"I think this Category of human being is disposable" okay that not only sucks and is fascist but also makes getting you to deem someone to be disposable a simple matter of convincing you they're in The Category regardless of the truth. Also The Category is often misapplied to a vulnerable minority because it makes people like you agree they're disposable.
"Anyone who disagrees with me about The Category of people being disposable is a Category apologist or probably also in The Category themselves" Oh so you're just totally unconcerned with truth or justice or ethics or human rights and just are feeding your bloodlust for the sake of revenge fantasies. got it 👍
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The Bronx Zoo has just released Flaco's necropsy results.
He was not thriving, as the people championing the ideal of "freedom" claimed.
He was poisoned.
He was sick.
He was suffering.
"Freedom" would have eventually killed him. A building just happened to do it first.
"Postmortem testing has been completed for Flaco, the Eurasian eagle owl that was found down in the courtyard of a Manhattan building a little over a year after his enclosure at the Central Park Zoo was vandalized on February 2, 2023. Onlookers reported that Flaco had flown into a building on the Upper West Side of Manhattan on February 23, 2024, and acute trauma was found at necropsy.
Bronx Zoo veterinary pathologists determined that in addition to the traumatic injuries, Flaco had two significant underlying conditions. He had a severe pigeon herpesvirus from eating feral pigeons that had become part of his diet, and exposure to four different anticoagulant rodenticides that are commonly used for rat control in New York City. These factors would have been debilitating and ultimately fatal, even without a traumatic injury, and may have predisposed him to flying into or falling from the building.
The identified herpesvirus can be carried by healthy pigeons but may cause fatal disease in birds of prey including owls infected by eating pigeons. This virus has been previously found in New York City pigeons and owls. In Flaco’s case, the viral infection caused severe tissue damage and inflammation in many organs, including the spleen, liver, gastrointestinal tract, bone marrow, and brain.
No other contributing factors were identified through the extensive testing that was performed.
Flaco’s severe illness and death are ultimately attributed to a combination of factors—infectious disease, toxin exposures, and traumatic injuries—that underscore the hazards faced by wild birds, especially in an urban setting."
The naturalistic fallacy kills animals in horrible ways. The romanticism of what humans want to think of as a "free, wild, pure life" cannot be allowed supplant the reality of injury, sickness, and death. Releasing captive animals (or keeping them from being recaptured) because it's "better" for them to suffer untethered than live a healthy, safe, captive life is inhumane and horrific.
Flaco's life didn't have to end in pain, sickness, and suffering.
Flaco's death didn't have to be tragic.
But once the idea of "freedom" entered the chat, Flaco's fate was unavoidable.
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there's something so poetic about kipperlilly copperkettle—who hated one of her classmates for daring to be better than her and having a dead dad, who refused to improve herself and instead chose to be bitter and entitled, who was so obsessed with being Special and Important like she felt she deserved that she willingly worked with a rage god, betrayed her party, and killed her friend—getting killed by fucking. Hold Person. her fancy optimal build IMMEDIATELY folding in the face of riz's cleverness and experience and applied knowledge. she spends years fixated solely on racking up EXP and getting the Best Abilities, and then when she dies, she's killed not in glorious combat but by a clever, practical application of a 2nd level spell that she NEVER would have ever thought of using because she has no creativity or adventurers' spirit, cast by the same classmate she always hated with a watch his dead dad gave him.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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