this hard for you. It’s you.”
Honey understands the sentiment, even though Trevor is the worst at explaining his feelings. 
“I’m sorry,” he says, reading her mind. “That probably sounded stupid. I’m really bad at talking about stuff like this.”
Honey breathes out a laugh and reaches down to cradle Trevor’s face. “You’re sweet,” she says, leaning forward to kiss him. “Thank you for trying so hard. I wish I didn’t make it so hard for you.”
“I don’t care, baby, don’t worry about all of that.”
“I worry,” Honey says, thumbing over Trevor’s bottom lip to wipe her lipgloss away. She only put it on because Bea handed it to her when she walked into The Reading Nook, wordlessly. They always share lipgloss and chapstick and have for years. It’s second nature and now Bea’s cherry lip gloss is smeared along Trevor’s lips. “I always worry.”
“How about this,” Trevor starts.
Bea knocks on the door, popping her head into the room. “Hey, Hon?” She says softly. “Jessie’s wondering if she and Luca can say goodbye to you before they go.”
Honey sniffs and wipes under her eyes. “Yeah, no problem. I’ll be right out.” Bea nods and leaves the back room. Honey pats the side of Trevor’s face and gestures for him to move so that she can stand.
He does, taking her hand and squeezing it. He uses his other hand to wipe her eyes once more. “I’ll come over later and we can talk, yeah? I’ll bring you a bunch of trashy food and we can do a whole lot of nothing until you feel better.”
Honey nods. “Okay. Do you want to sleep over?” 
She wants Trevor to sleep over, but she won’t tell him to stay outright. Honey wants it to be his choice. She knows that his answer is yes, always yes to sleeping over, but she doesn’t want to assume.
He tries to stop his face from lighting up, but Honey notices anyway. She’s unable to hold back a smile and an eye roll. 
“I’ll see you after you get off work, yeah?” Trevor says, touching her fingers like a promise. 
Honey can only nod. She leaves the room first, bidding Jessie and little Luca a goodbye. She bounces the toddler on her hip after he reaches for her, still attached to her from the year and a half of babysitting she did for Jessie and Tyler when Luca was first born. When she finishes saying goodbye to the boy and once she heads back to the back room to see how puffy her eyes are, Trevor is gone. 
He stays true to his word and shows up at her house after work. He’s changed into his comfy clothes after golfing, but he loses his shirt once he sees that Honey is already in her pajamas. He lost to Quinn and Jack in the final few holes, but beat Cole and Luke. He tells Honey that he’s happy being the middle of the pack, which she makes fun of him for saying. 
They watch a movie on Honey’s couch, some new terrible rom-com that Trevor swears was good when Cole watched it. Once Honey decides that the movie stinks, Trevor makes it his mission to kiss every inch of her exposed skin until she’s squirming and pushing him away. He just laughs and keeps going while she squeals, placing his hand against the side of her neck to caress her skin.
Honey relaxes over the course of the film, comforted by the weight of Trevor’s hand on her neck and the way he’s laying half-on-top of her. His lips continue to kiss her skin and brush against her, keeping Honey on her toes and making her body feel charged with electricity. It’s lazy and sweet and it’s actually very comforting– Honey doesn’t think about Thomas or her fear and anxiety about her relationship with Trevor once. She just watches the poorly-made film and plays with Trevor’s hair.
They talk in murmured and hushed whispers as the night passes, even after the movie ends and the food Trevor brought over goes cold. They don’t even fuck, despite the fact that Honey can feel Trevor’s dick pressing into her hip the whole night long. He puts his hand up her shirt to cup her boob, another comforting weight.
They sleep on Honey’s couch. It’s thinner than a twin bed and probably a lot less comfortable in the long run, but Honey and Trevor fall asleep right there, too comfortable and content to move. Trevor falls asleep first, his breath fanning out and raising goosebumps on her skin. Honey continues to pet through his hair until she, too, closes her eyes and succumbs to calm dreams. It’s the most secure she’s felt in days and that’s all thanks to Trevor.
Honey wishes that she could express it outright, that Trevor is the right person to trust with all of this. It’s just a matter of getting all of it out. 
47:90 – TREVOR
They’ve been decorating all day. Trevor is about at his wit’s end with Quinn and no matter how much he’s begged Honey over text, she won’t send him a picture of her dress. She won’t tell him how she’s doing her hair, or even what lip color she’s wearing. He’s asked over and over, since they’re back to normal after Honey’s freakout the other day, and since they’re back to normal… she’s teasing him. The only detail she’s offered is what he already knew: her dress is black. It has offered him absolutely no relief.
But, finally, it’s time for Trevor to get dressed. The closest thing he has to a black suit, which is what Quinn wanted him to wear, is his navy suit with the thin white checkered lines on it. 
He actually should get another one ahead of Shoulder Check– maybe he can swing by his home in New York before the media starts for the game. It’s in about two weeks and Trevor has barely thought about his participation– really, he was having so much fun in Litchton and with Honey that he forgot about his other responsibilities. He loves the Shoulder Check Showcase and everything it stands for. Maybe he can bring Honey with him.
Meh. He thinks. That’s a question for another time.
He suits up in his fancy outfit, having steamed his shirt ahead of time to get rid of the wrinkles. Trevor runs a comb through his hair, touching the flow to make sure it’s in place. He folds his collar over and considers adding a tie, but decides against it. He’ll probably lose the suit jacket by the end of the night anyway, so what’s the tie worth? 
Quinn seems to think otherwise. He’s wearing that same dark suit he always wears, with the same shirt he always wears, and the same tie he always wears. Trevor would rag on him, but Jack and Luke are already teasing him. Luke can barely speak though– he’s not even showered. 
He’s wearing the same clothes he’s been wearing all day and he got out of decorating because he stayed away from the house and played hockey all day. He got up at the ass-crack of dawn and snuck out of the house, driving himself and his gear to Charlotte. He just got back about twenty minutes ago. Trevor wishes he had thought of disappearing first– Quinn promised that if Trevor bought the supplies, he wouldn’t have to decorate, and yet he was the one tasked with blowing up balloons to scatter throughout the basement.
Everyone else is ready, though. Jack is playing some game on the basement TV while Cole hangs up even more streamers along the pool table, just for fun. Quinn is delicately filling and balancing plastic champagne flutes atop each other, creating an impressive tower that Trevor’s sure will fall apart before the end of the night. That’s why he bought plastic flutes instead of deciding to use the ones in the cabinet upstairs.
Luke lumbers downstairs in his NHL Awards suit, tie and all. He joins Jack on the couch and leans back, throwing his feet up on the coffee table. 
Trevor busies himself at the makeshift bar they’ve set up. It’s more of a big cooler that they usually use on the boat, filled with ice and beers and the seltzers that Bea likes so much. He doesn’t know why he bought so much liquor if no one is going to drink it. There’s a full bottle of everyone’s favorite kinds of liquor, and not the cheap ones– Bea and Cole like tequila. Honey prefers vodka, but she’s not averse to a gin and tonic when the moment calls for it. Trevor likes keeping both on hand for her. Luke and Jack are vodka folks too, although they’re slowly warming up to scotch and whiskey. Jim likes whiskey, as does Quinn, and Quinn started getting into bourbon before he started focusing on his diet for hockey again. This might be one of his last nights to go crazy before he cuts drinking out completely again. 
He was so annoying last summer when he did it– although Trevor did like the fact that Quinn was always their DD. This summer has been better. He indulges and parties with them, but he’s not a stickler about their own habits. It’s another way that Litchton has mellowed Quinn.
“Yoohoo!” Trevor hears from the foyer upstairs. “Anybody home?”
He grins to himself. With Bea comes Honey– and the clicking of high-heeled feet on the floor above him is proof. Trevor’s face feels split from how he’s trying to hold back his smile and stay calm, busying himself with the drinks. He digs for a Modelo that is completely submerged in the ice. 
“We’re down here,” Quinn calls, balancing that final champagne flute on the tippy-top of his pyramid. 
“Good job, Q. Looks good. Makes me want to take a flute from the bottom,” Jack says. “Send it all crashing down.”
“I’ll kill you if you do,” Quinn replies with a quirk of his eyebrow. Then, his eyes fall toward the steps, towards the clatter of feet. Bea is bounding down the stairs with graceful ease, whereas Honey is stepping carefully and holding onto the railing.
Bea comes first, but once Trevor gets eyes on his girl, he can’t look away. The dress is black, alright. So are the high heels. After that detail, Trevor’s mind goes blank. It’s tight on her waist and hips, and long. It’s scrunchy towards the middle of her chest, accentuating her lovely tits. Trevor likes the straps of the dress too– a see-through ribbon material that she’s tied into this elegant bows. It’s how Trevor’s going to undo the dress later tonight, if he ends up undoing it at all. He might just crawl up under the fabric and get his mouth on her with it still on her body.
Honey’s lips are painted in a dark red. Her lips perk up when she catches Trevor staring, but she’s quick to turn away and greet Cole, who’s taking her hand and lifting it up for her to spin underneath. Her hair is up and curled and beautiful and a breath of laughter escapes Trevor. He quickly stifles it and goes back to his beer, twisting the cap off. He picks a seltzer from the cooler, Honey’s favorite kind. 
Trevor sets it on the edge of the bar, next to the fruit board that he organized just for Honey. She’ll know it’s meant for her and that it’s from him.
After he wanders over to the sofa, after he’s had a few sips of his beer, and after he’s eaten some chips and dip, Trevor sees Honey pick up the seltzer and read the label. She smiles to herself and picks up a raspberry, popping it into her mouth. She glances at Trevor and tips the can at him like a toast. Then, she turns away.
They don’t interact for most of the night. Honey keeps a safe distance away– it’s part of what they talked about last night. She told him that she’s worried that they’re being too obvious. Trevor’s solution was that he’d leave her alone. He’d stop giving her those “forlorn puppy eyes”, as she calls them, and he’d stop following her around until she gives him The Signal.
It took them about an hour to decide on what the signal would be. Trevor’s bad at code words and Honey refused to be so obvious and agree to some hand signal. They eventually decided that she’d play with her hair for an extended period of time, and if that didn’t work, she’d send him a text. They decided that she’d send him the seeing-eye-dog emoji, since Trevor made the joke that he’d be blind if he didn’t notice that Honey wanted to hook up with him. She had replied that it’ll probably be her most-used emoji by the end of the summer.
They drink, they’re merry, and Honey catches Trevor watching her more times than he’d like to admit. She shakes her head at him like she’s disappointed in him, but Trevor’s not too hurt. After all, he’s caught her staring, too.
The party goes into the night and Cole is the drunkest of them all. He’s commandeered a bag of pretzel rods from upstairs, which Trevor had tucked away in case they needed more food. He’s not sure how Cole found them. He thought he put them in a high-enough cabinet. It’s probably a good thing that Cole found something to soak up all the drinks, though, because if he hadn’t, his words would be even more absurd than what he’s saying now.
It started as an evaluation of all of their outfits, with proper ratings after he forced them to strut across the room. Now, they’re all tired and talking deliriously, and Cole is talking about how pretty each of the girls are. Trevor’s not even mad– it’s just funny.
“Honey, you’re like small-town-girl pretty. When I saw you, I thought: what the fuck is she doing here?” Cole says.
Honey scoffs out a laugh, raising her drink to her lips. “Gee, thanks, Coley.” Her lipstick is smudging the rim of the can.
Cole continues. “No, like… you’re the kind of pretty where I could imagine someone meeting you in college and when you tell them that you’re from Litchton, they’d be all ‘Oh, no way, I thought you were from Raleigh’ or something.”
“Well, I’m from Charlotte,” Honey corrects under her breath. Trevor chuckles into his beer.
Cole talks on like he didn’t hear her. Maybe he didn’t. “You’re state capital level pretty, but some of the charm is that you’re from a small town.”
“Sick,” Honey says sarcastically. “I really appreciate that clarification.”
“And Bea’s like an actress that always wears an evening gown and holds a champagne flute in every role she plays,” Cole says. Trevor wonders if it’s because she’s conveniently holding a champagne flute between her fingers now. “Just because it’s so perfect. You’re, like, regal-hot, Buzz.”
Trevor rolls his eyes. That’s Honey’s nickname for Bea. Cole using it is like when Honey called Trevor ‘Z.’ Bea doesn’t seem to mind.
“You could model if you weren’t living in Litchton, Bea,” Cole says. He’s started hiccuping and now he’s pointing his pretzel at Quinn. Quinn and Bea are sitting on the floor, with Bea between his legs. Her back is against his front and his arms are hugging her. Cole pipes up again. “Dude, she should talk to Liv. Didn’t she say that whoever-the-fuck was always looking for people? Bea could be their champagne girl.”
Oh. Trevor cringes. Cole has completely lost track of anything that is socially acceptable. He’s entering uncharted territory, a very dangerous topic: past relationships that didn’t end necessarily well. 
Cole doesn’t notice anything, even when Quinn glares at him. “Yeah, she did say that,” Quinn replies.
“Bea, I’m serious. You really should talk to Liv.”
“Who’s Liv?” Honey interrupts, looking around the room. 
Trevor’s honestly surprised that Bea hasn’t told Honey about Olivia yet– he knows that Quinn has told Bea about his recent ex-relationship. 
An awkward silence falls over the room with each of the boys looking at each other. Who’s going to be brave enough to speak? Quinn doesn’t want to. Cole is oblivious. 
“Quinn’s ex,” Luke eventually murmurs. “She’s, uh, a model in New York.”
“Oh,” Honey says, turning to look at Bea. 
Trevor watches Quinn nudge his forehead against the back of Bea’s head, then his arms drop. He leans back, planting his palms on the ground behind him. Bea shuffles to the side a bit– and they’re no longer touching at all. 
“Coley, let’s play pool,” Honey suddenly says. “I bet I could whoop you right now. You probably can’t even do a break.”
“I can do a break!” Cole defends himself, sounding much more upset than he normally would be at the weak jibe. He clambers to his feet and deposits his bag of pretzel rods in Jack’s lap, setting his drink on the coffee table without a coaster. 
Honey joins him at the pool table and Trevor smiles at the sight of the duo in their fancy clothes, playing on their dingy table in their rustic room. 
Bea murmurs something to Quinn quietly, then she stands. She smooths out her white dress, adjusting the line of feathers that act as her neckline. It’s a strapless dress with a low back, and with how Quinn’s hand had been resting on the small of her back all night, he wasn’t expecting this evening to take this turn.
“I’m gonna run to the bathroom,” Bea announces unnecessarily, sounding awkward. “J, will you…?”
Trevor furrows his brow and looks at Quinn. The boy’s head is hanging and his fingers are picking at the fabric of the carpet. When Trevor looks at Jack, the boy’s lips are parted in surprise and his eyes are wide.
“Yeah,” Jack agrees, downing his beer and grabbing his jacket when he stands. He and Bea head upstairs, disappearing from sight. 
The group kind of disintegrates after that. Cole and Honey play pool and Luke and Trevor watch them. Quinn returns to the television, throwing ESPN on and sipping his beer. He doesn’t talk, but he joins them once Honey schools Cole in pool. He takes the cue from Honey and Luke takes Cole’s, and Cole goes up to bed.
“I think I’m gonna go home,” Honey says quietly to Trevor, touching his lapel. “See you later?”
“Want me to come over?” Trevor asks.
“No. Gotta keep my schedule open for Bea. She might want to talk about this Liv thing. You can walk me to the door, though,” Honey decides. She looks over his shoulders to the other boys. “Bye, Lu. Bye, Quinn. Good luck with the Liv thing.”
“Thanks, Hon,” Quinn replies. He sends a ball into the corner pocket with a crack.
“See you, Honey,” Luke echoes.
She and Trevor walk upstairs and stop at the door. “Love this dress,” Trevor says. “Was hoping I’d take it off of you later.”
“Mm, I’ll wear it again before the summer is over,” Honey hums, unbuttoning one of the buttons on Trevor’s white dress shirt. She pulls the collar open more, so that his chest is starting to show. “Didn’t know you cleaned up so nice.”
“Well, I’ve heard good things about suits,” Trevor says noncommittally. 
Honey hums again. She leans up on her tiptoes to give Trevor a kiss. “Would rather see you without it. I was thinking we could use the hot tub tomorrow?”
“Sounds fun,” Trevor replies. “I’ll tell the guys.”
Honey shakes her head. “I was thinking we could use the hot tub tomorrow.”
“Might be hard to chase Cole away.”
“Okay, then a late-night rendezvous. We’ll tire ‘em out over dinner, all of them, and then we can use the hot tub while Bea celebrates her birthday with her man of choice.”
“For Quinn’s sake, let’s hope it’s him.”
“Mhm.” Another kiss. “Bye, darlin’.”
“Bye.”
Honey shuts the door behind her and Trevor holds his chin in the space between his index finger and thumb. His lips are tingling and his stomach is flying with butterflies. He loves when Honey calls him pet names. After a few days of trepidation, they’re back on track. Everything is exactly how it should be.
48:90 – HONEY
“How are you feeling?” Honey asks, digging through Bea’s purse for her lip gloss. 
They’re driving to the boys’ house now, since the guys just got back from practicing in Charlotte. Trevor says that they’re all pretty tired, so they’ll hopefully be alone in the hot tub later tonight. Trevor’s last text read that they’re all doing showers in a rotation and dinner is on the stove, ready to eat. Promptly, he stopped replying. Honey thinks he went to take a nap before they showed up, since he’ll be up late.
“About what?” Bea asks, avoiding eye contact.
Honey clicks her tongue and pauses her search for a moment. “‘About what,’” she repeats, mocking the girl. “About Quinn? About what was brought up yesterday? You went upstairs with Jack.”
“I feel fine,” Bea says.
Honey purses her lips. “No shot.”
“We talked about it last night,” Bea says. “After everything with Jack. Jack gave me info on Liv, I… rewarded him… in the least coercive way possible, I guess. Then I went to Quinn’s room. We talked it out and everything is fine.”
“You don’t seem fine,” Honey observes. “You still seem upset. What was it? Just the fact that they brought her up at all?”
“No, it wasn’t that,” Bea sighs. She pauses, grinding her teeth together. “It was the model thing.”
“You know Cole was drunk and–”
“No, not that. I think it’s sweet that Cole thinks I could model. It’s the fact that Quinn dated this girl, was completely in love with her, and she was a model. You know I’m not insecure, but, like, she’s a model.” Bea itches her temple, then gestures aimlessly in the air. “And now he’s with me?”
“Buzzy. You’re hot,” Honey says. 
“I know,” Bea drawls, rolling her eyes as she drags the word out. “Don’t worry about it.”
“You just still seem upset,” Honey says with a shrug. 
“I’m not upset. Our talk was actually really helpful. Everything is back to normal.”
Bea is insistent and her tone is final. Honey decides to let the matter go, although she can tell that Bea is still affected by everything. Even though she talked it out with Quinn, Bea must have something nagging at her. Honey can tell by the way she’s gnawing at her bottom lip. 
Honey’s suspicion doesn’t improve once they get to the house. Bea descends on the liquor cabinet, breaking out the tequila and declaring that it’s her birthday tomorrow, so everyone has to drink with her. 
It doesn’t take much to convince Cole and Jack. Luke is quick to agree as well, then Quinn agrees once Bea bats her eyelashes at him, swearing with a pinky promise that he’ll keep up with her. While Quinn puts the finishing touches on dinner, an on-theme skillet of fajitas, Bea measures out the ingredients for margaritas and seems to forget about Honey’s allergy, because she throws a handful of strawberries into the blender for flavoring.
It all works out, remarkably– Honey’s not offended by Bea’s oversight. The girl apologizes profusely, threatening to throw the blended goods away and wash the blender and start over completely, but Honey manages to convince her not to. She just takes one of Trevor’s beers from the fridge and twists the top off, saying she’ll drink that. Trevor waves his own beer, already half-empty, and declares he’s also got his own.
Honey laughs to herself quietly, very fond of Trevor’s commitment to avoiding strawberries. He actually asked her the other day, when they were high and Trevor suddenly remembered that the fruit stand was open on Mondays and they ‘missed it!’, if he could eat strawberries and then kiss her. Just for fun, Honey had told him that if he did, her throat would close up and she’d swell up like that scene in Meet The Robinsons, and Trevor was so perfectly high that he believed her every word. He swore off strawberries and, apparently, he meant permanently.
They eat dinner and watch a few episodes of Bea and Cole’s favorite reality show. Honey and Jack share the loveseat and after the clock strikes 9, Jack is out. He falls asleep right on Honey’s shoulder, mouth open and head tipped back. 
Honey actually defends the boy from his younger brother and Cole, who wanted to see how many straws they could fit into Jack’s mouth before waking him up. She hugs her arm around his shoulders and Jack turns into her neck and snores softly. 
It’s a true testament to how much Honey has grown since meeting the guys– Jack used to get on her nerves, and still sometimes does, but she noticed that he’d been yawning all day. Once they had turned the TV on, his blinks had grown more and more slow, so Honey figured he needed a good sleep. 
Plus, it’s one less guy that she’ll have to kick out of the hot tub later.
Trevor volunteers to carry Jack upstairs to his bed, which Honey thinks is sweet. She also suspects that he doesn’t like the way Jack was cuddling up to her, nor the way she was petting through his hair maternally. 
“Hot tub?” Honey asks once the most recent episode of Cole’s reality show is over. 
The shorter boy perks up from his lazy position on the couch. “Hot tub?” He asks. “Yeah!” He bounds up and is out the sliding glass door before anyone else can agree. Honey can see, and hear, him taking the cover off of the tub and starting the jets. 
Bea looks at Quinn. “Do you want to?” She asks. She’s sitting on his lap again in their recliner chair. 
Quinn pats her thigh. “If you do.” He kisses her jaw. “We can have a couple more drinks then go upstairs, hm?”
“Sounds good.” Bea nods, then turns to Honey. “Will you do some shots with us?”
“I will!” Cole calls from outside. 
Bea looks over at him, then back to Honey. She prompts the girl again with a nod.
“Yeah, I’ll do a shot,” Honey agrees. “If Luke does.”
Luke’s already drunk off of his third margarita, so it doesn’t take much to convince him to do another shot. By the time they make it outside, Cole has stripped down to his underwear and he’s in the tub. Luke and Quinn go upstairs to change into swimsuits, whereas Honey and Bea wore their own underneath their clothes, and Trevor comes back in his own swimsuit. He says that Jack woke up shortly after they made it up the stairs and demanded that Trevor “unhand him,” so he’ll be down in his own trunks soon enough.
“Feels nice,” Bea sighs, lowering herself into the bubbling waters. She sags once she’s on the ledge, sitting as far in the water as she can without putting her head underneath.
Honey does the same, checking her watch to start her fifteen-minute count. Bea has tried to tell her over and over again that it doesn’t matter if she stays in the water for longer than fifteen minutes, but Honey once read a lifeguarding handbook and the recommendation to split up your time in a hot tub always stuck with her. 
“I love this hot tub,” Cole announces, a dopey smile overtaking his face. “We should use it more. I can’t believe we’ve only used it twice.”
“We’ll use it more,” Bea says, an empty promise that could be easily filled, but probably won’t come to fruition. 
As Quinn returns, Bea asks him to grab some plastic shot glasses and her almost-empty bottle of tequila. She pours shots for everyone, emptying the bottle on the fourth. Quinn switches over to the open bottle of whiskey, pouring himself a shot and two additional ones. Honey offers to take one of those, as does Luke.
They all cheer together.
“To Quinn’s last night with liquor,” Bea cheers, lifting her glass higher than the rest of them.
Quinn smiles with his teeth, eyes a little bleary. “To Bea’s birthday,” he says, trumping her toast. Everyone echos what he says before throwing back their drinks. 
Bea smacks her lips contentedly, smiling wide and pointing to the sky like a rock star. “To Bea’s birthday,” she simpers, floating over to pull herself onto Quinn’s lap. She settles there, kissing him until his brothers start booing. “Don’t be losers,” Bea chastises.
“We wouldn’t hate so much if you were kissing each of us like that,” Jack teases, puckering his lips at the end of the statement. 
Bea fixes him with a look. “Maybe he’s the best kisser.”
“Don’t worry,” Jack says with a shit-eating smile. “You can admit that he’s your favorite. He’s already Mom and Dad’s favorite.”
“Well, much like your mom and dad, I have to insist that I don’t have a favorite,” Bea says, sticking her nose into the air. Quinn squeezes her sides and she shrieks, laughing.
They shoot the shit for nearly an hour before anyone decides to leave the tub– except for Honey. She leaves the tub every fifteen minutes, like always, and she’s usually tasked with grabbing snacks or a drink refill for her friends. 
Luke is so drunk that he’s starting to fall asleep, so he’s the first to leave the tub, at Quinn’s request. He makes it all the way to the sliding glass door before Quinn tells him to sleep on the couch in the living room. Luke is too tired to argue, which Honey thinks is both sweet and sad that he doesn’t go to his own bed.
Luckily, though, Quinn and Bea aren’t far behind. They must have a secret language and code like Honey and Trevor do, because all Quinn does is pat Bea’s hip and she’s moving out of the tub and saying that they’ll see everyone tomorrow. 
Their departure leaves Honey, Trevor, Cole and Jack in the tub. Cole is content with his back against one of the jets, practically massaging the area. He won’t stop raving about it. Jack is still yawning and rubbing his eyes, but he’s joking around with Honey and Trevor as they talk. It isn’t long until Honey starts to twirl a strand of hair between her fingers, eying Trevor pointedly.
Which works– he notices quickly and starts to talk about how tired he is and how he can’t wait to go to bed.
Unfortunately, his friends don’t catch the hint.
“So go to bed,” Jack says dryly, making a face at Trevor. “I don’t want to hear about how tired you are. You’ve got a perfectly comfortable king size bed up there, Z. Use it.”
“Yeah, Z,” Cole agrees, eyes closed. “Also, maybe if you weren’t sneaking out at night to go sleep at all of your Raya girls’ houses, then you’d be less tired.”
Trevor shares a look with Honey. She plays it off with an interested quirk of her eyebrows, blinking at him. “Is that so?” She asks, sing-songy. 
“Yeah, he’s been leaving the house at weird hours and he doesn’t come back until the next day,” Cole says, opening his eyes a bit at the chance to gossip. “And I checked Raya. I don’t know who these girls are. He might be going all the way down the mountain to see them.”
“A magician never reveals his secrets,” Trevor replies, smiling smugly at the ‘clever’ quip.
“Yeah, you’re magic alright.” Jack nods sarcastically. He raises his voice. “‘Oh, Trevor. Trevor, Trevor. Please,’” he mocks. 
“Oh my God,” Cole laughs, sitting up. “Dude, she was so loud on Monday. I thought I couldn’t sleep because we were high, but then all of that noise.”
Honey’s eyes widen. That ‘noise’ must have been from her. She was the girl in the house on Monday. 
The boys continue cajoling, splashing each other and getting into a little spat over the mocking of her moans. Trevor doesn’t think it’s funny, but Jack and Cole find his lack of humor about the situation even funnier, so it just gets worse. Honey checks her watch and sees that it’s time for her to take a break, so she starts to climb out of the tub. 
She turns to face the sliding glass door, gathering up some trash from around the tub, and spots movement inside.
Bea is walking down the stairs, the only clothes on her body being the bottom of her bikini. Her boobs are free and she’s glowering as she walks across the basement, stomping towards her white board in the corner.
“Oh my God,” Honey exclaims, caught off guard by the sight.
“What?” Trevor asks, looking her way. Honey catches the moment he spots Bea because his eyebrows shoot up into his hairline and he looks away. “Oh my God!”
It’s like a chain reaction. Both Cole and Jack utter their own “What?” before turning to look at Bea. She’s scribbled something onto the whiteboard and is making her way to the hot tub, throwing the sliding door open and crossing her arms over her chest. 
“You,” she says, pointing at Jack. “Upstairs, now.” She looks over at Cole, squinting. He smiles and waves, just wiggling his fingers with a little wink. Bea sucks her top teeth, then snaps her fingers at Cole. “Yeah. You too. Upstairs, please.”
Cole turns to Jack, both boys already making their way out of the hot tub. They drip on the concrete. Jack wraps his towel around his waist and Cole uses his to dry his hair. 
“Ha,” Cole says to Jack. “I got a please. All you got was a ‘now.’ Bitch-boy.”
“Yeah, well, she asked for me first,” Jack replies, bickering in full swing. 
“You okay?” Honey asks Bea. The glare she gets is answer enough. Honey does not press any further.
Both boys disappear upstairs, scampering along the steps like they’re racing each other to get into Bea’s bed. Honey doesn’t know if they know where they’re actually going, but she does know that they’re in for a long night. Bea’s scowl means that she needs some intense TLC.
“Is she gone?” Trevor asks, eyes still averted from where Bea once stood.
“Yeah, she’s gone,” Honey says. 
“What do you think that was about?” Trevor turns to Honey, reaching out and touching her arm. He grabs at her playfully, pursing his lips and making kissing noises.
Honey rolls her eyes, but she gets back in the hot tub and straddles Trevor’s lap, touching his hair with her wet hands until he shakes her off like a dog. “Dunno,” Honey says. “I’ll ask her tomorrow. She seemed upset.”
“She walked down here naked,” Trevor says. “That’s crazy.”
“Well, she’s hooking up with three of the guys in this house,” Honey surmises. “It’s nothing they haven’t seen before.”
“It’s something I never planned on seeing,” Trevor says.
“Well, I appreciate that,” Honey jokes. “You’re a one girl kind of guy, huh, Trev?”
He places his hands on her behind and pulls her closer, rocking her hips against his growing bulge. “Yeah, I really like my Raya girl. I can’t believe she was so loud that the boys heard her the other night.”
“Wasn’t she high, though?” Honey teases, touching Trevor’s bottom lip. “That might be why she was so loud.”
“You don’t think I can do it again?” Trevor asks, brushing his fingers beneath the thin ties of her bathing suit. 
Honey shivers a bit on his lap at the touch, but she stays planted. “No, probably not. I hear you’re not that good in bed.”
“What?” Trevor lifts his hips and grinds against her. “Who told you that?”
“No one had to tell me,” Honey replies. “I’m the one who didn’t come twice because of you.”
Trevor gasps. “When?” He questions, affronted. “I would never do that to you.”
“Well, you did,” Honey insists. She tugs Trevor’s hair until he snaps the band of her swimsuit against her back. 
“Mm, I’m sorry, baby,” Trevor muses, nuzzling under Honey’s neck and kissing the skin. “Won’t happen again.”
“Yeah, let’s hope not,” Honey agrees. “Especially not tonight. I wouldn’t want to get blue balled.”
Trevor chuckles out a laugh but doesn’t afford Honey a reply. Instead, he sucks a wet kiss under Honey’s jaw, touching the base of her neck. He repeats the motion until Honey is sagging against him, twisting her hips as she grows more and more wet in the tub. His hard-on is equally as insistent. 
“Oh, gross!” The sliding door had opened without either of them noticing. Quinn stands there, wincing and glaring at the duo. “God, it’s like you want to get caught.”
Honey turns to him, still sat on Trevor’s lap. Even if she wanted to get off of him, Trevor’s hands keep her securely atop him. 
“What are you doing down here?” Trevor asks, voice monotone and frustrated at the interruption. 
Quinn cuts his eyes at the boy. “I’m not upstairs with Bea, so I thought I’d come down here. I didn’t realize she’d have taken everyone else from the hot tub in my absence.”
Trevor shrugs. “Guess you just weren’t enough for the birthday girl.”
Honey touches Trevor’s chest. “Don’t be mean,” she says. She turns to Quinn. “What happened up there?”
Quinn turns red, looking uncomfortable in his own skin. “I’m sure Bea will tell you later.”
Trevor hums. “Why don’t you want to tell us? You’re here, after all.”
Quinn rolls his eyes. “As if I’ll tell you anything, Z. Whatever. I’ll leave you lovebirds alone. Wouldn’t have come down here if I knew you were fucking in the hot tub.”
“You can stay if you want to,” Honey offers. Trevor and Quinn make the same face at her– clearly wondering why she’s extending an invitation to the other boy. Honey defends herself. “Not like that,” she says. “I’m not going to fuck you if Quinn is in the hot tub with us, Trevor.”
“Thanks for that,” Quinn says. “Good to know that someone here has respect for me.”
Trevor goes to open his mouth and rebut, but Honey presses her fingers to his lips. “You’re welcome.”
“I’ll just head back upstairs,” Quinn decides. “I’ll see you guys tomorrow for Bea’s birthday lunch.”
“Bea’s having a birthday lunch?” Trevor asks. “Will the celebrations ever end?”
“Well, it’s her actual birthday tomorrow,” Honey says. “So yes, the celebrations will end tomorrow. Goodnight, Quinn.”
“Goodnight, Honey. Use protection, Trevor.” Quinn leaves.
Trevor’s lips are on Honey once again, as soon as Quinn turns away. “Should we tell him that we don’t use that sort of thing?” Trevor asks, joking.
“I think he’d have a heart attack and ask me if I’m trying to ruin my life,” Honey says, sharing a smile with the boy beneath her. “Since I’m obviously the one being baby-trapped by you if anything happens, not the other way around.”
“Hey, anything to get you to stay in my life forever,” Trevor says. It makes Honey pause, because even though he moved on to feel the peaks of her nipples through her top, Trevor didn’t sound like he was joking as much as before. 
Honey decides to ignore it and escalate the situation further– she reaches behind herself and undoes the bow keeping her swimsuit together. The bikini top falls loose under Trevor’s fingers, where he’s pinching her nipples over the fabric, but he makes quick work of the swimsuit. He removes it entirely, dropping the top over the edge of the tub. It falls with a thwap against the pavement surrounding them.
“Now I’m just like Bea,” Honey jokes as Trevor weighs her breasts in his hands, grinning at the flesh that he’s kneading. 
Trevor snorts out a laugh. “Mhm, you’re two peas in a pod.”
“Be honest with me, now,” Honey says. She’s goading Trevor into an argument, seeing if she can catch him. “Whose tits are prettier, mine or Bea’s?”
“Yours,” Trevor replies instantly, thumbing over the piercing adorning one of her nipples.
Honey faux-gasps, having lured him right into her trap. “You looked at Bea’s boobs?”
Trevor scoffs against Honey’s skin. “Kind of hard to avoid when they’re just out like that.”
“I can’t believe you looked,” Honey admonishes. “How could you?”
Trevor rolls his eyes and circles his fingers around Honey’s throat. “That’s enough out of you,” he scolds softly. “You know I don’t care about any tits except yours.”
Honey’s hand slides up to cover his, over her throat. “I like this.”
“I thought you would,” Trevor says. “When we kissed on the balcony that night, I touched your neck and you made the prettiest little noise.”
“Well, apparently all my noises are pretty,” Honey replies with a pout. “And mockable.”
Trevor kisses the pout off of her face. “That’s just the boys being stupid, baby. They’re jealous that they’re not fucking a pretty girl every night.”
“Every night?” Honey asks, laughing incredulously. “We have not been fucking every night.”
“A guy can dream,” Trevor quips back. He grins at Honey and she kisses him instead of replying. It takes only a sweep of her tongue for Trevor to open his mouth, letting Honey take control of the kiss as he touches over her breasts and hips. It isn’t long before his fingers shift the crotch of her bikini bottoms to the side, petting through her wet folds.
“You know, it’s actually really gross to hook up in a hot tub,” Honey murmurs. 
“Yeah, it’s like a petri dish of disease,” Trevor agrees.
Neither of them make a move to get out of the tub. They just stay– Honey is grinding down on Trevor’s calloused fingers and fiddling with the hair at the nape of his neck. Trevor is touching her neck, her piercings, and the tramp stamp on the small of her back, all while fingering her with the others.
Honey tries to keep quiet– now having heard that Jack and Cole overheard her moans on Monday, she’s determined to be subtle. After all, they’re making waves in this hot tub with all of their grinding and all of Trevor’s thrusting. Moans and screams would be too far, even with Jack and Cole occupied upstairs. Quinn could hear, although Honey knows he doesn’t want to, and hopefully Luke has been passed out since he left the tub in the first place.
Trevor fingers Honey until she’s squirming. “Ready to sit on my cock?” He probes, tweaking her nipple with his other hand. 
“Yes,” Honey agrees easily, greedy for an orgasm. Her body feels overheated, probably from the hot tub and the heat of the moment, but there’s nothing that will stop her from getting off now that they’ve started the process. 
“That’s my girl,” Trevor breathes out. He takes his fingers from inside of her and uses that hand to pull his shorts down, just enough to expose himself. 
Honey is far too eager, knocking his hand from the base of his cock and aligning herself with his member. She sinks down much more quickly than she expects Trevor would have, his goal always being to tease her as much as he can before she either snaps at him or, in the rarest of moments, actually begs for him to move. It’s only happened once. Honey is determined to only ever beg him again when it’s on her terms– not because he asked.
Trevor’s hands find her hips and he bites his bottom lip as she starts to move her hips, rolling them in sensual circles as she gets used to his length. Honey never noticed his chipped tooth before. She touches it before freeing his lip from the confines of his bite. Trevor kisses the pad of her thumb.
“Ride me good, baby,” Trevor encourages. “Wanna see your eyes roll back.” He snaps his hips up, thrusting into Honey in one sharp move that completely throws her off her rhythm.
“Trev,” she says with a frown, touching his chest. “You’re throwing off my concentration. Shut up.”
Trevor growls playfully. “So mean,” he says, snapping his hips up again.
“Do you want me to do it, or do you?” Honey asks. “Since you’re unable to stop yourself from fucking me, evidently.”
“Guess you just feel too good,” Trevor replies, kissing over her neck again. “Can’t help myself. This pussy was made for me.”
Honey’s heart flutters a little bit at his mumbled, possessive statement. She brings his hand back to her neck, moving her hips forward and backward in a fast rocking motion. “Made for you,” she says. “Is that right?”
“Uh-huh,” Trevor says, licking his bottom lip. “It’s all mine.”
Honey stops moving. She sits heavily on his lap, dick buried inside of her. It’s throbbing and pulsing, filling her well, but Honey stays still. She touches Trevor’s collarbones, leaning down to kiss over them and up his neck. When she reaches his ear, she whispers, “Show me.”
When she pulls back, Trevor’s eyes are wide. His hand twitches around her neck, drifting lower to squeeze her left tit. “What?” He asks.
“Show me how good you are at fucking this pussy,” Honey says. “Since it’s ‘yours.’”
Trevor’s eyes grow darker. 
“Honestly, Trevor,” Honey continues. “My cunt was made for you? Prove it.”
The challenge finally gets through his head, with Trevor jumping into action. It’s the exact response Honey wanted from him: wild, quick, desperate rutting from Trevor’s hips and his hands clutching her body so hard that they’ll definitely leave marks. If not marks, they’ll leave the ghost of a memory for Honey to think about over the next few days. 
The tip of his cock bumps her walls with each thrust. Trevor’s even at the point where both of his hands are holding her ass cheeks, bouncing Honey on his cock in time with the thrusts. It makes the sex that much more electrifying, especially once Trevor angles himself in a way that has him brushing against Honey’s g-spot.
Honey closes her eyes and focuses on feeling, throwing her head back in pleasure. Trevor bites over her neck, then seals his mouth over her chest, and Honey holds his bicep tightly to keep herself grounded. The steam from the hot tub is like a sauna, stifling her a bit and making her sweat more than she would in a normal sexual environment.
Still, although the heat from the tub should make this experience worse, Honey just finds herself overtaken by gratification. Trevor’s making these choked groans and gasps in her ear and against her skin, which she feels are painting her body like a tattoo. Trevor’s pleasure is a part of her now. Knowing that he’s feeling good makes Honey feel even better– and when he comes, spilling inside of her like he’s physically unable to remove himself from her cunt long enough to come in his hand, Honey comes too.
She shudders with him inside of her, still fucking up into her lazily. Trevor’s eyes are half-closed, a smile gracing his face. He kisses her lips slowly, guiding her hips in smooth motions until Honey pats his chest and removes herself from his lap.
Honey climbs out of the tub, feeling water and Trevor’s cum slide down her legs. “Ew,” she murmurs to herself, reaching for a towel and wrapping it around herself.
“I hope that wasn’t a review,” Trevor pipes up with a laugh. “‘Ew’ is a terrible thing to say after sex, baby. Bruising my ego a bit.”
Honey sticks out her tongue at the boy. “Gonna go to the bathroom,” she says in lieu of an answer. “Steal some clothes from you. Are they still in a pile in your hamper?”
“Take some of my nice folded clothes in the dresser,” Trevor replies. He winks before adding, “Feel free to spray some of my cologne on the shirt so it smells that much more like me.”
Honey fake laughs at the boy: “Hardy har, Trevor.” She enters the house and heads up to his bedroom, tiptoeing around as if she’ll run into any of the boys. Luke is asleep on the couch in the living room, like she thought, and Quinn has disappeared. She can hear Cole and Jack behind Jack’s closed bedroom door, bickering about something still. Honey rolls her eyes. How they can fight when they’re both subbing in for Quinn tonight, she doesn’t know.
Once in Trevor’s room, Honey ties her hair up into a messy updo. She pees and hops in the shower to rinse herself off, using Trevor’s handheld shower head to clean her more intimate areas. Honey emerges shortly after, feeling much more refreshed and clean. The heat from the tub is no longer affecting her mind’s clarity.
She digs through Trevor’s dresser and finds a pair of boxers that resemble her favorite pair at home, which she throws on. On top of that, she wears one of Trevor’s hoodies. The sleeves cover her hands and she ties the strings into a little bow before she climbs into Trevor’s bed and cocoons herself under the covers.
A short while later, the boy finds her. He’s absolutely elated to have her in his bed, that much Honey can tell even without Trevor saying it aloud. It’s written all over his face when he jumps onto the bed and peppers kisses all over her face, and in the way that he snuggles up against her chest once he’s ready for bed. 
With one last kiss to her neck, Trevor is out like a light. Honey isn’t far behind him. Waking up and sneaking out of the house before church is the farthest thing from Honey’s mind with her sweet, doting boy breathing evenly next to her like it’s the most natural thing in the world, for them to be sharing a bed. 
49:90 – TREVOR
“Why are you texting me when you know I stayed over?” Bea demands, barging into Trevor’s room. 
Trevor immediately pulls the covers to his chest. “Jesus Christ, Bea,” he exclaims. “All I did was wish you a happy birthday. Is that not allowed?”
Bea narrows her eyes at Trevor, crossing her arms over her chest. “So what,” she says. “We’re friends now?”
Trevor scoffs, sitting up in his bed. “I just thought it would be nice. It’s your birthday. I see you almost every day. Why wouldn’t I wish you a happy birthday?”
Bea remains skeptical, squinting at the boy. She taps her foot while she thinks. “I’ll allow it,” she decides. She drops her arms to her sides and looks around. “Where’s Honey?”
Trevor looks to her side of the bed. He frowns, a little confused at the empty space that should be occupied by the girl who went to sleep there. “I don’t– I dunno. I guess she snuck out while I was asleep.”
“Call her.”
“Call her?” Trevor repeats. 
“Call her,” Bea insists, like it’s an argument. 
Trevor blanches. “You call her.”
“She doesn’t pick up my calls this early anymore. You call her.” Bea points at his phone, jabbing the digit at it impatiently. “C’mon, Trevor, I need to talk to her.”
“Won’t you see her at lunch?” Trevor asks.
Bea takes a breath, closing her eyes and pushing her hair out of her face. “Trevor,” she says. She blinks open and her face is blank, impassive. “Please. Call her.”
Trevor reaches for his phone and holds it in his palm, biting his lip as he looks at Bea. She looks like she’s in pain while asking the boy for his help, reluctant, but certain that her decision is the correct one. Trevor slaps his phone against his palm and scrunches his nose. “You call her,” he reiterates, tossing the phone to Bea. 
She catches it, face contorted with confusion.
“What happened last night, anyway?” Trevor asks. “You seem…”
Bea glares at Trevor, causing him to snap his mouth shut. She turns his phone over and fiddles around a bit before putting the phone on speaker and throwing it back onto Trevor’s messy blankets. She joins him on the bed, sitting with her legs crossed. She places her hands on her ankles and straightens her back, watching as the phone rings and vibrates while they wait for Honey.
Trevor is a little uncomfortable, to be honest– Bea makes herself at home and he’s not wearing a shirt. No, she doesn’t care, and she’s wearing her pajamas too, but Trevor feels bare. 
“Hello?”
Trevor looks at Bea when Honey picks up, but the girl gestures at him to speak. Trevor, thrown off by the motion, says the only thing he can think of. “Hi, baby,” he greets quickly. He makes a face at Bea when she rolls her eyes, mouthing a defensive ‘what?’ at her.
“What’s up?” Honey asks.
“Um–” Trevor loses his train of thought, fighting silently with Bea as she motions for him to carry on the conversation before it’s her turn. “I was just, uh, calling to chat.”
Honey laughs. “Trev, I’m going to see you in three hours.”
“You didn’t say goodbye when you snuck out this morning,” Trevor says, making Bea faux-gag. ‘Fuck off,” Trevor mouths at her, sneering slightly.
‘You didn’t say goodbye,’ Bea mocks, sticking her tongue out.
“I did. You were half asleep and tried to hold me back by the pocket of the sweatshirt I was wearing,” Honey replies, amusement bleeding into her voice.
Oh, yeah. Trevor was there for that. He thought it was a dream. “Oh,” he says lamely.
Bea shakes her head, then picks up the phone so that she’s holding it flat in her palm, screen facing the ceiling. She speaks into the charging port, where the speakers are. “Are you coming to church?”
Honey pauses. “No.”
Bea groans, whining like a child. “Honey,” she drawls.
“Bea,” Honey replies, imitating the girl.
“I need you.” Bea pouts. Now, it’s Trevor’s turn to glare. He doesn’t like sharing, even with Honey’s best friend.
“Why do you need me?” Honey asks, her voice growing distant then returning like she switched which ear she was listening with mid-sentence.
Bea side-eyes Trevor before she speaks. “Q couldn’t get it up last night.”
Trevor can’t describe the feeling that overtakes him. This tidbit of information equally balances the scale again– when Quinn read Trevor’s sexts to Honey on Monday, the scale was thrown out of whack and Quinn had all the power. Now, Trevor knows something that Quinn doesn’t want him to know. It’s perfect. 
“Quinn– what?” Honey demands. There’s a clatter on her side of the line. She must have set something down so that she could hear better.
“He couldn’t get it up,” Bea hisses. “He had whiskey dick!”
The gossip is salacious. Trevor is delighted. He is so glad Bea didn’t take his phone and have this conversation privately. All of a sudden, his shirtlessness doesn’t matter. It’s irrelevant. The only thing that matters is that Trevor is winning.
“No,” Honey breathes out. “On your birthday?”
“He couldn’t help it,” Bea explains with a frown, eyebrows turning down sympathetically. “We drank too much and, like, I know it happens sometimes, but it was just so jarring.”
“Oh, I bet.”
“Especially after we talked about Liv the night before,” Bea adds, turning and laying perpendicular from Trevor on his bed, knees bent over the edge and feet dangling. She places his phone on her chest, using both hands to cover her eyes in exasperation. “Also, yes, I overreacted and I had a threesome with Jack and Cole, but it wasn’t even fun for me. I was so in my head the whole time.”
Honey hums.
Trevor doesn’t understand. Quinn’s dick flagged, so Jack and Cole tagged in. That makes sense. Bea’s whole goal this summer was to get laid as many times as she could, with all of her partners. That’s solid– Trevor can work with that. But… being in your head during sex? Having sex ruined because you’re thinking? Trevor’s never had that problem before.
“What do you mean, you were in your head?” Trevor asks, interrupting.
Bea removes a hand from her face to glare at Trevor with her one visible eye. She groans, covering her face again. “Just– Trevor,” she says shortly. “Who’s the hottest man you can think of?”
“Ryan Reynolds,” Trevor responds instantly. He and the boys have talked about this before.
Bea sighs. “Of course you think that.” She takes another deep breath. “Such a fucking man response. Imagine Honey was seriously involved with Ryan Reynolds before you–”
“No, Blake would never allow that,” Trevor interrupts.
“Baby, that’s why it’s in your imagination,” Honey says patiently, whereas Bea had already thrown her hands down and turned her head to scowl at Trevor for interrupting her.
“And then imagine that the next time you go to hook up with Honey, after having a long conversation about her ex-boyfriend Ryan Reynolds, she’s not wet at all.” Bea states, over-enunciating her words. “How would you feel about that?”
Trevor is shocked by the comparison and how much it would affect him. “Oh, I’d be pissed,” he says.
Bea nods, her voice turning bitter and sarcastic. “Yeah, uh-huh. Then, to make things worse, you’re going to start comparing yourself to Ryan. ‘She’d be wet for Ryan,’ you’ll think. ‘Maybe he’s better for her. Maybe she should go back to him.’” She pauses, staring at him. “Now do you get it?”
“Yeah, I get it,” Trevor concedes, clenching his jaw a bit. 
Bea raises a finger. “One more thing. You’ll wonder if she thinks the same thing, so now you’re afraid that she’ll drop you to get him back.”
“Mhm,” Honey adds. 
“Well, don’t agree like you would,” Trevor complains, scoffing and frowning at Honey’s contact name on his phone screen.
“I’m not agreeing like I would,” Honey argues, exaggerating the same word as Trevor in the same tone. “I’m agreeing like Bea is making a good point. It’s a hypothetical, Trevor.”
“Well, it’s not fun,” Trevor says.
“No,” Bea interrupts. “It’s not.” She snaps her mouth shut and stares at Trevor, unblinking. Her nostrils flare briefly, then she breaks eye contact and returns to the phone, sitting up and resuming her previous position. She’s antsy, Trevor realizes. She’s jittery and anxious, not just pissed off.
“I thought you and Quinn were just hooking up,” Trevor says.
“We are,” Bea says, her voice a bit darker in that old reluctant way. “It’s just a little different. Quinn and I get each other more than Jack and me, or Cole and me.” She spits out the latter pairings like they’re sharp and piercing her mouth if they ruminate for too long on her tongue. 
“But– you wanted to hook up with all of them.” There’s still a bit of confusing lacing his words. “And you are. And you’ve enjoyed it.”
“Mm,” Honey hums. It’s a reminder that she’s still there, listening in, and Trevor and Bea aren’t having this discussion alone. “He’s right, Bea. You have enjoyed hooking up with them, just not last night.”
“I know,” Bea drones on. “That’s why it’s so hard. I, like, don’t even want to talk to him because it’s so stupid that I feel this way. I like hooking up with everyone. We decided that we wouldn’t be monogamous because he wasn’t over Liv yet.”
Trevor makes a face. He didn’t know that Quinn had said that. He seems fine all the time, but especially when Bea is there. They haven’t talked about Liv, or the breakup, since Jack originally informed Trevor and Cole that the relationship had ended in the first place. 
“You didn’t tell me that,” Honey says, but Bea interrupts, reacting to Trevor’s expression.
“Don’t make a face at me,” Bea chides. “Trevor, I feel bad. I like him! I think he’s awesome, but then he’ll say something offhandedly about missing her or something like this will happen–”
“This has happened before?” Trevor asks. “He's gotten whiskey dick before?”
Bea talks over him, ignoring him, except for a wave of her hand to silence him. “And I’m reminded that his ex-girlfriend is a model and that he’s looking to settle down with a wife and have babies!” She flounders, stammering a bit. “It’s just, like, so… so overwhelming. And it’s my fucking fault that I feel this way, because I’m the one who wanted to keep it casual and polyamorous when it could’ve gone the other way and I could’ve been happier with just Quinn. But then, he might not have enjoyed it because he just got out of this relationship so he also wanted something casual–”
“Bea, baby, you’re spiraling,” Honey murmurs. 
“I know, Honey,” Bea replies. “But, still, what am I supposed to do about this? I– fuck. I like being with him, and I think we’re a really good match, but it’s just not working out like I thought it would. Probably because I like him. But I also like what we’re doing and I don’t want to change it that much. Things just aren’t working the way that I thought they were and it’s my own fucking fault..”
“Buzzy,” Honey sighs. “He knows what he got into at the start of the summer. You told him and he agreed and endorsed your Slut Summer.”
“What if he regrets that?” Bea asks, eyes wide and growing faraway due to her frustration. She looks like she’s seconds away from crying. “Like– I don’t regret this, but I shouldn’t have made it such a deal. I’m worried Quinn is having second thoughts, too.”
Trevor hopes that she doesn’t cry, to be honest– he doesn't want to be sitting in his bed with Bea at the foot of it, bawling over Quinn and their confusing relationship.
“Fuck, not the what-ifs,” Honey teases, laughing.
Trevor’s not sure that’s what he would’ve said, but it seems to make Bea deflate a bit. She’s not as pent-up.
“Why did you have to go home so early?” Bea asks helplessly, cracking her knuckles. “I wish you were here to give me a hug.”
Honey is silent for a split second before her voice rings through the speakers. “Trevor, give Bea a hug.”
Trevor and Bea look at each other, side-eying the other person warily. Trevor raises an eyebrow. Bea rolls her head back on her shoulders and Trevor hears her neck crack, too. 
Too much time seems to pass for Honey, because she takes a deep breath. Trevor can practically hear the eye roll. “You guys are so annoying. Bea– you want a hug and I’m not there to give one to you. Trevor’s there. Trevor– you love a cuddle and you’d be equally as upset if you had to deal with Ryan Reynolds showing you up, even though his relationship with me is long dead. Not that that’s what Liv is doing,” she clarifies. “Quinn likes you too, Bea. Stop worrying so much.”
“I can’t help it,” Bea whines. “You’re the same way, Honey.”
Honey slows her speech. “Calm down. Take a break from all of this for a minute. Give Trevor a hug and then go enjoy your birthday. I will see you in a couple hours and I’ll give you a hug then, okay?”
“Okay,” Bea agrees miserably. 
“Okay,” Honey repeats. “I’m hanging up now. I’m trying to bake a cake and you’re making it very difficult for me.”
“Sorry,” Bea apologizes, going back to gnawing on her bottom lip. “Love you.”
“I love you too. Hug Trevor. I hope you feel better, babe.”
Honey hangs up and Bea returns Trevor’s phone to his hand. She looks up at him from under her eyelashes reluctantly, wincing a bit. “I didn’t expect you to hear that much. Didn’t realize we’d be getting so deep on my birthday.”
Trevor shrugs. “It’s okay.”
Bea twists her hands together awkwardly. “We don’t have to hug.”
“Well, Honey said so,” Trevor replies. 
Bea laughs. “Trev, I know you’re, like, in love with her, but you don’t have to do everything she says.”
Trevor feels his face grow red. “‘m not in love with her,” he mumbles. “I just–” He shakes his head with a breath and stops himself. “I think she’s right. She thinks you need a hug, so I’ll give you a hug. She’s smart, we should listen to her.”
Bea rolls her eyes, then shifts on the bed and leans into Trevor’s side. He wraps an arm around her shoulders, tugging her tightly against his torso before releasing her. It’s a brief hug, and not a full one, but it seems to be fine for now. Honey can give Bea a real hug later.
“Do you think she was right about all of it?” Bea asks when they break apart. She itches the tip of her nose with her knuckle. 
Trevor makes a nonchalant noise, trying to decide what to say. “What, uh, part? All of her advice was good.”
Bea scoffs. “Yeah, because you’re not biased at all.” She pauses, shaking her head like she can’t believe what she’s about to ask. “Just– the break part. Should I take a break? Is that even what she meant?” She scrunches her face up and Trevor is surprised that she’s actually asking his opinion. She came in here to talk to Honey, but now that Honey’s gone, she’s still talking to him. 
So, Trevor thinks on it. “I think… I don’t think it could hurt,” he tells Bea. “You’ve got a lot on your mind. Leaving Quinn alone for a couple of days might help you figure out what you want.”
Bea nods tentatively. “Okay,” she says. “I– yeah, I guess. Might as well try it, right?”
Trevor nods. “You guys are good, though,” he offers. It’s a weak statement. “You’re not the same as Liv. He seems happier with you.”
Bea forces a tight smile onto her face. “Thanks, Trev.”
A silence falls between them for a beat. 
Bea breaks it. “We should probably get ready for church.” Her eyes fall to Trevor’s chest and she grimaces, judging him. “You’re underdressed, I think.”
Trevor falls back into their normal dynamic at her words, reacting with apt defense for himself. “Dude, you’re the one who charged in here.”
“Well, I was in crisis.”
“Okay, well, don’t let Quinn see you leaving my room so early in the morning in your pajamas,” Trevor sasses. “I think that’ll make your crisis worse.”
Bea climbs off the bed. “You might be patient zero of the sassy man apocalypse,” Bea snaps, although Trevor can tell that they’re still joking with each other. “And that’s not a compliment.”
With that, she leaves the room.
Annoyed that he didn’t get the last word, Trevor grumbles to himself while he gets ready for the day. He goes through the motions at church, side-eying Bea throughout the mass and checking his watch and phone as often as he can without the Litchton residents calling him out for being disrespectful in “the Lord’s house.”
It’s happened before, just once. That was when he was in the parking lot after mass was over– so Trevor can’t imagine how they’d feel about seeing his phone in the middle of something so sacred to them. He’s willing to risk it, but only because he’s itching to see Honey. Now that they’re together, in a sense, Trevor can barely stay away from her for more than a few hours. He’ll do it if he has to, but God, he doesn’t want to.
Even once they make it through church and head to lunch, drawing closer to Honey, Trevor doesn’t miss the way that Bea brushes Quinn off as nonchalantly as she can. She doesn’t want to make a deal of it and it’s making Quinn more and more quiet throughout the day. He holds the door for Bea, but they sit on opposite ends of the table at lunch. Quinn doesn’t even hand over the little square box that he spent so long trying to wrap perfectly when Honey reveals her present and Bea’s cake. 
It’s too late to go back now, but Trevor is starting to wonder if he should’ve advised Bea to take a break at all. She and Quinn look out of place, looking away from each other whenever their eyes meet. Yet, they can’t seem to ignore the other. They’re always trying to sneak glances and they always look seconds away from calling out to the other before looking down, which is when the other person will sneak their peek and the process repeats.
It’s sad, really. Trevor feels bad. This probably wasn’t how Bea wanted her birthday to go. At least she got a hug from Honey, though, as promised.
In brighter news, Trevor is able to sneak a kiss with Honey when they pass each other in the hallway that leads to the bathrooms. It’s a quick peck, but it leaves Trevor smiling stupidly for the rest of the meal. 
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skullyragdoll · 3 days
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Thoughts on episode 13 cuz i forgot to post earlier :P
This is so late lol, its a collection of my thoughts and ramblings.
AHHHHHHHHHHHH!!!!!! So much happened in this episode!!!!!
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Levi is a murder and doesn't care for other people.
Ok, so I didn't see this coming even though there were a lot of hints. I just always thought he was bad at picking up on social cues and dealing with intense people like Ace, which I guess is still true just in a stronger way. The fact that his whole gentle and mild mannered act was fake is a little sad cuz I liked his fake persona, but I think him faking being nice is a cool twist. Although this does change the way I like characterized his previous actions in my head, I think that the new drama and angst it adds is really intresting!!!!! :D
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2. Acevi getting torn to shreds ToT.
Every acevi shipper is like crying cuz of this rn, and I am too, even though I knew it was probably never gonna be canon. But I don't think its completely dead cuz Ace kinda implies one sided acevi might have existed during chapter 1.
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3. Acevi Angst!!!! One sided Acevi!!! ToT
Ok so this made mee screeam!!!! The angst!!!!!!!!!!!!!!! We finally get Ace angst!!!!!!!!!!!! This is what I've been waiting for since chapter 1!!!!!!!!! Acevi angst!! It hurts so much to see that deep down ace did really care about Levi ToT. Ace's sprite looks sooooo good!!!!!!! (Also this is so gay and i luv it).
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4. Ace seems to mention his friend from the Q&A.
Ok so it looks like Ace mentions his friend from the Q&A that I forgot the name of lol. But here he says it would be "an insult to his memory" which to me, implies that his friend is dead, or atleast not his friend anymore. I can't wait for the angst!!!!!!
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5. Hu and Veronika's secrets
Most people predicted the secrets correctly, it is sad :(. But its good that it seems that Hu has grown and seems to be in a healthier place. But I am also a little scared cuz Hu might be the killer and she is getting a lot of screentime and moments were she girlbosses.
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6. Teruko's secret...
I believe that this is not Teruko's real secret as it seems like it's obviously about Xander. I think that David used this as a trap or something to try and get more information out of Teruko, which is why I think he made that evil face. I'm not sure how David knew that Min's clue was Xander's, maybe he told David in private in chapter 1? But Teruko's belief that this is her secret is interesting...
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So, even though I don't think this is Teruko's secret, the fact that she thought it was means that she feels like the death of her family was her fault, likely because of her luck. But the most interesting part of this for me is the fact that the secret mentions the death of Teruko/Xander's parents and siblings. This kind of implies that Teruko might have been lying about her brother being alive, or she believes that he died after he got adopted. And yes, this could be a coincidence but the specific phrasing of "parents and siblings" seems like it was meant to imply this since it could have been phrased as family instead. But obviously this could also be a coincidence, especially since it also says siblings, and Teruko claims she only has one so Idk, its up to u whether u think its a coincidence or not.
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7. WHY R THEY DOING THIS TO MY HEART!!!!!!!!!  😭😭😭
Arei's scene with David was so sad and so wholesome!!!! It literally made me so sad, I got so scared when she said that she was a bad person but then what she said about them being imperfect together cuz perfect people don't exist is soooo wholesome. This is extra cute cuz her whole arc was about being scared to be vulnerable around people but she was willing to be honest and kind with David even after she knew he was a liar. Also the next thought...
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8. WHAT THE HECK EDEN!!!!!!!!!!!!!!!
I literally screamed when I saw this, I was so shocked, draw dropped. And I didn't even notice the fork thing, I thought it was a wrench until I went to tumblr and saw everyone talking about the fork and xander connections!!!!!!! THis is crazy!! Eden what happened!?!
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In more seriousness, since I believe Teruko's secret is about her being the reason for the killing game and who appears like Xander says all this stuff in episode 1, I wonder what happened. Did Teruko accidentally cause the killing game and Eden tried protecting Teruko from Xander, or were Teruko and Eden like evil/manipulative. I have no idea, I also don't know who was the one telling Xander to kill Teruko. (The phrasing of "end the killing game" could imply that they were in a previous killing game, but I think that's probably me reading too much into it since he's probably just trying to end it before it starts.)
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Anyways I'm so interested in what Eden did since she is one of the kindest characters, and that was one of the best twists in Drdt.
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9. Why is Whit so upbeat and why does he know so much about hanging?!?!
Whit is always upbeat during trials, he even made a joke about Min's execution earlier in chapter 2. I understand that its probably cuz he's comic relief and its probably a coping mechanism for all the death but it is still kinda suspicious. He also knows a lot about breaking necks through hanging like Veronika, so that's either sad or suspicious. Anyways I don't think he is the killer but I know some people think he could be the mastermind and yeah is kind of suspicious. But based on what he said in episode 7 in the movie room about Teruko grieving its probably just a coping mechanism.
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10. Nico!?!?
Ok, so I don't think that Nico is actually the killer, especially since there would probably one of those selection screen thingies. But I know that a lot of people suspect that Hu assisted with Nico's murder attempt because Nico used a wire while Hu's special weapon was a wire. (I'm obviously not the first to say this I saw people talk about a bunch of months ago). This kinda makes me think that Hu could be the killer since she could have helped Nico plan the murder and she could have reused the methods for Arei's murder. Hu was also the most reluctant to give up her secret, so if she wanted to keep her secret safe she could have committed the murder. Hu does have an alibi but it is with Nico in private. (Also now after the time reveal it may not have to do with the secrets since it was the morning after). Also I don't think Hu was the one who actually tried to kill Ace because Nico admits to it in part 1 of chapter 2, and that would also kinda takeaway from Nico's agency and possible character arc and stuff. Anyways I kinda hope it isn't Hu cuz she ate David up last episode and I don't want her to die.
That's it, hope u enjoyed my ramblings lol :P
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dullgecko · 2 days
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>>my bad kids overstimulation hcs<<
gorgug and adaine both get extremely scared when there's a loud noise. they will scream if they're caught off guard.
Fig needs COMPLETE QUIET in order to focus on her work (which is why she's failing since she refuses to stop listening to music for anything)
Fabian almost never gets overstimulated, so when he does the floodgates open and it's ALL THE EMOTIONS
all of the bad kids HATE talking to strangers. They've gotten better at it through their quests but when they're tired they still revert back to their default settings. (fabian, gorgug and kristen don't HATE it, but still don't like it) but they all deal with it in different ways
Adaine just freezes and goes semiverbal. Mostly nods and headshakes, Kristen covers for her by excessively talking and saying things she... maybe doesn't mean.
Fig gets REALLY aggressive and just starts thinking of MURDER. If she's silent, she's thinking about murder
Kristen wasn't really allowed to stim in their house because their parents would accuse her of faking mental illness (or insinuate Helio could heal them) so now (especially when they're overwhelmed) Kristen cannot stop stimming.
Every. Single. One of them has PTSD to some degree or another. Comes with the territory of being an adventurer and having to deal with some really fucked up stuff on the regular.
Adaines dad used to slam his hands on tables or slam doors shut when he was mad. It always triggered a panic attack instantly and he would berate Adaine and make it worse before storming off and leaving her to suffer alone.
Loud noises in Gorgugs house always meant that something had gone wrong in his parents workshop. He was in the room once when something exploded and his dad got pretty badly burned. Digby was healed up almost instantly but it's a pretty formative memory for Gorgug and he still doesnt like loud noises all that much.
Fig needs quiet to zone in but feels anxious without background noise so listens to music anyway. If she didnt have music playing in her room when her horns first started showing she could hear her parents arguing downstairs so the music was mostly to drown them out. She finds it easier to focus if she's listening to something quiet without lyrics so her 'do work now' playlist is all instrumental.
Fabian can get overstimulated by tight clothing or being restrained. Reminds him too much of falling in Leviathan and getting tangled up in all the washing lines. Especially doesnt like things tight around his throat because of how close a couple of them were to choking him. Tried to wear a turtleneck when it was cold once, lasted about two hours before he took a pair of scissors to the neckline of the sweater in a panic to get it away from his throat.
They try to keep their interactions with strangers to a minimum if possible. If they're specifically there to ask questions and get answers it's Rizs job (with a couple bardics thrown in to cover for his terrible charisma score) because he can do an interogation better than anyone else. Plus he's good at telling when people are lying to him. Otherwise it's Fabian and Fig who are the ones in charge of talking (though they tend to get very off topic if not given a specific goal).
They gave Kristen one of those spinny rings to wear when they noticed she would pick at her skin when overwhelmed. It gives her hands something to do so she doesnt hurt herself.
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moxie-girl · 3 days
Text
DRDT EP 13/14 ANALYSIS/THEORIES
I said I'd do this once I collected my thoughts! haha Warning! This is super long…
To start, I'm going to pick apart all the stuff I predicted for ep. 13 (I'll try not to make it too long…)
Levi's Secret
Well. Levi sure did admit to. All that! I think this eliminates any last doubts I personally had about him being the killer… (your honor just because I'm a serial killer doesn't mean I killed that specific person /ref) I really like that he isn't shown as a bad person just because he lacks empathy, and he's actually actively trying to be a good person… the fact that he just admitted his secret because he thought it was the right thing to do is so funny though, there go all my theories lol! (I'm still a little worried about rule 14 though…)
Ace's (Almost) Murder
Yeah!! This is probably what we're gonna spend episode 14 talking about, with murder method and alibis, etc. I still don't think it was Nico though! (I want to say I called that it'd be relevant, but it felt a little obvious…)
The Murder Method
I think we can say this has been all figured out, with the method being exactly what several people much smarter than me all figured out.
The Possible Culprits
Rose was still acting a little odd, but I think Whit on the other hand, despite whatever all that was, is off the hook for now, so my number 1 suspect is still Hu! I'm like 90% sure she was the one who tried to kill Ace, at least, and that's become very important now!
Secrets
Well, we got all the secrets figured out! (Hu :( ) The fandom interpretation was pretty much correct, except for Teruko's (we'll get to that later…) I do hope that after this trial, some of the secrets that are not relevant/haven't really been discussed do get adressed, because I could even see them becoming motives for murder again. But also, I just want the characters to talk about them! (gimme that juicy juicy angst…)
Ace
He didn't re-open his injury or really freak out like I expected, but we got some vulnerability (and a new sprite!) from Ace, and considering next episode is probably gonna focus a ton on him, I'm still expecting at least one of the two to happen…
Teruko
Luckily for Teruko, we didn't have anything unlucky happen to her this episode! But she sure did get her time in the protag spotlight anyway, I'm glad she didn't let the mistake from last episode get her down!
☆ ☆ ☆
Also, my bingo card! I got a bingo!! (ft. my messy tiny notes if you want to read them)
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A few of my other bingo predictions I'm still going to hold on to for the next (few) episodes, but now, onto some new stuff!
Final Arei Flashback
Whoooah boy was that scene a doozy. I'm starting to think David's murderous rage towards the blackened at the start of the trial was genuine, because me too, man. I'm really glad Arei got at least a little bit of closure before she died, though! She also had an interesting take on the "good person" role, something that has been very important to this trial thus far and will likely continue to be. (I'm thinking that the killer may have had a "good person"-related motivation for killing, which is why it's the chapter's overarching theme?)
Also, to adress the elephant in the room… EDEN??? Well, no wonder Xander "didn't expect her to attack [him] like that" - and from her expression I wonder if she expected it either - I'm really looking forward to learning more about what, exactly, happened before the killing game that involved them! I didn't really believe in Mastermind!Eden before this, but it's starting to look pretty plausible... (Also Xander is the king of haunting the narrative oh my god lol)
Teruko's Secret
Many of us, myself included, were hoping/guessing/assuming that when all the secrets were figured out, David would reveal that he actually had Teruko's, not Xander's. While that didn't happen, the way he reacted after she claimed "her" secret essentially confirms it, as does a lot of other evidence:
That secret being hers would complete a secret circle of Teruko -> Rose -> Whit -> David -> Teruko and a secret pair of Xander <--> Min, which makes sense considering all other secret swaps are either circles of four or in pairs.
Xander and Min would have each other's secrets logically since neither of them can receive secrets, so theirs would probably be separated from the rest.
MonoTV's line about not knowing whether they're all correct feels like a reminder/a hint that some of the secrets are incorrect, and those two feel like the most likely options.
Teruko apparently has no idea which secret is actually hers, so may have just guessed the one that sounded more like her, except we know she never knew her parents and only had one sibling (as does Charles… I wonder if he'll notice)
EDIT: I cant believe I almost forgot, but I feel like David’s attitude towards Xander (and Teruko) makes more sense with these secrets, because why would he idolize Xander if the killing game was his fault, but he would idolize him if he thought Xander was trying to end the killing game by killing Teruko, the person David now thinks/knows is at fault.
However, since David didn't claim out loud that Teruko was lying, it's likely that this piece of information will become relevant much later in the series, and he'll be keeping it to himself for now.
Veronika and Hu
When did Veronika and Hu make their pact? And how did Hu, presumably the one who wanted to make the pact, know that Veronika had her secret? Also, what on earth do you mean, Veronika, that your secret isn't the worst thing you've done???? This little section with the two of them could just be entirely innocent and a way for the dev to get the rest of the secrets on the board, and let Veronika be a little unhinged as she tends to be, but I get the feeling at least some of this is relevant. (I'm betting on either Accomplice!Veronika or Veronika's actual "worst thing" being important to a later trial…)
David
Ohhhhh, David. I feel like Veronika with how much I want to psychoalanize this guy. He is on the verge of a breakdown, and I can feel it! The question being, of course, whether Arei's death was enough to make it happen this chapter, or whether this is something that's gonna last another chapter or two before coming to a head. My money's on the second option, because I think this trial is about to be about Ace and his impending breakdown :)
I do hope after this trial we do get to see a little more of what David's actually like beyond his facades/the roles he's been playing! Also, as much as I'd like to see David survive and have to deal with the consequences of revealing his "true" personality on live television, I think it's more likely he'll go the way of DR antags trying to end the killing game via self-sacrifice.
(We also better keep a close eye on anyone who tries to befriend or help David in Ch3, because they're gonna die next! /j)
J's Morality
This is a short one, but I just wanted to comment on another analysis I saw point out that J has been one of the most vocal people anytime murder has been brought up. I think that behind her rougher personality, J is a more empathetic person, and/or has very strong morals, making her a narrative foil to Levi now, so I do hope the two of them interact in Ch3!
Whit??
Whit. Whit why do you know so much about hanging??? Being serious though, I saw someone else bring up that his mother might have died by hanging and he researched it afterwards as a coping mechanism or something? That's the saddest possible explanation, but it does make the most sense by far… I honestly don't think that Whit is the killer, because then why would he be being so helpful in figuring out the murder method, but he's still so weird and suspicious sometimes.
Nico!
Even though I still don't think it was Nico (crime scene makes more sense if seen as Nico trying to help Ace, they may have just admitted to it because it was the less confrontational option, next ep is def not the last one and I think it'll be about proving who it was other than Nico, and if you look at Nico's secret quote…) I still do hope they get the chance to get mad! Get mad at Ace! Get mad at David! Get mad at whoever the (attempted) killer was for putting the blame on them! Idk I just want them to have their moment.
☆ ☆ ☆
And finally, here are my new bingo cards for the next episode:
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(I can't believe ep14 is gonna be 40 mins + there's a "non-spoiler" thumbnail rn oooooh I'm so nervous)
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adachimoe · 2 days
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A long and meandering post about Adachi and the Investigation Team
I have no idea what to title or describe this as. This is a long ass rambling 2.5k+ word post that consists of like 5 drafts I had sitting around that all felt somewhat related. It starts with the part where the Investigation Team tells Adachi to get over himself, then devolves into talking about Adachi punching himself in the face repeatedly (metaphorically), before ending by exploring the idea of Adachi as the Investigation Team's collective Shadow. it rly is tl;dr.
Adachi will remember that
At one point in Magatsu Inaba, the Investigation Team takes turns responding to Adachi in verbal turn-based combat. They all have varying responses and levels of understanding of him.
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Chie doesn't understand why Adachi even became a cop, Rise thinks he's full of shit, Kanji tells him a 2008 version of "go kys" (tbf, he's never been eloquent with words), Yukiko tells Adachi that he sounds like a kid, Naoto calls him out for finding life annoying while being a damn annoyance, and Yosuke tells him he's just a criminal.
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What Yukiko says to him in particular appears to sting Adachi, evident by how he "!" emotes in reaction to her. Or idk maybe he's secretly into getting bullied by women. I think Yukiko has Adachi's number here, and he knows that. After all, part of his schtick is that, "Oh, you stupid fuckin' kids, you don't know what I've been through or how I feel! Get off my dungeon lawn!!!" And yet, one of those stupid kids is able to tl;dr his life. He later even repeats what she said back at Sho during P4U2.
What Yukiko says here, I think, stands out in particular not just because of Adachi's reaction but also because it resembles a sentiment found in other media: The contradiction of being alive while not "truly" being alive. This often goes like so: A character can be alive in that they are most certainly physically living and breathing, but they are largely closed off from the rest of the world and going through the motions. Thus they are said to not truly be alive.
In the context of Persona 4, I believe Adachi fits in with this trope. As Yukiko has assessed, life sucks, but it's not like he's in any hurry to die. From what we see of Adachi in the plot, he's going through the motions. He wakes up, goes to his job, goes to Junes to bum free air conditioning, and sometimes gets dragged over to Dojima's house.
I don't think it's bad that people fall into these routines by default. Some find them comforting, some appreciate the simplicity, and some make up for the monotony of adult life with the more fascinating things they do outside of work.
But this doesn't apply to Adachi, who openly groans about his life and job. He seems to want to live and fit in with society, but he wants to do with more than what he has right now, yet he also seems unwilling or unable to put in the effort to get what he wants. He tells us he's lonely and wants a girlfriend, but when the old woman from his Social Link tries to hook him up with a girl, he finds it all annoying. He thinks of himself as an elite detective who is above Inaba, but he is regularly made out to be incompetent, sloppy, and careless.
It's like he's stuck but not doing anything to become unstuck. Following the tropes, Adachi would move from being a character who is "alive without really being alive" to "Truly Living" once he figures out how to get himself un-stuck. If he truly wants to be a hotshot detective in the big city with a smokin' hot wife, then something needs to change because he won't get those things as he is now. But how does Adachi approach the subject of "change"?
Maybe the world really is just a shitshow?
Adachi being exposed as the murderer is a major turning point for the murder investigation. And after the Investigation Team chases him into the TV, one of the many things he talks about is "change", or rather a lack of change.
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As far as Adachi is concerned, the world can't / won't / doesn't change. He criticizes the world and its inability to change, how society works, and how people will latch to whatever you tell them as the truth.
Some things he says might resonate with us, especially nowadays with the spread of social media and misinformation. However, despite these criticisms, it sounds like he still desires to be part of society. He has been trying to blend in as a normal guy since April despite being a murderer. I think it's worth reiterating that his complaints about his life weren't anarchist but more like, "I don't have a cute girlfriend who cooks for me." Furthermore, he was trying to take advantage of misinformation to get away with murder by pinning it on Namatame.
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Adachi doesn't like the current world and doesn't think it will change. Thus, he is forcing it to change in a completely catastrophic way. He really is throwing a tantrum: Like, what, you can't get away with murder? All right, throw the whole world away. With this approach, it is not Adachi who must change to fit in with the world, but rather the world that must change to fit Adachi.
Change isn't a good subject with him, which, honestly, is relatable. Change is easier said than done. Even within Persona 4 itself, after getting Magical TV Powers, an event that feasibly might add spice to one's life!!, the same old routine still runs Adachi's life. What has changed is that he's now waiting for Namatame to kill someone. Showing up looking for a dead body in the shopping district is simply a new part of his routine.
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This topic of Adachi and change gets wrapped up after the fight against Amenosagiri. Adachi challenges the Investigation Team: >>>If<<< they think they have the power to change the future, then do it.
After entering the TV World, Amenosagiri responds to Adachi's wish and makes his wish come true as the dungeon deadline bad ending shows. That was Adachi's own so-called power to change the future. So what is the Investigation Team's?
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Yosuke then replies that everyone has the power to change their future. As in, you don't need special powers from a gigantic disco eyeball inside of a TV to do that. In context, Yosuke is telling Adachi, "This is a 'you' problem," or "Skill issue." And tbh, I think Yosuke is more or less correct here.
In which we revisit the topic of "dumbass" and effort
In some ways, this topic might seem odd to approach. Everyone on the Investigation Team - besides Chie - seems to have a better life situation than Adachi had when he was their age. Are they punching down? Perhaps it feels like a hollow reflection of the collectivist culture that the solution to these antagonists who go "BUT SOCIETY IS WHAT IS WRONG" is always to beat them up and force them to conform--
…..but hold on. That line of thought would be giving in to what Adachi says before his boss battle. And, based on how he quits talking about how "waaah society is unfair" afterward, I find it difficult to think that is what he genuinely believes about his situation.
When I suggest that Yosuke is correct, I don't mean this in a "You aren't special, Adachi, everyone else's life sucks too, just deal with it" kind of way. What I have in mind is how the game seems to support that this is an Adachi problem, not an everyone else problem. Throughout Adachi's Social Link, his other interactions, and what Atlus has said as meta / Word of God answers, you get the idea that people were trying with Adachi, but he wasn't meeting them halfway.
For example:
This entire post is about the effort the MC puts in just to get called a dumbass (though I'd bet that the protag considers Adachi calling him a dumbass to be like a Badge of Honor). Even their gay ass Fever Time in P4D tells the story of Yu trying to reach out and Adachi going, "No!!!"
The old woman in his Social Link is trying to wingwoman for him and hook him up with women in Inaba, but Adachi seems unwilling. Instead, he tells Nanako and the protagonist that he's never getting married. Despite his loneliness, he justifies himself by saying, "Marriage is the graveyard of a man's life."
The Dojima family and Adachi interact briefly throughout the game, both in the story scenes and in his Social Link. As his letter at the end of the game shows, Adachi felt lukewarm about their interactions because he wasn't quite aware of what he had with them until he no longer has their company.
The way I see it, when Adachi rants about the world not changing, he is not actually bitching about the world. Rather, this feels more like a form of projection. He says the world doesn't change, but perhaps he is talking about himself and his own inability to change. Which would reframe it as more like… He knows he's the issue that holds himself back - his own worst enemy, perhaps - but he says the world is wrong to justify himself.
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You learn a bit about Adachi through his Social Link. During rank 6, in dialogue that can tragically be missed, Adachi will admit that he is lonely, but he also thinks it's easier that way. And really, easier is just another way of saying "less effort".
On one hand, this might show Adachi's annoyance with other people. But at the same time, for him to call the protagonist a dumbass for investing so much in him and their relationship, I think the unspoken bit here is that Adachi does not think he is worth the time or effort, to begin with. His lack of effort isn't just him being annoyed with people or not giving a shit about things. I'm no expert, but I think the majority of us would wager that this is depression.
As the game's timeline unfolds, we really only know Adachi as the pathetic, silly murder guy. Did he start distancing himself from people because of the "oops, I murdered someone" part? Or was he like this even before then? When he talks more about his past, he doesn't go into a great amount of detail.
Going with my gut here, but I get the feeling that Adachi's obsession with Mayumi - something from before he became a murderer - suggests his distance from people is not a new thing for him. Consider: Meeting people? Forming relationships? Even before we talk about romance, how the hell do you even make friends as an adult? (The answer is BL btw. Go find some girlies who ship the same pairing.) I think Adachi said fuck it to all that bullshit. It'd be easier - less effort - for him to just be alone.
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But… What if the magical TV just tells you exactly who your soulmate is? Well, shit, that's easy. For the lonely guy who just got transferred to Inaba and generally keeps his distance from people, I imagine it would be quite convenient to just be told, "This is who your soulmate is".
And that wouldn't be the last time Adachi gets a freebie from the TV. It happens again in December, as Adachi finds an again "easy" solution that does not involve changing himself or doing something annoying that requires effort from him. Having been enabled by the magical TV, Adachi is something of a static character.
Adachi is the Investigation Team's Shadow
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In the P4G Premium Fan/Fun/Fsomething book, Atlus defines the Shadow by the Jungian definition, then talks about how the Shadows in-game represent "alternate possibilities" for the characters. The specific example it gives is how Chie's Shadow holds a great deal of animosity towards Yukiko. The real Chie doesn't feel this way towards Yukiko; in fact, she treasures her. Thus, Chie's Shadow is an alternate possibility.
When you look at Chie and what she says about accepting her Shadow, her Shadow seems to be born from a real insecurity (her jealousy of Yukiko) and part of it really does resemble Chie. But part of her Shadow is also this… caricature-esque thing. Hence why Atlus calls it the "alternate possibility". In turn, Chie accepts that she is jealous of Yukiko, but she does not accept the Banana Hat Dominatrix trying to exert control over Yukiko. She even realizes that rather than Yukiko needing her, it was actually her who needed Yukiko.
(I refuse to carry on with this train of thought further than talking about Atlus's own example with Chie because it would inevitably mean having to talk about how Atlus sees Kanji and Naoto's issues/Shadows/dungeons, and I'd need like bottles of wine to get in the mood to even type a paragraph of that.)
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During her P4G winter Social Link scene, where her Persona evolves, Chie brings up Adachi and how she could have become him. She continues that anyone could have turned out like him.
Indeed, Adachi very much feels like a, "this could happen to anyone" character. He is an everyday normal guy who accidentally gets involved in something beyond him: a Like a Dragon side story NPC stuck in a game about high schoolers and friendship. Based on how you see these characters, you can correlate many of their issues to Adachi's own issues.
Really, in some ways, he feels like he was written to be the sum of the Investigation Team's insecurities, all bundled into one guy. As Chie's Shadow twisted her jealousy of Yukiko into a desire to control Yukiko and showed an alternate possibility for who Chie could have become if she had let jealousy consume her, perhaps Adachi shows an alternate possibility for who all of them could become.
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As Amenosagiri later reveals, the truth torments the Shadows. Your party identifies that is what causes the Shadows to attack people.
When we consider how the game has gone until now, then those moments where the Investigation Team told their Shadows, "You're not me!" must be the moment that Amenosagiri was describing. The members of the Investigation Team come face to face with a being who claims to be them and seems aware of the same issues that gnaw at them. But these beings pervert their issues issues in a direction that doesn't reflect who the Investigation Team really are. And so they challenge that this being is truly them. They, sigh, "reach out to the truth", and it causes their Shadows to go nutso and attack.
And, of course, these repeated scenes where they tell their Shadows all lead up to the last time we see this kind of sequence...
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Just as the Investigation Team had to face themselves and pick apart the truths from the caricature, they, too, come to face Adachi and can cut through the bullshit, rejecting his attempts to justify why it's okay for him to merge the TV World into reality and screw everyone over.
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That said, though, if we are to compare him to their Shadows, then we must acknowledge that, much like how the Investigation Team's Shadows come from their own real insecurities, Adachi's frustrations with the Investigation Team and with the world at large must also come from something real.
On this screenshotted line in particular, he even uses the more masculine "ore" as his pronoun in Japanese. He usually uses the more boyish "boku", but he seems to swap to "ore" to indicate that he is speaking quite genuinely--or perhaps speaking from the heart.
While he is a whiny murderer throwing an apocalyptic tantrum, I'm sure there are circumstances that made him the person that he is as an adult. Tbh, I've already made a lot of posts talking about the factors that might have contributed to *why* he feels like this, so I won't drag this out further.
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By Arena Ultimax, Adachi has come to accept the murder case as the inciting incident that causes him to change as he finds himself finally owning up to his actions from the previous year. He's no role model lol, but life now has more meaning to him than just something you go through every day. Perhaps it's at this moment that he can be said to have gone from merely being alive to living.
(Let's be real tho, jail gives you 3 non-cup noodle meals per day? Damn. It's like he's living his best life. Speaking of which, food feels like such a fitting metaphor for his emotional nourishment.)
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In the aftermath of the dungeon and the almost-end-of-the-world, Adachi agreed to start playing by the rules, and became more of a dynamic character. At the beginning of Ultimax, Adachi's commitment to this gets questioned as Yu, Yosuke, and Chie find him allied with Sho (like 5 cutscenes after Yu is so confidant he's behaving himself too, tsk tsk). But Yu reaches the roof, hears Adachi's cringe ass dialogue (I'm pretty sure that Adachi would not have said half that shit if he had known Yu was standing around the corner), and reaffirms his belief that Adachi was genuine about his promise to play by the rules.
The Investigation Team are not on the best of terms with Adachi. Regardless, they went into his dungeon, called him out on his bullshit that had been mixed in with his own real shortcomings and insecurities, punched him, and as we can tell by Ultimax, came to accept him in their own ways as they did their individual Shadows. As Yu says, perhaps they have strangely enough decided to trust in Adachi.
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llamaisllama777 · 3 days
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Can I just talk about how dark I realized these episodes are.
I mean, it deals with child murder of course, it's dark, but it just dawned on me how messed this is for everyone involved.
Monty (Monica <- What I call female Monty) has been hiding in the vents during work hours to make sure no kid dies goes missing.
Ballora seems to be dealing with this all in a pretty strange way. She seems almost indifferent to what's happening but also obviously cares.
Puppet has secluded herself in the security office, watching the cams for the past. What three days now?
I don't think it's hit Sun just how bad this is yet. I mean obviously he cares. A multiple kids have gone missing but it feels like the reality of it really hasn't hit me yet.
Vincent, in today's episode, seemed pretty upset about it, too. Those kids died on HIS watch. He probably feels responsible for their deaths. Keep in mind that Vincent has kids, too. So, this probably hits harder for him. Those could have been his kids if events had gone differently.
Eclipse.... honestly, I think he could care less. I really don't know why he's helping. Is it a sense of duty? Is it cause it's technically his job now? Is it cause he harbors some secret resentment to himself for not saving the July 16th kids? Or is it just cause he doesn't want his new place to get all bloody? Or is it the contract Puppet has him in? But for whatever reason, he's here and is being a big help. Thanks, Eclipse.
Most messed up of all....
F.C. saw a kid die in front of him. F.C. is just a kid himself... that... that is messed up. He couldn't do anything to help he just stood there in shock and horror. Powerless to help. That's messed up.
And Monica was in the same room as Evelyn's body. She was right under Foxy and Monica's nose. She was so close to her.... that must have been horrible to realize.
I am really loving this whole arc for EAPS, but DANG! IT IS MESSED UP!
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fizzyghosts · 1 month
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Hywel is inspired by a mix of my issues with stories with nonhuman protagonist/about nonhumans becoming human AND vet posts ive seen warning people about the dangers of anthropomorphisizing animals. Its fine to joke about your pets doing things out of spite or other human emotions, it does put you at risk of not being able to read their body language correctly. Cats dont cry out of sadness, a cat crying, with actual tears streaming down its face, is a sign of a medical issue. A dog smiling isn't doing it bc its happy, it means its nervous. Not being able to spot these is bad, and sometimes even dangerous, for you and the animal.
If you never get past Hywel's human appearance and treat him like one its like getting a reactive dog, doing zero research or training, and then taking it to a dog park. If Hywel mauls someone in town then its on you.
#hywel struggles a lot with good vs bad things specifically#he makes decisions based on what makes him feel good or bad (like most people) but#if you explain something being bad to him using emotional reasons (it makes you a bad person‚ its an awful thing to do‚ its gross)#he genuinely will not get it#he'll try to stop! just bc he was told to stop! but he doesn't know how to apply it to other situations#murder for example#he's immortal death doesnt have the same meaning to him#and he doesn't particularly care about people outside of arisen#they're entertaining he finds them fun. they're critters to him#but he's not bothered by them dying#arisen dying is bad bc it means he failed his charge. he cant die. regular people dying? eh whatever#so he doesn't really get why murder is bad#if ur in vernsworth and tell him no then he'll be like i dont understand but ok!!#its only bad in vernsworth bc thats where you said no at!! everywhere else is fine !#he's not trying to find loopholes!!! he genuinely doesn't get it and is doing his best to work with what he's given!!!#his way of thinking is p straightforward and logical though#so you have to explain stuff by how it effects him and how the cons of doing it outweigh the benefits#hywel u cant murder people you dont like bc if we allowed that people would kill merchants and then you couldn't buy stuff#anyway bonus scifi au stuff while im here#hywel would remember the time loops and would do whatever it takes to keep the crew safe#but the thing is. cosmic horror hywel doesn't really understand time or how the loops are fucking people up#he knows the false dawn losing its crew was bad. he doesn't understand WHY its bad‚ but he knows it is#and he loves this crew! theyre funny and some of them are fun to chew on. enrichment.#he's gonna do whateve it takes to keep this crew safe and together. on the ship. y'know‚‚‚ bc the other ship losing its crew was bad#restarting a loop means nothing to him. yeah he's gotta start over with his friendships but thats fun! enrichment!#hes a creature time means nothing to him#beginning of the loop all his friends are here :^) he's completely unaware of how its negatively effecting people#anyway i cannot stress enough he isn't doing this to be malicious he's just doing his best#someone would absolutely realize he was doing this early on and if you tell him to stop he will#but yeah better hope you can explain why he cant do that well enough or hywels gonna unintentionally find every loophole
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triglycercule · 2 months
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ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,
nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)
this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations
and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare
nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???
this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person
but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say
and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit
but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)
and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position
each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare
sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)
killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time
he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with
#nobody asked for this but i wanted to think of this#i don't know why i always have this idea that just because nobody asked for it doesn't mean nobody wants it. I WANTED TO WRITE THIS!!!!!#see this would work better if it were a fanfic and not a cheap tumblr post about this vague idea#i just wrote this because i really like the image of a blank eyed knowing looking killer#like he KNOWS something about dust and horror that they don't. and it bothers them severely#WHAT DOES HE KNOW??? their death or leaving is what#you ever think that killer has this crazy good sense of being able to predict the future#like he's just gotten so used to things that he just knows their next move#he would be crazy good at reading people and figuring out their behaviors#psycho analyze these guys until he could ACT like them. because what else does he have better to do when so bored and apathetic :3#this (may or may not be) is inspired by a song. i was imagining a dust and horror who kept trying to leave nm and failing miserably#and each time killer would tell their story of how they died or how the previous 2 died#he's like a little time capsule. he stores the experiences and memories of each copy of horror and dust to never tell anyone#because who else would be hell??? the MIRROR??? NIGHTMARE??? lmao no#would this make killer much older than the horrors and dusts that get replaced. maybe i think that would be cool#he lies about how old he is to the other two because if he didn't then they would act differently and not like how he predicts#and anything new and unexpected is kinda scary to killer#ok i think that's enough elaborating in tags. time to actually TAG#killer sans#dust sans#horror sans#murder time trio#nightmare sans#bad sanses#bad sans gang#nightmare's gang#what tricule tag category does this go in hmmmm hmmmm#this COULD be a hc and BOTH an analysis. but which one...............#i guess analysis because there's not really anything outrageously ooc in this one#tricule analyze
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silusvesuius · 15 days
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t*lvas basically saying he'd rather be abused if it means he's learning more is kinda crazy. Chill before you get mora tentacle surprise'd in the mail
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cluescorner · 6 months
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Randomized Robins AU - Ages + Worst Trait Exercise:
Steph (25):
Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)
Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)
Her worst trait really is her spitefulness
Cass (26)
Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 
Thinks her worst trait is her self-righteousness. 
Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)
Tim (24)
Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)
Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)
His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)
Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)
Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 
Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)
His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)
Dick (17) 
Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)
Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)
His worst trait actually is his anger issues.
Barbara (18)
Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  
Thinks her worst trait is her disability 
Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)
Damian (16)
Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)
Thinks his worst trait is his perfectionism 
His worst trait actually is his perfectionism
Duke (16)
Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)
Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)
His worst trait actually is his impulsivity in his words
Jason (14)
Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 
Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)
His worst trait actually is his reactiveness
#stephanie brown#cassandra cain#tim drake#dick grayson#barbara gordon#damian wayne#duke thomas#jason todd#batfamily#randomizedrobinsau#I'm debating whether I should tag this with the Joker Junior tag and those related to it for Pierrot#because like...it's not quite that. but it's also very close to that and is the direct result of that.#but Pierrot would fucking HATE to be tagged as that and sees it as an insult to his identity...which he already has problems with#so I don't think I'm gonna#anyways lmao I am totally projecting my younger self onto Barbara. How could I not? She's literally the reason I view my disability#the way that I do and she actively improved my mental health just by existing and saying some of the shit she did when I was in the#stages of accepting my own disability. So yeah I am projecting a lot onto her because I love her and see myself in her.#I'm mostly basing these characterizations on my favorite versions of them (ie Red Robin 2009 Tim and Birds of Prey Barbara).#so I'm taking the traits I like/think fit in this AU and discarding what I think either is bad or doesn't fit or if I just don't like it.#Damian's 'murder gremlin who is a meanie on purpose because he is a meanie' is entirely unappealing to me and also does not fit this AU#I prefer him when he's portrayed as a sympathetic kid (who is still an asshole) and not a demon child. So that's what I'm using.#same with Talia's 'abusive mother who is totally on-board with all of her father's bullshit and will kill someone for no reason' version#I have read enough comics to know what I like/what is most important and what I don't like/what is#BLATANT CHARACTER ASSASSINATION GRANT MORRISON YOU FUCK YOU SET TALIA BACK SO FUCKING FAR#I also decided to outline their WORST traits because I already know what I like about these characters/their best traits.#most people do. But what was a greater challenge was finding what would make their lives and those of others worse.#what would I hate about this person if I knew them IRL? What would I first suggest they get therapy for? What hurts them and why?#I found these questions really interesting in the context of this AU where some people are forced into completely different roles#the says/thinks/is was inspired by trying to answer that question for myself. I say my worst trait is my impulsiveness but when#I asked others in my life they answered 'oh so you said your weird thing where you don't ask for help right?'
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angorwhosebabyisthis · 6 months
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[pericky; a look into ricky's head during their meeting.]
---
"I'm glad you came, I wasn't sure you would." The wine pours, the sound of it drowning out the missing word in that sentence: back.
Of course, is the response, and the part of Ricky that's spent twenty years tearing itself apart to understand why vibrates with relief. It doesn't matter anymore. Of course, of course, he thinks giddily along with the words. He never needed to wonder why Pericles wasn't coming back in the first place; he was always going to.
I'm happy you invited me, and of course he thinks again. A lifetime of pretending he wasn't always going to either falls away. However harsh and lonely the world has been, all's right with it again; and the shy voice of the boy inside him that he's tried so hard to kill says, so quietly, I missed you.
#sdmi#scooby doo: mystery incorporated#pericky#ricky owens#professor pericles#anyway fucking end me actually. lay me down to die#i said i was gonna write more pericky and by fucking god i did#the 'why did you do this to me' to 'oh thank god you didn't actually do this to me' pipeline of abuse folks 🥲#which like. their last conversation is yet another devastating example of ricky finally standing up to pericles' bullshit Too Late#ricky denounces him in the strongest terms he knows; based on his own feelings and opinions and the way he sees the world#(which: even then he can't bring himself to say 'i don't love you anymore')#(the closest he can get is 'i chose you and i can't take it back; the only way i can imagine not loving you is if i never had at all')#and pericles tries to go 'nyeh nyeh whatever i don't care' (and does a real bad job of pretending he is not obviously hurt lmao)#and ricky doesn't try to understand his logic; he doesn't try to reconcile a world where pericles didn't *really* mean to do anything wrong#his response is MAYBE YOU *SHOULD* CARE.#pericles' view of the world and what's right and acceptable are warped and *wrong* and he's the one who needs to get his shit together#'you shouldn't have abused me you shouldn't have killed cassidy you shouldn't have murdered a child in cold blood'#that is MASSIVE and i think it is really telling that pericles' response is to shut him down with force instead of trying to argue any more#and that in the end is the real true fucking tragedy of it all#ricky is making huge strides one after the other to take back his freedom from pericles emotionally#....and materially it makes no difference to improve his situation in the moment; because pericles doesn't have any less power to abuse him#he never has a triumphant moment where he Overcomes His Abuser and Breaks Out of His Control#there's nothing he can do to fight back until pericles is too Literally Dead to control him anymore#it is one of the rawest depictions of the reality of abuse i've ever seen and just. God. i love it so much#(at the same time i REALLY want to explore a version of events where he got the chance to expand further on that growth)#(the 'all witches are selfish; make all things yours; i have a duty' speech from the wee free men comes to mind)#whosebaby makes things#whosebaby writes#SDMItag#dyn: when i die i want you to die too
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billford-dump · 1 year
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Overheard during an argument between Bill and Ford:
Bill: I don't have to take this from someone who's only had six partners his entire life! Ford: That's not even accurate! Bill: Sure it is! Bill, grabbing Ford's hand and counting his fingers: One, two, three, four, five, six! Ford: >:(
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daz4i · 1 year
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bro i hate my country's politicians so much it's unreal
#i truly and sincerely hope they all die in a fire i am not even slightly joking#they promote violence and encourage an even deeper split between the people. bc it helps them#and it's disgusting. they don't care who they hurt as long as they get more power#actually they DO care who they hurt. they WANT to hurt people!! that's how they get more right wing voters!!!!!#they openly and proudly announce they want palestinians dead and out of their homes and it's sickening#(the fact this is WHY people vote them is even more sickening. they fact they were allowed to get this far is awful)#in addition to that they ofc want the lgbt community dead and they actively hurt women's rights bc how can they not :^)#i hate it here i hate it here i hate it here i hate it here i hate it here#sorry for talking politics. i try to avoid it but everyone on social media is talking about it. i'm so tired i hope we all explode fr#actually i'm not done i really need to vent lol#it really feels like there's no hope. the fact it keeps happening. and it gets worse every election cycle#and it's all bc fucking netanyahu is trying to avoid going to jail :^) i hope he dies today right now actually#for years everyone on the left jokes abt moving to another country but now it's becoming literally real#many people already HAVE left the country!!!!! like how fucked up is that!!!!!! that's how bad things are here!!!!!!#there's been rallies and protests for months now. i think nearly half a year at this point bc i remember it started in the winter#but obviously it doesn't do jack shit. bc why would it. if none of the right wing politicians literally get murdered -#- there is no real threat to them and so they have no actual reason to care. i sincerely think someone should take one for the team -#- and kill one of them lol i truly think this is the only solution at this point.#not to mention many of them are literally just. gross people. you hear them talk and can tell they have no experience in politics#they're all violent and constantly yell and this is how they appeal to the other violent people here#which is also why i think violence is the only way they'll understand. but alas if the left becomes violent we will be hated even more#ignoring the fact they have been violent this whole time yeah? they literally try to RUN OVER PROTESTERS#do you see why i have no hope here. do you see why i hate this so much. how can one be optimistic about this. everything sucks
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anothermonikan · 11 months
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Guys not to be judgemental but like. does Saw get good again. genuinely.
#I just finished 4 and hm....I thought 3 was pretty meh#4 is maybe slightly less meh but still pretty meh#I liked 1 and 2 a lot!#but idk. I think John is bad actually and he doesn't actually care about giving meaning to people's lives or whatever#It was kind of believable up until like. the reveal that he was testing Amanda#Because like. oh no you tried to kill a cop who planted evidence on you and ruined your life :(( that's so bad that makes u a murderer!!!#meanwhile there's this other guy fighting for his fucking life because the grief he felt over his son dying in his arms to a drunk driver-#-was a little too violent :((( and he needs to learn to forgive people :(( like what.#Dude didn't even actually hurt anyone either he was just griefstrucken. what#I really hope that's the intended reading. the reason why 4 was a little less meh is because it lent towards that more#Like. very hypocritical of him to be like 'You need to forgive!!' to a guy who lost his son to a drunk driver#When he himself started this thing because his wife's unborn child was accidentally killed by someone. what#Only you can be upset about losing your (unborn mind you) child??? what???#I feel like most of the deaths and stuff in saw 3 where like. the victims were way more like. complicated.#so a lot of them just felt like really unjustified. which is kind of the point I get that Amanda was just killing people.#But it was still a weird shift aha... the only person who deserved to die in saw 3 really was the cop#In saw 4 I was like. Yeah kill them! for more of the deaths . but then it was also complicated because it was a cop doing it.#And also that trap with the wife and husband like. like Oh yeah your husband beat you and your child#But you really gotta appreciate your freedom! so you're impaled with the same spikes your husband is and you gotta pull them out!#like. what. they treat Jill so bad as well it was kind of annoying. but I'm pretty sure that was on purpose#asdfhsdhsdhds#sorry I should like. finish the series before posting about it#Android.txt
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