#so I thought. why not

[kastalani123]

ToA, but the A stands for Ares

Bc I think many have questioned why Ares wasn't (noticeably) punished for helping steal the Master Bolt and Helm of Darkness. He's already the Olympian pariah of sorts, a major punishment shouldn't be out of the question.

So he spends about a year in limbo before being dumped in Manhattan as a ball of immortal rage confined in a tiny mortal body. Haven't decided whether he's in his early or late teens, but regardless, he is smol with like. Toothpicks for arms.

He does not initially intend to head to Camp. He intends to squat at some fighting ring or something until Zeus gets bored. Anything to keep others, especially his siblings, from seeing the state he's in.

However, he has no weapon and nobody is particularly intimidated by a roughed-up, dirty kid, regardless of the inferno raging in his eyes. So, off to Camp he goes, just in time for The Sea of Monsters.

He. Does not know that a mortal immortal's services have to be claimed. He would've made one of his kids do it, if he had. Instead, he gets caught off-guard and Annabeth gets him. He hates it. Not only has he lost all control over himself, but he lost it to a child of Athena, to a friend of Percy's. He has a rough time with it.

Iiiiiiii don't know how Clarisse gets her ship without Ares as a god. Maybe he can summon it without his powers because the soldiers owe a debt to him regardless of his mortality? Sure, let's go with that.

(Also! Disregarding the "abusive father" characterization of PJO Ares. If there is one thing that man loves, one thing he will never be violent against, it's his kids, fuck off, Rick. He may not be a great dad (as all gods), being too rough and overestimating his kids' capabilities and being bad at emotions/empathy, but he is never raising a single finger against his kids. Unfortunately, that doesn't mean they don't have some degree of fear about not living up to his expectations)

He goes with the trio on their secret quest because he's. Kind of tied to Annabeth, at the moment, and also because it's a chance to fight and hopefully regain the shred of his Father's favour he still had before TLT. Percy hates it and they fight constantly; Ares spends a good chunk of the quest muzzled with Annabeth's "Shut up!" commands. He's not having a good time.

Clarisse is pissed that he came because she thinks it means he doesn't trust her abilities and thinks she's weak. This is Not True but Ares really fucking sucks at communication, emotions, and relationships in general, so she stays pissed at him.

His temper gets even shorter than it already was when he, Annabeth, and Percy get separated from Clarisse because he's worried and wants to hurry up and find her. Percabeth don't realize that's why, so it ends up as a huge mess. Ares is trying to rush through everything by immediately attacking while Annabeth and Percy are actually trying to plan some things out, so he ends up being kept on a really short leash. Like, "Don't do anything but follow us" short. It's almost enough to get him to spill his worries; alas, he cannot speak.

(Honestly, that probably ends up as a huge part of the story; his arc would probably essentially be to get him to open up and help him understand and deal with his emotions, but he keeps pissing people off which makes Annabeth make him shut up so he can't talk shit out like he's supposed to. The first proper steps of his character development have to happen away from Annabeth, which means it's really convenient that she gets kidnapped in the next book!)

Anyways.

Annabeth lets up on the commands when they get to Polyphemus's Island, with the caveat that he doesn't rush into anything. He wants to absolutely decimate the Cyclops for daring to capture and think of marrying his daughter, but unfortunately, he does not have the ability to do so, even with a godly power up born of his protective rage. He absolutely vows to take care of it when he regains godhood, though, regardless of Poseidon's potential wrath. This also further cements his hatred for Poseidon's children, which is honestly very impressive because they're probably already one of the things he hates the most.

His reunion with Clarisse is. Well. It certainly is. Unfortunately, they are both allergic to admitting how worried they were. Instead, Clarisse just gruffly thanks him for his help and Ares says that no one is allowed to touch his kids (which Clarisse takes in a possessive/neg way, of him sort of taking ownership, as gods are wont to do. This doesn't get rectified for. A while). They both want a hug, inexperienced as they are with them. Neither will get it.

That's about it for SoM. It'd be more about him learning about his limits and getting a better idea of his kids' limits than proper Emotional Character Development. That'd start in TTC, kind of like how Apollo really started growing after TBM.

Ares absolutely has his own flavour of trauma; more "typical" soldier PTSD and stuff about being the hated Olympian than past lovers, tho. A good bit of his arc would probably be something about learning what healthy relationships look like, how to manage his feelings in a non-destructive way, and that he doesn't always need to be "the strong one" and should be protected sometimes too. He doesn't get the same speedrun as Apollo, since he'd be mortal for a few years (until TLO), but considering his thing is more about learning how people and relationships work while Apollo's was a bit more about his ego and actions getting checked, I think that can be justified. This man has been ignoring emotions other than rage for millennia, it'll take a bit more than six months to get him to open up.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[hamletthedane]

The movie Wicked is proof that any source material can be vastly improved by simply making the intense female friendship much gayer + the mutual male love interest both wildly bisexual and lowkey down to just be their third

[fanaticalthings]

Bruce Wayne except he texts like an ominous boomer

wdym you can't tell if he's threatening them?

Based on this post by @mysterycitrus :)

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Bonus:

Happy birthday, Tim 🥰

[mlm-blues]

“lmao imagine liking men” OK!!! ON IT BOSS 🫡🫡🫡 it’s beautiful here

[birdmenmanga]

they are putting yaoi in the city art museum and censoring nsfw content with heat-responsive material so you have to put your hands on it to see dick

[moncuries]

guess what i watched on new years (a redraw kind of)

[reineydraws]

this is a scene from opla s2, black leg gazpacho told me himself!!!

src by @op-trash-blog-of-hell

[wordwings]

*kicks down your door* It might seem like a plot hole that no one thought about the possibility of Dracula being invited into the asylum by Renfield (or any other patient) but actually it speaks to the way Renfield’s personhood is being denied mainly by Jack Seward, but also the rest of the crew in part through their reliance on Seward’s expertise. Which also ties into the way they have decided to shut out Mina at the very same time. It literally just did not occur to them that the patients living in the same building as them would have any claim to the residency that allows someone to grant the permission a vampire needs to enter a home. But of course the asylum is the patients’ home just as much as it is Jack’s! They live there! In short this fatal blow dealt to the heroes at this crucial juncture comes about through both their sexism and their ableism. Good night. *puts your door back on its hinges again and leaves*

[notherpuppet]

@/coma_0423’s cursed cat alastor will bring you happiness ♥️

Lulu scolds the cat

[cometblaster2070]

i'm making myself laugh thinking about this but I wholeheartedly believe madame morrible absolutely HATES the thought of glinda and elphaba being together like the mere mention of gelphie would probably send her into immediate cardiac arrest and it's not even because she's homophobic or anything I just fully believe she dislikes glinda so so much she's just like this is absolutely NOT happening in my house.

glinda and elphaba are having their gay ass moment and she's like "I sense a disturbance in the force; the wind is telling me those fucking lesbians are at it again."

like IK this woman hates to see glinda's fruity ass coming for several reasons but first and foremost I believe it's because she's so fucking ANNOYED by how much elphaba loves and cares for her, like this pink bitch is throwing a wrench in her plans just by EXISTING and being herself.

and she can't even really do anything to glinda because it'll make elphaba upset and she really can't have that so she just has to sit there and be like

[spookberry]

post trick or treating activity

[lotus-pear]

charm stat at debonair ‼️‼️

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[franeridart]

more dragon