#so 2 possibilities

[dullahandyke]

Btw I'm not gonna play com until I meet him bcos it's like 1am but my brain has spun the wheel on kh characters to think about and come up zexion

[bitit]

i giggled so much about @fence-time’s playground au i had to draw my own ideas

if @cherrifire were the teacher/supervisor:

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[guillotinedream]

I think the most heartbreaking thing about arcane is that there is CANONICALLY a universe where everyone lives, everyone is happy and everything is undeniably better, for everyone- its the only thing vi’s ever wanted. For her family to be whole and thriving, but she isnt there to see it because she died. Everything she ever wanted and she’ll never know. Devastating

[fabiansociety]

da2 isn't the best dragon age game *because* it's openly a tragedy, but being a tragedy forces a level of narrative coherence that the other games in the series don't have, and *that's* what makes it a better game.

okay, so. dragon age 2 runs on nested foreshadowing and a limited set of themes that almost every character and plot beat fall into: love is not enough, wealth is not enough, power is not enough, good intent is not enough. the problems you run into are structural, rather than individual, and your ability to resolve them as one person is strictly limited. the arishok is a central figure for this, because he prefigures every other tragedy and makes the game's thesis statement as clear as possible. he doesn't want to be in kirkwall, but he is compelled to remain until he gets back what was stolen. he doesn't want to lead a coup attempt, but he is compelled by qunari codes of justice to act. he does not want to die and fail his duty, but but he is compelled to by the other two impossible demands. every tragedy in kirkwall is the result of too many people with wildly different definitions of justice crammed into one place specifically designed to maximize human misery and suffering, and so you get a wonderfully nested narrative onion where each quest reinforces that idea, where there are no good options, just positions you can take — even the affinity system plays into that, where constantly gassing up your friends or constantly pushing them to change are equally correct ways to go, but ones that won't ultimately make a huge difference in their lives or characters, because no matter how much they like you, they're not under your control.

this coherence is even justified by the framing device. of *course* the moral of the game is "insisting on a dogmatic, narrow idea of justice destroys individuals and societies," it's a yarn being spun by varric the con artist to a chantry cop!

neither origins or inquisition play with that sort of narrative complexity. origins is a jaundiced hero's quest, certainly, but it's still basically a hero's quest; inquisition has a number of characters who question what you're doing and why, but the multitude of voices pulls the game in too many potential directions. DA2 was so constrained in its production that it pulled on decidedly ancient theatrical traditions, and it worked so, so well

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[robiniswriting]

david tennant, matt smith, and jodie whittaker: if doctor who calls me and im available I am so there

me: omg yes slay I love that for you

christopher eccleston and peter capaldi: there’s nothing on god’s green earth that makes me want to reprise the role of the doctor on television

me: omg yes slay I love that for you

[lucabyte]

there's a stranger who sleeps at the foot of your bed

[chloesimaginationthings]

You think William has heard Ballora’s FNAF song?..

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[tackykachowch]

Silco SO should've haunted the narrative in s2 I can't stress this enough. Like, we knew Vander, Mylo and Claggor only for 3 episodes, but their presence was felt aaaall throughout s1. And now you're telling me that a PRIMARY ANTAGONIST of s1, a leader of Zaun, Jinx's dad and The person who started the negotiations with Piltover for Zaun's independence only got a couple of mentions?? Which aren't even relevant to the plot or character motivations??? Are you LEGIT FOR REAL kidding me???? I still can't believe this happened chat.

He's literally a part of the main cast. He literally was present in every single episode of s1. And again, given just How Much was tied directly to him his death should've had just. Massive consequences. For almost every single character. And yet.

My honest reaction to this information:

[potatobugz]

objects loving objects baby!!!!

[scintillatingshortgirl19]

i think im having a stroke

[kurikorso]

who died and put you in charge?

[hinamie]

all i have left

[sweetmapple]

2 chairs in the bar now, rejoice