#so I have time to write

[reginrokkr]

Starter call. Capping this at 3! For multimuses, please let me know for who is meant to be ♥︎

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[noodles-and-tea]

Continuation of this

[trekkiesagainstchastity]

It doesn't matter if that fic has been in your drafts for years and is now self-indulgent to the point of parody. If Steven Moffatt is allowed to do it professionally, you are allowed to do it for fun.

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[convexicalcrow]

come back skulk Cub my beloved come back

[buginateacup]

Every single fic update there is an author trying frantically to find the right balance between a nonchalant aside of "leave a comment if you enjoyed =)" and clinging desperately to the coat tails of a random stranger, dragging along behind them on the street wailing "Please, please! I have to know what you thought! I'm desperate to talk to people about this! Ask me about the alliterative repetition! Ask me about the symbolism!"

[crispyliza]

I've got you all figured out fanartists

[hinamie]

unconditionally

[drgnflyteabox]

can't get much better

pairing: ghost / simon riley x fem reader summary: simon is forced to take some time off - he makes the most of it. tags/warnings: very soft, pregnant sex, size difference, softdom!simon- he's a masculine man who doesn't let his lady lift a finger :'), oral (f), one (1) butthole kiss, dacryphilia, daddy kink (sigh), minor minor foot stuff, allusions to injuries and chronic pain, title from an adrianne lenker song w.c: 2.5k

You try very hard not to think about it, but it's hard not to notice how massive he is.

Even shirtless, he somehow looks bigger, muscles flush with heat and exertion under the sun. He toils and breathes hard like an ox, working while you sit on the porch wrapped in his big flannel. Wearing his clothes is like being swaddled in a blanket straight out of the dryer, warm and nostalgic and syrupy with love. It leaves you feeling some type of tender. You're afraid of that feeling sometimes, of how soft it is and how soft it makes you. He could ask anything of you, and you'd yield like he was pressing his thumb into a bruised peach.

You have.

"How are you two?" Simon is so quiet when he wants to be. One would think he'd clomp like a horse with how big he is, but he can float like dust. It used to startle you, but you've been sinking deeper into the memory foam mattress of this life with him and it doesn't anymore.

"Tired, even though I'm not doing anything," you squint at him through the late afternoon sun. It haloes him like an angel.

"You're growing my baby in there, love. That's not nothing," his voice is rough, it always will be. But it's rough now like earth and soil rather than rough with pain and smoke the way he'd sounded when you met him.

You're feeling especially nostalgic, it seems, not like it's hard here. His hand is warm on your belly.

"I guess so," you let him pet you for a moment. Your stomach is swollen but not as big as it'll get, just enough to veto pants. A few months to go still. "How's your back?"

"Argh," Simon says, taking a heavy seat next to you. Dismissive and yet he groans a little when his muscles unclench. Classic.

You slowly reach up and nudge him until he's facing the field opposite to you, face toward the golden afternoon sun and his back to you. He's never asked you to do this, to take care of him, but it's your favourite thing in the world.

His back is always rock-hard no matter how many times you take your knuckles and fingers to it. Just a condition of a hard life lived for him, countless falls and impacts and pushing through injuries. There's a slight slant to his spine now that isn't there in the pictures he's shown you of his youth, but the stiffness is the same. You might've said he was born to be a soldier, had you not known him as a father. He could do both, but - you'd never say this out loud - you were privately grateful for this injury. It wouldn't take him out forever, but the recovery would be long. Long enough to get the homestead started, to get you pregnant.

Simon would never be completely still. This was compromise. Sweet compromise, a life started and time with him you could think back on the next time he shipped out. Making the most of things, he would always say. Making the time count.

"That feels good, love" he groans. Bending forward slowly, relaxing, he's like an aloof stallion finally accepting an apple from your hand. Acquiescing. Showing you his back. It's trust, and you savour it.

"I bet it does," you tease back, just a little. Your fingers are nimble and attuned to his specific aches and pains. "Are you hungry for dinner?"

"I'm hungry for something," he turns, slowly, hands reaching for your thickened waist. Huge, work-roughened hands. War-roughened hands, holding you like a delicate egg. Sometimes it feels like he's the only thing that holds you together; all your pieces, everywhere, until he's holding you.

Kissing him is a contact sport. It's his hands moving, cupping your breast and then your pussy through your panties, your own hands wrapping around his broad shoulders like he's the only thing keeping you from drowning. It's open-mouthed, breathing into each other. Impossibly, you get softer, melting like ice on a hot day. 

Before you can lean back on the bench, he stands and lifts you with him. He's still hot from the day, damp with sweat, pushing you into the house while kissing you still.

"Simon-" you start, with no goal in mind. "Please."

"I've got you, love," he murmurs. He always does. Before you know it, you're laid back onto the plush armchair in your living room. Simon knows this is the most comfortable place for your newly-aching body. Affection swells in your chest uncontrollably and comes out through your eyes leaking down your face. Sure, pregnancy makes people emotional - but you're still embarrassed, touched by how considerate he is.

"It's alright, shh," he thumbs the tears at the corner of your eyes. His cock tents his work pants, aroused by them. "Let me take care of you."

The next words he murmurs are into your cunt, right over your panties, tongue laving over the already-wet fabric. "Just need your daddy, don't you?" You clench in tandem with his words, hot all over, skin prickling. He pushes your dress up, bunching it right under your tits.

It's reminiscent of how you spent the first night with him, on the very first day you'd met. Hurried, his big head between your thighs and clothes hanging off you still while he made you fall apart.

He's fucking good at it, too. Pulls your panties to the side and builds up the pressure with which he sucks on your clit, softly and then harsher until you shake. You've been extra horny lately, always wet around him and always so swollen. The scrape of his five-o-clock shadow against the sensitive skin of your inner thigh is what tips you over, clamping his head tightly and shouting your orgasm into the heady summer air.

"That all it takes?" Simon grins, chin wet, fingers moving from your hips to your pussy to gently rub along your slit.

"Give me a second, please," it's humbling how quickly you come nowadays. Quick and intense. Fireworks.

You set your foot on his shoulder and he turns towards it, kissing your ankle. Patience is rare with him, something come about only since you confirmed your pregnancy. You miss being overwhelmed by him, miss the nights where he'd guide you over the edge one, two, three times in succession.

He pushes now, just a little, not waiting for your go-ahead but watching you intently. His fingers spread your cunt in a V and he puffs a breath on your sensitive clit. You jump. He grins again, leaning down to lick you, using one hand to hold both your legs under your knees and push them until they meet the soft bump of your belly.

"Hold them there," he says. It's spoken not to you, but to your hole, which he spears his tongue into. You obey as you're helpless to do, holding your legs up and giving him an unimpeded view. It's more than vulnerable, it's not only baring yourself to him completely but giving him the authority to do what he wants. What you need.

Simon eats you out like it's a kiss, slurping you down and letting you leak until the evidence of your weakness to him is all over you. Your legs are wet, and it drips down onto your other hole. He pushes a thumb into your cunt, dipping it in and out.

"Needed me, did'ya? Watched me all day," he's so smug, sometimes. His lips find your bare foot, kissing your sole. "Been wet like this all day?" His other hand finds the meat of your asscheek, spreading you open further, letting the split of you open to him. He leans down, kissing your inner thigh, then your other hole. You whine and clench your pussy around his thumb. 

"So needy," he murmurs, finally finally moving back to your clit. Flicks his tongue over it, something that might've been teasing before but is intense now. Your hands tighten against your legs, head thrown back.

"Oh please- Simon!" You shout again, abs drawing up, stars in your eyes. "Ahh- I'm-"

"I know, honey," his lips suction again around the hard little pebble of your clit, eating like a man starved. 

This is how he likes you. Losing control, coming apart, helplessly vocal against the onslaught of his tongue. No matter how many times you've done this, it never gets old. The release almost always makes you cry, especially intense like this. You're wet all over, face and cunt and legs. He is, too.

"You still with me, love?" He pets your flank like you're a horse.

"Yes," but that's not what he wants.

"Yes what?"

"Yes, daddy."

"Good girl," and fuck if that doesn't always fill you with warm fuzzy energy. Wipes your brain, keeps you soft and floaty.

He guides you up and out of the armchair, lifts you into his arms when your legs shake too much. That electric feeling is still coursing through you, tingles in your extremities as they come back to life.

The hand he strokes over you is half affectionate, half proprietary. You've been his since the first time he laid eyes on you.

He reminds you of it as he sets you down gently on the bed, your hair a halo around your head and hands reaching to his face where you pull him down for a kiss. Hands find his shirt, pulling it off you, and then the dress. Fingertips touch the headboard, your arms stretching up, making room for him. Slips your panties down your legs.

It's a lingering, indulgent kiss. Breathing each others air, gasping into his mouth, he puts his elbows by your head and lays as much weight down as he can without cramping your full belly. He's as vocal as you, groaning and rutting like a dog.

"Ready for me, sweet girl?" He leans out of the kiss, sitting back on his heels. You nod, desperate and pulsing between the legs again like you didn't just come twice.

"Daddy's gonna take care of you, don't you worry," he rearranges you like a doll, turning you to your side and getting between your legs. A pillow is tucked under your belly, and he tests your flexibility by holding your leg tight to the length of his body. Your hamstring burns a little with it.

A hand holds your knee, another to your waist. His jeans scrape against your sensitive skin.

You focus on little details. His scar, touching his eyebrow and splitting through his nose, ending down by his jaw. The knuckles on his fingers holding your knee, and how rough the pads of his fingers feel on your waist. This man has never had soft hands in his life. Those same hands capable of so much force, so much violence, the very same that hold you and guide you. A shepherd, you his lamb.

The weeping head of his cock kisses your hole, catching there and traveling up. He taps it against your clit until you're tensing, whining, needy again. Tears down your cheeks.

He steadies you, pets your waist, guides his cock inside and it feels like you can breathe again. His mouth laves hot kisses over your ankle, the sole of your foot again, reverent and controlling all at once. The stretch burns - it always does, and maybe always will. Simon is just so big, thick all around and the mushroom head of him could always bump your cervix if he's not careful.

He's careful now, but only just. You can sense his control fraying, his hips driving forward steadily but his thighs tensing and his grip getting meaner. This is your favourite part. Watching him sweat, breathe hard, taking his pleasure in you.

"Yeah-" he cuts himself off with a long, drawn out groan. Deep, from the bottom of his belly and out. "Already so full of me, aren't ya? Can't get full enough."

You plead with your sounds, words out of your grasp. Your hands clutch at the sheets but it isn't enough. He's solid, he's your anchor, but he's losing himself in your cunt and you're free falling.

"Play with your tits for me," he commands, pumping faster. You're reflexively tightening around him, clit jumping for attention, squeaking each time he lets himself in as deep as possible and touches the mouth of your cervix.

Sunlight slowly fades on the bed, the last golden rays escaping out the window as you're bathed in dusk. 

There's nothing to do but obey, hands finding your swollen breasts and squeezing. They've been sore and huge, like that week before you get your period only it's been a couple months. None of your bras fit anymore.

Simon appreciates it, he loves it. Has you cooking for him with your tits out, nipples peaked and pussy leaking. They bounce, now, stopped only by your hands pinching and twisting. It's insane - no one in the world could replicate the feeling. No artist, no musician. Electricity zips from your breasts down to your clit and shit - you might come just like this, untouched, just full of your man and fondling yourself.

"Fuck, I can feel you squeezing me. Fucking," he pants, leaning over you, bending your leg. "Pinching my dick, sweetheart. Your pussy's so fucking good."

The orgasm begins in your toes, tingling. Your muscles tighten, drawing up, up, towards your cunt, which is making obscene sounds around him.

Simon sees the signs, sees your eyes rolling and your body going taut. He abandons your leg in favour of rubbing your clit with two big fingers quickly, up and down.

"That's it, sweetheart, come all over my cock. Go on," his voice is a snarl, barely distinguishable as human, beastly. "Be good for daddy.”

It's like the crescendo of an orchestra, like a summer afternoon in august, like waking up without a clogged nose after being sick, it's - really fucking good. You're near sobbing, crying out his name, abandoning your tits to reach for him desperately. He meets you halfway, shuddering his own orgasm into you. The press of his hips against yours is better than buttered toast, the delicate press of his chest against yours as he lets your leg go is bliss.

"Si-imon," you slur, hands on his cheeks. He laughs and kisses your forehead.

"What's that, sweet girl?"

"I love you," you cry a little more then, feeling him pull out and lay next to you. You're boneless.

"I love you too," his arm reaches across you, pulling you into him. "Both of you." Hand on your belly again.

"That was insane," you pant. He barks a laugh against your hair. "I'm serious."

"I know you are, love," he kisses your forehead, petting your stomach. You can tell it's meaning, can feel the gratefulness behind the kiss. He's saying thank you, for staying with him, for making him a father. Your hand finds his, squeezing back a wordless reply. Of course, it says.

<3

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[hhhhunty]

How funny that she never considered that.

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.